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6 1593 1' T ,\R .\ Y rr. I.I. E. Op.
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. Fain·hil d
6 23 21 (; \".\ I. ~I·: C.\r U I C I·:' · S roll . .
_l' n· ... en t
6 18911" \ ·.\ I.S E ' H.\:-.ITE I·:- -Tr" r, 11
Tr uxr -l l
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62463 1l \ '.\ 1."1': 1 ~IP Il O ~II' T I' -
. 50
FI .at,' ,
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~u ng. "
X/l t N ,
61833 (;
1;li(;~~' 1.;;1' Pri-e
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. 50
I F FI.()\\,E HS COC L Il S P Ec\ K . 0". 6.
E Fbl (Iuw )-J.'lU'r n ... " " , ' .. . , Zu('('a
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}\{'.v of ( ; (higoh) -Zurr a
ZUN:a
f.(J(' II 1.0"O.\Il. E I-'lat, H"ril .. nc!\ n ,ix!t-r-Jl'arh·(·h ,
"
l.:1nl:<:on
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6144 3G
n
, h il.:' h ) n 08 ,~ . . . . . . . . . . . . • . . . . . . . . R r')-,~
E" 1l.\T E.\ l: . K cv of G. 'C e llo A("".. II I pun iuu -n t - -Debn t /l
61 541 F
Tir'h
' T I";
I J.(~·;~II'.;r" \'gl;
.\1. 1.-/)(1111
62 531 11 \ ·.\I.S I·:. .\ FI" I -
Of ~ccompanim ent
'l<Jprint
6 1503 1"
x.,
1001 F
I br il t l nr~ - S rh /l ll (' rt
\\'110 l.~ S YL\"I .\?
I b ~ ... -Srhll/U"rt
. . L an l..... )n
.. 0
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"W
K"v of 1-' . Alt" or
~
I. a lll . ..o ll
. .•0
This Bull e tin wi th th e J anu ar y 1923 Cat al og su pplie s a COMPLETE LIST 01 a ll Ampic o R ec ord in gs to d a te,
'!<!Print of J:.3test popular c5Y(usic
"j.
T it lc
Composer Phl.n -d hr Price
203891 I': :\ :\' :\' .\ n EL I. E ( Fox-Tro t ), Lopez A!'t, isl C't! L. '!5
204241 1-: .-I 'i 0 IL-I\"GE GllOV[-; J'i C.I Ll FOH~IA ( Fox-T ro l )
Lnnue 1 . '2;')
204271 I': AilE YOU LO'iELY ? ( Fo x -Trot) . . I.a n.c" I . ·I,S
204421 I': ,IHC . IDY (Fox-Troll. . . . _. . , D"ll'allip \. '/5
20405110 BEBE (Nov el ty Fox-Trot)Vincent I..<)JX'z. :h" istc d 1, -25
204391 E COVf:R ED WAGO'i D,IYS (Fox-Tr ol )Lopez, ..h s; sl l'd 1 . '15
2 0452 1E J),I\" C['i' DA 'i ( Fox -T r o t ) . . . . . C arro Jl l ,~5
20406 1E DlH.TY HA NDS! DlllTY FM~E! (FoxT rot ) .
Dclcuurp 1 . '!5
20 4 15 11': DRE AMY MELODY (Wal[l,)C;u rnli n n.l II. So . '!s
204201 E E..IS Y M ELODY (Fox-T rot) . Fain -hil,1 , ~,;
204211 E EV'RY NIGHT J CRY MYSELF TO
~ro.
204331 E
Composer
Pl.l,\ t·,j Price
" St ep pin c Slnne , "
Lopez, :\.s., i.",.'d
'! 5
T itl e
ILIG GI::DY A\'N,
(F 'lx-Trc)O. .
204571E
203731 f:
203971E
" Tnp'.v a nd E\,a "
RI';:-II-:~fIl 'llI:'\ G ,
(Fox-T rot)
It eichcnt hn l
TUTZI MITZI (Fox -T ru l ). L,pC""J:. As...i" lc·"
ROS!': OF
Trot ) . , . . .
204581 f:
203381E
2034711-:
204261 E
',!.;
. ·!5
xrou xt xc IF" x-
THE
. . Dc h-anrp
ROS[TA (Ta ngo). . . . .'. R,'i('lll'l1IIJ ,,1
lllJ\" 'iI'" WiLD (Fox-Trot ) . . , , C"l'r,,1I
S,I II' M[LL RIVER ROAD, " Glnr,\'''
s,I(~'T'r~I\~i'i'H ~-\. ' ijKiiLi,[,f:~
.
-!."'/ ,;
.! ,;
,8,;;[::1;
~5
an d i\-[od ('I-." (F ox-T ro t) LOpl·I....t ......i:o. lp ri
'!5
S[-L\ KI': YOlJR FEET, "Zi egre!d Folli"...
(Fox-T ro ll. . . _
L oncc
204 291E SITI'I N' I N A CORN Ell (F" x-T ro\) -
'!5
204281 [.;
C;lrroJl
.!.')
204471 f:
2045111,:
S Lf:r.P (11',,11 7.).,
r iorilo, .1" j. I",1
SO\lEO'i E LOVES YOU AFT ER .1 1.1.
.! ,;
. ,:!.)
204371E
Trot-ec )
Lopez. Assis ted
203 56 110 HO\"EYMOO\" CHIM ES (Waill.) S hip m a n a nd C . A.
204 55 1E IIOW ~ I Y SWEf:T IE LOVES ME (Sh"
Lo ves M 4.: .\ 11 th ,· TimC' ) ( Fo x-T ro t I e-
. '!5
2041311::
ST ,I Y 1-[OMf:, LJTTLE GlIl L, S'I',I I'
110\1 E (W" ll7. ) . . . . , ... "", de £1",.1. I .!!i
ST E rIL A LITTLE K[ SS WHILI ,:
[lAN CING (11',,111.) ... de Bert. :,," 1 II ,S, '15
. ':!5
204441E
2036511::
L a ll gl:'
. 'l 5
SLEE P OVE [l YOU (Fox-Trnl )-
Lawnh ur ... l
204071 I':
GOLD DI GG ER (DIG A LIT TLE
DEEP EHl THE (Fox-Trol ) . Lnwnhur vt
204461 I':
204031E
I-I:\V .\:'\':\ (Ta ngo) . .
..
Reiehontl ml
IF I C IN 'T G ET T H E S WEf:TlE I
1I',1'iT (l I'ITY TH E SWE ETI E l
204091E
2038 4 1E
r LOVE YOU, "Lit tleJessic Jumcs " (FoxTr ol l.
,
Lnw nhur st
rvr GO[\" ' SOUTH (Fox-Trot j -cFairchild n nd II. S,
rxr SITTI'i G PRETTY I" A PRETTY
LITTLE CIT Y ( Fo x-Tro t). Luwnhu r- t
I\" DI.I \"A MUON (1I'alll,)-
2 0454 1E
)'I' E GOT A SONG FOIl S.I LI:: (T ha t
<';E'I ' ) { Jo'I IX-T rt ll) ., . . .
204221 E
. Shi p um n
Co oke nnd Shi p mn n
~I y
.
Vincent Lop ez. A:o::o: i..led
LE.IR" TO 110 THE ST[!I. :T, " Mu-ic
B ox B C\'lIc" r Fox-Trot l.Lopez, :\~ ~ i :o; l l' d
LI'i(; Ell AII'H[L1': (Io'ox-Tl'ol l , .. Luuc
LITTL E Bl 'TTEllFLY, " \I",i e Box
l t cvu c " ( FO\:-'I"'oL)..
20 37 11E
. ~5
. '!5
. 'l 5
.'/,;
.... , . Car roll
. :!5
l Iclc nmp
:-I,"D\.I LOVES 1'.11',1 (Pnp.r Lovc-,
204191f:
2043811·:
2041211,:
25
l h.· i { ' IH-~ lI t
hOI I
j .. t,·d
. ·!s
. ·!5
'!5
.50
.lu nc M"K a n,'"
\\:I~~~·tl~ '{)O\OtJ
..
Rr·j(·l ll:'III !J;J!
In: S WEET ER
DO
\l'IIE" I1"S
'l 5
Carrol!
02;)
O ver
I" [TI[I'
H e re )
( Fo x-
\\:l~,'L~ ' il;~"F; 'co~i 1::5' ~\~.~(/\\. . il~j:il:
SO~ G .
'2:;
Fox-
Slj ~D·.\ v..I~ti\;ll~I\I~
~[GHT -TDIE
\Vcdnc'id:J,Y
r
"The Ri e of Rt, ic O' Roill v"
F:lin ·l;il,J
lI 'IIE'i LIGHTS All r-; LOW (11',,111.
~.:;
1.)
Fi llri l ll I .-!5
, '15
\I'II E'i wn.r, Til E S I:'i S II [\" I·: 1'01:
!\IE ( Fo x-T rot)
1.011( '1. •. \ .~ ~ i ~ I, ' r1
2044911-: WHO'LL BuY MY VIOL ETS : L ,
Viol etcrn) "Little ~l i . . s Billclw:ll'l'"
(T a ng o )
2045011- :
:~~
, '2,")
. 1.:111::"
'25
.. »C!v;1 mp
.!.:;
. , .. '
203761E
WILD (-,LOWEll, " Wildflower"
20360lE
\l' O:-!DEllFliL YOU, " l.adv ll " lI,'rf h-"
T rnt )
I
Fox-
1) .. 11-;1 111 1'
(Fox- Trot) ... . ,. " ... I...()('z a m ' E. · F.
2041 8 1f:
20460 1E
203531 E
. '25
,. ,
.!/j
WHY SHOULD r WE EP ABO[T 0:\1,:
S\VEETI E (Fox-Tr ot ) . . . ..
"l5
OLD FOLKS .1'1' HO:-rE , T il l,; n '-ox..
WH.I T COULD
:\
. . . . Lop e»•. \ s ~i .... ted
01. 1) I',",SHIONED LOVE, .. R" nnin
Wild " (Fox-T rot) : . . ' . . . . . I.;In~('
"~I"r y
IFox -Tr ut I .
\"0'1' IJ Elll:: -'iO'f TH EilE (II ', Fifty
Mil e.. . fro m :Xowh e re ) ( [-'ox-T ro l) C :lr ro ll 1. 2;;
\"011' 'I'H ,\'!' r i" EED YO P , YO U'Il[::
T rol ) .
204341 E
204311 E
GO:\l E ( Fo x-T ro t l. . . . . . , . ' Cllrroll
204561 E
2041111·:
204021 E
~~: l.~h). (~Oxl~~{(;II\;x~'i'~~i j ' ..,. ~~:;~;::r,
TOO DL f:·OO,
B ox Iwvuc " ( \ V :l lt~) .
.'15
MAIl CII ETA (Fux-T'rot j -cRt-ichcnthnl and A. C.
203881 E \II' SII' EI::T [ E II'E\"T ..111' ,1Y ,SH E
DID N")' S.I Y WIJI::Ilf: , WHI :" OR
'!5
_
Delcam p . '2.:;
2045311·: THIPPI.'\G ALONG (Wilh 1'.." ,,,,01
M e' ( \\'a lb)
Ca rro ll a nd H . :-:', I . '~5
204481 E TWELVE O'CLO CK AT NI GHT (F...xT rol) .. . ... . , .. . , F iorit o. A<,;,... j,lI·d . ·.!5
2042511': W..I !..T7. OF LO'iG AGO, T ilE, " \I " . i,·
. 15
204161E
·.!5
( Fo x-T ru t j .
L:III~ C
:-URCH OF THE MA'i'iIK[\"S (Fox-
Lop ez. A.
THEH E ARE soxn: 'I'HJ NGS vor
NEVER FOH(;ET, " Olle X i,, "
'I'n Bouc-he (Fox-Trot) . . . H..ci c.: J-,t~l1 :h ; ll
2023211' TIIH EE O'CLOCK I" Till:: MOIl\"I'i G (Wn ltz)..... Shipm an uud HvC
202961 E THIn;' THE NIGHT (11'"11,,) -
(It 's
204171E
2040411':
204351E
Lopez. ,\:...... i:o. t.·d
Trot ) . . , , .. "
" Po p py " (Fox-Trot )
. ':2 5
. "lj
T rol ) . . . . . ' .
TII.-\1' OLD GA'iG or iII[ SE 11-'0'-
203951 E
204411E
203621E
TIIAT UHAN' NI::W G.IL 0 ' MI.'\E -
203901 E
. 'l()
. . . , I h · i l 'l l l~ nl haI
M alll llla ) ( Fox -Tro t )
.'! .S
Shipuum run I Srolllllitl. I '!5
LOVE TA LES (Fox-T rol)C:lrrltll :10,1 S hi pm an
LOI'f: Y CA:-I E B.ICK (Fox-T l'ul '
203931 E
1.:lIIgl·
204431 1'
2045911-:
LOI'I ::;I'ILLI·: LOU (T ha t Vruupi n' Lad.\')
( Fo x-T ro l )
OUT (Vox-Trot
SW[NG [N ' DOW'i THE L.I\" I,; r FoxT rol) " , . . ,.,. ,.. . . La ue rmd C , .1,
204321 E TAKE. OU T.-IK" THOSE 1.1 PS A11',1I'
204401 E
'l!)
.~,;
( ~{)\"c1 tv Fo x- T ro t ) -
204361E
204301E
. '!5
L~~';~I~'[llI'JI!1!'g\i ;I;HI'; 'U;I(;i,: ~!tJm:I'l
LOVEll HEll BEST OF ALL)
STEPPI~ '
... .. , " Lop ez, A..... j .. ll'd
, '! 5
. 'l 5
(l
201231 E
( Fo x-T ro t)
" Zi('gf('ld I·'ollic!'·· (Jo'ox -Tro t ) .. Fillr it u 1. ! 5
Swee tie Tur ned Down ), F o xTrot) , . , ' , . , . . . . . . .. . . , . , . . La ngc
204101E .IFS T II G III L T HY I' .M EN FOIlG ET
204081E
, '15
H[ LEE, H[ LO (Chop Sucv a la Fox-vo
204141E
2044511':
. -l;~
YOU DARLING, YOII (Fox-T rot l.!.." " c'·
YOU'Il E l'i K E'i'IT CKY .I S s e R E .b
YOU'IlE DOll 'll (Fox-TI'"I )-
YOu ·vr. GOT TO S EE ~l\'fr\
{, !
).;[GIIT (Fox-Tro l) " 1."1'01, a" d I,:, 1',
i\?i':ll
1. ·!5
. -?;:;
_ ~5
,-!5
'!5
This Bulle tin wi th the January 1923 Ca ta lo g supplies a COMPLETE LIST of all Ampi co R ecordings to date.
'l<.!Prints of Hymns with Words
1031 1':
T itl e
Compose r
Pluvcd hv Price
ADID F. WITII M E. M arIk..
1l"",,, ·11 1. '!5
CH RIST MAS M OIt!'l . C""a"t
I"in er 1. 25
J,;IL I. E I LI
S" ,k in.1 1.50
H E TH AT H AS GO D H IS G UA lto l.\!'I
l\..I A D E
loiur-r 1 . 25
1l0l.Y G HOST , WITH LIGHT UI VI \" E -
861 E
n lE
8 5 11-:
10 ZI £
HOL Y. HOL Y. HOL Y
Russell 1. '/5
I NE ED THE E EV'RY H O UR
Man·in 1. ~5
.JE R USALEM T ilE GO LOE:-I
Russell I . '!5
JESUS CH R IST IS TtISE :-I T O UA Y -
":\"0.
8 41E
94 1E
1111 I'
931 E
~o.
I I ZI F
8 3 1E
1081 E
8 7 11-:
1061 1-:
8Z IE
T ille
C O I Il P 0 ;o'(' f
r b .n~d by
KOL \ : IDltE. Trans . Il o/'rrl .'l
.. SlI... kind
J.EA D. K I'i DL Y 1.\1; WI' ...
. It ,,,,, ·11
M Y J ES US. AS T HO I! \ \'11.'1': . Yl ur vin
NOW 'I' ll E 0 .\ Y IS O\'EIl . .
1l" " .·11
011 . II E W IIO \ I .1ES l 'S LOVE ll . ..i" il1(·r
O :-lWA ItO . C H ltI ST L\ :-I SO L U I E IlS --
o
(,
1 . ~5
I . ~ .•
1 '! 5
t,1I
M ar vi n 1 . '25
Mu rv in 1 . '2.1
Pri.
1. :;11
1.·!5
HII :-....
1101 F. RO C K OF ,\GES
.
Er ic
1071 E STI L L. ST I LL W IT H T IlEE
Ioim-r
9 5 1E SI!N OF M Y SO CI.
\ Lo" 'i"
10111·: rur; DAY OF It ESII IlIl ECT IO\" . \ Ia"'i"
96 11·: YE SE IlVA\"TS OF GOU .
\ I ""'i"
'~ ,j
. ~.5
'Popular ~usic from 'Previous :Bulletins
~·H .
T itle
Com poser Pla yed h,Y Price
.-\\" r SC HKA . "Chnuve-Souric " ( Fo x"l'rot) . . . " ' "
. Carroll nm] H . S. . Q.'i
Z035 ZI I·: .\ P P L E S ACCF. ( Fox-Trot ) .
Lone .~5
ZOZ4911.' .-\ SO\"G O F I\"DL\ (Fox-Trol)20333 11-:
'Tn
Z036,3 11-:
Z0 10331'
;')0
Z03511 F.
ZOl073F
Carroll 1 .2,)
Z03671 E
1 ~5
1 '15
ZOZ8911':
Origin:tl Pin no Trio
Z0359 11·: .-\ U\" T HAG .\H·S IlLCES (Fox-Trol)2 0368 1F.
2 038 3 11':
Z035 811-:
Z038 11E
2033 11E
20369 1E
20Z66 11-'
Z03351 E
20364 1E
203 70 1E
Z03 1Z3 F
ZOOZ53 F
20 Z39 11.'
ZOl 6131'
58643 1-'
20 38Z II-:
2040 0 1£
591Z51-'
Il AIl Y RU"' T I "" (One-Step). Fnirr-hild
RAN G ! !Fox -Trol)... . Lopez, Assisted
RAM IlAL1:-1 ,\ .... Fnirchild and Carroll
RL UE HOOSIEH IlLUES rF'ox-Trol)Fairchild
C ARO LI NA I\" THE MOH"'ING (Fox' Tro t ) . .
,
Pollock
CARO LI"'A MAMMY (Fox-Troll Pollo ck
CH A;<.lSO N UANSANTE !Fox-Trol)-Orieinnl Pia no Trio
C R INOLT'IF. DAYS ( Fox-Trot) .. La ne
DO'l 'T C it y S WA\" E E (Fox-T rn l )Fairch ild and Ca rro ll
DOW~ A ~fON G THI-: S LE E PY HILl.S
01-' TE :-IN F.SSEE (Fox-Trot ) . . . La nc
F AOEU LO VE LETTEltS
(W" II7.
Bnllnd )
Lane
G E~E HA L P EH SHI "' G M AR CH (OneS tep )
A rden and La mber t
H AWAII A\" M OO'" (Wa ll7.) Cla ir nn d G. D .
III AWATH A'S M F.l.ODY O F LO VE
1\\", 11 7. ) . . . . . _. . . . .. Clai r a nd Pulluek
HONO LUL U J,;YES (Wa ll7. ) Poll ock a nd H . S
J CRIE D FOIt YOU (l'ux-Tl'Ul)Dclcn rup
I F I KNEW YO U T HE N AS I KNOW
YO U NO \V (\V:d lz)
de UL'r L
ITALl A:-I !'l IGH TS (W" II7. fur Dnncing)
Cla ir und H. S.
2~mt R r~~ AGg~R,?J\:;o;;Is;I}\\;E H,\v i~r~eo
IlAN.-\:-IA R l.UES (Fo x-T ro l ). Carro ll
2035 7 11-: KE EP O F F M Y S HOES (F cx-T rot j -cFa irch ild
6062 11-: K ITTEN 0'" T HE K E YS
.. CI " ir
Z0322 11-: LA UY OF T HE EVE:-I I:-IG, {FoxTrot )
,. ,. .. .
La ne o nd Carroll
Z039 11E L1 I-'E O fAHOS E !F ox-Tr ol l. . Delcamp
203 79 1I-: LONG LOST MA MM.\ (F"x-Trol) .. Lopez
536 37 H ~I A YT IME SE LEC T IO\"S ..... Kruitn
20399 1E ~I lD NI GH T ROSE (Fox- Trnl) Fa irchild n nd C. A.
ZOZ 59 1F MOO:-l RI VER (Wa lt7.)
Shipman
Z0 1Z93 F ~fY ISl. E Of GOL D E N DltEAMS
(\ Vnllz)
Shi,(? llla n and .Jo,\'("('
Z038 7 11-: MY LA DY A"' D M E (Fox-Trot.L'Curroll
Z0380 1E :'flY OLD RAM SHA CKLF. SHACK
(Fnx-T ro l ) .. . .. .. .. .. . ..
.. Wa lker
Z03961 E N OIl O DY IlUT YO U ( Fox -Tro t ): Carroll
1.~5
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YOU H EMI"'D M E OF MY \!OT HEIt.
" Lillie Nellie Kelly " ( Fl)x-'l' ro t l . . Lnuc
1 . ~ .')
This Bulletin with the J anuary 19Z3 Catalog supplies a COMPLETE LIST of all Am pico R e cord in g s to d at e.
-.
ST. CECILIA
~w ru1"mpico ~cordings
~prU,
Fl ayed by MORIZ ROSENTHA L
62961H Etude, Op . 25, No.6, G
Sharp Minor
Chopin 2 . 00
exercise in third s t ransformed into
su ch a work of art that ca rries th e
hearer to Parnassus, th e em bod ime n t of
beautiful th ought a nd exquisite motion " thus does Ehlert, the distinguished critic
and litterateur, wri te of this nobl e s tudy,
which Huneker finds" all bu t incom pa rable
in piano literature " matching it with Schum ann's Tocata "to stand at th e portal
of t he delect abl e land of double notes."
Another write r find s in it a pic tur e. A
June garden where side by side with white
lilies, are clustered stately spea rs of larkspu r
reflecting He aven's own blu e. The s unlight
climb s up a nd do wn t heir azure ladders and
bath es the lilies with glory , a nd th e morning
air is full of fragrance.
"AN
1924
Arran ged and Flayed by WI l.FRED P E LLETIER
63013G Faust" Ball et Mu sic"
Goun od 1.7S
H Y I S "Faust" the most popular opera
in th e world? Wh y in th e num ber
of its performances has it fa r ou t rea che d it s
near est competitor? How much of it s fam e
is a ttribu ta ble to its romanti c an d t ragic
s to ry? W hat part of its ren own a nd its
hold on popular favor is to be la id a t the
door of it s cont inuous chain of musical
gems ? Proba bly th e la t ter will acc ount for
most, for in its length th ere is hardl y a
page t ha t does not offer melody th a t seems
end owed with eternal freshness and undyin g beau ty . Its grea t arias a re fam iliar to
a ll, less so perhaps it s beauti ful ball et mu sic.
The crowded scenes of th e opera a boun d
with exq uisite mu sic for its picturesque
da nces. These beau t iful excerpts a re skill-
W
This Bulletin with the J anuary 1923 Catalog supplies a COMPLETE LIST of all Ampico R ecord ings to date.
-.
fu lly plan ned. each ha s its own in t rodu ctio n.
va ried with t he skill a nd sure t ou ch of the
master of com posi tio n t ha t Goun od was.
E ach is cha racteristic of t he sce ne which it
ornaments. All a re exq uisi te page s from an
o pe ra whi ch is o ne of th e glories of mu sical
writing for t he t heatre.
"Faust " was first performed a t th e T he a t re
Ly riq ue in Paris in March 19. 1859 with
M me. M iolan Ca rvahlo as Margu er it e. Its
a ppea ra nce gave Goun od immed ia te recognition in t he first rank of living composers.
Pla yed by
S ERG E I RACH MANIN OFF
Were I A Bird (Si oiseau
j' e tais) Op. 2, N o. 6 Hensclt 2.00
F EVER light heart in sound bod y sung
th e joy of living it is voiced in the de lec ta ble cadences of this lovely piece. I ts ti tle
pages bear the q uo tat ion " W erc I a bi rd , to
thee I'd fl y ."
Thus is a sen t imen ta l mood
immedi a tely created . He nsel t , t he co mpo se r
of so me of t he worl d' s lov elies t light sa lon
music, gives us herein o ne of his best known .
a nd most ce leb ra ted works. To it s playin g
Mr. Rach maninoff brings that sup rem e art
that se ts forth all its beauty, offeri ng a
jewel of interpre tation , every facet of which
glows wit h colo r.
62971H
I
Played by
:\h ECZY SL A W
Mu xz
62981H
Gavotte, Op. 14, A F la t
M inor
S gambati 2.00
l\ C I E N T rustic fes t ivals a nd merry makings of t he Gauots, th e peop le of sou the rn
Fra nce were graced by th e slow, po mpous
rhythm of the dan ce, which is no w given
the name Gaootte.
It was their special
possession and pride, though it is wh ispe red
[hat it was imp or ted across t he Py renees
from Spain , whe re it was origi nally a swo rd
da nce . As a form for mu sical wr it ing it
reach ed general recogn ition in the t ime of
B ach, who was ver y fon d of it. Since
t hen it has becom e co mpletely established
in popular favo r. Sgambati p reserves in his
modern tr eatment of its ancient rhythm
all its an tiqu e cha rm, he eve n im pa rts to it
t he to ne co lors a nd va riety of effects of the
ea rlie r instrumen ts on wh ich t he old Gavottes
were played.
Sgambat i, a g reat pian ist , lived a nd d ied
in the las t cent u ry, was a pupil of Liszt,
a mo ngst the first to recog nize the genius of
Wagn er, a nd one of the grea test of Italian
comp osers .
A
Played by RE GI l\' ALD D E KO VEl\'
1311G R ecessional, K ey of D de J( oven 1 .75
H E majes tic mu sic of th e opcning
phra ses of this fine setting of Ki pling' s
splend id lines is in perfec t sy mpathy wit h
T
its prou d a nd no ble senti me nt. T he re is
g reat d ra matic significance in t he first ,
almos t wh ispe red, su p plica t ion, " Lo rd God
of Host s, be with us yet, Lest we fo rge t !"
The n in tha t na rrati ve style, wh ich Re g ina ld
de K oven under st ood so well, th ere is pictu red
the supe rb scene of th e depa rting ca p tains
a nd kin gs, and again the a p peal to the G od
of H ost s, t his time full throated and irnpassioned .
H er ein it is preserved for us an d for
posteri ty in th e composer's own in te rpre ta tion, re m ind ing us once mo re of the wonde r
of th e Ampico in im mor tali zin g the a rt of
p rese nt-day m usician s, maki ng it poss ible for
us to hear th em a fte r deat h has removed
th em from the sce ne of th eir ea rth ly ac ti vities .
P layed by
J ULIU S C H A LOFF
62993H
I slamey (Orienta l Fantasie)
Balakir eio 2 . 00
H E Orient is in th e blood of Balak ir e w.
H e has pene t ra ted he r m yst ery, s he
has shar ed her sec re ts with him, an d so mc
of the m he rev eals in hi s b rillian t an d celeb ra ted Fa ntasie. H e has re-cr ea ted for us
t he sou nds a nd colors of t he East, the t hrum mi ng of st ring ins t rume nts , the babble
of the crowded ka leidosco pic baz aar. We
wa lk with him in it s enchan ti ng ma ze,
our ea rs a re g ree ted wit h th e importunings
of vende rs of pe rf umes, je wels a nd rich
fab rics . Then he draws us asid e to a quiet
cor ne r from wh ich comes an E as tern song,
its s t ra nge melod y singu la rly sweet a nd
a ppealing af te r the t urmoi l- bu t the resp ite
is only fo r a mom ent, ot her voi ces intrude,
t he re are shout s a nd gestures, a nn we are
plunged once more in th e mael st rom of its
b laz ing co lor and b la tent so und.
T
Played by
63001G
RENEE C S E M ET
Valse Romantique, "Lit tle
R om a ntic Pi eces No . 7"
de Severac 1. 75
H E R E mu st be an ag reeable stor y
a ttached to such a t un eful and roman t ic:
waltz as this. I t su rely has to do with the
cou rse of t rue love ru nning ve ry, very
sm oo thly, for no th ing un toward finds place
in its lilting phrases. It has the pec uliar
cha rm of a ll wa ltzes by Fren ch co mposers,
so meth ing q uite d iffere nt from the wa ltzes
of the Viennese writers. It see m s in credible that the same rhy thm co uld produce
pieces so differe nt in cha racte r- but so it is.
The fascina t ion of the F rench wa ltzes, more
of te n th an no t of t he slow ty pe , is un deniable,
t hey are reposeful, soo thi ng a nd sensuous .
T he Vien nese wa ltzes arc gay, excit ing, env isioni ng t he brillia nt a nd crowded ba llroom.
T
Thi s Bulletin with the Ja nu ary 192 3 Ca ta log su pplie s a COMPLETE LIST of a ll Ampic o Recordin gs to dat e.
Pla yed by
C H AR LES COO PE R
En Rout e, Op. 107, :'\0. 12
Godurd 1. 75
WI L D ride through the night, t he
roads hard an d rough, the cloud s torn
by the wind , a nd the la ndscap e fitfull .:
lighted by a wan ing moon . Such is th ejourn ey depi ct ed her e. Mayh ap the Erl
K ing with his crown and tr ain , wa s ab road ,
or witches riding on the winds br ing terror
to the hea rt of the rid er, but with und aun ted
spirit he gallops on, no w a nd th en lessenin g
his fren zied pace to ga ther breath a nd
stre ngt h for eve n greater speed.
63023G
A
Played by
"
"
H E X RI L E F E V RE
Legend of a Rose . . R ayn ard 1 .5 0
H O sha ll seek to define the " Legend of
the R ose," the Queen of Flow ers ?
I s not a ll roma nce conta ined in her velvet
peta ls a nd her unforgettable fragrance?
T he poets ha ve gleaned somet hing of it s
sign ifican ce a nd hav e lea rned so me t h ing of
its lesson fo r do they not tell us that th ere
is no rose with out its thorn, ju st as th ere is
no roman ce with ou t its pain? Most beloved
of flowers its pra ises have been sung in rt
thousa nd phrases a nd voiced in music as
lovely as th e rose itself, a nd of them n ll
th ere is none lovelier than M r. R ayn a rd 's
imagina tiv e se t ting for the poeti c thought
insepa rable from this most bea u tiful of
na ture's blossoms .
63061F
W
~w
ufCC01npaniment
~cordings
Played by lVI.\ " .\ Z l: CO
63071F The Big Brown Bear , K ey
of F, Sopra no o r Tenor
Mane Zltcca
1 . 50
P la yed by RI CH ARD H .\GEMA"
63081F Ave M aria, K ey of F .
Sop rano
Gou nod
1 . 50
Pl ay ed by J OH N DU KE
63093G Sou ven ir de M oscou, "Rus-
sian Airs ." Op. 6-Violin
Accomp a niment Wien iasoski
1 . 75
"
J ulius Chaloff a t the R ecording Pi an o
Julius (h alo!]'
Th e Pr omises of H is Y outh
A bundantly Fuljilled
;\ COi\'lPOSER -PIANIST of disto
in
Julius Chal off. While sti ll a boy ,
horn in Boston of R ussian parents, he
showed amazing talents which have
borne rich fr uit in the veal'S of his
maturity . Hi s high place amongst
reside nt mu sicians a nd t he real distinction of his musical ach ieveme nts
abund an tly fulfill the prom ises made
by his you thful effor ts. Equipped
with a brilli ant te chn iqu e a nd enriching his interpreta tions with a
genuine m usical understand ing a nd
poetic sym pathy , his playi ng is heard
wit h unusual pleas ure.
.n thtinectilist
on and power is added
of Ampico a rt ists
This Bulletin with. th e J an ua ry 1923 Cat alog suppli e s a CO M P LET E LIST of all Am pico R ecord in gs to date .
'.
'.
'.
:\
1
:;A.(sw Popular
P L.-\ YING A S mile J-Vill Go a
L otte. Long Wa y , Vin cen t Lopez
ha s introduced a very origina l
interlude wh ich brin gs to our ear
strains ot favorites of yester year suc h
as " Sm iles. " "Have a Smil e, " " Pack
~C p Yom Trou bles in Yo ur Old Ki t
Bag, " giving it a characteristic and
deli ghtful interpreta tion th a t will make
it dou bly welcome. H e a lso brings
his tal ents to the playi ng of Gloria ,
an instrumental nov eltv which he is
fea t uring on h is vaudeville to ur , and
California , a Jolson tune that is sweeping "the country . M r. Delcamp offers
N ola, composed by Fe lix Arn dt as a
novelet te but now arra nged delightfu lly as a fox-t rot in a style to make
c3'f[usic
your feet t ingle. T he same mav a lso
be said of his inter p reta tion of Jl1 r.
R adio M a n , a dance record ing tha t
ev eryone will wan t. H o me in Pasodella and Th e One I L01le, are t wo
eq ua lly popular nu mb ers, bo th ac cep ted as u ndeniabl e hi ts , deli ght fully
play ed by Adam Carroll. Henry Lange
of P a ul Wh iteman 's Orchestra more
t ha n ev er demon strates h is abi lity to
play the piano in his in terpreta t ions
of Hula L ou and t he newes t of "blue '
tunes and M'indin' illy Bus'ness.
Those who have heard Grace LaRue
sing Unti l To morro w will certain ly
want this delecta ble number played by
Ralph Re ichen thal, who has a lso
chosen to play M'aybe in his own
infect ious a rrangem en t.
J
Played by E DGAR F ,\IR CI! ILD
The World Is Waiting For
the Sunrise, Ballad, Key of
Seitz 1 .5 0
D F lat
H I S lovely song has made for itself a
sec ure place a nd will lon g rema in
in popul ar favor , indeed it seem s destined
to be permanen t ly esteemed as a sentimental
ballad a nd to find its place amongs t those
of end uring fam e a nd mus ica l ap pea l.
1301F
T
P layed by J. M ILTON DELCAMP
630S1E Nola, Fox -T rot
A rndt
2046S1E Mr. Radio Man (T ell My
Mammy To Come Bac k
Home) Ke y of C " ... Friend
P layed by A DAM C ARR OLL
204611E Home in Pasadena, FoxTro t , Key of E. Fla t . Warren
204621E The One I Love (Belongs to
Somebod y Else) Fox-Trot.
Key of G
"
Jones
Pla yed by H E N RY LANGE
204631E Hula Lou "Ar tists and
M odels, " Fox -t rot , K ey of
E Fl a t
Charles'King
204641E Mindin' My Bus'ness, FoxTrot, K ey of G .. Donalds on
1. 25
1 . 25
1 . 25
1. 25
1. 25
1. 25
Vincent Lopez , Illustrates an E ffect
H e will give a con cer t a t t he Wh ite House
wh en he v isits W ashington soon .
Th is Bulle ti n wi th th e J anuary 1923 Ca ta log suppli e s a CO M P L ETE LI ST of all Am pico Recordin gs to date.
N ew Popular i11usic- Colltinu ed
Pla yed by VINC E:-IT LOPEZ
63041E Gloria (C haracteristic Da nce)
Ha ger-Ri n g
1. 25
Played by VINCEN T LOPEZ, Assiste d
204661E A Smile Will Go A Long
Long Way, F ox-T rot, K ev of
E Fl a t
Dnci s-..H st 1 . 25
204671E California (He re I Co me)
F ox-T rot , Kev of G
Jolson-deSylvc -Xle yer
1. 25
Played by RALPH R EICHE:\TH.\L
204681E Until To-Morrow (H ast;t
M a rian a ) T a ngo, Fox-Trot ,
Ke y of C
Ada m Ca rroll Listens At tenti vely
He gbom, Va nA Isl )'Jlc
1. 25
204691E Maybe (She' ll Write :\Ie,
Sh e'll P hone M e) Fox -Trot,
K ey of B Fl a t
Turk, S nyder, Ahlert
1 . 25
How to Find pieces You I:};ke
Hel pful S i milar A p peal Chari Compiled f or Am-pica
O WIlCl" S
E.'\ LI ZI N G th e difficul ty experienced by many peop le in findi ng record ings
t hat will appea l at first hearing a nd continue t o be perma nently interesti ng
a simple m eans of selection in mak ing additi ons to your Arnp ico library
is herewith offered . I t saves th e trouble of list ening to severa l nu m bers selecte d
by ti t le which often prove disappointing after hearing.
Wh en you hea r one of the new April re cord ings th a t espec ially a ppeals
t o you check it on t his page a nd as k your dealer to play for yo u t he pieces,
th e numbers of which ar e given. You will find th at they ha ve in t hem the
sam e qualitie s which you like in th e new recordings selected .
R
Were I a Bird
. Similar appeal as 62791G, 59661H, 51702F
Gavotte
II
II
II 59143E, 62921H, 57275H
IsJamey .
.
II
II 60553H, 61083H, 61093H, 61383H
II
II 55774F, 52564F, 58584F
Valse Romantique
.
II
II
II 57826H, 60751H, 62543H
En Route .
Legend of a Rose
II
II 50153E, 62561G, 52984F
Faust , Ballet Music
.
II
II
II 57027H, 62143G, 61883G
Rec es sional-While no t exactly simi la r t he re is so mething of the same d ra ma t ic
emot ional a ppea l in t he follo wing: 361 G, 233G
Etude -The music of Chopin finds no cou nterpart in that of any othe r
co mposer an d th is particula r E tude st an ds incom parab le and alone a mongst
its fello ws. The edito r find s it impossible to sugge st a composit ion in the
Arnpico cnt nlogue to place beside it.
This B ulletin with the J anua ry 192 3 Ca ta log su ppl ie s a CO M P LE T E LI ST of a ll Ampico Rec or d in gs to dat e
The yz'rst Traviata
lis Perfo rm ance NIade R idicul ous by
a V ery Fat Violetta
T WA S in Venice that "La
Traviata" rece ived its first performance on March 6, 1 ~ S 3. Verdi
a t t he time wrote dolefu lly to his
fri end a nd pu pil, Muzio, "Travi ata
I
last night m ade a fiasco . I s the fa ul t
m in e or the actors? Ti me will show . "
Time ha s show n th a t the res ponsibili ty for the ill-fa vor with which th e
ori ginal performan ce was received was
entirely du e to th e singers. Th e
T enor, Gr aziani, had a cold a nd his
hoarse , alm ost ina udible, vo ice did
not im press. Var esi, th e Baritone,
apparently made nothing of t he beautiful music assigned t o his pa rt, a nd
t he effect of th e celebrated du et
between Violetta an d Germ ont in t he
Second Act was entirely mis sed . Th e
mo st ludicrous pa r t of t he performa nce, however , lay in th e fact th at
th e role of Violetta was ass igned
to Mme . Dona telli, who im personated
the de lica te, sickly heroine. She was
one of the st ou te st ladi es on or off
the stage a nd when , at th e beg inn ing
of t he T hird Act, th e doctor declares
that consumption ha s wasted her
deli cate frame, th e au dience was
sent into a st a te of uproa rious glee,
which na tura lly did not lead t o an
apprec iation of t he tragic action of
the closing scenes .
Its failure a t Venice, however, did
not prevent "La Travia ta " being
re ceived en thusiastically elsewhe re. I n
other parts of Ital y it was a great
success, a nd, as is well known, is
today rated am ongst Verd i's masterpie ces, finding a place in the repertoire
of th e mo st d istin guished Opera
Houses t he world ove r.
It is int erest ing to k now th a t
"Travia ta " was written in a singl e
mo nth , an d th at its libretto, com piled
by P ia va, is a ver sio n of the well
know n tragic story of Ca mille.
Th e beautiful music of " La T ravia ta " is delight fully played in NIr.
Brockway 's skilfully a rra nged P otpourr i. Ampico recordin g #5 1417H .
~n
-"
Innovation
.-1 .1£ea ItS of T elli ng the Cha racter
.-1 mpico R ecordings at a Glance
(II
SYST E 1\.1 has been devised
where by you ma y determine
imm ediately t he character of
Ampico record ings. Box es will bear
colored la bels , and the color will
indicate the gen era l t yp e of t he
selecti on. Thus- Red Labels will be
d isplayed on all class ic a nd light
classic nu mbers, Blue L abels on all
sra nd ard ballads wi t h words , Green
L abels on a ll ac com pa nimen t recordings, a nd t he popular pieces will bear
B lack L abels. Th e colore d label class ification is va lua ble to both owners an d
dea lers . T he customer ca n imrned iatelv make a selection of a ballad , a
popular , a classica l select ion or acc om pa niment recording by merel y glancing
at the label and will a lso make the
genera l con te nt of his pr ivate lib rary
known at a glance.
:
A
(S acred ~,sic for £ ent,
Palm Junday and caster
6llG
l021E
lOllE
491G
951E
961E
l081E
llOlE
831E
841E
921E
361G
THE PALMS
JESUS CHRIST IS RISEN TODAY
THE DAY OF RESURRECTION
AVE MARIA (Bach-Gounod)
SUN OF MY SOUL
YE SERVANTS OF GOD
MY JESUS, AS THOU WILT
ROCK OF AGES
LEAD KINDLY LIGHT
ABIDE WITH ME
I NEED THEE EVERY HOUR
ONE SWEETLY SOLEMN
THOUGHT
l031E HOLY GHOST WITH LIGHT
DIVINE
This Bull et i n with th e J anuary 1923 Cata log s u pplies a COMPLETE LI ST of all A m pico Re cord in gs to da t e .
: ;
"
"
.1
"
"
The ~stle of Jprillg
S i nding's B eautiful Music Delineates
the A urakening of Na tu re, the
Pr i ncess of th e S leep ing
Beauty L egend
N SIN DI NG'S no rthern coun trv
t he Spring comes q uick ly, Though
th e, defe nses of th e fros t ki nab
seem Impregnabl e there comes a da y
when, with a ru sh , t he bois te rous
sout h wind sweeps t riumphantly over
the icv battlements a nd a t a touch
breaks t he fetters of th e mountain
broo ks, an d awakens th e flowers from
their winter sleep a nd , with hi s song
of love, a rouses t he slum bering ea rth to
prepare for her brid al with t he Spring.
The bea utiful story of the Sleep ing
Beauty is but anothe r tellin g of
the eve r recurring phenomenon of
na ture. In the slumbering ea rt h we
behold the lovely Princess. The dread
cas tle of her imprisonmen t is the icy
fas tness of th e northland rul ed by the
Frost K ing . The rescuin g F airy
P rince is the Spri ng. His kiss a wakens
he r to love a nd life. It is t his awake ning th at is delin ea ted in mu sic in
Sind ing 's beautiful wor k.
Ru stling winds a nd t he fluttering
of tender leaves, th e ripp ling of glad
wa ters, th e gay carolling of birds,
the myria d sounds of awakening
na t~re a re epitomi zed in t his joyou s
music. I t sh ows us na ture ga rlanded
for her bridal , her pulse qu ickened
with th e kiss of her F air y Pri nce. It
comes near our own emotions too for
no m usic of Spring could leave them
unt ouched. In it s warm, emotiona l
mel ody , r ich sen suous harm onies , there
is a sugges tion of "that vag ue, hal f
myst ical , hal f passionate longin g, t he
und escribabl e unrest , the su btle blending of joy a nd sadness whic h wake
an d stir , swell a nd surge in the huma n
heart a t the voic e of Spring . "
I
Ampico Recording S0133F played by
Clarence Adler
curopean <:Yr[usicians
JiOnor the ~onk gUt'dO
French and German Organi zations Show
A ppreci ati on of M an Who Conceived Way 'to Write Musi c
U S I C A L orga nizations in
Fran ce a nd Ce ntral Ge rmany
a re th is year holding many
celebratio ns in hon or of the Benedi ctine mo nk who first conce ived a
prac t ica ble method of writing music.
The monk was nam ed Guido and
h is method of mu sical notation wa s
inven ted while he was in the monastery a t Arezzo, in 1023, nine hundred
yea rs ago . Littl e is known of G uido's
life beyond th a t he was born near
Paris in 995 a nd died at Ave J!ano in
1050.
Befor e Guido wrote mu sic there
was no way for puttin g m elodies into
circu lation other th a n tra nsmit ting
them from perso n to perso n by humm ing or whist ling. T he nam e of a
creator of a melody was soon forgo tte n
an d when new t unes were heard old
ones were discarded and heard no
more .
Th e method a t first employed by
Guido in transcribin g musi c was differen t fr om that used toda y. Instead
of ha ving five hori zontal lines with
notes in the spaces between t hem as
well as on them, he used four lines
with notes only in the spaces,
At that time t he m akin g of a
man uscript of music was an art, for
not only were notes placed for practical purposes, but th ey served a
deco ra tive purpose as well. There
was a wide va riet v in t he colors an d
t he shapes of the notes for t he va rious
spaces, and other indications that
were necessar y were made to please
t he eye as well as inform the br ai n.
Com posers th en did not make th e
copies of their composit ions whi ch
were on public displa y, Professional
M
This Bull etin with the January 1923 Ca ta log supplies a CO M P LET E LIST of all Ampi co Re cordings to date.
m anuscript artists undertook the task
of pro vid ing copies which would dr aw
attent ion fro m th e com posers' cr ude
outlines. It was in the m onasteries
that t he finer m anuscri pt s were m ade
on heavy, enduring par chment by
men who toil ed unti ringl y , working
some time s for da ys on a single page
of the music.
cSafe £ock (9pens On!»
to One ~usical J\f!!!e
R IT I SH burgla rs armed with
tun ing forks instead of th e oldfashioned " jimmy " and blow to rch is a vision of t he future suggeste d
by a n inv ention on view in Birmingham , England . The contrivance ca n
be fitted to doo rs and locks of saf es,
an d will open only when the correct
no te is su ng.
If th e ins trument is tuned to A flat
and a bu rgla r-basso sings A sha rp
at it , no thin g will happen. The
cracks man will have to ge t out h is
t uning fork a nd get the pre cise notes
before the delicate mechan ism of th e
lock will rea ct to his to nes .
B
As t he New York A merican Caricature s
Vincent Lopez. " Bela sco of the Ba nds"
t hey call him. W it h his Or chestra he has
rec en t ly closed his sixt h week at th e
New Yo rk Hippodrome.
Chandelier
Th e story goes t ha t at a meeti ng of r.h «
church bourd one of th e D eaco ns proposed t ha t
a cha nd elier s ho uld be bought for the rner -ting house . After th e matter hac! been ca re fully d iscussed for som e tim e on e old fa rmer.
who, beca use of h is wea lt h, us ually had th e
.-j('ridi ng sa v in chur ch ma t ters. se t tled th e
quest ion by th is un answerab le a rg um ent:
"W ell, su ppose you do get a chn nrlclier . who' s
going to p lay o n it ? T herc r, in ': no bod y in
thi s chu rh ca n play on e."
~\
- ~;.:;
-=B-:'~~- __
Placing the 'Blame
-;
$
fvIUS1C NE WS ITE M
" He pla yed o n th e coast ·'- .\tl usi cal Co urier
:" ervous Ama te ur : "I sa y , old ch a p ,
wha t shall I do if they ask me to s ing )"
Candid Friend : " Do ? W hy, sing of
course. It'll be th eir own fa u lt ."
.·1 . T . .1 [ .
This Bulletin with the J an uary 19 23 Catal og s u pplies a C OMPLETE LI ST of a ll Ampico R ec ord in gs t o d a te .
From "! !lust ratton"
AN ANTI QCE DANCE
Interpretative and ~esthetic 'Dancing
/1 Delight ful D iversion by no M eans Confin ed to Pro fessi on al P erformers
T
H E R E is a n increasing interest in aesthetic da ncin g. It is t a ugh t in
our sc hoo ls, it forms a pleasa nt di ver sion for th e hom e, is certa inly hea lt h
giving .a nd in eve ry way picturesque and charming. '0le ha ve been
asked to sugges t suitable pi eces for use in connection with this dan cin g a nd
append t he follow ing Jist :
Ampico Recordings for Aesthetic Dancing
:"unlher
572131,;
5719 41'
52327H
603311-'
581 451-1
6 1883G
61123 (;
57027H
5509 41'
54767H
63013(;
62921H
52425H
60603H
50584H
62 103H
568641'
56043H
53234G
54735G
50665H
50004G
536641-'
60481H
61063H
T il lt:
Composer
AM:\RY LLlS .
. . . .)cy",
IIALH:"AG E. . . . . . . . . . . . . .
111',1,,,1
lJL UE DA1\UIl E WALTZ .
SI,a".'"
C ANZONETT A. . . . . . . .
.
.)ch"l1
CAPRIC E VIE:":"OIS . . .. .
I\,,,i.,I,·,
. .. .. ..
Ili"'1
CAR M E:" " Ila llet Musi c "
CAVAT I NA
RaJ!
DAN CE 0 1-' THE HOURS" La Gioconda
Ponchir'lli
DANC E O F THE WOOD NYMPHS filz',aald
D ANS I·: :I'!.\C:\IlRE ...
.';ai"I-Sae".,
} 't\ r~ T·j Ball et M u.... ic" .
r;rHlnor!
GAVOTT E . . . .. ..
. .'; a pcll " i k~ lr
H U~IOR E SQUE . .. .. .. .. .. .. ..
Drorok
I NVIT ATIU:" TO THE DA'\CE
Jrebe,
LI Ell ESI-'REUD HAIL'\'i rncr Tu nzweisen " .
. . h" reider
LIE /l ESLEIV" Alt \\ 'i"" er
Tn uzwci en
1\ reisl er-Rn ch mnnincff
LOV ,,"S DRE A:I'r AFT ER THE HALL . C, ilJldka
MA LAGUE\" .\
.1/1",,, ,,
lIIAZ URK A, A M inor.... .
. . ttr o pin
M AZURK :\ . B Min or .
.. ( 'hopi"
M ELODY I:" F .
R" bin'l "i"
MI\" GET . . . . . ....
. . . . l' aderpv;., ki
MINU 1::1' . . . . . . . .
Bocrbcrini
MI N UT E WALTZ . . . .. .
( 'h" pi"
MOM E NT M USI CAL .
. . S cb ubert
Number
Tille
Cc m pusr-r
50445G
554631" ~;~kLCis~Vu~t? .. :: .:' : ' : : : : :: : : :: : : D~!;~:r;:
61361G OIUEYI'ALE
C"i
55725H PEER GYNT, Suite No. I. The Morning ;
No. ~, The Death of Ase
G,i,,?
55244H PEER GY1\T, Suit No. S, Anitru's Dance;
No.'L In the Hnll of the MounLain King' . G,if'U
5944IE PIROUETTE
Glaw ""o",
51092E PIZZICATI, "Sylvie Bol!et "
Deli/" ,
57296H POLO\, AISE, A Ma ior
Chopin
59653G RECO\'CILIATION POLKA
Driao
52564£0' SALUT D'AlIIOUR . . ..
.
r:tya ,
59813G SCARP DANCE . . . . ..
.
Chamillod c,
53705[0' SERENADE BADINE . . .. .
Gah,i el-Mo,ie
50942E SERENADE COQUETTE .
.
Ba rlhekmy
59311 E SERENAT.\
M o.d ·ow.,k i
6122IG
593911" ~~li~t!~m)'S HEY : : : : : : : : : Arr by ~~o~';di~
62953G SPANISH DA:" CE S, N os. 6 an d 7 ... Gran odos
53964£0' SP ,\NI SH DA\' CE .
M nszk mr "k i
514221-' SPRI \'G SO\" G.
.
JIr"dcls.•nhn:
55222E TOA WILDROSE .
.
Mac Dov:cll
62261G VALSE BL UETTE .
. Drioo
62531H VALSE, A Flat. . .
.
Tsc hai kmr ., iiY
51675G VALSE TRI STE .
. . . Sit'eli" .,
61313H WALTZES, N os. .5. 6. 15 .
. . . . . Bratrm»
59981H WA LTZING DOL L . . . .
.. P"ldi" i
This B ull et in wi th th e Jan uar y 1923 Ca talog suppli es a C O M P LET E LIST or all Ampico Record ing s to d ale .
Czech rVorkmen GJ5uy
Their Oiera in GJ5ulk
No Evening Clothes A re W om at Opera
In Pr ague, But Neither A re Hats
OR K iVIE N 'S .orga niza tions of
Czechoslovakia buy opera in
bulk fo.r their me m bers, jus t
as they bu y winter potatoes or summer overa lls, says Marjo rie Shuler
wri ti ng from Prague to the Christian
S cience Jlonit or. She continues:
" Every y.ear the wor kingmen 's
Academy of Pragu e, which was
founded by t he Social Democra ti c
Party , bu ys u p th e N ational Ope ra
Hc:use for a certa in number of nights.
Wlt~ the pa~ty fu nds making up the
deficit, t he tickets on th ese occas ions
a re sold to the m emb ers a t ve ry
reduced pr ices.
"There was on the last occasion of
this kind no dou ble line of soldiers
thro ugh the foyer, as at the Paris
Opera, to inspect the euests and
mak~ certain th at eve r/' one wore
eve ning clot hes. But there were cer tai n ot her niceties to be observed
notab1)~ the sepa ra ti ng of ea ch guest
from his or he r hat. There was not
one evening costume in the house
but neither were t here hats. Thu~
were th e propriet ies observed .
:' It is. a real people's opera house,
t his national theater in Prague. It
was started b y th e peo ple t hemse lves
more t~an fift y years ago, th e first
fu nd being collected out of the ti niest
gift s from t housands of m en and
women . It was buil t to give t he
people opera a nd pla ys in t he Czec h
la nguage, an d t ha t custom has been
cont inued . Bu t th e works a re ofte n
tran~lat io ns from other lan gu ages.
F or Inst an ce, 'Wag ner was given durinc
th e Wagner Festiva l, a nd in 1916, eve~
when the cou ntry was a t war with
E ngland, the Shakespeare a nn iversary
W
was remembered bv th e pres enta tion
of all th e Shakespeare pla ys.
" T he audience on t his occasion was
composed of working peop le wh o
throughout the winter attend the
lectur es and cour ses a rrang ed fo r
them b y their politi ca l party. The
performances of t he opera which they
attend ar e regarded as par t or the
education which t heir partv o-ives
them and for wh ich it bears ' pa~t of
the expense. The deficit fro m the
management of the whole ho use is
borne b~ th e sta te funds and gifts
from pnvate ind ividuals the fund
a~so being added to by h'igher- pri ced
nights, whe n ope ra is giv en to wha t the
ma nag ement calls 'fash ionable aud iences . ' "
c./fn
ou. Timer
~vived
EN GLISH sa ilor who had been
n"N inupon
a conce rt hall was descan t ing
an oratorio which ha d
given h im great pleasure.
A listenin g shipmate as ked: "I
say, Bill , what's a hor a tor io? "
"What !" exclai med Bill. " Do yo u
mean to say you don 't know what a
horatorio is?"
"Not me. "
"Well, then, I'll tell you. If I was
to say to you, • 'E re, Bill , zive me that
'andspike,' that woul dn ' t be a hor ato.rio. .But if I was to say, ' B ill, Bill,
Bill, give, give , give, me that Bill
give me, give me th a t 'a nd, give me
t hat 'and, 'a ndspike, sp ike spik e
Bill, give me tha t , that 'and 'and~
spike, 'and, 'a nds pike, 'and,' 'andspike , spike, sp ike, spike , Bill give
me t ha t 'a nds pike,' why, t hat 'wou ld
be a hor a torio. " -111us ical Record.
11
C hief am ong the age ncies of cu lt ur e has
m usic, because it is a for m of enjo yment
allied en t ire ly to the s pirit ual side of our
na ture.--Dr. Frank Crane.
be~n
This Bull et in with the Januar y 1923 Cat al og supplies a COMPLETE LIST of a ll Ampico Re cordings to date .
Every
AM JP CO
Owner
should have these
cSELECTED 'l(;j;CORDINGS
H ere Are Five
We Will T ell You About Others N ext Month
54767H DANCE MACABRE-Saint Saens ... Henrion
$2.00
A big, stirring and rather catchy grotesque dance. The skeletons
steal forth from their graves as the last stroke of midnight is
heard and proceed to dance about among the tombstones to
Death's fiddling. A crowing cock announces the approach of
dawn and the dancers scamper back to their resting places. (For
interesting detailed description see page 87 of the Ampico
Recording Catalog.)
1221F DEEP RIVER-Coleridge Taylor • . . . . DeBert
$1.50
Arr. by Harry Burleigh
An old Negro Spiritual originally arranged by Coleridge Taylor,
an English negro composer of great prominence, for solo voice.
Harry Burleigh, an American negro composer has made the
arrangement for piano recorded on this record which so fully
voices the sincerity of the song-one of the greatest negro melodies.
57826H STACCATO ETUDE-Rubinstein . . . Levitzki
$2.00
Brilliant and calling for superlative technical skill but containing
a delightful flow of melody and interesting contrasted rhythms
which make it a thing of everlasting delight to all classes of
listeners.
58013F IRISH TUNE FROM COUNTY DERRY-Grainger. Laros $1.50
A gripping, plaintive song-music with a hidden tear. It is known
to many as "Danny Boy," the song Schumann Heink has made
so popular and which she says always seems like a fitting memorial
to her boy and all the boys lost in the late world war.
60401G COUNTRY GARDENS-Grainger •. Souvaine
There's a refreshing gaity in this old Irish dance-an irresistible
dash and swerve to the ryhthm that makes it more than just
music. It is a stimulant for mind and body .
$1.75