Bioscope is about Pain - Pune International Film Festival

13 January
9 January
2015
2013
| www.piffindia.com
| www.piffindia.com
‘Bioscope is about Pain’
Chinmay Remane & Sharad Bodage
Pain manifests in human lives in various
ways. This is the thread that connects the
four stories in Bioscope, said Gajendra Ahire,
one of the four directors of the film. He was
present along with director Girish Mohite,
producers Neha Pendse and Abhay Shevade,
music director Salil Kulkarni and poet and
actor Sandeep Khare at the Pune International Film Festival (PIFF).
Bioscope is a collection of four short films
– Dil-e-Nadan (by Ahire), Ek Hota Kau (Mohite), Baill (Viju Mane) and Mitra (Ravi Jadhav). The films are based on poems by four
different poets.
Ahire said that this is a first-of-its-kind
attempt in Marathi cinema. He also elaborated on the different approach he used for
the film. “Short films differ completely in format than a full-length feature film. My film
focuses only on a conversation between two
individuals,” he said. Dil-e-Nadan is based on
19th century Urdu poet Mirza Galib’s poem.
Today in PIFF
Panel Discussion on: Marathi
Cinema – Present and Future
(मराठी चित्रपट: दशकाची दिशा व दशा)
(Photos by Chinmay Remane)
It talks about a yesteryear classical singer
portrayed by Neena Kulkarni.
Mohite talked about the premise and process of the films. “We have been working on
this project for the past three years and the
basic ideology of the films is in the poems.
Each film gives you a different glimpse of
life,” he said. Mohite’s film Baill is based on
a poem by Loknath Yashwant. He went on to
add that the film has given him a chance to
(Cont. on page 2)
Changes in Schedule on Page 4
Seminar conducted by: Ramdas Phutane, Senior Producer and Director.
Samar Nakhate, Eminent Film Academician
Arvind Chaphalkar, Director, City
Pride Group
Nikhil Sane, Zee Talkies
Mahesh Limaye, Director and Cinematographer
Aditya Sarpotdar, Director
Sadik Chitlikar, Film Distributor
City Pride, Kothrud, Screen 4
Time & Date: 2.30 p.m.
A Return to their Roots
Neha Kulkarni & Shekhar Paigude
The Maharashtra Tourism Development
Corporation (MTDC) Competition has
opened up different avenues for different
people. For Jagannath Jadhav and Vanita
Jadhav, it was an opportunity to return to
their roots. Through their film Adorable Little Hamlet – Wai, the couple has attempted
to uncover a hidden tourist delight.
“Wai is known as the ‘Kashi of the South’.
It boasts of some splendid temples, but unfortunately remains off the map of popular
tourist attractions,” said Jagannath Jadhav.
He was elated after the screening of his film
on Day Five of the 13th Pune International
Film Festival (PIFF). The short film is competing in the Manmade Heritage Category
of the MTDC Competition.
Wai is home to many 18th century structures like the Mahaganpati Temple, the
ghat of River Krishna and the wada of Nana
Phadanvis. The town is in the western Maharashtra district of Satara.
Vanita Jadhav, who is also the Convenor
of Indian National Trust for Art and Cultural Heritage (INTACH), felt that it was
their moral responsibility to give something
back to the place they belong to. “Having
remained away from India for a while, we
longed to return to our roots and give back
to our native place,” she reflected.
This wish was realised through a chance
meeting with Bhai Dole who has worked
(Photo by Mohar Moghe)
in the advertising industry for over two decades. He agreed to come on board as the director of the film. The responsibility of writing was taken up by Pravin Joshi. Sharing
his experience, he said, “The biggest challenge of the film was presenting 1000 years
of Wai’s history in ten minutes.” Joshi has
also written the lyrics for the film. Driven
entirely by their love for Wai, the producer
duo has also restored the broken temple and
the river ghat of Krishnna. Their next project is another 30 minute film on Wai.
13 January 2015 | www.piffindia.com
2
Stimulating Cultural Exchange
Swastika De Sarkar &
Siddharth Sharma
Cinema reflects the culture of a country.
The Country Focus section of 13th Pune International Film Festival (PIFF) has films
from three countries - Algeria, Brazil and
Egypt. They depict peculiarities and pose
questions that differ distinctly from those of
India. Along with this, there are historical
similarities that can make the Indian audience identify with them.
“Country Focus is about spreading and widening the spectrum of cinematic work,” says
Samar Nakhate, chairman of selection committee, PIFF. “Let’s share the sense that the
people of these countries are trying to make
through films,” he said.
Antonio das Mortes
The films being shown in PIFF are made after
1990. Their topics are different; they speak
about women and their struggle,” says Mohammad Adel, Minister, Councilor.
Generalising the feministic theme, Nakhate
notes that it is important how women look at
the world. The theme continues to register its
presence in the Egyptian films. “These films
break the stereotypical image of the Egyptian
films,” says Nakhate.
Fatma N’soumer
The Algerian films that have been selected
are mostly women-centric. Works like Heroine, Fatma N’soumer pertain to this theme.
“After Algeria won independence in 1962, our
cinema focused on war and independence.
Talking broadly about Egyptian cinema,
Nakhate explained that the films differ in
their outlook. “Most people think about others with a biased mindset. Egyptian films
show us how people there look at their own
lives in a detached way,” he says.
Reacting after watching Rags and Tatters,
an Egyptian film, Kshitij Vichare, student of
Fergusson College said, “It was full of silence.
There were not much dialogues but it was a
good break from regular Bollywood Masala.”
Mrinmayi Vaishampayan, a student of
Psychology, University of Pune, pointed out
the differences in Indian and Brazilian filmmakers. She said, “The cinematography and
composition in these films is very different.
However, they were not much different thematically.”
The Brazilian films focus on the struggle
and suffering of indigenous people. Nakhate
elaborates the point using the example of
filmmaker Glauber Roscha. “His film Antonio das Mortes is marked by his unique style
of filmmaking. It is an insight into the life of
people in Brazil,” he adds.
Nakhate also takes us into the process of
selection of these films. “Apart from subjective factors like the content and the director,
larger aspects like their contribution to cinema and different stylistic aspects are considered,” he says. It is the credit of this method
that the audiences are experiencing a comprehensive cultural exchange.
Exploring Spectrum of Lifestyles
Gayathree Ganesan &
Yesha Kotak
Typical Indian cinema mostly deals with one person’s point
of view for interpreting any
situation. The script should
talk about the story, not about
only one character said Bramma G, director of Kuttram
Kadithal (The Punishment).
He was present along with
producer Christy Siluvappan
and sound designer Anthony
B. Jayaruban on day 5 at the
13th Pune International Film
Festival (PIFF).
Bramma’s film, screened in
the Indian cinema section of
PIFF, explores an interesting spectrum of lifestyles and
showcases how one unexpected incident influences people
from diverse lifestyles.
Recounting the challenges
faced during the making of the
film, director Bramma said,
“Having no formal education
in film-making, I had a lot
to learn from my film’s crew,
who were experienced in this
craft.”
Kuttram Kadithal is the
first of its kind Tamil film in
terms of the theme it tackles.
The film deals with the responses of each character to
‘Bioscope is about the
Pain in Human Lives’
(Cont. from page 1)
come to PIFF.
(Photo by Ashmak Maity)
a particular incident, giving a
wider perspective to the plot.
On being asked about how the
movie will be taken forward,
the producer explained, “Our
aim is to not only commercially promote the film, but
to make it available to people
across the country.”
The film Mitra, which is based on
homosexuality, marks poet Sandeep
Khare’s debut as an actor in films.
He mentioned that the concept is
inspired from the works of eminent
Marathi playwright Vijay Tendulkar.
“Tendulkar had touched upon this
sensitive subject in the ‘60s. The
topic is still not accepted in society; it
was a thought ahead of his times,” he
said. Khare also expressed his gratitude for the opportunity that the film
gave him to interact with legendary
lyricist and poet Gulzar. The film features a poem by Gulzar, recited by
the poet himself, at the beginning of
the film.
13 January 2015 | www.piffindia.com
3
प्राजक्ता कुंभार/रजत शहा
पुणे,दि. १२ जानेवारी २०१५ : लोकांनी प्रत्यक्ष
पाहिलेली व्यक्तीरेखा घेऊन चित्रपट तयार करणे हे
खूपच आव्हानात्मक होते. मात्र आता हा चित्रपट
महोत्सवा’बरोबरच व्यावसायिक यशही मिळवीत
आहे, हे पाहू न प्रयत्नांचे सार्थक झाल्यासारखे
वाटत असल्याची भावना, ‘डॉ. प्रकाश बाबा आमटे’
चित्रपटाच्या दिग्दर्शिका समृद्धी पोरे यांनी व्यक्त केल्या.
’१३ व्या पुणे आं तरराष्ट्रीय चित्रपट महोत्सवा’मध्ये
‘मराठी चित्रपट स्पर्धा विभाग’मध्ये ‘डॉ. प्रकाश बाबा
आमटे’ या चित्रपटाचा समावेश करण्यात आला आहे.
चित्रपटाचे सादरीकरण झाल्यानंतर घेण्यात आलेल्या
पत्रकार परिषदेमध्ये त्या बोलत होत्या. चित्रपटातील
कलाकार म यावेळी उपस्थित होते.
पोरे म्हणाल्या, “हा चित्रपट पूर्ण पणे सत्यकथेवर
आधारीत आहे. या चित्रपटातील प्रमुख व्यक्तीरेखा
असलेल्या प्रकाश आमटे यांना लोकांनी प्रत्यक्ष
पाहिलेले होती. प्रत्यक्ष जीवनातील हा नायक त्याच
स्वरुपात पडद्यावर साकारणे, हे एक आव्हान होते.
चित्रपटामध्ये नेहमी दिसणारा दयाळू आणि धाडसी
नायक प्रत्यक्ष समोर असल्यानेच, मला हे आव्हान
वाटले आणि माझा हा प्रामाणिक प्रयत्न लोकांना
भावला”.
पोरे पुढे म्हणाल्या, की प्रकाश बाबा आमटे हा
चित्रपट आं तरराष्ट्रीय स्तरावर तर यशस्वी ठरलाच
पण सर्वसामान्य प्रेक्षकांनीही या चित्रपटाला
मनापासून दाद दिलीं. प्रेक्षकांच्या याच कौतुकाने
हा चरित्रपट असूनही यशस्वी ठरला. चित्रपट तयार
करताना,तो व्यावसायिकदृष्ट्याही जास्तीत जास्त
(Photo by Ashmak Maity)
डॉ. आमटे म्हणजे प्रयत्नांचे सार्थक– पोरे
‘डॉ. प्रकाश बाबा आमटे’ चित्रपटाच्या पत्रकार परिषदेत बोलताना समृद्धी पोरे. सोबत राज काझी व डॉ. मोहन आगाशे
लोकांपर्यंत पोहोचावा,याच उद्देशाने बनविला होता.
त्यामुळेच असे दहु ेरी यश, या चित्रपटाला मिळाले.
या चित्रपटाला असणारी सामाजिक बाजू हा चित्रपट
व्यावसायिकदृष्ट्या यशस्वी करण्यात महत्वाची
ठरली.
या चित्रपटाच्या कथा निर्मितीचा अनुभव सांगताना
समृद्धी यांनी सांगितले, “चित्रपटाच्या निर्मितीचा
विचार मनात आल्यानंतर मी हेमलकसाला जाऊन
प्रकाश आमटे यांच्या रोजच्या जीवनाचा अनुभव
घेतला. आठ दिवस मी त्यांचे जीवन जवळू न पहिले
व अनुभवले. प्रकाश आमटे यांच्या जीवनावर चित्रपट
व्हावा ही माझी इच्छा मी त्यांना बोलून दाखवली आणि
त्यांनी चित्रपट निर्मितीचे सर्व अधिकार मला दिले. हा
अनुभव माझ्यासाठी विलाक्षणच होता.”
या चित्रपटामध्ये बाबा आमटे यांची भूमिका
साकारणारे ज्येष्ठ अभिनेते डॉ. मोहन आगाशे यांना
त्यांच्या भूमिकेविषयी विचारले असता, ते म्हणाले,
“जी व्यक्ती लोकांनी प्रत्यक्ष पाहिली आहे, ती
व्यक्तिरेखा साकारणे, हे आव्हानात्मकच होते. मात्र मी
स्वतः मला उमगलेल्या बाबांना साकारण्याचा प्रयत्न
केला. बाबांच्या शारीरिक व्यक्तीमत्वापेक्षा बाबांचा
स्वभाव, त्यांचे मिश्कील हसणे, हे दाखविण्याचा प्रयत्न
केला आहे. बाबांच्या स्वभावाचा पिंड काय असावा, हे
प्रेक्षकांपर्यंत पोहोचवण्यात मी यशस्वी ठरलो.”
या चित्रपटातील अविस्मरणीय अनुभव सांगताना
समृद्धी पोरे म्हणाल्या, “एखाद्याचे आयुष्य उलगडू न
दाखवण्याची जबाबदारी प्रत्येकक्षणी माझ्यावर
असल्याने, सिंगापूर चित्रपट महोत्सवात हा चित्रपट
पाहू न प्रकाश आमटे यांनी, ‘तू माझ्या जन्मापासूनच
कॅमेरा ऑन ठे वला होतास का?’ अशी प्रतिक्रिया
दिली. तेंव्हा मला सार्थक झाल्याचे वाटले.
अस्वस्थ करणाऱ्यांचा अडचणींचा ‘ख्वाडा’
पार्थ कपोले
आपली मेंढरे घेऊन नेहमीच भटकंती
करणाऱ्या मेंढपाळ कुटु ंबाची आणि या
कुटु ंबाला येणाऱ्या अडचणी, यांची कथा
मांडणाऱ्या ‘ख्वाडा’ या चित्रपटाच्या
दिग्दर्श काची, भाऊराव कराडे यांचीही
कथा या चित्रपटासारखीच अस्वस्थ
करणारी आहे!
‘१३व्या पुणे आं तरराष्ट्रीय चित्रपट
महोत्सवा’मध्ये ‘मराठी चित्रपट स्पर्धा’
विभागामध्ये ‘ख्वाडा’ या चित्रपटाची
निवड झाली आहे. यानिमित्ताने कराडे
यांची भेट झाली आणि त्यांचीही कथा
उलगडत गेली.
(Photo by Mohar Moghe)
‘ख्वाडा’ म्हणजे अडथळा तर
दस
ु रा अर्थ म्हणजे कुस्तीचा डाव.या
चित्रपटात मेंढपाळ कुटु ंबातील तरुण
मुलगा सततच्या भटकंतीला कंटाळला
आहे. जवळच्या जमा-पुज
ं ीतून जमीन
विकत घेऊन त्याला आता एका
ठिकाणी स्थिर व्हायचे आहे. पण
त्याचा बाप या गोष्टीला मान्यता देत
नाही, कारण त्यांची पारंपरिक जमीन
सरकारदरबारी जमा आहे आणि
बापाला आपली जमीन सरकारकडू न
सोडवून घ्यायची आहे. त्यासाठी
कितीही वर्ष थांबायला तो तयार आहे.
पण त्याच्या मुलाला हे पटत नाही,
कारण त्याच्या मते हा लढा कधीच
थांबणारा नाही. पण अखेर एक अशी
वेळ येते कि त्यांना जमीनच नाही, तर
त्यांची मेंढरे आणि संपूर्ण संपत्ती सोडू न
गावातून स्थलांतरित व्हावे लागते.”
‘ख्वाडा’ हा भाऊराव यांचा पहिलाच
सिनेमा आहे. मासकम्युनिकेशनचे
शिक्षण घेतलेल्या भाऊराव यांनी
यांपुर्वी केलेल्या लघुपटांना पारितोषिके
मिळाली आहेत.मात्र हा सिनेमा
बनविताना असंख्य ‘ख्वाड्यांचा’
सामना त्यांना करावा लागला आहे.
अहमदनगर येथील ‘न्यू आर्ट्स,
कॉमर्स आणि सायन्स कॉलेज’मधून
मास कम्युनिकेशनचे शिक्षण घेतलेले
भाऊराव सांगतात की, सुमारे दोन
वर्ष प्रयत्न करूनही या पटकथेसाठी
प्रोड्युसर न मिळाल्याने अखेर स्वतःच
सिनेमा तयार करण्याचा निर्णय घेतला.
भाऊराव सांगतात की, “पैसा उभा
करण्यासाठी मी आमच्या पाच एकर
जमिनीपैकी अगोदर ३ एकर जमीन
विकली आणि कामाला सुरुवात केली,
पण नंतर आम्हाला जाणवले की
सिनेमाचे बजेट वाढले आहे. २०१३
च्या मे महिन्यात आम्ही चित्रीकरणाला
सुरुवात केली, पण जूनच्या पहिल्याच
आठवड्यात आलेल्या पावसामुळे
आम्हाला थांबावे लागले आणि नेमके
तेव्हाच आमचे बजेट देखील संपले.
स्थलांतरितांवर सिनेमा बनवितांना मला
स्वतःलाच स्थलांतरीत व्हावे लागले.
पावसामुळे थांबलेले चित्रीकरण, मग
आम्ही थेट २०१४ मध्येच सुरु केले.
वाढलेले बजेट पूर्ण करण्यासाठी मग मी
उरलेली ३ एकर जमीन गहाण ठे वली.
मित्रमंडळींकडू न पैसा घेऊन अखेर हा
चित्रपट पूर्ण केला.”
13 January 2015 | www.piffindia.com
4
‘The Association is a Win-Win Situation’
Shekhar Paigude
Valsa Nair-Singh, an IAS
officer of the
1991 batch,
is the Managing Director
of Maharashtra Tourism
Development
­C orporation.
She was the Secretary
of ­Environment of the
­Maharashtra
Government
before taking over as the MD
of MTDC. The new rankings
suggest that MTDC stood
first among the Tourism Promotion Boards in India under
her management.
She reflects upon the association with Pune International Film Festival (PIFF).
Festival Venue
How has MTDC’s association with PIFF been? How do
you see the future of this affiliation?
India under your leadership.
How would you describe the
process through which you
achieved this?
It is a win-win situation for
PIFF and MTDC. PIFF is a promising platform for promoting our
brand "Maharashtra Unlimited".
We want to celebrate the natural,
cultural and manmade heritage
of Maharashtra and facilitate
tourism through the Short Film
Festival that we’ve introduced in
this edition of PIFF. We are planning to strengthen our affiliation
with PIFF with the aim to promote the culture of Maharashtra
along the sidelines. It would be
a great opportunity to showcase
our culture amidst the foreign
delegates present at the festival.
We are also planning to organize
programmes on handicrafts and
tribal culture from next year.
We changed our policy while
promoting Maharashtra tourism,
focusing on the unexplored side of
Maharashtra. We delved into rural tourism and nature-oriented
tourism. Ajanta and Verul caves
became the core of our promotion. We wanted to showcase the
Maharashtra that is beyond the
well-known sight-seeing destinations that have been promoted so
far.
MTDC was recognized as
the best Tourism Board in
Gold Sponsors
Will the winning film at the
MTDC Short Film Competition be used as the official
promotional film of MTDC?
MTDC is giving it a thought.
If the winning film exhibits
­excellent quality and caters to
our idea of promoting tourism in
Maharashtra, we will consider it.
Sponsors
Changes in
Schedule
CITY PRIDE -SATARA
ROAD
Screen-3
( 234 Seats)
2.15 p.m.
Delirium|
Delirium
Dir.: Ihor Podolchak
Ukraine,
lic|2013|
(Kothrud)
Silver Sponsors
(Law College Road)
Outdoor Partner
Officiel Courier
Outdoor Partner
Repub-
96|Blu Ray
(Global Cinema)
In place of
In Full Gallop|Cwal
Dir.: Krzysztof Zanussi
Poland|
1996|104’|DVD
(Retro: Zanussi)
Radio Partner
Festival Partners
Venue Partners
Czech
13 January 2015 | www.piffindia.com
5
‘I Made No Compromises While
Filming for Oraalppokkam’
Shekhar Paigude
Sanal
Kumar
Sasidharan,
director of the Malyalam film
Oraalppokkam (Six Feet High),
is passionate about his film and
talks about his directorial debut
being screened at the 13th Pune
International Film Festival. This
film comments on human relationships and the thread that
binds and breaks relations, while
giving us a glimpse of the Uttarakhand tragedy. Here is what he
had to say:
Would you elaborate on the
theme of the film?
The film depicts the aftermath
of an emotional outbreak that
shatters a long-standing live-in
relationship, leading a couple
to part ways. It is a film about
contemporary women being independent and headstrong. It
shows that the existence of men
is incomplete without women. It
also addresses the environmental
issue through the depiction of the
Uttarakhand floods.
(Photo by Mohar Moghe)
What is your opinion about
“live-in” relationships?
Live-in relationships are sustainable. Mutual understanding
and cooperation is the essence
of relationships. Mutual respect
and care is the foundation on
which a relationship rests. Being
self-centered, egoistic and selfish
is likely to create chaos in a relationship.
What would you say about
PIFF?
The success of a film festival depends on the audience. A mature
audience helps the festival to
flourish year after year. The audience at PIFF is intellectual and
sensitive. They interact with the
film crew, raising questions and
discussing cinema. It is a great
experience.
Were you burdened by the
fact that this was the first
crowd-funded Malyalam film
and also your first feature
film?
I have waited for a good script
for almost 12 years. In the meantime, I made a 20-minute short
film called ‘Frog’. The Kerali organization put faith in me and
raised money through contributions. There was no pressure from
anyone. I made no compromises
while filming for Oraalppokkam.
The film panned out exactly the
way I wanted it to.
About Dark Secrets
Pallavi Dewan
There was a lot of anticipation as people lined up
for the screening of the Turkish film Silsile (Consequences), directed by OzanAciktan at the 13th Pune
­International Film Festival (PIFF). The screen with a
seating capacity of 375 went on to accommodate about
500 people who occupied the aisles.
Set in Istanbul, Silsile revolves around the complexities in the lives of Cenk, Ece, Merve and Faruk. They
have crossed paths at different phases of their lives,
sharing multiple relationships with each other through
the course of the story. The film depicts the ups and
downs in their lives as they struggle to keep dark ­secrets
from each other, revealing the chaosthat breaks loose
as secrets begin to surface. It portrays the darker side
of human nature, commenting on the ­‘consequences’ of
keeping secrets.The movie was well received by an enthusiastic a
­ udience.
I loved the first few minutes of the movie; the way it
began was extremely interesting. But it wasdraggedunnecessarilytowards the end.
Tejas Gokhale, Student of Artsat SP College.
I liked the movie and could easily relate to it as it dealt
with the complexities of human interaction. Nowadays,
people act first and think later. This is bound to have certain consequences. The film is a good example of this.
Rucha Prabhune Student at the Department of Communication Studies, University of Pune.
The film is absolutely brilliant. The plot of the movie
was superb, giving an edge to the film. The ending of the
film was the best part as it had thegreatest impact on me.
Unmesh Kathwale, VFX student from Reliance Aims.
(Photos by Mohar Moghe)
13th January ‘2015-Tuesday
11. 30a.m.
12.00 Noon
11.00 a.m.
11.15 a.m.
11.15 a.m.
C i t y P r i d e C i t y P r i d e C i t y P r i d e CITY PRIDE -SATARA ROAD CITY PRIDE -SATARA ROAD C i t y P r i d e I n o x
Screen – 1
Screen – 2
Screen – 4
Screen-3
Screen-4
Screen-1
Screen -1
Kothrud
Kothrud
Kothrud
( 234 Seats)
( 90 Seats)
R Deccan
(263 Seats)
(525 Seats)
(375 Seats)
(207 seats)
(185 seats)
9am to 8 pm
9am to 10 pm
9am to 7.30 pm
9am to 9 pm
9am to 9 pm
9am to 8 pm
9am to 9pm
9 . 1 5 a . m 9.00 a.m. 9.15 a.m. 9.00 a.m. 9.15 a.m. 9.15 a.m. 9.00 a.m.
Zero for Conduct|
Zéro de conduite
Dir.: Jean Vigo
Now or Nev er| D r e a m l a n d | Outside the Law| B u s c h o w | Edu Heart of Gold| J u l i e t s |
France|1933|
Hors la loi
Buschow
Zhu Li Ye
Maintenant ou jamais Traumland
Edu Coração de Ouro
41’|DCP
Dir.: Serge Frydman Dir.: Petra Biondina Volpe
Dir.: Rachid BoucharebDir.: Rosa Friedrich Dir.: Domingos de Oliveira
Dir.: Yu-Hsun Chen, Chi
Golden marie|
France|
Switzerland, Germany,Algeria,
BelgiumFrance, Belgium, Tunisia,
Italy
Brazil
Taiwan
Germany|
Casque d’or
|2013|98’|DCP
2010|137’|DVD
2013|95’|DCP
|1968|85’|DVD
|2010|106’|DVD
2014|90’|Blu Ray
Dir.: Jacques Becker
(Global Cinema) (Country Focus:Algeria (Global Cinema) (Country Focus:Brazil (Country Participation
(Global Cinema)
France|
1952|94’|DCP
(French Grand classic
11.45a.m.
11.15 a.m.
M a n g l a
Screen -4
(190 seats)
Reliance Big Screen-4
(354 seats)
M a n g l a
Screen – 3
(260 seats)
Reliance Big Screen-3
(352 Seats)
I n o x
Screen -3
(263 Seats)
9 am to 5.30 pm
N F A I N F A I
Law College Road Kothrud
Main Theatre
Theatre
(310 seats)
(200 Seats)
9am to 9 pm
9.00 a.m.
9 am to 9 pm
9 am to 5.00 pm
9 am to 9 pm
9.00 a.m.
9.00 a.m.
9 am to 5.00 pm
9.00 a.m.
9.15 a.m.
9.15 a.m.
9am to 9pm
9.15 a.m.
Mascarades|
Mascarades
Dir.: Lyès Salem
France , Algeria
|2008|94’|DVD
(Country Focus:Algeria
11.00 a.m
Hungry Stones|
Kshudhita Pashan
Dir.: Tapan Sinha
India|1960|
109’|35mm
(Soumitra Chatterjee
11.15 a.m.
S ix Fe e t H ig h | Fatma N’soumer| C a r P a r k |
Cure: The Life of Another|
Fatma N’soumer
Parkoló
Oraalppokkam
Cure
Dir.: Belkacem HadjadjDir.: Bence Miklauzic
Dir.: Sanalkumar Sasidharan
Dir.: Andrea Staka
India|
Algeria|
Hungary
Switzerland, Croatia, Bosnia, Herzegovina
2014|112’|DCP
2014|96’|Blu Ray
|2014|91’|DCP
(Global Cinema)
(Indian Cinema) (Country Focus:Algeria (Global Cinema)
Heavenly Shift|
Isteni müszak
Dir.: Márk Bodzsár
Hungary
|2013|100|DCP
(Global Cinema)
11.15 a.m.
11.30 a.m.
11.00 a.m.
11.00 a.m.
11.15a.m.
3.45 p.m.
3.30 p.m.
3.30 p.m.
5.30 p.m.
K.L. Saigal
Hotel Nueva Isla| The enemies of pain| C o w b o y s |
Good Bye Lenin|
B e h a v i o r | M . O . Z h . | B e l l a M i a | P é pé le M ok o| A f t e r l i f e |
Lacrime delle Dolomiti di Sesto|
The Land|
Sam Dam DandBhed Dir.: YashChaudhary|66’|DVD
The Man in the Orange Jacket
Hotel Nueva Isla Los enemigos del dolor
Kauboji
Good Bye Lenin
Conducta
Bella Mia
Utóélet
Pépé le Moko
Tränen der Sextner Dolomiten
Al-ard
Dir.: NilimaLonari MahendraKapoor
HolzTomislav Mršić
Dir.: Irene Gutierrez Dir.: Arauco HernándezDir.:
Dir.: Wolfgang Becker
Dir.: Ernesto Daranas Dir.: Aik Karapetian Dir.: Martin Duba Dir.: Julien Duvivier Dir.: Virág Zomborácz
Dir.:Hubert Schönegger
Dir.: BipinChoubal: |21’|DVD
Dir.: Yousef Shaeen
2014/118'/DCP
Spain, Cuba|2014
Uruguay, Brazil|
Croatia
Germany|
Cuba|2014
Latvia, Estonia
France
Hungary
Czech Republic
Austria|2014|143’|DCP
Naushad Ali- The Melody
Egypt|1969|130’|DVD
continues
(Marathi Cinema Today)
71’|DCP
2014|81’|DCP
|2013|90’|DCP
2003|121’|DVD
108’|DCP
|2014|71’|DCP
|1937|94|DCP
|2014|90’|DCP
|2013| 90’|DCP
Norte,
the
End
of
History|
(WAR AGAINST WAR
Dir.: BuddhadebDasgupta:
(Country
|38’|DVD
Focus:Egypt
(World Competition) (Global Cinema)
(Global Cinema)
(WAR AGAINST WAR Norte, hangganan ng kasaysayan
(World Competition) (Global Cinema)
(Global Cinema) (French Grand classic (Global Cinema)
(legend movies)
Dir.: Lav Diaz
Philippines
|2014|250’|DCP
2.30 p.m. 2.00 p.m. 2.00 p.m. 2.15 p.m. 1.30 p.m.
(Global Cinema) 2 . 0 0 p . m . 1 . 0 0 p . m . 1 . 0 0 p . m . 1 . 3 0 p . m . 1 . 4 5 p . m . 1 . 3 0 p . m . 2 . 0 0 p . m . 2 . 3 0 p . m .
Delirium|
Delirium
The Owners|
I n f e r n o | The Fort|
Under the Skin| The Woods are still Green|
Elizabeth Ekadashi|
Kidon|Kidon
Delusion | Aabhas
Dir.: Ihor Podolchak The Last Sentence|
The Owners
Inferno
Killa
Bajo la piel
Die Wälder sind noch grün
Dir.: Paresh Mokashi
Dir.: Emmanuel Naccache
Ukraine, Czech RepublicDom över död man
Dir.:
Gajanan
N.
Kulkarni
Dir.: Adilkhan Yerzhanov
Dir.: Vinko Moderndorfer
Dir.: Avinash Arun
Dir.: Francisco J. Lombardi
Dir.: Marko Nabersnik
India
Israel|France
Dir.:Jan Troell
Marathi Seminar
96|Blu Ray
Kazakhstan|2014|
Slovenia
Spain, Peru, Germany
India
Austria
India
Sweden, Norway|2012|
|2014|90’|DCP
|2014|89’|DCP
93’|DCP
(Global Cinema) (Country Participation-kaleidoscope
| 2014 | 117' | DCP|2014|113’|DCP |2014|107’|DCP (Global Cinema) 1996|110’|Blu ray |2014|107’|Blu ray
(Marathi Competition)
(World Competition)
(Global Cinema) (Marathi Competition)
(Retro:lombardi) (WAR AGAINST WAR
C o u r t | Next to Her|
Court
At li layla
Dir.:Chaitanya TamhaneDir.: Asaf Korman
India
Israel|
|2014|116’|DCP
2014|90’|DCP
(World Competition) (Global Cinema)
3.00 p.m.
4.15 p.m.
3.45 p.m.
3.30 p.m.
4.00 p.m.
4.00 p.m.
4.00 p.m.
4.00 p.m.
It’s Gonna Take A Miracle|
Ci vorrebbe un miracolo
Dir.: Davide Minnella
Italy|
2014|74’|Blu Ray
(Global Cinema)
4.30 p.m.
5.30 p.m.
The 400 Blows|
Antonio
das
Mortes|
O b s t a c l e | Fish & Cat|
Les Quatre cents coupsO Dragao da Maldade Contra O Santo Guerreiro
Khwada
Mahi va gorbeh
Dir.: François Truffaut Dir.: Glauber Rocha
Dir.: Bhaurao KarhadeDir.: Shahram mokri
Brazil, France, West Germany
France|1959
India|2014|115’|DCP Iran|2013|134’|DCP
1969|100’|DVD
99’|DCP
(Marathi Competition (Global Cinema)
(French Grand classic (Country Focus:Brazil)
No Show
No Show
A Better Tomorrow| N j a a n |
The Council of Birds|
Dr.Prakash Baba Amte
Moo-jeok-ja
Njaan
Zerrumpelt Herz
Dir.: Samruddhi Porey
Dir.: Hae-sung Song
Dir.: Ranjith
Dir.: Timm Kröger
India|2014
South Korea, Japan, Hong Kong,
Thailand
India
Germany|
117’|DCP
|2010|124’|DVD
|2014|160’|DCP
2014|82’|DCP
(Marathi Competition
(Country Participation (Indian Cinema)
(Global Cinema)
6.00 p.m.
Come to my Voice| I'm Not Angry| M u n n a r i y i p p u
Were Denge Min
Asabani Nistam!
Dir.: Venu
Dir.: Huseyin Karabey Dir.: Reza Dormishian Malayalam
Turkey, France, Germany Iran
|2014|114' | DCP
|2014|105’|DCP
|2014|105’|DCP
(Global Cinema) (Indian Cinema)
(Global Cinema)
6.15 p.m.
S u p e r n o v a | P l a y i ng D e a d | For e g i n Bo dy |
Supernova
Je fais le mort
OBCE CIALO
Dir.: Tamar Van Den Dop
Dir.: Jean Paul SalomeDir.: Krzysztof Zanussi
Netherlands, Germany, Belgium,
Belgium France Poland, Italy, Russia
|2014|102’|DCP
|2014|117’|DVD
|2013 |104’|DCP
(Global Cinema)
(Global Cinema)
(Global Cinema)
6.00 p.m.
T e s t |
Ispytanie
Dir.: Alexander Kott
Russia
|2014|95’|DCP
(World Competition)
p.m.
No Show No Show
5.15
6.30 p.m.
No Show
8 . 0 0
8 . 0 0
p m
6.15 p.m.
6.30 p.m.
7.30 p.m
No Show
No Show
p m 6.00 p.m. 5.00 p.m.
Consequences|
Silsile
Pickpocket|
Dir.: Ozan Aciktan
Pickpocket
Dir.: Robert Bresson
Turkey|2014|105’|DCP
France|1959
75’|DCP
(French Grand classic
Perfumes of Algiers|
Parfums d'Alger
Dir.: Rachid Benhadj
Algeria|2012
108’|DVD
(Country Focus:Algeria
(World Competition)
The Dark Valley| G r e e d |
Das finstere Tal
Kam Kam
Dir.: Andreas Prochaska
Dir.: Joel Lamangan
Austria, Germany
Philippines|
|2014|114’|DCP
2014|110’|DCP
(Global Cinema)
(Global Cinema)
Pune International Film Festival, published by PIFF Organisation Committee, Ph: +9134454545/6
Content by: Vedh Content & Communication Editor: Dr. Jabbar Patel, Chairman & Director, PIFF