Decorative Art Auction - John Moran Auctioneers

Transcription

D e c o r at i v e A r t A u c t i o n
Tuesday
J u n e 17, 2014
D e c o r at i v e A r t
Auction
Tuesday, June 17 2014
Preview opens 12:00 pm
Catalogued Sale 3:00 pm
Pasadena Convention Center
300 East Green Street Pasadena California 91101
Bidding available: live, via phone, absentee, or online at
liveauctioneers.com :: invaluable.com :: auctionzip.com
Inquiries welcome:
626 793 1833 :: [email protected]
735 West Woodbury Road Altadena California 91001:: www.johnmoran.com
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JOHN MORAN AUCTIONEERS, INC.
FOUNDERS
President, Principal Auctioneer
Senior Vice President, Auctioneer
Vice President, Public Relations
John H. Moran
Jeffrey J. Moran
Madeleine Moran
SPECIALISTS
Vice President - Estates Auction Director
Roland Rynkiewicz
Antique & Decorative Art Specialist
Maranda Moran
Antique Specialist, CataloguerAnnemarie Nollar
Estate SpecialistJohn Simon Taylor
Luxury Item Specialist & Cataloguer
Kellene Torry
jewelry Specialist - Sale Director
Mollie Burns Keith, G.G.
Jewelry SpecialistAna Wroblaski, G.G., A.J.P.
Fine Art CataloguerKatherine Halligan
Fine Art specialistMorgana Blackwelder
Fine Art / Assistant Cataloguer
Bobby Cullen
CLIENT SERVICES
Office Manager, Client Accounting
Betty Lanza
Client ServicesKim Jarand
OPERATIONS
Operations Director, AuctioneerGlenn Storey
Art Handlers / Property Control Larry Muradian
Padded Van ServicesMike Hook
DIGITAL DESIGN
Webmaster / Network Administrator
Oscar Tsao
Photographer Shane Strong
Advertising Director / Digital Design
Nathan Martinez
Assistant Photographer / Social Media
Ali Breen
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Conditions Of Sale
1. Lots Sold to The Highest Bidder: The highest bidder acknowledged by the auctioneer shall be the buyer. Under no circumstances are the
consignors or the consignors‚ agents or persons acting on behalf of the consignors permitted to bid at the auction on their consigned property. The
auctioneer has the right to reject any bid, to advance the bidding at his or her absolute discretion and, in the event of any dispute between bidders
or any other issue with respect to the highest bidder, to determine the successful bidder, to continue the bidding or to reoffer and resell the lot
in question. In the event of any dispute after the sale, John Moran Auctioneers.‚ Inc., a California Corporation (hereinafter referred to as, JMA),
record of final sale shall be conclusive.
2. Lots are Sold AS IS. ALL PROPERTY IS SOLD AS IS AND ALL IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS ARE
EXCLUDED. NEITHER WE NOR THE CONSIGNOR OR OUR ASSOCIATES MAKE ANY REPRESENTATION, EXPRESSED OR IMPLIED
WARRANTY, OR GUARANTEE IN CONDITION, SIZE, PROVENANCE, MEDIUM, SIGNATURE, INSCRIPTION, EXHIBITION (S),
IMPORTANCE, RARITY, COUNTRY OR ORIGIN, AGE, GENUINENESS, SUBJECT HISTORICAL RELEVANCE, MONETARY OR OTHER
VALUE, FRAMING OR LACK THEREOF, MOUNTING, CONSERVATION, COLOR (S), PALETTE, INSCRIPTION, EDITION, STYLE
LABEL OR OTHER DESCRIPTOR. NO STATEMENT IN THE CATALOGUE, BROCHURES OR IN THE BILL OF SALE OR INVOICE OR
BIOGRAPHIC INFORMATION OR STATEMENTS MADE BY THE AUCTIONEER DURING THE AUCTION OR ELSEWHERE SHALL
BE DEEMED SUCH A WARRANTY OR REPRESENTATION OR AN ASSUMPTION OF LIABILITY. NO EMPLOYEE OF JOHN MORAN
AUCTIONEERS IS AUTHORIZED TO MAKE, ON OUR BEHALF OR THAT OF THE CONSIGNOR, ANY REPRESENTATION OR
WARRANTY, ORAL OR WRITTEN, WITH RESPECT TO ANY PROPERTY.
3. Buyer’s obligation to inspect each item: Buyers are strongly encouraged to view all items auctioned on display before the auction to
determine the true condition and nature of any item(s) of interest. Although there is no legal requirement that each buyer inspect lots purchased
before the auction, the failure to inspect may constitute a waiver of that buyer’s complaint that the item was not delivered in a condition equal to
the existent condition at the auction as described in section 14 of these Conditions of Sale.
4. All Sales Final: Notwithstanding any other terms of these conditions, any and all refunds shall be given at the sole discretion of JMA. Refunds
requested on the grounds of authenticity must be made within 10 days of the auction date, and such requests must be accompanied by at least
one supporting statement in writing from a recognized authority stating that the painting or art sold is incorrect or not the work of the artist. A
recognized authority shall be defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person
who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artists estate or
someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of
the period, medium and subject matter in question during the course of their duties. Please note that dealers who advertise to buy a wide range of
artists, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific
involvement with an artists work as specified above in addition to their daily duties. Any lot in question must be returned to JMA in the exact same
condition as when sold. Please be advised that JMA does not grant extensions to refund considerations based upon authenticity due to shipping
delays. There are no exceptions to this refund policy.
5. The Right to withdraw Lots: JMA reserves the right to withdraw any lot before or at the sale.
6. Buyer’s Premium: The buyer agrees to pay the sum of the hammer price plus a premium of 25.5% (of the hammer price). A discount of 2.5%
is applied if paying by check, cash or wire transfer, and a 3% discount will apply if bidding via the floor, telephone or absentee, together with any
applicable tax. Buyers outside of the United states must submit payment via wire transfer. Credit cards are not an accepted form of payment for
buyers outside of the United States.
7. Lots are Subject to a Reserve Price: Some lots in the auction are subject to a reserve, which is the confidential minimum price below which the
lot will not be sold (the reserve). In no event will the reserve price exceed the low estimate. JMA shall act to protect the reserve by bidding through
the auctioneer. The auctioneer may open bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue
to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.
The estimates provided by JMA concerning a given lot, are carefully considered opinions of the cataloguer and fine art staff. Any estimates given
are merely suggestive guidelines for interested buyers. Buyers must be aware that paintings and art are subject to fluctuating values depending on
the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices either above or below
estimates.
8. Winning Bid Constitutes an Immediate Transfer of Title: Title to the offered lot shall pass to the buyer upon the fall of the auctioneer's
hammer and announcement by the auctioneer that the lot has been sold, subject to compliance by the buyer with all other Conditions of Sale.
The buyer shall forthwith assume full risk and responsibility for the lot and shall pay the full purchase price or such part thereof as JMA, in its sole
discretion, shall require. In addition, the buyer may be required to sign a confirmation of purchase or abide by any other financial terms that JMA
deems necessary to protect the interest of the consignors.
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Conditions Of Sale Continued
9. Removal of Purchased lots: All items sold may not be removed from JMA’s premises, or the premises of the auction, until the buyer has paid in
full the purchase price therefor or has satisfied such terms, as JMA, in its sole discretion, shall require. Subject to the foregoing, all lots are to be paid
for and removed from JMA premises at the buyer’s expense no later than the third calendar day following the sale, and, if not so removed, JMA may
transfer any such lot to its warehouse at the risk and expense of the buyer. If a lot has not been collected the third calendar day following the sale
and JMA does transfer the uncollected property to its warehouse, the buyer will be liable to JMA for storage and handling charges of $10.00 per
day for each lot. In addition to other remedies available by law, JMA reserves the right to impose a late charge of 1% per month or the maximum
permitted by law on the purchase price commencing on the day following the date on which payment is due if the buyer does not make payment in
full in accordance with these Conditions of Sale.
10. Absent Bidders: Bids which are submitted to JMA in writing or are otherwise left with JMA prior to an auction for execution at or below a
specified price (Absentee bids), as well as telephone bids, shall be entertained and executed by JMA for the convenience of bidders not present
at auction, but JMA shall not be responsible for failing to execute such bids or for errors relating to our execution of such bids. Bidding on any
article(s), whether in person, by agent, order bid, telephone or other means, constitutes the highest bidders acceptance of these Conditions of
Sale. All absentee bids must be received by JMA prior to the day of sale. Bidders by telephone are also encouraged to leave a cover bid in case of
technical failure.
11. Applicable taxes: Unless exempted by California law, the buyer shall be required to pay any applicable state and local sales tax or compensating
use tax on the purchase price.
12. Buyer’s Breach of Conditions of Sale: If the buyer fails to comply with any of these Conditions of Sale, JMA may, in addition to asserting all
remedies available by law, including the right to hold such defaulting buyer liable for the purchase price, (I) cancel the sale, retaining as liquidated
damages any payment made by the buyer, (II) resell the property without reserve at public auction or privately on seven days notice to the buyer,
or (iii) takesuch other action as we deem necessary or appropriate. If JMA resells the property, the original defaulting buyer shall be liable for
the payments of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable
attorneys‚ fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase
price for any or all lots purchased, JMA shall apply the payment received to such lot or lots that JMA, in our sole discretion, deems appropriate.
JMA shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California where the
auction is held.
13. Governing Law, Venue and Jurisdiction: The rights and obligations of the parties with respect to the Conditions of Sale and the conduct of the
auction shall be governed and interpreted by the laws of the State of California. By bidding at an auction, whether present in person or by agent, by
absentee bid, telephone or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of such state and
the federal courts sitting in such state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by the Conditions
of Sale, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, Pasadena Branch located at 300 E. Walnut
Street, Pasadena, California 91101 or the Federal Court Central District located at 312 North Spring Street, Los Angeles, California, 90012-4793.
The buyer expressly agrees that (i) neither JMA nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages,
including, without limitation, loss of profits and (ii) the buyer’s damages, if any, are limited exclusively to the original purchase price paid for the lot.
14. Delivery of Lots Sold: The packing and handling of purchased lots by John Moran Auctioneer’s staff at the auction is undertaken solely as to
customers. There is no charge for packing material and labor supplied to you on the evening of the sale. In no event will JMA be liable damage to
painting, glass or frames regardless of cause in connection with this free service.
JMA may, in our discretion and as a service to buyers, arrange to have purchased lots packed, insured and forwarded at the request, expense risk of
the buyer. JMA assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, whether recommended by
JMA. Nor does JMA assume any responsibility for any damage to picture frames or to the glass therein. In circumstances JMA arranges and bills
for such services via invoice or credit card, JMA will include an administration charge.
In the case of JMA personally delivering an item, if an item cannot be delivered in condition equal to the existent condition at the time of should
any item be mis delivered, stolen or lost prior to delivery, JMA‚s liability shall not exceed the amount paid by the buyer at the auction. Buyers are
strongly encouraged to view all items auctioned on display before the auction to determine the true condition of items of interest.
15. Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be
in writing and addressed to JMA at 735 West Woodbury, Altadena, California 91001.
16. Effect of any Unenforceable Provisions: Should any of the Conditions of Sale be deemed unenforceable by a competent court having
jurisdiction, such unenforceable provision shall have no effect on the enforcability of the remaining provisions contained in the Conditions of Sale.
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This catalogue is meant merely as a guide.
The Auctioneers do not warrant the accuracy, genuineness,
authenticity, description, weight, count or measure of any of the lots
specified herein.
Buyer’s Premiums
House Premium
25.5% (of the hammer price) when paying by credit card
23% when paying by check, cash or wire transfer
Reduced Premiums – Floor, Telephone or Absentee Bidders
22.5% if paying by credit card
20% when paying by check, cash or wire transfer
BIDDING INCREMENTS
$100 - $475 @ $25 increments
$500 - $950 @ $50 increments
$1,000 - $1,900 @ $100 increments
$2,000 - $4,750 @ $250 increments
$5,000 - $9,500 @ $500 increments
$10,000 - $19,000 @ $1,000 increments
$20,000 - $47,500 @ $2,500 increments
$50,000 - $95,000 @ $5,000 increments
$100,000 - $190,000 @ $10,000 increments
$200,000 - $480,000 @ $20,000 increments
$500,000 & above @ $50,000 increments,
or at Auctioneer's discretion.
View Illustrated Catalogue Online @
www.johnmoran.com
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1001 Rufino Tamayo (1899-1991 Mexican)
''Sandias (Watermelons)'', 1973, signed in crayon lower right: R. Tamayo, numbered
in crayon lower left: 13/75, color lithograph on paper under glass, paper size:
29.75'' H x 22'' W, est: $1000/2000
Literature: Pereda, 143. Note: Published by Editions Press, San Francisco, CA.
Provenance: Private Collection, Monterey Park, CA. Condition: Visual: Hinged on
the back mat in the upper corners. Remnants of archival tape on the lower corners .
Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1002 Francisco Zuniga (1912-1998 Mexican)
''Madre Juchiteca'', 1973, signed and dated in pencil lower right: Zuniga 1973, numbered
in pencil lower left: 81/100, Editions Press embossed seal lower left, color lithograph on
Arches paper under glass, paper size: 22.5'' H x 30'' W, est: $700/1000
Literature: J. Brewster, ''Zuniga: The Complete Graphics, 1972-1984'', New York, NY,
1984, fig. 9. Provenance: Private Collection, Monterey Park, CA. Condition: Visual:
Generally good condition. The paper with deckled edges. Framed floating and hinged
to the back mat. Not examined out of the frame. Your bid indicates acceptance of our
Conditions of Sale. AS-IS. ALL SALES FINAL
1003 Alexander Calder (1898-1976 New York, NY)
''Boomerang'', 1975, signed in pencil lower right: Calder, numbered in pencil lower
left: 116/125, color lithograph on paper under Plexiglas, paper size: 44'' H x 30.25'' W,
est: $800/1200
Provenance: Private Collection, Monterey Park, CA. Condition: Visual: Generally good
condition. Staining to the paper upper right corner. Minor toning to the paper. The
paper with deckled edges on the right and lower edges. Framed floating and hinged to
the back mat. Not examined out of the frame. Your bid indicates acceptance of our
Composition with spirals and balls, circa 1970, signed in pencil lower right: Calder,
inscribed in pencil lower left: EA, color lithograph on paper under glass, sight size:
22.75'' H x 29.25'' W, est: $600/800
Provenance: Robert Sills Gallery, Inc., North Hollywood, CA. Condition: Visual:
Generally good condition. Very minor toning to the paper. Not examined out of the
frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
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''Spring Carnival'', signed and dated in the plate lower left: Calder 69, color lithograph on
paper under glass, sight size: 17'' H x 25'' W, est: $500/800
Note: Authentication label attached verso from The Collectors Guild, LTD., New York,
NY. Provenance: Private Collection, Carbondale, CO. Condition: Visual: Generally
good condition. Minor toning to the paper. Not examined out of the frame. Your bid
indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1006 Victor Vasarely (1908-1997 French)
''Triond'', signed in pencil lower right: Victor Vasarely, numbered in pencil lower left:
213/250, color silkscreen on paper under Plexiglas, image size: 25.75'' H x 25.75'' W,
est: $500/700
Note: Published by Galerie Denise Rene, Paris. Provenance: Private Collection,
Monterey Park, CA. Condition: Visual: Generally good condition. Minor toning to the
paper. Not examined out of the frame. Your bid indicates acceptance of our Conditions
of Sale. AS-IS. ALL SALES FINAL
1007 A Hagenauer nickel-plated tray
Impressed ''wHw'' mark, further marked ''Made in Austria'', formed as a stylized mouse,
3.75'' H x 24.5'' W x 5'' D, est: $800/1200
Provenance: Private Collection, Little Rock, AR. Condition: Overall good condition.
General marks and scratches commensurate with age and use. Your bid indicates
acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1008 A pair of Hagenauer silver-plated candlesticks
Impressed ''wHw'' trademark, further marked ''Made in / Vienna / Austria'', each with
a stylized figure of Diana the Huntress holding a bird, with a deer atop a network of
fruiting branches issuing two urn-form sockets, on a spreading circular foot, 2 pcs, each
16'' H x 9.5'' W x 4.125'' D, est: $2000/4000
Note: This model illustrated as number 1464 in the 1928 Werkstatt Hagenauer
catalogue. Provenance: Private Collection, Southern California. Condition: Overall
good condition. General marks, scratches, tarnishing and rubbed wear commensurate
with age and use. One slightly bent at neck. Your bid indicates acceptance of our
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1009 Five Italian sterling silver clown figures
After 1968, each marked .925 and with maker's registration mark ''216 GE'', one
additionally marked ''105 AR'', designed in the style of Gene Moore, in various whimsical
poses and holding various accessories, 5 pcs, the tallest 4.5'' H x 1.875'' W x 1.5'' D,
est: $800/1200
Provenance: Private Collection, purchased in the 1990's from Scully & Scully, New York.
Condition: Overall good condition. Minor tarnishing and scratches commensurate
with age. Minor wear to enamel. One figure with balloon detached. Your bid indicates
1010 A mid-century modern tapestry by R. Fumeron
Mid 20th century, woven signature lower right ''r fumeron'' (Rene Fumeron 1921 - 2004
France), depicting a set table and birds in a garden, woven of wool, 53'' H x 75'' W, est:
$500/700
Provenance: Private Collection, Whittier, CA. Condition: Overall good condition. Some
fading to colors commensurate with age. Tack holes along edges, with rust-colored
marks to holes, where previously mounted. Not currently mounted. Some scattered
small spots of fraying to edges and corners, the largest spot 1'' x .75'' to lower left corner.
1011 A bar cart & four stools by Arthur Umanoff for Raymor
1950s, each of wooden slats and woven rush on iron frames, the cart with sliding
blue, orange and black masonite doors with leather pulls and a removable white
masonite base to basket, 5 pcs, the cart 34.5'' H x 35.25'' W x 17.75'' D, the stools each
43'' H x 18'' W x 18'' D, est: $400/700
Provenance: Private Collection, Little Rock, AR. Condition: Overall good condition.
General marks and rubbed wear commensurate with age and use. One stool with a
6.5''-long crack to one slat of seat; appears stable. Another stool with a 1'' x .25'' loss to tip
of one slat of seat. Two leather cords of cart appear to be later replacements of a slightly
different color. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1012 A George Nelson for Herman Miller Executive Desk
Circa 1960, circular metal tag ''Designed by George Nelson / Herman Miller / Zeeland,
Mich.'', walnut veneer over oak secondary wood, the rectangular top ''floating'' over
three drawers on the left-hand side and two on the right, with chromed metal pulls,
raised on chromed metal feet, 29'' H x 71'' W x 35'' D, est: $500/700
Provenance: Private Collection, Valencia, CA. Condition: Overall good condition.
General marks, scratches and wear commensurate with age and use. Sun fading to
veneer. An ''L''-shaped mark to lower right drawer front. Minor losses to veneer along
edge of top and to rear. No key (drawers are unlocked). Your bid indicates acceptance of
our Conditions of Sale. AS-IS. ALL SALES FINAL
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1013 A David Rivera black & clear acrylic modernist desk
Circa 1978, the rectangular top with curved right rear corner, ''floating'' over a
pedestal on the right-hand side comprising two slide-out drawers and a false drawer
separated by clear supports, and a rectangular clear support on the left-hand side,
30.5'' H x 66.125'' W x 24'' D, est: $900/1200
Note: This desk appeared in the 1981 motion picture ''Sharky's Machine'', directed by
and starring Burt Reynolds (see accompanying photos of set). Provenance: Private
Collection, Agoura Hills, CA. Condition: General scratches and marks, particularly to
top, commensurate with age and use. Visible repairs to a large (10.5'' x 3.75'') hole in side
panel of top on the right-hand side. Two shallow abrasions to inward-facing side of clear
support between top and top drawer, the larger .5'' x 1''. Your bid indicates acceptance of
1014 A David Rivera black & clear acrylic modernist cocktail table
Circa 1978, the rectangular top with one curved corner, ''floating'' over two larger,
outset tiers of the same shape separated by clear supports, 16'' H x 69.5'' W x 37.5'' D,
est: $600/900
Note: This table appeared in the 1981 motion picture ''Sharky's Machine'', directed by
and starring Burt Reynolds (see accompanying photos of set). Provenance: Private
Collection, Agoura Hills, CA. Condition: General scratches and marks commensurate
with age and use. A few scattered abrasions along edges. A very small chip to one corner.
An ''L''-shaped, rough line to top, likely a repaired crack. Your bid indicates acceptance
of our Conditions of Sale. AS-IS. ALL SALES FINAL
1015 Marc Chagall (1887-1985 French)
''Le Cirque Ambulant'', 1969, signed in pencil lower right: Marc Chagall, numbered
in pencil lower left: 13/50, color lithograph on Arches paper under glass, image size:
14.5'' H x 21'' W, est: $8000/10,000
Edition: Edition of 50 plus 25 artist's proofs in Roman numerals. Literature: Mourlot,
583. Provenance: Private Collection, Monterey Park, CA. Condition: Visual: Generally
good condition. Not examined out of the frame. Your bid indicates acceptance of our
''La Femme du Peintre (The Artist's Wife)'', 1971, signed in pencil lower right: Marc
Chagall, numbered in pencil lower left: 32/50, color lithograph on Arches paper under
glass, image size: 25.5'' H x 19.75'' W, est: $8000/10,000
Literature: Mourlot, 630. Provenance: Private Collection, Monterey Park, CA.
Condition: Visual: Generally good condition. Very minor toning to the paper. Not
examined out of the frame. Your bid indicates acceptance of our Conditions of Sale.
AS-IS. ALL SALES FINAL
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''Bacchante'', 1973, signed in pencil lower right: Marc Chagall, numbered in pencil
lower left: 41/50, color lithograph on paper under glass, image size: 20'' H x 24'' W,
est: $3000/5000
Condition: Visual: Generally good condition. Minor toning to the paper. Not examined
out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
''Le Prophete (The Prophet)'', 1974, signed in pencil lower right: Marc Chagall,
numbered in pencil lower left: 42/50, color lithograph on paper under glass, image size:
27'' H x 20.75'' W, est: $2500/3500
Condition: Visual: Generally good condition. Toning to the paper. Not examined out
of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1019 Graciela Rodo Boulanger (1935-* Bolivian)
''Nino con la Cabra (Children with Goat)'', signed in pencil lower right: G. Rodo
Boulanger, numbered in pencil lower left: 8/120, color lithograph on paper under
Plexiglas, image size: 21.5'' H x 29.5'' W, est: $600/800
Provenance: Private Collection, Monterey Park, CA. Condition: Visual: Generally good
condition. Minor toning to the paper. Black pigments on the goat and right wagon
wheel with black crystalline texture on the surface intrinsic to the printing process. Not
1020 A Japanese cloisonne vase
Second quarter 20th century, cypher mark to underside of body, and a four-character
mark to underside of foot rim, the short neck over a spreading body encircled by a
continuous band of stylized green foliage and rust and tan-colored flowers on a blue
ground, 6.25'' H x 6.25'' Dia., est: $300/500
Provenance: Property of an Estate, Altadena, CA. Condition: Overall good condition.
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1021 A Japanese cloisonne vase
Second quarter 20th century, cypher mark to underside, and a four-character mark to
underside of foot rim, the short neck over a globular body encircled by a continuous
band of green foliage and rust-colored birds on a tan ground, 6.25'' H x 6'' Dia., est:
$300/500
Provenance: Property of an Estate, Altadena, CA. Condition: Overall good condition.
1022 A Japanese plique-a-jour vase
20th century, unmarked, the ovoid body patterned with two goldfish and stylized kelp or
seaweed outlined with silver wire, 5.25'' H x 3.25'' Dia., est: $500/700
Provenance: Property of a Private Collection, San Gabriel, CA. Condition: Overall
good condition. Some rubbed wear to foot commensurate with age. Your bid indicates
1023 Kitaoji Rosanjin (1883 - 1959 Japanese)
A set of brown-glazed pottery plates, second quarter 20th century, signed to undersides
(some signatures obscured by glaze), of irregular flat circular form, 10 pcs, each
.25'' H x 4.5'' Dia., est: $1500/2500
Note: One of the most famous Japanese artists of the 20th century, Kitaoji Rosanjin was
a multi-talented, self-taught genius, a master of ceramics credited with reviving that art
in Japan, as well as of painting calligraphy, and lacquer ware. He was equally renowned
as a gourmet who pioneered the art of ''bishoku'', an aesthetic fusing the culinary and
visual arts through the careful selection of ceramic dishes to enhance gustatory pleasure,
and likewise the careful selection of food to enhance the visual charm of the dishes.
In 1920 he opened his first of several restaurants, a private dining club, located over
his gallery. As chef and manager, he created seasonal menus of exquisitely composed
delicacies served on his own collection of traditional ceramic dishes. When the
earthquake of 1923 destroyed his collection, he was inspired to make his own ceramics
and undertook a serious study of ceramic history. With the aid of a master he at first
imitated classic Japanese and Chinese forms, which he fired in an ancient kiln that had
fallen into disuse. He quickly began to depart from traditional models and soon achieved
fame for his often daringly simple original designs, which were always primarily inspired
by their function in bishoku. In post-war Tokyo he was discovered by Americans among
the upper ranks of the occupation forces, and was invited by the Rockefeller Foundation
to hold a solo exhibition at the Museum of Modern Art in New York. He accepted the
invitation and made his first trip to America in 1954, determined to demonstrate to
the West the superiority of Japanese culture. Continuing on to Europe, he made a trip
to Vallauris, France, to meet Pablo Picasso, and present him with a vase. It is said that
when Picasso spent too much time admiring the box the vase was packed in rather
than the vase itself, Rosanjin lost his temper, exclaiming ''Not the box, not the box, you
simple child! What I made is inside the box!'' In keeping with his reputation as an enfant
terrible, he twice rejected the offer of title of National Living Treasure by the Japanese
Government. (Sources: Earle, Joe. ''He Shouted at Picasso.'' Bonham's Magazine, Issue
36. Autumn 2013, p. 26. www.bonhams.com/magazine/14294/; Pombriant Manzella,
Kathryn. ''A Remarkable Pioneer: Kitaoji Rosanjin.'' Studio Kotokoto. November 5, 2013.
www.studiokotokoto.com/2013/11/05/a-remarkable-pioneer-kitaoji-rosanjin/; Wee,
Darryl. ''Musee Guimet in Paris Celebrates Japanese Culinary Pioneer.'' Blouin Art Info.
com. October 7, 2013. http://enjp.blouinartinfo.com. Provenance: Property of an Estate,
Altadena, CA, purchased in Japan in the 1950s. Condition: Overall good condition.
One with a .125'' x .125'' shallow chip to rim. Slight variations to dimensions. Your bid
6
A Bizen ware vase, second quarter 20th century, signed to body, of cylindrical form, of
brown and grey-brown color with patches of red, 4.75'' H x 3.75'' Dia., est: $3000/5000
Note: For a note on Kitaoji Rosanjin, please see Lot 1023. Provenance: Property of
an Estate, Altadena, CA, purchased in Japan in the 1950s. Condition: Overall good
condition. Scattered inherent surface eruptions. Your bid indicates acceptance of our
A Bizen ware vase, second quarter 20th century, signed to underside, the cylindrical
neck over a high-shouldered cylindrical body, of reddish-brown color, together with
storage box, 7.75'' H x 6.125'' Dia., est: $4000/6000
condition. Scattered inherent surface eruptions. Your bid indicates acceptance of our
1026 Clifton Karhu (1927-2007 American)
Two works: ''Old House in Kyoto'' and ''Takayama'', the first: signed and dated in pencil
lower right: C. Karhu '68, titled in pencil lower center and numbered in pencil lower left:
22/50; the second: signed and dated in pencil lower right: C. Karhu '64, titled in pencil
lower center and numbered in pencil lower left: 15/50, each: color woodblock on paper,
image size: the first: 12.25 x 22; the second: 10.5'' H x 19'' W, est: $500/800
Provenance: Private Collection, Westminster, CA. Condition: Visual: Each: Generally
good condition. Minor toning to the paper. Not examined out of the frame. Your bid
1027 Tadashi Nakayama (1927-* Japanese)
Galloping Horses, signed and dated in pencil lower left: T. Nakayama 1968, numbered in
pencil lower right: 83/85, color woodblock on paper, est: $400/600
Provenance: Private Collection, Westminster, CA. Condition: Visual: Generally good
condition. Very minor mat burn along the edges. Slight toning to the paper. Not
7
Two Shino ware plates, second quarter 20th century, each signed to underside, of
shallow circular form, with pale grey decoration to tops, 2 pcs, each 1'' H x 5.25'' Dia.,
est: $1500/2500
Note: For a note on Kitaoji Rosanjin, please see Lot 1023. Provenance: Property of an
Estate, Altadena, CA, purchased in Japan in the 1950s. Condition: One with a .75'' x
.25'' shallow chip to rim. The other Shino plate in good condition. Your bid indicates
An Oribe ware dish, second quarter 20th century, signed to underside, circular with
straight walls over a flat base, 1.5'' H x 7.75'' Dia., est: $3000/5000
condition. Two superficial chips to glaze on rim, one .125'' x .0625'', the other .25'' x .125''.
Two pottery plates, second quarter 20th century, each signed to underside, each flowerform with green glaze to petals and incised decoration to the unglazed center, 2 pcs,
each .75 '' H x 6.25'' Dia., est: $600/900
Note: For a note on Kitaoji Rosanjin, please see Lot 1023. Provenance: Property of an
Estate, Altadena, CA, purchased in Japan in the 1950s. Condition: One plate with two
shallow chips to rim, one .25'' x .0625'', the other .375'' x .0625''. The other plate in good
condition. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1031 Joan Miro (1893-1983 Spanish)
''Le Grand Ordinateur'', 1969, signed in pencil lower right: Miro, numbered in pencil
lower left: 35/75, etching with aquatint and carborundum on paper under Plexiglas,
paper size: 41.25'' H x 26.75'' W, est: $8000/10,000
Literature: Dupin, 503. Note: Published by Maeght Editeur, Paris. Provenance: Private
Collection, Monterey Park, CA. Condition: Visual: Generally good condition. The paper
with deckled edges. Paper mounted to the back mat and framed floating. Not examined
SALES FINAL
8
''La Femme des Sables'', 1969, signed in pencil lower right: Miro, numbered in pencil
lower left: 69/75, titled in pencil verso etching with aquatint and carborundum on Arches
paper under Plexiglas, paper sight size: 40'' H x 25.5'' W, est: $8000/10,000
Literature: Dupin, 500. Note: Published by Maeght Editeur, Paris. Provenance: Private
Collection, Monterey Park, CA. Condition: Visual: Generally good condition. Mounted
with hinge tape to the back mat. Slight horizontal rippling evident along the left side
where the edge of the paper is visible inside the mat. Some scattered handling creases.
Very minor toning. Residual tape on lower center edge. Your bid indicates acceptance of
Figure of an animal, signed in pencil lower right: Miro, numbered in pencil lower left:
LXXI/LXXXX, color lithograph on paper under glass, sight size: 10.75'' H x 11.75'' W,
est: $700/1000
Generally good condition. Toning to the paper. Not examined out of the frame. Your
bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1034 Pablo Picasso (1881-1973 Spanish)
''Femme Couchee et Homme a la Guitare'' (B. 916; Ba. 1234 IIB), 1959, signed in pencil
lower right: Picasso, numbered in pencil lower left: 31/50, linocut in colors on Arches
paper under Plexiglas, image size: 20.75'' H x 25'' W, est: $5000/7000
Note: Published by Galerie L. Leiris, 1960. Provenance: Private Collection, Monterey
Park, CA. Condition: Visual: Arches paper mark visible under the matting along the center
upper edge. Mat burn. Hinged with masking tape on right center and left center edges.
Evidence of prior mounting on the upper corners. Your bid indicates acceptance of our
1035 Withdrawn
9
1036 Salvador Dali (1904-1989 Spanish)
''Moses'', 1973, signed in pencil lower right: Dali, numbered in pencil lower left: 21/150,
color lithograph on paper under glass, image size: 24'' H x 17.75'' W, est: $500/700
Generally good condition. Toning to the paper. Not examined out of the frame. Your
1037 Robert Watson (1923-2004 Poway, CA)
Surrealist figures in a structure, signed and dated lower left: R. Watson '59, oil on canvas,
33'' H x 17.25'' W, est: $800/1200
Provenance: Private Collection, Los Angeles, CA. Condition: Visual: Generally good
condition. Frame abrasion along the left and right edges. Blacklight: No evidence of
restoration under blacklight. Your bid indicates acceptance of our Conditions of Sale.
1038 Andre Alexeyevich Jawlensky (1902-1984 Russian)
Three works: ''Der Rote Segler'' (The Red Sailboat), ''Die Kapelle am Hafeu'' (Chapel at
the Port) and ''Die Drei Zypressen'' (The Three Cypress Trees), each: signed lower left:
Andreas Jawlensky, inscribed and dated lower right: Alassio 1965, signed, titled and
dated again on backing papers verso, titled again on gallery labels verso, each: oil on
board, each: 5.5'' H x 7'' W, est: $1000/1500
Provenance: Each: Dalzell Hatfield Galleries, Los Angeles, CA; Private Collection, Los
Angeles, CA. Condition: Visual: Each: Generally good condition. Blacklight: Each:
No evidence of restoration under blacklight. Your bid indicates acceptance of our
1039 Romain (Erte) de Tirtoff (1892-1990 Russian)
Woman in a butterfly kimono, signed right center: Erte, gouache on Arches paper under
Plexiglas, sight size: 12'' H x 9.25'' W, est: $600/800
Provenance: Private Collection, Acton, CA. Condition: Visual: Generally good
condition. Very minor toning to the paper. Not examined out of the frame. Your bid
10
Costume design, lady in a green and gold ball gown, signed right center: Erte, studio
stamped and numbered verso: N. 4539, gouache on paper under Plexiglas, sight size:
11.75'' H x 9'' W, est: $600/800
condition. A scuff in the paper with minor paint loss in the woman's hair. Very minor
toning to the paper. Not examined out of the frame. Your bid indicates acceptance of
Tribal Masks, signed right center: Erte, signed again verso and with studio stamp,
gouache on paper under Plexiglas, sight size: 4.75'' H x 9.5'' W, est: $500/700
condition. Not examined out of the frame. Your bid indicates acceptance of our
1042 An Amphora pottery pitcher
Circa 1910, Turn-Teplitz, Austria, with impressed circular ''Imperial-Amphora / Turn''
mark, impressed crown mark, and impressed ''Amphora'' within an oval and ''Austria''
within an oval, further impressed ''11687'' and ''54'', the ovoid body with three openwork
floral medallions each centering a blue cabochon and glazed to interiors in blue, issuing
three handles and a short spout each joined to the rim of the narrow short neck and
decorated with further blue cabochons, the exterior glazed all over in iridescent gold
volcanic glaze, 8'' H x 7.5'' W x 7.25'' D, est: $500/700
Condition: Overall good condition. Minor rubbed wear to glaze. Your bid indicates
1043 A Vienna cold-painted bronze lamp
Early 20th century, signed ''A. Ruff '', modeled as a boy pulling another boy on a donkey
beneath a Moorish arch beside a palm tree, on an integral base mounted to a rectangular
marble base, electrified, 16'' H x 13'' W x 7.5'' D, est: $1500/2500
Condition: Overall good condition. Rubbed wear to painted surfaces commensurate
with age and use. A few minor chips along edges of marble base. Wiring should be
checked by a qualified electrician prior to use. Your bid indicates acceptance of our
11
1044 A painted bronze & green onyx desk set
Late 19th / early 20th century, the rectangular base mounted with three polychromepainted birds perched on a branch and a holder for a pen, together with a green onyx
letter knife, 8.5'' H x 18'' W x 8'' D, est: $600/900
Condition: General scratches and marks commensurate with age and use. Rubbed
wear to painted surfaces. Minor chips to handle of letter knife. Lacking pen. Your bid
1045 Francois Alphonse Piquemal (active late 19th / early 20th century
French)
''Houdon Carnaval'', bust of a smiling lady in a hat, flanked on one side by a masked man
and on the other by a frowning man, incised signature ''A. Piquemal / Paris'', patinated
bronze, together with an associated stone base, 20.5'' H x 16.25'' W x 8'' D, est: $900/1200
Provenance: Property from a Private Collection, Rancho Palos Verdes, CA. Condition:
Overall good condition. General marks and scratches commensurate with age. Rubbed
wear to patination. Minor chips along edges of base. Not mounted to base. Dimensions
do not include base. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1046 After Louis Icart ''L'Accident''
Circa 1970s, incised to base ''L'accident'' and ''Louis Icart'', impressed ''87 / 350'', also with
foundry seal ''Editions FFH Paris'', depicting a standing woman in a state of dishabille,
patinated bronze, the integral square base mounted to a stepped square black stone base,
the bronze 13.5'' H; overall 15'' H x 9'' W x 9'' D, est: $800/1000
Provenance: Property of a Private Collection, San Gabriel, CA. Condition: Overall good
condition. Dust accumulation. Patinated in two colors. Your bid indicates acceptance of
1047 Louis Icart (1888-1950 French)
''Joy of Life (Joie de Vivre)'', 1929, signed in pencil lower right: Louis Icart, numbered
lower left margin: E 314/500, copyright inscription upper left: Copyright 1929 by L.
Icart, Paris, and with windmill embossed seal lower left, drypoint etching and aquatint
with gouache highlights on paper under Plexiglas, plate size: 24.5'' H x 16'' W, est:
$800/1200
Literature: W.R. Holland et al., ''Louis Icart: The Complete Etchings.'', Atglen, PA:
Schiffer, 2002, p. 169, fig. 359. Provenance: Private Collection, San Gabriel, CA.
SALES FINAL
12
Nude women peeking into a barrel, signed in pencil lower right: Louis Icart, inscribed in
pencil lower left: Livre II Chap. 1er, watercolor and graphite on paper laid to foamboard
under Plexiglas, image size: 8.25'' H x 6.5'' W, est: $600/800
Note: The present work is likely a bookplate. Provenance: Private Collection, Acton, CA.
Condition: Visual: Generally good condition. The paper is slightly rippled along the right
edge. Toning to the paper along the upper, lower and right edges. Framed floating and
hinged to the back mat. Not examined out of the frame. Your bid indicates acceptance
''Blue Macaw (Ferreau au Perroquet)'', 1920, signed in pencil lower right: Louis Icart,
numbered in pencil lower left: 261, copyright inscription lower left: Copyright by les
Graveurs Modernes, 14 Rue de Rivoli, Paris, copyright inscription lower right: Copyright
1920 by the F.H. Bresler & Co., Milwaukee, USA, drypoint etching and aquatint with
gouache highlights on paper under glass, oval plate size: 18.75'' H x 15.25'' W, est:
$500/700
Schiffer, 2002, p. 59, fig. 118, this example illustrated. Provenance: Private Collection,
San Gabriel, CA. Condition: Visual: Generally good condition. Minor toning to the
paper. Spots of foxing scattered throughout. Not examined out of the frame. Your bid
''Sleeping Beauty (La Belle au Bois Dormant)'', 1927, signed in pencil lower right: Louis
Icart, copyright inscription upper left: Edite par les Artistes Modernes, 5 rue Scribe,
Paris, 1927, and with windmill embossed seal lower left, etching and aquatint with
gouache highlights on paper under Plexiglas, oval plate size: 14.5'' H x 18.5'' W, est:
$500/700
Schiffer, 2002, p. 153, fig. 323. Provenance: Private Collection, San Gabriel, CA.
SALES FINAL
1051 A Tiffany Studios ''Zodiac'' gilt bronze letter rack
Early 20th century, stamped ''Tiffany Studios / New York'' and ''1030'', having three
graduated tiers, 8.25'' H x 12'' W x 3.5'' D, est: $600/800
Provenance: Property of a Private Collection, San Gabriel, CA. Condition: Overall
good condition. Some general rubbed wear to patina commensurate with age and use.
Discoloration to patina of backside of rear panel, possibly from sun exposure. Your bid
13
1052 A Tiffany Studios ''Grapevine'' gilt bronze jewelry box
First quarter 20th century, impressed ''Tiffany Studios / New York'' and ''816'',
rectangular, the hinged top and sides with pierced panels over caramel-colored slag glass
enclosed in beaded borders, the interior fitted with velvet-lined trays, underside of lid
also velvet-lined, 2.75'' H x 6.75'' W x 4'' D, est: $700/900
Provenance: Private Collection, Southern California. Condition: Overall good
condition. Some rubbed wear and oxidation to finish. Velvet lining and trays later
additions. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1053 An L & JG Stickley oak library table no. 532
Circa 1910, remnants of paper label to interior of right-hand drawer, the rectangular
brown leather-covered top over two drawers with copper pulls, on square legs
joined by stretchers supporting a shelf with double keyed mortise-and-tenon joints,
29'' H x 54'' W x 32.5'' D, est: $800/1200
Literature: This model illustrated in the 1910 ''Handcraft Furniture of L. & J.G. Stickley''
Catalogue. Condition: Overall good condition, unrestored, with original finish and
hardware. Structurally sound. General marks and scratches, and scattered minor chips
to timber commensurate with age and use. A chipped loss to one mortise-and-tenon
joint. Shrinkage cracks to three mortise-and-tenon joints. Stable shrinkage cracks to
shelf. A split to one drawer bottom. Dust panel beneath drawers severely warped. The
leather soft and in good condition, with scattered scratches and indentations. Your bid
1054 A Gustav Stickley child's dresser no. 921 & chair no. 398
Circa 1912 - 1916, of oak, each with ''Als Ik Kan'' over ''Stickley'' branded shop mark, the
dresser also with paper label with trademark and guarantee, the dresser with swivelmounted rectangular mirror flanked by slatted upright panels, over a rectangular top
over two short drawers and two long drawers enclosed by bracketed side panels; the
chair with square back with H-form splat over an inset trapezoidal rush seat raised on
square tapering legs joined by single stretchers to the front and double stretchers to each
side; 2 pcs, the dresser 51.5'' H x 36'' W x 16'' D; the chair 32.5'' H x 16.75'' W x 16'' D, est:
$2000/3000
Literature: This model illustrated in the 1905 supplement to Stickley Catalog D.
Provenance: Private Collection, Los Angeles, CA. Condition: Overall good condition.
Structurally sound. General minor marks, scratches and wear commensurate with age
and use. The chair with some abrasions and minor nicks to seat rail, stretchers and legs.
The chest with a .5''-long nick to front edge of top and scattered small water spots to top.
1055 A Gustav Stickley / Harvey Ellis chest of drawers, no. 913
Circa 1905 -1912, with ''Als Ik Kan'' over ''Gustav Stickley'' red decal shop mark, of oak,
the outset rectangular top over six short drawers arranged in three rows over three long
drawers, all with round wooden pulls, over an arched apron on square tapered legs,
raised on casters, 52'' H x 36'' W x 20'' D, est: $3000/5000
Literature: This model illustrated in the 1904 Stickley catalogue (shown with copper
pulls). Provenance: Private Collection, Los Angeles, CA. Condition: Overall good
condition. Structurally sound. General minor marks and scratches. A circular gouge to
rear side of backsplash. Original finish. The casters later additions. Your bid indicates
14
1056 A Gustav Stickley chest of drawers, no. 906
Circa 1910 - 1912, with ''Als Ik Kan'' over ''Stickley'' branded shop mark, also with paper
label with trademark and guarantee, of oak, the outset rectangular top over two short
drawers and four graduated long drawers with ''banded'' and riveted iron hardware with
ring pulls, enclosed by paneled sides, 47.5'' H x 41'' W x 21'' D, est: $6000/8000
Note: According to Stephen Gray, the ''overall size, design and weight of this piece are
similar to earlier versions. However, in 1910 a significant change occurs in the design of
the hardware. Gustav introduced large ring pulls and hammered vertical bands affixed
to the drawers by faceted rivets. He also reduced the heights of the bands after 1910 and
the model finally disappeared from the line in 1912.'' (Stephen Gray, ''Gustav Stickley
after 1909'', Philmont, NY: 1995, p.138. Provenance: Private Collection, Los Angeles,
CA. Condition: Overall good condition. Structurally sound. Scattered minor nicks,
scratches and abrasions commensurate with age and use. Wear to legs. Sun fading to top
and one side panel. A 5'' x 2'' green stain to one side panel. A 9'' x 6'' water stain to top.
Oxidation to hardware. Original finish. Your bid indicates acceptance of our Conditions
1057 A Dirk Van Erp copper & mica table lamp
Impressed closed box windmill mark, the trumpet-form base fitted with three sockets
with acorn pull chains and issuing three curved arms supporting a conical shade with
three panels divided by riveted straps and a rolled rim, electrified, 18'' H x 19'' W, est:
$5000/8000
Provenance: Private Collection, Los Angeles, CA, acquired prior to 1984. Condition:
Overall good condition. General light scratches commensurate with age and use.
Some rubbed wear to shade. Sockets replaced. Would benefit from rewiring. Your bid
1058 A leaded glass & patinated metal table lamp
Early 20th century, the tapering shade with yellow daffodils and green foliage over a
baluster-form base issuing four sockets, electrified, 23.5'' H x 20.25'' Dia., est: $800/1000
condition. General rubbed wear, marks and scratches. Three switches marked ''Bryant'',
one switch marked ''Yost''. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
1059 A large Quezal iridescent glass shade
First quarter 20th century, etched signature to fitter rim ''Quezal'', of domed circular
form with pulled feather design in green and white with touches of yellow, made for a
ceiling fixture, 8.25'' H x 16'' Dia., est: $800/1000
condition. Scattered inherent bubbles to underside of body and along rim. Your bid
15
1060 Two reverse-painted glass lamp shades
Early 20th century, each decorated with continuous landscape scenes, the first: bellshaped (6.75'' H x 13.75'' Dia.), the second: dome-shaped (7.25'' H x 16.75'' Dia.), 2 pcs,
est: $300/500
Provenance: Private Collection, Agoura Hills, CA. Condition: Each in overall good
condition. General minor scratches and marks commensurate with age and use. Made
for use with electric table lamps. Your bid indicates acceptance of our Conditions of
Sale. AS-IS. ALL SALES FINAL
1061 A pair of pottery tiles
Late 20th century, impressed mark ''Delft'' beneath an urn and the letter ''F'', possibly for
Foster Brothers, each rectangular, relief-decorated and polychrome-enameled with a
peacock, 2 pcs, each 5'' H x 17.125'' W x 0.625'' D, est: $500/800
Condition: Overall good condition. Each with two holes drilled to rear (holes do not
extend through to front). Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
1062 Philip Gerlach (20th Century- Santa Ynez, CA)
''Happy Canyon, Santa Ynez Valley, CA'', Mr. Beaton's former wine ranch, signed and
dated and with copyright symbol in pencil on the mat lower right: 2000 Philip Gerlach,
numbered and titled in pencil on the mat lower left: 51/250, color photograph on paper
under glass, sight size: 25.5'' H x 39.5'' W, est: $500/700
Provenance: Property of an Estate, Altadena, CA. Condition: Visual: Generally good
1063 Henry Chapman Ford (1828-1894 Santa Barbara, CA)
Mission Santa Barbara, signed in pencil in the margin lower right: Henry Chapman
Ford, signed again and dated in the plate lower right: H.C. Ford '88, etching on paper,
plate size: 5'' H x 7.25'' W, est: $600/800
Provenance: Property of an Estate, Glendale, CA. Condition: Visual: Generally good
condition. Minor toning to the paper. Not examined out of the frame. Your bid
16
1064 Paul Landacre (1893-1963 Los Angeles, CA)
Two works: ''Giuseppe Verdi'' and a wild boar, the first: signed in pencil in the margin
lower right: Paul Landacre, titled and numbered in pencil in the margin lower left:
19/60; the second: signed in pencil in the margin lower right: Paul Landacre, signed with
the artist's monogram device in the plate lower right, each: etching on paper under glass,
image size: the first: 6.75 x 4.5; the second: 4.75'' H x 6.75'' W, est: $500/800
Provenance: Property of an Estate, Glendale, CA. Condition: Visual: Each: Generally
good condition. Minor toning to the paper. Not examined out of the frame. The first
with a very small spot of staining to the paper on the figure's forehead. The second with a
few light spots of staining to the paper lower left. Your bid indicates acceptance of our
1065 A Southwest regional rug
Circa 1940s, woven of wool with a concentric serrated ''x'' medallion in cream, dark
brown, red, grey, gold and cream within a red fret border, 6'11.5'' H x 5'1'' W, est:
$1200/1700
Provenance: Private Collection, Mt. Zion, IL. Condition: Overall good condition. A few
areas of fugitive dye. Stains scattered throughout. Would benefit from cleaning. Your
1066 A Southwest regional pictorial rug
Early 20th century, finely woven of wool with arrows centering two conjoined
concentric diamond medallions in tan, cream, dark brown and grey on a cream field
within a dark brown and red serrated border, 9'5'' H x 3'8.5'' W, est: $1500/2500
Provenance: Purchased at Goulding's Trading Post Monument Valley. Condition:
Overall good condition. Fine, tight weave. Scattered minor stains throughout, mostly to
one side. Would benefit from cleaning. A small area of minor dye bleeding to one end
on one side. Minor wear to one corner. A few minor breaks to one selvedge. Your bid
1067 A Teec Nos Pas weaving
Circa 1930, woven of wool in tan, orange, cream, dark brown, grey and red with two
conjoined serrated concentric diamond medallions within a border of frets, concentric
triangles and serrated triangles, 8'6'' H x 4'2'' W, est: $1500/2000
Provenance: Private Collection, Mt. Zion, IL. Condition: Overall good condition. Minor
wear to two corners. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
17
1068 A Ganado weaving
Circa 1940, of wool, designed with two pairs of conjoined concentric serrated diamonds
in brown and cream, flanking a diamond and two half-diamonds in grey, on a red field
within a brown and cream serrated border, 8'3'' H x 4'7'' W, est: $750/1000
Provenance: Private Collection, Mt. Zion, IL. Condition: Overall good condition. Minor
bleeding to one area of the border- does not extend through to other side. A loose
selvedge stitch to one corner. Your bid indicates acceptance of our Conditions of Sale.
1069 A Porfirio Period Saltillo serape
Circa 1920, woven of wool and cotton, the red-ground field accented with small floating
motifs in various bright colors and centered by an elaborate polychrome aggregate
diamond medallion, within a polychrome border of bifurcated diamonds and ''X'' motifs,
with striped bands to each end, with netted fringe ends, 7'5'' H x 3'7'' W, est: $750/1100
Provenance: Private Collection, Mt. Zion, IL. Condition: Overall good condition. Your
1070 A polychrome Acoma seed pot
Late 19th century, of globular form with a concave base and high shoulders and a
concave indentation encircling the slightly upturned rim, painted with two bands of
stepped triangular motifs in red, brown and white, 6.25'' H x 9.5'' Dia., est: $1000/1500
Condition: Overall good condition. General scratches and abrasions to surface. Your bid
1071 A monumental Zia pottery jar by JD Medina
Second half 20th century, signed ''JD Medina'' (Jose de la Cruz Medina b. 1935),
polychrome-painted with Native American spirit dancers on a white ground,
23'' H x 26'' Dia., est: $3000/5000
Provenance: Private Collection, Beverly Hills, CA. Condition: Overall good condition.
Some scattered minor abrasions and marks. A 1.75''-wide spider crack to paint surface
without paint loss. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
18
1072 A San Ildefonso brownware jar by Carmelita Dunlap
Signed ''Carmelita Dunlap / San Ildefonso / Pueblo / 198(1?)'' (Carmelita Dunlap 1925
- 2000), the squat globular body decorated with a band of curved and serrated motifs,
the tapering neck with a band of feathers, matte-painted on a polished brown slip,
7'' H x 10'' Dia., est: $800/1200
Provenance: Private Collection, Agoura Hills, CA. Condition: Overall good condition.
Some rubbed wear and scattered minor scratches to surface. Your bid indicates
1073 A San Ildefonso brownware vessel by Carlos Dunlap
Incised signature ''Carlos Sunrise Dunlap'' (Carlos Dunlap 1958 - 1981), the highshouldered tapering body on a flat base, the thickly potted walls matte-painted with
geometric motifs on a polished brown slip, 9.5'' H x 12'' Dia., est: $800/1200
Rubbed wear and several scratches to surface scattered throughout. A 1'' x .25'' area of
abrasions to matte decoration revealing bare clay. Your bid indicates acceptance of our
1074 A Navajo silver concho belt
Second quarter 20th century, of tan leather with a square repousse buckle set with four
turquoise stones and nine rectangular scalloped repousse conchos, each set with a
turquoise stone, alternating with ten repousse butterfly spacers, attached with copper
straps, length 38.5'', est: $300/500
Condition: Overall good condition. The leather darkened commensurate with age.
Tarnishing to silver. Each concho 1.25'' H x 1.5'' W. Your bid indicates acceptance of our
1075 Harry Jackson (1924 - 2011 Sheridan, WY)
''Iroquois Guide II'', incised signature and date to base: Harry Jackson 1980, signed
and dated again in paint to base, stamped with artist's WFS Italia foundry mark and
thumbprint to base, further incised to base: IG IIP 76P, polychromed bronze on a black
marble base, 14.5'' H x 7.5'' W x 8.75'' D, est: $2000/3000
Provenance: Private Collection, Glendale, CA. Condition: Generally good condition.
A few minor scratches to paint on base and around figure's right shoulder. Your bid
19
1076 R. C. Gorman (1932-2005 Santa Fe, NM)
Seated Navajo woman in a blue and white blanket, signed, dated and indistinctly
inscribed lower right: '87 China O'Brien / RC Gorman, oil pastel on Canson Mi-Teintes
paper under glass, 18.5'' H x 24.5'' W, est: $3000/4000
Provenance: Private Collection, Dyer, NV. Condition: Visual: Generally good condition.
Minor toning to the paper. Not examined out of the frame. Your bid indicates
1077 Harrison Begay (1914-2012 Albuquerque, NM)
''Navajo Feather Dancer'', two works: A male dancer and a female dancer, each: signed
lower right: (c) Harrison Begay, each: titled lower left, each: gouache on paper under
glass, sight size: each: 11.75'' H x 9.75'' W, est: $800/1200
Provenance: Private Collection, Lafayette, CA. Condition: Visual: Each: Generally good
condition. Minor mat burn along the edges. Not examined out of the frame. Your bid
1078 Edward James Fraughton ( 1939 -* Salt Lake City, UT)
''National Emblem'', bucking bronco, signed ''Edward J. Fraughton'', numbered 12/50,
and dated 1984 with copyright symbol, patinated bronze, mounted to a square stone
base, the bronze 10.75'' H; overall 12.75'' H x 11'' W x 7.25'' D, est: $1000/2000
Provenance: Private Collection, Los Angeles, CA. Condition: Overall good condition. A
few scattered minor marks. Localized oxidation spots. Dark brown patination. Scattered
minor chips to base. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1079 A Tex Tan copper-mounted western parade saddle made for Joseph
Zerilli
Circa 1944, Yoakum, TX, of finely tooled leather in two colors mounted with 228 pieces
of copper, together with a later associated head stall, breast collar and reins made by
Clint Marrs, Recue, California, circa 1990, 18'' H x 28'' W x 19'' D, est: $4000/6000
Note: This saddle was a custom order for Joseph Zerilli (1897 - 1977). Zerilli also ordered
at the same time a silver-mounted saddle for his brother. An immigrant from Sicily
who rose to become one of the most prominent members of the Italian-American
crime families from the 1930s through the 70s, Zerilli assumed leadership of the
Detroit mafia, known as the Detroit Partnership, in 1964. He posed as a bread baker
and businessman while making as much as $150 million a year from illegal enterprises.
Though he spearheaded numerous criminal schemes, including loan sharking, extortion,
racketeering and bookmaking, and was suspected in many murders, the only criminal
charges he was ever convicted of were speeding and carrying a concealed weapon.
Provenance: Private Collection, Sterling Heights, MI, purchased circa 1994 from
Joseph Zerilli's grandson. Condition: Overall good condition. Please note: Stand NOT
included. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
20
1080 A Ted Flowers nickel silver-mounted parade saddle
Circa 1950s, of tooled leather in two colors, the plates diamond-shaped and circular
with embossed horse heads, together with bridle and reins, breast collar, tapaderos,
serapes and rump cover, seat size 14.5'', est: $3000/5000
Condition: Scattered losses to plates. Some plates detached (pieces retained). A few
plates bent and partially detached. Some oxidation to plates. Leather dry and cracked
in areas. Dents to gullet. Several breaks to leather of rump cover, with pieces detached
and retained. Please note: Stand NOT included. Your bid indicates acceptance of our
1081 A pair of wrought iron lamp bases
First half 20th century, composed of horseshoes, chains, hooks and tools, electrified,
each 30.5'' H x 8.5'' Dia., est: $500/700
Condition: Overall good condition. Heavy oxidation throughout. Wiring should be
checked by a qualified electrician. No shades. Your bid indicates acceptance of our
1082 A Northwest Coast ceremonial rattle
Late 19th century, of carved cedar wood polychrome-painted in green, red and black,
comprising two joined sections, 7.75'' H x 5'' W x 3.5'' D, est: $10,000/20,000
Provenance: Private Collection, Montecito, CA. Condition: Overall good condition.
General minor abrasions and a few minor nicks commensurate with age and use. Wear
and light oxidation to polychrome finish. Losses to original cedar wrapping on handle;
some remnants remain. Losses to two of the three tied leather fasteners. Your bid
1083 An Apache basketry bowl
Early 20th century, of shallow circular form, woven of devil's claw and willow with
an intricate design of stepped and checkered bands radiating from a dark center,
3.5'' H x 11.75'' Dia., est: $1000/2000
Provenance: Private Collection, Pasadena, CA. Condition: Overall good condition.
A nail hole to base. Lacking two stitches to rim near the coil end. Your bid indicates
21
1084 A large Yokuts mush basket
Circa 1890s, the tapering walls decorated with three meander bands, on a flat base,
8.5'' H x 18.5'' Dia., est: $2000/3000
Provenance: Originally purchased in the Grapevine Canyon area. Condition: Two
breaks to rim, one extending 1'' downwards into wall, the other extending .25''
downwards. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1085 A Yavapai Apache figural basket
Early 20th century, circular, woven of devil's claw and willow, the tapering walls
decorated with six human figures within triangles, over a flat base centering a star, with a
partially beaded leather strap woven into rim, 5'' H x 16'' Dia., est: $1500/2000
Provenance: Private Collection, Pasadena, CA. Condition: Overall good condition. The
leather strap broken. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1086 An Apache basket
Early 20th century, circular, woven of devil's claw and willow, the flat base centering
a circle issuing five zigzag double lines extending upwards through the high walls
decorated with three horizontal checkered bands, 4.25'' H x 12.75'' Dia., est: $1000/1500
Minor stitch loss to rim (approximately eight stitches). A nail hole to wall near base.
1087 A Pima coiled basket
Early 20th century, of tapering circular form, woven of devil's claw and willow, the dark
center surrounded by a fret pattern, 4.5'' H x 16.5'' Dia., est: $500/700
Some fading. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
22
1088 An Apache basketry bowl
Early 20th century, circular, the flat base with a dark circle centering a radiating star
motif, 3.5'' H x 13.25'' Dia., est: $800/1200
Minor soiling. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1089 An Apache figural bread basket
Second quarter 20th century, of oval form on a flat base, woven of devil's
claw and willow with four figures alternating with four geometric panels,
3.5'' H x 15.5'' W x 8.5'' D, est: $500/800
Condition: Interior with areas of wear to stitches. Scattered spots of stitch loss to rim.
A tear to rim extending .375'' downwards into wall. A patch of red dye or ink run to
interior of base extending through to exterior. Your bid indicates acceptance of our
1090 A Native American regional rug
Circa 1930, woven of natural grey, brown and cream and red-dyed wool with serrated
half-diamonds within a central hooked vertebrate motif and conjoined stepped
diamonds within a meander border, 7'4'' H x 4'7'' W, est: $800/1200
Scattered light stains and small spots of soiling. Minor wear to edges of three corners.
Minor dye bleeding to one side. Your bid indicates acceptance of our Conditions of Sale.
1091 A Native American transitional rug
Circa 1910, of natural brown and cream and red-dyed wool, centered by two conjoined
concentric diamonds flanked by meander motifs within a double fret border,
7'1'' H x 4'9'' W, est: $1000/1500
Wear to one corner. Areas of dye bleed throughout. A repair extending 4 inches from
selvedge. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
23
1092 A Navajo Crystal weaving
Early 20th century, of wool, designed with geometric motifs in cream, grey and dark
brown on a grey field within a brown and cream border, 4'3'' H x 7'7'' W, est: $750/1000
Condition: Overall good condition. Minor wear to all four corners. Some minor
staining. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1093 A Navajo blanket
Second quarter 20th century, woven of natural and orange and red-dyed wool with
concentric diamonds, arrows, crosses and other motifs within a large keyed ''H'',
7'9'' H x 4'9'' W, est: $800/1200
condition. A 1.5'' x 2'' repair to field. Your bid indicates acceptance of our Conditions of
1094 Fredrick Prescott (b. 1949 New Mexico)
New York cityscape, kinetic sculpture depicting the World Trade Center, Empire State
Building, Chrysler Building, Brooklyn Bridge, and Statue of Liberty with airplane, taxis,
bus, pedestrians and King Kong, signed and dated to base: Prescott 1989, polychromepainted steel, 86.5'' H x 72'' W x 29'' D, est: $2000/3000
condition. Some rubbed wear to paint. Areas of oxidation throughout. Your bid
1095 Jean Varda (1893-1971 San Francisco, CA)
''The Bird Party'', appears unsigned, titled by the artist, mixed media collage on fabric
mounted to panel, 32'' H x 48'' W, est: $800/1200
Provenance: Private Collection, Agoura Hills, CA, acquired directly from the artist,
1960s; by descent in the family to the present owner. Condition: Visual: Mixed media
comprises various types of fabric, bamboo mat, possible wall paper. A feather element
is missing from the left center and two other feather elements are partially unattached.
Various elements with ripples or small tears that appear to be intrinsic to the mounting
and are assumed to be in the artist's hand. Soiling and staining throughout. The
panel mounted to an artist-made panel frame. Your bid indicates acceptance of our
24
1096 Dan Wiesendanger (1915-1996 Los Angeles, CA)
Abstract, signed and dated lower left: Wiesendanger 1968, unframed oil on plywood,
60'' H x 48'' W, est: $500/700
condition. Surface grime. Uneven varnish. Wear and tear along the edges. Blacklight:
''Floating Blocks'', signed verso: Dan Wiesendanger, titled verso, oil on masonite panel,
48'' H x 60'' W, est: $500/700
condition. Surface grime. Blacklight: No evidence of restoration under blacklight. Your
''Vortex'', signed and dated lower left: Dan '68, signed and dated again and titled verso:
1968, oil on canvas, 46'' H x 60'' W, est: $500/700
condition. Scattered areas of paint shrinkage. Surface grime. Blacklight: No evidence of
restoration under blacklight. Your bid indicates acceptance of our Conditions of Sale.
Abstract triangles, unsigned , oil on canvas, 48.75'' H x 48.75'' W, est: $500/700
condition. Surface grime. Blacklight: A few spots of touch-up in the center in the yellow
pigments. Uneven varnish. Your bid indicates acceptance of our Conditions of Sale.
25
1100 Dorothy Alden Morang (1906-1994 Santa Fe, NM)
Dark abstract figure, signed and dated lower left: Dorothy Morang 1967, pastel on black
paper under glass, sight size: 19.75'' H x 24.5'' W, est: $800/1200
Provenance: Private Collection, Little Rock, AR. Condition: Visual: Generally good
1101 After Jacques Kapralik
A collection of watercolor advertisements, including illustrations of Kapralik's works
for movies: 'Naked City', 'A Man Called Peter', 'Executive Suite', 'Suspense', 'Arch of
Triumph', 'Vera Cruz', 'Our Very Own', 'Plymouth Adventure', 'The Man from Laramie',
each signed: C. Macdonald, some dated from 1948 - 1955, each: watercolor, ink and
graphite on paper under glass, 9 pcs, est: $800/1200
Note: The present collection appears to be period copies of Kapralik's famous paper
cut-out Sunday Review covers published in the 1940s and 50s. Production notes about
actors, directors and studios are footnoted in the lower margin of each painting. Movie
stars featured include Gary Cooper, Jimmy Stewart, Burt Lancaster, Spencer Tracy,
Barbara Stanwick, and Ingrid Bergman. Provenance: Private Collection, Simi Valley,
CA. Condition: Each: Minor soiling and scattered minor staining. 'Naked City' and 'the
Man from Laramie' with handling creases and corner pin holes. Not examined out of the
frames. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1102 After Jacques Kapralik
A collection of watercolor advertisements, including illustrations of Kapralik's works
for movies: 'The Snows of Kilimanjaro', 'Easter Parade', 'White Christmas', 'Deep in My
Heart', 'Melba', 'The Robe', 'The Egyptian' and 'Salome', each signed: C. Macdonald, some
dated from 1948 - 1954, each: watercolor, ink and graphite on paper under glass, 8 pcs,
est: $800/1200
Note: The present collection appears to be period copies of Kapralik's famous paper
cut-out Sunday Review covers published in the 1940s and 50s. Production notes about
actors, directors and studios are footnoted in the lower margin of each painting. Movie
stars featured include Danny Kaye, Bing Crosby, Rosemary Clooney, Richard Burton,
Judy Garland, Fred Astaire, Ava Gardner and Victor Mature. Provenance: Private
Collection, Simi Valley, CA. Condition: Each: Minor soiling and scattered minor
staining. 'Easter Parade' with handling creases and framed without glass. Not examined
out of the frames. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1103 A Regina tabletop music box & discs
Circa 1900, serial number 56166, the oak case with carved molding enclosing the
double-comb mechanism, with crank and nine discs, 11'' H x 22.5'' W x 20'' D,
est: $1000/1500
The case with marks, scratches, nicks and wear commensurate with age and use,
separation to corner joints, and a 3''-long loss to molding on right-hand side. Lid prop
detached. Underside of lid painted gold and applied with a decal. Mechanism winds,
runs and plays. Each comb with two broken teeth. Moran's does not guarantee working
condition. The discs in various states of condition; some warped and bent and / or
oxidized. The discs 15.5'' Dia. Your bid indicates acceptance of our Conditions of Sale.
26
1104 A Polyphon upright music box
Early 20th century, with paper label to interior ''Nicole Freres, Ltd / Fabricants'' with
trademark, and circular metal plaque ''Polyphon / Marque de Fabrique / Schutz
/ Marke / Trademark'', and paper label ''Please apply for list of additional airs and
state: Disc 25 1/4 diameter'', the hand wound double comb mechanism housed in a
glazed wooden case with coin slot, crank and slide-out coin drawer; together with
an associated wooden storage cabinet for metal discs, and 11 punched metal music
discs, each with Polyphon trademark, several marked ''Made in Leipzig'', including: ''La
Marseillaise'', ''Valse de Faust'', ''Nazareth'', ''Le Trouvere'', ''Il Bacio'', ''Weaner Madln'',
''Poppies: A Japanese Romance'', ''The Blue Danube Waltz'', ''Cavalleria Rusticana'',
''La Czarine'', ''The Soldiers of the Queen'' and ''Marche Militaire'' (each 24.5'' Dia.),
33.5'' H x 30.25'' W x 15.25'' D, est: $1500/2000
Provenance: Property of a Private Collection, Massachusetts. Condition: Overall good
condition. General marks, scratches and wear to music box case commensurate with
age and use. Some chips and losses along lower edge of case; stability not affected. The
applied carved decorations on the case are possibly associated and later-added. Appears
to wind and play. The discs with oxidation. Several discs dented and warped. Please
note: the discs included with this lot are not the size noted on the label of this machine.
The storage cabinet with scattered nicks and a loss to one side, a split across the top, and
a split to one side. The storage cabinet associated, as stated. The storage cabinet: 33.5''
H x 29'' W x 19'' D. Moran's does not guarantee working condition. Your bid indicates
1105 A gilt bronze-mounted marquetry radio cabinet
Circa 1920s, the Louis XV style serpentine marble-topped case with lineinlay, the hinged front doors enclosing an RCA Victor tube radio, with key,
39.75'' H x 41.5'' W x 16.5'' D, est: $2500/3500
Condition: Overall good condition. General marks, scratches and wear to veneer of
cases. Minor lifting to veneer. Losses to veneer on insides of legs. A loss to veneer on
left-hand side panel of case. The marble top with minor chips along edges. Converted
for use as a radio cabinet, with rear panel and shelf removed (pieces not retained).
Working condition of radio unknown and not guaranteed. Wiring should be checked by
a qualified electrician prior to use. Your bid indicates acceptance of our Conditions of
1106 A cast iron umbrella stand
Late 19th century, cast as a figure of a rustic holding a sheaf of wheat and a scythe,
standing on a base inscribed ''Reaper'', 30.25'' H x 17'' W x 9'' D, est: $400/600
Condition: Original painted finish. Wear and marks to finish. Extensive oxidation to
base. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1107 A Sevres style porcelain tea service
Late 19th century, with blue interlaced ''L'' mark enclosing the letter ''L'', further marked
with the letter ''S'', comprising: a tray (.875'' H x 11.75'' W x 11.75'' D), a teapot (5.5'' H
x 6.75'' W x 4.25'' D), a cup (2.5''H x 2.625'' Dia.), a saucer (.75'' H x 4.875'' Dia.), a milk
jug (3.75'' H x 3.5'' W x 2.75'' D), and a covered sugar bowl (4.75'' H x 5.25'' W x 3.75'' D),
decorated with various hand painted portraits reserved on a celeste blue ground with
gilt foliate borders, 6 pcs, est: $600/900
Provenance: Property of an Estate, Palm Springs, CA. Condition: The teapot with poorly
executed overpainted restorations to handle and spout. The milk jug with a .25'' x .125''
shallow chip to lip of spout. The other pieces in good condition. Your bid indicates
27
1108 A Sevres style porcelain box
Late 19th / early 20th century, with spurious mark of interlaced ''L''s centering an ''S''
beneath ''P.A'', of serpentine form, the domed hinged lid painted with a scene of courting
couples in a landscape signed ''V. Simon'', over a bombe body painted with three similar
scenes, reserved on a pink ground with gilt accents, raised on short feet, the interior
painted with sprays of flowers on a white ground, 5.5'' H x 13'' W x 9.5'' D, est: $500/700
Condition: Abrasions to painted scenes on front wall. Irregular patches with overpaint
to bottom edge of front wall and bottom edge of rear wall, possibly restorations.
Decorations are a combination of transfer-printed and hand painted. Your bid indicates
1109 A Sevres style gilt bronze-mounted porcelain urn & cover
Late 19th / early 20th century, the cover and underside of body each with spurious
mark of an interlaced ''L'' centering an ''A'' over an ''S'', the domed cover with pineapple
finial, over an ovoid body painted with a scene of a courting couple reserved to one side,
on a cobalt ground with elaborate gilt decorations, mounted to a shaped square base,
30.75'' H x 10'' Dia., est: $1000/1500
General minor scratches and marks commensurate with age. Some losses to beaded
gilt border surrounding painted reserve. Cement visible surrounding mounts. Scattered
inherent dimples to surface. Uneven glazing throughout. Variations to color of glaze. An
overpainted restoration to lower portion of body. Your bid indicates acceptance of our
1110 A Continental porcelain centerpiece
19th century, impressed to underside ''6338'' and ''32'', modeled as a shell-shaped chariot
driven by a winged cherub and pulled by two lions, accented with brown paint, on an
integral oblong base painted with gilt accents, 10.25'' H x 16.5'' W x 7'' D, est: $700/900
Condition: Restorations to both of cherub's legs and to one chariot wheel. Scattered
spots of paint loss. Fraying to one rein. Your bid indicates acceptance of our Conditions
1111 A pair of gilt & patinated bronze seven-light candelabra
Late 19th / early 20th century, each modeled as a bouquet of flowers on a foliate
standard rising beside a figure of a Bacchic cherub, on a square black slate pedestal
encircled by a relief-cast frieze depicting classical figures, raised on foliate paw feet,
2 pcs, each 28.5'' H x 15'' W x 10'' D, est: $1500/2500
Provenance: Property of an Estate, Palm Springs, CA. Condition: Overall good
condition. Some light wear to bases commensurate with age and use. One lacking
stamens from two flower blossoms. Your bid indicates acceptance of our Conditions of
28
1112 A gilt bronze & marble columnar pedestal
Early 20th century, the marble pale violet with black and yellow veins, the square
stepped platform over a Corinthian capital on a smooth standard rising from a spreading
circular foot encircled by a laurel band, over a square base, 46'' H x 13.5'' W x 13.5'' D,
est: $1000/1500
Overall good condition. Minor losses along edges of base. Base also with two 1'' x .5''
losses to corners. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1113 A pair of Louis XVI style carved giltwood fauteuils
Early 20th century, each with a square back joined to a shaped seat with downcurved
padded arms, raised on fluted tapering legs, the frame carved with foliate vines and
acanthus, the back, seat and arms close-nailed with cobalt blue quilted fabric, 2 pcs, each
40.5'' H x 27'' W x 21'' D, est: $1000/1500
condition. Structurally sound. A few tight shrinkage cracks. Some rubbed wear, a few
scattered marks and very minor nicks commensurate with age and use. Upholstery
in clean, useable condition. The fabric later. Your bid indicates acceptance of our
1114 A French provincial gilt bronze-mounted walnut commode
Late 18th century and later, inscribed to top of case ''Antoine Tisson Me. Md. Guimpier
et Inventeur des Palions en Ruban et Marie Charton son Epouse on Fait Faire cette
Commode par Claude Doste Me Menuesier a Lyon ce II Xbre 1774'', the serpentine
top of Brecchia Medicea marble, over the bombe case enclosing three paneled drawer
fronts and paneled sides inlaid with marquetry depicting birds and flower-filled urns,
raised on short cabriole legs with foliate scroll feet, with keys, 39.5'' H x 53.5'' W x 27'' D,
est: $8000/12,000
Provenance: Property of a Private Collection, Las Vegas, NV. Condition: Overall good
condition. The case of solid walnut. The interior reconstructed with later replaced
timber, including the interior supports, dust panels and drawer guides. The drawers
reconstructed with newer timber. One dust panel lacking rear half. Each side panel of
case with several infilled and repaired cracks. The right front leg with repaired cracks.
Case with scattered additional repairs to timber. Splits to drawer bottoms. A 2.25'' x 1''
loss to marble top along rear edge. Woodworm damage to apron, one leg, underside of
top, and to interior. The mounts possibly later additions. Your bid indicates acceptance
1115 A Continental giltwood & gesso wall mirror
Late 19th / early 20th century, the beveled divided plates within an arched beaded
surround with foliate scrolls and floral bouquets to each corner, crested with a plumed
escutcheon, 72'' H x 46'' W x 8.5'' D, est: $2000/3000
Provenance: Property of a Private Collection, Las Vegas, NV. Condition: Overall good
condition. Light rubbed wear and scratches to gilding revealing red bole and white
gesso. Scattered minor shrinkage cracks. Later wooden braces added to back. Your bid
29
1116 A French patinated bronze figural group
Cast from the model by Albert Carrier-Belleuse, late 19th century, the base inscribed ''A
Carrier-Belleuse'' and with metal plaque ''Ete / Par Carrier-Belleuse (Sculptr)'', depicting
a classical female figure allegorical of Summer, attended by a cherub wielding a scythe,
overall 29.25'' H x 9'' W x 8'' D, est: $1500/2000
Provenance: Property from a Private Collection, Rancho Palos Verdes, CA.
Condition: Overall good condition. Minor spots of rubbed wear, marks and scratches
commensurate with age. Patination a dark green. Height excluding base: 26''. Your bid
1117 Jean-Louis Gregoire (1840 - 1890 French)
''La Source'', signed to base ''L. Gregoire'', depicting a standing woman in Grecian
costume holding a ewer and cup, on an integral circular base, patinated bronze,
mounted to a stepped rouge griotte marble plinth, the bronze alone 19.5'' H; overall
21.25'' H x 6'' W x 5.25'' D, est: $1000/2000
Literature: This model illustrated: Berman, Harold, ''Bronzes: Sculptors and Founders
1800 - 1930'', Atglen, PA: Schiffer Publishing, 1994, Vol III, p. 628, fig. 2334. Provenance:
Private Collection, Glenbrook, NV. Condition: Overall good condition. Scattered marks
and some rubbed wear commensurate with age. A few minor chips to marble base.
1118 A French patinated bronze figural group
''Gloria Medicina'', cast from the model by Henri Louis Levasseur (1853 - 1934 French),
depicting the figure of a seated scholar, a muse standing behind him and pointing to his
open book, the base inscribed ''H. Levasseur'' and with metal plaque ''Gloria Medicina
/ par H. Levasseur / Salon des Beaux Arts'' and with seal of the Societe des Bronzes de
Paris'' and stamped ''AP'' and ''2796'', 39'' H x 23'' W x 17'' D, est: $3000/4000
Overall good condition. General marks, scratches and rubbed wear commensurate with
age. A hole drilled to rear of chair back. Your bid indicates acceptance of our Conditions
1119 A French gilt & patinated bronze & marble clock
Mid 19th century, the circular white porcelain dial signed ''Encely a Toulouse'', with
blue Roman numeral hours and gilt hands beneath a hinged beveled glass aperture,
attached to a twin train movement signed ''Guyenot a Paris'', within a square pedestal
surmounted by a scroll and laurel wreath, beside a lyre and a figure of a classical maiden
reclining and holding an open book inscribed '''L'ame est immortelle' - Platon'' ('''The
soul is immortal' - Plato''), mounted to a stepped rectangular base, with two keys,
17.75'' H x 27'' W x 9'' D, est: $3000/4000
Overall good condition. General scratches and rubbed wear commensurate with age.
Scattered marks and residue to marble. Scattered small chips to edges of marble. A few
cracks. One gilt molding on base detached. Movement complete but lacking screw for
bell. Working condition unknown. Moran's does not guarantee working condition.
30
1120 A Louis Philippe gilt & silvered-bronze mantle clock
Second quarter 19th century, the circular silvered guilloche dial attached to a twin-train
movement stamped ''A.M.'' and ''506'', within a shaped case surmounted by a robed
female figure reclining on a cushion and a lion's pelt, on a waisted palmette-cast base,
21'' H x 17.5'' W x 5'' D, est: $1000/2000
Condition: Heavy rubbed wear to dial; hour markers and minute track faintly legible.
Parts of case re-gilded. Lacking an element from figure's turban. Lacking pendulum;
movement otherwise complete. Not in running condition. Moran's does not guarantee
running condition of clocks and watches. Your bid indicates acceptance of our
1121 A Continental gilt bronze-mounted marble encrier
Late 19th / early 20th century, the shaped base two inset leaf-clad inkwells with hinged
lids, flanking a plinth surmounted by an urn with mask-headed handles and a fixed
cover, 13'' H x 14.5'' W x 10.5'' D, est: $800/1000
Condition: Overall good condition. Scattered minute chips along edges of base. Two
holes drilled to top of base (possibly to accommodate elements now missing). Inkwells
lacking glass liners. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1122 A pair of gilt & silver-plated bronze candelabra
Late 19th / early 20th century, each with an ''en flambeau'' finial centering six foliatesheathed S-form candle arms with circular drip pans and urn-form sockets, over a
baluster-form standard rising from a foliate and gadrooned circular foot, 2 pcs, each
14'' H x 17.25'' Dia., est: $500/800
condition. Each with extensive oxidation. Your bid indicates acceptance of our
1123 A French patinated bronze model of a whippet
Late 19th century, signed ''P.J. Mene'' (Pierre Jules Mene 1810 - 1879 French),
depicted standing with his head turned on a naturalistically modeled integral
oblong base, patinated bronze, mounted to an oblong black metal base, the bronze
5.5'' H x 9.25''W x 3.75'' D; overall 6.5'' H x 10.75'' W x 5.125'' D, est: $600/800
condition. Three white marks to head. Brown patination. Your bid indicates acceptance
31
1124 Ferdinand Wagner II (1847-1927 German)
Portrait of a lady in a hat, signed lower right: Ferd. Wagner, oil on panel, 7.5'' H x 5.5'' W,
est: $1200/1800
Provenance: Estate, Bel Air, CA. Condition: Visual: Generally good condition. Scattered
areas of fine crazing. Minor surface grime. Frame abrasion. Blacklight: Apparently
no touch-up under blacklight. Difficult to read under varnish. Your bid indicates
1125 Heinrich Schwemminger (1803-1884 Austrian)
''Der Traum der Chrimhilde (The Dream of Kriemhild)'', Partially nude sleeping figure,
signed lower right: Hein. Schwemminger, titled lower left, oil on paper laid to board,
3.75'' Dia., est: $1000/1500
Note: The present work tells a story from the Middle High German epic poem, The
Nibelungenlied, in which Kriemhild dreams that two eagles attack a falcon. Her mother,
Queen Uote, interprets the dream to mean that the falcon represents a nobleman whom
Kriemhild will marry but will soon afterwards be taken from her.
Inscriptions in ink in another hand on the painting's paper backing and on paper affixed
to the backing panel. Provenance: Estate, Bel Air, CA. Condition: Visual: Generally
good condition.. Blacklight: No evidence of restoration under blacklight. Your bid
1126 Andre David (Late 19th Century- French)
Reclining blonde nude, signed lower right: A. David, oil on canvas, 10'' H x 18'' W,
est: $1000/1500
Provenance: Newman Gallery, Philadelphia, PA; Private Collection, Princeton, NJ.
Condition: Visual: Generally good condition. An area of crazing left center. Minor
surface dirt. Blacklight: No evidence of restoration under blacklight. Your bid indicates
1127 Andre David (Late 19th Century- French)
Resting nude, signed lower left: A. David, oil on canvas, 10'' H x 18'' W, est: $1000/1500
Provenance: Newman Gallery, Philadelphia, PA; Private Collection, Princeton,
NJ. Condition: Visual: Generally good condition. Minor surface dirt. Blacklight:
32
1128 A Continental tapestry wall hanging
Circa 1920s, depicting a scene of a courting couple in 18th century style dress in a
landscape with sheep within a blue border, backed with fabric and suspended from a
metal rod, 40.5'' H x 62'' W, est: $1000/1500
condition. Some fading to colors. The lower right-hand corner with a 1.5''-long
separation between field and blue border- easily repairable. Dimensions do not include
hanging rod. Length of rod: 69''. Your bid indicates acceptance of our Conditions of Sale.
1129 A Continental parquetry sedan chair-form curio cabinet
Circa 1900, the hinged door and sides inset with beveled glass panels over vernis
Martin panels painted with scenes of eighteenth century figures in landscapes,
enclosing a velvet-lined interior fitted with glass shelves, 74.75'' H x 27.75'' W x 32'' D,
est: $6000/8000
Condition: Overall good condition. Some minor cracking to painted panels. A few
minor losses to veneer on front along door frame. Molding to front loose. Lacking one
mount to lower front. Underside is open (lacking panel). Velvet lining and shelves are
later. No key. Three holes drilled to rear panel. Your bid indicates acceptance of our
1130 A Louis XV style gilt bronze mounted parquetry bureau plat
Circa 1920s, the serpentine gilt-tooled black leather-inset top within a foliate-cast
surround with rocaille clasps to each corner, over a serpentine frieze with three drawers
to the front and three false drawers to the reverse, on cabriole legs headed by female half
figures and ending in foliate sabots, with key, 31'' H x 69.5'' W x 38'' D, est: $3000/5000
condition. Minor scratches and nicks commensurate with age and use. Areas of lifting
to veneer, mainly on the legs. Several losses to veneer confined to the inner edges of all
four legs (a few pieces of veneer retained). The top with two minor (less than .5'' dia.)
infilled gouges to veneer and a few shallow gouges to leather. Oak secondary wood.
1131 A Louis XV style carved beech wood canape
Late 19th century, the curved back continuing to the scrolled arms, above a serpentine
seat with three cushions over a wavy apron raised on cabriole legs with scroll feet,
upholstered in cream, pale green and dark green striped silk, 33'' H x 81.5'' W x 32'' D,
est: $1200/1800
condition. General wear, marks, scratches and shrinkage cracks commensurate with
age and use. Nicks to timber throughout. Infill to shrinkage cracks. Structurally sound.
Scattered light-colored stains to upholstery. The feet with casters. Your bid indicates
33
1132 A French wrought-iron and marble console table
First half 20th century, the D-form vert maurin marble top with molded edge on a
conforming pierced iron base with a foliate scroll frieze suspending floral swags raised
on foliate-sheathed cabriole legs joined by a conforming stretcher centered by a floral
spray, 31.75'' H x 54.5'' W x 19.25'' D, est: $1000/2000
condition. Oxidation throughout iron base. Traces of red and green paint to base. Your
1133 A pair of gilt bronze eight-light wall lights
Late 19th / early 20th century, each modeled as a half-figure supporting an urn issuing a
bouquet of flowers, drilled and wired for electricity, 2 pcs, each 23'' H x 17.5'' W x 15'' D,
est: $2000/3000
Condition: Overall good condition. General marks and wear commensurate with age.
One with one flower-form socket detached (piece retained). One with one socket
lacking electrical fitting. One with one loose arm. Your bid indicates acceptance of our
1134 A pair of gilt bronze three-light wall sconces
Late 19th century, each signed ''Deniere'', each with an arched foliate and shell-cast
backplate issuing three foliate-sheathed S-form candle arms terminating in gadrooned
sockets, drilled for electricity, 2 pcs, each 17.5'' H x 22.5'' W x 11'' D, est: $800/1200
Condition: Overall good condition. Re-gilt. Drilled holes to arms; possibly lacking
elements. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1135 A pair of Continental gilt & patinated bronze urns
Late 19th / early 20th century, each with lion's mask-headed bifurcated handles,
each relief-cast to body with a scene of a lion attacking a bull, raised on circular
black stone pedestals with undulate foliate bands, 2 pcs, each 12'' H x 9'' W x 6.75'' D,
est: $1000/1500
General marks and scratches commensurate with age. Some rubbed wear to patination.
Each with infilled repairs to stone base. Your bid indicates acceptance of our Conditions
34
1136 A Continental patinated bronze figure
Late 19th / early 20th century, signed ''A. Massouline'', impressed Thiebaut Freres
foundry seal, depicting a Barbarian warrior holding a sword and trampling a Roman
standard, on an integral base, 22.5'' H x 8.75'' W x 7.5'' D, est: $1500/2000
Provenance: Private Collection, Rancho Mirage, CA. Condition: Overall good
condition. Scattered marks and scratches to patination commensurate with age. Spots of
verdigris to crevices. Brown patination. Your bid indicates acceptance of our Conditions
1137 A Continental patinated bronze figure
Late 19th / early 20th century, depicting a classical nude male, standing, a goat
skin over one shoulder and sandals on his feet, mounted to a circular base,
24'' H x 11.5'' W x 9.5'' D, est: $1000/1500
Provenance: Private Collection, Rancho Mirage, CA. Condition: Overall good
condition. Scattered minor scratches and marks to patination. Patination is very dark
green. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1138 Late 19th Century Italian School
After Baldassare Peruzzi (1481-1536 Italian), Muses dancing with Apollo, Greek
script on a scroll below, within a period carved gilt wood frame, unsigned, inscribed
on the original backing panel: C.B. Callino (?) / Florence 1863, oil and gilt on panel,
13.5'' H x 31'' W, est: $2000/3000
Note: The present work is a copy of a painting by Peruzzi in the collection of the Galleria
Palatina (Palazzo Pitti), Florence, Italy. The original painting was part of a case for a
keyboard instrument. Provenance: Property of an Estate, Palm Springs, CA. Condition:
Visual: The panel is bowed. Craquelure and crazing throughout. The painted panel
is pieced together with a .25'' strip of wood along the upper edge which has mostly
separated from the main panel. Associated losses there and additional losses and frame
abrasion along the left and right edges and in the upper and lower right corners, the
largest a 3'' x .5'' area along the left center edge. A few scattered scratches throughout the
gilt. Blacklight: Minor scattered spots of touch-up throughout the dresses of the Muses
and on Apollo's legs. A 1'' x .5'' area of possible touch-up on the gilt in the upper right.
Heavy varnish. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1139 19th Century French School
Minerva standing in battle gear, appears unsigned, oil on canvas, 53.5'' H x 37'' W,
est: $1500/2000
Provenance: Private Collection, Claremont, CA. Condition: Visual: Craquelure and
crazing throughout. Frame abrasion and nail holes along the edges. Scattered surface
scratches and spots of loss throughout including a 1.5'' loss along the left center edge. A
.5'' tear along the lower right center edge. Blacklight: Scattered areas of older touch-up
throughout, some with corresponding verso patches and some now visible to the naked
eye because of age: areas of touch-up on the shield, the largest approximately 3'' x 5'',
scattered 1-2'' diameter spots in the lower right, smaller scattered areas in the lower left,
a 1'' x 2.5'' area along the left lower center edge, some scattered spots on the figure's face
and chest, other scattered spots of touch-up throughout. Your bid indicates acceptance
35
1140 A pair of Continental terracotta maquettes
20th century, each depicting a classical maiden, each on a rectangular blackpainted wooden plinth, each figure alone 42'' H, each overall 67'' H x 22'' W x 14'' D,
est: $2000/3000
Provenance: Private Collection, Glenbrook, NV. Condition: Each with repairs. One
lacking several fingers. Scratches, marks and wear to each plinth. Your bid indicates
1141 Antonio Frilli (1860 - 1920 Italian)
Bust of a young girl in lace and a tasseled cap, incised verso ''Galleria A. Frilli /
Firenze / 1895'', carved soapstone, mounted to a circular base, 22'' H x 18'' W x 11'' D,
est: $600/900
Condition: Overall good condition. A few scattered abrasions. Scattered minute chips
along edges. A larger (1''-long) chip along edge of base. Your bid indicates acceptance of
1142 Giuseppe Guidi (1884-1931 Italian)
''Evening's Entertainment'', Musicians playing for a Cardinal in an interior, signed
and inscribed lower right: Giuseppe Guidi Paris, watercolor on paper under glass,
22'' H x 30'' W, est: $4000/6000
Provenance: Private Collection, Torrance, CA. Condition: Visual: Generally good
1143 19th Century Continental School, Polormy
Continental interior with two gentlemen playing chess, signed partially indistinctly
lower right: A. Polormy, oil on canvas, 17.75'' H x 14.5'' W, est: $1000/1500
Provenance: Private Collection, Long Beach, CA. Condition: Visual: Craquelure
throughout. Stretcher bar creases. Surface scratches throughout, the largest a 1.75''
scratch upper center. The canvas is loose and slightly rippled. Blacklight: A few scattered
spots of touch-up throughout. Difficult to read under heavy varnish. Your bid indicates
36
1144 19th Century Italian School, Garronie
Italian maiden picking grapes, with sheep, signed partially indistinctly lower left:
Garronie, oil on canvas, 16'' H x 12'' W, est: $1000/1500
Provenance: Private Collection, Long Beach, CA. Condition: Visual: Generally good
condition. Scattered craquelure. Surface dirt. Blacklight: No evidence of restoration
under blacklight. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1145 Eduardo Zamacois Y Zambata (1842-1871 Spanish)
Figures watching an artist paint in his studio, signed lower right: E. Zamacois, oil on
canvas, 14'' H x 10.5'' W, est: $3000/5000
Provenance: Private Collection, Torrance, CA. Condition: Visual: Generally good
condition. Craquelure throughout. Blacklight: Touch-up in the upper right corner. A
few spots of touch-up in the upper center on paintings. Possible scattered dots of touchup throughout the figural group and possible other spots of touch-up in the background
but very difficult to read under uneven varnish. Your bid indicates acceptance of our
1146 A Berlin / KPM porcelain rectangular plaque
Late 19th / early 20th century, impressed monogram and scepter mark, further
impressed ''565'' and ''415'', ''W'' and with incised cypher, and with paper label ''Mit
Genehmigung / Professor / P. Thumann / Berlin'', signed lower right ''Wenzel'',
finely painted after Thumann with the Three Fates, Clotho, Lachesis and Atropos,
measuring and cutting the thread of life, within a gilt frame, 21.75'' H x 16.26'' W, est:
$10,000/15,000
Condition: Overall good condition. Minor frame abrasion. Dimensions including frame:
27.75'' H x 22'' W. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1147 A Berlin / KPM porcelain rectangular plaque
Late 19th / early 20th century, impressed monogram and scepter mark, further
impressed ''255'' and ''195'', ''W'' and with incised cypher, finely painted after Thumann
with the Three Fates, Clotho, Lachesis and Atropos, measuring and cutting the thread of
life, framed, 9.75'' H x 7.5'' W, est: $3000/5000
Condition: Overall good condition. A few scratches to surface. The frame with wear
and losses carved elements. Dimensions including frame: 16.5'' H x 14'' W. Your bid
37
1148 A matched pair of porcelain nodding pagoda figures
Probably early 20th century, unmarked, modeled and painted in the Meissen style as a
female figure seated cross-legged in a flowered robe, with articulated head, hands and
tongue, 2 pcs, each 18.5'' H x 21'' W x 14'' D, est: $5000/7000
Condition: General rubbed wear to painted decoration of each. One with overpainted
restorations to both sleeve cuffs. The other with chips along edge of neck of body, glue
residue to drilled holes at wrists, and the tongue slightly loose (hangs crookedly). A
matched pair, as stated, with variations. Your bid indicates acceptance of our Conditions
1149 A pair of Meissen porcelain candelabra
Late 19th / early 20th century, underglaze blue crossed swords marks, each with
a shaped rocaille-molded base painted with birds and butterflies, surmounted by
two figures (one with a man and child, the other with a woman and child), issuing
a cornucopia-form stem fitted with a detachable top section comprising a central
light and three S-form candle arms encrusted with flowers and fruit, 2 pcs, each
19'' H x 10'' Dia., est: $1000/1500
condition. A few scattered marks to each. A few wax drips to each. One with three
shallow chips (the largest .5'' x .25'' approximately) and additional fleabite-sized nicks
along lower edge of base. The other with a loss to one petal of one yellow flower,
and with a few additional very minor losses to leaves and petals. Your bid indicates
1150 A large Meissen porcelain figural centerpiece
Late 19th / early 20th century, underglaze blue crossed swords mark, incised ''2772'' and
impressed ''110'', the rocaille-molded pierced oval basket applied with a floral garland,
decorated to the interior with insects and floral sprays, over a beauty and her gallant in
18th century dress, encircling a tree-form standard further applied with flowering vines,
rising from a waisted rocaille base, 19.75'' H x 13.75'' W x 10.75'' D, est: $2000/3000
condition. Typical scattered minor chips to applied flowers and foliage. Your bid
1151 A pair of German porcelain four-light candelabra
Late 19th / early 20th century, each with underglaze blue crossed double swords mark
(possibly for Coburg) and impressed ''Germany'' and ''429'', one further impressed ''12'',
the other further impressed ''81'', each naturalistically modeled as a tree trunk entwined
in rose vines with perching birds, issuing a detachable section comprising a central light
and three candle arms with foliate sockets, on a domed circular base strewn with roses
and supporting a winged cherub, one holding an arrow, the other a bird, 2 pcs, the first
14.25'' H x 9'' Dia; the second 14.75'' H x 9'' Dia., est: $400/600
condition. Minor rubbed wear to gilt highlights. Scattered minor chips to rose petals
and leaves. One lacking an entire rose blossom from one candle arm. The other with a
loss to tail feathers of bird held in cherub's hand and lacking an entire bird from a tree
branch. The shorter candelabrum sits slightly loose on base; nozzle appears to have been
damaged. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
38
1152 Two Meissen porcelain parrots
20th century, each with underglaze blue crossed swords mark, each naturalistically
modeled with brightly colored plumage, perched on a leafy tree stump, the first: holding
a nut to his beak, the stump applied with flowers and insects; the second: holding a piece
of fruit to his beak, the stump applied with fruit; each mounted to painted wood wall
plinths, 2 pcs, the first: 11.25'' H (not including plinth), overall 16.75'' H x 7'' W x 5'' D;
the second 12'' H (not including plinth), overall 17.5 '' H x 7.75'' W x 5'' D, est: $700/900
Provenance: Property of a Private Collection, Northern California. Condition: The first:
an overpainted restoration to tip of one leaf next to parrot's tail feather. The second:
a break to stem of fruit held in parrot's beak (easily repairable). Your bid indicates
1153 A pair of Dresden porcelain covered urns
Probably second quarter 20th century, each with blue stamped mark ''Hand painted / E.
Stephen Dresden'', each with a domed cover with a pineapple finial, over a krater-form
body on an octagonal plinth, decorated with iridescent maroon and gilt borders and gilt
accents on a cream ground, the body reserved to one side with a polychrome-painted
scene of figures in an interior signed ''Wagner'', 2 pcs, each 26'' H x 9'' W x 7.5'' D, est:
$2000/4000
condition. Minor rubbed wear to gilt decoration. Your bid indicates acceptance of our
1154 A pair of Bohemian cased glass lusters
19th century, each with a scalloped bowl-form top suspending ten cut-glass prisms,
over a baluster stem on a domed foot, of white glass cut back to cranberry, with gilt
accents and polychrome-enameled with mixed flowers, 2 pcs, each 14'' H x 8.75'' Dia.,
est: $600/900
condition. General minor scratches and marks and typical minute chips to edges of
prisms commensurate with age and use. One with minor wear to gilding on foot. Your
1155 A pair of gilt metal-mounted cut crystal vases
Circa 1940s, each baluster-form, with floral swags and lattice bands, 2 pcs, each
19.75'' H x 11'' Dia., est: $800/1200
Condition: Overall good condition. General marks and scratches commensurate with
age and use. Each with bending to gilt metal bands. One with gilt metal rim detached.
39
1156 A pair of cut crystal & silvered metal covered urns
Modern, each with spurious Baccarat mark, each with a pineapple finial over the domed
cover, the body flanked by masks issuing foliate handles, on a waisted foliate socle over a
square base, 2 pcs, each 30.5'' H x 14'' W x 9.5'' D, est: $2000/3000
Condition: Overall good condition. Of recent manufacture and with spurious marks, as
noted. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1157 A Capodimonte style porcelain figural ewer
Late 19th / early 20th century, lacking maker's mark, impressed ''2254'', the upswept
scrolled handle issuing from the back of Triton seated astride the spout and grasping the
horns of a grotesque mask surmounting the urn-form body molded in high relief with
aquatic vignettes of Nereids and Tritons; shells, masks and garlands; and a cartouche
containing a faux coat-of-arms centering one side, raised on a pierced quadripartite
rocaille base with figures of dolphins and trumpeting tritons, 14.75'' H x 7'' W x 6.5'' D,
est: $800/1200
condition. Minor rubbed wear, marks and scattered scratches commensurate with age.
A few scattered minor abrasions. Each Triton on base lacking thumb of left hand. A
loss to upper lip of one dolphin on base. Body slightly loose on base; would benefit from
tightening. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1158 A pair of monumental porcelain vases on stands
Second half 19th century, with illegible impressed mark, further impressed with various
numbers, cobalt-ground with gilt highlights, the vases with a scalloped neck over a
slender baluster-form body polychrome-painted with roses, the neck entwined with
knotted rope-form handles, on a waisted socle, the square pedestals conformingly
decorated, 2 pcs, each overall 73'' H x 13'' W x 13'' D, est: $3000/5000
Condition: Rubbed wear to gilding commensurate with age. One vase with overpainted
restorations to foot. One pedestal with a small chip along lower edge of foot. The other
pedestal with a few chips localized to foot. The vases not attached to pedestals. Your bid
1159 A Davenport Staffordshire porcelain service
1870 - 1887, Longport, Staffordshire, most pieces with printed mark ''Davenport /
Longport / Staffordshire'' beneath a crown, and numbered ''1758'', comprising 1 tall
centerpiece dish (7.625'' H x 11.25'' Dia.) and 2 compotes (5.25'' H x 9.25'' Dia.), each on a
tripartite dolphin pedestal base; 2 serving dishes (2.75'' H x 9.25'' Dia.), each on a shaped
triangular foot; and 12 dessert plates (9.25'' Dia.); each circular with scalloped rim, each
painted with a different variety of fruit reserved on a white ground within a cream,
turquoise, cobalt and gilt border, 17 pcs, est: $600/900
condition. A few minor scratches and marks and minor wear to gilt decoration. One
serving dish with a fleabite shallow abrasion to underside of rim (only visible when
turned upside down.) Variations to marks, as follows: 8 dessert plates and 4 footed /
pedestal dishes bearing crown mark in iron red; 3 dessert plates bearing crown mark in
puce and lacking number; 1 dessert plate and 1 serving dish lacking mark but bearing
number. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
40
1160 A patinated bronze bust of Sir Walter Scott
After the model by Sir Francis Leggatt Chantrey (1781 - 1841 British), depicted gazing to
his left, his shoulders draped with a tartan mantle, on an integral circular waisted socle,
unsigned, 31'' H x 20.5'' W x 11'' D, est: $800/1200
Overall good condition. Medium brown patination. Your bid indicates acceptance of
1161 Attributed to Henry Edridge A.R.A. (1769-1821 British)
''Anne, Young Countess of Sheffield'', unsigned, titled on the frame plaque, oil on canvas
laid to canvas, 29'' H x 24'' W, est: $2000/3000
Provenance: Collection of Retired Honorable Earl of Essex, Britain; Private Collection,
Grass Valley, CA. Condition: Visual: Craquelure throughout. Some frame abrasion
along the edges. Blacklight: Touch-up throughout the woman's face. A quarter-sized
spot of touch-up in the woman's chest. Touch-up scattered throughout the woman's
dress. Difficult to read under heavy varnish. Your bid indicates acceptance of our
1162 Attributed to Sir Godfrey Kneller (1646-1723 British)
Portrait of Lady Essex Finch Mostyn, appears unsigned, inscribed with sitter's name
lower left, oil on canvas laid to canvas, 50.25'' H x 40.25'' W, est: $1500/2500
Note: Lady Essex Finch Mostyn was married to Welsh politician Sir Roger Mostyn, 3rd
Baronet. She died 23 May 1721. Provenance: Collection of Major J. Hanbury, Burleyon-the-Hill, Britain; Clements Antiques, Chattanooga, TN; Estate, Palm Springs, CA.
Condition: Visual: Generally good condition. Craquelure throughout. The tacking edges
removed when lined and visible along the upper edge. Blacklight: Touch-up in the
upper left, upper right and lower left corners. Spots of touch-up to left center. Difficult
to read under heavy varnish. Your bid indicates acceptance of our Conditions of Sale.
1163 Thomas Hazlehurst (1740-1821 British)
Portrait of Mrs. John Sheddan and child, signed lower left: T.H. (not visible in frame),
inscribed verso, oil on bone under glass, oval size: 4'' H x 3.5'' W, est: $500/700
Provenance: Estate, Bel Air, CA. Condition: Visual: Generally good condition.
Blacklight: No evidence of restoration under blacklight. Your bid indicates acceptance
41
1164 Francis H. Schell (1834-1909 Philadelphia, PA)
Schooners at sail, signed lower left: Frank H. Schell, watercolor and ink with gouache
highlights on brown paper under glass, sight size: 15.75'' H x 23'' W, est: $800/1200
Provenance: Private Collection, Long Beach, CA. Condition: Visual: Generally good
1165 A carved giltwood over-mantle mirror
Late 18th / early 19th century, of George II style, the divided arched rectangular
plate overlaid with floral and columnar borders, within a rocaille, acanthus and scroll
surround crested by a canopy and flanked by ho-ho birds, flower stalks, fluted columns
and spilling urns, 81'' H x 54'' W x 7.5'' D, est: $3000/5000
condition. General marks, nicks, scratches and rubbed wear commensurate with
age and use. Several losses to carving scattered throughout. Scattered glued repairs.
Shrinkage cracks throughout. Some or all mirror plates possibly replaced. Your bid
1166 A carved giltwood console table
Late 19th / early 20th century, of George II style, the rectangular top relief-carved with
foliage, flowers and strapwork within a gadrooned edge, over an egg-and-dart molding
above a wavescroll frieze over a pierced floral apron, raised on shell-headed cabriole legs
ending in large paw feet, 34.5'' H x 47.25'' W x 20.75'' D, est: $800/1200
condition. General wear, marks and shrinkage cracks commensurate with age and use.
Restored, refinished and re-gilt. Color of gilt finish of top does not match color of gilt
finish of body and legs. The underside is fully painted over. Scattered minor losses to gilt
finish revealing white gesso and red bole. A rough patch of infill to gilt finish on one leg.
Newer screws to underside. Your bid indicates acceptance of our Conditions of Sale.
1167 A set of ten Georgian style dining chairs
First quarter 20th century, stamped ''Made in England'', comprising two armchairs and
eight side chairs designed after 18th century Irish models, each chair back of serpentine
outline with a baluster-form form splat crested by a scroll and flanked by further
scrolls, joined to an eared inset leather-covered seat, the seat rail centering a shell clasp,
raised on shell-headed cabriole legs with pad feet, each armchair with serpentine arms
terminating in scrolls; 10 pcs, the armchairs 43'' H x 26.5'' W x 23.5'' D; the side chairs
42.25'' H x 22.5'' W x 21.5'' D, est: $1000/2000
condition. Structurally sound. General marks, scratches, minor abrasions and wear
commensurate with age and use. A few very minor chipped losses. Some with sun
fading to timber. Several side chairs with patches of spotty discoloration and roughness
to finish, probably sun damage, localized to rear legs. Rear stretcher of one armchair
detached at one end with a break to timber. Two side chairs each with a 2''-long tight
stable crack to splat extending through from front to back. Three side chairs with newer
replaced leather in good condition. The remaining chairs with cracks and wear to
leather. One with a hole to leather. Your bid indicates acceptance of our Conditions of
42
1168 Edwin Harris (1855-1906 British)
Portrait of a woman in profile, signed lower left: E. Harris, oil on panel, 8'' H x 6'' W,
est: $1500/2000
Blacklight: No apparent touch-up under blacklight. Difficult to read under varnish. Your
1169 19th Century British School
Portrait of a young boy, appears unsigned, oil on canvas laid to panel, oval size:
17.75'' H x 13.5'' W, est: $800/1200
Provenance: Estate, Bel Air, CA. Condition: Visual: Crazing throughout. A small area of
paint loss lower left. Small flecks of paint loss upper left, upper right, lower center and in
the boy's nose. A crease line in the canvas along the upper quadrant. Blacklight: A 2'' x 1''
area of touch-up near the boy's left ear. Difficult to read under heavy varnish. Your bid
1170 Walter Williams of Plymouth (1841-1876 British)
Children in a garden in the English countryside, signed lower left: Walter Williams, oil
on canvas laid to canvas, 20'' H x 30'' W, est: $800/1200
Small flecks of paint loss upper right and right center. Crazing scattered throughout.
Blacklight: A few spots of touch-up upper center. Touch-up in the upper corners. Your
1171 A Canton Famille Rose covered warming dish
Mid - late 19th century, the oval cover polychrome and gilt-decorated with a scene of
figures and pavilions in a garden, within a border of flowers, birds and butterflies, over
a hollow dish conformingly decorated to top, the sides with peony blossoms, flanked by
handles with openings for hot water, 6.75'' H x 15.25'' W x 10.75'' D, est: $500/700
Provenance: Property of a Private Collection, Massachusetts. Condition: Minor rubbed
wear to gilt decoration. A 11.25''-long crack to underside of body, extending partly up
side walls. A minor inherent firing flaw to cover. Measurements include handles. Your
43
1172 A Canton Famille Rose covered tureen & underplate
Mid - late 19th century, of oval form, polychrome and gilt-decorated with a
scene of figures in pavilions and gardens, within a border of flowers, birds and
butterflies, the tureen with twisted branch-form handles, 2 pcs, the tureen and cover
10.5'' H x 14'' W x 9.25'' D; the underplate 1.75'' H x 14'' W x 11.75'' D, est: $600/900
Provenance: Property of a Private Collection, Massachusetts. Condition: Minor rubbed
wear to gilt decoration. Some flaked erosion to one handle of tureen, possibly an
inherent firing defect. A small abrasion to underside of same handle. A .5'' x .125'' spot
of loss to enamel along rim of body of tureen. Some additional rubbed wear along rim of
tureen. A small (.25'' x .125'') chip to rim of underplate. Measurements include handles.
1173 Two Canton Famille Rose covered serving dishes & underplates
Mid - late 19th century, each rectangular double-handled serving dish polychrome and
gilt-decorated to interior of body and to cover with a scene of figures in a garden pavilion
within a border of flowers, birds and butterflies, the two under plates conformingly
decorated, 4 pcs, the serving dishes and covers 5.25'' H x 11.5'' W x 8.25'' D; the
underplates 1.5'' H x 10.125'' W x 8.25'' D, est: $600/900
Provenance: Property of a Private Collection, Massachusetts. Condition: Overall
good condition. Rubbed wear to gilt decoration. Abraded wear along rims of covers.
Measurements include handles. Your bid indicates acceptance of our Conditions of
1174 A set of Canton Famille Rose plates and soup bowls
Mid - late 19th century, comprising six dinner plates (1'' H x 10'' Dia.) and six shallow
soup bowls (1.75'' H x 8.75'' Dia.), each circular, each polychrome and gilt-decorated
with a different scene of figures in a garden pavilion within a border of flowers, birds and
butterflies, 12 pcs, est: $500/700
condition. Minor rubbed wear to gilt and enameled decoration. One plate with a fleabite
nick to rim. One bowl with a .375'' x .24'' chip to underside on rim of foot. Your bid
1175 A Russian icon of St. Nicholas
Early 20th century, painted on panel, with a silver-gilt and enamel oklad marked with
84-standard right-facing Kokoshnik and further mark Cyrillic ''NG'', and with enamel
plaque ''St. Nicholas'' in Cyrillic, within a giltwood frame within a wooden box with
glazed hinged door, overall 16.5'' H x 11.75'' W x 3'' D, est: $1500/2500
Condition: Overall good condition. Craquelure to painted surface of icon. Some marks
and tarnishing to oklad. Separation cracks to gilt frame. Outer box with cracks, losses
to crest and lower right side, and chipped losses to veneer. Dimensions include box.
Dimensions of icon without frame and box: 8.75'' H x 7'' W x 1.25'' D. Your bid indicates
44
1176 A Russian phelonion (ecclesiastical vestment)
Late 19th century, richly brocaded in a bold floral pattern in white, red and brown
thread and gold metallic thread on a burgundy chenille ground, appliqued to the
back with two crosses embellished with metal pailettes, the front embellished with
small spherical metal filigree ornaments, the whole lined with solid burgundy silk,
59.5'' H x 62.75'' W, est: $600/900
condition. Fading to exterior, localized to back. Brocade with scattered loose threads and
with minor fraying scattered throughout. Lacking two of the metal filigree ornaments.
The crosses lacking a few pailettes but largely intact. The upper part of lining detached in
areas, including rear edge of collar, and with 4-5 large tears and some additional spots of
fraying. Lining with an additional small tear to center left edge and some minor fraying
along lower edge. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1177 A Russian military medal
Order of St Vladimir, 3rd class, maker's mark Cyrillic ''PS'', hallmarked for 14K gold, of
red and black enamel, 1.5'' H x 1.5'' W, est: $2000/3000
Provenance: Private Collection, Orange County, CA. Condition: Scratches and rubbed
wear. Losses to enamel of center. Your bid indicates acceptance of our Conditions of
1178 Two Imperial Russian military medals
Each gilt-washed, each apparently unmarked, the first: Order of St. Anne, red-enameled
(1.75'' x 1.75''); the second: inscribed ''1914 - 1917'', white-enameled (1.5'' x 1.5''); 2 pcs,
est: $800/1200
Provenance: Private Collection, Orange County, CA. Condition: Each with scratches.
The first with rubbed wear to gilt wash and abrasions and losses to central medallion.
1179 A Russian silver-gilt & cloisonne enamel cigarette case
Before 1896, maker's mark Cyrillic ''AC'', Moscow, 84-standard, rectangular,
geometrically decorated to each side in three shades of blue, white, green and ambercolored enamel with a central diamond, floral medallions, and foliage within a doublebanded border, with gilt interior, hallmarked to both sides, 2.25'' H x 3.375'' W x 0.5'' D,
est: $600/900
Provenance: Property of an Estate, Bel Air, California. Condition: Overall good
condition. Scattered minute losses to enamel. Tarnishing and minor marks to interior
commensurate with age. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
45
1180 A Bijar carpet
Late 19th century, Northwest Persia, woven of wool on wool foundation, the indigo field
with overall ''Garrus'' design, 18'7'' H x 11'7'' W, est: $5000/7000
condition. Even pile wear with some low spots. Abrash throughout. Some pulled knots.
Some losses to both fringe edges. Binding strips added to underside along all four edges.
Repairs to one selvedge. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1181 Gao Xiaohua (1955-* Chinese)
''Mother and Daughter'', Girls under an umbrella, signed, dated, inscribed and signed in
Chinese lower right: Gao Xiahua, 1989, N.Y., signed again and titled verso, oil on canvas,
19.75'' H x 16'' W, est: $7000/9000
Provenance: Private Collection, San Diego, CA. Condition: Visual: Generally good
condition. Two small areas of paint loss in the umbrella. Spots of surface grime
throughout. Blacklight: No evidence of restoration under blacklight. Your bid indicates
1182 Pedro Flores (1897-1967 Spanish)
Figures Picnicking, signed lower right: P. Flores, oil on canvas, 34'' H x 40'' W,
est: $5000/7000
Provenance: Private Collection, Grass Valley, CA. Condition: Visual: Generally good
condition. Scattered areas of craquelure. A few spots of paint shrinkage in the center
and lower center. A very small fleck of paint loss in the center. Blacklight: No evidence
of restoration under blacklight. Your bid indicates acceptance of our Conditions of Sale.
1183 Ignacio Gill Y Sala (1913-2003 Spanish)
Family travelling by horse-drawn carriage on a beach, signed lower left: Ignacio Gil,
numbered verso: R622, oil on canvas, 15'' H x 18'' W, est: $2000/3000
Provenance: Private Collection, Beverly Hills, CA. Condition: Visual: Generally good
condition. Blacklight: No evidence of restoration under blacklight. Your bid indicates
46
1184 Evert Moll (1878-1955 Dutch)
''Notre Dame, Paris'', signed lower right: Evert Moll, titled on a gum label affixed verso,
oil on canvas, 29.5'' H x 39.5'' W, est: $2000/3000
Provenance: Private Collection, Grass Valley, CA. Condition: Visual: Generally good
condition. Stretcher bar creases along the upper and left sides. Blacklight: A quartersized spot of touch-up to right center. Your bid indicates acceptance of our Conditions
1185 Charles Levier (1920-2003 French)
''Les Rochers'', Boats on a shore, signed lower left: Levier, signed again and titled verso,
oil on canvas, 30'' H x 40'' W, est: $1500/2500
Condition: Visual: Generally good condition. Areas of craquelure in the center, upper
right, lower right and upper left. Stretcher bar crease along the upper edge. Blacklight:
1186 Arturo Pacheco Altamirano (1903-1978 Chilean)
Boats near a village church, signed lower left: Pacheco Altamirano, signed again,
dated and numbered on stretcher: 1962 / E - 700, oil on canvas, 21.5'' H x 25.5'' W,
est: $600/900
Provenance: Estate, Burbank, CA. Condition: Visual: Generally good condition. An
area of unstable craquelure with a small spot of paint loss upper center. Blacklight:
1187 A Swedish silver double-handled cup & cover
1898, Stockholm, maker's mark ''GM'', with beaded borders to the body, cover and
handles, the body with an oval figural medallion centering each side, the cover
engraved ''Marie Louise, Cecilia, Agnes, Hermann, Natalie, Hulda, Lissa, Marit'',
9.75'' H x 7.25'' W x 4.5'' D, 15.7 oz troy approximately, est: $600/900
Provenance: Private Collection, La Crescenta, CA. Condition: Overall good condition.
General marks scratches and tarnishing commensurate with age and use. Hallmarked to
base. Inscribed, as stated. Your bid indicates acceptance of our Conditions of Sale. ASIS. ALL SALES FINAL
47
1188 A crystal & silver-plate centerpiece
19th century, apparently unmarked, the shaped base modeled as male and female figures
seated on ocean waves beside two Tritons, issuing a foliate baluster-form standard
supporting a circular bowl with etched and cut decoration, surmounted by a figure of
Mercury, 33'' H x 17.5'' W x 15'' D, est: $1500/2500
Condition: General marks, scratches, rubbed wear and tarnishing commensurate with
age. Scattered dents. One foot slightly bent. Central stem tilts off-center. Lacking two
elements from central stem (screw holes remain.) Originally gilt; traces of gilt wash
remain. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES
FINAL
1189 A Gorham sterling silver-mounted cut glass center bowl
20th century, with maker's mark, further marked ''Sterling'' and ''MLJ'', the shallow
circular bowl with lobed down-turned rim cut with flower sprays, over a domed circular
pedestal foot with a scalloped scroll and shell-clasp rim, 4.5'' H x 10'' Dia., est: $500/700
Condition: Overall good condition. General scratches and marks to glass and silver, and
tarnishing to silver commensurate with age and use. Your bid indicates acceptance of
1190 Two Gorham ''Athenic'' copper & sterling silver smoking set
Circa 1903, each with lion-anchor-''G'' maker's mark, further marked ''Athenic'' and
''Sterling'', comprising a cigar lighter, further marked ''By172'', and a match or cigarette
holder, further marked ''By174'', each monogrammed to body ''J.W.W.'' and inscribed
to underside ''Christmas 1903'', 2 pcs, the lighter 3.75''H x 4.5'' W x 3.25''D; the holder
2.75'' H x 2.375'' Dia., est: $300/500
condition. General marks, scratches, rubbed wear and tarnishing commensurate with
age and use. A dent to rim of holder. Your bid indicates acceptance of our Conditions of
1191 A Tiffany & Co. sterling silver footed plate
1907 - 1947 (Directorship of John C. Moore II), marked ''Tiffany & Co. / 17266 H
I Makers 490 / Sterling Silver / 925-1000 / M'', circular, with banded rim, the flat
border and shallow dished center relief-decorated with floral pattern, raised on a short
circular foot, monogrammed to center top ''WSL'', 1.125'' H x 10.5'' Dia., 16.2 oz troy
approximately, est: $300/500
condition. General marks, scratches and tarnishing commensurate with age and use.
A small shallow ding to center of underside- not visible from top. Your bid indicates
48
1192 Gorham ''Buttercup'' sterling silver flatware
Designed 1899, with maker's mark, further marked ''Sterling'', some marked ''Patent
1900'' and some with retailer ''C.D. Peacock'', an assembled partial service comprising:
6 forks (7.5''), 6 forks (7''), 8 pastry forks (5.875''), 3 oyster forks (5.5''), 12 teaspoons
monogrammed to underside of handle ''NCH'' (5.875''), 6 oval bowl soup / dessert
spoons monogrammed ''H'' (6.875''), 1 oval bowl soup spoon (6.5''), 6 demitasse
spoons monogrammed to underside of handle ''NCH'' (4''), 6 blunt silver-plate-bladed
hollow handle knives (9.75''), 8 flat handle butter spreaders (6''), 2 serving spoons
monogrammed to underside of handle ''NCH'' (8.375''), 1 cold meat fork (8.125''), 1 gravy
ladle monogrammed ''NCH'' (6.5''), and 1 sugar spoon monogrammed to underside
of handle ''NCH'' (6''), 67 pcs, weighable sterling 69.8 oz troy tw approximately, est:
$1000/1500
Condition: Overall good condition. General marks scratches and tarnishing
commensurate with age and use. Several pieces monogrammed, as noted; the other
pieces are not monogrammed. No canteen. Weight does not include articles with
silver-plated parts. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL
SALES FINAL
1193 A US 1894 S twenty dollar gold coin
est: $1200/1800
Provenance: Property of an Estate, Southern California. Condition: Good condition,
circulated, with wear. Not professionally graded. Professional grading not available.
est: $1200/1800
est: $1200/1800
49
1196 A US 1880 ten dollar gold coin
est: $600/1800
1197 A US 1903 S ten dollar gold coin
est: $600/1800
1198 A Tiffany & Co sterling silver bowl
1907 - 1947 (Directorship of John C. Moore II, marked ''Tiffany & Co. / 18650A Makers
4346 / Sterling Silver / 925-1000 / M'', of shallow circular form, the rim with a double
row of beaded bands within an egg-and-dart rim, the interior centered by a floriform
medallion, raised on a short waisted circular foot, together with Tiffany & Co. felt bag,
2.75'' H x 10.75'' Dia., 24.4 oz troy approximately, est: $800/1000
Provenance: Private Collection, Southern California. Condition: Overall good condition
with few signs of use. Your bid indicates acceptance of our Conditions of Sale. AS-IS.
ALL SALES FINAL
1199 A set of six Shreve & Co. sterling silver sherbets
Early 20th century, each marked ''Shreve & Co. / San Francisco / Sterling'', ''9747'' and
''Base Loaded'', each dish with a downswept pierced rim of urns, scrolls, rocaille, flowers
and lattices, raised on a slender baluster stem over a conforming domed pierced foot,
each gilt-washed to interior, each with an etched glass liner, weighted, 6 pcs, each
5.25'' H x 5.5'' Dia., gross weight 46.3 oz troy tw approximately, est: $500/800
condition. General marks, scratches and tarnishing commensurate with age and use.
Two liners are replaced and mismatched, made of plain glass (not etched glass). Not
monogrammed. Weighted, as stated. Weight does not include glass liners. Your bid
50
1200 A pair of Shreve & Co. sterling silver compotes
Early 20th century, with maker's mark, further marked ''Sterling'', ''9554'' and ''Base
Loaded'', each circular dish with a scalloped rim of flowers surrounding a pierced band
of flower baskets and ribbon-tied floral garlands, raised on a slender baluster stem over
a conforming domed pierced foot, weighted, 2 pcs, 7.25'' H x 6.75'' Dia., gross weight
22.4 oz troy tw approximately, est: $400/600
condition. General marks, scratches and tarnishing commensurate with age and
use. Not monogrammed. Weighted, as stated. Your bid indicates acceptance of our
1201 A Preisner Silver Co. sterling silver tea / coffee service
Second quarter 20th century, Wallingford, CT, marked ''Preisner / Sterling / 706'',
comprising: a coffee pot (9'' H x 10.25''W x 4.75''D), a teapot (7''H x 10''W x 5.25''D), a
milk jug (4.5''H x 5.5''W x 3.25''D), and a covered sugar bowl (5.5''H x 6''W x 3.75''D),
each with an undecorated ovoid body on a domed circular foot and scrolled handles,
4 pcs, gross weight 52.7 oz troy tw approximately, est: $800/1000
Provenance: Private Collection, Orange County, CA. Condition: Overall good
condition. General marks, scratches, rubbed wear and tarnishing commensurate
with age and use. Weight includes insulators. Not monogrammed. Your bid indicates
1202 Old Newbury Crafters ''Newburyport'' sterling silver flatware
Designed 1960, manufactured after 1965, Newburyport, MA, marked ''O.N.C. Sterling'',
''Handwrought'' and with signature mark of Roger R. Rowell, comprising: 8 forks (7''),
8 salad forks (6.5''), 8 teaspoons (6''), and 8 blunt steel-bladed hollow pistol handle knives
(8.75''), 32 pcs, weighable sterling 36.5 oz troy tw approximately, est: $600/800
Provenance: Private Collection, La Crescenta, CA. Condition: Overall good condition.
General marks scratches and tarnishing commensurate with age and use. Some pieces
with heavier scratches. Not monogrammed. No canteen. Your bid indicates acceptance
51
Theodor 'Dr. Seuss' Geisel (1904-1991 American)
Family Tree of the 7 Godivas
Ink and gouache on paperboard, 14.75'' x 21.75''
est: $30,000/50,000
California & American
Fine Art Auction
October 21, 2014
Preview - 12:00 p.m.
Auction - 6:00 p.m.
C o n s i g n To d a y
Bid In Person - Absentee - Telephone - Live Online
w w w. j o h n m o r a n . c o m - i n f o @ j o h n m o r a n . c o m - ( 6 2 6 ) 7 9 3 - 1 8 3 3
i n f o @ j oh n m or a n . c o m · ( 6 2 6 ) 7 9 3 - 1 8 3 3 · w w w. j oh n m or a n . c o m

Decorative Art Auction - John Moran Auctioneers

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