mousse / interview / pag. 11

MOUSSE / INTERVIEW / PAG. 11
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In teoria siamo tutti d’accordo. La pittura in Italia è oggetto di uno snobismo
ingiustificato; è oppressa da pregiudizi fuori dal tempo; bisogna fare come a New York
e a Londra, e ridarle il posto che merita, ecc. ecc. Tutto giusto. Poi però, di fronte a
tanti, troppi quadri che si vedono in giro, ci passa la voglia. E torniamo a fare gli snob.
Converrete allora che, quando troviamo un pittore che ci piace, è il caso di festeggiare.
Vi presentiamo Nathan Hylden, americano del 1978, con un curriculum di mostre in
gallerie interessanti (nell’ultimo scorcio del 2007, Richard Telles a LA, art:concept a
Parigi, Misako & Rosen a Tokyo) e un approccio alla tela austero, secco, che ha fatto
scomodare addirittura paragoni con Frank Stella. Ah, la pittura. Che meraviglia.
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MOUSSE / INTERVIEW / PAG. 12
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MOUSSE / INTERVIEW / PAG. 13
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Theoretically we all agree: painting in Italy
is being unjustifiedly snobbed, it is weighed
down by outdated prejudices, we should
do the same of New York and London and
return the deserved importance to it, etc.
That’s all correct. But in front of many, too
many paintings seen around, we change
our mind. And we start again to snob it.
This is why, when we find a painter that we
really like, this is something to celebrate!
We introduce you to Nathan Hylden, a 1978born American artist with an impressive
curriculum of exhibits in interesting
galleries (Richard Telles in Los Angeles,
art:concept in Paris, Misako & Rosen
in Tokyo) and a severe, dry approach to
painting that raised comparisons with no
less than Frank Stella. God, painting, what
a gorgeous thing!
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MOUSSE / INTERVIEW / PAG. 14
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