ETFO-The Power - The Elementary Teachers` Federation of Ontario
Transcription
ETFO-The Power - The Elementary Teachers` Federation of Ontario
T H E P O W E R O F S T O R Y The writers wish to extend their thanks to all the contributors of this resource. Special thanks to the women who shared their stories, and their relatives and friends who provided photographs. In addition we would like to acknowledge the support and assistance we received from: • The Canadian National Institute for the Blind, • St. Catharine’s Museum at Lock 3, Arden Phair, Curator, • Louise Ouimet and Jill Aoki-Barrett for their work in preparing assessment components, • Maedith Radlein and Robyn Turgeon for their help in developing activities. published by the Elementary Teachers’ Federation of Ontario Suite 1000, 480 University Avenue Toronto, Ontario M5G 1V2 Copyright © 2002 by the Elementary Teachers’ Federation of Ontario All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. design by ARTiFACT graphic design 2 T H E P O W E R T O F S T O R Y he stories in this project provide ways to assist educators and students to reflect on our day to day lives, question the meaning of our experiences, and value the insights we gain. Educators and students may contemplate our own stories as we consider ways to achieve acceptance, appreciation and inclusivity for our diverse Canadian communities. Prepared for the Elementary Teachers’ Federation of Ontario by: Joan Beecroft Carol Brown Margaret Neigh Catherine Pawis Pat Wright Sherry Ramrattan Smith 3 T H E P O W E R O F S T O R Y This volume of The Power Of Story is dedicated to Bev Saskoley, whose work inspires us. 4 T H E P O W E R O F S T O R Y Table of Contents Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Assessment Rubric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 K Marie Gaudet & Rose Logan Pitawanakwat . . . . . . . . . . . . . . . . . . . 22 Story: Moo ii-sikaag! (The cow is going to bump into me!) (Version 1) . 23 Kindergarten lesson: Moo ii-sikaag! (Version 1) . . . . . . . . . . . . . . . . 27 K-1 Helen Mable Smith . . . . . . . . . . . . . . . . . . . Story: Many Hats (Version 1) . . . . . . . . . . . . Kindergarten lesson: Many Hats (Version 1) . . Grade 1 lesson: Many Hats (Version 1) . . . . . . . . . . . . . . . . . . . . . . 28 . . . . . . . . . . . . . . . . 29 . . . . . . . . . . . . . . . . 33 . . . . . . . . . . . . . . . . 35 1 Kelly (Khiet) Huynh. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Story: Kelly’s Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Grade 1 lesson: Kelly’s Memories . . . . . . . . . . . . . . . . . . . . . . . . 41 2 Valerie Mah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Story: Be Proud of Who You Are! . . . . . . . . . . . . . . . . . . . . . . . . 43 Grade 2 lesson: Be Proud of Who You Are! . . . . . . . . . . . . . . . . . . 47 2-3 Marcia Aoki . . . . . . . . . . . . . . . . . . . . . . . . Story: All Over Again . . . . . . . . . . . . . . . . Grade 2 lesson: All Over Again . . . . . . . . . . Grade 3 lesson: All Over Again . . . . . . . . . . ................ ............... ............... ............... . . . . 48 49 53 55 3 Helen Mable Smith . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56 Story: Many Hats (Version 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 Grade 3 lesson: Many Hats (Version 2) . . . . . . . . . . . . . . . . . . . . . 61 3 Jessica Tuomela. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Story: Don’t Sit Back... Go For It! . . . . . . . . . . . . . . . . . . . . . . . 63 Grade 3 lesson: Don’t Sit Back... Go For It!. . . . . . . . . . . . . . . . . . 67 3 Millie Umehara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Story: Never Give Up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 Grade 3 lesson: Never Give Up . . . . . . . . . . . . . . . . . . . . . . . . . . 73 4 Christine Ichim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Story: Outside the Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 Grade 4 lesson: Outside the Box . . . . . . . . . . . . . . . . . . . . . . . . . 81 4 Myrtle Namsoo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Story: It Soothes Your Soul and Brings People Together . . . . . . . . . 85 Grade 4 lesson: It Soothes Your Soul and Brings People Together . . . 89 5 T H E P O W E R O F S T O R Y 5 Tamara Koba . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Story: A Mother’s Love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91 Grade 5 lesson: A Mother’s Love . . . . . . . . . . . . . . . . . . . . . . . . 95 5 Brenda Kaufman. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 Story: Hidden Talent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Grade 5 lesson: Hidden Talent . . . . . . . . . . . . . . . . . . . . . . . . . 101 6 Sharon Mitic. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Story: Making a Difference . . . . . . . . . . . . . . . . . . . . . . . . . . . 105 Grade 6 lesson: Making a Difference . . . . . . . . . . . . . . . . . . . . . 109 6 Marie Jakober . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 Story: A Writer’s Story . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 Grade 6 lesson: A Writer’s Story . . . . . . . . . . . . . . . . . . . . . . . . 117 6 Frances Sanderson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118 Story: Students Learn About Aboriginal Peoples First-Hand, Not from Textbooks . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 Grade 6 lesson: Students Learn About Aboriginal Peoples First-Hand, Not from Textbooks . . . . . . . . . . . . . 123 6 Marie Gaudet & Rose Logan Pitawanakwat . . . . . . . . . . . . . . . . . . 124 Story: Moo ii-sikaag! (The cow is going to bump into me!) (Version 2) 125 Grade 6 lesson: Moo ii-sikaag! (Version 2) . . . . . . . . . . . . . . . . . . 129 6-7 Kate Rice . . . . . . . . . . . . . . . . Story: Buried Treasure . . . . . . Grade 6 lesson: Buried Treasure Grade 7 lesson: Buried Treasure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 133 137 139 7-8 Marguerite d’Youville . . . . . . . . . . . . . . . . . . Story: A Woman Ahead of Her Time . . . . . . . Grade 7 lesson: A Woman Ahead of Her Time Grade 8 lesson: A Woman Ahead of Her Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 141 145 146 7-8 Beverly Saskoley . . . . . . . . . . . . . . . . . . . . . . . . . . . . Story: Challeging Injustices: Thoughts about Activism Within a Union . . . . . . Grade 7 lesson: Challenging Injustices: Thoughts about Activism Within a Union Grade 8 lesson: Challenging Injustices: Thoughts about Activism Within a Union . . . . . . . 148 . . . . . . . 149 . . . . . . . 153 . . . . . . . 156 Teacher Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 About the Authors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 6 T H E P O W E R O F S T O R Y Introduction “Each time you tell your story, remember that you make a difference for someone”.1 Life stories provide a valid means of transmitting history. They allow us to draw connections between past and present, yesterday and today. In our society there exist oppressive structures that constrain some voices. Story telling, or narrative, creates rich conditions that enable those who are silenced to transform their contributions and concerns from hidden or intimate spoken stories to shared text. Yvonna S. Lincoln says, “It takes an extended amount of time for the silenced to seek and find their voices and to frame their stories.” The women featured in this collection have finally reached such a stage. They lead rich, full lives and are able to view the world as optimists. Each story unfolds to demonstrate how these women rose to the occasion, whether it meant facing an illness, helping a friend, speaking out on behalf of another, or achieving career and personal goals. “In a world where the meaning of events and incidents must be quite puzzling, the story offers a haven of clarity.”2 References 1 Modell, Judith. How Do you Introduce Yourself as a Childless Mother? Birthparent Interpretations of Parenthood, in Rosenwald, George C. & Ochberg, Richard L., Eds. Storied Lives: The Cultural Politics Of Self-Understanding. New Haven: Yale University Press, 1992. p. 76. 2. Egan, Kieran. Literacy, Society, and Schooling: A Reader. Cambridge: The Press Syndicate of the University of Cambridge. 1986. p.23. Stories provide a means for provoking thought and examining our attitudes and assumptions. Even though we may not be experiencing a situation directly, by allowing our minds to be open to diverse perspectives, we are able to learn through the life experiences of others around us. When we share anecdotes, the concentration and energy levels of our audience change. This is because ideas and facts take on a human face and become real. “Stories are gifts.”3 The writers hope that the stories crafted in this book will help students realize the worth and contributions that ordinary people bring to one another on a daily basis. As long as one person benefits from an action that we as individuals have taken, the world becomes a better place. 3. Harding, Susan. The Afterlife of Stories: Genesis of a Man of God, in Rosenwald, George C. & Ochberg, Richard L. Eds. Storied Lives: The Cultural Politics Of Self-Understanding. New Haven: Yale University Press. 1992. p. 60. 7 T H E P O W E R O F S T O R Y Why create this resource? This collection of stories provides a way to teach students that: • Storytelling validates our life experiences, • Storytelling is an art, • Storytelling is a valid means of transmitting history. Notes to Teachers • We encourage you to read all the stories. Please do not feel limited by the grade levels suggested. • Some stories have lesson plans for more than one grade level. • You may wish to use particular stories at school wide events or to highlight special themes such as White Cane Week, United Nations International Day for the Elimination of Racial Discrimination, Canadian Authors, Cancer Awareness Month, International Women’s Day, Arthritis Month, Black History Month, Gay and Lesbian Pride Week, National Aboriginal Day, and various cultural celebrations. • Many of the stories complement the ten monthly themes from the ETFO publication We’re Erasing Prejudice For Good (revised 2002). • We have attempted to tell the stories of women whose voices have not been heard. Some stories offer a simple message, while others deal with more complex issues. Both kinds are equally important since they reflect the way we live and learn. • As you read these stories, remember that children have their own experiences that need to be validated. These models can be used to encourage students to share their own life stories. • The expectations are linked to the Ontario Curriculum documents. 8 T H E P O W E R O F S T O R Y Assessment Rubric The following rubric may be used to assess an oral presentation or recount delivered by students based on one of the stories in this document. Instead, students may choose to retell the life story of someone they know. Knowledge/Skills Level 1 Level 2 Level 3 Level 4 Reasoning presents a few simple facts from the story with much assistance presents some facts from the story that are related, with occasional assistance presents a variety of facts from the story with minimal assistance, showing some complexity and understanding presents all relevant facts from the story concisely and with complexity and understanding Communication expresses with assisexpresses some ideas, tance, a limited range of facts or vocabulary ideas, facts or vocabulary some clarity unclearly Organization a few simple facts presented Performance and Creative Work performs only in a limited performance is almost complete way expresses a variety of expresses a variety of ideas, facts or vocabulary ideas, facts or vocabulary clearly and precisely clearly, precisely and confidently a variety of facts some simple facts presented in a mechanical presented in a logical manner and sequential manner detailed and precise facts presented in a complex and logical way performance is complete performance is well developed voice, tone, and gestures clarify meaning voice, tone and gestures clarify and enhance meaning voice and tone monotonous, few if any gestures voice, tone and gestures simple missing one or more elements of beginning, middle and end complete beginning, nearly complete beginning, middle and end middle and end clear beginning, middle and end Grade expectations that can be assessed using this rubric*: Kindergarten - communicate effectively by listening and speaking; - describe personal experiences and retell familiar stories, using appropriate vocabulary and basic story structure ( beginning, middle, end ); - use gestures, tone of voice and other non-verbal means to communicate more effectively Grade 1 1e43 1e51 (1e45) 1e56 (1e53) Grade 2 2e49 2e50 2e57 Grade 3 3e53 3e61 3e62 Grade 4 4e54 4e64 (4e55) (4e62) Grade 5 5e47 5e59 5e60 (5e50) (5e56) Grade 6 6e49 6e57 (6e52) Grade 7 7e49 7e57 7e60 7e62 7e63 Grade 8 8e48 8e51 8e59 8e60 8e61 *expectations in parentheses may or may not be fully addressed with this task as outlined, but with minor adjustments to the task, they could easily be incorporated into an assessment task. The Power Of Story, ETFO © 2002 9 T H E P O W E R O F S T O R Y Assessment Tracking Sheets A variety of tracking sheets are included. These will assist in your assessment of strategies and expectations addressed within this document. The tracking sheets can be modified for use in other areas of the curriculum. Each sheet includes space to input information regarding the unit being studied, subject area, strand, activity and expectation. This method of tracking will help focus the assessment when tasks are assigned. We have included one sample of each tracking sheet that relates directly to various lesson ideas within the document. In some cases, additional expectations have been included to demonstrate how to increase the scope of your assessment plan. Sample sheets are provided for the following lessons/grades. Many Hats - Grade 1 All Over Again - Grade 2 Hidden Talent - Grade 5 Making a Difference - Grade 6 Students Learn About Aboriginal Peoples First-Hand, Not in Textbooks - Grade 6 10 T H E P O W E R O F S T O R Y UNIT: Subject Area: Social Studies Strand: Relationships, Rules and Responsibilities Story: Many Hats - Grade 1 Expectation(s): 1z3 1z9 NAME describe the roles and responsibilities of various family members, as well as of other people in their school and neighbourhood demonstrate an understanding of the need for rules and responsibilities (e.g., need for protection, for respect) 1z1 identifies the roles of various family members The Power Of Story, ETFO © 2002 1z3 identifies the responsibilities of various family members 1z3 identifies the roles of other people in their school/ neighbourhood 1z3 identifies the responsibilities of other people in their school/ neighbourhood 1z9 Demonstrates understanding of the need for rules 1z9 Demonstrates understanding of the need for responsibilities 11 T H E P O W E R O F S T O R Y UNIT: Subject Area: Language Strand: Oral and Visual Communication Story: All Over Again - Grade 2 Expectation(s): 2e48 NAME 12 listen to discussions on familiar topics and ask relevant questions ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ (i) Student is actively listening (ii) Student asks relevant questions Circle ✓ if evident; room available for comments (i) (ii) The Power Of Story, ETFO © 2002 T H E P O W E R O F S T O R Y UNIT: Subject Area: The Arts Strand: Visual Arts Story: Hidden Talent - Grade 5 Expectation(s): 5a38 organize their art works to create a specific effect, using the elements of design (e.g., create a still life depicting their favourite foods, and explain how they used colour, texture, and shape to appeal to the viewer’s senses) Anecdotal Assessment Name Notes The Power Of Story, ETFO © 2002 13 T H E P O W E R O F S T O R Y UNIT: Subject Area: The Arts Strand: Drama & Dance Story: Making A Difference - Grade 6 Expectation(s): 6e49 NAME 14 solve problems presented through drama and dance in different ways, and evaluate the effectiveness of each solution 6a63 creates, rehearses, and presents tableaux Activity Sheet 1 - Completed Comments: The Power Of Story, ETFO © 2002 T H E P O W E R O F S T O R Y UNIT: Subject Area: Language Strand: Writing Story: Students Learn About Aboriginal Peoples First-Hand, Not in Textbooks - Grade 6 Expectation(s): 6e1 NAME communicate ideas and information for a variety of purposes (to inform, to persuade, to explain) and to specific audiences (e.g., write the instructions for building an electrical circuit for an audience unfamiliar with the technical terminology) 6e1 from research, completed a report on some of the contributions of Native Peoples The Power Of Story, ETFO © 2002 6e12 uses adjective and adverb phrases correctly and effectively 6e14 uses verb tenses consistently throughout a piece of writing 6e19 frequently introduces vocabulary from other subject areas into their writing 15 T H E P O W E R O F S T O R Y UNIT: Subject Area: Strand: Activity: Expectation(s): NAME 16 The Power Of Story, ETFO © 2002 T H E P O W E R O F S T O R Y UNIT: Subject Area: Strand: Activity: Expectation(s): NAME The Power Of Story, ETFO © 2002 17 T H E P O W E R O F S T O R Y UNIT: Subject Area: Strand: Activity: Expectation(s): NAME 18 ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ ✓ The Power Of Story, ETFO © 2002 T H E P O W E R O F S T O R Y UNIT: Subject Area: Strand: Activity: Expectation(s): NAME The Power Of Story, ETFO © 2002 19 T H E P O W E R O F S T O R Y UNIT: Subject Area: Strand: Activity: Expectation(s): 20 The Power Of Story, ETFO © 2002 T H E P O W E R O F S T O R Y When children enter into story, they are transported to other worlds, joining in the adventure and the excitement, freed of their own time and place and somehow changed by the experience. They learn about the lives of others and in doing so develop a better understanding of their own lives. BOB BARTON AND DAVID BOOTH Stories in the Classroom 21 K I N D E R G A R T E N K Marie Gaudet and Rose Logan Pitawanakwat “ Stories are not just entertainment. Stories are power. They reflect the deepest, the most intimate perceptions, relationships and attitudes of a people. Stories show how a people, a culture, thinks.” L ENORE K EESH IG -T OBI AS Marie Gaudet, (above) Ojibwe, Turtle Clan, Rose Logan Pitawanakwat (right) Marie is a writer, visual artist, publisher, cultural teacher and mother who has worked in the educational system in Toronto at the elementary and day care levels. She has recently developed her own company, Gaa-dibaatjimat Ngaashi: Stories From My Mother Inc. Rose is originally from Wikwemikong, Manitoulin Island, and is a member of the Muncee Delaware First Nation. She is the mother of three daughters, and has twelve grandchildren and four great-grandchildren. She is an Ojibwe language instructor, having completed the Ojibwe Language Teachers’ Program at Lakehead University in Thunder Bay, Ontario. She currently teaches at the First Nations’ School of Toronto. Marie Gaudet & Rose Logan Pitawanakwat 22 VERSION 1 K Moo ii-sikaag! (The Cow is Going to Bump Into Me!) H ow Rosie wished that her sister would stop teasing her this way! Ever since she had been a little girl, whenever her older sister Genevive saw her, she would utter these words to remind Rosie of her first experience in the barn, watching her father teach her how to milk the cows. As a four year old, the cows had looked like giants to Rosie. When her father motioned her to come closer in order to see how to milk the cows, she was too frightened and shouted out, “Kaayii! Moo ii-sikaag!” (“No! The cow is going to bump into me!”) Even though she had mispronounced the words, everyone knew what she meant, and laughed at what she had said. Since then, every time that Genevive repeated the expression, Rosie felt embarrassed, as though she were still a little kid. Rose Logan (Pitawanakwat), now sixty years old, tells this story to her daughter, Marie. This story is based upon her life, and the special memories that she has of learning to speak Ojibwe as she was growing up at Wikwemikong. Today, life is very different. Few people speak their native language. Instead, most people speak English. This is because many people, including Rose, were separated from their families during their childhood and sent to live at residential schools. Many of the Aboriginal students who attended these schools were forced to speak English and were punished severely for speaking their own language. Rose feels strongly that children should not be treated as she and her classmates were treated. She believes that it is very important to keep her language and her culture alive. At fifty years of age, Rose went back to school to complete the Ojibwe Language Teachers’ Program at Lakehead University in Thunder Bay. She now teaches Ojibwe to students from kindergarten to grade eight at the First Nations’ School of Toronto. Her daughter, Marie Gaudet, is also very interested in preserving the language and culture of her people. The stories her mother told her of her childhood seemed the perfect way to share this traditional knowledge. Marie was born and raised in Toronto and knows how difficult it can be to learn about your culture when you are living in a place that is made up mostly of people whose backgrounds are different than yours. Marie has 23 K I N D E R G A R T E N K six children. She works hard to make sure that all of her children learn about their Native ancestry. Like her mother Rose, she has also worked at the First Nations’ School of Toronto, and her children will all attend this school before they go to high school. While working there, and as a parent of children attending this school, Marie quickly recognized the need to develop books to be used to teach First Nations’ languages to Aboriginal children. So, Marie started her own company. Her dream of creating Native language story books for children has come true. Her first book, Moo ii-sikaag! The Cow is Going To Bump Into Me! was published in March, 2001. This picture book is based upon the above story of her mother’s experience. Marie wrote the English text of the story and designed all of the illustrations. Rose provided the written translation of the book in Ojibwe and retold the story in Ojibwe on a cassette that comes with the book. Readers of all ages can listen to the story and follow along in English or Ojibwe. Marie has named her company Gaa-dibaatjimat Ngaashi: Stories From My Mother Inc., because it is her mother who inspired her. Through this company, Marie hopes to create additional storybooks in the future. In fact, her second book, Ode’min keng: Picking Strawberries has just been finished and two more books are being planned. Marie is also a traditional dancer and singer who regularly attends pow wows. She sometimes visits schools to teach children about the dances, traditional songs, and the clothing that are part of the pow wow celebration. Most importantly, though, she wants school children to see that First Nations peoples today are much the same as anyone else. Soon she will also be offering a Stay-In-School program as part of her classroom visits. She wants to run a storywriting project combined with art lessons in order to help children create their own books based on their personal family histories. The students will develop their hidden talents, and she hopes that they will become more interested in reading and writing. Do you have any doubt that this project will be successful? Just look at her own family! Her daughter Dakwaakin is now working with Marie and Rose on the third book in Marie’s language series. Mother, daughter and grand-daughter are all involved in this project. Rose still has many stories to share with them about her own life, and they in turn will also have stories to pass on to future generations, including the story about Rose and her first experience in the barn. 24 M O O I I - S I K A A G ! K Here is how that story continues. As Rose grew up, her sister continued to say, “Moo ii-sikaag! Moo ii-sikaag!” at every opportunity. Even when Rose was getting ready to start her first job, her sister said to her, “Moo iisikaag!” When Rose moved to the big city, her sister repeated, “Moo iisikaag!” When she got married, again she heard, “Moo ii-sikaag!” Then one day, Rose got a phone call. Her sister, Genevive, was ill and had been taken to the hospital. Rose went to visit her there and brought her a card to cheer her up. Upon Genevive’s request, Rose read it to her. When she finished, Genevive smiled at her, winked and said, “Moo ii-sikaag!” At that moment, Rose felt the love that Genevive had for her, and realized happily that her sister still had her sense of humour. At last she understood why her sister had so often said, “Moo ii-sikaag!” to her throughout her life. Years later, Rose has come to appreciate the once-dreaded phrase, “Moo iisikaag!” From time to time, she remembers her sister saying it to her, and it makes her feel happy. Cover photo of book “Picking Strawberries” 25 K I N D E R G A R T E N K Background Information Resources Aboriginal peoples - In the context of this story, refers to First Nations, Métis and Inuit. “Indian” should only be used to refer to First Nations people when discussed in the context of government. Moo ii-sikaag! (nii-psikaag) The Cow is Going to Bump into Me, Marie Gaudet and Rose Logan “Aboriginal peoples” is a collective name for the original peoples of Canada and their descendents, and it refers to all the Aboriginal peoples in Canada collectively, without regard to their separate origins and identities. Cultural assimilation - Aboriginal peoples are striving to preserve their cultural identities against several factors that threaten their survival, including government policies that tried to control Aboriginal peoples and to assimilate or absorb them into Canadian society. Ojibwe (Ojibway) - The Ojibwe and the Odawa speak Anishinabek, the name of a root language spoken by Odawa First Nations from Saskatchewan to eastern Quebec in Canada, and from Michigan to Minnesota in the United States. “Anishinabek” also refers to the parent nation of all of the First Nations within this territory, including the Odawa, the Ojibwe, Cree, Algonquin, Chippewa and the Potawatomi. Residential schools - Funded by the government, but operated by mainstream churches, these schools separated Aboriginal children from their communities breaking ties to their language and culture. Ode’min keng: Picking Strawberries, Rose Logan Pitawanakwat and Marie Gaudet The Learning Circle: Classroom Activities on First Nations in Canada (ages 4 to 7) Department of Indian Affairs and Northern Development Vocabulary from the Ojibwe/ Odawa (or Anishinabek) language(s) Gaa-dibaatjimat Ngaashi (pronounced “gawh-dibaht-jim-at ngah-shi”) which means “stories from my mother” Kaayii (pronounced “kaa-yee”), meaning “No” Moo ii-sikaag (pronounced “moo ee-sik-ahg”), which translates as “The cow is going to bump into me.” Ode’min keng (pronounced “o-de-min keng”), which means “Picking strawberries” 26 VERSION 1 M O O I I -S I K A AG ! - KINDERGARTEN K Expectations Suggested Activities Language ; Create a collaborative story as a class.Use chart paper to record the significant events of Rose’s experience with the cow and the ongoing interactions with her sister throughout her life because of it. L2 demonstrate understanding of a variety of written materials that are read to them (e.g., stories, poems, informational materials) R5 make connections between their own experiences and those of storybook characters W3 contribute words or sentences to a class narrative (e.g., an account of a class nature trip) that is written down on a chart by the teacher Personal and Social Development SASR3 express their own thoughts and share experiences (e.g., contribute to the development of class routines; talk about experiences at home; describe a science discovery) SR4 identify feelings and emotions (e.g., anger, excitement) and express them in acceptable ways SR5 use a variety of simple strategies to solve social problems (e.g., seek assistance from the teacher; talk about possible solutions) ; Ask each child to illustrate one of the sentences from this class story. Record the sentences under their drawings. Have students assist you in collating the pages in the correct sequence in order to create a class book. ; Have students identify some of the emotions that Rose might have felt at various points in the story (e.g. embarrassed, sad, angry, confused, frightened, happy, loved). Have them use facial expressions or body language to show these feelings. Allow students to talk about times when they might have felt similar emotions. ; Provide magazines for students to browse. Have them search for pictures that depict various feelings. Instruct students to cut out these pictures and then sort and classify them into groups. Students should arrange and glue these into a collage, with a caption added by the teacher. ; Talk about ways in which Rose could have expressed her feelings appropriately. Discuss teasing and how it makes you feel. Students can problem solve to determine suitable responses to situations like this in their own lives. Use role-play to demonstrate solutions. ; Have students make a get-well card that Rose might have given to her sister Genevive. Have them make a card to share with someone whom they’d like to cheer up for any reason. Extensions ; Plan a trip to a farm. Students could see how cows are milked, or how crops (e.g. strawberries, tomatoes, raspberries) are cultivated. Then write a class story recording the experience. ; Teach some Aboriginal language words (e.g. greetings). Browse through the following web sites for examples: www.ainc-inac.gc.ca http://www.ainc-inac.gc.ca. Go to link Kids’ Stop and then Languages. Compile a list of ways to say “hello” in many other languages as well. Students may be able to consult family members and then report. ; Invite an Aboriginal Elder to visit your class and tell stories or share some other aspects of Aboriginal culture. 27 K I N D E R G A R T E N - G R A D E 1 K Helen Mable Smith 1 “ Kind words can be short and easy to speak, but their echoes are truly endless.” MOTH ER T ERESA Helen Mable Smith receiving The Canada Medal from Ken Atkinson for her contribution to her community and country Helen was born and lived all her life in St. Catharines, Ontario. She and her husband raised fourteen children. Helen was an energetic activist and role model for family, friends and her community. Helen passed away in 1994, but her influence in her community lives on. Helen Mable Smith 28 VERSION 1 K Many Hats H 1 elen Mable Smith was born in St. Catharines, Ontario in 1916, and she lived there all her life. This is a story about her life and how she made the world a better place. Helen’s grandfather, a black man, was a slave. A long time ago, many kind people who believed that slavery was wrong helped her grandfather and others escape from their owners. Helen grew up knowing that all people should be free. She decided to do something about that whenever she could. Helen had 12 brothers and sisters. She learned early in her life to speak up for herself if she wanted to be heard. Her mother taught the children right from wrong, how to share and how to be helpful. Later, when Helen had children of her own, she remembered what her mother had taught her. Helen didn’t go to high school, but she was a smart girl. She liked to write poems. Sometimes, when things made her unhappy or angry, she would write a poem to help get her feelings out. As she grew older, some of her poems were written about serious topics such as how people do not always treat each other nicely, and how lucky we are to live in such a wonderful country. Sometimes Helen would wake up in the middle of the night with an idea for a poem. She would jump out of bed and write it down so that she wouldn’t forget it. After Helen got married, she and her husband had 14 children. She taught all of her children the same lessons that her mother had taught her. Be kind, be generous with whatever you have, and always try to do the right thing. Helen loved children and it showed. Even though she had many children of her own, Helen enjoyed having her children’s friends at her home as well. Everyone was welcome to sit down to dinner with them, but, like one of the family, they had to help with the dishes afterward. Helen was busy with her own large family, but she always found time for others. One day she found out that in another part of town, some white families didn’t want a black family to live near them. This made her very unhappy. She wrote about it as she always did when something made her feel this way. She called her poem Free Men. Here are some of her words: 29 K I N D E R G A R T E N - G R A D E 1 K 1 You don’t judge a man By his colour you see It is by what he has in him And what good he can be Excerpts from ‘Free Men’ by Helen Smith, 1959 Then she took the poem downtown to the mayor’s office and read it to the city council. Listening to her poem, they knew that Helen was right. All people should be free to live wherever they wanted to. The mayor and city council made sure the family moved into the new house. Helen grew up in a religious family. As part of the congregation of the B.M.E. (British Methodist Episcopalian) Church, Helen knew that this church and the people who went there had helped many slaves escape years ago. This was an important part of black history in Canada and Helen talked about this history to school children whenever she could. As time passed, both Helen and the church grew older. The church was beginning to fall apart. The congregation did not have enough money for the repairs, so Helen got busy. She marched downtown and talked to the mayor. She asked for $10 000. This was a lot of money. Again, she read them a poem that she had written called, The Open Door. Many years ago, ‘twas in the days of yore That my grandparents, yes, no doubt some of yours Decided there must be something better on this here earth God made So they started out to find it... They started out for Canada, the place they called the Open Door... Excerpt from ‘The Open Door’ by Helen Smith, 1981 The mayor and city council were still not able to give her the money and Helen went away feeling sad, but she did not give up. Whenever Helen was upset and needed to cheer herself up, she would go downtown and buy a hat. She loved hats, and had many of them. This time, buying a hat didn’t help. It looked as if she was not going to be able to save her beloved church. Around this time, Helen got sick and she had to go the hospital. She worried the whole time she was there, not about herself, but about her church roof! 30 M A N Y H AT S K Sadly, the doctors couldn’t make Helen better, and she died. Many relatives, friends, and people that she had helped along the way crowded into the church to say good-bye to this wonderful woman. Important people from the city spoke kind words at the funeral service. They talked about all the good deeds that Helen had done and the medal she had been awarded because of these deeds. In the front row of the church sat all six of Helen’s daughters, each one wearing one of their mother’s beautiful hats. What a sight! The family was very sad, but so proud of their mother. Helen did not stop working her miracles, even from heaven. Six months after she died, local business people gave the church the money it needed to fix the church roof. “Praise God!” she would have said. Helen truly made a difference during her lifetime. She was a tiny black woman who wore a big hat and had a huge heart. She thought of others before herself and always tried to do what was right. We are very lucky to have had such a wonderful citizen. 31 1 K I N D E R G A R T E N - G R A D E 1 K 1 Background Information Resources Congregation - The name given to the people who attend a particular church. Hats Around the World, Liza Charlesworth Slave - A person owned by another person. Someone who is not free to live or work wherever he/she wants. A person who is not allowed to own anything. Hats, Debbie Bailey Mayor - The person at the head of the government of a city, town or village. What can you do with a paper bag?, Metropolitan Museum of Art Mrs. Honey’s Hats, Adams, Pam. New York, Child’s Play Hello Cat, You need a Hat, Gelman, Rita Golden, New York, NY, Scholastic Mr. Taddle’s Hats, Brian, Janeen. Vanwell Publishing Ltd., St. Catharines 32 VERSION 1 M A N Y H AT S - K I N D E R G A RT E N K Expectations Suggested Activities Language ; Read and discuss the story, clarifying any questions the students might have. OC5 ask questions, express feelings, and share ideas R1 listen to stories, poems and non-fiction materials for enjoyment and information R5 make connections between their own experiences and those of storybook characters Mathematics NSN1 sort and classify objects into sets according to specific characteristics, and describe those characteristics (e.g., colour, size and shape) DMP1 place some specific types of objects (e.g., shoes, favourite foods) on concrete graphs and pictographs P2 create and extend simple patterns using a variety of materials or actions (e.g., popsicle sticks, pebbles, stickers, counters) ; Discuss: • How did the story get its title? • What kind of a person was Helen? • How did she learn to be like she was? • What did Helen do when she saw something ‘wrong’? • How did she ‘make a difference’ during her lifetime? ; Have students relate a time when something made them angry or sad. Discuss what they did, or could have done, about the situation. ; Make a collection of hats (real or pictures). With the whole group, sort according to a variety of characteristics. ; Using the blackline master, colour, cut out and glue onto a strip of construction paper to make a pattern. The strip can then be stapled and worn as a hat. Extensions ; Students bring a hat from home. Model and tell about the hat. Whose is it? What is it used for? The hats could then be used for role play. ; If possible, collect hats the children recognize and discuss community workers who wear these hats (e.g., police officer, firefighter, chef) ; On a simple hat frame, have students decorate a hat. They will need a plentiful supply of good ‘junk’ (feathers, beads, wool, fabric). Have a hat parade, or wear the hat during ‘Hat Day’ if your school has one. ; Brainstorm ideas the students have on what makes a good citizen. Have them paint a picture of their idea. Print a caption for the pictures and display them in the hall. ; Investigate hats children wear in other parts of the world. ; Pose a problem for the children to solve during ‘building time’. How would they repair the roof if it got damaged? 33 K I N D E R G A R T E N K Many Hats 34 Activity Sheet The Power Of Story, ETFO © 2002 VERSION 1 M A N Y H AT S - G R A D E 1 Expectations Suggested Activities Language ; Read the story to the students. Students may ask questions for clarification. 1e1 communicate ideas (thoughts, feelings, experiences) for specific purposes (e.g., write a letter to a friend describing a new pet) 1e3 write simple sentences using proper punctuation (i.e., periods) 1e55 allow others to speak, and wait their turn in conversations or class discussions Social Studies 1z3 describe the roles and responsibilities of various family members, as well as of other people in their school and neighbourhood. 1z9 demonstrate an understanding of the need for rules and responsibilities (e.g., need for protection, for respect) 1z13 demonstrate an understanding of rights and responsibilities in a way that shows respect for the rights and property of other people (e.g., sharing, being courteous, cooperating, not littering) ; Brainstorm the concept of ‘rights’ and ‘responsibilities’. List students’ ideas on the chalkboard. 1 ; Discuss how Helen learned to be a responsible member of a family and society. How did she influence others? ; Chart students’ ideas from their own experiences under the headings Rights; a) as a child in a family, b) as a child in a community. Responsibilities; a) as a child in a family, b) as a child in a community. ; Pair students. Have them choose (they will need guidance) one corresponding right and responsibility, e.g. I have a right to be safe, vs. I must not hit my brother. Students record and illustrate their ideas. Place all corresponding pages opposite each other. Bind or coil to make a big book. Repetition of ideas may be necessary. Share with others. Extensions ; Using a simple base, have students ‘construct’ a hat with recycled materials collected ahead of time. Model hats, or wear on Hat Day. ; Construct a hat with moveable parts e.g., ear flaps connected by a brad (butterfly clip). Demonstrate to the class how their hat ‘moves’. ; While studying daily and seasonal weather changes, design different hats that will keep you warm, dry, shady, etc. ; Students bring hats from home. Sort, classify and graph according to various characteristics. ; Identify people in the community who wear hats as part of their uniform. How do these people help make the community a better place? ; Identify hats worn by children or adults in other cultures. ; Teach ‘hat’ songs and a dance to accompany them e.g., “My Hat, It Has Three Corners” or the “Mexican Hat Dance”. Create a song or dance for a hat designed with recycled materials. 35 G R A D E 1 Kelly (Khiet) Huynh 1 “ “In spite of everything I really believe that people are good at heart.” A N N E F RA N K Kelly’s drawing of a Vietnamese cart Kelly Huynh was born in Viet Nam. She and her family escaped and came to Canada as refugees in the late 1970’s. Kelly learned English quickly and wrote about some of her memories of Viet Nam and her early years in Canada. Kelly wrote this story while she was a student in Grade 3, in Edmonton. Kelly (Khiet) Huynh 36 Kelly’s Memories K 1 hiet (Kelly) Huynh’s family had been part of the air-lift from Viet Nam in the late 1970’s , and this remarkable girl learned English quickly. In 1982, when Kelly was in Grade 3, her teachers encouraged her to keep a journal of her memories of her life in Viet Nam and her early days in Canada. The teachers were impressed by the quality of the writing and wanted to help Kelly preserve the stories for her family and for others, so they had several copies of it bound. Here are some extracts from My Memories, by Kelly Huynh. “In Viet Nam there are no taxis or cars, not even trucks. There are only carts. Carts are just like taxis except they have two wheels. You have to tell the man where you want to go, and when you’re there you have to pay him.” Kelly made a drawing of a cart which is much like the rickshaws that tourists use for fun in Toronto. “In Viet Nam the shops are not houses. The people who sell things are poor people so they sell the things on the ground. In Viet Nam, people are poor and sometimes the guerillas come and kill some of the people. We were afraid, so we hid. My uncle peeked outside to see if they were gone yet, but they saw my uncle and they took my uncle with them. One day my Uncle escaped and he met some friends. They all built a raft and tried to get away to go to Canada. Finally they came to the Philippines. My Uncle and his friends built a hut and they had to catch fish and lobster for food. It was hard but it was a living.” Soon Kelly, her father and mother (who was pregnant), her grandmother, her aunt, and several cousins managed to get seats on a boat that was taking refugees to the Philippine Islands. Here, they could wait and apply to come to Canada. The boats were small and overloaded, making the journey dangerous. “When we were going on the boat, we were not allowed to bring any money or any jewels. Not even too much clothing. They didn’t want the boat to be too heavy. I wore two shorts and a pair of slacks and my grandmother wore her sweater because she didn’t want them to throw it in the sea. Before we were on the boat my grandmother bought rings for the whole family. She was 37 G R A D E 1 1 afraid that we would not have anything when we got to Canada. It was too squishy (in the boat). A woman and her daughter took all our space. We had to curl up and if we stretched she pinched us. The men had to stay in the bottom of the boat. My father said it was hot down there. He hurt his leg because it was so squishy down there. We were on the boat for four days and three nights. A boy died on the boat.” Kelly’s grandmother knew their journey would be difficult. She sold everything the family owned and used the money to buy the rings, and then sewed them into the linings and hems of the clothing they wore. No wonder she didn’t want to take off her sweater! When the boy died, his body was put into the sea. Kelly did not write about the pirates who attacked one night when they were out of sight of Viet Nam. Luckily her family appeared not to have anything valuable, and the boat continued its journey. “Suddenly we landed in the Philippines. When we got there we slept on the sand and we got some blankets to keep the chill out. In the morning when we woke up lots of sand was in our faces. In the afternoon we started building a house. Every Saturday and Sunday the Philippine people brought us food like sardines and chicken or choy (vegetables). And every day early in the morning my father and grandmother waited at the well until some people came to give us water to use. We had to bring pails. One day Canadians came and they said that we could go to Canada because my uncle had paid for us, but they said that my Auntie couldn’t go, so we left our Auntie some things. Then the Canadian looked at the paper again. It was a mistake. She could go.” When Kelly’s family arrived in Edmonton, her uncle was overjoyed to see them after so many months. They lived in a motel for a few months. Then they boarded with a woman for two years until the adults saved enough money to rent their own house. By then Kelly and some of the cousins were old enough to start school. Kelly’s teacher asked her how all the children got their English names. “On my first day of school I was so scared so my auntie took my hand and we crossed at the traffic lights. When we were there, we went to the office and talked things out with the principal. My Auntie told the principal that my Canadian name was Kelly. A lady took me and my aunt to a classroom. Gyeong and Phi showed me around the school and they played with me at 38 K E L LY ’ S MEMORIES recess. The next day my aunt took me to school half way and after that I went by myself. Months later my dad said to my brother, “It’s time for you to start school,” and he changed my brother’s name to Peter. My dad helped my brother do the same things as my aunt did for me. Then Lisa came to Edmonton with her uncle and he said to my granny, “Would you babysit my niece and I will pay you?” So that’s why Lisa stays at our place. Her uncle stays at my uncle’s place. Now my uncle is a Canadian and one day I will be a Canadian too.” Kelly’s family worked hard to bring as many family members as they could to Canada. Kelly was one of the lucky ones who escaped with her whole family. Although her teachers have lost touch with her, they have no doubt that this bright, articulate girl has grown up to become a productive, happy citizen of Canada. 39 1 G R A D E 1 1 Background Information Resources Airlift - In the 1970s many people who were forced to leave Viet Nam were sponsored to come to various countries. They were flown out of the Philippines to various places in Canada. From Far Away, Robert Munsch Guerilla - A member of a small, independent group of soldiers, often acting without authority. Refugees - People who leave their own country because of war, discrimination, natural disaster, or other troubles. They seek refuge in a safer country. Rickshaw - A light-weight two-wheeled hooded cart pulled by one or two people. They can be used to carry people much as we would use a taxi. 40 One More Border, Wm. Kaplan Who’s In a Family? Robert Skutch K E L LY ’ S MEMORIES - GRADE 1 Expectations Suggested Activities Language ; Talk to some grown-ups you know about their early memories. Write down one of their stories. 1e3 write simple sentences using proper punctuation (i.e., periods) 1e4 produce short pieces of writing using simple forms (e.g., stories, descriptions, lists of information) 1e58 arrange still pictures and/or photographs in a sequence to create their own stories Social Studies 1z17 sort and classify information (e.g., concerning responsibilities of family members) 1z23 order a sequence of events (e.g., school day, school year, class trip) orally and with pictorial symbols 1z48 identify and describe routes within the school (e.g., fire route, exit route), using familiar symbols and landmarks (e.g., washroom, drinking fountain, offices) ; Discuss the reasons Kelly’s grandmother had for selling the family’s possessions. ; Draw a picture of part of Kelly’s story and write a caption for it in one or two sentences. ; What did Kelly’s uncle, grandmother, and father do to help the family on its journey? What do the adults in your family do to help each other? ; Provide students with cards listing the main events from the story. Ask them to put the cards in order to create a simple time-line (Kelly lived in Viet Nam, Uncle got caught by the soldiers, Uncle made a raft, Kelly went on the boat, Kelly’s family landed in the Philippines, Kelly came to Canada in an airplane, Kelly went to school, etc.). A small group could illustrate each of these, and other students could match the pictures and the sentence-cards. ; Discuss the way in which Kelly learned how to get to school. Compare this to the way you come to school (bus, car, walk etc.). ; Using a map of your school, show the route to the washroom, gym, principal’s office, library and fire exit. Extensions ; On a large wall-map of the world, place labels to indicate the location of Viet Nam, the Philippines, Edmonton, Alberta, Ontario, and the town where you live. ; With a group, paint a mural of some of the events you heard about in Kelly’s story. ; Using a small box and some film-can lids (or other material) make a cart like the one in Kelly’s story. ; With a partner, set up a make-believe ‘store’ such as the one Kelly described. Make your own money for other students to use to buy things from you. 41 1 G R A D E 2 Valerie Mah “ Success is liking yourself, liking what you do, and liking how you do it.” M AYA A NGELOU 2 Valerie posing with rats for Chinese New Year Valerie Mah is the principal of Bruce Public School in downtown Toronto. She is a Canadian of Chinese descent who loves meeting and working with people. She has worked on federal, provincial and municipal committees and is a strong supporter of her local school community and her ethnic community. Valerie Mah 42 Be Proud of Who You Are! W hen I became a vice-principal, my niece and nephews said, “Auntie can’t be a vice-principal, she’s not mean enough.” I learned it was more fun to be nice than mean. I was born in Brockville, Ontario, a town on the St. Lawrence River where my family had owned a restaurant for fifty-five years. My father was born in China. My mother’s family came from China but she was born in North Bay, Ontario. Both families had laundries and then restaurants. There was only one other Chinese family in Brockville. In those days only men and strong boys came to Canada. All the cooks and waiters in the Chinese restaurants were called ‘bachelors’ because they could not have their families in Canada. I have three older sisters, one brother and a younger sister which makes me a “middle child.” Sometimes when you are the middle child, you think you are not wanted, especially if you are the fourth girl in the family. Thoughts like this sometimes crossed my mind. We lived in an apartment above the restaurant. From the time we were four and five years old, my brother and I would help in the laundry every Sunday morning. Our laundry was in the basement of the restaurant. In those days we didn’t have dryers. The white napkins had to be hung on clotheslines. My brother and I would go down to the basement and help hang up the laundry. We would stand on big wooden pop cases and shake out the white linens so that a grown-up could hang them on the line to dry. As soon as we could add, subtract and make change, we were allowed to stand on a chair behind the cash register at the front desk of the restaurant. We also learned how to fold napkins and set tables. It was a pretty fancy restaurant because we had white tablecloths and served things like live lobsters, bear steak and raw oysters. People from all over the country and across the border would come to our place to eat. When I got bigger, I was expected to wait on tables after school and sometimes at noon hour. My brother and I did our homework at a back table. Working in the restaurant taught us to be humble and how to work with all kinds of people. I think that is how I started to enjoy working with people of different cultures. Outside the restaurant, I was not allowed to wear 43 2 G R A D E 2 shorts or have bare shoulders because our father was a respected person in the community. Everybody knew your family and you couldn’t be bad. One day it was my birthday and we invited a few friends to go skating with my brother and me. Along came some big mean kids who started calling all of us, “Chinky, Chinky, Chinamen!” Have you ever had people call you names? What did you do? All of us, including our Canadian friends, went running home to my mother. She told us to ignore them because they were ignorant. It hurts when people are mean like that. 2 In addition to helping in the restaurant, I developed a love for music. I was allowed to have piano lessons which led to singing in choirs at school and in the church. This led to organ lessons in exchange for me directing a children’s choir at church. I also joined Brownies, C.G.I.T., Girl Guides and I taught Sunday School. One of my most thrilling awards was being the first Chinese girl to receive her gold cord in Guiding. I attended a national camp and was the only Chinese girl there. I also received an award and cup for radio announcing. We spoke English at home but we would speak some Chinese with the people who worked for my parents. There were no Chinese schools and my parents didn’t have the time to teach us. If you have a chance to learn your mother tongue, do take advantage, because it is a very useful skill. We also ate food and did things that were different from our Canadian friends. Around Chinese New Year we would get lucky red packets of money. Every May, we had to go with our family to the cemetery to remember our ancestors by cleaning up the graves and having a ceremonial picnic in the cemetery. We didn’t want our friends to know we had picnics in the cemetery. I wanted to go to university to become an occupational therapist or physiotherapist but was not accepted. Instead I went to Toronto’s Teachers’ College and shared a place to live with my sister. There were many Chinese people in Toronto. It was a new experience for me to be with other Chinese young people. Some were born in Canada and spoke English like me, others were born in Hong Kong and spoke Mandarin or Cantonese. As a teacher, my first class was Grade 5 and there was one Japanese boy in my class. His mother told me he had never been so happy before in school. She thought it was because I had black hair like him. He even started to sing at home because he was so happy. Later on I met and married a wonderful man called Daniel whose father was the first Chinese Presbyterian Church minister in Toronto. In 1964, we had a son. We named him Ian. In order to advance in a teaching career, you had to take courses. I took fifteen subjects to earn my B.A. This meant going to school in the evening 44 B E P R O U D O F W H O YO U A R E ! and in the summer time. My husband looked after our son or took Ian with him when he travelled. I also did work in my community and helped to build the first Chinese Home for the Aged. My family and I would also go back home to help my mother in the restaurant on weekends and in the summer. Teachers are always taking courses to help them become better teachers. Eventually I took a leadership course but I did not have time to think about becoming a vice-principal. I was very happy teaching a special class for emotionally disturbed children and volunteering after school at the Home for the Aged. Finally I decided I should apply to be a vice-principal. I was very surprised when I was chosen on the first try. I became the vice-principal of Withrow Public School, a French Immersion School from JK - Grade 6 in Riverdale. Quite a few children at this school were Chinese. I started trying to speak to their parents in Chinese. Working in the Chinese community led to invitations to do committee work. I sat on the Board of the Canadian Hearing Society, Chinese Cultural Centre and Volunteer Centre. Serving on different committees means that you meet all kinds of wonderful people. One committee of women teachers from all over Ontario, worked on anti-racist educational material for school children. Another committee was responsible for housing. Still another committee was called the National Action Committee for Race Relations for the Federation of Canadian Municipalities. This committee took me to meetings with mayors and councillors from across Canada. I would fly to Canadian cities such as Calgary, Yellowknife, Moncton and Ottawa. Sometimes I would wonder what a Chinese girl from a small town was doing with so many prominent people. Many of these people became my friends. We shared our experiences and cultures to help others understand how to get along better. In exchange, I feel I have made rich contacts and new friends. We can all learn so much from others and accomplish so much more when we work together. I am now a principal in a wonderful school. To this school, I have brought my experience from the restaurant because we provide a breakfast/snack and hot lunch program. We make sure the students have food because it is difficult to learn when you are hungry. thirty-five percent of the parents in the community are Chinese and fifteen percent are Vietnamese. It makes some immigrants feel better when they can see other people from the same culture in positions of responsibility. I share with them that I have three degrees, all done part time. I tell them never to give up hope to achieve their goals. In Canada, we are able to celebrate our differences. I think it’s important to respect our differences. I love my work and I strive to give each and every girl and boy the chance to be happy and to be able to work at a job they enjoy. So, whatever your cultural background, be proud of who you are and you, too, can achieve your goals. 45 2 G R A D E 2 2 Background Information Resources Bachelor - A man who is not married and lives alone. Name Calling, Itah Sadu B.A. - Bachelor of Arts, a university degree. Sam and the Lucky Money, Karen Chinn CGIT - Canadian Girls In Training Ignorant - Knowing little or uninformed. Chinese New Year’s Dragon, Rachel Sing Laundry - A room or building where clothes, linens etc. are washed and ironed. Welcome to School Poster, ETFO 46 BE PROUD OF WHO YOU ARE! - GRADE 2 Expectations Suggested Activities Language ; After reading the story, have students complete a timeline showing Valerie’s responsibilities/accomplishments over time. 2e1 communicate ideas (thoughts, feelings, experiences for specific purposes (e.g., write a paragraph describing a trip to the farm for classmates) 2e48 listen to discussions on familiar topics and ask relevant questions 2e50 talk about characters and situations in stories, and information in non-fiction materials, and relate them to personal experience Social Studies 2z3 describe contributions made by individuals and groups to the local community 2z6 identify ways in which heritage and traditions are passed on (e.g., through community celebrations, special days such as Remembrance Day and Canada Day, the Canadian flag, music, crafts, dance, recreation, food, clothing) 2z10 describe the contributions each family makes to the community (e.g., voting, providing services through occupations) ; Go to the part of the story when Valerie asks, “Have you ever had people call you names? What did you do?” Discuss. Have students complete a proactive list of ways to handle namecalling. Share at an assembly. ; Talk about other forms of racism (e.g., bullying, systemic, etc.) students have had experiences with. What did they do? Valerie’s mother said people were ignorant and that is why they said racist things. Do the students agree/disagree? Why/not? Why do they think people develop/have racist beliefs? ; Ask students to describe contributions that Valerie has made to her family and her community. What contributions have the students and their family members made to their families/communities? ; Identify ways Valerie maintains ties to her heritage. What traditions does she recognize? ; Students research their own heritage and traditions and share them with their classmates. Extensions ; Students identify possible future goals. Research educational requirements. What would they have to do to achieve positions of added responsibility? ; Start committees/clubs to learn/share cultures/traditions. ; On a map of Ontario, locate Brockville, North Bay, Toronto and the city they live in. ; Plan a Chinese meal. Use Canada’s Food Guide to ensure it is a balanced meal. ; Invite students and community members to teach the class some words or phrases in a second language. ; Post “Welcome” signs in many languages around your school. 47 2 G R A D E 2 - 3 Marcia Aoki “ When one door of happiness closes, another opens, but often we look so long that we do not see the one which has been opened for us.” H ELEN K ELLER 2 3 Marcia with her grandson Malivai Marcia Aoki, third generation Japanese Canadian, was born in British Columbia. After the Second World War, Marcia and her family traveled across Canada to Ontario. She and her husband Richard, now both retired, reside in Scarborough, Ontario. Helping to care for her treasured grandchildren is now her great passion. Marcia Aoki 48 All Over Again G lancing over her shoulder, five year old Marcia caught her breath. Her beloved dolls were being thrown into the wooden stove! Confused and scared, she couldn’t understand why this was happening. Why were her parents doing this? Where was the family going in such a hurry? No one ever explained anything to a small child. Thinking back on this period of her life, Marcia has many sad memories. During this time in Canadian history, on the west coast of British Columbia, some 22 000 men, women and children of Japanese ancestry had everything taken away from them with very little warning. Homes, jobs, businesses, even children’s toys; all were taken and sold without their consent or compensation. Fathers and young men were separated from their families and sent deep into the B.C. forests to work camps. The women and young children were evacuated to abandoned mining towns called Ghost Towns where mothers were left to look after families as best they could. Several families often lived together in crowded conditions and food was difficult to get. The Suzuki family, having done nothing wrong, was forced to live in these conditions from 1942 until 1945, the end of the Second World War. Marcia Suzuki is sansei, which means third generation Japanese Canadian. Her grandparents came to Canada from Japan many years ago and settled in British Columbia. Marcia’s parents were born in Canada and lived in Vancouver. They gave birth to four children, Marcia, her twin brother David, and two younger sisters. David was a healthy, vigorous baby, but Marcia was very ill at birth, and not expected to live. Doctors advised her parents to leave her in the hospital. That was unthinkable! Marcia’s father traveled back and forth to the hospital every day after work for a long time to help care for his daughter. Finally, Marcia was well enough to be brought home. Marcia’s parents continued to spend many hours nursing their little girl. Because of this love and devotion, and a strong will to survive, Marcia got better. In 1941, the Second World War was raging in Europe. Japan entered the fight. Japanese Canadian citizens living along the coast of British Columbia were suddenly being watched! Even though Marcia’s family, along with many others, had lived in Canada all their lives, they were no 49 2 3 G R A D E 2 3 2 - 3 longer trusted. Police patrolled their streets at night, often searching their homes without warning. Marcia has memories of the family lying terrified on the floor of their parents’ bedroom while police shone flashlights into their darkened home. Her family was not allowed on the street after dark. Marcia remembers feeling afraid and ashamed, not understanding what the family had done wrong. No one talked about it to the children. The next thing Marcia remembers is arriving in Slocan, B.C., along with several other families. They settled into conditions nothing like those they had left behind. Marcia began school there, and although her father did not visit often, Marcia remembers feeling safe, surrounded by her family and many other Japanese Canadian children. Marcia did not understand that her family was not free to leave this place. Time passed quickly for Marcia, and the war ended. The families thought that things would return to normal, but this was not to be. As there was nothing left to return to, they were forced to travel across Canada looking for work. Some families, disgusted with the treatment they had received, went to live in Japan. Mr. Suzuki and his family traveled all the way to Olinda, Ontario, where he was able to get a job as a farm worker. The family settled into a rented house, and the children attended a one-room school. This security did not last long. The family moved to Leamington where there were more opportunities for steady work. Here, because Marcia, David and Aiko were now old enough, they had to work to earn money for school supplies and clothes. Money was always scarce. The Suzuki children had chores, as most children did. Being the eldest and a girl, it was Marcia’s responsibility to cook and clean for her family. Marcia did not have much time to play, but she did make one good friend during her stay and they have remained in touch throughout their lives. Marcia recalls that the children in her school wore beautiful clothes and had wonderful snacks for recess. If she was lucky, someone would share a box of raisins with her. She would suck on just one raisin at a time to make it last. It was like a King’s ransom to her. Everyone in her family was working hard, but because they’d had to start all over again, it would be a long time before they could afford such luxuries. From Leamington, the family next moved to London. Here Marcia’s Dad worked for his brothers and Marcia was able to finish high school. She also went to work for her uncles, but at 21, Marcia’s Dad decided that she should find her future elsewhere. He encouraged her to move to Toronto. 50 A L L O V E R A G A I N Timid and shy, Marcia was very nervous, but with her sister Aiko at her side, off she went. Arriving in the big city of Toronto, the sisters quickly located a YWCA. From here, they began to explore. They found work easily, but finding an apartment was another matter. Away from the protection of her family for the first time in her adult life, Marcia experienced racism. The young women had located an apartment and after a phone call to the manager, they hurried over. When the superintendent of the building saw that they were young Japanese women, he said the apartment was already taken. That was a lie! The sisters left in shock. They continued to look, and soon found a place in another part of town where they were accepted for who they were. The sisters discovered a large Japanese community in Toronto where Marcia met Richard Aoki. They were married within the year and soon had two beautiful daughters, Janice and Jill. Marcia has many happy memories of this time, but more sadness lay ahead. Janice, at the age of 27, became ill and passed away. They miss her still. Marcia and Richard are grandparents now. Marcia, a bachan (grandmother), sometimes thinks back to the time of the internment, to the things that she lost and the way that she and her family were treated. Instead of remaining sad, she has just, “gotten on with things.” Her life would surely have been different had the family not had to start all over again, but when she is happily playing with her grandchildren Malivai and Makoto, she thinks perhaps everything has worked out just as it was meant to be. Marcia Suzuki Aoki (second row, second from left) with her class in Slocan British Columbia, 1942 51 2 3 G R A D E 2 3 2 - 3 Background Information Resources Bachan - This is a Japanese word meaning grandmother. Angel Child, Dragon Child, Michele Maria Surat Ghost Towns - These abandoned towns in British Columbia were originally lived in by miners and their families. They were used by the government to house Japanese Canadian mothers and children until the end of the Second World War. Internment - This is a term used to mean the forced evacuation of many thousands of Japanese Canadians living on the west coast to ‘camps’ or ghost towns for the duration of the war. Sansei - This is the Japanese word used to identify Canadians of Japanese descent, who where born in Canada and whose parents and grandparents were Canadian citizens. YMCA - Young Men’s Christian Association was first established in Niagara Falls in 1889 and has since spread to many cities. YWCA - Young Women’s Christian Association were also established. The ‘Y’ serves many purposes within a community; exercise and recreation, reading and writing rooms, and sometimes accommodation. 52 Whoever you Are, Mem Fox The Bracelet, Yoshiko Uchida Bird Talk, Lenore Keeshig-Tobias The bracelet, Yoshiko Uchida Grandfather’s Journey, Allen Say A L L O V E R A G A I N - G R A D E 2 Expectations Suggested Activities Language ; Through discussion, highlight or retell main points of the story, clarifying questions students might have. 2e1 communicate ideas (thoughts, feelings, experiences) for specific purposes (e.g., write a paragraph describing a trip to the farm for classmates) 2e30 express clear responses to written materials, relating the ideas in them (thoughts, feelings, experiences) to their own knowledge and experience 2e48 listen to discussions on familiar topics and ask relevant questions Social Studies 2z7 identify the cultural origins of various families’ members 2z23 use maps and globes to locate countries as part of a comparative study of families from countries from different continents 2z42 locate their local community, as well as Toronto, Ontario, Canada, and the various countries studied on a globe or map ; Prompt students to recall a time when they lost something of great value. Discuss the feelings involved, listing examples on the board. ; Students complete the Journal Response (activity sheet) expanding upon their personal experience with loss. ; On a map or globe, locate countries, provinces and cities mentioned in Marcia’s story. Compare these places to places from which your family came. ; Interview an adult member of your family. Prepare some questions ahead of time, such as “Where were you born? Have you lived elsewhere?” etc. ; As students share their interviews, plot countries of heritage on a world map. Discuss the cultural origins of the families. Extensions ; Create a family tree, plotting ancestors as far back as possible. Be sensitive to various family structures, e.g. single parent, same sex or adoptive families. Display results on a bulletin board for future reference. ; Imagine you were packing for a trip and knew you were not coming back. What would you take with you? Why? ; Compare your life to Marcia’s when she was your age. ; Brainstorm a list of things that the students think they have a right to expect in their life. As you record their answers put them in two un-named columns. Organize their suggestions as “Needs” in one column and “Wants” in the other. At this point, students will not be aware of this classification. Then, see if the students can guess why you separated the list. Discuss why you chose to record in two columns. 53 2 K I NG DR E A RD GE A R2T E N All Over Again Activity Sheet Journal Resource Think about these questions before you write your response. What did you lose? How or where did you lose it? How did it make you feel? What did you do about it? How do you think things changed because you lost ? 2 54 The Power Of Story, ETFO © 2002 A L L O V E R A G A I N - G R A D E 3 Expectations Suggested Activities Language ; After reading the story together, discuss Marcia’s feelings as circumstances unfold in her life. Record relevant information for later use. 3e3 organize information into short paragraphs that contain a main idea and related details 3e53 talk about characters and situations in stories, and information and ideas in nonfiction materials 3e63 contribute ideas appropriate to the topic in group discussion and listen to the ideas of others Health 3p3 list safety procedures and practices in the home, school, and community 3p11 use a problem-solving process to identify ways of obtaining support for personal safety in the home, school, and community ; Recall a time in your life when you were confused, angry or scared by something you didn’t understand at the time. Write about the situation. Share with the class if you wish. ; Discuss how the above feelings are connected to feeling unsafe. In small groups students discuss and list procedures that have been put into place in their a ) home, b) school, and c) community to help keep them safe. Each group could then choose how to report to the others - a cooperative booklet, a short drama, a written or oral report, etc. ; Investigate the safety procedures at your school. List safety devices and people who would assist under difficult circumstances (e.g., a fire, an accident on the playground, an angry dog, a bully). Extensions ; Discuss racism as a form of violence. Compare two of your favourite T.V. shows. Keep a tally of the number of violent incidents. Discuss the forms that violence takes. ; Read stories about other Japanese Canadian people. ; Invite a speaker of Japanese background to talk about heritage. 3p12 identify examples of real and fictional violence (e.g., schoolyard fights, cartoons, movies) 55 3 G R A D E 3 Helen Mable Smith “ Kind words can be short and easy to speak, but their echoes are truly endless.” MOTH ER T ERESA Helen Mable Smith receiving The Canada Medal from Ken Atkinson for her contribution to her community and country 3 Helen was born and lived all her life in St. Catharines, Ontario. She and her husband raised fourteen children. Helen was an energetic activist and role model throughout her entire life. Helen passed away in 1994, but her influence in her community lives on. Helen Mable Smith 56 VERSION 2 Many Hats H elen was born in St. Catharines, Ontario on July 11, 1916, the granddaughter of a runaway slave. As one of twelve children, she learned early in life to speak up if she wanted to be heard. Helen was greatly influenced by her mother during her early years. Kindness, generosity and love flowed from her household. Helen grew up quickly and married at sixteen. That was the custom back then. She was a naturally clever girl, resourceful and strong willed. She began writing poetry early in her life, expressing strong feelings. “It is a God-given gift,” she often said. Helen wrote about justice and injustice, trying to understand, and trying to make change. She would often leap out of bed at three in the morning to put an idea down on paper. During the next several years, Helen and her husband Cassell’s family grew to fourteen children, eleven of her own and three foster children. Although they never had much money, this large family always had enough to share. Helen’s home was always full of children, her own and others’. It was as if the house had a revolving door. Helen made sure that everyone was provided for. That might have been with a hug, a small loan, a scolding or just a piece of advice. In her home, everyone was treated like family. If you ate there, you helped with the dishes – no arguing! One day Helen heard about a petition to prevent a young black family from moving into a neighbourhood. White families living there didn’t want them. Helen wrote about the injustice of this behavior in a poem she called, “Free Men.” Off she marched to City Hall to read her poem to the city council and the mayor. FREE MEN You don’t judge a man By his colour you see It is by what he has in him And what good he can be To uphold your standards In this land of the free. Excerpt from Free Men by Helen Mable Smith, 1959 57 3 G R A D E 3 The mayor and council were so moved by her words that they made things right. Helen’s lifelong crusade had begun. When Helen saw that something needed doing, she did it. It would not be the last time she would approach a mayor for a favour over the next several years! With her many wonderful sayings like, “One monkey don’t run no show,” or “Straighten up and fly right,” Helen charmed people into doing what needed to be done. “I don’t know why,” many have said over the years, “But I just can’t say no to your Momma.” Helen had a way of recruiting volunteers. At home, no matter what their plans, her children knew that if they heard the words, “There’s something I want you to do,” it was easier in the long run to just get the job done. Helen was able to warm hearts and ruffle feathers all at the same time. 3 Always a spiritual woman, Helen rededicated her life to God. She grew up in the warmth of the British Methodist Episcopalian Church in St. Catharines. The B.M.E. Church was filled with history because it was one of the last stops in the Underground Railroad. Hundreds of black slaves escaped during the Civil War in the United States by fleeing north. Some, including Helen’s grandfather, swam across the Niagara River, hiding out wherever they could and eventually settling in the area. The congregation of this small St. Catharines church helped by giving sanctuary, and freedom soon followed. Helen told stories wherever and whenever she could to teach people in her community about black history. She was often invited into schools to talk to young children so that they would not forget. “Black history is not just for black folk,” Helen said frequently. THE OPEN DOOR Many many years ago, t’was in the days of yore that my great grandparents, yes, and no doubt some of yours Decided there must be something better on this here earth God made... So they started out to find it, and they were on the run to find a place to settle somewhere under God’s great sun... They knew if they kept running they would find the open door The door to life and justice where they could live once more. So they started out for Canada, the place they called the Open Door... Yes, they finally found it, and many died along the way, But for anything worth having, you know a price is paid. So I stand before you, I thank the God above For bringing them to Canada, a place to live and a land to love. Excerpt from The Open Door by Helen Mable Smith, 1981 As time went on, the B.M.E. church began to need repairs. The congregation was small and not able to afford them. Although getting older herself, Helen was not about to let the history in this church just 58 M A N Y H AT S disappear. The roof alone needed $10 000 worth of work. This was a small fortune for the little congregation and Helen knew it would take a miracle. Again she approached city council. By this time, they knew she’d be after something! She used every ounce of charm she could muster during her presentation. Helen realized half way through that she did not feel well at all. Once outside council chambers, she slumped down on a bench. An ambulance was called and she was rushed to the hospital. On the way, the ambulance driver asked her whether she had any stress, meaning pain. “Yes,” she replied weakly, “I am worried sick about my roof!” Helen never recovered from her illness, and passed away shortly after. Six months later, local businesspeople decided to donate the money needed to repair the roof of the church. She was even working her magic from heaven. During her lifetime, one of Helen’s favourite pieces of advice was, “If you’re feeling poorly, dress yourself up, go downtown and buy a hat!” Helen had many hats. Her funeral was attended by hundreds of people who had known and loved her. The mayor gave a wonderful eulogy. All six of Helen’s daughters decided to honour their mother at the service by wearing one of their Mother’s hats. What a sight! Helen herself was laid to rest in her very favorite hat of all. Helen will be greatly missed. Her children, grandchildren and many in the community have been deeply touched by this courageous woman. Some of them have picked up her torch in one way or another. Erika Smith, one of Helen’s beloved granddaughters, wrote a Grade 8 school paper about Three Makers of the Millennium. She chose Harriet Tubman, Martin Luther King Jr. and her grandmother, Helen Mable Smith. Erika wrote: “Harriet Tubman used discretion and secrecy with the Underground Railroad to attain freedom. Martin Luther King Jr. used peaceful marches, sit-ins and speeches to attain equality. Helen Mable Smith used public speaking at community events and schools to educate people about Black history. All three have made an important mark in history by helping people see it’s what’s inside of you that is important, not the colour of your skin. We are all human beings, we are all important!” Kindness doesn’t cost a thing, but is worth millions. During her lifetime Helen received praise and many awards for her work. The key to the city, the Peace Medal, and honourable mention in the House of Commons in Ottawa, were among her thanks. A wife, mother, neighbour, friend, poet and educator, Helen considered herself above all, just one of God’s children. She is probably busy organizing volunteers in heaven this very moment! 59 3 G R A D E 3 Background Information Resources Eulogy - High praise of a person given in the form of a speech usually given at a funeral. Sweet Clara and The Freedom Quilt, Deborah Hopkins Sanctuary - A shelter safe from harm – usually a church. Aunt Harriet’s Underground Railroad in the Sky, Faith Ringold Underground Railroad - This was not a railroad at all, but a network of people who secretly assisted black slaves to escape during the American Civil War. There were many routes to this ‘railroad’, one of which brought people to St. Catharines, Ontario. 3 60 Aunt Flossie’s Hats (and crab cakes later), book and cassettee, Elizabeth Fitzgerald Howard VERSION 2 M A N Y H AT S - G R A D E 3 Expectations Suggested Activities Language ; Brainstorm students’ understanding of ‘injustice’. Record ideas on chart paper for future reference. 3e5 produce pieces of writing using a variety of forms ( e.g., simple research reports, letters, stories, poems) 3e7 revise and edit their work, using feedback from the teacher and their peers 3e61 use appropriate volume, tone of voice, gestures, and stance when speaking, making a presentation, or reading aloud ; Discuss how Helen’s poetry helped her understand and cope with injustice. Discuss how her poetry made a difference. ; Prompt students to recall a time when they felt something was ‘unjust’. Have them write a poem to express their feelings. Edit, with teacher or peer assistance. ; Have students imagine that, to correct their injustice, they must speak to people in authority. Have them prepare and deliver their poem to the class using their voice and actions as effectively as possible. ; Create a rhythm and/or a tune for their poem, and teach it to their friends. Perform the ‘song’ for the class. Extensions The Arts 3a2 create and perform music, using a variety of sound sources 3a54 defend a point of view through speaking and writing and speaking in role, (e.g., as townfolk, plead with the mayor to save their town) 3a55 create works of drama and dance, using appropriate elements (e.g., rhythm, form) ; Design and create a hat to wear for a specific purpose. Have the class pantomime how the hat is used, or how it makes them feel. ; Draft a floor plan of a house designed to accommodate 14 children. ; Plan a nutritious meal for 14 children and investigate the cost of this meal at a local grocery store. ; Design and build a house, church, etc. with a secret room which might be used to hide runaway slaves. ; List, with the children’s help, a number of idioms. Create a work of art which literally translates the phrase. (e.g., Raining cats and dogs!) 61 3 G R A D E 3 Jessica Tuomela “ Success is focusing the full power of all you are on what you have a burning desire for.” S OURCE U N K NOWN 3 Jessica is an 18-year-old girl of Portuguese-Finnish descent. She lives in Sault Ste. Marie. Jessica plans to attend Sir Wilfrid Laurier University in Waterloo, where she will continue her education in the field of social work. Jessica Tuomela 62 Don’t Sit Back... Go For It! J essica was a year and a half when her parents noticed that her eyes were cloudy. The doctors thought this was caused by cataracts. Six months later she was diagnosed with cancer of the eye. Her left eye was removed to stop the spread of cancer and replaced with a prosthetic eye. After chemotherapy and radiation treatment, Jessica lost her right eye to cancer. She was three years old. Both eyes were now prosthetic. Jessica’s parents wanted to enroll her in junior kindergarten. As they did not have the facilities to accommodate her needs at the local school, Jessica went with her parents to Brantford to see the residential school for the blind. She was only four years old. Her parents did not think it was appropriate for her to live so far from home. Her parents came back home to the Sault and fought for their daughter to be included in her neighbourhood school. “Don’t sit back, go for it!” was the attitude they took. Jessica was accepted by the teachers at the school and felt that they did the best they could. She had a teacher who worked with her on a one to one basis every day for a few hours. She often felt socially isolated from her peers because she spent a lot of time with the teacher. She had difficulty in the junior grades. The students did not socialize with her or play with her in the yard. She felt terrible. Students would stand in front of her or bump into her. Other things were different for Jessica. Some teachers did not assign her homework like they did with other students. Worst of all, she didn’t get to participate in physical education activities. Jessica felt lonely. She was frustrated by the fact that some teachers did not know how to include her in activities. She felt that some teachers thought that she was incapable of doing the same homework that her peers were doing. However, Jessica shared the approach her parents had taken, “Don’t sit back, go for it!” Outside of school Jessica participated in Brownies and ballet. She also started violin lessons. Still, Jessica was not happy at school. Along with her parents, she made the decision to go to W. Ross MacDonald School For The Blind in Brantford. 63 3 G R A D E 3 She began to learn many new things. For the first time in her life she learned how to cross-country ski, run track and field, participate on student council and work on a yearbook. She also conquered her fear of water. She learned how to swim. She competed at the provincial level for the visually impaired for three years and then rose to the national level. After completing grade nine, Jessica decided that it was time to go home. She was finding the environment of The W. Ross MacDonald School overprotective and felt that she needed to socialize with sighted people. She also wanted to challenge herself more. 3 Jessica returned to Sault Ste. Marie and continued her education. With the support of her principal, Jessica’s inclusion in her community high school has been a positive experience. She is again breaking new ground as the first visually impaired student to attend this high school. Upon her return, she decided to continue her swimming career. It was something she loved and did well. However, the local aquatic club felt that they could not adequately accommodate her needs. Someone told her that she should be swimming with people who were physically and mentally challenged and not able-bodied swimmers. One coach at the club did offer to take her on. Jessica arrived ready for her tryout. She started off swimming in her own lane and before she knew it her lane was filled with twenty other swimmers. Jessica had some difficulty with all those other swimmers in her lane. That large number of swimmers in one lane was unusual. But Jessica persisted. From that day Jessica set herself the goal of attending the 2000 Paralympics in Sydney, Australia. Under the guidance of her coach and with her mother at her side, Jessica became a world-class swimmer. She holds a number of provincial and national records and is recognized as a National Elite Athlete. She is fourth in her class for the 50 and 100 metre free style and the 200 metre breast stroke. She holds the National and Provincial Short Course records for the 50, 100, 200, and 400-metre free style. Jessica met the qualifying standard for the 50 and 100 metre free styles, the 100-metre backstroke and the 200 metre Individual Medley for the Paralympics Games. However, this in itself was not enough and she had to face yet another challenge before being named to the team. 64 D O N ’ T S I T B A C K , G O F O R I T ! Jessica had to duplicate her qualifying times again in Montreal at the Paralympics trials for the Summer Games in Sydney. During the heats she swam the qualifying times and thought she had made the team. A little tired, she then swam in the finals for the 50 metre freestyle and was 0.03 of a second off the standard time and in the 100 metre event was 0.04 of a second off the standard time. The selection criteria for disabled swimmers was different from that of other swimmers. Jessica was informed that she had to make the standard time in the finals. Once again, Jessica’s approach was, “Don’t sit back… go for it!”. Jessica’s camp argued that the selection for swimmers with disabilities should be the same as for other swimmers. A three-member panel considered the issue. They concluded that it was not clear when the standard time rule would apply. Athletes with disabilities should be provided with the same opportunities as other athletes. Jessica competed in the 2000 Sydney Paralympics and won a silver medal in the 50 metre freestyle. She is now setting her sights on the 2004 Paralympics in Athens. 65 3 G R A D E 3 Background Information Resources Prosthetic - An artificial part supplied for a missing one. Local CNIB Retinablastoma - Cancer of the eye. White Cane Week information package Blind: Totally Blind - no vision at all. Blind: Legally Blind - 20/200 - A person sees at 20 feet the clarity and detail a normally sighted person would see at 200 feet. Blind: Legally Blind - Tunnel Vision - Restricted peripheral vision. 3 Visually Impared - Vision with a percentage of loss that can’t be corrected with glasses or surgery. 66 I’m Deaf and It’s Okay, Lorraine Aseltine DON’ T SIT BACK , GO FOR IT! - GRADE 3 Expectations Suggested Activities Language ; Discuss how having a prosthesis would change how you would participate in various activities? Would it change how your friends treated you? What does visually impaired mean? 3e29 read a variety of fiction and non-fiction materials (e.g., chapter books, children’s reference books) for different purposes 3e46 use a variety of strategies to determine the meaning of unfamiliar words (e.g., use the context, break the word into syllables or other recognizable units, use a dictionary, use phonics) 3e53 talk about characters and situations in stores, and information and ideas in nonfiction materials Physical Education 3p1 describe the relationship among healthy eating practices, healthy active living, and healthy bodies 3p36 adopt an action plan based on an individual or group goal related to physical activity (e.g., power walking for one kilometer three times a week) 3p37 demonstrate respect for the abilities and feelings of others (e.g., accepting everyone into the group) ; After reading the story, write a journal response addressing the following questions: Have you ever experienced a time when you were prevented from doing something you wanted? How did it feel? What did you do about it? ; Write your autobiography. Include goals you have set for yourself and how you will meet them. ; In physical education, set a class challenge e.g. walk, jog or power walk across Ontario. Do a set number of kilometres on a regular basis. Write out your class goal and calculate how long it will take to accomplish it. Keep a chart to track your progress. Make sure that everyone can participate. Extensions ; Jessica could not participate in physical education activities because the games that the students played were not adapted for a person who was blind. Think of a game that you play in physical education class, e.g. soccer, soccer baseball, T-ball. What changes would you make for a student with a disability? ; Help students to try to gain an understanding of the challenges of physical education if they had a disability. This could include drama, a speaker, video or discussion. ; Jessica had difficulties socializing with other students in the class. How would you make her feel welcome in your school and include her in free time activities? ; Jessica does not see her blindness as a disability but as a challenge. She sets goals for herself and meets them. To meet her goal as a world class swimmer Jessica gets up six mornings a week at 5:00 a.m. and is in the pool at 6:00 a.m. until 7:30 a.m. She leaves for school at 8:00 a.m. and is in bed by 8:30 p.m. She also lifts weights twice a week. Think of something that you have wanted to accomplish. Write down your goal and how you are going to accomplish it. Who will help you reach your goal? 67 3 G R A D E 3 Millie Umehara “ Although the world is full of suffering, it is also full of overcoming it.” H ELEN K ELLER (1889-1968) 3 Gale P. Comin Millie Umehara was born in 1917, in rural Ontario. Millie is now retired and living in Toronto. Millie Umehara 68 Never Give Up “I t was more than frustrating,” the eighty-four year old woman said slowly, hesitantly, as if searching for the right words to describe her struggle. With wry humour Millie recounted her schooldays in a one-room schoolhouse in Temperanceville, a small Ontario town about fifty kilometres north of Toronto. “I was very good at baseball. I could hit and I could run. I was a very fast runner and was always one of the first picked. But it was baseball that made me realize something was changing. I began to lose my ability to hit the ball because I just couldn’t see it clearly anymore.” Born in 1917 to Japanese Canadian parents who were market gardeners in rural Ontario, Millie began life much like everyone else. Like her two sisters and one brother, she loved school and worked diligently. Together the family would sit around the dining room table and the children would do their homework. However, achieving good grades for Millie became harder as her eyesight began to deteriorate around the age of eight. “My friends helped me by reading to me,” recalled Millie. “But by the last two years of high school I couldn’t see the small print or read from the board.” In 1935 she graduated from high school at the age of eighteen. It was a heartbreaking experience for the highly intelligent Millie to see her brother and sister go off to the University of Toronto while she was left at home to help her parents tend the farm. From that time on, her life centred on the farm and church. Millie played the piano and taught Sunday school. Her mother would read her Bible lessons. Around the farm she would pick berries, help with the canning, bunch asparagus for market and look after the cows and horses. Millie wondered at these gentle creatures that never bumped into her or stepped on her although people sometimes did. “I really felt that they [the animals] somehow knew that I couldn’t see.” Millie experienced a period of great frustration and confusion. She could no longer read any type of print and began to feel her world was being closed in darkness. “It was a time,” Millie explained, “in which I felt I had no direction. I didn’t know what help was available. With no one to advise 69 3 G R A D E 3 me or counsel me I didn’t know what I could do. One copes,” she said, “until the time comes when help is necessary.” Blindness would be her prison until the age of thirty-one. Then everything changed. While listening to the radio, she heard about the Canadian National Institute for the Blind (CNIB). She typed a letter that day to the CNIB describing her failing sight and how she found it difficult to perform everyday tasks. She waited anxiously for a reply. 3 A month later, the CNIB sent out a field secretary to interview her and explain the services they offered. Millie’s memory of Mr. Henry, the field secretary, was vivid. She remembered the tea and homemade cookies they ate and the details of their lengthy conversation. She recalled the cool feel of the Braille watch that he handed to her. With a few instructions, Millie was able to read the time. This was the first time in years that she could read anything. From that moment, Millie’s world began to open up. First, she received five “talking book” records. These were the first stories that she had “read” in more than ten years. She devoured these in less than a week and eagerly exchanged them for more. Then, her mother began taking her to Toronto every week, where she received instruction in eye care, Braille, typing and mobility. She learned to use a white cane and with it she was able to use buses and streetcars to get around the city. Eventually, she was able to travel to other cities. Millie studied and learned everything the CNIB had to offer and still wanted more. She became a teacher and has devoted her life to helping others adjust to their loss of sight. Millie rose to the position of Ontario Supervisor of Rehabilitation with the CNIB. As supervisor, Millie traveled to a number of cities and towns in Ontario, including Hamilton, Windsor, London, Sudbury, Ottawa, Cornwall, Peterborough, Thunder Bay, Timmins and North Bay. She retired in 1982 at the age of sixty-five. Today, Millie continues to do volunteer work, teaching knitting and other crafts. She also makes labels to identify the many thousands of musical compositions in the CNIB library. Millie had been without hope for many years until she first heard of the CNIB at age thirty-one. Within a very few years she was reading and 70 N E V E R G I V E U P writing Braille, reading books on records, living and traveling independently and making a significant contribution to the well-being of other people. Advances in technology continue to open new doors to the visually impaired and one day may even give sight to the blind. 3 71 G R A D E 3 Background Information Resources Retinitis Pigmentosa - A disease of the retina in which a dark pigment accumulates in the cells and eventually damages the cells so that they can’t sense light. This particular disease develops over a long period of time. The story of Helen Keller, Carolyn Sloan Visually Impaired - A loss of vision from the normal 20/20. Surgery or glasses cannot correct this loss of vision. The loss of vision has a definite impact on the person’s lifestlye. 3 72 Louis Braille: The Boy Who Invented Books For The Blind, Margaret Davidson, Local branch of CNIB The Kingfisher First Human Body Encyclopedia, Richard Walker N E V E R G I V E U P - G R A D E Expectations Suggested Activities Language ; Before reading this story, discuss the following questions: 3e2 write materials that show a growing ability to express their points of view and to reflect on their own experiences (e.g., journal notes) 3e51 listen to discussions and ask questions to clarify meaning 3e53 talk about characters and situations in stories, and information and ideas in nonfiction materials Math 3m40 select the most appropriate unit of measure to measure length (centimetre, metre, kilometre) 3m41 estimate, measure, and record linear dimensions of objects (using centimetre, metre, kilometre) 3m44 estimate and measure the passage of time in five-minute intervals, and in days, weeks, months, and years 3 • Can you think of a time when you wanted to give up? Tell about it. • What do you think visually impaired means? ; After reading the story have the students complete the Response (Activity sheet # 1). ; Create a timeline (Activity sheet # 2) of one of the following: i. Millie’s life ii. The development of transportation from 1917 to today iii. The development of communication technology from 1917 to today ; Using a map of Ontario, calculate the distance between the cities and towns mentioned in the story. Record this information. Calculate the amount of time it would take to travel these distances in various modes of transportation. Extensions ; List the safety procedures and practices at home, school and in your community. How would they have to be changed to accommodate a person who is visually impaired? ; Compare features of urban and rural communities using a Venn diagram. Use the story as a starting point. ; Arrange for a presentation relating to learning as a visually impaired person. 73 3 K I NG DR E A RD GE A R3T E N Never Give Up Activity Sheet 1 Response Activity Have you ever felt that you were trapped? What caused you to have this feeling? How did you feel when you were in this situation? How did you get out? Who helped you? How did you feel when you got out? 3 74 The Power Of Story, ETFO © 2002 M O OG R I IA - S D IEK 3 A A G ! Activity Sheet 2 Never Give Up Timeline Activity Choose one of the following and develop a timeline of: i. Millie’s Life, ii. Development of Transportation from 1917 to Today, iii. Development of Communication Technology from 1917 to Today. Complete the chart below. Using the information you have gathered, create a linear timeline. Time Description Illustration 3 The Power Of Story, ETFO © 2002 75 G R A D E 4 Christine Ichim “ A small group of thoughtful people could change the world. Indeed, it’s the only thing that ever has.” M A RGA RET M EA D Christine and her mother, Florica 4 Christine Ichim is a graduate student at the University of Toronto. She studies the pathology of leukemia. Christine gives presentations in the community to highlight the importance of meaningful cancer research and the triumph of the human spirit. Christine Ichim 76 Outside the Box “M om has leukemia.” Those words echoed in ten-year old Christine’s head. How could that be? What was leukemia, anyway? Christine knew enough to know that it was serious. She was worried. She was the second oldest of six children and Matthew, the youngest, was just a baby. They needed their mom. What could she do? Christine thought that all families were just like hers. Her parents were both poets and very supportive of their children’s inquiring minds. They wanted their children to see the beauty of life and to want to understand things. They wanted their children to believe that the mind is more important than everyday things. She didn’t know yet that the curiosity and thirst for knowledge that she and her siblings had, were unusual. She thought everyone faced with a problem would just figure out what has to be done and do it, no matter what. Christine had already shown signs of the person she would grow to be – a person of action, but not predictable ordinary action, as you’ll see. She remembers when she and her brother, Thomas, a year older than she is, were pre-schoolers. One of their favourite things to do was to go into the kitchen and mix things together – just to see what would happen! Yes, sometimes things would sort of blow up or bubble over, but they learned a lot. Now, faced with their mother’s serious illness, Christine and Thomas took action. They decided to learn as much as they possibly could about cancer in general and leukemia in particular. They went to the library and took out books that were difficult to understand. They kept reading them over and over, until they began to make sense. They asked the doctors questions, talked to other medical experts and read everything they could get their hands on. In high school, Christine and Thomas wanted to go to conferences to learn more. They heard of a symposium for pharmaceutical companies, to be held in Washington. They went! The organizers allowed them to come for no charge, but it was still not easy, especially when they got on the wrong bus by mistake. It was very exciting to be at a conference with knowledgeable people who treated them more like equals than kids. 77 4 G R A D E 4 Christine and Thomas continued on their mission to find a cure for leukemia. They got some pigs’ blood to work with, built a centrifuge to separate the blood (which involved attaching apparatus to the wheel of a “very sweet bike”) and built an inverted light microscope with a heat lamp from the hardware store. They put together everything they’d learned, surveyed their research and designed a protocol for treating people with leukemia. They took it to a doctor at Princess Margaret Hospital/Ontario Cancer Institute in Toronto and realized that they needed to raise money to have the study happen. As you can tell, Christine is not in the habit of giving up when faced with an obstacle. Nor does she tend to think small. Rather, she goes “outside the box” to solve a problem. So, undaunted, she decided to roller-blade across Canada to raise funds. By this time, she was in Grade 13 and had a lot of schoolwork to do. She carried a cell phone around with her and was not bothered when it would ring in class! 4 She describes the cross-Canada skate as grueling and beyond comprehension. The daily physical pain added to the stress and so did the awareness that her mother was in an accelerated phase of her disease. She would wake up in the morning and think, “I don’t want to do this.” Then she’d remind herself of her mother’s parting words to her, “If you make it, I’ll make it.” What message would it give to her mom if she quit? So Christine would drag herself out of bed and lace up the skates. She didn’t want people to say, “Oh yes, Christine Ichim? She’s the one who quit.” Christine pushed herself on at times when it felt like a knife was stuck in her back. She would take the bloody socks off her blistered feet every night and fall into bed in complete exhaustion. Thomas was behind her in a van they’d borrowed. He searched out sponsors and encouraged them to support the venture. They lived on power soft drinks and rice cakes for a while, provided by companies that sponsored the trip. Thinking about her mother is what kept Christine going. She had left Victoria, British Columbia, on May 3, 1996. When she arrived in St. John’s , Newfoundland, on October 15, 1996 (her birthday!) she was sick with mononucleosis and was completely drained, but she had made it! She had done it! She had proved to all those people who had told her she was crazy, it would never work, it was an impossible challenge, that she could roller blade from one coast of Canada to another. 78 O U T S I D E T H E B O X She had raised money that would enable a study at the University of Western Ontario to continue. She raised more money when she got home by talking to service clubs and other groups, giving motivational talks. Once again, Christine’s “outside the box” thinking had worked. Christine’s advice is simple. Don’t listen to people who tell you your idea is crazy! If you have a good reason for trying to do something, go ahead and give it your best effort. A teacher in high school once told Christine that she would never be Prime Minister of Canada. What do you think? 4 79 G R A D E 4 Background Information Resources Centrifuge - Machine that revolves at speed. Guideposts for Teens Inverted - Turned upside down. bluejean magazine Protocol - Set of guidelines for performing a particular task. Maclean’s Magazine 4 80 O U T S I D E T H E B O X - G R A D E 4 Expectations Suggested Activities Language ; Brainstorm what students know about cancer and leukemia (and are comfortable sharing). 4e1 communicate ideas and information for a variety of purposes and to specific audiences (e.g., a brief research report on a class investigation for classmates) 4e2 begin to write for more complex purposes (e.g., to present and discuss their opinions and viewpoints, to pose questions, to record information) 4e55 express and respond to ideas and opinions concisely and clearly Social Studies 4z45 locate and label provinces, territories, and capital cities within each region on a map of Canada 4z49 locate and label the physical regions of Canada on a map ; Write a letter to the organizers of a conference and convince them to allow you to attend. ; Invite a speaker from the local Canadian Cancer Society to talk about local fund-raising and publicity initiatives. ; Write a newspaper article about the visit in two to four paragraphs. ; On the blackline map of Canada, label Ottawa, the provinces and territories, as well as the capital cities. ; On the same map, show the physical regions of Canada. Create symbols and a legend to clearly illustrate this. ; Using the list of stops Christine made and the black line map of Canada, plot her route across the country. Extensions ; In small groups, convince a potential sponsor that you have a great idea for fundraising and the organization should back you. ; Find out about other Canadians who, like Christine, have tackled a very demanding challenge e.g. Terry Fox, Silken Laumann, Rick Hansen, Marilyn Bell. ; In a role-play, present one section of Christine’s journey. Focus on one of the physical regions and the difficulties she might have encountered. ; Christine went through 10 pairs of roller blades going across Canada. Design power roller blades which might last the whole trip. (Build a model, design a labeled poster, or create radio or T.V. ads.) 4z57 compare two or more regions (e.g., the Arctic and the Prairies), investigating their physical environments and exchange of goods and services 81 4 K I NG DR E A RD GE A R4T E N Outside the Box Activity Sheet 4 Places Christine Passed Through As She Roller-Bladed Across Canada British Columbia: Victoria, Vancouver, Maple Ridge, Chiliiwack, Kamloops, Golden. Albert Lake Louise: Banff, Calgary, Medicine Hat. Saskatchewan: Swift Current, Moose Jaw, Regina. Manitoba: Brandon, Winnipeg. Ontario: Kenora, Dryden, Thunder Bay, Nipigon, Wawa, Sault Ste. Marie, Sudbury, Parry Sound, Orangeville, Guelph, Kitchener, Stratford, London, Hamilton, Toronto, Kingston, Ottawa. Quebec: Montreal, Trois-Riviéres, Quebec City, Riviére-du-Loup. New Brunswick: Edmonton, Woodstock, Fredericton, Moncton. Newfoundland: Argentia, St. John’s. 82 The Power Of Story, ETFO © 2002 T H EM P OO O WI E I -RS IOKFA A SG T O ! R Y Personal stories are not merely a way of telling someone (or oneself) about one’s life; they are the means by which identities may be fashioned. ROSENWALD & OCHBERG Storied Lives: The Cultural Politics of Self-Understanding 83 G R A D E 4 Myrtle Namsoo “ The one universal form of art is music.” Communication Face Toward the Spring (1956) FA ITH BA LDWI N 4 Myrtle Namsoo was born on the island of Trinidad in the West Indies. She grew up on the island and taught there for twenty-three years before she emigrated to Canada. Myrtle continued her teaching career in Ontario for another twenty-three years before retiring. She has four children Judy, JoAnne, Jacqueline and Jonathan. Myrtle Namsoo 84 It Soothes Your Soul And Brings People Together Journal 1 Last night I dreamt of my mom. She was the one who spurred me on to work at developing my love for and talents in music. It was her dream to be an accomplished musician, but she wasn’t given that opportunity due to financial circumstances and gender biases at that time. My mom and dad worked hard and saved, so they could eventually purchase a piano. My mother wanted her children to have an opportunity with music that had not existed for her. What a lovely idea, right? Well now, as I reflect back, it was wonderful, actually. But what reality did it bring to my childhood back then? It meant waking at early hours and dealing with the repetition and drudgery of practicing scales and arpeggios. These were not appealing to a seven yearold, especially at six o’clock in the morning. However, as I practised I improved. The encouragement and praise from my music teacher, family and friends made a huge difference in motivating me to continue with music. My first triumph was when I played at a church service. I remember it very well. It was a great feeling. I was only nine years old and received a lot of recognition for my playing. What an experience that was for me! Listening to the strong and joyful singing filled me with a sense of pride and a desire to continue in music. We all thrive on encouragement and that day the praise I received from my mom, my music teacher and members of our church congregation certainly inspired me. Journal 2 When I was about twelve years old I started playing the piano to accompany my school for musical presentations. Each experience reinforced my love for music. I was inspired, and began to excel in the music examinations. I recall one of my examiners from the Trinity School of Music in England, giving me 98% on my grade six exam. This was the highest mark on the island! His comments were even stronger, “You should think of continuing your music,” he said, “Don’t ever stop, you have 85 4 G R A D E 4 a lot to offer!” It was then that I set my sights on becoming a concert pianist. Well, as John Lennon said, “Life is what happens to you while you’re busy making other plans.” My dream was about to change. After my first year at high school I became ill with rheumatism and missed a fair amount of school time. I had to rethink my goals. Time passed. I graduated from Teachers’ College. Once I began teaching, I knew it was my calling and my musical ability was now an asset. Throughout the forty-six years of my teaching career I have been fortunate to experience how music brings people together. It is indeed a universal language. You sit at a piano, tinkle those ivories with a familiar tune and people from all walks of life gravitate to you. As you create joyful memories with others, boundaries and obstacles seem to fade. In my classroom I used music to change energy levels, to heal hurt hearts and to celebrate successes. 4 I want to share the story of my love for music because I now know, firsthand, the power of music. As many of you begin your pursuit of music, you will be faced with the demands of practice and preparation for exams. You might face some of the same struggles I had. I want to encourage you to persist. I want to say to you, “Stay with your music. It is a gift to yourself and to others.” 86 T H E P O W E R O F S T O R Y One learns about education from thinking about life and one learns about life from thinking about education. CLANDININ & CONNELLY The reflective turn: Case studies in and on educational practice 87 G R A D E 4 Background Information Resources Arpeggio - The sounding of the notes in rapid succession instead of together. Brown Girl in the Ring, Alan Lomax, J. D. Elder and Bess Lomax Hawes Emigrate - To leave one’s own country to settle in another. Gender bias - An opinion, preference or inclination based on gender formed without any reasonable justification. Bias is reflected in people’s attitudes. For example, “Big boys don’t cry,” “Girls don’t play hockey.” Immigrant - A person who comes into a country or region to live. Ostinato - A musical phrase repeated over and over. Trinidad - Part of the Republic of Trinidad and Tobago, West Indies. The capital is Port of Spain. 4 88 Orchestranimals, by Vlasta Van Kampen and Irene C. Eugen Tchaikovsky Discovers America, Esther Kalman I T S O O T H E S YO U R S O U L A N D B R I N G S P EO P L E TO G E T H E R - G R A D E 4 Expectations Suggested Activities Language ; Create a survey of all the students in the school to show how many participate in music lessons. Note the kind of instrument or type of music being studied. Post the data. In small groups, compare and note trends. What conclusions or interpretations can you make? Share your findings with the class. Note similarities or differences when the groups make their presentations. 4e52 communicate various types of messages, explain some ideas and procedures, and follow the teacher’s instructions 4e56 contribute and work constructively in groups 4e67 use appropriate strategies to organize and carry out group projects (e.g., brainstorming, summarizing, reporting, giving and following instructions) The Arts 4a4 begin to read standard musical notations 4a6 communicate their response to music in ways appropriate for this grade (e.g., through visual arts, drama, creative movement, language) 4a24 create an accompaniment for a song, using a melodic ostinato (short melodic pattern repeated throughout the song) ; Examine a simple musical composition. Identify elements of notation. Create a glossary of musical terms for reference. Apply what you have learned to another piece of music. ; In small groups, at various locations throughout the school, listen to musical excerpts from various cultures and historical periods. Take notes and communicate your responses to these selections. Identify assumptions you may be making about certain pieces. Discuss. ; Choose a familiar class song about Canada and create rhythmic and melodic ostinatos (short repeated patterns) that can be used as accompaniment for the song. Rehearse and perform it for another class. 4 Extensions ; Host a Celebration of Canada recital. Invite students and community members to play or sing. Inform your local newspaper of the event. ; Create a display of musical instruments from around the world. Attach a label naming each instrument. Prepare brief descriptors of the instruments such as the country of origin and materials used in the construction. Challenge another class to match the descriptors to the instruments on display. ; Research rheumatism. What challenges would this condition present? What treatment is available? Comment on the author’s determination and courage. Write a journal entry to summarize what you have learned. ; Write a journal about an experience you have had with music. ; Plan a dance where the music is made with instruments designed and constructed by the students, e.g. hold a Maypole dance, harvest celebration etc. 89 G R A D E 5 Tamara Koba “ Making the decision to have a child – it’s momentous. It is to decide forever to have your heart go walking around outside your body.” E LIZA BETH S TON E Tamara with her beloved grandchildren 5 Tamara emigrated to Canada with her husband and two young sons just after the Second World War. Three daughters were born in Canada. Tamara presently lives with her husband Tym in London, Ontario. Always an active participant at YWCA, Tamara was recently awarded an honourary life membership. Tamara as young girl, 1944 Tamara Koba 90 A Mother’s Love D uring the Second World War, thousands of young people from European countries were forced onto trains and sent to Germany. Many left their homes with only the clothes on their backs. Straw bedding on the boxcar floor was their only “luxury” during this frightful trip. Tamara Sabadash was one of these people. Just out of college, bright and energetic, she should have been starting an exciting part of her life. Instead, her life was changed completely. Born in the Soviet Ukraine in 1924, Tamara had led a happy life until war broke out in Europe in 1939. The Koba family heard in 1941 that Hitler’s army was invading the Ukraine. Nazi soldiers were suddenly everywhere, and Tamara left college immediately to join her sister Halyna in Kyiv (Kiev). Her mother also came from their hometown as quickly as she could. The three women lived in a little room, surviving by doing what they could to earn enough money for bread. Tamara learned that young Ukrainian people were being transported to Germany and forced to work. First her sister was sent, then Tamara. She barely had time to pack her suitcase. She considered scissors, thread, needles and soap to be necessities. Despite the dangers that might lie ahead, Tamara decided she would try to maintain her dignity. As the train carried her further and further away, Tamara worried constantly about her mother and her sister. Gradually she began making friends with other young women on the train and they clung together for comfort. In spite of the uncomfortable conditions, Tamara remained strong. Although shy, and terrified about the future, she was also curious. She peered intently between the slats of the boxcar. Never before had she been so far from home. For seven days the train rumbled westward, groaning and creaking with the weight of its burden, until it reached Poland. Here, everyone was forced to get off the train and scrubbed with disinfectant. This was very humiliating. Morale was sinking low. Soldiers herded them everywhere they went. Tamara’s suitcase was a heavy load, but fierce determination would not permit her to leave it behind. It was her only link to home, her mother, and the life that had been taken from her. 91 5 G R A D E 5 Reaching Germany, Tamara and the others dragged themselves off the train. As they huddled miserably in little groups, a voice boomed, “Who here speaks German?” After a frightened pause, a small voice replied, “I do!” Out stepped young Tamara. What courage that took! After a quick conversation, Tamara and her friends were driven to a small town where they were put to work in a factory. They were lucky. Although separated from their families, they were not treated badly at this first job. They were, however, never to be seen without their OST badges clearly displayed on their blouses. Others, during this time, were not so fortunate. Over the next few years, as she was sent from job to job, Tamara grew up and learned to work hard. She struggled to keep in contact with her sister and mother. Letters were allowed, but were slow in coming. Tamara continued to worry about her mother, and missed her terribly. 5 Meanwhile, in a camp some distance away, Mrs. Sabadash begged her captors to allow her to go to the camp where her elder daughter Halyna was being held. The authorities, tired of her pestering, agreed. The news reached Halyna’s camp that her mother was coming and when Mrs. Sabadash arrived, eight hundred people greeted her. “ MAMA! MAMA!” they all cried. So many people, homesick and scared, needed to cling to the only mother available. Mrs. Sabadash immediately began another campaign to bring Tamara to this camp. Again, Mrs. Sabadash’s persistence wore the authorities down. When Tamara arrived, she entered the worst conditions she had faced so far during the war. But here, at least, she had the strength and love of her family. The war finally ended in 1945. Many Ukranian families were displaced and no longer welcome in the Ukraine. International organizers were busy placing great tides of displaced people into countries willing to accept them. Tamara felt completely abandoned by her homeland, but there was no turning back. In the midst of all the confusion that same year, Tamara met Tym Koba, a survivor of the Nazi German concentration camps. They married and bore two sons in the camp before news came that they could go to Canada. Sadly, her mother and sister had already emigrated to Australia. Pier 21 in Halifax was a wonderful sight! After a long difficult voyage by ship, this huge warehouse was the first view of Canada for the Kobas and 92 A M O T H E R ’ S L O V E thousands like them. After passing through customs, Canada’s newest citizens were transported on to cities, towns and villages across Canada where they would settle, find jobs and begin to learn about their new country. Although a university graduate with a degree in electrical engineering, Tym had to take whatever work he could find. Tamara expected their lives to be immediately better in their new country, but again they struggled. Throughout all the tough times overseas, people had always loved Tamara and her children. But here in Canada, initially, it seemed as if no one even liked her children! They had to gather their few possessions together and move from attic to attic. “Too loud! Too active!” they were told. “How could this be?” thought Tamara. For the first time she became angry! How dare these people not love her children? She missed her mother terribly during this time. Expecting her third child, and struggling to survive with little money, Tamara treasured the letters that arrived from Australia. She decided that if the little family were to survive, they would have to learn to talk and act like the people they met. However, so that her children would not forget their homeland Tamara began to teach her children to speak, read and write in Ukrainian. This was not an easy task. Letters from her mother became the lessons for the children. Mrs. Sabadash would write folk tales in Ukrainian, and Tamara would sit in her rocking chair, the children at her feet, and read the stories aloud. “Again, Mama!” they would say, for they had no money for toys or books, radio or television. This, their only entertainment, was a rich source of history and language for the children. The letters and the encouragement they brought helped Tamara through many difficult times. The family learned to understand this new home, and the children thrived. Tamara and Tym have never been wealthy, but because of hard work, a positive outlook, strength to survive and great curiosity to learn, their life in Canada has been a full and successful one. Five children and five grandchildren later, Tamara still retains her sense of humour and her love of both Canada and her homeland. She is most excited that one of her grandsons can speak to her in her mother tongue – Ukrainian! 93 5 G R A D E 5 Background Information Resources Concentration Camp - A camp where political enemies, prisoners of war, and interned enemies are held. The Little Immigrant, “Spin Among the Stars”, Nelson Anthology Displaced People - For political reasons, thousands of people were not able to return to their homelands throughout Europe after the Second World War. These people were forced to emigrate to other countries such as Canada and Australia. Nazi - A member or supporter of the National Socialist German Workers’ Party which controlled Germany from 1933 to 1945 under the leadership of Adolf Hitler. OST - This German word (east) was on a badge worn at all times by workers from other countries while in Nazi Germany during World War Two. This badge identified the person as an ‘outsider from the east’. 5 94 Charter of Rights and Freedoms Women: Changing Canada, Jan Coomber & Rosemary Evans Government: Participating in Canada from the Canadian Challenges Series A M O T H E R ’ S L O V E - G R A D E Expectations Suggested Activities Language ; Research the process by which immigrants become Canadian citizens. 5e1 communicate ideas and information for a variety of purposes (e.g., to present and support a viewpoint) and to specific audiences (e.g., write a letter to a newspaper stating and justifying their position on an issue in the news) 5e2 use writing for various purposes and in a range of contexts, including school work (e.g., to summarize information from materials they have read, to reflect on their thoughts, feelings, media works, oral presentations, written notes and imaginings) 5e5 produce pieces of writing using a variety of forms (e.g., stories, poems, reports), narrative techniques (e.g., first–and third-person points of view, dialogue), and materials from other media (e.g., illustrations) Social Studies 5z28 describe how immigrants become Canadian citizens 5z35 demonstrate an understanding of the rights of Canadians, including those specified in the Charter of Rights 5 ; Create and illustrate a book containing some, or all of the rights a citizen should expect in Canada. This can be done individually, in small groups or as a whole class. ; After examining the structure of the Canadian government, use a chart or Venn diagram to compare our system of government to that of another country e.g. Ukraine. ; Prompt students to reflect upon a time when they entered an activity, place or event where they felt very different from those around them (new school, new city, joining a club). Write a journal response. ; Prepare a brochure to illustrate some of the reasons people from other countries should immigrate to Canada. If possible, use a computer program to publish the finished product. This could be an independent or small group project. Extensions ; Contact the closest Canadian Citizenship Court in your area. Invite the court to hold the next session at your school. Prepare students by reading the Pledge of Allegiance, making small flags, singing the national anthem in both official languages, etc. ; Write a journal entry reflecting on the freedoms we have in this country, and why they should be protected. What responsibilities are linked to these freedoms? ; Interview someone who has journeyed to Canada or relocated in Canada and write a story about their experiences. 5z46 communicate information (e.g., comparing Canada’s form of government to forms of government found in other countries), using media works, oral presentations, written notes and descriptions, drawings, and tables 95 5 G R A D E 5 Brenda Kaufman “ A bird doesn’t sing because it has an answer, it sings because it has a song.” M AYA A NGELOU Brenda Kaufman lives in Listowel, Ontario, with her husband Bob and daughter Nicole. When Brenda discovered that she had a gift, her life took off in a new direction. 5 Brenda Kaufman 96 Hidden Talent H ave you ever wondered if you have a talent for something that you haven’t discovered yet? That’s what happened to Brenda Kaufman. When she was in school, she loved sports – mostly baseball, badminton and volleyball. She loved to sing, too. When she was in Grade 12, her school choir traveled all the way to Cork, Ireland to sing in a music festival. She loved doing all those things and was pretty good at them too, but she still hadn’t discovered her big talent. After she left school, she went to the University of Toronto and became a dental hygienist. She married Bob Kaufman and had no trouble finding a job in her field. They settled down to married life in the town of Listowel, Ontario, where she had lived most of her life. Her mother had a talent with needle and thread and had made many clothes for Brenda and her sisters as they were growing up. Brenda did some sewing as a young woman too, and sang with a local singing group, but she still hadn’t discovered her big talent. Then she was dealt a blow. She developed rheumatoid arthritis. This is a degenerative disease which causes damage to different joints in the body. It also causes a lot of pain and debilitating fatigue. Her hands were so painful that sewing became very difficult for her, and even more devastatingly, so did working as a dental hygienist. Brenda worked part-time over several years during which she gave birth to a daughter, Nicole. In 1995, she faced another blow. Her much loved sister, Jodeyne died suddenly. Brenda felt this loss deeply and was looking for a new direction in her life. Her daughter was in Grade 4 by this time and was taking art classes to learn how to paint with watercolour. Brenda thought that she’d like to try that too. Have you guessed? She was about to discover her big talent! Of course, she didn’t realize this at first. Brenda was painting for her own enjoyment. She enjoyed learning the techniques involved in painting with watercolour. The gentle touch required suited her hands well. She took a painting in to a frame shop where a friend saw it. This woman 97 5 G R A D E 5 became her first customer and commissioned a painting from her. As more people saw her work, orders for paintings increased. One day her husband said to her, “I didn’t know you could paint.” Brenda replied, “Well, I didn’t know either!” Brenda always saved photocopies of her paintings. Someone suggested to her that her paintings would make very good cards. Now she and her husband are involved in running a small business, producing paintings and cards which are sold in stores in a number of towns in southwestern Ontario. Watercolour is the best medium for her, because the sable brushes that she uses are very soft and offer little resistance to her hands. She has tried working with acrylics, but finds that too much pressure is required and can cause pain in her hands. She takes courses whenever she can, to learn new things about the various techniques and to stimulate her creativity. Brenda describes herself as assertive, creative and blessed. The following inscription composed by her sister appears on the back of each card she sells: 5 The Creator distributes talents in unique ways And for different reasons. The expressions of life and the beauty of nature Which are shown in Brenda Kaufman’s Watercolours are such gifts. Even though rheumatoid arthritis has challenged Brenda’s physical being, she Has found a way to share how She sees, loves and cherishes life. There is no need to ask how this creativity happens. Enjoy! Brenda, herself, says that she derives great pleasure from “being able to put colours down and have a painting come out beautiful.” Having given up a lot because of her physical health, she finds it very satisfying to be able to do something and to make a contribution to the world. Her advice to anyone is to, “Be what you want to be at that time. Allow yourself to change and be open to new directions.” Her advice to people 98 H I D D E N TA L E N T with disabilities is, “If you have a love of something, there are different ways of achieving it. Don’t put stress on yourself to keep up with others. We often put on our own limits and don’t allow ourselves to think bigger.” After having surgery, she has discovered that you can be in a wheelchair and still sing in a choir. People can become famous, pursuing their talent, in spite of a physical challenge. Remember, also, that Brenda discovered her talent as a result of her daughter taking art classes. Maybe you will have an effect on someone’s life too. Maybe you will inspire someone in your life to move in a new direction and discover a hidden talent! 5 99 G R A D E 5 Background Information Resources Debilitating - Makes a person weak and feeble. Beethoven Lives Upstairs, Barbara Nichol Degenerative - Tends to become worse. Focus On Ability Poster, ETFO Ennis’ Gift: A Film about learning differences, Ennis William Cosby Foundation 5 100 H I D D E N TA L E N T - G R A D E 5 Expectations Suggested Activities Language ; Write about someone you know who discovered a hidden talent later in life. 5e2 use writing for various purposes and in a range of contexts, including school work (e.g., to summarize information from materials they have read, to reflect on their thoughts, feelings, and imaginings) 5e3 organize information to convey a central idea, using well-developed paragraphs that focus on a main idea and give some relevant supporting details 5e7 revise and edit their work, seeking feedback from others and focusing on content, organization and appropriateness of vocabulary for audience The Arts 5a36 describe the strengths and limitations of various art tools, materials, and techniques (e.g., identify drawing tools, such as charcoal, pencil crayons, and pastels, and describe their effectiveness on specific surfaces) ; Describe how you might have “inspired” someone in your life to do something new, as Brenda’s daughter did, e.g. your learning buddy, sister or brother, grandma or grandpa. ; Experiment with watercolour techniques to discover how to acquire a soft touch and how different effects are achieved – (Activity Sheet provided). ; Produce a painting with watercolour, then choose a different medium to capture the same subject. Compare the two. Give examples of appropriate uses for each. ; Use a Venn diagram to compare one medium you used in the above activity with the other. Extensions ; Find examples of people with a disability who have contributed to society, both famous and not well known, e.g. Jean Little, Beethoven, Stevie Wonder, Jeff Healey, Renoir. Make an oral presentation. ; List new interests that you would like to explore. Select one and plan the steps to do so. 5 5a37 select the most appropriate tools, materials, and techniques for a particular purpose, and use them correctly 5a38 organize their art works to create a specific effect, using the elements of design (e.g., create a still life depicting their favourite foods, and explain how they used colour, texture, and shape to appeal to the viewer’s senses) 101 K I NG DR E A RD GE A R5T E N Activity Sheet Hidden Talent Watercolour Technique Activity Paper 5”x7’ is a good size # 140 weight or some watercolour paper with a ‘tooth’ or texture to it Paints Dollar store paint boxes are fine Caring for the brush Do not put the metal part (ferrule) under water, as it could cause rust or mould. Dry the bristles afterwards by brushing onto a paper towel. Form a point your fingers, and put into the container handle-first or leave flat. Frame the subject Use thumb and forefingers to make a frame to choose and view the subject. Horizon Line Use the rule of ‘thirds’. The page can be divided both horizontally and vertically into thirds. Where these lines intersect, there are four points. Use one or more of them as the focus. Look at pictures in magazines to see how images are often placed at one of the those focal points. 5 The horizon line is at the 1/3 or 2/3 point approximately and never in the middle. Method Sketch the scene very simply and lightly with the pencil, just the important shapes, e.g. the curvy lines at the top of a tree. Using a wet brush and a little colour, create a wash on the paper by creating long horizontal strokes across the upper part of the page to the horizon line. The page should be quite wet, but don’t scrub with the brush! More intense colours should be at the top and bottom, e.g. darker blue that fades to pale near the horizon, darker green grass near the bottom edge that fades at the horizon. Let this wash dry, then use a dryer brush to add the details. Remember that things far away appear paler. Remember that there are several shades of green, brown, blue, etc. Always put the lighter colours on first: you can make something darker, but not lighter! It really does work. Good luck with painting with watercolour! 102 The Power Of Story, ETFO © 2002 T H E P O W E R O F S T O R Y A story, once told, no longer belongs solely to the storyteller. M. NOVAK Religion as Story 103 G R A D E 6 Sharon Mitic “ … Women, their rights and nothing less.” S USA N B. A NTHON Y Sharon Mitic at the Labour Association in Kitchener, speaking to women union members about women and poverty Sharon Mitic lives in Kitchener with her husband, Bob. They have three children, Dana, Julie and Rob and four grandchildren. Sharon works for Viking Stamping and Assembly, which makes auto parts. 6 Sharon Mitic 104 Making a Difference S haron Mitic was a mother of three looking for a job she could get her teeth into in 1987. She opted for a job which was traditionally male. She believed she was capable of doing it and it would provide her with better pay. She did not realize how much this would enrich her life and lead her through a variety of experiences. Interviewer: What were your favourite things to do when you were a girl? Sharon: I lived a couple of kilometres outside Milverton, a small town in Southwestern Ontario. I had a pretty ordinary life: I went to a one-room school and liked climbing trees. I loved it when Dad took us into town to go to the library, because I read a lot. There were six of us and I was the oldest girl. So I looked after the younger ones. We moved into Kitchener when I was in Grade 11. That was quite a switch. Interviewer: What kind of jobs did you have when you left school? Sharon: I worked in an office. In high school I took Special Commercial, though one of my teachers tried to get me to think about university. I guess he was right after all, because I really didn’t like working in an office. Then I worked at a shirt factory. It was OK, but still didn’t really appeal to me. Interviewer: So how did you end up at Apex Metals? Sharon: My husband worked for another auto parts metal company in Kitchener, so I knew a little bit about the kind of work that was involved. I thought that I could do it and I’d earn more money doing a “man’s ” job. I wanted to be paid what I was worth. At that time, the Canadian Auto Workers’ union (CAW) was working on employment equity, to encourage companies to hire more women. Actually, the CAW was responsible for women being paid the same as men for the same job. They changed things from “men’s jobs” and “women’s jobs” to regular and light duty jobs. Women and men can choose to do either kind of job. Companies like the Ford Motor Company had no women working on the shop floor, until 1980. I was one of five women working at Apex when I was hired. Interviewer: What did you know about unions? 105 6 G R A D E 6 Sharon: Not much! Just what I heard from my husband. My entire family was anti-union. They had had very little experience with unions. I have found that people who work at unionized companies are more aware of their rights and feel more free to speak up. Perhaps because of this, some say that unions support “troublemakers.” Interviewer: Did the job turn out to be what you expected? Sharon: My job is spot welding. In some ways, it is very hard work! I’d come home really tired, especially at first. What I didn’t expect was all the things I’ve become involved in and how my life has become enriched, because of the job. The CAW has a Family Education Centre in Port Elgin, where I went for a four-week education course. It was very interesting. We looked at Labour History Politics, Human Rights Issues, Health and Safety and the Environment. I was on the bargaining committee at Apex at the time. Interviewer: What other things did you get involved in? Sharon: Well, I was on the executive of our local union and I was on the Labour Council executive board. Unions are actively involved in community and social issues. After I was elected to the Labour Council, I was elected to the Women’s Committee. Interviewer: With so few women in the Union, that would be an interesting committee. What sort of issues did you tackle? 6 Sharon: Child care issues for one, like universal non-profit child care, to be universally funded and non-profit, run by the government. I went to the local city councils around here and asked them to support this. Another issue that affects women is that only about 40% of workers qualify for Employment Insurance. If a worker has only seasonal employment, or works part-time, as many women do, they will likely not meet the requirements for Employment Insurance if they ever get laid off. We lobby the federal government to try to make change happen on issues like this. Also the Child Tax Benefit is given to people who qualify. For people on welfare though, it often is clawed back. We also talk to the provincial government about things like the privatization of education and health care. We support and give donations to food banks and women’s shelters. The CAW council and executive board provide assistance to forty-eight women’s shelters across Canada every year. 106 M A K I N G A D I F F E R E N C E Interviewer: What have you been involved with locally? Sharon: As a member of the Labour Council Women’s Committee, I was part of a group called the December 6 Coalition. We organized a service to remember the young women who were killed in the Montreal massacre in 1989. We also organized three buses to take people to the World March of Women for Poverty in Ottawa last year. Interviewer: Even when women outnumber men in an organization, men are more likely to speak up and ask questions at meetings. Is this something that you’ve dealt with? Sharon: Oh yes! At CAW Council meetings, we held a women’s caucus at lunch time. We knew there was a vote coming up about gun control and we wanted to make sure that women stood up and made their voices heard. At the caucus meeting we talked about how important it is to stand up and speak. There will be men and women sitting there not quite sure how to vote and perhaps our voices could help them decide. Interviewer: How has all this affected you? Sharon: I have gained a lot of confidence. Before my union work, I’d never done any public speaking. I also took some courses at university, quite an important step for me. I have attended conferences in Vancouver, Halifax, Montreal and Toronto for the union. Last year, the Labour Council sent me to a women’s conference in Cuba. That was the experience of a lifetime. I met a lot of Cuban people, went to a May Day rally with about 200 000 people and heard Fidel Castro speak. Interviewer: What advice would you give to young people? Sharon: I’d tell them to get involved in helping people. Even small things can make a difference. If a group of people work together, much can be accomplished. It really irritates me to hear people say, “You can’t do anything about it,” because I know you can! 107 6 G R A D E 6 Background Information Lobby - To influence the voting of members of parliament, sometimes by being in the lobby of the parliament building. Resources Pay Cheques and Picket Lines, Claire Mackay Privatization - Taking publicly held property, goods or services and selling to private owners. “Challenging Injustice” – The Power of Story Volume 1, ETFO 2002 Union - An association of persons formed for some common purpose or action. Justice: So-So-So-Solidarity 6 108 MAKING A DIFFERENCE - GRADE 6 Expectations Suggested Activities Language ; Find out what your rights are as a student worker. What steps would you take if you thought your rights were not being respected? Discuss in small groups how you would solve this. 6e5 produce pieces of writing using a variety of forms (e.g., newspaper articles, lyrics, summaries of information), techniques and resources (e.g., library resources) appropriate to the form and purpose, and materials from other media (e.g., film clips) 6e33 make judgments and draw conclusions about ideas in written materials on the basis of evidence 6e61 use constructive strategies in small-group discussions (e.g., invite other group members to contribute; ask questions to clarify a point; negotiate to find a basis for agreement) The Arts 6a49 solve problems presented through drama and dance in different ways, and evaluate the effectiveness of each solution ; In small groups, role play a situation from the above activity. Choose three key moments to present as tableaux. Use Activity Sheet #1. ; Suppose the playground equipment, recess or something you value, has been taken away. Write a news article explaining your point of view and convince other students to join a group to solve the problem. ; Role-play two or three scenes to work through the solution of the problem from the above activity. ; Videotape or record one of the group presentations. Share with another class. ; Have you ever experienced a situation when your rights have been infringed upon? Reflect on this using Activity Sheet #2. Extensions ; Invite a union representative to come to your class to talk about how the work of their union affects children. ; Find newspaper or magazine articles that relate to working conditions. Write a three to five sentence response to what has been said. 6 6a50 create different interpretations of their work in drama and dance, using available technology 6a70 provide evidence for their interpretations of personal experiences and events of social significance, which they present through drama and dance, using a variety of research sources 109 K I NG DR E A RD GE A R6T E N Activity Sheet 1 Making a Difference 1. Make a brief summary of the role play. 2. Respond to the role play, using several of these phrases, or your own. I think… I wonder… I feel… I wish I don’t understand… I liked / didn’t liked I could… In my experience… 6 110 The Power Of Story, ETFO © 2002 M O OG R I IA - S D IEK 6 A A G ! Making a Difference Activity Sheet 2 Have you ever experienced a situation where your rights have been infringed upon? What happened? How did you feel? What did you do? What would you do differently next time? 6 The Power Of Story, ETFO © 2002 111 G R A D E 6 Marie Jakober “ There is only one success: to be able to spend your life in your own way, and not give others absurd, maddening claims upon it.” A NON Marie Jakober born in a log cabin on the family homestead in northern Alberta. She earned a Bachelor of Arts in English from Carlton University in Ottawa, and now lives in Calgary. She writes speculative and historical fiction. Marie works at the University of Calgary’s library. 6 Marie Jakober 112 A Writer’s Story D o you know the difference between job, career and avocation? Marie Jakober, a Calgary writer, knew at an early age that she was destined to write, but had no idea how she would support herself while doing so. I talked with this author about her life and work. Marie’s parents were homesteaders near the town of Fairview, in northern Alberta. Marie was the youngest of four children. The family lived in a two-room log cabin with no running water, no electricity, and more importantly, no schools or nearby children to play with. This had a profound effect on Marie’s development as a story-teller. Although she feels strongly that the gifts of story-telling and writing came unbidden, she feels just as strongly that they were developed and encouraged by her surroundings. The homestead itself provided inspiration for Marie’s early writing, which in her early years consisted of poems and stories about the natural world and its inhabitants. The homestead was in the wilderness, and with no playmates, Marie and her siblings developed their own entertainment. A part of this was the creation of ongoing stories of imaginary people, with their own personalities and lives. Marie and her siblings entertained themselves for years with stories about these people, on occasion acting them out for their own amusement. “But what about school?” you might be asking. Marie’s elementary schooling was done through the Correspondence Branch of the Alberta Department of Education. After that she went to boarding school in a town about a hundred miles away. When she was 12 years old, an Art and Writing competition came to her attention. Marie entered this and won a prize, which encouraged her to try again the following year. You can imagine her excitement and pleasure at winning a gold medal! This was an international competition, with 20 000 entries from 56 countries! Many people from around the world sent letters, gifts, and even money to congratulate the young author from the wilds of northern Alberta. The Government of Alberta showed its appreciation by awarding her a $1000.00 scholarship, to be used for future studies. Marie says that the accolades reinforced her determination to write, and the money assured her that she would be able to go to university. 113 6 G R A D E 6 I asked Marie to tell me more about her family life. She told me that her parents were rather poor, and being practical people, were worried that their daughter might not be able to earn a living in the Arts. However, they were generally supportive of her efforts, particularly after she won the scholarship. Although there were few books in the Jakober household, the family did subscribe to farmers’ publications and the local newspaper. Marie was always a voracious reader, and begged her correspondence teacher to send more books for her to read. Eventually she learned about the Extension Library at the University of Alberta, and began to borrow books by mail on a regular basis. This is how she discovered her passion for history and biography, one that she maintains still. In fact, history is her major inspiration today. She says, “It’s the way large events played out in the lives of individuals. The broad events of history are the things which get recorded and remembered, but the way these things affected people’s lives is what interests me most.” Marie is the first to admit that her life as a child was quite isolated, geographically and in terms of playmates. She believes that this helped prepare her for a writer’s life, which can be quite isolating as well. Part of the isolation comes from the fact that writing is solitary work. She lives simply, without a vehicle or family. She does not view these as sacrifices, but rather as choices she made at an early age. It allows Marie the time she needs for research, and she spends a huge amount of time reading history and biographies about the time period in question. She also listens to music from or about that time. This helps her get into the minds of the characters she creates. She says, “Never settle for a single source,” when it comes to research! 6 “But can she make a living as a writer?” you ask. Marie says that writing, for her, is a passion. She always knew it would be difficult to support herself as a writer but the urge to write must be satisfied. She could have become a wealthier person in a number of different professions, but money was not her motivation. Now she works in the library of the University of Calgary. While this does not carry a great salary, it does allow her to be in a wonderful spot to do the sort of historical research necessary for the historical and speculative fiction that she writes. “Good writing,” says Marie, “requires solitude and ‘stick-to-it-iveness.’” Her advice to aspiring young writers, “Find your own vision of what you believe is your Art, and stick with it. You mustn’t cave in to the pressures of family, society, or expectations of what might sell well. Expect it to be a long haul.” 114 T H E P O W E R O F S T O R Y To recount the past is to reclaim it, to re-evaluate ourselves in relation to others. A. M ARKER Stories lives tell: narrative dialogue in education 115 G R A D E 6 Background Information Resources Correspondence School - Elementary or secondary students who live too far away from a school or who want to take a course not offered by their local high school can take their lessons by correspondence. Books and lessons are sent to the student’s home for completion. My Homework is in Mail!, Becky Citra Homestead - In the early days of Canada, people were given land (usually 160 acres or a quarter-section) if they could build a house, plant crops and fence in a certain amount of it within a year. 6 116 Dear Mr.Henshaw, Beverley Cleary A WRITER’S STORY - GRADE 6 Expectations Suggested Activities Language ; With a partner, make a list of questions the writer of this interview might have asked. 6e3 organize information to convey a central idea, using welllinked paragraphs 6e42 consult a dictionary to confirm pronunciation and/or find the meaning of unfamiliar words 6e48 ask and answer questions to obtain and clarify information The Arts 6a46 interpret and communicate the meaning of novels, scripts, legends, fables, and other material from a range of sources and cultures, using a variety of drama and dance techniques (e.g., “reader’s theatre”), and evaluate the effectiveness of the techniques 6a47 evaluate, orally and in writing, their own and others’ work in drama and dance (e.g., performances, multimedia presentations) 6a51 demonstrate understanding of ways of sustaining the appropriate voice or character (e.g., through language, gestures, body movements) when speaking or writing in role for different purposes (e.g., to entertain, inform, persuade) ; Write your own list of questions using the 5 Ws to interview a Canadian author whose work you enjoy. Use the Internet or publishers’ information to find the answers to these questions, and present your findings in a written report. ; Use the dictionary to find the difference between job, career, and avocation. How do these apply to the story of Marie Jakober? How do they apply to the life of someone else you know? ; What does Marie mean when she says, “Good writing requires solitude and ‘stick-to-it-iveness’”? ; Describe Marie’s personality. Give evidence from the story to support your ideas. ; Create a story about imaginary people and act it out with some classmates as Marie did with her siblings. Use a variety of dramatic forms, e.g. tableaux, mime, role-playing. ; Use sections of Marie’s story in a readers’ theatre presentation. Choose mime or dialogue. As a class, develop a checklist to evaluate these presentations. Be sure to highlight what was done well. Discuss how to give constructive suggestions in a respectful and helpful way. Extensions ; Read Dear Mr. Henshaw by Beverley Cleary. Compare and contrast the advice given to Leigh, the main character, with that given to young authors by Marie Jakober. Use a Venn diagram to organize the information before writing. ; Read Becky Citra’s book called My Homework is in the Mail to learn about another child’s experience with correspondence school. How is Samantha’s experience different from your own school life? Talk with an adult who has taken correspondence courses to find out how they have changed in the past five years. ; Find out the cost of university tuition in 1958. Would Marie’s scholarship have covered this? What does a year of university cost today? ; Make a list of 10 things you could buy with your allowance, and ask an adult what those things would have cost when he/she was your age. 117 6 G R A D E 6 Frances Sanderson “ I need to make my own choices, I need to live with dignity, I need to remember my heritage. I need to be heard and understood, I need to live in harmony with my creator, I need to be accepted for what I am, an Indian.” U N K NOWN Frances begins her introductory remarks as part of First Nations’ Awareness Day, June 14, 2001 Frances Sanderson was born in Toronto in 1949. Her mother was one of ten children born to Victoria and Augustine McGregor, a prominent family of the Ojibwe Whitefish River First Nation (Birch Island) on the northeastern part of Lake Huron. Her father is of Spanish origin. She is a member of the Hall of Fame in bowling at the local, provincial and national levels. 6 Frances Sanderson 118 Students Learn About Aboriginal Peoples First-Hand, Not From Textbooks As the sounds of the drum subside, Frances Sanderson steps up to the microphone to address her audience–over 1000 students, their teachers and many others who have gathered to participate in First Nations Awareness Day. Frances says a few words of greeting in her Native language and then explains the purpose of the day in English before introducing the Elder who will conduct the opening ceremony. This marks the start of a day-long educational event that will bring Native Studies to life for the students of the Toronto District School Board. This would not have been possible without months of advance preparation. Frances Sanderson is the driving force behind this initiative, which is one of a series of local community events preceding National Aboriginal Day, June 21. Now in its fourth year, the event becomes more widely attended each time it takes place. Frances Sanderson brings an administrative background, a network of contacts and her passion for, and awareness of her culture to the challenge of coordinating this celebration. Frances is currently the Executive Director of Nishnawbe Homes, an agency that provides subsidized housing for Aboriginal peoples. She began her working career at age fifteen at a bowling centre, rising within the company as it expanded. When she left after thirty years to pursue other opportunities, she was Vice-President of Promotion, Publicity and Advertisement. In addition to her full-time employment, she has spent much of her adult life volunteering with several charitable organizations, as well as having served on the Board of Directors for the Native Canadian Centre. She also works with the Toronto Urban Native Ministries, participating in discussions with the United and Anglican churches as part of the reconciliation process that is now being implemented to address the legacy of abuse suffered by Aboriginal peoples as a result of the residential school system. Considering all that she does, her work to orchestrate First Nations Awareness Day represents just one of the many ways in which she gives of herself tirelessly to the community. Her strong ties to the Aboriginal community have been consciously cultivated. Born in Toronto in 1949, she did not grow up on the reserve. 119 6 G R A D E 6 Accordingly, she is very attuned to the urban Aboriginal experience, and has consciously sought out opportunities to explore her cultural background. As a result, she has developed an ever-expanding circle of Aboriginal peoples within the Toronto area on whom she can draw when continuing her work for Natives and non-Natives alike. Frances calls upon many people to share their cultural teachings with the greater community. Raymond Gould, the Elder who offered the opening prayer, the drum group of Aboriginal youth led by Steve Teekens, and Elaine Brant, the Ojibwe language/cultural teacher whose students danced and sang at First Nations Awareness Day, are some of these. First Nations Awareness Day is not the only educational venture in which Frances participates. Earlier this year, she was instrumental in bringing Elijah Harper to Mississauga to speak to secondary school students. Frances assisted the school staff in organizing an appropriate format for the day so that Mr. Harper would be properly honoured and enabled the entire school population to gain a greater appreciation of First Nations culture. In addition to these high-profile events, Frances contributes on an ongoing basis in all levels of education. For instance, she has often visited classrooms from kindergarten through university, interacting with students as a speaker or a facilitator as they explore a wide range of topics on Aboriginal issues and culture. She also serves as a consultant at George Brown College, assisting the faculty with program development for Aboriginal students. Frances believes passionately in the importance of education, traditional or innovative. She is a director of Native Earth Performing Arts. As Frances explains, “Sometimes theatre provides a more acceptable form of education.” The theatre group’s most recent production, Annie Mae’s Movement, presented the controversial events surrounding the death of Anna Mae Pictou Aquash, a prominent Aboriginal activist. 6 Her conviction that education is critical to success is re-iterated in her role as counsellor for Aboriginal Legal Services. When working to support young people who have run into conflict with the law, she insists that all of them must enroll in some form of schooling or training which will help them to re-build their lives. She also puts them in touch with other Aboriginal agencies in order to enlist additional support. With Frances’’ help, some of these people work at the agencies in return for the assistance that they have had. Great as the emphasis is that Frances places upon the value of education, she views housing as an even greater priority. Housing is at the root of everything. Until individuals attain the basic right of a roof over their heads, they can’t succeed. You can’t find a job, children can’t learn…you can’t even get a welfare cheque without an address. Her passion to enable others to carry on with dignity by helping them to resolve their housing situations provides the vision that guides her work through Nishnawbe Homes. 120 STUDENTS LE ARN ABOUT ABORIGINAL PEOPLES FIRST-HAND, NOT FROM TE XTBOOKS Visioning is a strong Aboriginal concept. Frances readily discusses her vision for an Aboriginal community which she describes as, “A place of our own, not a reserve.” She is campaigning to make this vision a reality. Frances is lobbying government offices, Native agencies and businesses in order to raise funds and to obtain approval to purchase a town. Located outside Barrie, Ontario, the ideal little community sits vacant. Originally constructed as an air force base in 1952, it was later leased to a mental health organization by the government. The Edgar Adult Occupational Facility, as it was formerly known, can house four hundred to six hundred people. It consists of eighty-four homes, a junior school, and a community centre, along with several other amenities. Frances hopes that this community will soon be able to provide homes, education and employment to those members of the Aboriginal community who are currently lacking these essential rights. Unfortunately, she has faced some opposition to her plans. Prejudice and bureaucracy are difficult to deal with, but Frances takes on the challenge. When asked about her motivation to carry on her efforts within the Aboriginal community and to educate others about Aboriginal culture, Frances Sanderson answers without hesitation, “My grandsons.” Frances states simply that Michael and Kevin have to understand that First Nations are a distinct group. She wants them to remember their connection to the land, and to all First Nations peoples. These words, spoken by Frances bring us back once more to First Nations Awareness Day, with a much greater appreciation now of the significance behind this undertaking. As the day progresses in the bright sunshine, students move through an array of activity stations that highlight various aspects of Aboriginal culture. Some children join a storyteller who shares many different trickster stories with her audience. Others make bracelets or dream-catchers at some of the craft booths that are available or try their skills at rock-painting. A delicious traditional meal that includes bannock and moose stew as well as Three-Sister Corn Soup, is sampled by many. In contrast to the traditional drumming that was featured earlier in the day, a contemporary musical performance is given by Wild Strawberries, a group of Native women singers. This wide range of music is often found in Aboriginal culture. Eventually, the day comes full circle and ends much as it began, with a closing prayer from the Elder and a travelling song performed on the drum. Frances offers the gifts of tobacco, sage, cedar and sweetgrass as thanks to the participants. The Native students leave the day with a growing sense of pride in their heritage. The non-Native students will have had a chance to experience, first-hand, the vibrant culture of First Nations peoples. They all have Frances Sanderson to thank for this opportunity. 121 6 G R A D E 6 Background Information Aboriginal peoples - In the context of this story, refers to First Nations, Métis and Inuit (In Canada, “Indian” is only used to refer to First Nations people when discussed in the context of government.) Anna Mae Pictou Aquash - During the 1970s, this Mi’q Maq woman from Nova Scotia became a leader in the American Indian Movement. Her body was found on the Pine Ridge Reservation in South Dakota, under questionable circumstances. (The FBI attributed her death to exposure despite a bullet fired at close range to the back of her head.) No charges have ever been laid for her murder. 19th 20th Banning Traditional Practices- In the late and early centuries, government policies toward Aboriginal people were aimed at assimilation. The federal government wanted Aboriginal peoples to abandon their traditional beliefs and values and adopt Christian and “democratic” values. Resources The Learning Circle: Classroom Activities on First Nations in Canada Video - Positively Native, from the Many Voices series Share In the Celebration! Learning and Activity Guide, Department of Indian and Northern Affairs Canada Elder - Acknowledged by members of the Aboriginal community as keepers of traditional teachings and language, Elders are greatly respected for their life experience and wisdom. Members of the community often seek their counsel. Elders are not necessarily elderly, since traditions vary greatly among Aboriginal peoples. Elijah Harper - In 1992, this Cree Manitoba MLA (Member of the Legislative Assembly) single-handedly opposed and defeated the Meech Lake Accord which ignored concerns of Aboriginal leaders in constitutional reforms. National Aboriginal Day - In 1996, June 21 was declared by the Governor General as National Aboriginal Day in order to acknowledge annually the unique achievements of Aboriginal peoples. This date was chosen because it is the summer solstice, the longest day of the year. Aboriginal peoples have traditionally celebrated their culture and heritage around this date. 6 Statement of Reconciliation - Issued in 1998 by the federal government to acknowledge and apologize for its past actions with respect to the treatment of Aboriginal peoples and to express a vision of a shared future. Reserve - An area of land set aside by the government for the use of Status Indians. Residential Schools - Funded by the government, but operated by the Catholic, Anglican, Presbyterian and United churches, these schools separated Aboriginal children from their communities and broke the ties to their language and culture. Some students suffered physical abuse in these settings for speaking their own language; many also endured emotional and sexual abuse. Three-Sister Soup - Beans, corn and squash are known as the “Three Sisters”. 122 STUDENTS LEARN ABOUT ABORIGINAL PEOPLES FIRST-HAND, NOT FROM TEXTBOOKS Expectations Suggested Activities ; Students research and report on some of the contributions of Native Language 6e1 communicate ideas and information for a variety of purposes (to inform, to persuade, to explain) and to specific audiences (e.g., write the instructions for building an electrical circuit for an audience unfamiliar with the technical terminology) 6e36 plan a research project and carry out the research 6e 66 create a variety of media works (e.g., create a video advertisement for a book as a member of an “advertising team”) peoples in areas such as the arts, politics, science and business. Locate and invite local Aboriginal community members who have contributed their skills and talents to the community to be guest presenters. ; Design a poster to promote First Nations' Awareness Day. What activities would you expect to include in the program? ; Assume the role of a television journalist. Prepare a video report based on the events of First Nations' Awareness Day, or conduct a mock television interview of Frances Sanderson. ; In an effort to reclaim their heritage, First Nations' peoples are reviving some traditional ceremonies which were forbidden by the government. If you were not permitted to celebrate your cultural traditions, how would this affect you? Write a description of a ceremony or a family tradition that you have experienced. Try to explain the significance of it, and the importantance of maintaining it. ; Cook a traditional Aboriginal food such as bannock, fried bread or Three-Sister Soup. Write out the method for preparing this dish. Research, plan and prepare a historical Aboriginal meal. Discuss how and why food and diets may have changed over time. ; What possible obstacles might Frances encounter in trying to purchase a town for her housing project? Write a proposal to address the issues. Hold a mock municipal council meeting or class debate to address these concerns. Social Studies Extensions 6z5 describe the relationship between Aboriginal peoples and their environment (e.g. with respect to food, shelter, cultural practices) 6z6 describe how the Algonquian and Iroquoian nations contributed to the development of Canada (e.g. with respect to food, transportation, exploration, the arts, technology, government) ; Plan a trip to an Aboriginal cultural centre, Friendship Centre, or Aboriginal community. Invite an Aboriginal speaker to your class. ; Teach some Aboriginal language words (e.g. greetings). Browse through the following web sites for examples: www.ainc-inac.gc.ca <http://www.ainc-inac.gc.ca> Go to link Kids’ Stop and then Languages. ; June 21 is National Aboriginal Day. Plan a school-wide event to recognize this date. ; Research the life of Anna Mae Pictou Aquash and the suspicious events leading up to her death. Compare it to the recent controversial death of Dudley George, another prominent Native Canadian activist. ; Find out more about the federal government’s 1998 Statement of 6z19 identify the contributions of Aboriginal peoples to the political and social life of Canada (e.g., in music, arts, politics, literature, science) Reconciliation. Do you agree with it? Is it sufficient? ; Many Aboriginal people feel a strong, spiritual connection to the land. Many of the items and rituals used within their ceremonies are rooted to Nature (Mother Earth). Try to find out more about the significance of one or more of the following: sweetgrass, sage, tobacco and cedar, the drum, Mother Earth, the four directions, visions. What other ones might you discover? Do you see any parallels to other cultures? 123 6 G R A D E 6 Marie Gaudet & Rose Logan Pitawanakwat “ Stories are not just entertainment. Stories are power. They reflect the deepest, the most intimate perceptions, relationships and attitudes of a people. Stories show how a people, a culture, thinks." L ENORE K EESH IG -T OBI AS Marie Gaudet, (above) Ojibwe, Turtle Clan, Rose Logan Pitawanakwat (right) Marie is a writer, visual artist, publisher, cultural teacher and mother who has worked in the educational system in Toronto at the elementary and day care levels. She has recently developed her own company, Gaa-dibaatjimat Ngaashi: Stories From My Mother Inc. 6 Rose is originally from Wikwemikong, Manitoulin Island, and is a member of the Muncee Delaware First Nation. She is the mother of three daughters, and has twelve grandchildren and four great-grandchildren. She is an Ojibwe language instructor, having completed the Ojibwe Language Teachers’ Program at Lakehead University in Thunder Bay, Ontario. She currently teaches at the First Nations’ School of Toronto. Marie Gaudet & Rose Logan Pitawanakwat 124 VERSION 2 Moo ii-sikaag! (The Cow Is Going to Bump Into Me!) H ow Rosie wished that her sister would stop taunting her with that phrase! Ever since she had been a little girl, whenever her older sister Genevive saw her, she would utter these words to remind Rosie of her first experience in the barn, watching her father teach her how to milk the cows. As a four-year old, the cows had looked like giants to Rosie. When her father motioned her to come closer in order to see how to milk the cows, she was too frightened and shouted out, “Kaayii! Moo ii-sikaag!” (“No! The cow is going to bump into me!”) Even though she had mispronounced the words, everyone knew what she meant, and chuckled with amusement. Since then, every time that Genevive repeated the expression, Rosie felt embarrassed, as though she were still a little kid. Rose Logan (Pitawanakwat), now sixty years old, tells this story to her daughter, Marie. Rose recalls a time when most people in her community spoke Ojibwe or Odawa. This story is based upon her life, and the special memories that she has of learning the language as she was growing up at Wikwemikong. Today, life is very different. Few people speak their native language. Instead, most people speak English. This is because many people, including Rose, were separated from their families during their childhood and sent to residential schools. Many of the Aboriginal students who attended these schools were forced to speak English and were punished for speaking their own language. Although Rose’s two-year stay at the school was relatively short, compared to that of most children who attended, it affected her profoundly. She feels strongly that no children should be treated as she and her classmates were treated. She has a strong belief in keeping her culture alive through language and education. At fifty years of age, Rose went back to school to complete the Ojibwe Language Program for teachers at Lakehead University in Thunder Bay. She now teaches Ojibwe to students from kindergarten to grade eight at the First Nations’ School of Toronto. Her daughter, Marie Gaudet, is also very interested in preserving the language and culture of her people. The stories her mother told of her childhood seemed the perfect vehicle for sharing this traditional knowledge. Marie certainly realizes how challenging it can be for many 125 6 G R A D E 6 Aboriginal people today to preserve their heritage against the threat of cultural assimilation. Unlike her mother, who began her life in the Native community of Wikwemikong, Manitoulin Island, Marie was born and raised in Toronto. She is now the mother of six children. All of her schoolaged children have attended the First Nations’ School of Toronto (FNST). Marie fully expects to send her youngest son Roy there, so that he can gain a greater understanding of First Nations culture. Marie has also worked at this unique school and as a parent of children attending the school, Marie quickly recognized the need to develop resources for teaching First Nations languages to Aboriginal children. During maternity leave, she began to devote her time in earnest to establishing her own company, through which she has realized her dream of creating Native language story books for children. Her first book, Moo ii-sikaag! The Cow Is Going To Bump Into Me! was released in March, 2001. This picture book is based upon the story of her mother’s experience as a child. Marie wrote the English text of the story and designed all of the illustrations. Rose, her mom, provided the written translation of the book in Ojibwe and recorded the text orally in this language. A cassette accompanies the book so that readers of all ages can listen to the story and follow along in English or Ojibwe. 6 In recognition of the inspiration provided by the stories Rose would tell her, Marie has named her company, Gaa-dibaatjimat Ngaashi: Stories From My Mother Inc. Through this company, Marie hopes to create additional storybooks in the future. In fact, her second book, Ode’min keng: Picking Strawberries, has just been launched in Thunder Bay. This was a wellchosen location since many local Native language teachers were able to attend the launching. Marie’s company is not limited to the production of learning materials. She explores every opportunity to share her cultural knowledge. Marie is a traditional dancer and singer who has performed for several years in pow wows. She has held cultural awareness workshops for the Aboriginal and non-Aboriginal communities. Now she is extending her community outreach through two “Stay In School” projects that she has initiated for Aboriginal youths. She is organizing a series of workshops on various forms of Aboriginal arts and music, for secondary schools. She is also developing an elementary school program that will involve students in storywriting and art workshops. As a component of this program, students will create their own stories, modelled after the two books that 126 M O O I I - S I K A A G ! Marie has published. Students will record parts of their stories in their Native language. The workshops are designed to empower students by helping them to develop their hidden talents. This will foster their interest in reading and writing. This type of program will enable students to appreciate the importance of sharing family stories. As a testimonial to this, one needs only to look at Marie’s own family. Her daughter Dakwaakin is now working with Marie and Rose to produce the third book in Marie’s language series. Three generations of women within one family are involved in this project. They are preserving both their own personal histories as well as the language and cultural traditions for themselves and the greater Aboriginal community. So the story continues. “Moo ii-sikaag! Moo ii-sikaag!” As Rose grew up, her sister continued to voice it at every opportunity. Even when Rose was getting ready to start her first job, her sister said to her, “Moo ii-sikaag!” When Rose moved to the big city, her sister repeated, “Moo ii-sikaag!” When she got married, again she heard, “Moo ii-sikaag!” Then, one day, Rose got a phone call. Her sister, Genevive was ill and had been taken to the hospital. Rose went to visit her and brought a card to cheer her up. Rose read it to her. When she finished, Genevive smiled, winked and said, “Moo ii-sikaag!” At that moment, Rose felt the love that Genevive had for her, and realized joyfully that her sister still had her sense of humour. At last she understood why her sister had so often said, “Moo ii-sikaag!” to her throughout her life. Rose has now come to appreciate the once-dreaded phrase, “Moo ii-sikaag!” and when from time to time she remembers her sister saying it to her, she feels happy and loved. 6 127 G R A D E 6 Background Information Resources Aboriginal peoples - In the context of this story, refers to First Nations, Métis and Inuit, “Indian” should only be used to refer to First Nations people when discussed in the context of government. Moo ii-sikaag! (nii-psikaag) The Cow is Going to Bump into Me, Marie Gaudet and Rose Logan “Aboriginal peoples” is a collective name for the original peoples of Canada and their descendents, and it refers to all the Aboriginal peoples in Canada collectively, without regard to their separate origins and identities. Cultural assimilation - Aboriginal peoples are striving to preserve their cultural identities against several factors that threaten their survival, including government policies that tried to control Aboriginal peoples and to assimilate or absorb them into Canadian society. Ojibwe (Ojibway), - The Ojibwe and the Odawa speak Anishinabek, the name of a root language spoken by Odawa First Nations from Saskatchewan to eastern Quebec in Canada, and from Michigan to Minnesota in the United States. “Anishinabek” also refers to the parent nation of all of the First Nations within this territory, including the Odawa, the Ojibwe, Cree, Algonquin, Chippewa and the Potawatomi. 6 Residential schools - Funded by the government, but operated by the Catholic, Anglican, Presbyterian and United churches, these schools separated Aboriginal children from their communities and broke the ties to their language and culture. Some students suffered severe physical abuse in these settings for speaking their own language; some also endured emotional and sexual abuse. Ode’min keng: Picking Strawberries, Rose Logan Pitawanakwat and Marie Gaudet The Learning Circle: Classroom Activities on First Nations in Canada (ages 4 to 7) Department of Indian Affairs and Northern Development Vocabulary from the Ojibwe/Odawa (or Anishinabek) language(s) Gaa-dibaatjimat Ngaashi (pronounced “gawh-dibaht-jim-at ngah-shi”) which means “stories from my mother” Kaayii (pronounced “kaa-yee”), meaning “No” Moo ii-sikaag (pronounced “moo ee-sik-ahg”), which translates as “The cow is going to bump into me Ode’min keng (pronounced “o-de-min keng”), which means “Picking Strawberries” 128 M O O I I - S I K A A G ! - G R A D E 6 Expectations Suggested Activities Language ; Investigate Quebec’s language laws. Consider these policies with respect to the issues surrounding Aboriginal peoples’ desire to preserve their language. Would you have similar policies? Why or why not? 6e34 identify a writer’s perspective or character’s motivation 6e62 follow up on others’ ideas, and recognize the validity of different points of view in group discussions or problem-solving activities 6e5 produce pieces of writing using a variety of forms (e.g., newspaper articles, lyrics, summaries of information), techniques and resources (e.g., library resources) appropriate to the form and purpose, and materials from other media (e.g., film clips) Social Studies 6z17 identify current concerns of Aboriginal peoples (e.g., selfgovernment, land claims) 6z9 identify some of the consequences of Aboriginal and European interactions (e.g., economic impact of the fur trade on Aboriginal peoples; transmission of European diseases to Aboriginal peoples) 6z13 analyze, classify and interpret information (e.g. about the concerns of Aboriginal people in contemporary Canada) ; Write a journal entry or a letter from the point of view of a student attending a residential school. ; Discuss rules or codes of conduct that might have been enforced at a residential school. ; Write a letter from the perspective of a student at a residential school to a family member. Describe your feelings and some of your experiences. ; Design and illustrate a book jacket for Marie Gaudet’s story Moo iisikaag (nii-psikaag) The Cow is Going to Bump Into Me. Include a brief summary of the story, short biography of the author and translator. As Marie designed her illustrations on the computer, you might wish to use a computer graphic program. ; In addition to the threat of cultural assimilation, Aboriginal peoples today face many other challenges. Choose one other issue and try to find out more about the Aboriginal perspective. Topics might include: land claims, self-government, or hunting and fishing rights. Research both the Aboriginal and the non-Aboriginal viewpoints. Make a presentation to your classmates or write a letter to the editor of a newspaper expressing your viewpoint after considering the viewpoints of various stakeholders. Use the Activity Sheet Three Stars and a Wish to provide feedback to the presenters. ; Think of a time when you were placed in an unfamiliar situation. Write a short story about your experience or make a tape recording for your children or grandchildren. Extensions ; Plan a trip to an Aboriginal cultural centre, Friendship Centre, or Aboriginal community. Invite an Aboriginal speaker to your class. ; Teach some Aboriginal language words (e.g. greetings). Browse through the following web sites for examples: www.ainc-inac.gc.ca <http://www.ainc-inac.gc.ca> go to link Kids’ Stop and then Languages. 129 6 K I NG DR E A RD GE A R6T E N Moo ii-sikaag! Activity Sheet (The Cow Is Going to Bump Into Me!) Three Stars and a Wish from . Use this form to give the presenters three compliments and one suggestion for improvement. ✮ ✮ ✮ 6 ✎ 130 The Power Of Story, ETFO © 2002 T H E P O W E R O F S T O R Y Lives and the telling of stories of lives are not static. J. DEWEY Experience and Education 131 G R A D E 6 -7 Kate Rice “ If you can, go to a mountain made out of nothing but a hundred million small shiny beautiful roundish rocks.” Everybody Needs a Rock , BYRD BAYLOR , 1974 This portrait of Kathleen (Kate) Rice was likely taken at her graduation from the University of Toronto in 1906 Katherine Rice was born in south-western Ontario in 1882. She graduated from the University of Toronto with a degree in Mathematics. Kate taught in Ontario and Saskatchewan for several years before becoming a prospector in northern Manitoba. Her discoveries led to the development of several gold and copper mines in the area. 6 7 Kate Rice 132 Buried Treasure T his is a story about buried treasure. There are actually three treasures. One has been found and exploited, one has been heard of but not widely, and one is perhaps lost forever. I’ll tell you about them and you can decide which you can relate to best. Many people know about the metal mines in northern Manitoba. There are towns and even a city whose existence depends on them. You could say that the copper, gold, and nickel in those mines are the first buried treasures. But do you know about Kate Rice, the prospector? In the early 1900s she made many of the discoveries that led to some of those mines. Kate was born in 1882 in the little town of St. Mary’s , Ontario. It was a quiet place, where people were expected to follow the rules. Boys were allowed to ramble and play unsupervised, as long as their chores were done. Girls were to be polite and quiet, to do as they were told, to go to church with their parents, to dress in the styles of the day, and generally be good. This was not Kate’s style, however. She had a difficult time following her mother’s expectations. She idolized her father who took her hiking, canoeing, and hunting. Her mother however, disapproved of these activities. Her father whetted her appetite for adventure with stories about the Wild West and its colourful characters. He challenged her to dream, to learn, and above all, to think. It was likely because of his influence that Kate went off to the University of Toronto. She studied Mathematics there, graduated with First Class Honours and won a gold medal. This was a most unusual feat for a young woman in those days. The usual career paths were wife, mother, nurse, or teacher. You might think that Kate was a loner, but this was not the case. It’s true that she chose her friends carefully, and had neither time nor patience for girls who weren’t interested in adventure. Her high-school friend Emily was one of those who believed in Kate’s vision of being something other than a wife or mother. While she was at university, Kate made friends with Margaret, who also believed in “the new woman of the 20th century.”1 When Kate and Margaret graduated in 1906, they taught for a year in 133 6 7 G R A D E 6 -7 different towns. However, Kate still remembered her father’s challenges. She and Margaret both took teaching jobs in Yorkton, Saskatchewan. At that time, Saskatchewan had only just become part of Canada. Kate went because she wanted the challenge of living in a frontier town. Margaret went to be with Kate and to have an adventure. They taught there for two years, but during this time Kate began to hear stories from prospectors in The Pas, Manitoba; stories about struggles with the elements, discoveries, and the charting of new places. She resigned from her job as a teacher, moved to The Pas and began to live a prospector’s life. Margaret accompanied Kate, but after a few months she found the life too difficult, too isolated, too rough, so she returned to the civilization of life in Saskatchewan and then Ontario. Meanwhile, Kate continued the life she had grown to love. She spent the next thirty years hiking, canoeing, and hunting, but this time for her livelihood. As a prospector, she slogged through the unmapped lakes, rivers and muskeg of northern Manitoba, looking for the telltale signs of metals in the rock. She lived for many years on an island that came to be known as Rice Island. She traveled by canoe, snowshoe, and dogsled, as well as on foot in the bush along the Grass River, Wekusko (Herb) Lake, Woosey Lake, and even the western end of the Burntwood River. There are several small mining towns in that area now, but it is still considered remote and was all the more so a hundred years ago, before there were roads, trains and bush planes crisscrossing the area. 6 7 Kate loved this life. She made one or two trips home to visit her parents, but generally kept to herself. Her main companion after Margaret left was Richard Woosey, who became her business partner. Together they staked many productive gold claims which they sold later to the big mining companies. As prospector, Kate had another passion, and that was her study of the Aurora Borealis, the Northern Lights. Her poetic descriptions of the Aurora were published in several scientific journals of the day. Richard died in 1940. The loss of her business partner had a profound effect on Kate. She lost her self-confidence and was no longer interested in her studies of the Aurora, or in prospecting. She sold her land claims in The Pas. The story is told that she buried $45 000 in hundred dollar bills on her island, then traveled south to Brandon, Manitoba, where she tried, unsuccessfully, to check herself in to an “Insane Asylum”. She was turned 134 B U R I E D T R E A S U R E away, and lived the rest of her life in Minnedosa, Manitoba, where she died in 1963, at the age of 81. So there you have it – three buried treasures: the gold found in the rocks, the money buried on the island, and the ‘self’ hidden inside the little girl who didn’t want to be like others. 6 7 1 Duncan, Helen. Rice, Kate: Prospector, Toronto: Simon & Pierre.1983. p. 26 135 G R A D E 6 -7 Background Information Resources Bush plane - A small airplane equipped with pontoons, skis, or wheels, to enable it to land on water, snow, or dry land as necessary. Bush planes are commonly used to transport prospectors and their equipment in the north. Kate Rice: Prospector. Duncan, Helen, Simon & Pierre Insane Asylum - A term no longer used in Canada. It is now called a Psychiatric Hospital. Muskeg - A boggy area found in northern parts of Canada, overgrown with small plants and shrubs. Prospector - Someone who explores an area looking for minerals or metals buried in the rock. 6 7 136 Geological Highway Map of Manitoba Minerals Division Website: www.snowlake.com/krice.htm BURIED TRE ASURE - GRADE 6 Expectations Suggested Activities Language ; Write journal entries for the various phases of Kate Rice's life: childhood, university, teaching, prospecting, retirement. 6e5 produce pieces of writing using a variety of forms (newspaper articles, summaries of information), techniques and resources (e.g., library resources) appropriate to the form and purpose, and materials from other media (e.g., film clips) 6e7 revise and edit their work in collaboration with others, seeking and evaluating feedback, and focusing on content, organization, and appropriateness of vocabulary for audience 6e32 summarize and explain the main ideas in information materials (e.g.,textbooks), and cite details that support the main ideas Social Studies 6z2 identify early explorers and describe their impact on the development of Canada 6z20 describe the challenges of presentday explorers (e.g., aquanauts and astronauts) and compare them to the challenges of early explorers (e.g., with respect to clothing, transportation, food, waste disposal) 6z37 construct and read a wide variety of graphs, charts, diagrams, maps, and models for specific purposes (e.g., to compare physical features of Canada and the United States) ; Describe Kate Rice's personality, using examples from the story. Is she the kind of person you would like to be? What other character from a book you have read does she resemble? Explain your answers. ; Draw a map of the part of Manitoba explored by Kate Rice. Mark the following: Wekusko Lake, The Pas, Snow Lake, Woosey Lake, Flin Flon, Burntwood River, Grass River, and the Manitoba/Saskatchewan border. ; On a large-scale map of Manitoba, determine the area in square kilometers that Kate Rice explored. ; From a map of Canada, calculate the distance Kate Rice traveled from St. Mary's to Yorkton to the Pas to Wekusko Lake. ; Create your own (imaginary) map of Rice Island, including Kate's cabin and the spot where she might have buried the money. ; Choose a present-day explorer (e.g., an astronaut such as Chris Hadfield or Roberta Bondar). Compare the challenges faced by Kate Rice to those faced by the modern explorer. ; Using the Activity Sheet, draw the tools, equipment and supplies used by a prospector. Extensions ; With a small group, create a newspaper for The Pas, Manitoba, in the 1920s. Be sure to include world events from the time, as well as local news of mining discoveries, letters to the editor, and advertisements. ; Research one of the following metals: gold, copper, nickel. Describe the process used to turn the raw ore into metal. Where in Manitoba is it mined? How much is it worth today? What is it used for? 137 6 K I NG DR E A RD GE A R6T E N Buried Treasure Activity Sheet What are the supplies and equipment a prospector would need? Use words and/or small drawings to fill this back-pack. 6 138 The Power Of Story, ETFO © 2002 BURIED TRE ASURE - GRADE Expectations Suggested Activities Language Extensions 7e1 communicate ideas and information for a variety of purposes (to outline an argument, to report on observations) and to specific audiences, using forms appropriate for their purposes and topic (e.g., write a lab report for an audience familiar with the scientific terminology) 7e2 use writing or various purposes and in a range of contexts, including school work (e.g., to make point-form notes from a text. To jot down personal impressions) 7e55 create a variety of media works Science 7s106 identify the factors that must be considered in making informed decisions about land use and explain their importance (e.g., environment impact; properties of soil) 7s125 identify earth resources used by humans to manufacture products (e.g., iron ore is used to make steel products) and discuss what happens to the products when they are no longer useful 7 ; Investigate how cities dispose of their waste and the effects if any, on the environment. Include the uses of abandoned mines. Present your information in the form of a magazine article. ; Using at least three search engines, develop a bibliography of web sites that would be a resource for the topic, “Mining in Canada.” ; Investigate the production of a mining company in Canada. Describe how the raw material is manufactured. Discuss whether the manufacturing process, the product or waste disposal affect the environment. Present your information as a photo essay. ; Collect samples of local rocks & minerals. Mount them in a display, label them and give important and interesting information about each. Extensions ; You are a newspaper reporter for your local paper. The city is planning to use land which supports wildlife and nature trails for highway development. In a detailed report, list the dangers of eliminating ecosystems. ; Research, write and present a five-minute drama about a day on an oil rig. Your setting may be in the past or in the present. 7s130 identify past and present-day applications of technologies that have contributed to the study of geology (e.g., surface observation, core sampling, seismography, magnetometry, satellite technologies) 7 139 G R A D E 7 - 8 Marguerite d’ Youville “ The more things change, the more they stay the same.” S OURCE U N K NOWN Marguerite d’ Youville was born at Varnes, Quebec in 1701. She devoted her life to the provision of hospice/ palliative care. 7 8 Marguerite D’Youville 140 A Woman Ahead of Her Time Excerpts From the journal of Marguerite d’ Youville of Montreal Juillet Cher journal, My beloved husband is dead. He suffered greatly, but has now gone to join our three babies in heaven. François, Charles and I have asked the priest to say 360 Masses for the eternal happiness of his soul. We have been left deeply in debt. I’ve told the children that God will rescue us from our predicament. That is what our mother always told us when my little brothers and sisters would cry with hunger. I haven’t been able to do any handwork while he has been ill, so there is no food for my children. I miss my husband already, but it is comforting to have another child who will be born in the winter. If it is a boy, I will call him Ignace. I hope we will be able to keep the house... (Two years later) Juillet Cher journal, The inventory of the contents of my home has been completed. They will sell everything to pay off some of the debts my husband incurred. I cannot stay to watch the auction as all my precious memories of my dearest husband are tied up in them. They have allowed me to keep the walnut clock he brought to me from Paris as a wedding present. That is all I have to remember him and our marriage. I have nothing to remember my poor little Ignace. He didn’t live to his first birthday. I had hoped he would be my little priest. (Three years later) September 7 I truly believe God has blessed me for seeking His kingdom. My shop prospers, I have repaid all my husband’s debts, and now I am able to serve God by ministering to the poor. I remember how frightening it was to not know where I was going to get food to feed my sons. Now I have saved enough money to send them to good schools run by priests. 8 141 G R A D E 7 - 8 When I have finished the daily work for the shop, I have begun to go to help those most in need. I bring food, clothing and other items given by some of my wealthy friends. I find this more rewarding than running the shop. I have decided to bring several people into my home as they have no other place to go and winter will soon be here. October I have decided to join Louise Lasource, Catherine Cusson and Catherine Demers who have served the poor so faithfully with me. We have taken a vow before Our Lady of Providence and consecrated ourselves to follow Jesus by serving the poor. We have moved from the house and shop on Market Street to a place less public, so that passers by will not complain about the people who come to the shop for comfort and food as they listen to God’s Word. Babies have been abandoned on my doorstep. The dying come for comfort. What am I to do? I cannot turn them away. There are only four of us. I do not have time to fuss with the shop. We will do enough needlework to support our cause. The shop will have to go. I am so tired of these drunken louts shouting “Grises! Grises!” at us. Some have begun to throw stones at us. Why do they do this? So far we have been able to ignore them and carry on about our business. How long must we endure this? (Ten years later) November Governor-General de Beauharnois has turned over to us the administration of the General Hospital of Montreal. There is much more room than in our little hospice, but the place is filthy! It will take our Sisters weeks to make it as clean as we kept our hospice. This will not be official until the King of France signs the royal decree to make me the administrator, but I am assured that there will be no problems in running the hospital unofficially. 7 8 Epilogue Marguerite became an outstanding administrator, seldom turning away anyone who needed medical or hospice care. She requested money from British officials to support housing for orphans, welfare for the poor and further medical care for the sick. The convent order she founded became known as the Grey Nuns, who established hospitals in cities across 142 A W O M A N A H E A D O F H E R T I M E Canada. Marguerite died on December 23, 1771 after suffering a series of strokes. In May, 1959, she became the first female Canadian to be beatified (the first stage of becoming a Saint), and was later canonized. Saint Marguerite d’Youville was truly a woman ahead of her time. 7 8 143 G R A D E 7 - 8 Background Information Resources Entrepreneur - A person who creates his or her own business. Hands to the Needy, Sister Mary Pauline Fitts Hospice - Provides physical, psychological, social, spiritual and practical support to people with life threatening illnesses and to their loved ones. Morning Light, Margaret Merrifield M.D. Palliative Care - Health care that focuses on the control of pain and suffering in a patient with a life-threatening illness. Welfare - Monetary assistance to those who are poor. 7 8 144 Tiger Flowers, Patricia Quinlan http://living-lessons.org A WOMAN AHE AD OF HER TIME - GRADE 7 Expectations Suggested Activities Language ; Language has changed to become more inclusive. In groups, brainstorm a list of words or terms that were deemed historically appropriate and discuss how these are politically incorrect today. Include ways to address inappropriate language. 7e21 show a growing awareness of the expressiveness of words in their word choice 7e35 clarify and develop their own points of view by examining the ideas of others 7e44 use the special terminology in a particular area of study, as necessary ; Create a journal for 1. a person Marguerite helped or 2. people in her neighbourhood, remembering that Marguerite lived in an affluent part of town. ; Using a Venn diagram, compare and contrast the role of the government in Quebec at the beginning of Marguerite’s life in 1701 and at the end of her life in 1771. Write an essay or make an oral presentation to the class. ; Discuss life in New France during the 1700’s. History 7h3 describe the relationships among the various cultural groups in North America Extensions 7h15 formulate questions to facilitate gathering and clarifying information (e.g., on the impact of the Church on life in New France) ; Find out the history of your local General Hospital. ; Compare and contrast hospice/palliative care in the 1700s and today. ; Discuss the effects of harassment on Marguerite’s life and relate it to your own life. ; Visit a hospice in your community. 7h19 construct and interpret a wide variety of graphs, charts, diagrams, maps and models to organize and interpret information (e.g., create a diagram illustrating the structure of the government in New France) 7 145 A WOMAN AHE AD OF HER TIME - GRADE 8 Expectations Suggested Activities Language ; In groups, write in role, one of the excerpts of Marguerite’s journal. 8e2 use writing for various purposes and in a range of contexts, including school work (e.g., to write technical instructions, to clarify personal concerns, to explore social issues, to develop imaginative abilities) 8e36 plan a research project and carry out the research 8e56 use the specialized vocabulary appropriate to the topic in oral presentations (e.g., investigations in mathematics, demonstrations in science) The Arts 8a25 produce two- and threedimensional works of art that communicate a variety of ideas (thoughts, feelings, experiences) for specific purposes and to specific audiences, using a variety of art forms 8a54 write in role, analyzing the subtext of a script and the attitudes and points of view of the characters portrayed 8 8a66 dramatize material that they have researched from primary sources (e.g., historical documents), and use it effectively in presenting documentary scenes 146 ; Choose from one of the following groups in the story and present a scene between her and them: the Native peoples, the neighbours, the Sisters, her sons. ; Create a political cartoon of your scenario. ; Research and present the need for hospice/palliative care today. Extensions ; Using Choices Into Action, in small groups create a plan for a small business. Begin by surveying the need, then create a plan. Remember to include start up costs. ; Investigate and carry out a plan for helping a hospice in your area. ; Invite an administrator of a local hospital to come in and talk about the jobs in a hospital. ; Write job descriptions for people working in a hospital. T H E P O W E R O F S T O R Y When you share your story you unlock a part of yourself to the world. It takes courage. AUTHOR UNKNOWN 147 G R A D E 7 - 8 Beverly Saskoley “ Every aspect of our lives is, in a sense, a vote for the kind of world we want to live in.” F RA NCES MOORE L A PPÉ Bev Saskoley with husband Michal Dupal Bev Saskoley is a teacher and passionate social justice advocate. She has worked in three teacher unions. Bev is grounded in her beliefs. One of them is that the actions of organizations must clearly demonstrate their commitment to equity and social justice work. 7 8 Beverly Saskoley 148 Challenging Injustice Thoughts About Activism Within A Union I want to share my story of being a woman union activist. That’s been such an important facet in shaping who I am and I consider it a noble way for a woman to lead her work existence. It’s my belief that once you’re committed to the goals of unionism you have a natural jumping off place for all kinds of social justice work. I grew up in a union family in Dryden, a northwestern Ontario paper mill town. My father was very involved in the paper workers union locally so I gained my perspective on unions partly through osmosis and partly through modeling behaviour. Most of my union career has been with teacher federations but as I look back on earlier times there was a union thread in my work life prior to teaching. During high school I worked part-time as a clerk at a department store. A retail workers’ union from Winnipeg initiated an organizing campaign. I had been glad to join because a year previously I had asked for a nickel raise as the summer began (85 cents to 90 cents an hour). The rather nasty store manager paid me it all at the end of the summer in nickels in a toy wheelbarrow. I didn’t think employees should have to endure that kind of nonsense. So I was one of the first to sign my union card. Suddenly that was the end of my part-time job although I had done exemplary work for three years. I soon found another job at Bell Telephone as a long distance operator. It was an organized (union) workplace and during my time there I participated in the first operators’ strike. When I began to teach I soon joined the local bargaining committee and was fascinated by the negotiating process. Those were good times in education funding (1972 - 1975) but I realized school boards were reluctant to negotiate working conditions. Teachers knew what they needed to make learning better – smaller class sizes, preparation time, compensatory time, but it was difficult to negotiate these issues. In 1975, Bill 100 gave us the right to negotiate working conditions. Employers were still resistant. At this time I also became aware of some of the discrimination against women in the profession. For example, women had been forced to resign from teaching when they became pregnant, women could not get the same 149 7 8 G R A D E 7 - 8 life insurance coverage as men, and women were under represented as principals and vice principals. I found this shocking so I became a voice for women’s equality on the bargaining team. When I moved to Toronto in the mid 1970’s , I was a committed unionist. I was selected for a bargaining team and chosen chief negotiator by my peers in my second round of bargaining. We struck the school board employer on the issue of lower class sizes. In general, teachers have had to resort to strikes to make gains with learning conditions. These decisions are always agonizing for everyone concerned. I became a feminist when I was in my late twenties. The movement crystallized for me all the gender imbalance in society. It was everywhere – the public and private sector, the media, and home life. I vowed to do my part in changing what I could to make life better for women. As a single woman, it was apparent to me that it was hard for women with children and/or partners to get involved in unions. Meetings often took place at night or on weekends when people volunteered their time. I’ve tried, during my union staff career, to advocate for more day meetings to enable fuller participation for all union members. After a few years I made the links with other forms of oppression. In my view, one couldn’t be a unionist or a feminist without being an activist in social justice issues such as racism, homophobia, disability and poverty. Unions offer a terrific opportunity to do equity work. The membership of teacher unions is increasingly diverse. There are more racial minority, Aboriginal, disabled and gay and lesbian members who want services geared to their specific needs. Unions have funds to do the work. Unions have united voices to advocate for change both internally and outside. Unions can be powerful vehicles in a social democracy. 7 8 One thing I realized quickly in doing equity work is that it is very marginalizing. You must be prepared to work in isolation or with very few allies. I learned to be very comfortable in my discomfort. That is absolutely necessary to be a human rights advocate. There is no broad support for change that is inclusive of all. There is mostly resistance, anger and resentment. I have learned to take none of this personally, I am so grounded in knowing this is the way the world should be - a place where all people, regardless of circumstance, have equal opportunities and results, and where we truly become an integrated society that is respectful of everyone. Nothing could shake me in that belief and 150 C H A L L E N G I N G I N J U S T I C E throughout the years so many tried. I think one of the shortcomings of the current union movement is the tendency to stay focused narrowly on members’ immediate needs. By taking a broader perspective we could be serious advocates for social change. Who knows better than teachers of the problems children face because of sexism, racism, ableism, homophobia and poverty? So many of the difficulties with teaching and learning would disappear if we could effectively deal with these issues. I believe we would gain tremendous respect from the public for such work. I’ve learned a lot about power and the status quo in my years in the teacher union movement both as a member and as staff. People resist change because it threatens their own worldview. Too many in the status quo are stuck and choose to remain there because it worked for them. I believe this is the reason unions need structures like designated places on executives, affirmative action for hiring and dedicated equity funds for programmes and political action. The gains women and other oppressed groups have made in society are so tenuous. They must constantly be monitored and protected from dismantling by those who like the power they have and don’t want to share it. In the past twenty-five years I have become alarmed at concerted media and government campaigns to make the term “union” a dirty word. Mainstream media parrots a business perspective that sees unionism cutting into potential profits. Unions need to continue to challenge that narrow perspective. Unions make an important contribution to society as a counter to the profit over people motive. We need to teach labour history in schools. All of society should be concerned with the current demise of unions. I note with some horror that the public sector – health care, education, all levels of government are unionized work places that are predominantly female and/or diverse. These are good jobs with pensions, benefits and reasonable salaries and they are disappearing. This is no accident. We need to be alert for a convergence of ideologies that want women back at home, and racial minorities, Aboriginal peoples, people with disabilities and gays and lesbians in the subservient place, where too many of those with power think they belong. There continues to be many challenges ahead for unions. I believe we can face these. I wanted to use my story as a vehicle to raise issues and provoke thought. That is my life’s work. 151 7 8 G R A D E 7 - 8 Background Information Resources Abelism - A system of discrimination and exclusion that opposes people who have mental, emotional or physical disabilities. Leading The Way: Black Women in Canada, Rosemary Sadlier Bill 100 - Government legislation about labour negotiations for school boards. Fire at the Triangle Factory, Holly Littlefield Compensatory time - Time allocated to make up for work-related extra time already spent. Pay Cheques and Picket Lines, Clair MacKay Homophobia - Fear of or negative bias against gays and lesbians. Osmosis - Unconscious absorption of ideas, knowledge etc. Struck - Held a strike action. 7 8 152 C H A L L E N G I N G I NJ U ST I C E - G R A D E 7 Expectations Suggested Activities Math ; Role play the negotiation of a collective agreement. Use the backline masters Activity Sheets 1 and 2 as organizers. 7e1 communicate ideas and information for a variety of purposes (to outline an argument, to report on observations) and to specific audiences, using forms appropriate for their purpose and topic (e.g., write a lab report for an audience familiar with the scientific terminology) 7e37 plan a research project and carry out the research 7e62 identify some of the ways in which non-verbal communication techniques (e.g., tone of voice and body language) can affect audiences, and use these techniques in their own speech to arouse and maintain interest, and convince and persuade their listeners History 7h40 demonstrate an understanding of the nature of change and conflict, methods of creating change, and methods of resolving conflicts ; Words such as ageism, classism and ableism are often used to identify social attitudes. Using the Power Flower, from We’re Erasing Prejudice for Good identify marginalized groups within your community. ; List the reasons why they are marginalized. ; Choose one marginalized group and interview a member in that group. Create a plan to effect change. How will you know that your plan has met with some success? ; Were you aware of any negative attitudes (isms) while you were developing and implementing your plan? Discuss. Extensions ; Invite a union representative from your community to come and talk about the role of unions in the workplace. ; Invite a pro-union and/or anti-union management representative from your community to come and share their perspectives. ; Using cases in the media, discuss current issues e.g. a strike or job action in a labour dispute. ; Locate your Board’s Harassment Policy and discuss the effectiveness in addressing the needs of all marginalized groups. Promote this policy throughout the schools through posters and/or presentations. 7h43 demonstrate an understanding of the nature of change and conflict, identify types of conflict (e.g., war, rebellion, strike, protest), and present strategies for conflict resolution 7 7h57 compare strategies of conflict resolution used at home and at school to strategies used historically 153 G R A D E 7 Challenging Injustice Activity Sheet 1 Negotiation Activity TASK CARD #1: The Union You are a representing the workers' union in this labour negotiation exercise. Most of your members are so-called "unskilled" labourers who have not had an increase in pay in two years. Your benefit plan is standard as it covers the basics. Your members would however like to see it cover vision care and orthodontics. Your employers are in the auto industry and are hesitant to raise wages and benefits too much due to the volatile nature of the business. There are some things your members might be willing to negotiate but they DEMAND a pay raise and some measure of job security. TASK CARD #2: The Management You are representing the management of a factory which manufactures and exports automobile parts. The industry has been volatile in the past few years due to an unstable economy therefore you do not want to promise your workers job stability, nor do you wish to offer them a huge pay raise. You feel that these labourers should consider themselves lucky to even have jobs in these tough times so your job is to "low-ball" any offers you extend in this bargaining session. You will also try to convince them that any guarantee of hours will make layoffs more likely so it is in their best interest to withdraw this demand. TASK CARD #3: The Observers You are the impartial observers in this bargaining session. Your job is to silently watch how each side bargains and the types of interactions, both verbal and non-verbal, which take place. Some items to look for: 1. Tone of voice. 2. The degree of respectful language used. 3. Body language and other forms of non-verbal communication. 4. The strengths and weaknesses of each team's "performance" 7 Teacher Instructions for the Activity on Negotiation 1. Distribute the mock collective bargaining table to all students. 2. Divide students up into groups of 9 students (3 Union members, 3 Managers, and 3 Observers). 3. Distribute the task cards to the subgroups so they are familiar with the role they will play in this bargaining session. Both union members and management should be discussing just how flexible they will be with each item once bargaining begins. 154 The Power Of Story, ETFO © 2002 G R A D E 7 Challenging Injustice Item Current Status Union Demands Management's Offer Term of Agreement 2 year agreement recently expired 3 year 1 year Salary Average salary is $19000 5% increase 1.5% increase Activity Sheet 2 Final Agreement No increase in 3 years Working Conditions Hours No guarantee of hours/week Guaranteed 38 hours/week No guarantee of hours/week Overtime Time and 1/2 paid after 40 hours Time and 1/2 paid after 38 hours Time and 1/2 paid after 44 hours Sick Leave No paid sick days 5 days paid leave No sick days Vacation Time 4% paid weekly 2 weeks paid in lieu of vacation vacation annually 4% paid weekly in lieu of vacation 90% paid by employer 100% paid by employer 80% paid by employer basic coverage basic coverage basic coverage No vision care or extended dental Vision care and extended dental Vision care but no extended dental Benefits Health and Dental 4. Allow students approximately 20-30 minutes to negotiate the terms of this collective agreement. Once settled, the observers should debrief the participants on what they noted during the bargaining process. 5. Groups will report back to the whole class on the success/failure of their bargaining session. Teacher will debrief students on the process of reaching a peaceful and fair agreement between two opposing groups. The Power Of Story, ETFO © 2002 155 7 CHALLENGING INJUSTICE - GRADE 8 Expectations Suggested Activities Math ; Provide copies of the story for students to read. In groups of four, students highlight/retell the main points of the story then, mark on their sheet, specific sentences to bold or italicize for emphasis. Go over these in a class discussion to clarify meaning of terms. Then, use the activity sheet provided to list points that relate to union activism. Follow the example given. 8m91 can systematically collect, organize, and analyse primary data 8m94 can evaluate data and draw conclusions from the analysis of data 8m97 collect primary data using both a whole population (census) and a sample of classmates, organize the data on tally charts and stem-andleaf plots, and display the data on frequency tables Geography 8g2 demonstrate an understanding of employment patterns and trends 8g19 compare the characteristics of developed and developing countries 8g27 demonstrate an understanding of how economic resources (e.g., land, labour, capital, entrepreneurial ability) influence the economic success of a region ; Create a survey question to elicit information about union membership. Survey a variety of groups. Are there limitations to your survey? ; Compare the data collected to the latest StatsCan data. What assumptions are being made? ; Students working in pairs choose one of the following: i. Research and prepare a presentation on how the industrial revolution changed Canadian society in the context of union movement. ii. Prepare a presentation on major developments that affected the working conditions of teachers or health care workers in any province. iii. Find out about the Canadian Labour Council and describe how workers today are affected by their actions. ; Working alone, choose one of the following to explore and present to your classmates: i. Investigate employment patterns and trends in a specific sector e.g. hospitality, retail, manufacturing, technology; note unionization patterns. ii. Compare a developed country with a developing one with respect to unionization in the public sector. iii. Describe how resources, can influence the economic success of Canada. Choose regions such as Newfoundland, Cape Breton, Vancouver, and Toronto, to explore. Extensions ; Survey students, parents and teachers to compile a list of union/labour music and songs. ; Write an explanation or definition for four of the following terms: affirmative action, subservient, union, feminism, public sector, private sector, advocate, equality, equity, discrimination, status quo, designated places. 8 156 CHALLENGING INJUSTICE - GRADE 8 ; Sing and play labour music with appropriate articulation and phrasing. ; Identify some of the major political events or historical context of the music. ; Ask the students to interview the managers of a unionized company and a non-unionized company. Focus on working conditions. Script the responses and share as a report. ; Explore the following websites: ETFO, CTF, CLC and CUPE. Find out about their goals and priorities. Report using a Venn diagram to show commonalities and differences. 8 157 T H E P O W E R O F S T O R Y Teacher Resources Acosse, Janice / Misko-Kisoikawihkwe. Iskwewak Kah’ ki Yaw Ni Wahkomakanak Neither Indian Princesses Nor Easy Squaws. Red Sky Women. ISBN: 0-88961-209-9 ETFO. Focus On Ability Poster 2001. Ahenakew, Freda. Native Voices from The Issues Collection. McGraw-Hill Ryerson. ISBN: 0-07-551448-6 Charlesworth, Liza. Hats Around the World. Scholastic Book: Thematic Emergent Readers ISBN: unknown Anderson, Kim. A Recognition of Being: Restructuring Native Womanhood. Second Story Press. ISBN: 1-896764-27-4 Charter of Rights and Freedoms Andrews, Jan / Ng, Simon. Out of the Everywhere: New Tales For Canada. Groundwood Books. ISBN: 0-88899-402-8 Archibald, Jo-ann Ed. Courageous Spirits: Aboriginal Heroes of Our Children. Theytus Books Ltd. ISBN 0-919441-50-5 Bailey, Debbie. Hats. Annick Press. 1991. ISBN: 1-55037-159-2 Banetnnatyne-Cugnet, Jo. From Far and Wide: A Canadian Citizenship Scrapbook. Tundra Books. ISBN: 0-88776-443-6 Barton, Bob / Booth, David. Stories in the Classroom. Portsmouth, Heinenmann. 1990. ISBN: 0-92121-743-9 Becky Citra, Beverly. My Homework is in the Mail! Scholastic Canada. 1995. ISBN: 0-59024-446-9 Brant, Beth I’ll Sing ‘Til The Day I Die: Conversations with Tyendinga Elders. McGilligan Books. ISBN: 0-9698064-2-6 Caswell, Maryanne. Pioneer Girl. Tundra Books. ISBN: 0-88776-550-5 ETFO. “Challenging Injustice” , The Power of Story Volume I. 2002. ETFO. Welcome to School Poster 2002. ETFO. We’re Erasing Prejudice for Good. 1999. Clearly, Beverly. Dear Mr. Henshaw, Dell Yearling/ Bantam. 1993. ISBN: 0-44041-794-5 Coomber, Jan & Evans, Rosemary. Women Changing Canada. Oxford University Press. 1997. ISBN 019-541281-8 Davidson, Margaret. Louis Braille: The Boy Who Invented Books For The Blind. Scholastic Inc. Toronto. 1971 ISBN: 0-590-44350-X Department of Indian Affairs and Northern Development. The Learning Circle: Classroom Activities on First Nations in Canada. ISBN: 0-662-28449-6 Duncan, Helen. Kate Rice: Prospector. Simon & Pierre. 1983. ISBN: 0-88924-210-0 Ennis William Cosby Foundation. Ennis’ Gift: A Film about Learning Differences, Hello Friend. www.hellofriend.org Exley, Helen. The Best of Women’s Quotations. New York, Exley. 1993. ISBN: unknown Fitts, Sister Mary Pauline. Hands to the Needy. Doubleday & Co. 1977 ISBN: unknown 159 T H E P O W E R O F S T O R Y Fox, Mem. Whoever You Are. Harcourt Brace and Company. 1997. ISBN: 0-15-200787-3 Fraser, Sylvia. A Women’s Place: Seventy Years in the Lives of Canadian Women. Key Porter Books Limited. 1997. ISBN: 1-55263-072-2 Friedman, Ina R. How My Parents Learned to Eat. Houghton Mifflin Company. 1984. ISBN: 0-395-44235-4 Gaa-dibaatjimat Ngaashi: Stories From My Mother Inc. ISBN: 0-9688223-1-2 Gaudet, Marie. Moo ii-sikaag! (nii-psikaag) The Cow is Going to Bump into Me. www.storiesfrommymother.com ISBN: 0-9688223-0-4 Geological Highway Map of Manitoba Minerals Division. 1987. Gikow, Louise and Weiss, Ellen. For Every Child A Better World. A Muppet Press/Golden Book. 1993. ISBN: 0-307-15628-1 Government: Participating in Canada from the Canadian Challenges Series. 1999. ISBN: 0-19-541279-6 Greenfield, Eloise. Grandpa’s Face. The Putnam and Grossot Group. ISBN: 0-698-11381-0 Greenwood, Barbara. The Last Safe House: A Story of the Underground Railroad. Kids Can Press. 1998. ISBN: 1-55074-509-3 G. T. Cunningham Elementary School. We Are All Related - A Celebration of our Cultural Heritage. 1996 ISBN 0-9680479-0-4 Hager, Barbara. Honour Song. Raincoat Books. ISBN: 1-55192-042-5 Harper, Maddie. Mush-hole: Memories of a Residential School. Sister Vision Press. 1993. ISBN: 0-920813-98-4 160 Haworth-Attard, Barbara. Home Child. Roussan. 1996. ISBN: 1-896184-18-9 Hoffman, Mary. Amazing Grace, Scholastics Book Inc. ISBN: 0-590-46009-9 Home Truths - Lesbian Mothers Come Out to Their Daughters. Rowan Books. 2001. ISBN: 0-9685257-5-X Hopkins, Deborah. Sweet Clara and The Freedom Quilt. ISBN: 0-679-87472-0 http://www.snowlake.com/krice.htm http://living-lessons.org Jimerez, Karleen Pendleton. Are You a Boy or a Girl? Green Dragon Press. ISBN: 1-896781-14-4 Kagawa, Joy. Obasan. Anchor Books 1984. ISBN: 0-919-63042-1 Kalman, Esther. Tchaikovsky Discovers America. Lester Publishing. 1994. ISBN: 1-895555-82-5 Kaplan, Wm. One More Border. Groundwood Books. 1998. ISBN: 0-88899-332-3 Keelaghan, James. My Skies - Skiri’s Piano. CD Keeshig, Lenore. Bineshiinh Dibaajmowin / Bird Talk - Tobias. Sister Vision Press ISBN: 0-920813-89-5 Klamath County YMCA Family Preschool. The Land of Many Colors. Scholastic. ISBN: 0-590-49248-9 LeGuin, Ursula K. Steering the Craft. Portland, Eighth Mountain. 1998. ISBN: unknown Lemelin, Denis. Justice: So-So-So-Solidarity. CD. Lerman, Janette. Enemy Alien. National Film Board of Canada. T H E P O W E R O F S T O R Y Lloyd, Tanya. Canadian Girls Who Rocked the World. Whitecap. 2001. ISBN: 1-55285-203-2 McCann, Edna. The Canadian Heritage Celebration Of Mothers. Prentice Hall Canada Inc. ISBN: 0-13-918178-4 Littlefield, Holly. Fire at the Triangle Factory. The Lerner Publishing Group. 1996. Merrifield, Margaret. Morning Light. Stoddart Publishing Co. Limited. 1995. Little, Jan. If it Weren’t for the Honor - I’d Rather Have Walked. Cambridge, Massachusetts, Brookline. 1996. ISBN: 1-57129-026-5 Merritt, Susan. Her Story - Women from Canada’s Past. ISBN: 1-55125-000-4 Local branch of CNIB Merritt, Susan. Her Story II - Women from Canada’s Past. ISBN: 1-55125-022-5 Lowen, Iris. My Kokum Called Today. Pemmican Publications. 1993. ISBN: 0-921827-36-9 Merritt, Susan. Her Story III - Women’s Stories from Canada’s Past. 1999. ISBN: 1-55125-037-3 Lomax, Alan, J. D. Elder and Bess Lomax Hawes. Brown Girl in the Ring. Pantheon Books. 1997. ISBN: 679-40453-8 Munsch, Robert. From Far Away. Annick Press. ISBN: 1-55037-396-X Lorbiecki, Marybeth. Sister Anne’s Hands. Puffin Books. ISBN: 0-14-056534-5 Mackay, Claire. Pay Cheques and Picket Lines. Kids Can Press. 1987. ISBN: unknown Maclean’s Magazine. December 18, 2000. Pages 74-75 Maggio, Rosalie. The New Beacon Book of Quotations by Women. Beacon Press. ISBN: 0-8070-6783-0 Manson, Ainslie. Baboo, Groundwood Books. 1998. ISBN: 0-88899-329-3 Many Voices Series (video). Positively Native. TV Ontario. ISBN: unknown Martin, Katherine. Women of Courage. Novato, New world Library. 1999. ISBN: unknown Nichol, Barbara. Beethoven Lives Upstairs, Lester Publishing Ltd. 1993. ISBN: 1-895555-21-3 Nikola-Lisa, W. Being With You This Way. Lee and Low Books Inc. 1994. ISBN: 1-880000-26-1 Quinlan, Patricia. Tiger Flowers. Dial Books for Young Readers. 1994. Russell, Ruth Ed. Women of Waterloo County. Toronto Natural Heritage. 2000. Ringold, Faith. Aunt Harriet’s Underground Railroad in the Sky. ISBN: 0-517-885443-3 Sadlier, Rosemary. Leading The Way: Black Women in Canada. Umbrella Press. 1994. ISBN: 1-895642-11-6 Say, Allen. Grandfather’s Journey. Houghton Mifflin. 1993. ISBN: 0-395-57035-2 Say, Allen. How My Parents Learned to Eat. Houghton Mifflin. 1984 ISBN: 0-395-44235-4 161 T H E P O W E R O F S T O R Y Share In the Celebration! Learning and Activity Guide. Prepared by the Department of Indian and Northern Affairs Canada (free publication that can be ordered by teachers for classroom use, in preparation for National Aboriginal Day) Shields, Carol and Anderson, Marjorie Eds. Dropped Threads - What We Aren’t Told. Vintage Canada. 2001. ISBN: 0-679-31071-1 Skutch, Robert. Who’s In the Family? Tricyle Press. 1995. ISBN: 1-883672-66-X Sloan, Carolyn. Helen Keller. London H. Hamilton. 1984. ISBN: 0-241111-295-8 Smith, Sherry Ramrattan and Rose Bickram Ramrattan. When We Chose Canada - A Mother and Daughter Share Stories that Shaped Their Lives In Their New Homeland. 1999. ISBN: 0-9685543-4-2 Station, Pat with Bourne, Paula. Claiming Women’s Lives, History & Contemporary Studies. Green Dragon Press. ISBN: 0-9696977-0-8 Surat , Michele Maria. Angel Child, Dragon Child. Scholastic Inc. 1989. ISBN: 0-590-42271-5 162 Takashima, Shizuyc. Child in a Prison Camp. Tundra Books. 1971. ISBN: 0-887-76041-7 Tarlington, Carole and Verriour, Patrick. Role Drama. Pembroke Publishers Ltd. 1991. ISBN: unknown Uchida, Yoshiko. The Bracelet. Philomel Books. 1993 ISBN: 0-399-22503-X Valle, Gina. Our Grandmothers, Ourselves Reflections of Canadian Women. Raincoast Books. 1999. ISBN: 1-55192-270-3 Van Kampen, Vlasta and Eugen, Irene C. Orchestranimals. Northwinds Press. 1989. ISBN: 0-590-73161-0 Walker, Richard. The Kingfisher First Human Body Encyclopedia. Kingfisher Publications. 1999. Williams, Margery. The Velveteen Rabbit. Delacorte Press. 1991 ISBN: 0-38507-725-4 Women of Canada Junior Kit. Federation of Women Teachers’ Associations of Ontario. Zuern, Guenther. Ontario Reader for ESL and Literary Learners. Newcomer Communication. 1999. ISBN: unknown T H E P O W E R O F S T O R Y About The Authors Joan Beecroft Joan Beecroft teaches in Bluewater District. She has experience at all grade levels (1 - 8) in English as a Second Language, French, Special Education, and in the regular classroom. Joan is involved with her Local as School Steward, and works to promote equity issues. Carol Brown Carol Brown is an elementary teacher with the Algoma District School Board. She has taught students in all divisions as well as Special Education. She is known for the practical approach she takes in her workshops. She has most recently been involved with equity issues in her local federation. Margaret Neigh Margaret Neigh is an elementary teacher with the Waterloo Region District School Board. She has worked with students from Kindergarten to Grade 13 and adults in the areas of English as a Second Language, French and Drama. Margaret has been actively involved in equity issues for a number of years. Catherine Pawis Prior to her new role as vice-principal, Catherine Pawis was an instructional leader for Native Studies, Kindergarten - OAC, with the Toronto District School Board. She also worked for three years as a Special Education Consultant. Catherine has taught grades 3 - 8, as well as Special Education and French. Pat Wright Presently with the District School Board of Niagara, Pat’s teaching experience includes grades 1 to 8. Through her federation involvement, specifically in the area of collective bargaining, and her role as classroom teacher, Pat continues to promote equity in the workplace. Sherry Ramrattan Smith - ETFO Staff Sherry Ramrattan Smith is an elementary teacher from Waterloo Region District School Board. Sherry has taught students from pre-school to grade 8 including Special Education, Music and English as a Second Language. 163 N E ETFO proudly announces W !! A kindergarten to grade eight resource that links the experiences of Canadian girls and women to curriculum This Kindergarten to Grade Eight curriculum resource presents real stories, lesson activities, and extensions that are linked to Ontario’s curriculum expectations. A School-wide Life Stories provide a valid means of transmitting history. They Curriculum Resource Stories allow us to draw connections between the past and present. & Suggested activities. They provide a way to reflect and examine our attitudes and $15.00 + GST assumptions and reflect on our actions. , ORDER TODAY THE POWER OF Story by ETFO n (Quantity) @ $15.00 + $1.05 (G.S.T.) = $ Name: Phone: Mailing Address: City: Prov: Credit Card: n Master Card n Postal Code: Visa Card # Expiry Date: Signature: Please fax your credit card orders to Pauline Lanthier at shopETFO at 416-642-2424 or mail with cheque to shopETFO, 480 University Avenue, Suite 1000, Toronto, Ontario M5G 1V2. Check out Curriculum Connections at www.etfo.ca T H E P O W E R O F S T O R Y 167 T H E 168 P O W E R O F S T O R Y