Pdf Version - Altermann Galleries

AUCTION
William Acheff New Mexico Chile Oil on canvas 30 by 24 inches Estimate $40,000 - $45,000
SANTA FE, NEW MEXICO
225 CANYON ROAD, 87501
(505) 983-1590
FAX: (505) 989-4390
WWW. ALTERMANN . COM
Howard Terpning
A Show of Defiance
Oil on canvas
28 by 22 inches
Estimate $145,000 - $175,000
M ARCH 4, 2006 P HOENIX , A RIZONA
T HE R ITZ -C ARLTON
AUCTION
Saturday, March 4, 2006
PHOENIX, ARIZONA
THE RITZ-CARLTON
2401 East Camelback Road
5:15 p.m.
A significant selection of fine art by Gallery artists
and works from estates and institutions.
DAVID MANN SHOW & ARTIST RECEPTION
Friday, March 3, 2006
6:00 - 8:00 p.m.
Set price works to be sold by draw box method, drawing Saturday, March 4, 5:00 p.m.
Additional Mann works to be offered at auction.
A U C T I O N P R E V I E W & R E G I S T R AT I O N
Saturday, March 4th, 9:00 a.m. to 5:00 p.m.
The Ritz-Carlton, Phoenix, Arizona
2401 East Camelback Road
American Indian Art authority David Cook will be available on Saturday, March 4,
9:00 to 5:00 pm, for evaluation of Native American artifacts for our upcoming
American Indian Art & Artifact auction, August 17, 2006 in Santa Fe.
For additional information, please call 505.983.1590
[email protected] • [email protected]
VISIT WWW.ALTERMANN.COM TO VIEW OUR ONLINE AUCTION CATALOG.
A N D
P R O C E D U R E S , T E R M S
C O N D I T I O N S O F A U C T I O N
PURCHASE PRICE
The purchase price payable on each lot by the
Purchaser shall be the total of the final
Hammer Price PLUS A BUYERS PREMIUM
OF FIFTEEN PERCENT (15%) ON THE
FIRST $100,000 AND TEN PERCENT (10%)
THEREAFTER, PLUS ANY APPLICABLE
SHIPPING AND HANDLING CHARGES.
If you attend the auction, you must
pre-register and be assigned a bidder
paddle number in order to participate.
Registration by the bidder shall constitute
approval and acceptance of the following
terms and conditions.
Auction
The lots presented in the auction catalog will be
offered by oral auction Saturday, March 4, 2006,
5:15 pm, at The Ritz-Carlton, Phoenix, Arizona.
Absentee Bidding
Absentee bids for auction lots will be executed
by the Gallery on behalf of the Client during the
auction. The Gallery shall not be responsible for
any errors or omissions or failure to execute
such absentee bids. The Gallery requests the
Client make absentee bidding arrangements at
least 72 hours prior to the auction.
Telephone Bidding
As a convenience to Gallery clients who are
unable to attend the auction, a telephone bid
service will be offered as staff and time allow. The
Gallery shall not be responsible for any errors or
omissions or failure to execute such telephone
bids. The Gallery requests the Client make
telephone bidding arrangements at least 72 hours
prior to the auction. We strongly advise you to
leave an absentee ‘insurance’ bid for the lots for
which you wish to be called, which will be
executed ONLY if we can not reach you.
This catalog may be amended by posted notice or
oral auction room announcement and represents
Altermann Galleries (Gallery) entire agreement
with any and all Purchasers of the property listed
herein. The following procedures, terms and
conditions on which all such property listed is
offered for auction by the Gallery as agent for
various owners or other Consignors:
1. All property will be sold by the Gallery at
auction to be conducted by Troy Black and Tony
Altermann.
2. Altermann Galleries reserves the right to
withdraw any property at any time before the
auction and shall have no liability whatsoever for
such withdrawal.
3. All property will be sold “as is” and neither
the Gallery nor Auctioneer nor Consignor make
any express or implied warranties or
representations with respect to the property or
2
correctness of the advertisement, catalog and any
other medium used to announce this auction or
any other description of the physical condition,
quality, importance, size or authenticity of the
property offered. No reference to imperfections
is made in individual catalog descriptions of
property offered for auction. A condition report
may be obtained by contacting the Gallery. Not
withstanding any condition reports or catalog
descriptions provided, all lots are offered and
sold “AS IS” in accordance with paragraph 3 of
the Procedures, Terms and Conditions of
Auction. However, if within 21 calendar days
after the purchase of any lot, the purchaser
provides two opinions by recognized authorities
on the artist, and gives notice in writing to the
Gallery that the lot is not authentic, and within
7 calendar days of such notice the purchaser
returns the lot to the Gallery in the same
condition as when sold, the Gallery will refund
the full purchase price.
4. The Gallery and/or Auctioneer reserve the
right to reject any bids. The highest bidder
acknowledged by the Auctioneer shall be the
Purchaser. In the event of any dispute between
bidders or a tie between bidders, the Auctioneer will
have absolute and final discretion to either determine
the successful bidder or to reoffer and resell the
property in dispute. After the auction, the Gallery's
record of final Hammer Price shall be conclusive.
5. Unless exempt by law, the Purchaser will be
required to pay any and all New Mexico and
Arizona state and local sales tax. In the event of
deliveries outside New Mexico or Arizona, it is the
purchaser’s responsibility to pay any applicable
compensating use tax of another state on the
purchase price.
6. Terms for all purchases will be cash. Credit cards
are not accepted as payment for works of art
purchased at auction. All monies shall be made
payable to Altermann Galleries. At the Gallery's
discretion, payment will not be deemed to have been
made in full until funds represented by checks have
been collected or the authenticity of bank or cashier's
checks has been confirmed.
7. Auction lots may not be removed from The
Ritz-Carlton during the auction. Shipment
generally occurs within one week after payment
has been received. We prefer to ship Federal
Express or UPS. Please provide a correct street
address for our shipper. It will expedite your
receipt of your purchase. Items not removed
from our warehouse after 30 days will be subject
to a storage charge.
8. Some property may be offered subject to a
“reserve” or confidential minimum price below
which the lot will not be sold. In such instances
the Gallery may exercise the reserve by bidding on
behalf of the Consignor.
9. Neither the Gallery nor Auctioneer nor
Consignor make any representations whatsoever
that the Purchaser of a work of art will acquire any
reproduction rights thereto. Purchaser's ownership
of the work shall remain subject to the copyrights
of the consignor.
10. These Procedures, Terms and Conditions of
Auction and any other applicable conditions, as
well as the Purchaser's and Gallery's rights and
obligations herein shall be governed by,
construed and enforced in accordance with the
laws of the State of New Mexico. If these
Procedures, Terms and Conditions of Auction
are not complied with by the Purchaser, the
Gallery may, in addition to other remedies
available by law, including without limitation
the right to hold the Purchaser liable for the
purchase price stated on the invoice, either (a)
cancel the sale and retain as liquidated damages
any and all payments made by the Purchaser or
(b) resell the property privately or at public
auction on three days notice to the Purchaser for
the payment of any deficiency in the purchase
price and all costs including handling charges,
warehousing, the commissions, attorney's fees,
any and all other auction-related charges due
and incidental damages.
11. In most instances, sculpture measurements
do not include base. In measurements for twodimensional art, height precedes width and does
not include frame.
LEGEND
FOR
AAA
AAEA
AICA
ANA
AOA
AWS
CAA
NA
NAWA
Allied Artists of America
American Academy of Equine Art
Association of Indian & Cowboy Artists
Associate National Academy
Artists of America
American Watercolor Society
Cowboy Artists of America
National Academy
National Academy of
Western Art
National Institute of Arts
and Letters
National Oil and Acrylic
Painters Society
National Sculpture Society
Northwest Rendezvous Group
Oil Painters of America
Oil Painters of America Master
Plein Aire Painters of
America
Pastel Society of America
Royal Society of Arts,
London
Society of Animal Artists
Society of American
Historical Artists
Society of
American Impressionists
Society of Illustrators
Taos Society of Artists
Texas Association of Professional Artists
NIAL
NOAPS
NSS
NWR
OPA
OPAM
PAPA
PSA
RSA
SAA
SAHA
SAI
SI
TSA
TAPA
ARTIST ORGANIZATIONS
AUCTION ABSENTEE BID FORM
S AT U R D AY, M A R C H 4 , 2 0 0 6 • A LT E R M A N N G A L L E R I E S
As a service to our clients, Altermann Galleries will execute your absentee bid
if you are unable to be present at the auction. Someone appointed by the gallery
will exercise your absentee bid on your behalf, not necessarily to your maximum absentee bid, but to the next bid above what is offered, provided your
maximum bid is in excess of the reserve. All absentee bids are subject to the
Procedures, Terms and Conditions of Auction as stated in the auction catalog.
Sale:___________________________________ Date:________
Please send to Altermann Galleries at:
225 Canyon Road, Santa Fe, NM 87501
CITY/STATE/ZIP__________________________________________________
Please absentee bid on my behalf for the following lots up to the maximum absentee bid stated. I have made arrangements with my bank for
verification of funds for the maximum bid amount stated below and
understand that my absentee bid is subject to Altermann Galleries
Procedures, Terms and Conditions of Auction. Altermann Galleries cannot guarantee the execution of an absentee bid, but will make all reasonable efforts. I also understand that my absentee bid on each lot, if successful, will be subject to a buyers premium of 15% on the first $100,000
and 10% thereafter, plus any shipping charges and applicable taxes. Credit
cards are not accepted as payment for works of art purchased at auction.
EMAIL__________________________________________________________
Signature:_______________________________________________
LOT #
LOT #
NAME__________________________________________________________
ADDRESS_______________________________________________________
DESCRIPTION
MAXIMUM BID
DESCRIPTION
MAXIMUM BID
Fax to 505.989.4390
To ensure proper placement of your bids we encourage you to submit your absentee and telephone bidding plans at least 72 hours prior to the auction.
All absentee bids are subject to the Procedures, Terms and Conditions of Auction as stated in the auction catalog.
TELEPHONE BID FORM
NAME _________________________________________________________
ADDRESS _______________________________________________________
Sale:___________________________________ Date:________
Please send to Altermann Galleries at:
CITY/STATE/ZIP _________________________________________________
225 Canyon Road, Santa Fe, NM 87501
PHONE ________________________________________________________
EMAIL _________________________________________________________
LOT #
DESCRIPTION
LOT #
DESCRIPTION
To ensure proper placement of your bids we encourage you to submit your absentee and telephone bidding plans 72 hours prior to the auction.
All telephone bids are subject to the Procedures, Terms and Conditions of Auction as stated in the auction catalog.
FAX TO 505.989.4390
PLEASE VISIT OUR WEBSITE TO VIEW ONLINE AUCTION CATALOG
AND SUBMIT ABSENTEE AND/OR TELEPHONE BIDS ELECTRONICALLY.
www.altermann.com
3
PHOENIX AND ADJOINING AREAS
T H E R I T Z - C A R LT O N P H O E N I X
2401 E. Camelback Road, Phoenix, AZ
#1 Rated Hotel in Arizona, -Travel & Leisure Magazine
Fine Dining • Personalized Golf Packages • Spa
Call 1.602.468.0700 for reservations.
N
See
Inset
Inset
4
ALTERMANN GALLERIES STAFF
Tony Altermann Richard Altermann
Karen Burbank, Registrar
Angela Pennock, Assistant Registrar
James Robinson, Sales
Alison Ayers, Administrative Assistant
Anna Sacramento, Administrative Assistant
Chris Shattuck, Art Handler/Web
Josh Shipley, Art Handler
ReflexBlue Design, Catalog Production
Special Appreciation for the Assistance of Susan McGarry
UPCOMING EVENTS AT ALTERMANN GALLERIES*
David Mann • March 3, 2006 • The Ritz-Carlton • Phoenix, Arizona
Auction • July 8, 2006 • Eldorado Hotel • Santa Fe, New Mexico
American Indian Art & Artifact Auction • August 17, 2006 • Eldorado Hotel • Santa Fe, New Mexico
Michael Stack • August 18, 2006 • Santa Fe, New Mexico
Auction • August 19, 2006 • Eldorado Hotel • Santa Fe, New Mexico
Auction • October 21, 2006 • Hyatt at Gainey Ranch • Scottsdale, Arizona
ORDER YOUR CATALOGS NOW • 505.983.1590
PLEASE SEND US YOUR EMAIL ADDRESS OR SIGN UP FOR COLLECTOR NOTIFICATION SYSTEM
SO WE CAN SEND YOU INFORMATION ON UPCOMING EVENTS AND AVAILABLE INVENTORY.
Richard Altermann — [email protected]
Tony Altermann — [email protected]
Altermann Galleries offers Private Sale services to sellers that prefer to sell works privately.
Please contact Richard Altermann or Tony Altermann for more information.
*Dates subject to change
5
1.
Ross Stefan
(1934 - 1999)
Tanque Verde
Signed ‘Ross Stefan’ ll
Oil on canvas
26¼ by 40 inches
Estimate $5,000 - $7,000
2.
Ross Stefan
(1934 - 1999)
Moonlight Trail
Signed ‘Ross Stefan’ lr
Oil on canvas
16 by 20 inches
Estimate $3,000 - $4,000
3.
G. Harvey
(b. 1933)
Top Hand
Bronze Edition of 50
17 inches high
Estimate $2,300 - $3,200
6
4.
Cyrus Afsary
(b. 1941 NAWA, NWR, OPA)
Sunset
Oil on canvas
30 by 46 inches
Estimate $30,000 - $35,000
Afsary is the receipient of the gold and silver medal and the Robert Lougheed
Award at the National Academy of Western Art. He was a featured artist at the
Gilcrease Institute in 2002.
5.
Cyrus Afsary
(b. 1941 NAWA, NWR, OPA)
Return of the Warriors
Oil on canvas
18 by 24 inches
Estimate $13,000 - $15,000
7
6.
David Mann
(b. 1948)
Stolen Pony
Oil on canvas
24 by 36 inches
Estimate $7,000 - $9,000
7.
Bill Nebeker
(b. 1942 CAA)
Running the Gauntlet
Bronze Polychrome Edition of 25
11¾ inches high by 23 inches long
Estimate $3,000 - $5,000
8
8.
Chuck Ren
(1941 - 1995)
The Prophet
Signed ‘Ren © 86’ lr
Oil on canvas
20 by 13 inches
Estimate $6,000 - $8,000
9.
Chuck Ren
(1941 - 1995)
Proceed with Caution
Signed ‘Ren © 90’ lr
Acrylic on board
10 by 13 inches
Estimate $3,500 - $4,500
9
10.
Tom Ryan III
(b. 1977)
Gray Day
Oil on canvas
30 by 40 inches
Estimate $10,000 - $12,000
11.
Morgan Weistling
(b. 1964)
Bill
Oil on canvas
20 by 16 inches
Estimate $8,000 - $10,000
10
12.
Grant Speed
(b. 1930 CAA, NAWA)
The Bronc Rider
Bronze Edition of 100
12 inches high
Estimate $2,000 - $2,500
13.
Harley Brown
(b. 1939 CAA NAWA, NWR, OPA)
Maria - Blackfoot
Pastel on paper
11½ by 9¼ inches
Estimate $4,000 - $5,000
14.
John Paul Strain
(b. 1955)
Mystical Eve - Yellowstone
Gouache on board
10 by 5 inches
Estimate $1,500 - $2,000
15.
John Coleman
(b. 1949 CAA)
Black Moccasin
Bronze Edition of 35
21¾ inches high
Estimate $4,400 - $4,800
11
16.
Douglas Ricks
(1954 - 2003)
Storm in the Tetons
Signed ‘Douglas Ricks 19©78’ lr
Oil on board
30 by 40 inches
Estimate $4,000 - $6,000
12
17.
Douglas Ricks
(1954 - 2003)
Indians on the Plains,
Southern Idaho
Signed ‘Douglas Ricks --19©78--’ lr
Oil on board
30 by 40 inches
Estimate $4,000 - $6,000
18.
Donald Putman
(b. 1926 AICA)
Eagle Catcher
Oil on board
48 by 66 inches
Estimate $4,000 - $8,000
20.
Buck McCain
(b. 1943)
The Apache
Bronze Edition of 25
34½ inches high
Estimate Upon Request
19.
Bruce Greene
(b. 1953 CAA)
Crocket's Prayer
Bronze Edition of 12
14½ inches high
Estimate $2,500 - $3,500
13
21.
Joel Phillips
(b. 1960)
Silent Firelight
Egg tempera on board
20 by 16 inches
Estimate $2,400 - $2,800
22.
Don Stivers
(b. 1926)
Racing the Canyon
Oil on board
24 by 26 inches
Estimate $4,000 - $6,000
14
23.
Nelson Boren
(b. 1952)
Taking Five
Watercolor on paper
41 by 61 inches
Estimate $9,000 - $12,000
Illusion has no greater master than Nelson Boren. Whether it is the cracks and furrows
of well-worn cowboy boots, the weathered rails of a corral fence or the shadows of supple
buckskin fringe on dusty denim, the textures in his paintings are extraordinary.
The magic of Boren's watercolor technique is only part of the story. Such details serve
as the beginning or the introduction that draws viewers into Boren's compositions.
Layered with relationships of body gesture and accouterments, the paintings are puzzles,
compelling viewers to become involved by identifying the parts, then filling in the blanks.
Despite Boren's focus on very time-honored western American subjects, his paintings
have a decided contemporary feel. Much of this results from their show-stopping scale. Unlike the traditional roles of
watercolor as a field-sketching material or studio-painted sheets, Boren literally and figuratively takes his subjects into
monumental proportions. Created on 140-pound Arches rough paper that comes in rolls, the images often measure
upwards of five feet, dominating the spaces where they hang. Boren's early career in architecture plays a role here - like
his buildings, the paintings have a sculptural dimensionality and tactility that is also apparent in his manipulation of
the paper with a variety of tools.
Storytelling and respect for materials as subject matter and as surface patterns give Boren's paintings the perfect mix
of old and new.
15
24.
David Halbach
(b. 1931 CAA, Guest Artist NAWA)
Purple Cliffs
Watercolor on board
10¼ by 16 inches
Estimate $3,000 - $5,000
Halbach has won five Gold
and six Silver Medals at the
annual Cowboy Artist of America
exhibitions. He also received a
Silver Medal from the National
Academy of Western Art.
25.
David Halbach
(b. 1931 CAA, Guest Artist NAWA)
Evening Shadows
Watercolor on board
9 by 14¾ inches
Estimate $2,000 - $4,000
26.
David Halbach
(b. 1931 CAA, Guest Artist NAWA)
Indian Spearfishing from Canoe
Watercolor on board
5 by 14½ inches
Estimate $2,000 - $4,000
16
27.
David Halbach
(b. 1931 CAA, Guest Artist NAWA)
Early Snow
Watercolor on board
8½ by 15 inches
Estimate $3,000 - $4,500
28.
David Halbach
(b. 1931 CAA, Guest Artist NAWA)
Pueblo Cliff Dwellings
Watercolor on board
5 by 11 inches
Estimate $2,000 - $4,000
29.
David Halbach
(b. 1931 CAA, Guest Artist NAWA)
Blue Door
Watercolor on board
7½ by 16 inches
Estimate $2,000 - $4,000
17
30.
Sonya Terpening
(b. 1954 AOA, NWS)
Let It Rain
Oil on canvas
24 by 18 inches
Estimate $4,000 - $5,000
The artist exhibits annually at the Masters of the
American West Exhibition at the Autry National
Center and the Prix de West Invitational at the
National Cowboy Museum & Western Heritage
Center, Oklahoma City, OK.
31.
Gary Kapp
(b. 1942 NWR)
Provisions for Camp
Oil on canvas
24 by 30 inches
Estimate $3,500 - $4,500
18
32.
John Fawcett
(b. 1952 AAEA)
Dawn's Early Light
Oil on board
24 by 30 inches
Estimate $7,000 - $8,000
33.
Martin Grelle
(b. 1954 CAA)
Last Light of a Cold Day
Acrylic on canvas
18 by 24 inches
Estimate $4,000 - $7,000
19
In 1968, Ryan did a
painting of cowhand
Freddie Prather of the 6666
Ranch in Guthrie, TX, illuminated by a kerosene
lantern as he repairs a saddle. Titled Patching His
Saddle, the painting won
the Gold Medal for oils at the Cowboy Artists of America
exhibition. A few years later, Northland Press, Flagstaff,
AZ, did an offset lithograph of the painting, for which
this might be the plate (note that the wagon numbers are
in reverse). The plate is signed and dated 1970 with
Ryan’s right-reading incised signature. An active member
of the CAA from 1967 to 1992, Ryan earned seven
medals, including the CAA Memorial Award. In 1996, he
received the Lifetime Achievement Award from the
National Cowboy & Western Heritage Museum,
Oklahoma City, OK, which has several of his works in its
permanent collection and hosted a 2001 retrospective.
His work was also the subject of a 1990 retrospective at
the Gilcrease Museum, Tulsa, OK.
34.
Tom Ryan
(b. 1922 CAA, NAWA)
Patching His Saddle
Crayon on metal
14¾ by 12 inches
Estimate $9,000 - $12,000
35.
Frank McCarthy
(1924 - 2002 AAA, AOA, CAA, NAWA, NWR)
A Quick Look Back
Signed ‘McCarthy © 73’ lr
Oil on canvas on board
14 by 18 inches
Estimate $11,000 - $13,000
20
In 1974, after three decades as a successful illustrator of magazines,
advertisements, movie posters and books, McCarthy moved from New York,
NY to Sedona, AZ to pursue his action paintings of the western frontier. A
year later, he joined the Cowboy Artists of America, with which he exhibited until 1998. Best known for his dramatic compositions, McCarthy was a
master of pulling the viewer into the painting through compositional techniques that tell a story, as in this snowy landscape, which moves from the
foreground horse tracks to the single mountain man, up to the crest of the
ridge where others are set against a backdrop of the rugged Tetons.
McCarthy’s work was featured in retrospectives at the Museum of the
Southwest, Midland, TX; the R.W. Norton Museum, Shreveport, LA; the Gilcrease Museum, Tulsa, OK, and the Cowboy
Artists of America Museum, Kerrville, TX. In 1997, he was inducted into the Society of Illustrators Hall of Fame.
36.
Frank McCarthy
(1924 - 2002 AAA, AOA, CAA, NAWA, NWR)
The Outriders
Signed ‘McCarthy CA © 77’ ll
Oil on board
24 by 36 inches
Estimate $34,000 - $38,000
21
37.
David Mann
(b. 1948)
Signs in the Sun
Oil on canvas
30 by 40 inches
Estimate $14,000 - $16,000
David Mann is having a set price purchase by draw sale
March 3, 2006, The Ritz-Carlton, Phoenix, Arizona. Preview
Friday, March 3, 2006, 6:00 pm to 8:00 pm. Set price pieces
will be sold by draw box method Saturday, March 4, 2006 at
5:00 pm, prior to the beginning of this auction. To view
works offered refer to the David Mann catalog or online at
www.altermann.com.
38.
David Mann
(b. 1948)
The Vision
Oil on canvas
24 by 18 inches
Estimate $5,500 - $6,500
22
39.
David Mann
(b. 1948)
At the Council
Oil on canvas
36 by 48 inches
Estimate $18,000 - $20,000
40.
David Mann
(b. 1948)
Government Horse
Oil on canvas
20 by 16 inches
Estimate $4,500 - $5,000
23
41.
Jim C. Norton
(b. 1953 CAA, NWR)
A Time for Diplomacy
Oil on canvas
30 by 40 inches
Estimate $30,000 - $35,000
24
Norton, who served as Cowboy Artists of America president in 2001, has been an
award-winning member of the CAA since 1989. In October 2005, he added a Silver Medal
in oils and the inaugural Ray Swanson Award for “capturing an emotion in time” to his
existing list of three Gold Medals, five Silver, two Artists' Choice and a Best of Show. Along
with contemporary ranching subjects, Norton has pursued historical themes, notably the
lifeways of Plains Indians tribes that roamed the Rocky Mountain Plateau. An expert in
horse and human anatomy, Norton illuminates his extensive historical research with landscapes experienced during his time on horseback and his pastime of painting outdoors.
Norton also exhibits at the annual Masters of the American West, Autry National Center,
Los Angeles, CA.
42.
Jim C. Norton
(b. 1953 CAA, NWR)
Looking for the Buffalo
Oil on board
16 by 24 inches
Estimate $17,000 - $19,000
43.
Jim C. Norton
(b. 1953 CAA, NWR)
Omaha Chief
Oil on board
14¾ by 12½ inches
Estimate $11,000 - $13,000
25
44.
William Acheff
(b. 1947 AOA, NAWA)
Taos Autumn
Oil on canvas
12 by 10 inches
Estimate $12,000 - $14,000
45.
William Acheff
(b. 1947 AOA, NAWA)
White Onions
Pastel on paper
10¼ by 17¼ inches
Estimate $3,000 - $5,000
26
46.
William Acheff
(b. 1947 AOA, NAWA)
New Mexico Chile
Oil on canvas
30 by 24 inches
Estimate $40,000 - $45,000
Working with historic objects, Acheff often combines vintage Pueblo pots with his
personal renditions of historic paintings or prints “tacked” in trompe l’oeil fashion to a
wall. Two-time winner of the Prix de West Purchase Award, he is represented in major
private and museum collections throughout the country, including the National Cowboy
& Western Heritage Museum, Oklahoma City, OK, the Autry National Center, Los
Angeles, CA, and was featured in a 1999 retrospective at the Gilcrease Museum, Tulsa, OK.
27
47.
Roy Andersen
(b. 1930 CAA, NAWA, OPA)
Cold Tracks
Oil on canvas
12 by 16 inches
Estimate $17,000 - $20,000
28
A member of the Cowboy Artists of America from 1989 to 2005, Andersen received both
the Gold and Silver Medals in oils (1990, 1991 respectively). He has also shown more than
15 years at the Prix de West, National Cowboy & Historical Museum, Oklahoma City, OK.
His interest in Native American subjects began as a child, and today his continuing passion
for accurate and romantic pre-reservation themes is expressed in a warm palette of hues that
turns even a small winter scene such as Cold Tracks into a golden and heroic reminder of the
untamed prairie. A graduate of the Chicago Academy of Fine Art, IL, and the Art Center
School of Design, Los Angeles, CA, Andersen honed his storytelling skills during three
decades as an illustrator, contributing to such esteemed publications as Time, Sports
Illustrated and National Geographic, and to the permanent collection of the Smithsonian
National Portrait Gallery, which has several of his portraits. Jan Adkins documented
Andersen’s work in the 2000 monograph Dream Spinner.
48.
Harry Jackson
(b. 1924 CAA, NAWA, NSS)
Pony Express II
Bronze Edition of 100
13¼ inches high
Estimate $9,000 - $12,000
49.
Harry Jackson
(b. 1924 CAA, NAWA, NSS)
The Marshal II
Bronze Edition of 100
17 inches high
Estimate $9,000 - $12,000
29
50.
Steven Lang
(b. 1960 OPAM)
On the Bluff
Oil on canvas
16 by 12 inches
Estimate $2,400 - $2,800
51.
Robert Griffing
(b. 1940)
Man of the Forest
Oil on board
10 by 8 inches
Estimate $7,000 - $9,000
30
52.
Dave McGary
(b. 1958)
Crow King
Bronze Polychrome
Edition of 100
10¼ inches high
Estimate $3,500 - $4,500
53.
Doug Hall
(b. 1959)
Tracking
Oil on canvas
18 by 24 inches
Estimate $4,200 - $4,800
54.
Guy Corriero
(b. 1936 AWS)
Cool Clear Water
Oil on canvas
24 by 30 inches
Estimate $5,800 - $6,200
31
55.
Harvey Johnson
(1921 - 2005 CAA)
A Mountain Man's Christmas
Signed ‘Harvey Johnson CA 91’ lr
Oil on canvas on board
24 by 44 inches
Estimate $10,000 - $15,000
32
As a child, Johnson was tutored by his parents, both of whom were artists. He was
further trained at the Art Students League, New York, NY, and following service in
World War II, worked in advertising and as an illustrator of pulp magazines.
Simultaneously, he served nineteen years as an instructor for the Famous Artists
School, Westport, CT, alongside the school's founder Harold Von Schmidt. Johnson
relished the research that went into depicting tales of the frontier and was an avid collector of western artifacts. He saw an ad for the first Cowboy Artists of America exhibition in 1966 and submitted his work, showing with the group for more than two
decades. He received two Silver Medals, served as CAA president in 1977 and initiated
their workshop program in the early 1980s. Johnson immersed himself in the early
19th century mountain-man era, researching and reading their diaries and journals to
capture accurately the lifestyles of these intrepid trappers.
56.
Jay Schmidt
(b. 1929)
Navajo Years
Oil on board
20 by 30 inches
Estimate $2,000 - $4,000
57.
Oreland C. Joe
(b. 1958 CAA)
Indian Mother and Child
Marble
12¾ inches high
Estimate $3,000 - $4,000
58.
Fritz White
(b. 1930 AOA, CAA)
Grandmother's Joy
Bronze Edition of 16
33 inches high
Estimate $6,000 - $7,500
33
59.
Kenneth Riley
(b. 1919 CAA, NAWA)
Leading the Pack
Oil on board
8 by 10 inches
Estimate $14,000 - $18,000
The artist is a winner of numerous awards at the annual Cowboy Artist of America exhibition and the Prix de West
show at the National Cowboy & Western Heritage Museum, Oklahoma City, OK. The Eiteljorg Museum and the National
Cowboy & Western Heritage Museum have had major retrospectives of his work.
60.
Kenneth Riley
(b. 1919 CAA, NAWA)
Soldier on Horseback
Oil on board
6½ by 8 inches
Estimate $9,000 - $12,000
34
61.
Howard Terpning
(b. 1927 CAA, NAWA, OPA)
A Show of Defiance
Oil on canvas
28 by 22 inches
Estimate $145,000 - $175,000
Terpning is the recipient of virtually every significant award in western
American art, including more than 30 Cowboy Artist of America honors. His
paintings are prized in museum collections throughout the country, including
National Cowboy & Western Heritage Center, Oklahoma City, OK; Autry
National Center, Los Angeles, CA; Phoenix Art Museum, AZ; Eiteljorg Museum,
Indianapolis, IN; and Gilcrease Museum, Tulsa, OK.
35
62.
Ed Mell
(b. 1942)
Southern Arizona Longhorn
Oil on canvas
50 by 72 inches
Estimate $30,000 - $40,000
36
This work is the frontispiece of Mell's monograph Beyond the Visible Terrain (1996)
by Don Hagerty. Of it, the author observes that Mell presents the steer “as if it were
sculpted from the land itself. The animal appears like a statue in the landscape: colossal, grandiose, and, as befits a longhorn steer, supremely confident.” Educated at the Art
Center College of Design, Los Angeles, CA, Mell's work is included in numerous books
on contemporary western American art, as well as in exhibitions at the Eiteljorg
Museum of American Indian and Western Art, Indianapolis, IN; Scottsdale Center for
the Arts, AZ; Mesa Southwest Museum, AZ; and the Rockwell-Corning Museum of
Modern Art, NY. His public works include Jack Knife, a monument on Main Street,
Scottsdale, AZ, and a mural of Kartchner Caverns, which hangs in that state park's visitor center, Benson, AZ. Since the mid-1980s, Mell has created the popular Grand
Canyon Music Festival posters.
63.
Bill Anton
(b. 1957)
Late Night Remnants
Oil on board
40 by 32 inches
Estimate $25,000 - $29,000
To his hands-on knowledge of cowboying, Anton adds a passion for painting outdoors,
which greatly enhances his ability to convey the subtleties of daylight, color and moonlight
as in Late Night Remnants. He regularly exhibits at the Prix de West Invitational, National
Cowboy & Western Heritage Museum, Oklahoma City, OK, as well as at the Masters of the
American West, Autry National Center, Los Angeles, CA. His work was also included in
the 2003 Rendezvous Exhibition, Gilcrease Museum, Tulsa, OK.
37
64.
Ray Swanson
(1937 - 2004 AOA, AWS, CAA, NAWA, OPA)
The New Lambs
Signed ‘Ray Swanson © 90 CA’ lr
Oil on board
26 by 32 inches
Estimate $15,000 - $17,000
65.
John Coleman
(b. 1949 CAA)
Walks Like a Living Prayer
Bronze Polychrome Edition of 35
25¼ inches high
Estimate $5,000 - $6,000
John Coleman, as a member of the
Cowboy Artists of America, has, at the
annual CA Exhibition, won the following awards: Artist’s Choice (2004), Gold
Medal in Sculpture (2004), Silver Medal
in sculpture (2002, 2005), and Best of
Show (2004).
38
66.
Donald Crowley
(b. 1926 CAA)
Harvest Time
Oil on canvas
40 by 30 inches
Estimate $25,000 - $30,000
A member of the Cowboy Artists of America since 1994, Crowley has won
five Gold Medals, two Silver Medals, two Artists' Choice awards and the 1999
Best of Show. Also in 1999, he received the Masters of the American West
Purchase Award at the Autry National Center, Los Angeles, CA. Crowley, who is a
member of the informal art group called the “Tucson 7” is included in the permanent collection and exhibits at the Prix de West, National Cowboy & Western
Heritage Museum, Oklahoma City, OK. His work is also included in the Leanin'
Tree Museum, Boulder, CO, and the Favell Museum, Klamath Falls, OR.
39
67.
Steven Lang
(b. 1960 OPAM)
Frontier Parley
Oil on canvas
24 by 36 inches
Estimate $7,000 - $8,000
40
68.
Gary Kapp
(b. 1942 NWR)
Last Hunt for Winter Meat
Oil on canvas
30 by 40 inches
Estimate $8,000 - $10,000
69.
Gary Lynn Roberts
(b. 1953)
The Yearlings
Oil on canvas
30 by 40 inches
Estimate $9,000 - $10,000
70.
Ted Long
(b. 1933)
Old Toby
Oil on canvas
24 by 30 inches
Estimate $2,000 - $4,000
41
71.
Karmel Timmons
(b. 1966)
High Desert Herd
Pencil on board
14½ by 28½ inches
Estimate $5,500 - $6,000
Timmons was the recipient of the Best of Show at
the Buffalo Bill Historical Society, Cody, WY, 2004,
and the recipient of the People's Choice Award at the
Coors Western Art Show, 2005.
72.
Mike Desatnick
(b. 1943)
Lightning - Sioux War Horse
Oil on board
16 by 20 inches
Estimate $3,800 - $4,200
73.
Nicholas Coleman
(b. 1978)
Foothill Encampment
Oil on canvas on board
20 by 30 inches
Estimate $4,000 - $5,000
42
74.
Byron Wolfe
(1904 - 1973 CAA)
The Parley of the Trackers
Signed ‘Byron B. Wolfe
CA 1967 ©’ lr
Oil on canvas
20 by 24¼ inches
Estimate $4,000 - $6,000
The smaller watercolor is undoubtedly the preliminary study for the oil painting The Parley of the Trackers. Educated at
the University of Kansas, Lawrence, Wolfe began his career as a freelance illustrator and art director for a Kansas City advertising agency. His interest in the West developed from several commissions to do illustrations for Goetz Brewing Company
and the American Royal Livestock Horse Show & Rodeo. In 1966, Charlie Dye invited Wolfe to become a member of the
Cowboy Artists of America, in which he won the 1970 Silver Medal for watercolor and showed until his death in 1973. His
work is found in the Buffalo Bill Historical Center, Cody, WY, and the National Cowboy & Western Heritage Museum,
Oklahoma City, OK. In 1972, he authored and illustrated The Sketchbook of Byron. B Wolfe, published by Lowell Press.
75.
Byron Wolfe
(1904 - 1973 CAA)
The Parley of the Trackers
Signed ‘Byron B. Wolfe
1966 ©’ lr
Watercolor on paper
11½ by 15½ inches
Estimate $3,000 - $4,000
43
76.
Robert Lougheed
(1910 - 1982 CAA, NAWA)
Action at Indian Rock
Signed ‘R E Lougheed’ ll
Oil on board
25 by 30 inches
Estimate $18,000 - $24,000
44
Lougheed began his career as a newspaper illustrator for the Toronto Star where,
because he was the only staff person who could paint horses, he illustrated the stories
of a British Columbia cowboy. He never stopped drawing and painting horses, and
when National Geographic asked him to do a series on horses in the 1950s, he received
permission to visit the famous Bell Ranch in northeastern New Mexico, at which he
became a fixture for decades. By 1970, Lougheed was living in Santa Fe, and in 1973,
he illustrated the award-winning book The Bell Ranch as I knew It, Lowell Press.
Lougheed recorded both the working ranch hands as well as New Mexico landmarks
such as Indian Rock on the ranch and Black Mesa. Lougheed was a founder of the
National Academy of Western Art, Prix de West, and had a major retrospective in 1990
at the National Cowboy & Western Heritage Museum, Oklahoma City, OK. He was a
member of the Cowboy Artists of America from 1968 to 1982, in which he won 18
medals and awards.
77.
Robert Lougheed
(1910 - 1982 CAA, NAWA)
Passing the Black Mesa
Signed ‘Robert Lougheed’ and inscribed with artists’ device lr
Oil on board
12 by 24 inches
Estimate $10,000 - $12,000
78.
Robert Lougheed
(1910 - 1982 CAA, NAWA)
Horse Pasture
Signed ‘RE Lougheed’ lr
Oil on board
16 by 20 inches
Estimate $12,000 - $17,000
45
79.
Laurence Philip Sisson
(b. 1928)
Anasazia
Oil on board
45 by 72 inches
Estimate $8,000 - $12,000
80.
Patricia Dobson
(b. 1947)
Zuni Olla circa 1880
Oil on board
9 by 12 inches
Estimate $3,000 - $3,500
46
81.
Gary Niblett
(b. 1943 CAA)
The Scouts
Oil on canvas
16 by 20 inches
Estimate $3,000 - $5,000
82.
Kim Mackey
(b. 1953 OPA)
Border Town
Oil on canvas
24 by 30 inches
Estimate $4,000 - $5,000
47
83.
John Moyers
(b. 1958 CAA)
El Mariachi
Oil on canvas
40 by 50 inches
Estimate $28,000 - $34,000
48
A member of the Cowboy Artists of America since 1994, Moyers has been showered
with awards. In October 2005, he added to his existing list of 11 awards, a fifth Gold Medal
in oils, a Gold Medal in water soluables and his third Best of Show. A regular exhibitor at
the Masters of the American West, Autry National Center, Los Angeles, CA, and Prix de
West, National Cowboy & Western Heritage Museum, Oklahoma City, OK, Moyers
explores in animated color and brushwork a variety of historical cowboy, Native American
and Mexican themes. In 2002, he participated in the Rendezvous exhibition at the Gilcrease
Museum, Tulsa, OK. His expertise at the canvas was honed through studies at the Laguna
Beach School of Art, CA, and at the California Institute of the Arts, Valencia, as well as private studies with Robert Lougheed, Ramon Froman and his father, CAA William Moyers.
84.
John Moyers
(b. 1958 CAA)
Light and Shadow
Oil on canvas
24 by 36 inches
Estimate $17,000 - $21,000
85.
John Moyers
(b. 1958 CAA)
War Party
Oil on board
9 by 12 inches
Estimate $3,200 - $3,700
49
86.
Charles Craig
(1846 - 1931)
Indian Holding White Hat
Signed ‘Chas. Craig 1898’ lr
Watercolor on paper
11 by 8½ inches
Estimate $3,500 - $4,500
Craig took numerous trips out west, the first in 1865,
spending four years with various tribes as far west as Fort
Benton, Montana.
Provenance: From the estate of Norton Asner, Baltimore, MD.
87.
Nicolai Fechin
(1881 - 1955)
Portrait of a Woman
Signed ‘N.F.’ lr
Charcoal on paper
15½ by 11½ inches
Estimate $6,000 - $8,000
50
88.
Henry C. Balink
(1882 - 1963)
Portrait [Juan Martinez of Taos]
Signed ‘Henry C. Balink’ lr
Oil on canvas
14 by 12 inches
Estimate $12,000 - $15,000
Accompanying this lot is a handwritten letter dated 1955 by the artist discussing the
subject of the painting, Juan Martinez of Taos.
51
89.
Fremont Ellis
(1897 - 1985 Los Cincos Pintores)
El Rancho de San Sebastian - Canoncito
Signed ‘Fremont F Ellis’ ll
Oil on canvas board
16 by 20 inches
Estimate $28,000 - $32,000
52
Montana born and New York educated, Ellis had a sojourn in California
before moving to a studio on Camino del Monte Sol in Santa Fe, NM, in 1919.
Two years later, he joined with four artists to form an exhibition group called Los
Cinco Pintores. Will Shuster, Jozef Bakos, Walter Mruck and Willard Nash were
more “cutting edge” than the traditional Ellis, who excelled in painting the landscape surrounding Santa Fe, including this work depicting a ranch off Old Santa
Fe Trail where it enters Apache Canyon at Canoncito. Ellis' painterly application
of oils in a palette of saturated colors was well suited to Santa Fe's seasons, and
notably the brilliant yellow golds of October aspens. His works are widely represented in New Mexico museum collections, as well as across the country, including the Eiteljorg Museum, Indianapolis, IN; the Gilcrease Museum, Tulsa, OK;
and the Stark Museum, Orange, TX.
90.
Maynard Dixon
(1875 - 1946)
Gorge at Short Creek
Signed ‘Maynard Dixon, Short Creek
Ariz [illegible] © 1942’ lr
On verso, handwritten ‘765 Gorge
at Short Creek Ariz Strip
by Maynard Dixon’
Oil on canvas board
12 by 16 inches
Estimate $30,000 - $50,000
Six years before his death, Dixon and wife Edith moved into their Mount
Carmel summer home east of Zion National Park in southern Utah. From this
small town in Long Valley, Dixon traveled and painted landscapes, including
this one, which pictures a landscape near Colorado City (formerly Short Creek)
on the border of Utah in the Arizona Strip, an unspoiled and remote stretch of
land north of the Grand Canyon. Dixon painted his landscapes outdoors, sensitively capturing light and form. He also did studio paintings that include
Native peoples and cowboys—lifestyles that he experienced and knew intimately. His work has been documented in numerous books and catalogues,
including the monograph Desert Dreams: The Art and Life of Maynard Dixon
(1998) by Donald Hagerty, and today his Mt. Carmel home is an artist retreat
and museum.
53
91.
Ken Carlson
(b. 1937 NAWA)
Taking a Break
Oil on board
9 by 15 inches
Estimate $9,000 - $11,000
54
92.
Grant Macdonald
(b. 1944)
Autumn Encounter
Acrylic on board
24 by 36 inches
Estimate $5,000 - $7,000
93.
Bob Kuhn
(b. 1920 NAWA)
Tough Guys
Oil on board
14½ by 18½ inches
Estimate $14,000 - $18,000
This piece was commissioned by the present
owner in 1989. The work was illustrated in a
1990 issue of Sporting Classics magazine.
94.
Bob Kuhn
(b. 1920 NAWA)
Cougar
Conte crayon on paper
12 by 12¾ inches
Estimate $3,500 - $4,500
55
95.
"Kim" Douglas Wiggins
(b. 1960 SAI)
White Dove of the Desert
Oil on canvas
24 by 36 inches
Estimate $6,800 - $7,200
56
96.
"Kim" Douglas Wiggins
(b. 1960 SAI)
Land of the Llano Quemado
Oil on canvas
30 by 40 inches
Estimate $8,000 - $9,000
97.
Tim Solliday
(b. 1952)
The Scenic Route
Oil on canvas
48 by 24 inches
Estimate $9,000 - $11,000
57
98.
Clark Hulings
(b. 1922 AOA, NAWA, SAI)
River Seine Paris
Oil on canvas
23 by 33 inches
Estimate $35,000 - $50,000
58
Since he was a young artist, Hulings has made extended trips to Europe. In 1958,
he embarked on a three-year sojourn there and in the Middle East. Throughout his
travels, Hulings makes watercolor paintings, among them this mosque in Konya, in
central Turkey, which is reproduced as plate 42 in the 1986 monograph, A Gallery of
Paintings by Clark Hulings. As his book documents, Hulings is a “world citizen”
traveling extensively to find subject matter for his paintings. He was a logical choice
for a married couple's commission of a painting of their favorite location on River
Seine, Paris, which depicts the Baton Mouche, a tour boat that navigates the river
showing off the sites during the day and the romantic sunset just before the city lights
dazzle visitors. Hulings received the first Prix de West Purchase Award in 1973 at the
National Cowboy & Western Heritage Museum, Oklahoma City, OK, and went on to
win three Silver and two Gold Medals in oils and watercolors in subsequent shows. In
1976, he had a major retrospective and received the NCWHM Trustees' Gold Medal for
distinguished contributions to art.
99.
Clark Hulings
(b. 1922 AOA, NAWA, SAI)
Konya Mosque
Watercolor on paper
13¼ by 17¼ inches
Estimate $4,000 - $7,000
Reproduced plate 42 in A Gallery of Paintings
by Clark Hulings.
100.
Richard Schmid
(b. 1934)
Front Range Ranch
Oil on board
10 by 18 inches
Estimate $9,000 - $12,000
59
101.
Eric Sloane
(1905 - 1985 NA)
Winter Morn
Signed ‘Eric Sloane NA EJH’ ll
Oil on board
21 by 33¾ inches
Estimate $15,000 - $25,000
60
102.
Eric Sloane
(1905 - 1985 NA)
Hillside Tree
Signed ‘Eric Sloane NA EJH’ ll
Oil on board
18 by 24 inches
Estimate $9,000 - $12,000
103.
Wilson Hurley
(b. 1924 AOA, NAWA)
Summer Landscape
Oil on canvas
32 by 40½ inches
Estimate $20,000 - $30,000
As a master of “big sky” paintings, Hurley is compared to historic painters such as
Thomas Moran and Albert Bierstadt. Like them, Hurley conveys a reverence for the majesty
of western vistas, but unlike them, he adds to his vision a distinctive 20th-century perspective. A pilot in the service and a devotee of space exploration, Hurley has viewed the landscape from vantage points few of us ever get to experience. Trained in engineering and law,
he devoted himself to painting in the early 1960s. His awards include the 1984 Prix de
West Purchase Award, National Cowboy & Western Heritage Museum, Oklahoma City, OK,
from which he was also commissioned to do five massive triptychs. Hurley has taken three
Gold and two Silver Medals at the Prix de West exhibition and was the 2004 Honored Artist
at the Buffalo Bill Art Show, Cody, WY. He received the 1991 Eiteljorg Museum Award for
Excellence, and in 2002 he was designated a “Notable New Mexican” by the Albuquerque
Museum Foundation and an “Oklahoma Cultural Treasure” by the Arts Council and
Governor of Oklahoma.
61
104.
Mian Situ
(b. 1953 OPAM)
Girls from Yun Nan
Oil on canvas
24 by 26 inches
Estimate $15,000 - $18,000
In February 2005, Situ received the Artists' Choice Award
from the Masters of the American West, Autry National Center,
Glendale, CA. He adds it to nine other awards he has taken at
the event.
105.
James Bama
(b. 1926 NAWA)
Old Man - Beijing, China
Oil on board
18 by 12½ inches
Estimate $5,000 - $7,000
62
106.
Gary Ernest Smith
(b. 1942)
Potato Field
Oil on canvas
40½ by 30 inches
Estimate $25,000 - $30,000
Smith is known for iconic images of farmers, ranchers and the landscapes
that dominate their lives. This work was included in Smith’s monograph
Holding Ground (1999) by Donald Hagerty. Of the painting, Hagerty writes,
“Here, a figure bent over to collect potatoes emphasizes the repetitive work
needed to harvest potatoes without mechanical means. But the potatoes are
small in his hands, pointing to the idea that, little by little, large tasks are
overcome.” Smith has had numerous one-man museum exhibitions,
including Journey in Search of Lost Images, which traveled to more than 20
museums from 1990 to 1992, and Fields, which began traveling in 1999.
63
107.
Pino Dangelico
(b. 1939)
Quiet Thoughts
Oil on canvas
30 by 20 inches
Estimate $25,000 - $30,000
The artist exhibits annually in the
Masters of the American West at the Autry
National Center, Glendale, California.
108.
Loren Entz
(b. 1949)
Peonies and Daisies
Oil on board
16 by 12 inches
Estimate $3,000 - $4,000
64
109.
Dan Gerhartz
(b. 1965 Guest Artist NAWA, OPA)
Red Velvet
Oil on canvas
40¼ by 30¼ inches
Estimate $10,000 - $16,000
The artist exhibits annually in the Prix
de West Exhibition at the National
Cowboy & Western Heritage Museum,
Oklahoma City, OK, where he was the
recipient of the Buyers Choice Award in
1993, 1994, and 1999, and the Frederic
Remington Award in 2001.
110.
Ray Vinella
(b. 1933)
Country Blue
Oil on canvas
20 by 24 inches
Estimate $2,000 - $3,000
65
111.
Clyde Aspevig
(b. 1951 NAWA, OPA, NWR)
The Mighty Yampa River
Oil on canvas
24 by 48 inches
Estimate $34,000 - $38,000
66
The Yampa River is the last of the undammed rivers in the Colorado River Basin and
is revered by anglers, naturalists and rafters. As shown by Aspevig, it cuts through
magnificent wild canyons from northwestern Colorado into Utah. Aspevig's landscape
paintings have won numerous awards, including the 2004 Artists Choice and Life Time
Achievement awards from the Masters of the American West, Autry National Center, Los
Angeles, CA. He was the honored guest artist at the C.M. Russell Museum/Auction,
Helena, MT, in 2000, and in 1997, he won the Prix de West Purchase Award at the
National Cowboy & Western Heritage Museum, Oklahoma City, OK. Additional awards
include the NCWHM's Robert Lougheed Award (1993, 1999) and Frederic Remington
Award (1990, 1992), as well as two Silver and a Gold Medal in oils. Aspevig's paintings
are in museum collections, including the Rockwell Museum of Western Art, Corning,
NY, where he had a one-man show in 2005.
112.
G. Harvey
(b. 1933)
Autumn Reflections
Oil on canvas
20 by 24 inches
Estimate $5,000 - $7,000
113.
G. Harvey
(b. 1933)
A Touch of Spring
Oil on canvas
24 by 30 inches
Estimate $12,000 - $14,000
67
114.
Bill Hughes
(1932 - 1992)
Southwest Landscape
Signed ‘Hughes 81’ ll
Oil on canvas
24 by 48 inches
Estimate $3,000 - $5,000
115.
Bill Hughes
(1932 - 1992)
Throne of Winter
Signed ‘Hughes 80’ ll
Oil on canvas
40 by 50 inches
Estimate $4,000 - $6,000
116.
Bill Hughes
(1932 - 1992)
Eagle's Domain
Signed ‘Hughes’ lr
Oil on canvas
26 by 34 inches
Estimate $4,000 - $6,000
68
117.
David Drinkard
(b. 1948)
Big Rack
Acrylic on board
24 by 30 inches
Estimate $5,000 - $6,000
118.
David Drinkard
(b. 1948)
Texas Bird Hunt
Acrylic on board
24 by 36 inches
Estimate $5,000 - $6,000
119.
Joseph Orr
(b. 1949 NOAPS, OPA)
Autumn Surprise
Oil on board
20 by 26 inches
Estimate $2,500 - $3,500
69
120.
Walter Gonske
(b. 1942 NAWA)
November Patterns
Oil on canvas
30 by 30 inches
Estimate $11,000 - $13,000
70
Considered one of the premier plein-air painters in the American West, Gonske was
trained in New York, beginning his career as a watercolorist. In the early 1970s, he moved to
New Mexico where he exhibited with the Taos Six in the mid-1970s, and shortly thereafter
switched to oils. His expertise has been recognized by exhibiting with the annual Prix de
West, National Cowboy & Western Heritage Museum, Oklahoma City, OK, for three decades,
during which he won the 1989 Gold and 1983 Silver Medal in oils. Outfitted in a customdesigned studio on wheels, Gonske travels across the continent creating emotionally charged
images in all seasons. His work was included in Leading the West (1997) by Don Hagerty.
121.
Michael Stack
(b. 1947 Master AOA)
Evening Light in a Western Sky
Oil on canvas
20 by 30 inches
Estimate $7,500 - $8,500
Altermann Galleries will have a one-man
exhibition for Michael Stack on August 18, 2006.
122.
Karl Thomas
(b. 1948)
Autumn Storm - Sundance
Oil on canvas
36 by 54 inches
Estimate $10,000 - $12,000
71
INDEX TO ARTISTS BY LOT NUMBER
Acheff, William . . . . . . . . . . . . . . . . . . . . . . . . 44, 45, 46
Afsary, Cyrus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4, 5
Andersen, Roy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Anton, Bill . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Aspevig, Clyde . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Balink, Henry C. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Bama, James . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Boren, Nelson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Brown, Harley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Carlson, Ken . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Coleman, John . . . . . . . . . . . . . . . . . . . . . . . . . . . 15, 65
Coleman, Nicholas . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Corriero, Guy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Craig, Charles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Crowley, Donald . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Dangelico, Pino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Desatnick, Mike . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Dixon, Maynard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Dobson, Patricia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Drinkard, David . . . . . . . . . . . . . . . . . . . . . . . . 117, 118
Ellis, Fremont . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Entz, Loren . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Fawcett, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Fechin, Nicolai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Gerhartz, Dan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Gonske, Walter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
Greene, Bruce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Grelle, Martin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Griffing, Robert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Halbach, David . . . . . . . . . . . . . . . 24, 25, 26, 27, 28, 29
Hall, Doug . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Harvey, G. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3, 112, 113
Hughes, Bill . . . . . . . . . . . . . . . . . . . . . . . 114, 115, 116
Hulings, Clark . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98, 99
Hurley, Wilson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Jackson, Harry . . . . . . . . . . . . . . . . . . . . . . . . . . . 48, 49
Joe, Oreland C. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Johnson, Harvey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Kapp, Gary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31, 68
Kuhn, Bob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93, 94
Lang, Steven . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50, 67
Long, Ted . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Lougheed, Robert . . . . . . . . . . . . . . . . . . . . . . 76, 77, 78
72
Macdonald, Grant . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Mackey, Kim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Mann, David . . . . . . . . . . . . . . . . . . . . 6, 37, 38, 39, 40
McCain, Buck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
McCarthy, Frank . . . . . . . . . . . . . . . . . . . . . . . . . . 35, 36
McGary, Dave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Mell, Ed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Moyers, John . . . . . . . . . . . . . . . . . . . . . . . . . . 83, 84, 85
Nebeker, Bill . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Niblett, Gary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Norton, Jim C. . . . . . . . . . . . . . . . . . . . . . . . . 41, 42, 43
Orr, Joseph . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Phillips, Joel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Putman, Donald . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Ren, Chuck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8, 9
Ricks, Douglas . . . . . . . . . . . . . . . . . . . . . . . . . . . 16, 17
Riley, Kenneth . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59, 60
Roberts, Gary Lynn . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Ryan III, Tom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Ryan, Tom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Schmid, Richard . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Schmidt, Jay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Sisson, Laurence Philip . . . . . . . . . . . . . . . . . . . . . . . . 79
Situ, Mian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Sloane, Eric . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101, 102
Smith, Gary Ernest . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Solliday, Tim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Speed, Grant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Stack, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Stefan, Ross . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1, 2
Stivers, Don . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Strain, John Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Swanson, Ray . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Terpening, Sonya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Terpning, Howard . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Thomas, Karl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Timmons, Karmel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Vinella, Ray . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Weistling, Morgan . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
White, Fritz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Wiggins, "Kim" Douglas . . . . . . . . . . . . . . . . . . . . 95, 96
Wolfe, Byron . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74, 75