2015/16 season - Fort Wayne Philharmonic

Transcription

2015/16 season - Fort Wayne Philharmonic
2015/16 season
R e n e wa le
d e a d l in
May 15, 2015
s ub s c r i b e a n d
save up to 30%!
subscribers get the best seats
at the best prices!
*Masterworks 1
•
October 3, 2015
Rachmaninoff and Dvořák
7:30 PM | Embassy Theatre
Andrew Constantine, conductor
Johannes Moser, cello
Smetana
Overture to The Bartered Bride
Dvořák Concerto for Cello and Orchestra Op. 104,
B minor
Rachmaninoff Symphonic Dances, Op. 45
Andrew Constantine and The Phil usher in the season
in Slavic splendor, with Rachmaninoff’s last symphonic
composition, the lush Symphonic Dances. Cellist
Johannes Moser performs Dvořák’s heartfelt and
tuneful Cello Concerto and Smetana’s memorable The
Bartered Bride Overture opens the concert.
*Masterworks 2
•
October 24, 2015
Beethoven’s Eighth Symphony
The Madge Rothschild Foundation Masterworks Series
enters its sixth season under the baton of Music Director
Andrew Constantine. This series showcases the very best
symphonic music, world-renowned artists and our very
own Fort Wayne Philharmonic.
Subscribers get the
best seats
at the
best prices!
7:30 PM | Rhinehart Music Center, IPFW
Andrew Constantine, conductor
Freimann Quartet
Beethoven Overture to Egmont
Cannabich Symphony No. 63 in D major
Elgar
Introduction and Allegro for Strings, Op. 47
Geminiani
Concerto Grosso No. 12
(“La Follia”) D minor
Beethoven Symphony No. 8, Op. 93, F major
What better way to show off the talents of our own
Freimann Quartet and the Fort Wayne Philharmonic?
From Beethoven’s lighthearted Symphony No. 8
and heroic Overture to Egmont, to classical gems
featuring the Quartet with orchestra, this ingenious
pairing of standards and new finds promises great
musical moments.
Masterworks 3
•
November 21, 2015
Dvořák’s New World Symphony
7:30 PM | Embassy Theatre
Andrew Constantine, conductor
Janice Chandler-Eteme, soprano
Kodály
Barber
Dvořák
Háry János Suite
Knoxville: Summer of 1915, Op. 24
Symphony No. 9 (“From the New World”) Op. 95 in E minor
Dvořák’s most popular work is a musical reflection of
the composer’s time in America. The second movement
theme was adapted into the famous spiritual, Goin’
Home, as it perfectly captures the essence of America’s
own music.
*THE 5 CONCERT MASTERWORKS SERIES INCLUDES: MASTERWORKS 1, 2, 5, 7 & 8
Renew by May 15 to keep your seats!
Masterworks 4
•
January 9, 2016
*Masterworks 8
Tchaikovsky’s Violin Concerto
Sibelius and Brahms
7:30 PM | Embassy Theatre
Andrew Constantine, conductor
Yoo Jin Jang, violin
7:30 PM | Rhinehart Music Center, IPFW
Andrew Constantine, conductor
Michael Ludwig, violin
Berlioz
Adams
Tchaikovsky
“Love Scene” from Romeo and Juliet
Doctor Atomic Symphony
Violin Concerto, Op. 35
Tempestuous, melodic, breathtaking, anguished and magical, all
words that easily describe Tchaikovsky’s stunning Violin Concerto,
here performed by a 2014 International Violin Competition of
Indianapolis prize winner. Grammy-winning, iconic American
composer John Adams adapted selections from his opera into a
taut, emotionally charged symphonic tale about the first atomic
bomb test.
*Masterworks 5
•
Brahms
Sibelius
Sibelius
Masterworks 9
Overture to Don Giovanni
Piano Concerto No. 21 in C major, K. 467
Symphony No. 40, K. 550, G minor
It’s midwinter Mozart, featuring several of the composer’s most
famous and beloved works. The Symphony No. 40’s effect on
the world is legendary, inspiring musical greats like Ludwig
van Beethoven.
Masterworks 6
•
February 20, 2016
An Evening with George Gershwin
7:30 PM | Embassy Theatre
Chia-Hsuan Lin, conductor
Jodie DeSalvo, piano
Gershwin
Gershwin
Gershwin
Gershwin
Porgy and Bess: Symphonic Picture
Rhapsody in Blue
Cuban Overture
An American in Paris
It’s delightful, it’s delicious, it’s delectable, it’s delirious – it’s the
music of an American classic, George Gershwin. A master at melding
classical and popular music styles, Gershwin wrote tunes we still
hum today, in and outside of the concert hall.
*Masterworks 7
•
March 12, 2016
Legends and Fairy Tales
7:30 PM | Embassy Theatre
Andrew Constantine, conductor
Eric Wyrick, violin
Andre Gaskins, cello
Rezniček
Rózsa
Ravel
Strauss
Donna Diana Overture
Sinfonia Concertante, Op. 29
Ma mère l’Oye (“Mother Goose”)
Till Eulenspiegels lustige Streiche, TrV 171, Op. 28
Legends and fairy tales are transformed into music through Ravel’s
sumptuous Sleeping Beauty and Beauty and the Beast. Strauss’
ultimate prankster, Till Eulenspiegel, is presented here in one of the
most virtuosic works of the orchestral repertory, full of blazing brass
and intricate woodwind and string themes.
April 23, 2016
•
Carmina Burana
January 23, 2016
7:30 PM | Rhinehart Music Center, IPFW
Andrew Constantine, conductor
Boris Slutsky, piano
Mozart
Mozart Mozart
Symphony No. 3 in F major, Op. 90
Violin Concerto in D minor, Op. 47
Finlandia, Op. 26
Sibelius is a national hero in Finland but his Violin Concerto nearly
didn’t get off the ground. After a few disastrous premieres and many
fits and starts, the revised concerto was embraced by the great
Jascha Heifetz, who showed the world what it had been missing.
The rest is history.
Midwinter Mozart
April 9, 2016
•
BartÓk
Orff
7:30 PM | Embassy Theatre
Andrew Constantine, conductor
Fort Wayne Philharmonic Chorus
Concerto for Orchestra, BB 123
Carmina Burana
No composer has ever written anything quite like Carmina Burana.
With its large, percussion-driven orchestra, and mixed chorus that
sings racy texts by wayward monks, Carmina Burana’s primitive
energy promises a physical response in each and every listener.
Masterworks 10
•
May 14, 2016
Russian Classics
7:30 PM | Embassy Theatre
Andrew Constantine, conductor
Thomas Hooten, trumpet
Tchaikovsky
Arutunian
Prokofiev
Romeo and Juliet
Trumpet Concerto in A-flat major
Symphony No. 5, Op. 100, B-flat major
Russian romance is in the air at this season closing concert featuring
Tchaikovsky’s Romeo and Juliet Fantasy Overture, whose love theme
is instantly recognizable across the globe. Prokofiev’s most popular
symphony was composed in just one month while World War II was
still raging. The composer intended it as “a hymn to free and happy
Man, to his mighty powers, his pure and noble spirit.”
JOIN US BEFORE THE CONCERT
FOR musically speaking
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before every Masterworks concert by our
conductors, Phil musicians, and special guests.
Hear all about the evening’s repertoire, enhancing
your symphonic experience. Sponsored by The
Phil Friends.
Programs, venues and artists subject to change.