From acoustics to electrics, we have a Taylor for

From acoustics to electrics, we have a Taylor
for every type of player. Our 2009 Guitar Guide
leads you on a scenic tour of our product line.
Why do we play guitar? We each have our own answer, but it comes down to
some sense of well-being we get from vibrating strings and wood. Maybe it’s to relax
and relieve tension. To connect with others. To find out who we are. To earn a living. The
question may be philosophical, but it’s not a bad place to start as we ponder which type
of guitar to play.
If there’s a simple piece of advice we can give you, it’s this: Buy the best guitar you
can afford. By “best” we mean a guitar that’s easy to play, has proper intonation, and
sounds great. We’ve got you covered there. Beyond that, look for one that’s compatible
with the kind of sound you’re looking for. In our previous features on shapes and woods,
we shared some basic guidelines to help you understand what factors give each Taylor
model a unique personality. (See our newly re-designed shapes and woods features at
taylorguitars.com.) If you remember that shapes have sounds, that woods have unique
tonal flavors, and that you have your own personal way of playing and hearing those
shapes and woods, you’ll be primed to find the right guitar — one that will be your
faithful muse.
As part of our Guitar Guide, we include some “test-driving” tips to help you properly
audition a guitar, plus the complete specifications for all models. And if you ever have
any questions along the way, feel free to call our newly established Inside Sales and
Customer Relations representative, Ben Benavente (1-888-2TAYLOR). Think of him as
your Taylor guitar concierge. He’ll answer all your guitar questions and help you locate
a particular model at a dealership if you’re on the hunt. Now promise not to slack on
that New Year’s resolution to play more guitar this year.
Chefs like to eat; guitar makers like to play. We rounded up Bob Taylor and a few of his
boys from the product development team for a photo shoot at Bob’s house to celebrate
the pleasures of jamming with friends. Everyone was invited to bring one of their favorite
Taylors. From left: VP of Marketing Brian Swerdfeger with a GC8 prototype that currently
lives in his office; VP of Quality Assurance, Customer Service & Repair David Hosler
with a T5C2; Bob’s longtime design partner Larry Breedlove with a GA5; and the man
himself, picking on an 810ce. Get these guys together and it usually doesn’t take long
to coax a smile — and a song — out of them. Photo by Bil Zelman
Th e pr e s e ntati on S e r i es
With each tonewood we use, the best of the best represents a slim fraction of
what exists in the world. One set in a thousand might be too much to promise.
But this master-grade wood always finds its way into the Presentation Series.
We hand off these rare natural materials to our very finest guitar makers, who
pour their hearts into each guitar, using their advanced skills sometimes to
infuse a guitar with exquisite appointments, and other times to abide by the
simple idea that less is more. It all depends on how you want yours made.
Either way, the Presentation Series is your guitar dream brought to life.
Back/Sides: Choice of master-grade
Madagascar Rosewood, Cocobolo,
Walnut, Maple, Macassar Ebony,
Hawaiian Koa or Brazilian Rosewood
(limited availability)
Top: Choice of premium Sitka Spruce,
Western Red Cedar, Engelmann
Spruce, Sinker Redwood (limited
availability), Adirondack Spruce,
Walnut, Hawaiian Koa
Fretboard Inlay: Green Heart Abalone
“Byzantine” (other options available)
Binding: Ivoroid with
Green Heart Abalone
Rosette: Green Heart Abalone
Additional Premium
Appointments: Bone nut/saddle,
abalone peghead and bridge inlays
Optional Venetian/Florentine cutaway
and ES pickup
Models:
PSDN, PSGA, PSGC,
PSGS, PSJM, PSGA-12,
PSGS-12, PSJM-12
His name is Russ Lewark, but his online friends know him as
Koaguitarman. Russ’s first koa love was an all-koa K20c. He found
the wood’s tone to be the ideal acoustic voice for him. “I play a lot
of ragtime, jug band, folk-rock — a little bit of a lot of different
genres,” he says. “Koa will take the softer folk fingerstyle and
the strong fingerpicking of ragtime and jug band. It also comes
through when softly flatpicked or even with bluegrass-style picking.
It’s my tonewood of choice.” Russ currently owns 14 koa Taylors.
Photo by Bil Zelman
Th e koa S e r i es
Ask any Hawaiian koa lover — the tropical hardwood speaks in a special
Back/Sides: Hawaiian Koa
Binding: Curly Maple
way that no other wood can. We treat it with reverence ourselves. Visually,
Top: Abalone-trimmed Sitka Spruce
or Hawaiian Koa
Rosette: Abalone
its harmony of color, grain and figure immediately invites us in. Tonally, it
rewards the player over time, as its initially bright voice opens up to reveal
a mellowing sweetness in the midrange. Despite the cost and limited
availability of this cherished Hawaiian native, we remain deeply committed
to koa. We buy the best logs we can and build guitars that we hope will
inspire a lifetime of playing — because the more you play one, the deeper
you’ll fall in love.
Fretboard Inlay:
Abalone Koa Series
Additional Premium
Appointments: Maple-bound rosette
Models:
K10ce, K12ce, K14ce,
K16ce, K20ce, K22ce,
K24ce, K26ce, K54ce,
K56ce, K64ce, K65ce,
K66ce
Indian rosewood is an enduring classic that’s loved
by traditional flatpickers and modern fingerstyle players alike.
For Bob Taylor, the personal connection hearkens back to the
first guitar he ever made. Its appeal is as broad as its sonic
range, which yields deep lows, sparkling highs and controlled
midrange overtones, all of which together give players impressive
articulation. Rosewood’s variety of visual colors — including
mocha browns, rich purples and fiery reds — have inspired us
to give it a distinctive personality in each of three series.
Our 900 Series showcases our most beautiful grade, featuring
tight, straight grain, a range of colors, and premium appointments
that together embody vintage elegance for the modern world.
Our maple-bound 800 Series has progressed from its no-frills
Dreadnought roots into a more contemporary look that’s stylish
but not too pretty to be played hard. Our 700 Series goes
for an earthier, dressed-down feel, featuring thicker ribbons
of rosewood grain and simple inlay work. Paired with either
an Engelmann spruce or cedar top, it responds with vintage
warmth. The best thing about rosewood might be that it offers
something for everyone.
Th e 9 00 S e r i es
Back/Sides:
Indian Rosewood
Top: Sitka Spruce
Fretboard Inlay: Pearl
Binding: Ivoroid
Rosette: Abalone
Sunburst Options:
Tobacco (top only)
Additional Premium
Appointments:
Gotoh tuners, bone
nut/saddle, peghead
and bridge inlays
Models:
910ce, 912ce,
914ce, 916ce
Th e 8 00 S e r i es
Back/Sides:
Indian Rosewood
Top: Sitka Spruce
Fretboard Inlay: Pearl
Binding: Curly Maple
Rosette: Abalone
Sunburst Options:
Tobacco (top only)
Models:
810ce, 812ce, 814ce,
815ce, 816ce, 854ce,
855ce, 856ce
Th e 700 S e r i es
Back/Sides:
Indian Rosewood
Binding:
Indian Rosewood
Top: Engelmann Spruce
(710ce, 712ce),
Western Red Cedar
(714ce, 716ce)
Rosette: Abalone
Fretboard Inlay:
Pearl Dots
Models:
710ce, 712ce,
714ce, 716ce
Sunburst Options:
Tobacco (top only)
TAY LO R I N N O VAT I O N
The Expression
System® Pickup
Traditional under-saddle,
piezo-style acoustic pickups that
had been used for years never
really managed to capture the
natural, full tone of an acoustic
guitar, let alone the nuances of
the player. Instead, the amplified tone was often thin, brittle
and distorted, or “quacky.” The
condenser mics that were often
mounted inside the soundhole
and used to round out the sound
were highly prone to feedback.
Beyond that, the EQ controls of
an onboard preamp essentially
provided little more than artificial
coloring of a fundamentally
flawed pickup tone.
The Taylor Expression System
was developed at Taylor with
input from pro audio icon Mr.
Rupert Neve. It combines three
magnetic sensors — two body
sensors affixed to the underside
of the top and one neck pickup
imbedded beneath the fretboard
extension — with a studio-quality
preamp. The ES uses the guitar’s
soundboard to create a network
of magnetic, surface-sensing microphones. The preamp cleanly
boosts the signal and eliminates
noise. When the controls are set
flat, the pure tone of the guitar is
not colored in any way. The end
result is that the natural tone of
the guitar and the nuances of the
player are captured in a transparent way, and the pickup is
highly feedback-resistant. Three
soft-touch roller controls on the
upper shoulder offer plenty of
real frequency control without
physically intruding on the visual
beauty of the guitar.
Th e 6 00 S e r i es
Our wood experts are always on
create a hypnotic, 3-D effect. We ex-
a loyal friend of recording engineers
the hunt for figured maple, and they
periment with colors until we get them
and front-of-house sound mixers alike.
never fail to come through. And as if
right, and offer a range of options,
Whether you want a small or a big
a set of quilted or tiger-stripe maple
including sunburst and edgeburst
voice, on its own or with a band, our
wasn’t already transfixing enough,
treatments, with crisp white binding
600 Series guitars ensure that your
maple’s blonde complexion plays host
to detail each body shape. Looks
Taylor will be seen and heard clearly.
to a fiesta of vibrant color finishes that
aside, maple’s bright, focused tone is
Back/Sides: Big Leaf Maple
Top: Sitka Spruce
Fretboard Inlay:
Pearl “Leaf” Pattern
Binding: White
Rosette: Abalone
Colors/Bursts: Aged Toner, Amber,
Black, Blue, Blue Burst, Cherry Black
Sunburst, Cherry Sunburst (or optional
top only), Green, Honey Sunburst,
Natural, Orange, Purple, Ruby Red,
Ruby Red Burst, Tobacco Sunburst
(or optional top only), Transparent
Black
Models:
610ce, 612ce, 614ce, 615ce,
616ce, 654ce, 655ce, 656ce
Th e 5 00 S e r i es
Our mahogany guitars
really let your fingers sing.
And it doesn’t get much
sweeter than a mahogany/
cedar combination. Our
514ce remains one of our
most popular models, and
the newer, bolder-voiced
516ce is a six-string
revelation for its blend
of power and clarity.
Roots-rockers, blues
players, singer-songwriters,
fingerstylists, DADGAD
lovers, simple strummers —
you name it — respond
viscerally to the organic
tonal quality of mahogany.
With their meaty midrange
overtones, our 500 Series
guitars are loaded with
songwriting inspiration.
Tangy licks, melodic, ringing
chords, great dynamic
range — they’re all there.
Back/Sides:
Tropical Mahogany
Top: Engelmann Spruce
(510ce, 512ce),
Western Red Cedar
(514ce, 516ce)
Fretboard Inlay:
Pearl Dots
Binding:
Indian Rosewood
Rosette: Abalone
Models:
510ce, 512ce,
514ce, 516ce
Playing for Keeps:
How to Find the Right Guitar
A systematic approach to sampling different guitars will make
your search easier. We recommend that you be consistent in
the way you play each guitar you test-drive — this will allow the
tonal nuances created by different shapes, woods and other
construction variables to come through more clearly. Your
checklist can include as many considerations as you want, but
here are a few essentials to consider: ergonomics, playability,
intonation and tonal compatibility with what you’re trying to do.
Know what kind of tone you want. Factor in your playing
technique, which includes how light or aggressive your attack is.
Do you plan to strum, flatpick, fingerpick or some combination
of them all? If you’re a beginner and aren’t sure, consider a guitar
that offers a lot of tonal versatility, like a GA. Will you be playing
solo or with a group? Do you like a guitar with a lot of acoustic
bloom or do you want to keep the overtones under control?
Will this be an all-purpose axe or serve a specialized role?
Taylor web developer and accomplished singer-songwriter
Cindy Santini with a 514ce at Lestat’s Coffee House in
San Diego, a popular local venue, where she’s performed.
Find your comfort zone. Consider how the size and shape of
the guitar physically feel against your body — how the neck fits in
your hands and how your strumming arm feels draped over the
lower bout. If you’ll be playing it while standing up, try it that way.
And…action! Is the action low enough that you can form cleansounding chords without having to clamp down hard? Also, try
playing a moveable chord shape up the neck toward the body to
see how the action feels there, and to check the intonation.
Play a progression of simple chords. For each guitar you sample,
play the same series of chords in the same order, with the same
pick, and with the same attack.
Try different dynamic levels. Play harder and softer on each
guitar to assess the scope of the guitar’s dynamic range.
Try at least three different types of picks (medium, heavy,
plastic, tortex etc.). A certain type of guitar might match up better
with a thicker or thinner pick.
Bring a guitar buddy with you. Have him or her play while you
listen to gain a sonic perspective from the other side of the guitar.
But don’t rely on your buddy’s opinion. He or she will sound
different from you. Use your own hands and ears.
Consider bringing a handheld recorder to capture and evaluate
the tonal distinctions.
Sample a variety of shapes and woods. You never know — you
might naturally be drawn to the aesthetic appeal of a certain guitar
shape or wood, but actually sound better playing a different model.
th e 4 00 S e r i es
Back/Sides: Ovangkol
Binding: White
Top: Sitka Spruce
Rosette: 3-Ring
Finish: Satin with Gloss Top
Fretboard Inlay: Large Pearl Dots
Models:
410ce, 412ce, 414ce,
454ce, 455ce
We don’t think your guitar should compromise your music. That said, we fully understand
that you may be budget-minded. Our ovangkol 400 Series and sapele 300 Series serve up high-end,
performance-ready guitars at our best price for an all-solid-wood guitar. Our 400/300 Series
models are the choice of plenty of gigging performers, worship musicians, beginners and
discerning others who crave the simple pleasures of a killer guitar: playability, balanced tone
th e 3 00 S e r i es
and a quality pickup that conveys the nuances of your playing. Maybe this is your first foray into a
solid-wood Taylor experience, and you want to bolster your chops before you step up. Or maybe
you just love the way ovangkol or sapele responds to your hands. As woods they might not be
Back/Sides: Sapele
Binding: Black
Top: Sitka Spruce
Rosette: 3-Ring
household names, but pick up one of these guitars and you’ll be impressed by how good it makes
Finish: Satin with Gloss Top
you sound.
Fretboard Inlay: Large Pearl Dots
Models:
310ce, 312ce, 314ce, 315ce, 354ce, 355ce
Just because we make
high-end guitars doesn’t
mean we don’t believe in
affordable ones. And we
don’t think you have to
sacrifice great tone and
playability when you’re
looking for extra value.
Our rosewood laminate
200 Series and sapele
laminate 100 Series guitars
are the real deal, crafted
to deliver the complete
Taylor experience, and,
with laminate back and
sides, are extra resilient.
Both series offer optional
cutaways and stage-ready
electronics in the form of
our great-sounding ES-T®
transducer pickup. You can
feel good in knowing that
when you buy a Taylor at
any level, you get precision
craftsmanship, great tone,
and our same high standard
of customer service.
th e 200 S e r i es
Back/Sides:
Rosewood Laminate
Top: Solid Sitka Spruce
Fretboard Inlay:
Pearloid Dots
Binding: White
Rosette: 3-Ring
Models:
210, 210e, 210ce,
214, 214e, 214ce
For some young adults, getting a driver’s license is a rite of
th e 100 S e r i es
Series are perfect for young players who are ready to take things
Back/Sides:
Sapele Laminate
to the next level. With the easiest playability and best intonation
Top: Solid Sitka Spruce
in the industry, family porch jams never sounded so good. Here,
Fretboard Inlay:
Pearloid Dots
passage. For others, getting their first Taylor is. The 100 and 200
14-year Taylor veteran Ben Benavente (left), currently our Inside
Sales & Customer Relations rep, looks on as his son Mason finds
a groove. Watch out, Dad — you’re about to get upstaged.
Photo by Bil Zelman
Binding: Black
Rosette: 3-Ring
Models:
110, 110e, 110ce,
114, 114e, 114ce
“After years of concerts with inconsistent and problematic live
acoustic nylon-string sound, my Taylor NS74ce has solved all
my problems. With its onboard electronics dialed in, I rarely
have to touch anything, knowing that it will be consistent from
venue to venue. It’s now stress-free, ‘plug-n-play,’ every time.
Sound engineers love it, as well!”
— Wayne Johnson, three-time Grammy Award-winning guitarist
th e NYLON S e r i es
The same hallmarks of quality that define Taylor acoustic/electric
steel-strings were applied to our Nylon Series to give players a smooth
passage to a nylon-string’s tonal flavors without having to adjust to a
wide-neck classical guitar. Comfort and playability, clear, balanced tone, a
cutaway for access to the upper register, and electronics for easy gigging
make for an inviting and unique nylon experience that feels familiar to our
steel-string customers. A choice of two body shapes and three different
wood pairings offers a rich variety of tonal nuances to suit every type of
player. If you’re looking for some fresh inspiration, take one for a spin.
Neck Width: 1 7/8 Inches
Rosette: Mexican Cypress
Strings: D’Addario Pro-Arté® Extra
Hard Tension
Electronics: Fishman™ Prefix Pro®
(NS32ce/34ce), Fishman™ Prefix
Pro® Blend (NS72ce/NS74ce,
NS62ce/NS64ce)
Tuners: Ping Classical Gold with
Ivoroid Buttons
NS72ce/NS74ce
Back & Sides/Top:
Indian Rosewood/Cedar
NS32ce/ NS34ce
Back & Sides/Top:
Sapele/Sitka Spruce
Binding: Indian Rosewood
Binding: Black
Peghead Veneer: Indian Rosewood
Peghead Veneer:
Indian Rosewood
NS62ce/NS64ce
Back & Sides/Top:
Big Leaf Maple/Engelmann Spruce
Binding: Indian Rosewood
Peghead Veneer/Bridge: Cocobolo
Wood&Steel editor Jim Kirlin, clearly hard at work with
a Baby Taylor on Coronado Beach in San Diego, as the
iconic Hotel del Coronado reflects another inspiring
sunset. It’s a tough job, but he does it all for you.
Th e BABy Taylor
Part of an acoustic guitar’s appeal is its portability. Wherever you might
Its debut over a decade ago set a new benchmark for players on the go,
Baby
Size/Shape: 3/4-scale Dreadnought
(22 3/4-inch scale length)
Big Baby
Size/Shape: 15/16-scale
Dreadnought
giving them a legitimate musical instrument that’s resilient and can truly
Back/Sides: Sapele Laminate
Back/Sides: Sapele Laminate
carry a tune, all the way up the neck. It’s also perfectly kid-friendly. If you
Top: Solid Sitka Spruce or Mahogany
Top: Solid Sitka Spruce
Fretboard Inlay: Pearloid Dots
Fretboard Inlay: Pearloid Dots
Rosette: Laser-etched
Rosette: Laser-etched
be headed, the compact Baby Taylor makes the perfect musical companion.
want a bigger sound that’s still super-portable and affordable, the Big Baby
is simply a killer guitar. It’s the kind of guitar you can leave around the house
or the office, or have on-hand on those days when you’re supposed to be at
the office. Don’t be surprised if it secretly becomes your go-to guitar.
Th e
ACOU STI C LINE
Because each Taylor
body shape yields a
distinctive sound, we
designed a line of pure
acoustic Taylors around
our shapes, allowing us
to use different wood
pairings to distill down to
the pure essence of tone.
Initially inspired by the bold
voice of our newest shape,
the Grand Symphony (GS),
we now offer more than
30 Acoustic models in four
shapes: the GS, the versatile Grand Auditorium (GA),
the traditional Dreadnought
(DN), and our small-body
Grand Concert (GC). All
of our Acoustic models are
unified by the same clean,
understated appointments
that keep the emphasis on
shapes and woods. All are
designed as non-cutaways
and come without pickguards (available as an
option). For live performance, the optional Taylor
Expression System®
captures that essential
acoustic sound you’ve
been hearing unplugged,
and shares it with the
world. And its stealthy
design aesthetic will never
compromise the true
acoustic look you crave.
Standard Appointments
Fretboard Inlay:
Abalone Dots (5 Series & up)
Pearl Dots (3 & 4 Series)
Binding:
Ivoroid (5 Series & up)
Cream (3 & 4 Series)
Rosette:
Abalone (5 Series & up)
3-ring (3 & 4 Series)
g ran d sym ph ony
Tone Profile: Deeper, thicker and louder across the tonal spectrum,
without sacrificing clarity or responsiveness. The most robust tone of the
Taylor shapes, and ideal for hearty strumming or flatpicking. Full, round
bass, meaty midrange, and strong trebles.
Models:
GS-K, GS8, GS8-12, GS7,
GS6, GS6-12, GS5, GS5-12
(GS6 shown)
g ran d AU DITORI U M
Tone Profile: Taylor’s original signature body shape defines tonal balance,
clarity, and overall versatility that modern, multifaceted players appreciate.
Perfect for players who enjoy a mix of strumming, picking and fingerstyle.
Offers a great blend of character and articulation that fit into a mix.
Models:
GA-K, GA-K-12, GA8, GA8-12, GA7, GA6,
GA6-12, GA5, GA4, GA4-12, GA3, GA3-12
(GA4-12 shown)
g ran d con ce rt
Tone Profile: The body contours help control overtones, yet both the
volume and bass response are impressive. Together, the shorter scale
length and slotted peghead (on gloss models) yield a warm, slightly
woodier sound. Great for fingerstylists and other players who prefer the
comfort of a small-body guitar.
Models:
GC-K, GC8, GC7, GC6, GC5, GC4, GC3
(GC8 shown)
d r ead n ou g ht
Tone Profile: Our most traditional body style blends a potent, vintage
acoustic sound with Taylor’s trademark tonal consistency. Great for
strummers and flatpickers who like to really drive the top.
Models:
DN-K, 910 Legacy,* 810 Legacy,** DN8, DN5, DN4, DN3
(DN5 shown)
*Features “Cindy” fretboard inlay and abalone-edged top
**Features 800 Series fretboard inlay and white binding
40
t5
Three years since its breakthrough launch, our award-winning
Body: Sapele Hollowbody
electric/acoustic T5 has clearly come into its own. A full-range performance
Top: Sitka Spruce, Maple, Koa,
Macassar Ebony, Cocobolo, Walnut
guitar, the hollowbody hybrid boasts proprietary humbuckers and an
Expression System®-inspired body sensor, allowing players to switch
between amplified acoustic and electric tones — or blend them together
with an A/B/Both box — in a way that no other guitar can. Its unmatched
versatility has spawned its own category in the guitar world and inspired
artists of virtually every genre by giving them a multifaceted tool that
enhances what they can do in the studio or on stage.
Color Options: Natural, Red, Blue,
Black (translucent black optional)
with Edgeburst
Sunburst Options:
Tobacco, Honey, Cherry
Models:
T5-C5, T5C5-12, T5-C4,
Fretboard Inlay: T5 “Artist” (Custom),
T5C4-12, T5-C3, T5C3-12,
Micro Dots (Standard)
T5-C2, T5C2-12, T5-C1,
T5C1-12, T5-C, T5C-12,
Binding: Multi-layer White with
T5-S, T5S-12, T5-S1, T5S1-12
Black Pinstripes
Scale Length: 24 7/8 Inches
Nut/saddle: Bone
t3
The newest addition to our electric line, the T3 embodies our passion for expanding the range of tones
Body: Sapele Semi-hollowbody
available to the electric player. Inspired by both the T5 and the SolidBody, we’ve taken the classic semi-hollow-
Top: Quilted Maple
body sound and applied our signature Taylor design touches, blending our high-fidelity Style 2 pickup with a
unique coil-splitting application to give players killer humbucker and single coil sounds in one guitar. Our push-
Scale Length: 24 7/8 Inches
pull tone knob brings two modes of tone control that include a fresh voice: a warm, fat, mellow vintage tone.
Fretboard Inlay: Mother-of-Pearl Dots
We’ve also paired a Bigsby tailpiece with a metal roller bridge, giving players a high-performance vibrato bar
Binding: Multi-layer White with
Black Pinstripes
without the pitch issues. And if vibrato bars aren’t your thing, go with the stop tailpiece. Either way, we love the
look and sound of this guitar, and think you will, too.
Tailpiece: Bigsby Vibrato or
Stoptail with Roller Bridge
Models:
T3, T3/B
th e s oli d b ody
We celebrate the Taylor
ideas, the SolidBody re-imagined
sound. An innovative aluminum
playing experience. A noiseless
High-Definition electric flavors, but
SolidBody’s first birthday proudly,
what a great electric guitar could
bridge design marked an advance
single coil solved an age-old prob-
to switch out the pickups with in-
having made a potent impact on
be, in a completely fresh way.
in lock-down intonation. Sleek
lem. And our new modular pickups
credible ease. We’re in the electric
the electric guitar world in 2008.
Proprietary humbuckers fused
ergonomic touches added a new
gave players not only the flexibility
world for the long haul and hope
Loaded with all-original design
power with a vintage, high-fidelity
level of comfort to the electric
to choose between High-Gain and
you join us.
Pickups
Classic
Standard
Custom
Style 1 Humbuckers
(Classic, Custom)
Style 2 Humbuckers
(Standard)
Style 3 Noiseless Single Coil
(Classic SC)
Body: Swamp Ash
Body: Sapele
Body: Sapele or Mahogany
Neck: Maple
Top: Tamo Ash
Top: Walnut or Hawaiian Koa
Scale Length: 24 7/8 Inches
Neck: Sapele
Neck: Sapele or Mahogany
Fretboard Inlay: Pearl Dots
Scale Length: 24 7/8 Inches
Scale Length: 24 7/8 Inches
Colors: Translucent White,
Translucent Red, Black, Natural
Fretboard Inlay: Pearl Dots
Fretboard Inlay: Progressive Diamonds
(Walnut top) or Koa Series
Also available as after-market
HD (High Definition) and HG
(High Gain) pickups through
TaylorWare
Colors: Aged Cherry Sunburst or
Natural with Shaded Edge
Colors: Shaded Edge
Models:
Classic, Classic SC,
Standard, Custom Koa,
Custom Walnut
Opposite page: Classic
Single Coil in Trans White
Above (L-R): Standard in
Natural, Standard in Aged
Cherry, Custom Walnut,
Custom Koa
TAY LO R FAQ s
Does a cutaway
diminish the tonal
output of a guitar?
Conventional wisdom
would suggest that it
would, since a cutaway
does remove real estate
from the soundboard and
slightly diminish the overall
air volume in the cavity of
the guitar. But in reality,
the tonal difference is
negligible, because the
soundboard area in the
upper bout where a cutaway
would be located doesn’t
move much anyway. In
fact, the relief rout that we
cut on the underside of
our guitar tops to enhance
movement doesn’t extend
into that region. Tonal
output is affected more by
the degree of tapering in
the “waist” of a guitar body
than by the cutaway.
“The DDSM is the perfect guitar for me as a
performing fingerstyle guitarist. The distance
between the strings at the bridge is slightly
wider; each string has its own voice because of
the hexaphonic pickups; the shallower 16-inch
body is comfortable to hold and really adds to
feedback control. The short-scale neck makes
playing much easier and even adds sweetness
to the tone. But the number one reason I love
the DDSM is that I can walk out on stage with
an orchestra or a band or even just by myself
and not have to think about anything else but
playing the guitar.”
— Doyle Dykes
Does a slotted
headstock affect
tone?
Yes, the reduced mass
does slightly affect the
tone, but the biggest
difference is the increased
string angle over the nut.
The tighter tension on the
nut makes the notes more
staccato — they pop out a
bit brighter and decay a
bit more quickly, making
the individual notes sound
more distinct.
th e s i g natu r e s e r i es
ddsm
Doyle Dykes Signature Model
What defines true signature artists is that they do the defining.
Our Signature Series evolved out of the personal relationships
Back/Sides: Big Leaf Maple
that Bob Taylor developed with two of the world’s most expressive
Top: Sitka Spruce
guitarists — Doyle Dykes and Leo Kottke — both of whom discovered
Colors: Black, Translucent Black,
Natural, Orange, Brown Sugar
renewed musical inspiration in Taylor guitars. As stylistic trailblazers
with a clear musical vision, each had his own ideas about the type
of Taylor that would help them articulate their signature tone. If only
it were that easy for the rest of us.
Fretboard Inlay: Offset Pearl
“Chet”-style Markers
Peghead Inlay:
Pearl / Abalone Rose
Binding: Ivoroid with
Abalone-edged Top
Rosette: Abalone
Electronics: Expression System
or L.R. Baggs DDSM Hex
Scale length: 24 7/8 Inches
TAY LO R I N N O VAT I O N
The NT Neck
Straight, stable necks are
DDSM
Brown Sugar
DDSM
Black
the goal of every guitar builder,
but maintaining stability when a
guitar is exposed to changes in
humidity has long been a chal-
LKSM
lenge. With traditional neck assembly methods, a substantial
change in humidity could cause
a guitar top to swell or shrink,
leading to a hump at the 14th
fret, where the neck comes together with the body. Intonation
problems would often follow.
With Taylor’s patented NT
neck design, the neck is milled
so that it extends past the 14th
fret (where the heel butts up
against the body), supporting
the fretboard to the last fret.
DDSM
Orange
DDSM
Natural
A computer mill is used to
rout precision pockets in the
guitar body to house the neck
extension. As a result, the neck
fits cleanly into the body, independent of the soundboard. To
ensure dead-on accuracy with
lk s m
Leo Kottke Signature Model
In the late ’80s, a Taylor mahogany 555 would lure Leo Kottke back to the 12-string after years of hand problems.
LKSM, LKSM-6
Back/Sides:
Tropical Mahogany
Of course, in classic Leo fashion, he christened it by using a pocket knife to whittle down the braces. When Bob Taylor
Top: Sitka Spruce
later got wind of Leo’s tinkering, he gave him a call, and the two hit it off.
“One of the things that sold me on the idea of working with Bob and trying this 12-string was that Bob is the first
person I’d run into who can talk as long as I can about guitars,” Leo would later say. “I wanted less wood than is common
for a 12-string. I also wanted it built to be tuned down, instead of up to pitch… I think the real virtue of the 12-string is that
it can just explode out of the bottom. So that’s what we aimed for.”
the setting of the neck angle,
precisely milled spacers are
placed into the body pockets to
micro-adjust the neck angle’s
accuracy to .001 inch. Such
Binding: Indian Rosewood
consistent accuracy delivers
Rosette: 3-Ring
exceptional playability and spot-
Tuning Pitch: C-sharp
on intonation all the way up the
neck. No other guitar neck is as
stable as a Taylor.
Models and specifications are subject to change without notice.
2009 Specifications
Dimensions by Shape
GAGSGCDN
JM
BABY
BIG BABYT3T5SB
41”
41”
42”
33 3/4”
40 1/4”
Overall Length
6-String
12-String
41”
41”
•
•
43”
•
•
•
40 3/4”
•
Body Length
20” 20”
19 1/2”
20” 21”
15 3/4”
19 1/2”
20”
20”
17 2/5”
Body Width
16”
16 1/4” 15” 16”
17”
12 1/2”
15”
16”
16”
13 13/20”
*DDSM body
Body Depth
4 5/8”*
4 5/8” 4 3/8” 4 5/8” 4 5/8”
3 3/8”
4”
2 1/3”
2 2/5”
1 3/4”
depth is 4 1/8”
•
40 1/2”
41”
41 3/16”
40 3/4”
38”
Scale Length
Standard
25 1/2”
25 1/2”
25 1/2”
25 1/2” 25 1/2”
22 3/4”
25 1/2”
•
•
Short
24 7/8” 24 7/8”
24 7/8”
24 7/8””
24 7/8”
•
•
24 7/8”
24 7/8”
24 7/8”
Frets
20
20
20
20
20
19
20
21
21
22
Neck Width
6-String
1 3/4”
1 3/4”
1 3/4”
1 3/4”
1 3/4”
1 11/16”
1 11/16”
1 11/16”
1 11/16”
1 11/16”
12-string
1 7/8”
1 7/8”
•
•
1 7/8”
•
•
•
1 11/16”
•
/ Gauge
Strings
Acoustic
Electric
T3, SolidBody: Elixir® NANOWEB® Electric Light Gauge (.010-.046)
T5: Elixir® NANOWEB® Electric Medium Gauge (.011-.049)
T5 12-string: Elixir® NANOWEB® Electric Light Gauge
GC, GA, Baby, Big Baby, & All 12-string Models: Elixir NANOWEB Light Gauge (.012-.053)
GS, DN & JM: Elixir® NANOWEB® Medium Gauge (.013-.056)
Nylon Series: D’Addario Pro-Arté® Extra Hard Tension
®
®
Models by Shape
GAGSGCDN
JM
BABY
BIG BABYT3T5SB
BBT
PSGA
PSGS
PSGC
PSDN
PSJM
BT1
PSGA-12
PSGS-12
K12ce
K10ce
PSJM-12
BT2
K14ce
K16ce
K22ce
K20ce
K24ce
K26ce
912ce
K54ce
K56ce
K64ce T3
T5-S
SB Classic
T3/B
T5S-12
SB Classic SC
K65ce
T5-S1
SB Standard
910ce
LKSM
T5S1-12
SB Custom Koa
812ce
810ce
LKSM-6
T5-C
SB Custom Walnut
K66ce
712ce
710ce
815ce
T5C-12
914ce
916ce
612ce
610ce
855ce
T5-C1
814ce
816ce
512ce
510ce
615ce
T5C1-12
854ce
856ce
412ce
410ce
655ce
T5-C2
714ce
716ce
312ce
310ce
455ce
T5C2-12
614ce
616ce
GC-K
210
315ce
T5-C3
654ce
656ce
GC8
210e
355ce
T5C3-12
514ce
516ce
GC7
210ce
T5-C4
414ce
GS-K
GC6
110
T5C4-12
454ce
GS8
GC5
110e
T5-C5
314ce
GS8-12
GC4
110ce
T5C5-12
354ce
GS7
GC3
DN-K
214
GS6
NS72ce
910 Legacy
214e
GS5
NS62ce
DN8
214ce
GS5-12
NS32ce
810 Legacy
114
DN5
114e
DN4
114ce
DN3
GA-K
GA-K-12
GA8
GA8-12
GA7
GA6
GA6-12
GA5
GA4
GA4-12
GA3
GA3-12
NS74ce
NS64ce
NS34ce
DDSM
46
Models and specifications are subject to change without notice.
Standard Features
Presentation
Koa Series
Acoustic Koa
900 Series
800 Series
Acoustic 8
700 Series
Acoustic 7
600 Series
Acoustic 6
Back / Sides
Choice of:
Brazilian Rosewood,
Madagascar Rosewood,
Hawaiian Koa, Cocobolo
and other master-grade
woods
Hawaiian Koa
Hawaiian Koa
Indian Rosewood
Indian Rosewood
Indian Rosewood
Indian Rosewood
Indian Rosewood
Big Leaf Maple
Big Leaf Maple
Top
Choose from a variety
of premium woods
Sitka Spruce or
Hawaiian Koa
Sitka Spruce or
Hawaiian Koa
Sitka
Spruce
Sitka
Spruce
Sitka
Spruce
Engelmann Spruce /
Western Red Cedar
Western
Red Cedar
Sitka
Spruce
Sitka
Spruce
Neck
Tropical
Mahogany
Tropical
Mahogany
Tropical
Mahogany
Tropical
Mahogany
Tropical
Mahogany
Tropical
Mahogany
Tropical
Mahogany
Tropical
Mahogany
Hard Rock
Maple
Hard Rock
Maple
Soundhole
Rosette
Single Ring
Abalone
Single Ring
Abalone
Single Ring
Abalone
Single Ring
Abalone
Single Ring
Abalone
3-Ring
Abalone
3-Ring
Abalone
3-Ring
Abalone
Single Ring
Abalone
3-Ring
Abalone
Fretboard
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Fretboard
Inlay
Green Heart Abalone
Byzantine/other options
Abalone
Koa Series
Abalone
Dots
Pearl
900 Series
Pearl
800 Series
Abalone
Dots
Pearl
Dots
Abalone
Dots
Pearl 600
Series “Leaf”
Abalone Dots
Top Inlay
Green Heart Abalone
w/neck extension
Abalone
Abalone
Abalone
None
None
None
None
None
None
Headstock
Overlay
Ebony
Ebony
Ebony
Ebony
w/ Pearl Inlay
Indian
Rosewood
Indian
Rosewood
Indian
Rosewood
Indian
Rosewood
Ebony
Indian
Rosewood
Binding
Ivoroid w/Green Heart
Abalone
Curly Maple
Ivoroid
Ivoroid
Curly Maple
Ivoroid
Indian Rosewood
Ivoroid
White
Ivoroid
Bridge
Ebony
w/Abalone inlay
Ebony
Ebony
Ebony
w/ Pearl Inlay
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Bridge Pins
Ebony w/Green Heart
Abalone Dots
Ebony w/
Abalone Dots
Ebony w/
Abalone Dots
Ebony w/
Abalone Dots
Ebony w/
Abalone Dots
Ebony w/
Abalone Dots
Ebony w/
Abalone Dots
Ebony w/
Abalone Dots
Ebony w/
Abalone Dots
Ebony w/
Abalone Dots
Nut / Saddle
Bone
Tusq
Tusq
Bone
Tusq
Tusq
Tusq
Tusq
Tusq
Tusq
Tuning
Machines /
Buttons
Gotoh
Taylor Gold
Taylor Gold
Gotoh
Taylor Gold
Taylor Gold
or Taylor Slot
Head (GC)
Taylor Gold
Taylor Gold
or Taylor Slot
Head (GC)
Taylor Gold
Taylor Gold
or Taylor Slot
Head (GC)
Truss Rod
Cover
Ebony
Ebony
Ebony
Ebony
Indian
Rosewood
Indian
Rosewood
Indian
Rosewood
Indian
Rosewood
Ebony
Indian
Rosewood
Back / Side
Finish
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Top Finish
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Neck Finish
Satin
Satin
Satin
Satin
Satin
Satin
Satin
Satin
Gloss
Gloss
Electronics
Optional
Expression
System®
Expression
System®
Expression
System®
ExpExpression
System®
Expression
System®
Optional
Expression
System®
Expression
System®
Optional
Expression
System®
Expression
System®
Optional
Expression
System®
Pickguard
None
None
None
None
Tortoise
None
Tortoise
None
Tortoise (Amber)
None (colors/bursts)
None
Case
Taylor Deluxe
Hardshell (Brown)
Taylor Deluxe
Hardshell (Brown)
Taylor Deluxe
Hardshell (Brown)
Taylor Deluxe
Hardshell (Brown)
Taylor Deluxe
Hardshell (Brown)
Taylor Deluxe
Hardshell (Brown)
Taylor Deluxe
Hardshell (Brown)
Taylor Deluxe
Hardshell (Brown)
Taylor Deluxe
Hardshell (Brown)
Taylor Deluxe
Hardshell (Brown)
PSDN, PSGA,
PSGC, PSGS,
PSJM, PSGA-12,
PSGS-12, PSJM-12
K10ce, K12ce,
K14ce, K16ce,
K20ce, K22ce,
K24ce, K26ce,
K54ce, K64ce,
K65ce, K56ce,
K66ce
GA-K, GA-K-12
GC-K, GS-K
DN-K
910ce,
910 Legacy
912ce,
914ce,
916ce
810ce, 812ce,
814ce, 815ce,
816ce, 854ce,
855ce, 856ce
GA8, GC8, GS8,
DN8, 810 Legacy
GA8-12, GS8-12
710ce, 712ce,
714ce, 716ce
GA7, GC7, GS7
610ce, 612ce,
614ce, 615ce,
616ce, 654ce,
655ce, 656ce
GA6, GC6,
GS6, GA6-12
Models
47
Standard Features
500 Series
Acoustic 5
400 Series
Acoustic 4
300 Series
Acoustic 3
DDSM
LKSM
Nylon Series
Back / Sides
Tropical Mahogany
Tropical Mahogany
Ovangkol
Ovangkol
Sapele
Sapele
Big Leaf Maple
Tropical Mahogany
Indian Rosewood
(NS72ce, NS74ce)
Big Leaf Maple
(NS62ce, NS64ce)
Sapele (NS32ce, NS34ce)
Top
Engelmann Spruce /
Western Red Cedar
Sitka Spruce (DN) /
Western Red Cedar
Sitka Spruce
Sitka Spruce
Sitka Spruce
Sitka Spruce
Sitka Spruce
Sitka Spruce
Western Red Cedar (70s)
Engelmann Spruce (60s)
Sitka Spruce (30s)
Neck
Tropical
Mahogany
Tropical
Mahogany
Tropical
Mahogany
Tropical
Mahogany
Tropical
Mahogany
Tropical
Mahogany
Hard Rock Maple
Tropical
Mahogany
Tropical
Mahogany
Soundhole
Rosette
3-Ring
Abalone
3-Ring
Abalone
3-Ring
3-Ring
3-Ring
3-Ring
Single Ring
Abalone
3-Ring
Mexican Cyprus & Myrtle
Geometric Pattern
Fretboard
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Fretboard
Inlay
Pearl Dots
Abalone Dots
Large Pearl Dots
Pearl Dots
Large Pearl Dots
Pearl Dots
Pearl DDSM
None
None
Top Inlay
None
None
None
None
None
None
Abalone
None
None
Headstock
Overlay
Indian
Rosewood
Indian
Rosewood
Indian
Rosewood
Indian
Rosewood
Indian
Rosewood
Indian
Rosewood
Ebony w/ Pearl /
Abalone Rose Inlay
Indian
Rosewood
Indian Rosewood (30s, 70s)
Cocobolo (60s)
Binding
Indian Rosewood
Ivoroid
White
Cream
Black
Cream
Ivoroid
Indian Rosewood
Indian Rosewood (60s, 70s)
Black (30s)
Bridge
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony
Ebony (30s, 70s)
Cocobolo (60s)
Bridge Pins
Ebony w/
Abalone Dots
Ebony w/
Abalone Dots
Ebony
Ebony
Ebony
Ebony
Ebony w/
Abalone Dots
Ebony
None
Nut / Saddle
Tusq
Tusq
Tusq
Tusq
Tusq
Tusq
Tusq
Tusq
Tusq
Tuning
Machines /
Buttons
Taylor Chrome
Taylor Gold (514ce,
516ce)
Taylor Gold or
Taylor Slot Head (GC)
Taylor Chrome
Taylor Chrome
Taylor Chrome
Taylor Chrome
Taylor Gold
Taylor Gold
Ping Classical Gold w/
Ivoroid Buttons
Truss Rod
Cover
Indian Rosewood
Indian Rosewood
Indian Rosewood
Indian Rosewood
Indian Rosewood
Indian Rosewood
Ebony
Indian Rosewood
Back / Side
Finish
Gloss
Gloss
Satin
Satin
Satin
Satin
Gloss
Gloss
Gloss (60s, 70s)
Satin (30s)
Top Finish
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Gloss
Neck Finish
Satin
Satin
Satin
Satin
Satin
Satin
Gloss
Satin
Satin
Electronics
Expression System®
Optional
Expression System®
Expression System®
Optional
Expression System®
Expression System®
Optional
Expression System®
Expression System®
or Baggs / DDSM®
None
Fishman™ Prefix Pro® (30s)
Prefix Pro®Blend (60s, 70s)
Pickguard
Tortoise
None
Tortoise
None
Tortoise
None
None
None
None
Case
Taylor Deluxe
Hardshell (Brown)
Taylor Deluxe
Hardshell (Brown)
Taylor Hardshell
(Black)
Taylor Hardshell
(Black)
Taylor Hardshell
(Black)
Taylor Hardshell
(Black)
Taylor Deluxe
Hardshell (Brown)
Taylor Deluxe
Hardshell (Brown)
Taylor Hardshell Black (30s)
Deluxe Brown (60s, 70s)
Models
510ce, 512ce,
514ce, 516ce
GA5, GC5,
GS5, DN5, GS5-12
410ce, 412ce,
414ce, 454ce,
455ce
GA4, GC4,
DN4, GA4-12
310ce, 312ce,
314ce, 315ce,
354ce, 355ce
GA3, GC3,
DN3, GA3-12
DDSM colors:
Natural
Black (opaque)
Black (translucent)
Orange
Brown Sugar
LKSM
LKSM-6
NS32ce, NS34ce
NS62ce, NS64ce
NS72ce, NS74ce
48
None (32, 62, 72)
Indian Rosewood (34, 74)
Cocobolo (64)
Standard Features
Back / Sides
The Electric Line / Standard Features
200 / 100 Series
Baby Taylor
200 Series:
Rosewood Laminate
Sapele Laminate
100 Series:
Sapele Laminate
Top
Solid Sitka Spruce
Body
Top
BT1, BBT: Sitka Spruce
BT2: Tropical Mahogany
Neck
Sapele
Sapele
Soundhole
Rosette
3-Ring
Laser Etched
Neck
SolidBody
T5
T3
Swamp Ash (Classic)
Sapele (Standard, Custom Walnut)
Tropical Mahogany (Custom Koa)
Sapele
Sapele
Tamo Ash (Standard)
Walnut (Custom Walnut)
Koa (Custom Koa)
Sitka Spruce (T5-S, T5-C); Figured Maple
(T5-S1, T5-C1); Koa (T5-C2);
Cocobolo (T5-C3); Walnut (T5-C4);
Macassar Ebony (T5-C5)
Sapele (Standard, Custom Walnut)
Tropical Mahogany (Custom Koa)
Maple (Classic)
Tropical Mahogany
Sapele
Ebony
Ebony
Quilted Maple
Fretboard
Ebony (Standard, Custom)
Indian Rosewood (Classic)
Fretboard
Inlay
Pearl Dots
(Classic, Standard)
Pearl Progressive Diamonds
(Custom Walnut)
Koa Series (Custom Koa)
Pearl Dots (T5-S, T5-S1)
Pearl T5 “Artist” (T5-C, T5-C1,
T5-C2, T5-C3, T5-C4, T5-C5)
Pearl Dots
Headstock
Overlay
Ebony
Ebony
Ebony
Fretboard
Binding
None (Classic)
Black (Standard, Custom)
White
White
Bridge
Taylor Hardtail Aluminum, fully adjustable
Ebony
Chrome Roller-style w/Stop Tail
(T3) or Bigsby Vibrato (T3/B)
Nut
Bone
Bone
Tusq with Teflon®
Tuning
Machines /
Buttons
Taylor Chrome
Taylor Chrome (T5-S, T5-S1 and blue bursts)
Taylor Gold (T5-C, T5-C1, T5-C2, T5-C3,
T5-C4, T5-C5)
Taylor Chrome
Back /
Side Finish
Satin (Classic Natural, Standard Natural)
Gloss (All other models)
Gloss
Gloss
Top Finish
Satin (Classic Natural, Standard Natural)
Gloss (All other models)
Gloss
Gloss
Neck Finish
Satin (All Classics, Standard Natural)
Gloss (All other models)
Gloss
Gloss
Electronics
Taylor Style 1 (3/4 size) Humbuckers
(Classic, Custom); Taylor Style 2 (full)
Humbuckers (Standard); Taylor Style 3
Single Coils (Classic SC)
T5 Electronics w/ Five-Way Switch
T3 Electronics w/Coil-splitting
Capability
None
None
Fretboard
Ebony
Ebony
Fretboard
Inlay
Pearloid Dots
Pearloid Dots
Top Inlay
None
None
Headstock
Overlay
Indian Rosewood
Lexan
Binding
White (200s)
Black (100s)
None
Bridge
Ebony
Ebony
Bridge Pins
Black
Black
Nut / Saddle
Tusq
Tusq
Tuning
Machines /
Buttons
Chrome
Chrome
Truss Rod
Cover
Rosewood
None
Back / Side
Finish
Varnish (100s)
Satin (200s)
Varnish
Top Finish
Varnish (100s)
Satin (200s)
Varnish
Neck Finish
Varnish (100s)
Satin (200s)
Varnish
Electronics
Taylor ES-T
(E and CE models)
None
Case
Deluxe Hardshell
Taylor T5 Hardshell (Black)
Taylor T3 Hardshell
Pickguard
Tortoise
Tortoise (BBT)
Color / Burst
Options
Natural or Red w/ Edgeburst;
Sunburst Options: Tobacco, Honey
Gig Bag (100 Series)
Black (200 Series)
Natural, Red, Blue, Black (Translucent Black
Optional) w/ Edgeburst; Sunburst Options:
Tobacco, Honey, Cherry
Case
Gig Bag
Classic: Translucent White, Translucent
Red, Black, Natural; Standard: Aged
Cherry Sunburst, Natural w/ Shaded
Edge; Custom: Shaded Edge
Models
110, 110e, 110ce
114, 114e, 114ce
210, 210e, 210ce,
214, 214e, 214ce
BT1 (Sitka)
BT2 (Tropical
Mahogany)
BBT (Big Baby)
Models
Classic, Standard, Custom Walnut,
Custom Koa
T5-S, T5S-12, T5-S1, T5S1-12, T5-C,
T5C-12, T5-C1, T5C1-12, T5-C2, T5C2-12
T5-C3, T5C3-12, T5-C4, T5C4-12,
T5-C5, T5C5-12
T3, T3/B
Pickguard
White Pearloid (Classic Trans White/Red)
Black Pearloid (Classic Black)
Tortoise Shell (Classic Natural)
None (Standard / Custom)
®
49