Pasión por el Aljarafe INGLËS - Mancomunidad de Desarrollo y

Transcription

www.aljarafe.com/turismo
passion for
Edition:
Aljarafe’s Developmnent Community
Content design:
Dinamo Cultura, S.L.
Manuel León Béjar — Lara Cervera Pozo
Ana Ramírez Lozano — Carlos Romero Díaz-Argüelles
Design and Production:
TLM Comunicación
Legal Deposit:
Index
Introduction.................................................... 4
Aznalcázar........................................................ Benacazón......................................................... Bormujos............................................................ Castilleja de la Cuesta........................... Coria del Río................................................... Espartinas.......................................................... Gines....................................................................... Huévar del Aljarafe.................................. Olivares................................................................ Palomares del Río...................................... Pilas.......................................................................... Salteras................................................................. San Juan de Aznalfarache. ................ Sanlúcar la Mayor. .................................... Santiponce........................................................ Umbrete............................................................... Villamanrique de la Condesa......... 6
8
10
12
14
16
18
20
22
24
26
28
30
32
34
36
38
Pilgrims in Aljarafe. ................................ Enviromental richness in Aljarafe.
Directory. ........................................................... Calendar of Holidays. ............................ Map........................................................................... 40
42
44
48
50
When we speak about Holy Week in our region, we are speaking about
popular religiousness and self-controlled emotions but also about art,
tradition and culture. This guide seeks to present some aspects related to the richness of sacred art in Aljarafe, centering on the elements
of patrimonial interest, its brotherhoods, its history and that of the represented municipalities.
Passional cycle has its own expressions in Aljarafe and that makes
this region special for our visitors. To begin with, nothing better
than Aljarafe’s Way of the Cross which takes place in Santiponce,
the night of the first Lent Saturday and which has been declared as
Andalusian National Interest Touristic Feast. Another outstanding
moment is the one lived with the Soledad from Huévar Brotherhood,
where more than a hundred women, dressed with mantilla, accompany a reclining Christ and his Mother. We should not forget the liturgical play developed in Coria del Río between Good Friday and Easter
Sunday, which ends up with the well-kown “Abrazos” of Resurrected
Christ and Virgin of Solitude.
A distinctive feature of this region is the importance conceded to the
celebration of Resurrection. It is shown in the “Carreritas” in Pilas, the
“Vuelta” in Castilleja de la Cuesta, “Custodias” processions in Espartinas
and Olivares or “Purecita” and “Niño de Dios” in Benacazón.
These and other peculiarities make Aljarafe an attractive destiny during its
Holy Week and they invite us to approach other ways of representing Passion
within religious cycle from a festive, cultural and religious point of view.
Throughout the year, visitors can enjoy the richness of Aljarafe´s cultural patrimony, that patrimony linked to churches, chapels and monasteries, its gastronomic and environmental richness and also its high
ethnological and aesthetic values.
The region’s great history has left an influence in its landscape. We can
highlight the group of Mudéjar churches in the region with its artistic
value which are an attraction by themselves. Thus, in municipalities
as Sanlúcar la Mayor, Aznalcázar or Benacazón, we can find works in
bricks and interlacing patterns typical of this kind of architecture. To
conclude, we have chosen to stress the strong tradition in the making
of religious images in this region, which presents numerous artistic
jewels within its patrimony.
All this information is contained in the Guide you have in your hands.
Each double page is dedicated to one municipality. Central text develops main contents, while at the sides you will find useful indications
about the most interesting places to visit (on the left) and contact information, schedules and visit conditions (on the right). Furthermore,
at the end of the guide, there is additional information, a directory, a
holidays calendar and a localization map.
Passion for Aljarafe is the result of an ambitious project which is completed with the creation of a database with more than 300 entries and
the creation of a Geographical Information System which will help future management of our patrimony. This hard work has required collaboration of those Council Halls adhered to the program, and also of
several Brotherhoods, which have kindly opened their doors to us. To
all of them, thanks a lot for their interest and collaboration.
Aznalcáazar
1
Where to go?
~ St Paul Church
~ Vera Cruz Chapel
~ Guadiamar Visitor
Center
~ Guadiamar Green
Corridor
~ Buitrago’s Botanical
Garden
~ Doñana Natural and
National Park
2
Aznalcázar, located between Aljarafe and Rocío
Marshes in one of the hills above Guadiamar valley,
has in its surroundings a great environmental and
patrimonial wealth. Among urban elements we can
highlight Casa Grande, Pescadería Arch and the
walls. Casa Grande, (the current Council Hall) built
in s. XVII, shows the traditional structure with rooms
organized in two floors around the central courtyard.
Pescadería Arch, of Almohade origin (s XII), was
conceived as one of the doors in this town´s walls,
with a defensive aim. Its original structure was of a
bend access, although it was replaced later by the direct access it currently has. In the 18th century, an
upper floor was added with the aim of making it a
grain warehouse.
The so-called “Roman Bridge” can be seen from
town outskirts. Today, only five of the fourteen archs
which cross Guadiamar remains. Also, next to the
river, we can find Fuente Vieja 7 , a construction
from the 18th century, a clear example of Andalusian
civil baroque.
It is equally interesting to get to know the rich environmental patrimony in the surroundings of
this village with zones such as Pine Forests
at Aznalcázar, Green
Corridor at Guadiamar
River 4 , the Botanical
Garden in Buitrago and
we should not forget the
nearby Doñana Natural
and National Park.
8
Vera Cruz Brotherhood 3 8 of the Stmo Cristo of the Vera Cruz, Ntra Sra of the Encarnación
and St María Magdalena, with its see at Vera Cruz chapel. This brotherhood was founded in 1538
and it does its penitence station on Maundy Thursday. Christ’s sculpture dates from 17th century and
Passion for Aljarafe
6
Aznalcázar
5
6
7
4
Useful information
St Paul Church 5 (End of 14th century or beginning of the15th century) is a clear instance
of sevillian mudéjar style). It has three sections
separated by cruciform pillars 2 , the headwall decorated with 16th and 17th century tiles. It can be highlighted because of its rich latticework decoration 1 . The tower is exempt,
and that is the reason why some researchers defend its past as the minaret of an ancient mosque. The first body of the tower appears in mudéjar style, although the bell tower was built in
the 13th century, as Antigua Virgin tiles, which
next to lateral door, indicate us.
On the inside, we can find Baby Jesus and St
Joseph images, ascribed to Martínez Montañés,
St Pablo Christ 6 , a 17th century sculpture and the painting called “Crucified Christ” by
Zurbarán’s workshop.
Aznalcázar Tourism Office
Big House: Ayuntamiento
C/ Juan Carlos I, nº1
955 75 00 06
[email protected]
St Paul Church
Plaza de la Iglesia, nº 2
955 75 03 25
From Plaza de la Iglesia to Arco de
la Pescadería and Guadiamar Street,
passing by the fruit garden, we reach
Guadiamar Center for Visitor’s
Reception and Green Corridor
itinerary.
Vera Cruz Chapel
C/ Diezmo s/n
Guadiamar Visitor Center
From central area, Old Pilas road s/n
955 00 44 00
The Brotherhood of Santísimo Cristo del
Buen Fin, Mª Stma.de las Angustias, San Juan
Evangelista and Santiago Apóstol, has its see
at this church, founded in the 15th century and
which carries out its penitence station on Good
Friday. Titular images were painted by Antonio
Castillo Lastrucci, and these images replaced the
original ones by Martínez Montañés, which disappeared in a fire in 1932. The pallium and cloak
in Mª Stma de las Angustias are of great interest. Both works, by sevillian embroiderer Juan
Manuel Rodríguez Ojeda, date from between
1924 and 1926.
3
Virgin’s from 18th century, both by unknown authors. Its chapel exposes a unique document: The bull
known as “Vivae Vocis Oráculo” issued by Pope Paul III in 1536, in which a series of common privileges are conceded to Vera Cruz Brotherhoods.
7
Aznalcázar
Benacazóon
1
Where to go?
~ Santa Mª de las Nieves
Chapel
~ Vera Cruz Chapel
~ Soledad Chapel
~ Gelo Chapel
~ Castilleja de Talhara’s
Chapel
~ Cárcava Viewpoint
Santa María de las Nieves Church 1 was originally built in mudéjar style, with just one section. From this moment (15th century) the headwall is yet preserved, known as “Torre Mocha”.
Later on, the church underwent various reforms, as
the addings of a second section (17th century), facades and tower (18th century). On the inside, we
can highlight the sacramental chapel altarpiece,
by Martínez Montañez workshop (17th century),
and Christ image (15th cent). Benacazón’s Rocío
Brotherhood has its see at this church.
Vera Cruz y María Santísima de los Dolores
Brotherhood, with see at Vera Cruz chapel, was
founded in 1511. A little bit later, it built the Blood’s
Hospital, thus becoming a “blood” brotherhood.
Each Maundy Thursday, this Brotherhood performed its penitence station making a distinction between “light” and “blood” brothers, who whipped
themselves and whose wounds were cured at the
same hospital 2 . This was an usual practice in
Andalusian Holy Week until it was abolished in the
18th century. Vera Cruz Christ image is an anonymous 16th century sculpture with Renaissance
aesthetics whereas Dolores Virgin 4 is an 18th
century work, ascribed to Cristóbal Ramos.
Brotherhood of Mary’s Resurrection and Purity,
Holy Burial and María Stma. de la Soledad, with
see at Soledad Chapel, has its origin in 1584. Among
their images, Christ can be highlighted. It is an
2
2 Vera Cruz Chapel Maundy Thursday • 5 Cárcava’s viewpoint located at the urban area
and offering spectacular views above the Protected Guadiamar Landscape • 6 Gelo Chapel Parish
church of the original group of people next to Gelo Estate. Built at the beginning of the 15th century
in mudéjar style, it has undergone numerous reforms. Concerning the three section basilica-type floor
plan with brick predominance and wood ceiling, we can highlight exterior pictorial decoration. Main
8
Benacazón
5
6
7
4
Useful information
anonymous and articulated 16th century work
which, during the year, receives cult as crucified,
but it processes as Recumbent Christ.
Each Good Friday, the Brotherhood is represented at crucifixion square, Christ descending and
transfered to sepulcher, accompanied by the 40
hours sermon. This tradition, lost at the beginning of the 20th century, was recovered in 1995,
but now it takes place on a Holy Monday inside
the chapel. The sculpture of Christ Resurrected
disappeared during French invasion and
nowadays, every Easter Sunday, Inmaculada,
known as “Pureza de María” (“Purity of Maria”
o “Purecita”, y Niño Jesús (“Baby Jesus”) o “Niño
de Dios” (“Baby of God”) is taken on the shoulders of Brotherhood’s children in a festive environment. Previously, every Holy Sabbath Baby
Jesus is transferred to the church in a multitudinous act, where Benacazón inhabitants sing and
dance “sevillanas” showing joy for the announcement of Christ’s Resurrection.
Santa Mª de las Nieves Chapel
C/ Pablo Iglesias nº 1
Tuesday to Sunday 19:00 to 21:00 h
955 70 54 02
Vera Cruz Chapel
C/ Real nº 4
685 865 425
Visits arranged in afternoon schedule.
Soledad Chapel
C/ Real nº 2
675824379 / 655998779
Visits arranged in afternoon schedule.
Gelo Chapel
Crta. Aznalcázar - Bollullos de la
Mitación (A-474) km. 7
955 70 99 99
Visits arranged. Free Entrance.
Castilleja de la Talhara’s Chapel
Crta. Benacazón- Aznalcázar (A-477)
955 70 99 99
Visits arranged. Free Entrance.
Cárcava Viewpoint
River Path
Both Inmaculada’s image and Virgin Soledad
3 sculpture are anonymous, although some
specialists think they are close to the concept
of “La Roldana” workshop, whereas Baby Jesus
image is ascribed to Martínez Montañés.
3
facade presents a 17th century belfry by Pedro Sánchez Falconete • 7 Talhara Chapel Mudéjar
style chapel, three sections basilica-type floor plan with pointed archs. In ruin state after French invasion. The cross tombstone located opposite the chapel speaks to us about Talhara town foundation in
1369. At the end of the 19th century, there was an attempt to restore it using neo-mudéjar style.
9
Benacazón
Bormujos
1
Where to go?
~ Nuestra Señora de la
Encarnación parish
church
~ Santa Maria la Real
Convent Church
~ Belén Estate
2
Bormujos’ agricultural past has remained reflected in its shield where, on a green background,
the silhouette of a golden olive tree is highlighted,
yellow as the olive oil obtained from the rich olive
groves in Bormujos 4 5 . This rural economy
is seen reflected in the numerous estates which,
built in 16th and 17 th century, still remain today: Belén, La Peregrina, Marchalomar, Santo
Cristo de la Mata or Valencinilla del Hoyo 6 .
Among them, Santo Cristo de la Mata estate stands out. It receives its name from the image venerated in it and which, according to tradition, appeared at the end of the 17th in one of the
wells inside the estate.
In spite of the increasing prominence of this town
as a nearby residential zone for people working
in the capital, the locality still preserve its own
historical flavour. It
appears in Alfonso
X’s “repartimiento”
(distribution) when
Seville is taken in the
mid of 13th century,
together with 2 other
farmhouses conceded
to 200 nobelmen knights acknowledging the service provided by his father Fernando III in 1248
while Seville occupation. Bormujos remained the
Guzmán family property in the beginning of the
18th until the 19th century .
The main patrimonial element in Bormujos is
Nuestra Señora de la Encarnación parish church
Belén Estate 7 preserves part of its old oil mill, the press and the wine cellar. Its facade with its
round arc, of neoclassical aspect, is completed with merlons, on which one them a sun clock is situated; in the center, a tile representing St Anthony with Baby Jesus in his arms. Nowadays the estate is
owned by the council hall. • Pedro Silva, an 18th century sevillian arquitect who became one of the
10
Bormujos
5
6
7
4
Useful information
(18th Century) 1 . It is a typical church with
the typical hall floor plan, three sections and
an “alfarje” (type of wooden latticework ceiling) cover. It is ascribed to Pedro de Silva,
being the main facade belfry one of the most
beautiful in Aljarafe. On the inside, the major
retable, dedicated to the Annunciation and
Trinity Dogma stands out and also those retables on the left lateral section. Two images of
Inmaculada, those of San Antonio de Padua,
Santo Domingo and San Cayetano and especially, the group of sculptures known as “St
Joseph with the baby” are of a high quality.
Encarnación Parish Church
Plaza de la Iglesia, s/n
Visits arranged.
955 724 481
Belén Estate
C / Montesierra
Cultural Center
C/ La Atarazana s/n
955 72 44 71
[email protected]
At this temple, the Brotherhood called Santo
Cristo de la Vera Cruz y María Santísima de
los Dolores, founded in the mid of the 14th
century, has its see. Christ’s image 2 is an
anonymous sculpture from the mid of the
17th century and is situated within sevillian
baroque school. Until 1994, the Christ processed on brothers’ shoulders but, since 1995, it
performs penitence station in a float. The image of the Virgin of Dolores, is an anonymous
sculpture of the 19th century.
The sacred art collection in Santa María la
Real Convent 3 is interesting. This temple was inaugurated in 1992 but it has several 17th century baroque retables inside as
well as some outstanding images, as the one
of Christ of “Atribulaciones”, work belonging
to the 16th century.
3
most renowned architects in his time. Major master at the archbishopric building works, his work is
known due to parish churches as Santiago, in Alcalá de Guadaira, Las Cabezas de San Juan or Capilla
del Sagrario inside Santiago parish church in Écija.
11
Bormujos
Castilleja
de la Cuesta
1
Where to go?
~ Santiago Apostle parish church
~ La Inmaculada
Concepción parish
church
~ Brotherhood House –
Santiago Brotherhood
Museum
~ Brotherhood House
– Gran Poder
Brotherhood Museum
“Vuelta” Festival on Easter Sunday (declared as
National Interest Touristic Festival in Andalusia) adds
a special nuance to Castilleja de la Cuesta Holy Week.
It is a Festival staged by Santiago “de la Plaza” brotherhood and that of Gran Poder or “de la Calle Real”
1 . That day, both “reds” from la Plaza Brotherhood
and “light blues” from Calle Real Brotherhood, go on
a pilgrimage with their “Simpecados” through village streets, surrounded by the festive environment of
a procession with horsemen, flamenco women and
music. It is a tradition to take La Plaza Brotherhood’s
“Simpecado” in silver cart 3 , whereas the one belonging to Calle Real Brotherhood is taken by horses.
After “Simpecado” procession, at early afternoon, each
Brotherhood comes back to their temple to conclude
Holy Week with the holder’s procession in glory float.
In addition, Calle Real
Brotherhood carries out
the so-called “Vuelta on
Maundy Thursday” presided by “Simpecado” where “armaos” (men dressed
as romans), women with
“mantilla” and Nazarene
children with their masks
taken out. Later on,
“Armaos”
accompany
Christ during the “Good
Friday Madrugada” (Night parades).
8
2
Ntra. Sra de Guía Chapel: 6 Of medieval origin, its current name derives from the tradition of
a Marian apparition in 1525. On the inside, we find Santa Lucía and Guía Virgin images, both from the
17th Century • Hernán Cortés Palace 7 Building – 16th century fortress, where Hernan Cortés,
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Castilleja de laCuesta
5
6
7
4
First news about Santiago Apostle parish
church go back to 1370 2 , although their present look is due to important reforms performed
during 17th century. On the inside, fresco paintings covering the whole central section vault
and presbytery 4 call our attention. At the
presbyterium we also find the major, neogothic
stable. The Ntro Padre Jesús de los Remedios y
Ntra Sra de la Soledad Brotherhood has its see
at this parish church, founded by Santiago Order
and which carries out its penitence station on
Good Friday. Ntro Padre Jesús image is a work
by Marcelino Roldán, from the beginning of the
18th century, whereas Ntra Sra. de la Soledad is
an anonymous 16th century sculpture.
Inmaculada Concepción church 5 was born
as a chapel in the 15th century, coming to its
present parish church category in 1615 which
is preserved until today. It presents just one
section covered by a saddle roof with a spherical vault limited by four vertical planes at the
headwall. From its sacred art collection, paintings by Juan de Roelas (beginnings of the 17th
century) stand out. This parish church is the
see for Ntro Padre Jesús del Gran Poder and
María Stma de los Dolores Brotherhood, founded by Franciscans in 1487. Gran Poder image
8 is ascribed to Francisco Antonio Gijón’s circle, whereas Dolores Virgin is ascribed to Pedro
Roldán.
Useful information
Tourism Office
Camino del Agua, s/n
954 16 33 33
[email protected]
Santiago Apostle parish church
Plaza de Santiago s/n
Office: Monday to Friday, 18-20 h
954 16 04 03
La Inmaculada Concepción
parish church and Gran
Poder Brotherhood House
C/ Real
Visits arranged.
954 16 35 67 (Brotherhood House)
Brotherhood House – Santiago
Brotherhood Museum
C/ En medio
Arranged through Council Hall
(it includes visits to church chapel and
Brotherhood House Museum)
3
the Conqueror lived and died. Later on, it became the property of Montpensier Dukes, and from the
beginning of the 20th century it is a school ruled by Bienaventurada Virgen María religious women,
best known as “Las Irlandesas” (the Irish women).
13
Castilleja de laCuesta
Coria del Rio
1
Where to go?
~ Ntra. Sra. de la
Estrella parish church
~ Museum of the
Autonomy
~ House- Museum Blas
Infante
~ San Juan Bautista
Chapel
~ Guadalquivir River
Coria del Río Holy Week is one of the biggest and
most popular in Aljarafe. It has processions every
single day of the week, completing all Passion
stages in a chronological manner. It is intensely experienced by neighbors and members of
Brotherhoods.
Every Palm Sunday, Stmo Cristo de la Salud en
su entrada en Jerusalén Brotherhood, founded
in 1998, parades from Ntra. Sra. de la Estrella
parish church 1 , Christ image is by Darío
Fernández (2001). From a chapel in the same parish church, Jesús Cautivo y Ntra. Sra. del Dulce
Nombre de María Brotherhood, founded in 1983,
parades. Captive 5 carving was carried out and
restored by Fernando Castejón in 1990. This same
author made the Virgin image in 1986.
From St Joseph parish church, Ntro Padre Jesús
de la Paz y Mª Stma de Gracia y Esperanza parish church group parades. Both images are also
works by Castejón. On Holy Wednesday, Ntro
Padre Jesús del Gran Poder y Ntra Sra. del
Carmen Brotherhood parades. Both images are
works by sevillian Francisco Buiza (1960 decade).
It can be highlighted that this Virgin also parades
on Carmen day (July 16th), and then she is taken
through the waters of Guadalquivir River.
2
Every year, on Maundy Thursday from the chapel
of San Juan Bautista la Hdad. del Santísimo Cristo
de la Vera Cruz 2 y Purísima Concepción
San Juan Baptista Chapel 3 The chapel was erected between 14th and 15th century, in mudéjar
gothic style. The presbytery was built in the 16th century, while the Christ chapel and the belfry are baroque works of the 18th century • Ntra. Sra. de la Estrella church 1 , of mudéjar origin, with subsequent reforms in the 17th and 18th century. Three sections separated by Tuscan columns • 7 You
14
Coria del Río
5
6
7
4
de María Stma, the Brotherhood known as
Cerro Brotherhood, founded in the 16th century, parades. Vera Cruz Christ is considered
as the oldest processional Christ in the whole Seville province (1500, ascribed to Gil de
Siloé). Virgin sculpture is a work by Rafael
Barbero Medina from Granada (1953).
Between Good Friday and Easter Sunday Holy
Burial Brotherhood, Resurrected Christ and
Soledad Virgin march, founded in the 16th
century by sailors and fishermen. This brotherhood keeps representing part of an ancient and traditional allegorical religious play
that is started with the procession of both
Recumbent Virgin and Christ. When reaching
the parish church, Jesus image stays there
whereas the Virgin comes back to her chapel
to stand alone. At sunrise, the Virgin goes to
church in a Glory float, with no canopy and
with crimson instead of black cloak. There,
a resurrected Christ opens the doors for her,
merging both images in a simulated embrace
4 . The Recumbent Christ is a work by Luis
Peyré (20th century) whereas Resurrected
Christ is a work by Francisco Buiza. Soledad
Virgin 6 is an anonymous work dated at the
end of the 16th or at the beginning of the 17th
century.
Useful information
Tourism Office
C/ Cervantes 36
954 77 67 23
[email protected]
Museum of the Autonomy
Avda. Blas Infante s/n
955 65 69 90
[email protected]
Ntra. Sra. de la Estrella
parish church
C/ Iglesia s/n
954 77 00 55
House- Museum Blas Infante
Avda. Blas Infante s/n
954 77 57 37 / 42
3
can find a curious sculpture in the fluvial walk: it is a monument to the samurai Hasekura Tsunenaga,
Japanese ambassador before Philip III court who, in his way to Madrid, spent some time at the village. It
seems that, in his return, some of his companions decided to stay in Coria and the proof for that is that
more than six hundred people from Coria keep the surname “Japón” (Japan).
15
Coria del Río
Espartinas
1
Where to go?
~ Asunción Church
~ San Rafael Estate.
House of the Nuns
~ Imagery Museum
of Ntra Sra de los
Remedios Estate
In Espartinas’ patrimony we can highlight Asunción
parish church 2 , a building of Mudéjar origin,
enlarged in the 18th century by Diego Antonio
Díaz (architect who projected archbishop’s palaces
in Umbrete and Seville). The bell tower dates from
that same Century, by Pedro de Silva. On the inside
we find the major stable, in baroque style with “rococo” and neo-gothic reforms, where Inmaculada’s
image stands out (18th century). The brotherhood of the Stmo Cristo de la Sangre y Mª Stma. de
los Dolores has its see in this church.
The Brotherhood first rules date from 1726 although
the corporation, as it is today, is first organized in
1938 thanks to the impulse given by Franciscans
of the Loreto Monastery. From that time, current
images were associated to the Brotherhood. Those
images belonged to the Vera Cruz Brotherhood.
Christ is an anonymous sculpture of unknown
date, while the Virgin, also anonymous, dates from
the end of the 17th century or the beginning of the
18th.
The Brotherhood performs its penitence station
every Holy Tuesday but it also plays a leading role
on Easter Sunday, parading a 17th century monstrance along with Dolores Virgin 4 that, this
way, is able to walk Espartina’s streets twice every
Holy Week. The Morning Good Friday Way of the
Cross is quite interesting. In it, brothers take Blood
Christ on their shoulders through village streets.
2
5 Popularly known as Guardiola Estate, it belonged to Ntra. Sra. de los Remedios sevillian Convent throughout the 18th century. Nowadays it is owned by Espartinas Council Hall. The Baroque facade with the round arch and the vegetable garden with central big wheel calls our attention. It preserves the mill with a balance tower• 7 Torre Mocha. In Loreto Monastery we find this military
16
Espartinas
5
7
4
6
8
Useful information
Espartina’s link with the making of religious
images has led to develop diverse initiatives at
the village such as the creation of a Imagery
Research and Development Center (CIDI) or
the holding of the biannual Religious Sculptures
National Exposition where Spanish makers of
religious images show their works and techniques. All that ends up with the opening of the
Imagery Didactic Museum in Los Remedios
Estate 5 in which the creative process involved in sculpting and modeling and the history of sevillian school are available for a better
understanding.
To conclude, we can highlight Santa María de
Loreto Monastery 1 3 , Aljarafe’s patron
saint. It is widely known that Franciscans built
it during the first half of the 16th century, under
dedication to Loreto Virgin. Current building is
dated from 17th century, reaching our time in a
good state of preservation. The church shows a
latin cross plan in just one section, covered by
a barrel vault. The most interesting large room
due to its artistic and religious content gives
onto the cloister: San Francisco Solano chapel where we find a great quality ivory crucifix, of Spanish Philippine origin. We also find
a great sacred art sample dating from the 17th
and 18th, in which a rich silverwork and goldsmithing collection stands out.
Asunción Church
Avda. Alcaldesa Mª Regla Jiménez, 142
954 77 67 23
Arrange appointment with Council
Hall:
955 71 48 91
San Rafael Casa de
las Monjas Estate
955 71 48 90
8:00-14:00 h.
Imagery Museum of Ntra
Sra de los Remedios Estate
955 71 47 80
8:00-14:00 h.
3
tower of late middle ages origin, with square ground plan and about 15 cm high, constructed with masonry, brick and ashlar corners. It has 4 ground plans with stair access and it is covered by ribbed and
flat arch vaults• 6 Loreto courtyard • 8 Building which is popularly known as House of the
Nuns which has been bought, restored and renovated by Espartinas Council Hall to become a cultural center.
17
Espartinas
Gines
1
Where to go?
~ Belén Virgin Church
~ Santa Rosalía Chapel
~ Virgen del Rocío
Brotherhood House
This village stands out thanks to its great Rocíorelated tradition, but also we can find other interesting aspects which are linked to its cultural
patrimony.
At Spain Square we find Virgen de Belén parish
church (16th century) 1 of late mudéjar style,
reformed in the 18th century due to its bad preservation state. It is a three section kneading
trough-covered temple which is separated by columns supporting rounded archs. It has 2 chapels
added to the main body, with half-orange domes.
Its double body tower stands out, ended in spire
with tiles, dated in 1711, this is the date when restoration works were probably finished.
On the inside, the major altar retable stands out
4 , in rococo style and it is presided by Belén
Virgin image (18th century) to which San Joaquín,
San José, Santa Ana and Santa Teresa sculptures
accompany. On the right section, we find a San
Ginés sculpture, the village patron, in whose honor a procession is celebrated in September. On
the opposite section, Ntra. Sra. Del Rosario presides a beautiful retable. The “Guadalupe virgin”
canvas (1716), which can be observed on the right
side of the presbitery and the oil painting “Santa
Catalina’s burial”, from Zurbarán’s school deserve special attention.
In the Belén virgin parish church has its see
the Stmo Cristo de la Vera Cruz y Ntra Sra de
2
6 Monument to Rocío Virgin at Juan de Dios Soto walk. It was erected in 1978 to commemorate
the 50th anniversary of Rocío Brotherhood in Gines foundation • Estates In the last years Gines is recovering some of its several estates, a part of its rich patrimony. Some of them have been turned into
zones for celebrations, while others will have a public use, as the case of Santa Rosalía Estate (Culture
18
Gines
5
6
7
4
8
los Dolores Brotherhood which performs
its penitence station each Good Friday. In
addition, the Dolores Virgin parades Gines’
streets on Easter Sunday in Glory procession. The Brotherhood has its origin in the
Disciplinantes Brotherhood which has existed in the parish church since 1536. The
Stmo Vera Cruz Christi 2 is an anonymous
16th century sculpture, whereas the Dolores
Virgin 5 image was done by Juan de Astorga
in 1816. The fire that in 1990 affected the high
altar provoked a great harm on the titular images, especially on that of the Dolorosa, which
had to be restored by Juan Manuel Miñarro.
Christ restoration was entrusted to Francisco
Berlanga de Ávila.
Información Turística
Belén Virgin Church
Plaza de España s/n
On mass Schedule: Summer 19:45 to
21:30. Winter 18:45 to 20:30
Santa Rosalía Chapel
Plaza de Santa Rosalía s/n
On mass Schedule: Summer, each
month last Friday at 21:00 and Saturdays
at 20:00. Winter, each month last Friday
at 20:00 and Saturdays at 19:00.
Virgen del Rocío
Brotherhood House
C/ Marqués de Torrenueva, 1
Silver cart taking Simpecado during
procession.
Santa Rosalía Chapel is likewise interesting
(18th Century) 3 , a small 3 section church
covered by groin vaults. Its entrance is preceded by a portico with three archs and a belfry on its right side. The Palermo city shield
appears at the chapel, italian city which is twinned with Gines, where Santa Rosalía is patron.
Palafox shield appears here too, promoter of
the devotion to this saint. At this chapel the
Rocío Brotherhood in Gines has its see. The
”Simpecado” can be seen in it, a work born
out of the sevillian Santa Paula convent embroidery workshops.
3
House) or Santo Ángel Estate (Council Hall). Among these Estates we can highlight: Concepción Estate 8 or the preserved tower of Torregines Estate (18th century) located at España Square 7
19
Gines
Huevar
del Aljarafe
1
Where to go?
~ Asunción Church
~ Culture House
The parish church in Huévar del Aljarafe 4 ,
under dedication to Ntra. Sra. de la Asunción, is
the main patrimonial element we find at the municipality. Building’s origins take us back to the
15th century , although they could be even older
(13th century). We have here a three section temple with a vaulted cover that becomes star dome in
the presbytery. We can stand out the Side Chapel
(17th Century) and Antigua Virgin Chapel (16th
century) founded by the Guzmans whose shield
appears at baseboard tiles and forge grille of the
Chapel. The major retable, of neo-classical style, is
presided by Asunción Virgin (18th century).
This parish church is the
see for four penitence
brotherhoods in Huévar.
The oldest of them, Santo
Cristo de la Vera Cruz y
Mª Stma. de la Sangre
Brotherhood, was founded in the 15th century,
administering its own
hospital. It processes on
Good Friday accompanied by numerous wo6
men dressed in “mantilla” and a music band. Both Christ image (15th
Century) 6 and Virgin of Blood’s (16th century)
3 are anonymous.
2
Love Christ Brotherhood is the youngest Brotherhood in Huévar del Aljarafe in its Triumphal Entrance in Jerusalén 7 . This Brotherhood takes a leading role in the Palm Sunday procession, accompanied by children who parade dressed as Hebrews • Asunción church Pulpit 1 it is dated
1929 and ascribed to Aníbal González, due to its style and the use of similar materials in the wor-
20
Huévar del Aljarafe
5
6
7
4
In the 16th Century, the brotherhood of Ntra.
Sra. de la Soledad, Santo Entierro y Gloriosa
Resurrección de Jesús. Soledad Virgin,
Recumbent Christ and Resurrected Christ are
anonymous 16th century sculptures, although
this last one is related to Juan Bautista Vázquez
“El Viejo”. Important restorers have taken
part in the three sculptures, as Antonio Eslava
Rubio in the Virgin, Luís Álvarez Duarte also in
the Virgin and Recumbent Christ ,and Miguel
Bejarano Moreno in Resurrected Christ. The
“Simpecado” of Soledad Virgin calls our attention, by Gonzalo Bilbao. Both Recumbent
Christ and Virgin process on Easter Sunday,
whereas Resurrected Jesus 2 does it on Easter
Sunday. That day the tradition is selling “hornazos” sponge cakes in temple surroundings after
main performance.
Useful information
Asunción Church
Plaza de la Motilla, 2.
954 75 61 51
Culture House
Plaza de los Cazadores s/n
954 75 63 87
On Holy Tuesday Ntro Padre Jesús del Gran
Poder y Ntra Sra de la Asunción processes, the one in charge of attending the parish
church cults. We find its origin in the 16th century, but it was not established as penitence
Brotherhood until the 19th century. On Friday
of Sorrows night, Señor del Gran Poder is taken
in Way of the Cross through the streets of the
municipality, accompanied by chapel music. It
is popularly known as “amarraos” Brotherhood
because Nazarene brothers are united to each
other with ropes.
ks of España Square in Seville • Embroidered detail Blood Brotherhood 5
houses some of the traditions of the Holy Week are kept alive.
21
Huévar del Aljarafe
3
In Brotherhood
Olivares
1
Where to go?
~ Colegiata
Sta. Mª de las Nieves
~ Count Duke Palace
(Council Hall)
~ Vera Cruz
Brotherhood’s Chapel
and House
~ Soledad Museum and
Brotherhood House
Olivares was a see for Guzmans and Gaspar de
Guzmán domain, Olivares Count Duke, one of
the most outstanding characters of Phillip IV
court. A reflect of the splendor experienced in
the 17th century is España Square, formed by
the Colegiata de Santa María de las Nieves, the
Pósito and the Conde Duque Palace 5 . The
Colegiata stands out, finished in 1680 with later
add-ins , it has been restored recently by Junta
de Andalucía and this municipality Council Hall.
The tower is at the Church foot, having two bodies with pilasters and a culmination of tile adornment 1 .
On the inside 4 , we find one of the richest sacred art groups in Seville. The major retable
(17th Century) is presided by the Nieves Virgin,
by María Roldán. On the left section, the retable
with the Álamo Virgin (15th) calls our attention
and also an Ecce Homo ascribed to Luisa Roldán,
“La Roldana”. The Sacramental Chapel is presided by a retable with the images of St Joseph and
Baby Jesus. Hanging in the walls are three big canvas of Zurbarán’s school and a painting representing San Blas blessing his donors: Count Duke’s
daughter and wife.
Relic’s Chapel, oponed to the presbytery, contains
a collection of golden wood reliquaries gave as a
present by Olivares Counts at the end of the 16th
century. It is close with a grille by Luís Noguera.
2
Luisa Ignacia Roldán, “La Roldana” (Seville 1652 – Madrid 1704), Pedro Roldán’s daughter, andalusian baroque renowned sculptor, closely linked to the work of other artists such as Murillo and Valdés Leal. Other sisters of her dedicated themselves to paternal trade, case of Francisca and María,
but it would be Luisa the one who would best develop this art becoming court sculptor with Charles
22
Olivares
5
6
7
4
At the Colegiata Soledad Brotherhood has its
see, founded in 1712. This Brotherhood preserves old traditions, as the one called “vuelta
del caracol” where nazarenes put the curly tail
down as they reach España Square and they
do laps around it dragging the tail, as a sign of
mourning or tribute to titulars 6 . The three
titular images are anonymous, probably dating
from 18th century.
Vera Cruz Brotherhood, with see at its own
chapel, was founded in the 16th century by
Pedro Guzmán, the first Olivares Count, for
the penitential exercise of Jesuschrist Five
Wounds, performing five stations through the
villa, marked by iron forged crosses. The image
of the Salud Christ 8 , an anonymous Christ
of the end of the 16th century, which processes in its baroque style
cart each Maundy
Thursday. The Virgin
of Antigua 7 , ascribed to Gabriel de
Astorga (19th century), in addition to
accompanying Christ
on Maundy Thursday,
parades in glory float
on Easter Sunday.
Useful information
Colegiata Sta. Mª de las Nieves
Count Duke Palace (Council Hall)
Plaza de España, 3
954 11 00 05
[email protected]
Each year the municipality holds a
several days festival centered on the
age of Count Duke, including markets,
theater, music, conferences…
Vera Cruz Chapel
C/ Roelas, 1
Visits arranged.
954 11 01 22
Soledad Brotherhood House
C/ Larga, 18
Visits arranged.
626 770 734
3
8
II and the first women to reach that position. • Nazarene Jesus 2 , Soledad Brotherhood • Ntro.
Padre Jesús tied to the Column 3 (18th century) from Vera Cruz Brotherhood, work ascribed
to Pedro Duque Cornejo.
23
Olivares
Palomares
del Ríio
1
Where to go?
~ Ntra. Sra. de la
Estrella parish church
~ Ulloa Estate
~ Cultural Information
Point
Palomares del Río is is introduced as an expansion municipality, with a wide history and an interesting patrimonial representation. As the most
outstanding element we may cite the archaeological remains of almohade baths (12th – 13th century) excavated and restored between 1995 and
2001. It is a building composed of a changing
room or access hall plus three rooms (cold, warm
and hot). Today we have warm room preserved.
Its vault introduces bright stars which allowed
light entrance 4 . On the outside, gardens take in
concerts and other cultural activities.
Aljarafe’s agricultural richness has left an influence which is shown in the estates, some of which
are preserved for some functions. In Palomares,
we may highlight the recovering of Ulloa Estate,
built in the 18th century, which nowadays is see
for several cultural and social municipal equipments with an exposition hall 5 . From the original Group, that side of the manor and oil mill
with its balance tower (rectangular floor plan,
finished in an octagonal chapitel), merlons and
nine ceramic finishes.
Other outstanding Estates are Casa Alegre and San
Rafael. But we should not forget Santa María, Regla,
Regüela, el Molino and las Teatinas Estates.
2
Mudéjar art has several examples throughout
Aljarafe, among which the parish church Ntra.
Señora de la Estrella appears. The building has
Miguel Adán sculptor: Miguel Adán (1532.1610), a disciple of Juán Bautista Vázquez “el Viejo”. was part of the group of artists who created sevillian sculpture school in the mid 16th century.
Although he was born in Madrid, he moved to Seville with his master and Juan de Oviedo, his brother in law. This familiar relationship is reflected in their artistic activity as they collaborate several
24
Palomares del Río
5
6
7
4
Useful information
three sections separated by marble columns
which support canted arch 2 . Presbytery
orientation is interesting because it has a light
distortion with respect to central section axis.
In the 17th and 18th centuries it underwent
an important reform. The tower 1 , situated at the church headwall, shows us this historical evolution: the first body, of mudéjar style, has polilobed and horseshoe archs
framed by the alfiz; the second body, in late
baroque, with round archs framed by pilasters, is finished by an octagonal chapitel covered by white and blue tiles. On the inside,
the major retable (17th and 18th centuries)
is presided by Estrella Virgin, Palomares
patron 6 . Vera Cruz Christ and Dolores
Virgin Brotherhood has its see at this parish
church, which performs its penitence station
on Good Friday when both titulars parade together in a mistery float.
Ntra. Sra. de la Estrella Church
C/ Iglesia s/n
En horario de misa s/n
In mass schedule
María Nazarena Sisters House:
955 76 35 11
Ulloa Estate
C/ Iglesia
Visits arranged
955 76 30 12
Cultural Information Point
Parque de las Moreras s/n
Summer : 10:00 to 14:00 ; Winter: 10:00
to 14:00 and 16:00 to 20:00
955 76 45 54
8
3
times. Estrella Church has two important works within its patrimony by this sculptor: Rosario
Virgin, and the magnificent sculpture of the Crucified which parades with Vera Cruz Brotherhood 3 .
25
Palomares del Río
Pilas
1
Where to go?
~ Iglesia Sta. Mª Mayor
~ Belén Chapel
~ Sagrado Corazón
Chapel
“Carreritas” 1 Festival gather the faithful
people of the two main Pilas Brotherhoods,
Soledad and Belén. It is an ancient tradition
which is kept today and is declared as National
Touristic Interest Festival in Andalusia. During
the Easter Saturday night, the Virgin image is
watched over by Brothers, put in her float, until
early in the morning when it carries out its departure from Belén Chapel to meet again Dulce
Nombre Brotherhood Baby Jesus image opposite
Santa María la Mayor parish church 2 . During
the route, “hornazos” sponge cakes and “garrapiñadas” are given to the audience present.
Both images get close to each other running several times, being taken by village neighbors who
previously have fought to be honored to carry
float’s handles. After this celebration, the Virgin’s
image is left placed in Santa María, to preside
Easter Mass, coming back to her chapel in the afternoon where the several flower offerings received are sold at auction. Finally, the day close with
a firework show from Belén Square.
Some traditions related to this Festival have been
lost with the passing of time, as “Rompevelo” “la
Quema de Judas” o the transfer of “Baby-God”
from the chapel to the church on Easter Saturday
afternoon, called Glory Saturday before.
2
In the presbytery, Santa María la Mayor (18th
century) we find a neoclassical shrine with a
-Virgin with the baby 3 - sculpture, anonymous
work of the 17th century and a crucified Christ
Two parish church groups complete the Pilas Holy Week: Jesús Cautivo and Ntra. Sra. de los
Dolores (which process on Holy Tuesday from Sta Mª la Mayor) and el Stmo Cristo del Amor
en su entrada en Jerusalén (which processes on Palm Sunday from Sagrado Corazón de Jesús
26
Pilas
5
6
7
4
of the same period. It has its see at this Santo
Entierro, María Stma. en su Soledad y Dulce
Nombre de Jesús Brotherhood, founded in
the 16th century. The articulated image of
Holy Burial Christ (17th century) stays as crucified Christ during the year but, in the cults,
it is presented as Recumbent Christ. From the
17th Century to 1960 the ceremony of the descending of this image was held.
Belén virgin chapel 4 is presented as a building with Baroque look, although it can be situated in a preceding period. The brick vault
stands out, of a probable medieval chronology. In this chapel, Vera Cruz Madre de Dios
de Belén y Santiago Apóstol Brotherhood,
founded in the 16th century, has its see. On
Maundy Thursday Christ 5 image processes
accompanied by the Virgin as Lady of Sorrows
(anonymous 16th century work). On Maundy
Thursday morning the traditional “Calabacitas”
are kept, with the share-out of pumpkin sweets
to the children who go to the chapel.
Useful information
Iglesia Sta. Mª Mayor
C/ Sta. Mª la Mayor s/n
Visits arranged.
954 475 03 82
Belén Chapel
Belén Virgin Chapel
Visits from 20.00 to 22.00 h.
95 575 27 74
Sagrado Corazón Chapel
C/ Magallanes
Visits arranged.
95 572 24 43
3
Chapel) • Santa Cruz del Humilladero 7 erected in 1927 to remember the “término” crosses
which were set at village’s entries and exits • Belén Virgin at her Chapel 6
27
Pilas
Salteras
1
Where to go?
~ Parish church
Sta. Mª de la Oliva
~ Vera Cruz
Brotherhood’s Chapel
and Museum
~ Ntra. Sra. de la Oliva
Brotherhood’s House
Museum
~ Ntro Padre Jesús
Brotherhood’s House
Museum
~ Cartuja Seville
Museum. Pickman
2
Salteras has a great cultural tradition, especially
linked to its musical tradition, with two renowned
Philarmonic Societies (El Carmen and La Oliva).
The Municipality patron, Ntra. Sra. de la Oliva 2
has its see in its own chapel, a building which preserves from its original time period (18th century)
the Virgin belfry and tile. This image processes twice a year: On February 2nd, the day of its feast and
August 15th, Corpus Christi celebration in Salteras
since, by papal dispensation, it was transferred to this
date to allow peasants to go to the procession after finishing harvest. It uses a different float for each one
of the exits, whose parts can be contemplated at the
Brotherhood Museum, situated in a building annex to
the Chapel. Several valuables are also exhibited on it,
among which cloaks, petticoats, banners and jewels
stand out.
The same patron dedication has Salteras parish
church 1 (16th century), of a mudéjar style and rectangular floor plan, with three sections separated by
pointed archs. It has aljarfe covers, with the exception of the major chapel that shows a spherical vault
limited by four vertical planes. At the building foot,
we find the bell tower (18th century), with a tile finish. A Visigothic tombstone close to the presbytery
wall stands out, dated in 520, although it was rebuilt
in 1612. Among other interesting elements, we find,
on the inside, an anonymous 16th century Christ,
Baby Jesus close to Martínez Montañés school and an
Inmaculada canvas.
Cartuja Museum Inaugurated in 1992, in the land where Ceramic La Cartuja Salteras Factory stood.
The Collection nucleus comes from Seville Cartuja Factory, with singular pieces which have taken part
on Universal Expositions or have been painted by outstanding artists • El Mayorazgo Estate 6 7
see for Culture House. It has been extensely changed by the works performed on it at the end of the
28
Salteras
5
6
7
4
At Sta María de la Oliva Church has its see the
Jesús Nazareno y María Stma de los Dolores
Brotherhood, known as the “Blancos”
Brotherhood. Founded in the 16th Century,
the images received cult at San Sebastián chapel, in the Old Cemetery. At the procession,
a woman representing Faith situates herself in
the Virgin path, and another one representing
Verónica stays opposite Christ float. The cloth taken by the last one is painted and given
as a present to a different painter every year.
Jesús Nazareno image (18th Century) is anonymous, whereas Dolores Virgin 4 is a recent
Antonio Dubé de Luque’s work.
Useful information
Parish church Sta. Mª de la Oliva
Vera Cruz Chapel
C/ Manuel González Valverde, 6
www.hermandadveracruzsalteras.es
Cartuja Seville Pickman
Museum.
Ctra. Nacional 630, Km. 805, Salteras
Previous arrangement
955 998 292
Free visits from 8 to 15, Monday to
Friday.
[email protected]
www.lacartujadesevilla.es
La Oliva Chapel
C/ Manuel Reyes Delgado, 1
Previous arrangement
955 707 699
Vera Cruz and Virgen de la Soledad
Brotherhood,
known
as
“Negros”
Brotherhood and founded in 1551, has, from
2007, see at its own chapel 3 . The three titular images are of a great artisitic quality,
the one of Vera Cruz Christ (16 th century)
can be highlighted, it is an anonymous Roque
Balduque sculpture. Soledad Virgin 5 , is a
work by Dubé de Luque while Santa María
Magdalena’s image (18th century) is ascribed
to Duque Cornejo. In the procession, three
girls represent Faith, Verónica and a Hebrew
woman.
3
19th century. At the Manor Courtyard, we find a set of polychrome tiles representing San Fernando,
with 18th century characteristics • “Alfarje” room of carved wood, artistically decorated and intertwined in most cases with pictorical decoration used at mudéjar architecture.
29
Salteras
San
Juan
de Aznalfarache
1
Where to go?
~ Sagrados Corazones
Church
~ San Juan Bautista
Church
~ Cultura House
2
The Sagrado Corazón de Jesús historical group of
monuments is an outstanding element in San Juan
de Aznalfarache’s landscape, above Guadalquivir
River and made out from Seville. The premises were
see for a Franciscan convent in the 17th century but
we only have the cloister and some rooms of the current Exercise House today. The Group is organized into 2 independent groups connected by rounded porched courtyard,
at the center of which we
find Sagrado Corazón
Monument 8 , built in
1948. The temple has a latin cross ground plan covered by barrel vaults, with
the exception of the crossing where there is a semispherical vault. The only
facade is situated at the
8
foot, with a tower plus its
simple belfry put against
the building 1 .
The sacred art Collection of the Group calls our attention, with some works dating from the 17th century. The major retable, by Miguel Cano (1639) has
5 canvas representing episodes in the life of Juan
Bautista. Christ and St Philip canvas by Pedro Legot
(1647) are also worth being highlighted here along
with two smaller baroque retables by Fernando de
Barahona, dating from the 17th century.
Iron Bridge 6 It follows the typical methodology of Spanish railway bridges built between 1880
and 1940, made of metallic beams in latticework with factory pillars. It was included in the Seville Harbor Improvement Plan, elaborated in 1927 • Wall 7 built in the 12th century by Yaqub Al-Mansur
to fortify Hisn Al Faray. The construction of Loreto Neighborhood in 1948 and the Sagrados Corazones monument provoked the destruction of part of its layout, recently recovered•Rosario Chapel 4
30
San Juan de Aznalfarache
5
6
7
4
Stmo Cristo del Amor and Ntra Sra de los
Dolores Brotherhood 2 (founded in 1473), is
known as “La Tempranilla” because it performs
its penitence station on Passion Saturdays. This
is due to the old tradition of taking the image
from previous Friday to Friday of Sorrows from
its old location, at Sagrado Corazón parish
church, to Rosario Virgin Chapel. It stood there during a week and then it was taken again to
its parish church on Passion Saturday. When the
Brothehood moved to its current see at San Juan
Bautista building, tradition was kept, and it went
on processing on Passion Saturday.
Useful information
Sagrados Corazones Church
Paseo del Mirador, 2
San Juan Bautista Church
San Juan Bautista Square, 1
Visits C 954 76 12 56
Culture House
C/ Lepanto, 44
Visits
954 76 98 86
San Juan Bautista Church 3 was built in 1929,
adapting to that time regionalist arquitectural
style. One-section building covered by a barrel vault, it has three chapels covered by groin
vaults. The access was done through a facade set
at the foot, with tile decoration. The belfry tower
is decorated with bricks imitating mudéjar style.
On the inside, we find a Santa Ana canvas instructing the Virgin (first decades of the 17th century), and also the image of Cristo del Amor 5
by Manuel Vergara (1953), and an anonymous
Virgin dating from the 18th century, ascribed to
Cristóbal Ramos circle.
3
Ntra. Sra. del Rosario y María Santísima del Rocío Brotherhood has its see at Rosario Chapel, building
in one section divided in three stretches by transverse archs and covered by spherical vaults limited by
four vertical planes. Original round archs were turned into pointed archs during some reforms. Next to
the church entrance, a retable can be observed with sevillian 13th century tiles in honor of the Merced
Virgin. The group is finished by a small belfry.
31
Sanlucar
la Mayor
1
Where to go?
~ San Pedro Church
~ San Eustaquio Church
~ Santa María Church
~ San José Convent
Sanlúcar la Mayor has a medieval origin, with wide walled
premises dating from the Almohade period (12th century). These urban monuments have been declared Historical
Preservation Monuments in 2006.
San Pedro Church is located within the city walls, possibly
situated at the urban mosque lot. Built following mudéjar
style between the 13th and 14th century, the building has 3
sections, separated by pointed archs on cruciform pillars.
The belfry tower has a cuadrangular floor plan, is exempt
and presents windows with horseshoes and alfiz.
San Eustaquio Church 2 is dated between the 13th and
14th century. It has a three section floor plan with pointed
archs on polygonal pillars and apse. The belfry tower by
Pedro Silva, dating from the second half of the 18th century.
On the inside, the major retable (second half of the 18th
century) and the Health Christ image (16th century).
Santa María Church 1 was first conceived as a poor
quarter parish church, next to the path from Seville to
Niebla. It was built during the first half of the 14th century, also within mudéjar style as the rest of Sanlúcar
churches. Among sacred art objects we can highlight
San Pedro Christ 3 (14th century), a Christ with the
typical full Gothic torsion. The collection of paintings
of the 18th century and the goldsmithing collection
are also interesting (XIV-XX).
2
Sanlúcar’s is one of the Holy Weeks presenting more
Brotherhoods in the region. The oldest is the one called
Ntro Padre Jesús Nazareno y Mª Stma. de la Concepción,
which was founded in the 15th century. Christ is
Two recently created brotherhoods complete Sanlúcar’s Holy Week: Sagrada entrada en Jerusalén and Ntro . Padre Jesús Cautivo y Ntra. Sra. De la Paz. • San José Convent 7 18th century. On the outside, it is characteristic because of its high whitewashed and crenelated wall ,with two
accesses in the same façade • Wall 4 Hisn Shaluqa (Sanlúcar) walled premises is usually dated in
32
Sanlúcar la Mayor
5
6
4
7
Useful information
an anonymous 18th century sculpture, whereas
Conception Virgin is a Luís Álvarez Duarte work.
Ntro Padre Jesús orando en el Huerto y Mª Stma
de la Encarnación Brotherhood parades from
Encarnación Chapel 5 . Its foundation dates from
the 16th century or beginning of the 17th and has
its origins in the lawyers, bailiffs and scribes. On
the other hand, the Holy Burial Brotherhood was
founded around 1700. Originally this Brotherhood
represented the Descent with Christ 6 image articulated, a tradition which is not preserved today.
Descent Christ is a work by Juan de Astorga (1820),
while Recumbent Christ is an anonymous work of
the 17th century. The group formed by Virgen de las
Angustias, San Juan and La Magdalena is a work by
Pedro Duque Cornejo (18th century).
San Pedro Church
Plaza de San Pedro s/n
Visits arranged.
955 10 06 00
San Eustaquio Church
Plaza de San Eustaquio
Visits arranged.
955 10 06 00
nta María Church
Plaza de Santa María
Visits arranged.
955 10 06 00
San José Convent
C/ Real
On Maundy Thursday, Vera Cruz Brotherhood
processes from its chapel. This brotherhood was
originated after the fusion of shepherds and cattle
farmers. Vera Cruz Christ is an anonymous work
dating from the beginning of the 20th century, while Humility Christ was done by Aurelio López
Azaustre (1965). The Angustias Virgin is an anonymous 18th century sculpture.
The Soledad Brotherhood also originates in the
16th century with the fusion of the Nombre de
Jesús and Soledad Nuestra Señora Brotherhoods.
The Virgin sculpture is an unknown author and
date of composition work.
3
almohade period (12th and 13th century). It is built with walls, with an extense perimeter in which up
to 46 square or octagonal towers and three doors are counted.
33
Sanlúcar la Mayor
Santiponce
1
Where to go?
~ San Isidoro del Campo
Monastery
~ San Isidoro parish
church
~ Fernando Marmolejo
museum
~ Itálica Archaelogic
Monuments
2
From San Isidoro 4 parish church Nuestro Padre
Jesús Nazareno 2 y Nuestra Sra. del Rosario
Brotherhood 5 performs its penitence station.
This brotherhood was founded in the 16th century.
Both images are 12th century anonymous works,
the Nazarene sculpture is ascribed both to Martínez
Montañés and José de Arce. This brotherhood organizes Aljarafe’s 3 Via Crucis, a singular initiative which, from 1991 gathers 14 Brotherhoods the
evening of the first Lent Saturday, mainly from sevillian Aljarafe, to parade in Santiponce streets from
San Isidoro parish church to Itálica Amphitheater.
The act is presided by the image of Ntro Padre Jesús
Nazareno carried on shoulders. Brotherhoods taking part are integrated in the procession represented by their leading crosses with the aim of having each cross presiding its penitence station at the
Amphitheater’s sand. The night route, lighted by torches, through Itálica’s architectonical monuments
is, no doubt, one of the most spectacular images
that can be seen in Aljarafe. It has been declared as
National Touristic Interest
Festival
in
Andalusia
in 2001, under the name
“Aljarafe’s Via Crucis”.
San Isidoro del Campo
Monastery 1 is one of
the most important examples of religious architecture
in Seville province. Open to
8
Fernando Marmolejo Municipal Museum. A Museum where a wide representation of this famous sevillian goldsmith work is shown (1915-2006). The ground floor shows the stable collection
whereas in the second floor there is a zone for temporal expositions • Itálica’s Archaeological
Group 7 Itálica is, no doubt, one of the main attractions in Santiponce offering the visitor a trip
to the imperial roman city so that its architecture and urbanization can be admired. The extensive
34
Santiponce
5
6
4
7
Useful information
the public in 2002, after an important restoration
process, it is nowadays the see for other cultural
activities (concerts, expositions, book fair…).
The Monastery was founded by D Alonso Pérez
Guzmán and his wife Dª María Alonso Coronel in
1301. It was built over a mozárabe mosque, where (according to tradition) San Isidoro de Sevilla
had built a school in the 6th century. Later on,
San Isidoro’s body rested there until they were
taken to León in the 11th century. The monastery was transferred to the Cistercian order
until 1431 when they were expelled and replaced by Jerónimos. There are two churches inside the monastery, both with just one section
of three stretches and polygonal headwall, covered by cross ribs vaults and geminate windows in the apse. This duality can be explained
by the execution of public and private cults (by
monks) in the Middle Ages.
The cloister 6 has a marked mudéjar character,
resorting to brick as construction material and
using almohade inspiration elements. Within its
sacred art collection we must highlight a Christ
dating from the 14th century, the only image
allowed at Cistercian temples. The major retable is a work by Martínez Montañés (1609-1613),
with the outstanding San Jerónimo Penitente
sculpture. Fresco paintings are very interesting,
dating from the 15th -18th century.
Tourism Office
C/ Feria, 2
955 99 80 28
[email protected]
Monast. San Isidoro del Campo
Avda. San Isidoro del Campo, 18
Mondays and Tuesdays closed Wednesdays
and Thursdays 10-14. Fridays and Saturdays 1014 and 16-19. Sundays and holidays 10-15 h
955 99 80 28 (Tourism office)
San Isidoro parish church
Avda. de Extremadura s/n
Visits arranged.
955 996 491
Fernando Marmolejo Museum
C/ Feria, 2
955 99 80 28 (Tourism office)
Itálica Archaelogic Monuments
Avenida de Extremadura, 2
1 de Oct.–31 de Mar.: Tuesdays to Saturdays,
de 9–17.30 h. Sundays and holidays: From 1016 h. From April 1 to September 30. : Tuesdays
to Saturdays, de 8.30-20.30 h. Sundays and
holidays: de 9–15h.
955 62 22 66
3
road network which is preserved (together with sewer systems), the remains of important Roman
public buildings (thermal baths, amphitheater..), the remains of the Domus (people homes) with
numerous mosaics all stand out 8 . In the surroundings of this archaeological group, we can also
enjoy the Minor Thermal Baths and the Theater, recently opened to public.
35
Santiponce
Umbrete
1
Where to go?
~ Ntra. Sra. Consolación
Church
~ Archbishop’s Palace
~ Brotherhood House
and Vera Cruz
Museum
~ Salado Wineries
~ Hnas. de la Cruz
Convent
At Umbrete’s center we can find a rich group of
baroque architecture formed by Consolación
and Archbishop’s Palace. Its present phisiognomy
is due to D. Luís Salcedo and Azcona, Seville’s
Archbishop who, in the 17th century, ordered building a new parish church and a restoration of the
archbishop’s palace. Both buildings were united in
those days by a corridor in height, of it today we
only have the arch in which it was supported 1 .
Consolation Church, whose construction started
in 1725 stands out by the use of brick being this
way a singular example of the so-called “popular
baroque”. It is a one-section building covered by a
barrel vault. On one side of the façade, the tower
is situated with two bodies finished in a chapitel
with tile decoration. The Consolation Virgin image
presides the major retable (13th century), by the
sculptor Duque Cornejo. The paintings are, most
of them, ascribed to Domingo Martínez (13th century) and also an important goldsmithing collection stands out. The church preserves an organ of
neo-classical style (19th century).
The Palace, Seville achbishops’ summer residence, is organized around a central courtyard with
white marble columns. At the main facade, the
amin front opens with toscan columns and a wide
balcony. Emperor and Roman Gods sculptures
belonged to this palace that today are at Delicias
Garden in Seville.
2
Bodegas Salado 6 founded in 1810 by D. Ramón Salado. It is one of the most emblematic wineries in the region. Its musts are famous, they are obtained from Aljarafe’s vineyards • Hnas De
la Cruz Convent 7 dating from the first half of the 19th century. It stands out thanks to its
36
Umbrete
5
6
4
Although with a 12th century origin, Vera Cruz
Brotherhood is the result of several fusions and
the impulse received in the fifties. Christ 4 is
an 15th century anonymous sculpture, while
Dolores Virgin dates from the 19th. Originally
it presented crossed hands, in a praying attitude, but in the fifties Antonio Illanes carved new,
separated hands. The old hands are exposed at
the Brotherhood House. Several original tiles
from the 18th century showing the passing of
the Via Crucis are preserved 2 .
San Bartolomé’s Chapel (17th century) 5 is
a small one-section building with rectangular
floor plan with exterior saddle roof, and coffering ceiling on the inside. Along with the
chapel, the house dwelled by the hermit is
preserved. This person was in charge of the
chapel’s maintenance. During some time, San
Bartolomé Brotherhood existed, but eventually disappeared.
7
Useful information
Tourism Office
Jardines del Arzobispo s/n
955 717 412
[email protected]
www.umbrete.es
Ntra. Sra. Consolación Church
Plaza de la iglesia s/n
955 715 673
Archbishop’s Palace
Plaza del Arzobispo s/n
Arranged with tourism office
955 717 412
Brotherhood House and
Vera Cruz Museum
C/ Santa Ángela de la Cruz, 26
Arranged with tourism office
955 717 412
Umbrete preserves several “término crosses” 3 which delimited municipality’s edges: Some of them were “Pozo Nuevo Cross”,
“Carrera Cross”, “Diezmo Cross”, etc. They
used to be forge crosses, some of which are
maintained as exempt and others are situated
at some buildings walls.
3
neo-classical facade and its small chapel. In 1914 it was given to De la Cruz sisters with the aim
of establishing there a new Order house.
37
Umbrete
Villamanrique
de la Condesa
1
¿Donde ir?
~ Santa María
Magdalena Church
~Royal Palace/ París
Countess Palace
~Tourism Office
~Boyal Meadow Visitor
Centre
~Rocío Virgin
Monument
Villamanrique de la Condesa, Natural Door for
Doñana, is situated between Aljarafe and Rocío
Marshlands in Bajo Guadalquivir. Part of its land
belongs to the ambit of Doñana’s Natural Park
Surroundings 1 .
In its name we can find out part of its history: In the
16th century Villamanrique’s marquisate was created by Felipe II for Sir Álvaro Manrique de Zúñiga
and Mrs Blanca Enríquez from whom it receives
its name. In 1916 “de la Condesa” was added in honour of París Countess Isabel Francisca de Orleans
y Borbón.
Montpensier’s footstep is still very visible today
in the municipality, fundamentally through The
Royal Palace 2 , situated next to the Santa María
Magdalena Church.. Built in the mid 19th century, it
is a french rococó style building in which great gardens stand out combining ornamental plants with
orange trees and other fruit trees. It has been declared as Cultural Interest Items.
However, the most characteristic image in
Villamanrique is provided by Santa María
Magadalena Church 3 which is built in the ground
where the mudéjar church used to be, destroyed during the Lisabon earthquake in 1755. The construction of this building was financed by Montpensier
Dukes and was finished in the mid 19th century.
2
Santa María Magdalena Church 3 is a neoclassical temple, open to the outside with three facades,
Lost Traditions Several traditions related to Holy Week have been lost in our days, as Holy Burial
and Soledad Virgin processions, the staging of Christ Descent during the 7 words sermon, the procession on shoulders of María Magdalena on Easter Sunday to find Convent Church Baby Jesus, or the
so-called “saeta manriqueña” •Vera Cruz Brotherhood 6 Vera Cruz Brotherhood Insignia by Juan
Ruíz 1766 • Rocío Virgin Monument 7 It is situated at the “Boyal Meadow”, wide entertainment
38
Villamanrique de laCondesa
5
4
7
6
among which the one situated at the foot stands
out. On its right, the tower is put against the
building, with two bodies and chapitel.
On the inside, the major retable 5 stands out
coming from the disappeared Santa María de
Gracia Franciscan convent which took place in
the municipality. In its elaboration, between 1612
and 1619, we count Juan de Oviedo, Diego López
Bueno and Francisco Pacheco, to whom the San
José and Inmaculada lateral retables are also ascribed. In the temple, other times’sculptures
are also preserved, as those of Juan de Astorga
(1777-1849) or María Magdalena by Pedro de
Mena (1628-1688).
Among the goldsmithing works the reliquary
located at the major retable stands out, doned in the 16th by Blanca Enríquez, first
Villamanrique marchise.
Información Turística
Santa María
Magdalena Church
Plaza de la Iglesia, s/n
Arrange visit or in Mass Schedule
955 75 54 25
Through A-8060 road (PilasVillamanrique), to Las Pilas Street
and Sor María del Coro. From there:
Following Sor María del Coro street we
reach Cordel del Camino de los Playeros
where we can enter to Vado del Quema,
enjoying a singular landscape.
Villamanrique de la
Condesa Tourism Office
Plaza de España, 1
8:00-14:30
955 75 60 99
[email protected]
www.ayto-villamanrique.es
Boyal Meadow Visitor Centre
Camino del Bujeo, s/n
Information about visits in Tourism
Office
Nowadays, it is see for Ntro Padre Jesús de la Vera
Cruz y Ntra Sra del Mayor Dolor Brotherhood,
whose images receive cult at the Sagrario Chapel
4 . Its origins take us back to 1487, although it
is not until 1913 when the fusion is done with
Soledad Brotherhood. It processes in Maundy
Thursday night. Vera Cruz Christ is an anonyme
work dating from the end of the 16th century or
the beginning of the 17th century. Ntra. Sra. del
Mayor Dolor image dates from the first decades
of the 17th century, being also anonymous but
within sevillian baroque school.
3
space at the outskirts of the village. Villamanrique has a special link with Rocío Procession, being one
of the first villages which took part in the procession.
39
Villamanrique de laCondesa
Pilgrims
in Aljarafe
In Aljarafe’s region, as in other Andalusian zones,
popular religiousness has favored the appearance of processions, rosarios and pilgrimages that
1
constitute an outstanding Cultural Patrimony. At
these Festivals, along with its participants’ religious feeling, there is an unquestionable attractive for those who wish to know this
devotion facet better.
One of the most famous processions in Aljarafe is the pilgrimage to Rocío’s hamlet which takes place every spring. There are
a lot of Rocío Brotherhoods with their see at Aljarafe, but also a
lot of Brotherhoods pass by this region in their path to Vado del
Quema, a compulsory point when crossing Guadiamar in the way
to Villamanrique de la Condesa and the last part of the Way 1 .
Along with this pilgrimage to El Rocío, other processions are celebrated during the year in Aljarafe. Among the most outstanding processions we can cite Ntra. Sra. De Loreto 3 , in the
Espartinas Municipality. Being the village, Aljarafe and Aviation
patron, this celebration calls dozens of people around the monastery with the same name.
The Virgin image 6 is taken in
hanbarrows by members of the
Brotherhood and performs a procession through the country-side
which is extended until the evening. The floral offering done
by the Air Army is specially singular. At night, the Brotherhood
keeps on the celebration in the
village, where “sevillanas”singing
and dancing close the day.
In the middle of September, we
can attend San Ginés procession, in Gines. Traditionally, after the “Rosario de la Aurora”, the
40
2
Romeros en el Aljarafe
5
6
4
image of the saint was taken by a cart drawn by ox from Belén
Virgin parish church to eucalyptus field Marchalomar where romeros enjoy a festive and coexistence day 7 .
From 1997, Sanlúcar la Mayor performs a procession in the honour of patron San Eustaquio 2 . It processes on September 20th
accompanied by Penitence, Glory and Sacramental Brotherhoods,
religious associations, Brotherhood General Council and
Municipal Corporation. Through the meadow way, they head
towards Guadiamar River, reaching “la Herrería” estate where
mass is celebrated for pilgrims.
San Isidoro del Campo Procession in Santiponce has been recently created. It has its origin in the procession held in the sixties in honor of the patron. The Sunday following April 26th, San
Isidoro’s day, the saint sculpture is taken in a cart drawn by ox, accompanied by carts and baby carriages, to a green space 6 kms away
from the village heading Valencina. Pilgrim’s mass is hold there,
lunch is shared 5 and people come back in the afternoon to enter the parish church when
the day is over.
Other Aljarafe’s village have also similar celebrations, as Huévar del
Aljarafe, with their procession dedicated to María
Stma. de la Sangre or
Coria del Río, in honour
of Ntra. Sra. Del Rosario
y San Lucas Evangelista.
3
41
Romeros en el Aljarafe
7
Aljarafe’s
Environmental Wealth
1
If Aljarafe’s wealth in sacred art and ethnology is very
important, it is not less the wealth related to its environmental patrimony and its natural resources.
This environmental wealth starts with Guadalquivir
river bank and Aljarafe’s cornice, and extends to
Doñana, playing an important role Guadiamar valley 4 in the middle. Guadiamar valley is always
present as Aljarafe’s defining geographical element.
Aznalcázar pine forests – Puebla del Río They are
one of the leading resources in Aljarafe’s daily life due to its environmental recreational character. The presence of Sevillian visitors from
all parts of the province is usual in holidays. It is a mediterranean
landscape situated in an undulating land. In its vegetation stone pines,
wild olives, rock roses, holm oaks, cork oaks, myrtles, pilgrims, lentiscos and tree strawberries stand out. Its most characteristic fauna is
formed by rabbits, hares, partridges, hoopoes, deer, wild boars and, to
a lesser extent, Iberian lynx, a specie in danger of extinction but which
popularly identifies this ecosystem.
In Benacazón surroundings, we find Cárcava viewpoint 2 , a recreational equipment and a public picnic
area. It is a hillock from which a beautiful Guadiamar valley outlook can be enjoyed, the Green Corridor, the Island Gully,
Huévar Way, Valdelobos Way (connecting
the viewpoint with the Green Corridor).
2
A great part of the Guadiamar Green
Corridor 5 1 , born after the catastrophic spillage at Bolidén mine in Aznalcollar
Stone Pine 3 The stone pine or pinus pinea is the great leader of the Aljarafe’s hillocks and Doñana’s
plains. Typically Mediterranean, it got extended with the Roman and Phoenician expansion. It reaches
30m high and it attains its great robustness in the 500 years it usually lives. Its pyramidal crown becomes rounded at maturity and its seed, the pine kernel, has been very valued in gastronomy from Antiquity • Ripudio Stream 6 Although it has been affected by a strong degradation, Ripudio stream,
42
Riqueza Ambiental del Aljarafe
5
6
4
Useful information
in April 1998, pass through Aljarafe’s region. It
is an echologic corridor covering Guadiamar
River medium stretch along 40 kms connecting Doñana with Sierra Morena. This project
did not only intend to purify pollution provoked
by the spillage, but to bring the river back to its
usual state before industrialization and intensive exploitation of its territory. The recovering
of the river’s fluvial dynamics has been attained, and also the environment and bank landscapes, and everything that formed part of the
natural ecosystem of Guadiamar’s meadow. In
Guadiamar’s Green Corridor Visitor Center we
can find an orientation about the program of our
visit and also information about the activities
that can be done. Moreover, they show us the
meaning and evolution of the Green Corridor,
the landscapes and the most important values of
the natural and cultural patrimony of the river
and its basin. The visitor disposes of three paths: Green Corridor, Las Doblas and Buitrago’s
Botanical Garden. This Botanical Garden is
presented to us as an environmental education center, so people is informed there, not
only about typical fauna and flora of the protected landscape 7 , but also about the whole environment restoration process that has been done.
Similarly, it shows a rich collection of botanical
specimens and has a public picnic zone.
Green Corridor Visitor
Reception Center Aznalcázar
From urban zone in Aznalcázar, Ctra.
Antigua de Pilas, s/n
955 00 44 00
“José Antonio Valverde”
Visitors Reception Center
Cerrado Garrido. Aznalcázar Marshes
The schedule varies depending on the
stations, it is advisable to get informed
previously
671564145 / 959433962
Buitrago’s botanical garden Aznalcázar
Complete information in Guadiamar’s
Green Corridor Visitor Reception
Center
Cárcava Viewpoint Benacazón
River Path
Access through a rural way in bad
conditions.
3
that passes through lengthways Aljarafe’s region, presents a great environmental interest. It has a temporal character, going from practically null flow volumes to great volumes in rainy periods. It shows a
great fauna and flora variety which is representative of Aljarafe’s region • 7 Common Snipe
43
Riqueza Ambiental del Aljarafe
7
Aznalcazar
Hacienda Olontigi
C/ Ventorro, 23
Hotel Lince
C/ Seguidilla, s/n
La Cancela Verde
Plaza Navarrete, 6
Las Minas Golf
Ctra. Isla Mayor, km. 0,8
Rural housing
955 75 19 76 | 609 95 98 49
Hotel
955 75 19 72
Restaurant
955 75 09 23 | 690 39 34 20
Restaurant
955 75 06 78
Benacazon
JM Andalusí Park
Autovía Sevilla-Huelva, km. 16
Casa Nona
C/ Los Molinos, 5
La Alacena
C/ Cabo de Gata, 3-5
Casa Jara
C/ Real, 60
Almutamid
Andalusí Park Hotel. Autovía Svilla-Huelva, km. 16
Casa Francisco Salado
Avda. Andalucía, 30
El Pato
C/ San Roque, 3
Hotel
955 70 56 00
Restaurant
652 64 36 17
Restaurant
955 70 50 85
Restaurant
645 18 17 40
Restaurant
955 70 56 00
Restaurant
955 70 60 87 | 651 763 857
Bar
Bormujos
Vértice Aljarafe
Avda. República Argentina, s/n
Domocenter
C/ México, s/n
Lux Sevilla-2
Avda. El Barrerillo, s/n
Apartour Aljarafe
Avda. República Argentina, s/n
La Choza Manuela
Ctra. Bormujos-Bollullos, km. 3
Tinahón
Plaza del Tinahón, 8
Simeón
C/ Vicente Aleixandre, 38
La Sidrería
C/ Cuna, s/n. Edificio Principado
Bodega Mateto
Avda. del Aljarafe, s/n; C/ Daóiz, 37
Hotel
955 06 31 00
Tourist apartments
955 72 69 84
Apartments
954 48 67 40
Tourist apartments
955 06 33 60
Restaurant
955 72 60 92
Restaurant
955 72 34 56 | 600 53 91 40
Restaurant
955 72 40 79
Restaurant
955 72 37 84
Restaurant
955 72 35 10
Castilleja de la Cuesta
Hacienda San Ignacio
C/ Real , 190
Hacienda Santa Bárbara
C/ Príncipe de Asturias, 48-52 Leflet Castilleja
C/ Real, 106
Marengo
C/ Príncipe de Asturias, 45
Hotel
954 16 92 90
Hotel
954 16 91 69
Hotel
954 77 51 92
Hotel
954 16 46 46
44
Almazara
C/ Real, 190
Las Conchas
C/ Real, 24
Los Navarros
C/ Convento, 40
Iguanas Ranas
C/ Real, 146
Las Palmeras / Bar Calamocha
C/ Real, 146
La Carboná
C/ Diego de los Reyes, 79
Robles Aljarafe
Ctra. Bormujos, 2
Mesón Casa Alfonso “El Piraña”
C/ Convento, 5
Mesón Casa Chari
Avda. Antonio Mairena, s/n
Mesón El Niño de La Rubita
C/ Camino Hijuela de la Gitana, s/n
Bodega Parra
C/ Francisco Carmona Machado, 2
Asador Rivero
C/ Enmedio, 36
Venta Chiquitín
Avda. de Sevilla, 3 (Carretera de Castilleja-Gines)
Restaurant
954 16 92 90
Restaurant
954 16 22 64
Restaurant
954 16 20 53
Restaurant
954 16 92 79
Restaurant
954 16 46 13
Restaurant
954 16 11 06
Restaurant
954 16 92 60
Restaurant
954 16 40 03
Restaurant
954 16 14 55
Restaurant
954 16 12 13
Restaurant
649 86 28 28
Restaurant
954 16 15 06
Restaurant
954 16 14 51
Coria del Ríio
Hotel Gran Avenida
C/ Mimbre, s/n Casa Márquez
Avda. de Andalucía, s/n La Flor de Gamón
Avda. de Andalucía, 63
Sevruga
Avda. de Andalucía, 5
Esturio
C/ Batán, s/n
Saboga
Ctra. De Coria a Almensilla, km. 1
El Rincón del Duende
C/ Capataces, s/n (Dehesa del Rey)
Hotel
954 77 92 92
Guesthouse
954 77 01 46
Restaurant
954 77 60 16
Restaurant
954 77 66 95
Restaurant
954 77 90 50
Restaurant
605 03 97 19
Restaurant
672 29 77 98
Espartinas
Casa Antonio Moreno
C/ Capitán Cortés, 2
Las Tinajas
C/ Juan XXIII, s/n
Casa Ramiro
C/ Manuel García Gómez, 2
Da Frá
C/ Capitán Cortés, s/n
La Posada de Quevedo
Asador El Espartal
Avda. Rey de España, s/n
Restaurant
955 71 02 01 | 955 71 09 12
Restaurant
955 71 15 44
Restaurant
954 11 36 11
Restaurant
955 71 04 66
Restaurant
955 71 14 97
Restaurant
955 71 20 56
45
Gines
Hotel Gines
Venta de la Marquesa, 2 La Huerta de la Merced
Avda. Europa, 9
Asador Almansa
C/ Arnilla, 12
Mesón Isla Tortuga
Avda. Europa, 90
El Brasal
Avda. Europa, 25
Hotel
954 71 35 12
Restaurant
954 76 14 04
Restaurant
954 71 34 51
Restaurant
954 71 45 43 | 653 66 32 94
Restaurant
954 71 49 16
El Pechi
C/ Díaz Trechuelo, 4
El Pechi
C/ Díaz Trechuelo, 4
Guesthouse
954 75 66 16 | 669 99 04 22
Restaurant
954 75 66 16 | 669 99 04 22
La Brasa
C/ Virgen de los Dolores, 23
La Portada
C/ Antonio Mairena, 10
Bodega El Bólido
C/ Roelas, 16
Restaurant
954 11 04 86
Restaurant
955 71 81 51
Restaurant
954 11 01 59
Asador Casa Claudio - El Cucadero -
C/ Ignacio Gómez Millán, 20
Casa Pepín e Hijos
C/ Juan Crisóstomo Arriaga, 3
Peña Rociera La Truja
C/ Cortinales, 4
Restaurant
955 76 43 93
Bar-Restaurant
955 76 42 01
Restaurant
955 76 36 64
Huevar del Aljarafe
Olivares
Palomares del Rio
ç
Pilas
El Cortijo
Ctra. Villamanrique, km. 0,5
Restaurant
954 75 00 32 | 627 59 52 05
Ventorrillo Romano
Ctra. Extremadura, km. 469
Mesón Camino Viejo
Camino viejo de Sevilla, s/n
Mesón Los Macías
Avda. de Sevilla, 14
Mesón Hnos. Palomo Verde
C/ Nogal, 34. Urb. Tierra Blanca
Mesón La Bodega
C/ Las Moreras, 10
La Resolana
C/ Sor María de la Pasión, 2
Mesón La Era
Prolongación C/ Aljarafe, s/n
Restaurant
955 99 73 77
Restaurant
955 70 77 90 | 955 70 78 80
Restaurant
955 70 71 89
Restaurant
955 70 74 88 | 955 70 72 50
Restaurant
955 70 70 00
Restaurant
955 70 77 47
Restaurant
955 70 76 00
El Corte Inglés
Camino de las Erillas, s/n
Geroma
C/ Ramón y Cajal, 32
Restaurant
954 34 94 00
Restaurant
954 76 15 35
Salteras
46
Sanlucar la Mayor
Hacienda Benazuza
C/ Virgen de la Nieves, s/n
Gran Hotel Solucar
Ctra. N-431, km 537,5
Guesthouse San Pedro
C/ Marquesa Viuda de Saltillo, 26
Guesthouse Rocío
C/ Cristóbal Colón, 2
Guesthouse Colón Rocío
C/ Maestro Borrego, 24
Guesthouse Don Julio
C/ Duque de Lerma, 6
Alexandre
Aljarafe Alto, local 1
La Coquina
C/ Juan Carlos I, 17
Pasaje Limones
C/ Cristóbal Colón, 6
Mesón Tony
Plaza de los Alamillos, 13
Alhucemas
Avda. del Polideportivo, 4
La Alquería.(Hacienda Benazuza)
C/ Virgen de las Nieves, s/n
Venta Pazo
Ctra. Sevilla-Huelva, s/n
Carmen
C/Ronda 7-A
Hotel 955 70 33 44
Hotel
955 70 34 08
Guesthouse
955 70 29 35
Guesthouse
955 70 27 62
Guesthouse
955 70 05 92
Guesthouse
954 78 52 52
Restaurant
955 70 32 33
Restaurant
955 70 06 89
Restaurant
955 70 22 59
Restaurant
955 70 00 70
Restaurant
955 70 09 29
Restaurant
955 70 33 44
Restaurant
955 70 01 10
Restaurant
955 70 38 85
Gran Venta Itálica
Avda. de Extremadura, 9
Horno Gregorio
Ventorrillo Canario
La Caseta de Antonio
C/ Rocío Vega, 10
Restaurant
955 99 67 06
Restaurant
955 99 74 05 | 654 31 22 11
Restaurant
955 99 67 00
Restaurant
955 99 63 06
Casa Ruiz
Plaza del Arzobispo, 2
Mesón de Emilio
C/ Ruperto Escobar, 8
Casa Rufino
C/ Traspalacio, 1
Mesón Taboada
C/ Francisco Goya, 5
La Mechada
C/ Alcalde Bernardo Zambrana, 1
La Luna
C/ Bollullos de la Mitación, 1
Batato
Paseo 1 de Mayo, 12
Restaurant
955 71 54 45
Restaurant
955 71 58 71
Restaurant
955 71 62 72
Restaurant
955 71 60 00
Restaurant
955 71 53 01
Restaurant
955 71 53 18
Restaurant
955 71 50 51
Mesón de Gato
Veredilla de Gato, s/n. Ctra. Gines Valencina, km. 2
Restaurant
955 75 54 00
Santiponce
Umbrete
Villamanrique de la Condesa
47
JANUARY
ALMENSILLA
FEBRUARY
CARNIVALS
MAR.
APRIL
MAY
HOLY WEEK
S.DIEGO PROCESSION
FIRST SUNDAY
AZNALCÁZAR
HOLY WEEK
BROTHERHOOD
PASSING TO ROCIO
THROUGH VADO
DEL QUEMA (FITN)
BENACAZÓN
HOLY WEEK
SALIDA
HDAD. ROCÍO
HOLY WEEK
SALIDA
HDAD. ROCÍO
-----MAY CROSSES
CARRIÓN
HOLY WEEK
SALIDA
HDAD. ROCÍO
CASTILLEJA
DE LA CUESTA
HOLY WEEK
-----EASTER SUNDAY
“VUELTA”
BORMUJOS
CARNIVALS
CORIA DEL RÍO
CARNIVALS
ESPARTINAS
LA
CANDELARIA
-----CARNIVALS
GINES
HUÉVAR
DEL ALJARAFE
DAY 20:
CALDERETA DE
SAN SEBASTIÁN
OLIVARES
PALOMARES
CARNIVALS
PILAS
SALTERAS
FEASTS
V. DE LA OLIVA
-----SAN BLAS DAY
SAN JUAN DE
AZNALFARACHE
CARNIVALS
HOLY WEEK
SALIDA
HDAD. ROCÍO
HOLY WEEK
SALIDA
HDAD. ROCÍO
HOLY WEEK
SALIDA
HDAD. ROCÍO
HOLY WEEK
VIRGEN DE LA
SOLEDAD FESTIVAL
HOLY WEEK
SALIDA
HDAD. ROCÍO
HOLY WEEK
SALIDA
HDAD. ROCÍO
HOLY WEEK
-----CARRERITAS FEAST
MAY CROSSES
-----SALIDAHDAD.
ROCÍO
HOLY WEEK
ALJARAFE’S VIA CRUCIS
------
MAY CROSSES
SANLUCAR
LA MAYOR
HOLY WEEK
FAIR
UMBRETE
HOLY WEEK
SALIDA HDAD. DEL
ROCÍO
VILLAMANRIQUE
DE LA CONDESA
HOLY WEEK
ROCIO
BROTHERHOOD
PASSING
SANTIPONCE
HOLY WEEK
48
JUNE
JULY
AUGUST
FAIR
FAIR
-----CORPUS
FESTIVALS
DAY 25:
SANTIAGO
APOSTOL
FEAST (FITA)
DÍA 5: FIESTA
DE LA VIRGEN
DE LAS NIEVES
VELÁ DE
SANTIAGO Y
SANTA ANA
SEPTEMBER
OCTOBER
FEASTS
-----NTRA. SRA.
ROSARIO
CORPUS
FAIR
----------VIRGEN DE GUÍA DAY 25: Rº DE
FEASTS
LA AURORA
FROM 1 TO 7:
INMACULADA
FEASTS
DAY 16:
VIRGEN DEL
CARMEN
FEASTS
NTRA. SRA. de
la ESTRELLA
FEASTS
FAIR
SAN GINÉS
PROCESSION
VIRGEN DE
LORETO
FEASTS
CORPUS
ROSARIO
AND SANTA
ROSALÍA
VIRGIN FEAST
SUNDAY
NTRA. SRA. DE FIRST
VIRGEN DE
LA ASUNCIÓN
LA SANGRE
FEASTS
PROCESSION
CORPUS
DECEMBER
CELEBRATION
CHRISTMAS
FAIR
CHRISTMAS
CONSOLACION
FEASTS
AND CORPUS
CORPUS
NOV.
FIRST SUNDAY
PROCESSIONS LA “TOSTA”
DIEGO
LAST
LAST SUNDAY: NTRO.WEEK:
PADRE
NTRA. SRA.
JESÚS DEL
ENCARNACIÓN
SOCORRO
FEAST
FEAST
NTRA. SRA. DE
LAS NIEVES
FAIR
VIRGEN DE
LA ESTRELLA
FEASTS
CORPUS
CORPUS FAIR
AND FEASTS
SAN ISIDORO
DEL CAMPO
FEAST
49
passion for

Pasión por el Aljarafe INGLËS - Mancomunidad de Desarrollo y

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