grandMA

Transcription

grandMA

The light and its leading position
For more than 20 years now MA Lighting is one of the leading
companies producing lighting consoles and dimmers.
Therefore we can proudly say that the main part of today´s
market was determined by us. With an excellent know-how
we are daily presenting new solutions for working with a
lighting technology that gets more and more complex.
The new EtherNet technology in the lighting control
technology enables a complete integrated system. The new
multiuser system – the network between control, dimming
and moving lights – is assuming unexpected proportions;
especially with the programming and the reproduction of
simple as well as complex shows it is a great help, as up to
now you could only realise such shows with high personnel
and material costs.
MA Lighting has already taken up this idea very early
and therefore is considered to be one of the leading
companies offering control, dimming and signal
processing solutions.
MA Lighting
linking worlds
Content
Control
grandMA range . . . . . . . . . . . . . . . . . . . . . . . . . . page 06
Scancommander . . . . . . . . . . . . . . . . . . . . . . . . . . page 32
Lightcommander . . . . . . . . . . . . . . . . . . . . . . . . . page 36
Technical Details . . . . . . . . . . . . . . . . . . . . . . . . . page 42
Signal Processing
Ethernet & DMX Network . . . . . . . . . . . . . . . . . page 44
DMX ↔ Analogue & MIDI Converters . . . . . page 48
Dimming
dimMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 60
Dimmer Packs . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 64
Dimmer Racks . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 68
Power Distributions . . . . . . . . . . . . . . . . . . . . . . . page 70
MA Lighting
reliability
is the key to success
Who we are
Reliability is the key to success
MA Lighting, founded in 1983, designs and manufactures a full line of computer controlled
lighting consoles, DMX interfaces and digital dimming systems. More than 12.000 MA control
desks are being used all over the world and MA’s digital dimming systems have become an
industry standard.
The Scancommander and Lightcommander series are renowned for their operating systems and
outstanding product quality. Due to their limited number of control channels, they both focus
on small to medium-sized shows. With the grandMA range MA presents a new generation of
lighting consoles. Combining approved operational modes with a lot of new ideas and latest
technology, these consoles finally offer the chance to get ultimate control on larger shows.
Today, MA Lighting is well known for its technical know-how and has achieved an unique
international reputation for its operational philosophy. MA’s award-winning products are
extremely reliable and offer cutting-edge solutions for dimming and control.
MA Lighting Technology and MA Lighting International
The story of success is strongly based on the teamwork between MA and Lightpower.
Lightpower, located in Paderborn, is handling the
international distribution of MA products since 1987.
The two companies work very closely together and –
through their respective roles – have made each other
stronger. Production and research & development are
located in MA’s headquarter in Waldbuettelbrunn. For
marketing, sales and technical support Lightpower has
founded an own subsidiary: MA Lighting International. All of these activities are coordinated
in its Paderborn facilities.
Maná World Tour; Lighting Design: Sandro Pujia
6
Control
by MA Lighting
The grandMA range brought a new level of hardware
sophistication to the lighting world. The full colour touch
screens, motorized faders, built-in UPS (uninterruptible
power supply) and hard drive were only the beginning. The
classic Lightcommander and Scancommander consoles
were the beginning of MA´s successful history. For more
than 20 years now the Lightcommander sat a standard for
lighting controls especially in the live-oriented show business. The Scancommander established MA Lighting as a
leading innovator of lighting control for the global
touring and event sector.
With a continual further development of its products
MA Lighting always comes up to the professional
demands in the lighting control sector.
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TFT Display Wing
Folds up to your needs
The grandMA features three full colour TFT touch displays
with brilliant contrastand wide viewing angle. Nevertheless
the vertical position of these screens can be easily adjusted as
they are mounted in a fold up monitor wing. Two additional
monitors with SVGA resolution are supported on auto-sensing
connectors. The actual content of all these screens is completely
user depended and can be tailored to the needs of the show.
Once a screen has been configured with that type of information
required its content can be kept in one of more than 900
possible views which can be used for a quick recall of any
information structure.
The internal screens are each equipped with six hard keys
which allow direct access to views or macros just if dialling to
another channel on TV.
Touch Screens
New tactile user interfaces
Selecting fixtures, colours or presets directly on screen allows
fast and precise control, while the encoder wheels are available
for manual adjustments at any time. You can touch buttons
with an audible ‘click’ to give you an even more realistic feeling
though these keys are only virtual.
The most complex operations can be handled in an easy and
logical way – with a minimum of keypresses.
Name the fixture you want to move just by pointing onto it on
screen – there is no faster way from a thought to the real cue
on stage.
8
The Award-Winning
grandMA
full-size
The grandMA combines best mechanical design in lighting with
Quite unique to lighting consoles is grandMA's extensive use of
a most flexible and unique software platform. It comes 'ready to
go' in a most compact housing with ‘all inclusive’. Even larger
shows for up to 16,000 parameters can be controlled with the
use network technology.
With its three built-in touch screens on an adjustable wing not
even monitors are required though the support of two optional
external SVGA screens for more information sometimes makes
life easier. The extra large trackball for pan/tilt movements can
also be used as an additional mouse pointer on screen when the
integrated mouse has to stay in its pocket for any reasons.
motorised faders for easy page switching and direct control over
thousands of channels. For the use in theatres and studios a real
dimmer wheel supports any control taken over intensity
channels.
In case of a power failure the integrated uninterruptable power
supply (UPS) takes over immediately and helps you to save your
show data or to continue work for up to 15 minutes.
Come and join us for a guided tour around the world of
grandMA and its fascinating features.
Cutting-Edge Solutions
Motorized Faders
Let the console move your levels
The grandMA's executor faders are all fully motorised and they
change their values most precisely, even when controlled by
the keypad or a running programme. When changing pages the
faders immediately snap to the new values. There is no need to
grab intensities or fader positions any more.
With this powerful feature the executor faders can easily be
used for single channels, playback operation, direct speed
settings, group mastering and much more – all at the same
time without loosing the flexibility of a wide fader wing.
The real flexibility behind the grandMA's motorised faders can
be pictured when recording a timecode show: even smallest
movements to the faders are stored in the timecode track and
may be played back with same speed and softness – but fully
automated.
Trackball & Level Wheel
Control for Dimmers and Moving Lights
The king size trackball gives the right feeling when working with
moving lights live but works precise and tactile enough for
moving the luminaires to their dedicated position. With the
built-in digital level wheel for dipless intensity control the
grandMA finally enters the domain of all the conventional
control boards for theatre and television.
grandMA full size Ordering Options
Item-No.
120301
120312
120307
121008
130101
010206
120310
Description
grandMA full size console, 2048 parameters
Expansion to 4096 parameters
grandMA designer’s remote package
Flightcase, with wheels
Network Signal Processor (NSP), 4 DMX lines
Spare Desklamp
Spare Dust Cover
Technical details on page 42
9
The Compact
grandMA
light
The grandMA light is the smaller console that performs all of the It has all of the I/O of the grandMA, so it will output 4 DMX unifunctions of the Award-Winning grandMA. With the grandMA
light, you lose some of the faders & touch screens, but none of its
functionality. It is completely compatible with the grandMA and
will accept all shows programmed on grandMA in view of its
reduced hardware.
At 29" x 20" x 5", it only requires a very small space. It has a very
bright high-contrast, full-colour TFT touch screen and the viewing
angle can be altered via adjustable legs at the rear of the housing.
The grandMA light will support two additional external
monitors.
verses (with 4 additional ones via Ethernet), DMX in, SMPTE,
MIDI, RS-232, audio input, switching analogue inputs, etc.
The grandMA light has all those features that have made
grandMA so popular including an internal UPS and hard drive as
well as motorised faders for multiple programming and
playback options. The grandMA light offers the same level of
external interfaces like known from the grandMA full-size. Even
the parameter count can be optionally expanded up to 16,000
making the 'light' a most powerful control desk. With its built-in
RJ45 EtherNet connection the grandMA light is an ideal addition
to any other grandMA either for a tracking-backup system or for
playback-tracking.
High Tech Equipment
The Ease of Operation
The lighter option with unbounded power
With its clearly structured surface the grandMA light optimises
the way a lighting board can be operated. Less keypresses and
shorter ways between the elements of the user interface allow
you to cut down programming times for shows. Even without
the support of the larger grandMA's additional screens, faders
and buttons the grandMA light proves the right to be a full
member of the family by running the same software.
With a maximum of two external SVGA screens even larger
shows can be controlled without loosing the overview to
relevant information.
10
Be positioned for Use
grandMA light Ordering Options
Fold up the desk in front of you
To bring the TFT touch screen of the grandMA light in an ideal
position and viewing angle the whole desk can be flipped up and
adjusted in three different heights. Whatever angle you choose
the built-in floppy drive and all external connections can still be
easily accessed.
An external gooseneck worklight sets the right illumination for
use even in dark environments.
Item-No.
120302
120312
120307
121009
130101
129712
129710
010205
120313
Description
grandMA light console, 2048 parameters
Flightcase
Mini Keyboard
External Mouse, 3 button
Spare Desklamp
Spare Dust Cover
Small & Powerful
grandMA
ultra-light
The grandMA ultra-light is a new designed most compact It comes in a compact housing with all necessary components
moving light controller which also includes all features of a
conventional lighting console. Therefore this hybrid desk is
suitable for concert lighting, touring applications, lighting
control for fairs and exhibitions as well as theatre, TV and studio
use. Its 1024 parameters can be used for conventional dimmers, moving lights from the built-in library or self-created
fixtures of any kind. Any control channel can be assigned to
be either 8 or 16 bit in resolution, even for standard dimmers.
built in; no external PCs, processor units or monitors are
required. It is already heavily using EtherNet technology and
communications for transmission of DMX data and for
communication with other consoles and PC applications.
The grandMA ultra-light is well prepared for ESTA's Advanced
Control Network and already utilises many of the prepublished ideas of this upcoming standard.
Size matters
Compact Control for Dimmers and Moving Lights
Smallest grandMA with all the features on board
The grandMA ultra-light is based on an industrial PC board
which is integrated in the console's housing. It uses the same
future-oriented grandMA software and is therefore fully
compatible with showfiles from all other grandMA consoles
and control products. The console offers a real theatrical
channel and fixture controller with dedicated digital wheel
and screen layouts. It has all new sorts of user interfaces (like
Hue/Saturation/Brightness colour picker for colour mixing), all
operated by the most tactile built-in touch screen.
The software also offers built-in editors for the fixture
library, dimmer/fade profiles and effect forms
and requires no external PC software for any
modifications to the show itself. The grandMA
ultra-light can be remotely controlled by any DMX
source via a separate DMX input port to trigger keys and single faders. This also allows any DMX console being used as
playback extension via DMX input port like an expansion
wing.
grandMA ultra-light Ordering Options
Item-No.
120303
121021
120307
130101
129712
129710
010205
120316
Description
grandMA ultra-light console, 1024 parameters
Flightcase
Mini Keyboard
External Mouse, 3 buttons
Spare Desklamp
Spare Dust Cover
11
One of the smallest consoles ever
Stand-alone desk with multiple control options
The grandMA micro is based on a fully integrated industrial computer
mainboard with all necessary interfaces on-board – all in a solid
and robust housing. It uses major parts from the future-oriented
grandMA software and is therefore compatible with the common
grandMA showfile format. The console offers a real channel and
fixture controller with dedicated digital encoders and customizable
screen layouts. A new generation of user interfaces are all operated
by the most tactile built-in touch screen. The software with its
built-in editors for the fixture library, dimmer/fade profiles and
effect forms does not require any external PC software for modifications to the show itself. The playback faders and buttons of
the grandMA micro can be remotely controlled by any DMX source via a separate DMX input port. This also allows any simple DMX
console to be used as an extension wing. With all its features the
grandMA micro closes the gap in functionality and price between
grandMA range and the Scancommander.
Share the ease of operating with a whole family
12
Your key to the variety of grandMA technology
The main operating software of the grandMA micro is based on
years of experience from the grandMA family of control consoles.
A common file format enables you to transfer shows back- and
forwards between any grandMA console and the micro if the
show's channel count do not exceed 1024 parameters. Operating
the micro follows the same concept: if you know one console of the
range you will automatically be able to operate all others.
Additionally the micro starts with a choice of pre-programmed
show layout suitable for touring, event, studio and theatre. As an
entry level product the grandMA micro offers all basic elements
for a future prove control console with additional options like
Timecode control, MIDI functionality and DMX signal input
processing. grandMA 3D can also be connect to the grandMA micro
for a real- time visualization of the show. More micro consoles can
be linked together with the integrated MIDI Show Control standard.
Micro Size for Maximum Control
grandMA
micro
With the grandMA micro MA Lighting has designed one of grandMA micro includes all its components in a most
the most compact moving light controllers ever for more than
just entry level applications. Additionally this console includes
all features of many conventional lighting consoles. Therefore
this mid range desk is suitable for small concerts, lighting on
tour, effect lighting for fairs and exhibitions as well as for
smaller theatres and TV -studio use. The grandMA micro offers
1024 individual parameters for smart control of conventional
dimmers, moving lights from the built-in library or self-created
fixtures of any kind.
compact desktop- housing with everything built in; no external power supplies, processor units or monitors are required.
It is based on a most reliable industrial computer board which
was design to resist even stronger environmental influences.
The grandMA micro opens up to the world EtherNet
communications for the transmission of DMX data and for the
use of its free software companion grandMA 3D. It has got
an open link to many of the control protocols already in use
on the market.
Some like it compact
A new hardware platform for maximum reliability
Enter the new compact class
MA has designed this new console around the new industrial
single PCB computer with a Geode 266 MHz processor chip. This
computer has all necessary links to the external world on-board
from a mouse and keyboard connection to a auto
sensing 10/100 Mbit/s EtherNet port. For operating system,
software and showfile archive a 128 MByte CF-flashcard is
used. A built in floppy disk drive can be used for external archive
options or to upgrade to the latest version of software. For a
sneak control of moving lights a connection for an external
industrial trackball is provided.
grandMA micro Ordering Options
Item-No. Description
120304 grandMA micro console,
1024 parameters
120307 grandMA designer’s remote package
121022 Flightcase
130101 NSP - Network Signal Processor,
4 DMX lines (outputs up to
1024 channels when used
with grandMA micro)
120502 External industrial Trackball,
Atari standard
129712 Mini Keyboard
129710 Mouse, 3 buttons
010205 Spare Desklamp
120325 Spare Dust Cover
external industrial trackball
grandMA micro - rear connections
13
The Versatile
grandMA
replay unit
The grandMA replay unit is a small rack mount controller unit In conjunction with one of the grandMA consoles it also becomes
that performs nearly all of the functions of the Award-Winning
grandMA console. With the grandMA replay unit, you lose some
of the faders and buttons, the touch screens, but none of its
functionality. It is compatible with the grandMA consoles and
will accept all shows programmed on grandMA or grandMA light
in view of its reduced hardware.
The grandMA replay unit is designed to perform as a stand-alone
show controller on exhibitions, in theme parks or other venues
where the operational surface of a full console in not really
required.
a most powerful backup system which can run a complete show
in full tracking.
At 19" x 17" x 5", it only requires a very small space. The "RPU"
will support an external monitor and a service monitor. It has all
of the I/O features of the grandMA, so it will output 4 DMX
universes (with 4 additional ones via Ethernet), DMX in, SMPTE,
MIDI, RS-232, audio input, switching analogue inputs, etc. The
grandMA replay unit includes all those features that have made
grandMA so popular like an internal UPS and hard drive as well
as faders for multiple programming and playback options.
The 19” Console
grandMA replay unit - front panel controls
grand MA replay unit - Show Controller
Completing the grandMA family
The grandMA replay unit features the complete hardware of a
"big" grandMA console in a 19" box. It is ideal to be used as
stand-alone playback unit or as tracking backup system to a
main console.
Connections for two external SVGA screens, optional keyboard
and mouse allow easy programming even when used without
connection to a console. The executor faders and buttons with
easy front access enable the grandMA replay unit to be operated
in playback just like a "real" console.
grandMA replay unit Ordering Options
Item-No.
120305
120307
120312
ACD-4HE
130101
129712
129710
14
grandMA replay unit – rear connections
Description
grandMA replay unit, 2048 parameters
Flightcase, 19” / 4 HE
Network Signal Processor (NSP),
4 DMX lines
Mini Keyboard
External Mouse, 3 buttons
Mobile Connections
grandMA
designer’s remote
Remote
control to lighting consoles has always been an
important requirement need for theatre and studio applications.
When large numbers of fixtures need to be focused, or if
technicians require local control, a remote control system is
the ideal expansion solution to your grandMA console. But why
reinvent the wheel and design our own portable wireless
receivers and transmitters?
The computer industry has shown us the way with new pocket
sized PCs with integrated wireless local area solutions. We have
designed a new software program, which runs on any Windows
CE based pocket PC, and turns it into a fully featured designer's
remote for any of the grandMA consoles, the replay unit or the
grandMA offline software running on a PC!
Because the grandMA console communicates bi-directionally
with the remote control, channel and fixture sheets can be
monitored in real time.
The missing link
Pocket PC Wireless Remote
Cut the wire
All members of the grandMA family as well as the new grandMA
micro support the use of pocket PCs – like the Toshiba e740/750
Wi-Fi or Compaq iPAQ 36xx / 38xx / 39xx with a wireless LAN
adapter / HP iPAQ 5455 and many more – as fully featured
designer's remote control. These remote controls are linked to
the master console, or one of the other clients, in a multi-user
environment. Each client supports up to six individual remotes
simultaneously! Depending on the installed wireless network
card and the WLAN access point in use, distances from 30 to
600 meters (100 to 2000 ft) can be covered. Based on the IEEE
802.11b standard, multiple remote controls can share one
access point, which establishes the LAN connection to the
console network. The software for the pocket PC runs with
Windows CE® 3.0 and can be downloaded from our web page
www.malighting.de.
grandMA designer’s remote (Toshiba e740 Wi-Fi™)
Wireless LAN Access Point
On the air
Any wireless device like a grandMA designer’s remote requires an
access point to hook onto the grandMA LAN connection. Most
available WLAN (stands for wireless local area network) base
stations can handle multiple wireless clients at the same time.
This enables you even to use your notebook computer with a
WLAN card and the grandMA offline-software to become an
active multi-user client within the network. In other words:
Your computer can be a remote control as well.
ASUS WLAN Access Point
Item-No.
120307
Description
15
Get your free...
grandMA
off-line editor
The grandMA off-line editor is a valuable tool for lighting The grandMA off-line editor even becomes "on-line" when
designers and operators who want maximum flexibility when
using a grandMA system. This powerful off-line software runs on
any PC with Windows® 2000/XP operation system installed and
reads and writes original showfiles from the grandMA console
range. The operation and all displays are fully compatible to
the main console so there is no need to learn just another odd
PC tool.
linked to any grandMA console or replay unit via EtherNet.
Together with a Network Signal Processor the offline-software
becomes a powerful stand-alone controller or sophisticated
backup-system for a maximum of 4096 parameters.
The latest grandMA off-line editor software is available for a
free download at www.malighting.de.
Professional Toolbox
Off-line show editor
Real-time emulation software for all grandMA consoles
The grandMA off-line editor software requires Windows®
2000/XP with Direct X and a Pentium-class PC with 800 MHz
or higher, 64 megabytes of RAM or more. For best performances
you should run the grandMA off-line editor with a screen
resolution of at least 1024 x 768 pixel and 65536 colours or
true colour mode.
The editor software may run on multiple external screens if
your PC supports that feature.
Support from the off...
16
A full console down on your PC
The grandMA off-line editor behaves
just like a “real” console: it displays
show data and programmes exactly as
you are used to it from the grandMA.
Even the handling is the same – thanks
to the comfortable desk panels. Shows
can so be edited, fine tuned or even
completely created from the off.
Another free gift…
grandMA
onPC
W
ith grandMA onPC a new kind of offline-editor is available
now which is not only a valuable tool for lighting designers and
operators but also converts your Network Signal Processor
(NSP) into a full featured lighting control system. The onPC
software has been fine tuned for easiest operation and direct
access to all of grandMA’s functionality. It runs on any PC with
Windows® 2000/ XP operation system installed and reads and
writes original showfiles from the grandMA console range even
via the network if connected.
The grandMA onPC is designed to be »on-line« when linked to
a grandMA multi-user network system. Any grandMA console can
be connected and controlled by the onPC. Installed on a modern
tablet style PC the grandMA onPC-software becomes a real
designer’s remote controller with full live access to the
grandMA world.
The latest grandMA onPC editor software is always available
for a free download at www.malighting.de.
More control for any PC
A small console on a PC
Live and remote control software for all grandMA consoles
The grandMA onPC-software requires Windows® 2000/XP with
Direct X and a Pentium-class PC with 800 MHz or higher, 64
megabytes of RAM or more. For best performances you should
run the grandMA onPC editor with a screen resolution of at least
1024 x 768 pixel and 65536 colours or true colour mode.
Like the offline editor the grandMA onPC-software may run on
multiple external screens if your PC supports that feature.
PC based show controller
Converts your PC into a full console
The grandMA onPC-software can be easily operated like a show
controller console; it plays back and displays show data and
programs as if you were operating a real full console.
The functionality is the same as on all grandMA consoles, all
based on a combined touch screen window with dedicated control
keys, encoders and faders around. The real control is just a
mouse-click away.
17
The more who plot the more you get
W
grandMA
multi-user
ith the unique multi-user functionality up to 8 grandMA
consoles, grandMA PC offline-applications or grandMA 3D
visualizers can be linked together in a network environment to
control one single show. Each console operates with it’s own
independent screens, command line and hard-disk backup they
all share their combined processing power to process the show.
The plotting of larger shows becomes particularly easy and fast
when multiple operators can work simultaneously with no
need to merge their single show files together afterwards. Each
individual console can be operated independently like a fully
independent master console. The control of channels and fixtures
is handled on a first-come-first-served basis or can be filtered
with dedicated environments ("Worlds") per user.
Any console, replay-unit, offline-editor or onPC within the grandMA
family can be utilized as multi-user client, only the dedicated
master console determines the system's DMX channel count. So
up to 4096 parameters both with 8 or 16 bit resolution can be
controlled by a single master console.
The Multi user system is ideally combined with the new world
pool to filter the display and playback actions for each single user.
Previously know full-tracking-backup and playback-tracking
functionality as know from other consoles becomes history
now as the new multi-user concept does all in one and is even
more user-friendly. As the master/slave assignment within a
network is handled purely via IP-addressing and multicasting,
a nearly unlimited number of other master/slave combinations
even across the border of 8 consoles is possible. For additional
security all consoles have full access to an optional FTP server
within the network as an additional show file archive. The status
and type of any console, PC or dedicated grandMA device actively
connected to the network is monitored on each console individually. Connections in multi-user mode can be established or broken
by an individual user's action without the need to restart any
component on the network. And up to 4096 parameters all
"DMX-over-EtherNet" protocols like ArtNet, Pathport, Portall
and MA-Net can be used simultaneously by all consoles on
the net.
grandMA multi-user configuration
C
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Remote Control
R
O
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B
A
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K
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Remote Control
Main Console
ETHERNET (10/100 MBit)
&
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P
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Backup-Console
Backup-Controller
Backup–File Server
NSP-Network Single Processor
ArtNet-Note
Po r t A l l - N o t e
grandMA 3D
Pa t h Po r t - N o t e
grandMA Remote
DMX
18
DIMMERS
grandMA onPC
MOVING-LIGHTS SCROLLERS
A
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Q
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If the world is not enough
grandMA
parameter expansion
Large show may require more control channels than a single The Network Signal Processors can be placed decentralized – just
console can handle. If the barrier of 4096 parameters limits your
application too much, just join the world of the grandMA expansion
network. But instead of daisy-chaining more and more consoles
grandMA now offers you a real parameter expansion. Just imagine:
up to 16,384 individual parameters like dimmer, pan, tilt, gobo, etc.
in both 8 or 16 bit resolution are distributed by up to 64 individual
DMX universes on the network – all controlled and displayed by a
single grandMA console or even a group of consoles like known
from the multi-user system. This is the key to future lighting control.
And the bright idea behind is quite simple. The master console (like
all other slave consoles as well) in a grandMA parameter expansion
network acts like a terminal: it handles and displays individual
channels, fixtures, cues, chasers, sequences and effect locally – all
the related parameters are processed externally by all consoles
and nodes on the network on a shared basis.
These expansion units nodes are the new Network Signal Processors
of which each can process 2,048 parameters and output four full
DMX-universes.
close to where the actual DMX lines are required. So the channels
for your dimmer city are not just distributed from the main console
- they are actually calculated locally by the NSP units. A maximum
of eight Network Signal Processors can be used to process a total
of 16,384 parameters – if all of them would have to be with 16 bit
resolution, another eight NSPs will output the additional required
DMX-universes. If you are short of NSPs or you want an additional
backup, any console of the grandMA range (except grandMA
micro and grandMA offline/onPC) can act like an NSP in expansion
mode and does parameter processing for you.
The grandMA parameter expansion network can be combined
with other grandMA consoles in multi-user mode to tailor a most
comprehensive and future prove control system. All the benefits
like Pocket PC remote, grandMA 3D and grandMA offline-editor or
onPC as remote may be used in this combination as well. And the
free and regular software updates can be easily upload to any
console or node via EtherNet as well – the floppy disc becomes
history.
grandMA expansion network
Station 1
Station 2…
…Station 8
Multi User Console / PC
Master Console
Multi User
Console / PC
ETHERNET (100 MBit)
Network Signal Processor
NSP #1
DMX
NSP #2
NSP #9
NSP #10
Up to
64 DMX
Universes
NSP #3
NSP #8
NSP #11
NSP #16
19
DIMMERS
MOVING-LIGHTS SCROLLERS
Software for the ease of use
grandMA
functions & features
The grandMA software already got a long history of a successful development which equips the family of grandMA consoles
with all the tools needed for quick and direct programming.
With the extended command line functionality and a real command
line language the user gets direct access to all different elements
in combination with various commands. These commands
entered since last console power-up are also logged and may
be viewed or repeated in any sequence at any time. The editing
of cues, groups and presets is most comfortable and can be
done »on screen« with direct access to all features, values can
be copied from already existing channels and fixtures in a
selective way, even between fixtures of different types.
For automated shows the extensive use of SMPTE timecode is
handled in up to 200 different settings which are available to
the operator like presets. Each set can be displayed in sequencer mode with tracks and graphical fader movements / button
presses or in spread sheet format. Timecode shows may also be
entered off-line with given event times.
With all screen messages, button labels and menus available in
five languages (which can be chosen from the setup) the
grandMA is truly one of the real global players.
Unique features for a new standard
Auto move while dark
Undo your Mistakes
MIB function - Move in Black
The unique MIB function allows
fixtures and moving lights to be
automatically pre-positioned for
the next cue during a blackout.
This feature comes with its own
timing and can be selected per
sequence or single cue.
Correct unwanted actions
Any of the last 20 commands
executed can be undone in any
sequence with the simple press of
the OOPS key. A list of the last
commands categorised by views,
programmer and general actions
helps to select the right step.
Priorities for executors
More control to the operator
Each executor fader or button can be assigned with a dedicated
priority (low/normal/high). Executors can only be overwritten
by others that at least have the same or higher priority.
Priorities are most helpful for live performance as well as for
rehearsal situations where multiple executors are in use.
User Login
Protect your show and data
The use of the console can be
restricted by given user levels and
dedicated passwords. Via a login
screen even default screen layouts
and other restrictions can be
assigned to users.
Temporary Full Screen windows
20
The quick option for inbetween
For most of the sheets and pools temporary full screen
windows are available which do not require to be opened
manually on an empty screen. These windows will appear and
disappear by the press of a button without storing or changing
views. They are available for channels, fixtures, groups, sequences,
executors, pages, macros, presets and views itself.
Consoles with only one monitor or users who ran out of view
buttons will widely benefit from this functionality.
Command calls from cues
A little command line for each cue
Each cue contains a single-line macro itself which may be
entered directly in the executor sheet. Linking commands to
cues is now more than easy and does no longer require a macro
be stored in advance.
More complex macros can still be called from here, but for
simple actions just edit the macro line like you would do it in
the macro editor.
Agenda
Automated timed Macros
The "agenda" menu features a builtin astronomical real-time clock for
firing macro command sequences.
Events may be linked to sunrise/
sunset, any time or date and may
have an individual duration.
Import of Showdata
grandMA supports ASCII format
Shows programmed on other
consoles can be easily imported
via the USITT's ASCII showfile
format which is implemented
into the grandMA's create menu.
The Soft Option for the Family
grandMA
software
Based on regularly updates the latest version of grandMA opera- Dummy fixtures can be used in place of the previous multipatch
tional software always comes with a host of new functions and
features which augment grandMA’s powerful system architecture. In one of the last releases Like all the screens have been
given a new look and a consistent menu structure has been implemented to increase the ease of use for both new and existing
grandMA users in one of the last releases. Presets as are known
from previous software versions are now called selective presets
and may contain data for any number of fixtures and attributes.
But now there are also universal presets which can hold information for all fixtures of a particular type. Setting up gobo,
colour or any other attribute’s presets for all fixtures of the same
type becomes very easy as only one fixture actually needs to be
changed and stored. The information is automatically crossreferenced to all other available fixtures. The new bitmap engine and the related layout view takes care to increasing number
of LED fixtures and display walls seeking for proper control.
channels to give operators control over all the fan and speed
channels of moving lights and colour changers by using just
one fixture. Of course all other attributes may still be operated
individually. With the new multi user environment the plotting
of larger shows becomes extremely easy as multiple operators
can work simultaneously with no need to merge their show files
into a single show file at the end of the programming session.
Any console, replay-unit or PC in the grandMA family can be
utilized as multi user client, and only the master console determines the DMX channel count. In addition, grandMA now supports the use of pocket PCs, with wireless LAN adapters, as full
featured designer’s remote control. These remote controls are
linked to a stand-alone console or any of the clients in a multiuser environment. Each console supports up to six individual
remote-controls simultaneously all with independent command
line and selection.
Functions & Features
Executor Sheet
What's coming next?
To be in control of each single one of the up to 7680 playback
a grandMA console can handle we have designed a powerful
Executor Sheet. This sheet gives you a dedicated overview
over a selected sequence of cues and has different layers to properly display cue timing, links to macros or other cues and all
effects called by cues directly. Each sequence can also be controlled directly with the playback keys included at the
bottom line. The Executor Sheet also gives you both blind and
live access to cue text, timing and all other cue
relevant parameters.
Stage Window
Just like the real thing
The stage window is a simplified wireframe style visualizing tool built
into grandMA. In a 3D-view it displays the actual X/Y/Z positions
of fixtures, the orientation and movement of their beams and
the dimmer intensities. If the fixture supports the features colour
or colour mixing it also shows these colours.
In selection mode the stage window may be used to select and
de-select single fixtures or group of fixtures. Also selections
done other than by the stage window are monitored.
For live control the viewing angle, dimmer intensity and
position of the beam can easily be changed with the mouse
or trackball.
21
At anytime - have a backup
Archive functionality for all showfiles
The Backup Menu offers easy access to both local drives
like harddisk and and floppy media for archiving complete
shows. Now a new FTP file server is supported as well
to allow remote storage of single shows or the complete
content of a console’s show file directory. The process
of saving a showfile to harddisk or server takes a few
seconds only. When the Save to Floppy option is chosen
the show is automatically stored to harddisk first and
then copied to floppy disk in a compressed format which
allows even larger shows to fit on a single disk. A timed
‘Autosave’ feature stands for additional safety as it bakkups the actual show to harddisk or the file server in a
configurable interval automatically.
The last ten versions of different shows are kept as cycled
backup. There is also the option to enumerate the
showfile name and directory with every »Save«.
Partial Show Read
Merge show data together
The new and most powerful partial show read functionality
allows to read part of one show into another. The console
software checks carefully which fixtures and channels
were used in both shows already and merges the new
ones automatically if desired to created a new show
setup. In a second step the user may choose each single
cue, preset, group, macro and so on which he wants
to be copied into the new resulting show. The console
checks automatically for new items and displays
warning messages if there is overlapping content
already.
Shows which were preprogrammed on two separate
consoles may now be easily combined as one without
the need for extensive re-work.
MA Network Connection
22
You don’t need to be an expert
With the MA Network the grandMA opens the world of
networking in a easy and understandable way to all users.
The network configuration window gives a detailed overview about all available consoles and their current status
on the network. Connections to other applications like
grandMA offline, grandMA onPC and grandMA 3D are
handled from here, too. All network traffic is organized
in sessions which started by one master console always.
Other console may join a session or being invited to a
session by the master to create a multi-user group.
Channel Sheet
What's up on screen?
The grandMA's channel sheet monitors any action
on dimmer channels and their intensity levels. With
dedicated colours up- and down-fading values, individual
fade times, manual activation, selection for storage
and values driven by effects are clearly marked and
identified. Channels may be sorted by various options
and can show their text labels for easy recognition.
Like any other sheet within the grandMA software it
can be tailored in actual size, number of channels to be
displayed, readout mode for the values displayed
(percent, decimal and hexadecimal) and in screen font
size.
Multiple sheets with same or different content can be
created on one or various screens as they are updated
in real time.
Fader Sheet
The little fader desk within the console
Just like on the channel sheet mainly intensities are
displayed but visualised as individual little faders
monitoring the actual value. Especially in live
performance with lots of channel faders being in use
this sheet always keeps control about the actual look
on stage. Again, like any other sheet the fader display
can easily be adjusted in actual size, readout mode for
values and in the number of channels monitored.
And with its DMX out option showing the actual
values which are transmitted via the DMX lines the
fader sheet is the perfect preview for all channel
orientated effects and chasers.
Fixture Sheet
Finally - get moving
The heart of a real moving light controller is displayed
here: the fixtures and their positions. All available
fixtures are shown with names and all their features.
The screen readout mode for the values displayed
(percent, decimal and hexadecimal) and the actual
screen font size can be chosen like in the other sheets.
You may have a direct look to values, fade times or
delay times just with easy interaction with the console's
keypad. The values on screen can be optional sorted by
numbers, values, names or active selection. Columns
can be moved and resized manually or by the 'auto sort'
feature of this sheet. Like on all sheets any selection
can be made by a simple click with the mouse or more
softly a touch on the screen.
23
Preset Pool
Presets – Ease of operation
The preset pool allows access to all available
presets and channel features. Each preset stored
for fixtures or dimmers can be custom labeled
and assigned to a logical category. To activate a
preset just hit the screen like pressing a hardkey
on the console's surface, the activation will be
confirmed by an audible beep.
Preset pool windows can be customised in size,
background colour and colour when activated or
available. All softkeys within a pool can easily be
rearranged in order and position on screen.
The single preset keys shows more additional
information like number of selected units and
status of activation.
Group Pool
The stage plot on screen
This screen helps you to display, create and handle
your groups of fixtures and channels in a nearly
topographic way. Group buttons can be arranged
in any order and sequence. Their position can
be moved on screen by a fingertip or with the
mouse pointer. Group buttons display the order of
selection when activated and show different colour
depending on single or multiple content.
Groups can easily be custom labeled with the
@-keyboard when touched.
Effect Screen
24
Move your bodies ... at any shape
This fully animated effects package allows up to
899 individual effects to be programmed and
played back. Each effect may consist of up to 16
individual effect lines all synchronised with same
phase and speed. The actual size of an individual
effect line can even be modulated as function.
The effect lines may use same or different
parameters even for different fixtures or channels
at one time.
The effects allow real BPM synchronisation with
chasers and the sound trigger.
All effects may be linked to cues, executor faders
or controlled live with a push of a button.
With the integrated graphical editor for form
files new custom movement forms based on
formulas or drawn curves can be generated or
taken from a library with predefined forms for
easy editing.
Colour Picker
Choose the Colour you want
With the unique colour picker interface all fixtures
with integrated colour mixing system can easily
be controlled. The colour picker offers three modes
of operation, the CMY-mode for direct access to
the fixtures' mixing devices, the RGB-mode with
automatic translation of the encoder values and
the HSB-mode with real access to hue, saturation
and brightness. Whatever fixture you are using or
whatever principle of colour mixing it utilises –
the colour picker converts it into its own modes.
Adjustment of colours has never been so easy and
precise before.
Even the background colour of the console's pool
screens can be adjusted with a similar interface
like the colour picker for fixtures.
Dimmer Profiles
Give your light a profile
The graphical profile editor allows you to create
virtually any number of dimmer, fade or attribute
profiles to be stored in the console's library. You
may start from scratch or use a predefined
profile as base value. The editing can be done in
soft edit mode for smooth curves or hard edit
mode for non-dims or snap profiles.
The readout for the profile editor can be set to
percent, decimal or hexadecimal. In soft edit
mode the console uses a real interpolation
algorithm for calculating any steps between
given points.
Setup Screen
SET the console UP to your needs
Within the grandMA's setup menu the fixtures and
channels for the show can be assigned as well as
they can be patch to DMX addresses. Presets for
the fixtures in use can automatically be created
for any attribute from the library. The TFT touch
screen can be configured and calibrated to the
needs of the operator. The sensivity and resolution
for wheel and encoders can be trimmed and the
mode of operation for the wheel chosen. All
default values for programming and plotting of
the show can be adjusted and stored. New
grandMA operation software can be installed
online to update the current version.
25
Layout View
For stage lights built of rows and columns
The new Layout View allows you to arrange your
fixtures or channels in a matrix style of layout
just like a LED or video wall. With the mouse or
your finger on the touchscreen single fixtures,
boxes of any shape or even freehand selections
may be drawn. The Layout View directly interacts
with the programmer and displays grey shades
for dimmer intensities or coloured box for colour
mixing fixtures instead of numbers. Together
with the bitmap effects engine it is an ideal user
interface for most direct control to a larger number
of any kind of fixture.
The grandMA allows up to 64 Layout Views to be
individually tailored to the shape of your fixture
installation.
Bitmap Effects
grandMA goes graphics
With Bitmap Effects the grandMA opens up a whole
new world of lighting control and moving light
effects as graphical bitmaps can be directly transferred into intensities, colour shades or preset effects.
Any bitmap file might be imported into one of the
bitmap engines choosen from the bitmap effects
pool. The image will be scaled and even color
corrected until it fits on the selected matrix
as displayed in the Layout View. Images may now
be moved, scaled, rotated or tiled – just as an
effect known for the parameters of moving lights
or channels.
When effecting presets of whatever kind linked to
dark or light values of an image the Bitmap Effects will
create movements on stage which were previously
unseen.
User Login
26
Protect your show and console
grandMA offers a comprehensive system of user
administration and rights – it’s up to you to limit
the access to a show for each single user individually. Users may also be forced to use a password
to avoid unwanted use of one’s user profile and
configuration. When a user is logged onto the
console he automatically gets his own profile which
may include individual views, executor settings
and defaults. The given user rights may limit his
access to menus and setup options as well as to
modify the actual showfile. The console may start
in »forced login« mode which will require a valid
user login at every boot-up. The additional »desk
lock« option can be used to temporarily lock out
the complete console.
Fixture Setup – What’s out there?
In full access mode any single operator may add,
change and remove any fixture and can also assign
DMX addresses in one step. The fixture layer contains
fixtures of the same type but with complete access
to each individual moving light or dimmer. Each
individual moving light or dimmer may now be
assigned a separate fixture and channel ID. This
allows a lighting designer to call an instrument by
a channel number while a console operator may
prefer to work with a different number assignment
and call it by a fixture number. In live access
mode changes can be made by multiple users
simultaneously and all changes will be shown on
stage immediately without prior save and exit. Live
access does not allow changes in the structure of
the show but is rather a method of fine tuning the
assignment and patching of moving lights and
dimmers. A built-in 3D screen shows the actual
X/Y/Z position and orientation of your fixtures
and helps to position them correctly.
World Pool
The world is not enough
Any show can be split in different worlds (where
the full world still reflects the whole show). A
world may contain any fixture,
channel or single feature. These
worlds are available from a pool
screen by a press of a button and
can easily be set up and changed.
In a multi-user environment world
are used to structure fixture data for different
users during programming, playback and for
display purposes. The actual content of cues,
presets, effects and groups is not changed by a
world but selectively filtered.
The handling of worlds is similar to groups although
they are also linked to user rights as assigned in
the login screen.
MAtricks Pool
Bring a bit of intelligence into your selections!
The MAtricks pool is an advanced tool for selection
and copy operations.
Your favorite or most often
used selection settings can
be stored into a single
MAtricks soft key and chosen
from a pool similar to
groups.
Any stored MAtricks can be recalled quickly
and different settings can also be combined with
existing values.
MAtricks offers various settings and options:
next/previous (for groups), interleave (skip a
defined number of fixtures in a selection – like
even and odd), wings (similar to the effect wings)
and wing mirror style (similar to wings but only
affecting pan and tilt).
27
Auto Create
Let the console do it for you
With auto create the console software selectively
generates groups for all assigned fixtures and
channels and presets from the channel values
given in the fixture library. You may also clone all
information from one fixture to a similar one
which is a great help for replacing moving lights
of different types.
The built-in effects library can create a whole
selection of standard effects for you helping to
save time and efforts.
Chat Room
The walkie-talkie is history
This is the silent way to talk to your designer or
operators: just use the console
to send them messages across
the network. You may type
your text manually or choose
one of the pre-defined
messages which can be altered
and added like a library. The software keeps track
of all messages sent before and gives you detailed
information about who was the sender.
DMX Configuration Screen
28
Just be faster
On medium to large systems Ethernet is widely
used to distribute DMX data in a more transparent
and faster way. grandMA allows you to take control
of a virtually unlimited number of control channels
by one or more consoles when using network
nodes to convert Ethernet data back to DMX
where it is actually needed.
For the most flexibility multiple network protocols
are supported: ArtNet, Path Port and the Portall
protocol can be run at the same time on 8
Ethernet slots. When MA-Net protocol and the
parameter expansion is used up to 64 Ethernet
slots can be addressed. The grandMA supports
remote configuration for all DMX nodes connected
to the network and saves this configuration data
together with the actual show file.
Functions & Features unique to grandMA micro
Control Window
Be in control of your show
The surface of the grandMA micro is tailed to a
maximum of functionality with a minimum of keys.
Nevertheless this is a full featured console thanks
to the new Control Window which opens up the way
to the whole variety of functions known from
other desks out of the grandMA family. This window
includes a numerical keypad to select channels,
fixtures, groups, cues, presets and many other
items that normally require a hardkey on the
console. A build-in command line with the history
of the last three entries monitors any action
taken on this screen. The Command Window can
be configured to close automatically after the
completion of a command entry or to stay open for
further action. The window is called by a dedicated
function key on the console which shows any
open command string by a flashing LED even
when the window itself is already closed again.
Micro Setup Screen
Configure the basic needs
This easy understandable configuration menu gives
access to the grandMA micro’s setup for fixtures
and channels to be used in your show. They can
be assigned as well as they can be patch to DMX
addresses on one of the two DMX ports. Presets
for the fixtures in use can automatically be created
for any attribute from the library. The TFT touch
screen can be configured and calibrated to the needs
of the operator. The sensitivity and resolution for
the encoders can be trimmed and the mode of
operation for the external trackball in wheel mode
can be chosen. All default values for programming
and plotting of the show can be adjusted and stored.
New grandMA operation software for the micro
can be installed online to update the current version.
Micro Tools Menu
The basic control room for in- and output
All the grandMA micro’s control signals like DMX,
MIDI, analogue switches, EtherNet, timecode and
sound trigger are configured from a single menu
screen only. Without further submenus all relevant
data can be entered directly and the status of all
external links is displayed immediately.
Like the larger grandMA systems the micro allows
dimmer and moving light control via dedicated
EtherNet protocols such as Pathport, Portall and
last but not least Art-Net for the unique MA
Network Signal Processor.
In case of shows being imported from other
grandMA consoles the default user profile stored
with these shows may be altered.
29
The free companion to grandMA
Real-time visualization on a standard PC
Software package for lighting designers and board operators
This new generation of visualization software is based on the
Microsoft DirectX® standard for an optimal performance
and comes with its own 3D engine for increased live performance.
It communicates with the grandMA directly via Ethernet and
even receives configuration and patching automatically via
the same link. grandMA 3D is tailored for use in conjunction
with only the grandMA console range, no external interfaces
or components are required – not even a dongle as the
grandMA 3D extension to the console range is supplied for
free download from our website. The set up of lanterns, luminaires or moving lights can be simply retrieved from the
grandMA console’s show file per electronic transfer – actually
both console and grandMA 3D share the same database. You
may even start a new show from grandMA 3D without having
a console or offline editor available as the showfile may
later be transferred live via EtherNet.
As the grandMA 3D runs as an independent station in the
grandMA multi-user network there is no need to set DMX
lines, DMX addresses or operation modes for single fixtures,
as theses details are already defined in the grandMA once.
The user just has to position these fixtures in the 3D environment of the grandMA 3D software if not already done
within the console’s fixture schedule.
30
When switching to 3D rendering mode, the grandMA 3D
software becomes an extremely powerful visualizer with real
time rendering facilities. All drawing elements, fixtures and
lanterns are shown with surface textures in a kind of virtual
reality. All functions of the installed lights are remotely
controlled by the connected grandMA and displayed with
realistic movements, colours and up to two gobos layers at
the same time. The viewing angle can be changed live and
in real time by just moving the virtual camera around with
full control of zoom, position and rotation. Or just switch to
another predefined camera position and start a new movement from there.
Optical parameters of a fixture like colour (even colour mixing)
and gobos can be displayed. Custom gobos can be inserted by
simply assigning a colour bitmap file to the gobo position
of the related fixture. The visibility of all beams can be controlled by the fog level setting.
grandMA 3D provides printing facilities for both 2D and 3D
images on screen as well as for the the fixture data in spread
sheet format. As all the show data can later be received
»online« from the grandMA and displayed in real time rendering may be recorded live and converted into one of the
standard video compression formats. These files can be easily
viewed on any personal computer or MAC with standard
media player software and may even be sent per e-mail.
Walk through...
grandMA 3D
MA Lighting’s most powerful graphics extension to the grandMA 3D allows a straight forward design and
grandMA - the PC software package grandMA 3D - is a completely new graphical user interface for the grandMA series, created for the visualization as well as the design of three dimensional stage layouts in conjunction with any member of the
grandMA console or editor range. It works online with any
grandMA console or the grandMA offline / onPC editor packages and is supplied freely as download from MA Lighting’s
homepage: www.malighting.de.
set up of any custom stage or scenery layout with it’s 2D drawing facilities and a library of basic graphical elements.
Multiple windows both in 2D or 3D view with front/ side/top
view can be opened at the same time and will be updated live.
All the stage elements can be positioned in x/y/z directions
and may also be rotated around the various axes. Custom textures for the surface of these elements can be imported from
any bitmap file or may be chosen from the built in library.
You’ve got the power…
Technical features…
…those suit your imagination
The internal structure of grandMA 3D is strictly object
oriented and allows to define group of elements for easy set
up and design. A truss bar with connected fixtures can than
be moved, rotated and repositioned in one go.
The outstanding follow mode allows you to move beams for
selected fixtures to dedicated positions like a real follow
spot or simply remote focus these lights. The actual pan/tilt
parameters are fed back to the grandMA console and can be
stored in cues or presets. grandMA 3D may also be used to
do a graphical selection of fixtures on the grandMA console
and vice versa. Any drawing object, fixture or camera may
now be remotely controlled by DMX channels in its XYZ
position and rotation parameters on screen directly from
the console. The grandMA 3D software runs on an external
PC or notebook computer but shares all database and fixture
library with the connected grandMA console or grandMA
offline-editor where both software programs may be running
on the same PC. Both software packages grandMA 3D as well
as grandMA offline-editor are available for free download
on the Internet.
General system requirements for grandMA 3D version 5.00
• IBM® compatible desktop PC or notebook with
minimum 1.2 GHz processor and 128 MByte RAM
• EtherNet card with 10/100 B-T/TX connector and TCP/IP
protocol enabled – for use grandMA 3D in conjunction
with a grandMA console (within a grandMA parameter
expansion network a 100 MBit EtherNet card is required)
• Highspeed 3D graphics card with hardware acceleration
and at least 32 MByte video memory
• Screen resolution with 1024x 768 pixel or above in high
colour mode with at least 16bit colour depth enabled
• 80 MByte available disk space on harddisk
• Microsoft Windows® 2000 or
Windows® XP Operating System
• Microsoft DirectX® version 7 or above
• grandMA console software, grandMA offline-editor or
or grandMA onPC all version 5.00 or above
31
Stage Initialization
Controlling Movement Via Presets And Trackball
There are alternatives on how to control movement, and again
a fader is the worst. Besides preprogrammed positions (presets),
trackball and encoder with integrated course and fine wheels
offer the most flexible solution for perfect control. Basically the
mirror is controlled by DMX values in relation to the lamp.
Only a stage oriented PAN/TILT control allows the mirror movement
to be independent from the lamp position and the scan mechanics.
Encoder and trackball directly control the beam on stage.
Synchronized movements along straight lines with all activated
scans and the followspot effect enables the operators to freely
expand their creativity. For extreme positions (i.e. stageceiling)
the direct DMX values might be easier to apply. The
Scancommander allows to switch between the two ways of
controlling fast and simple.
Playback
32
Playing Preprogrammed Shows
The ergonomically designed surface of the MA Scancommander
allows direct and easy playback of all programs. The intensity of
your scans can be controlled via eight groupfaders at any time. A
list of the memory keys as well as a cue list for sequences can be
shown in the display. The sequence section combines perfect
timing with the constant possibility of manual override. Effects
with up to 99 steps can be started via “GO” key, sound input or
manual fade. A chase or a circle of single scans counts as one step.
Using selective programming, up to 360 fades with individual
fadetimes and delay can be played back independently at the
same time.
The trendsetter that became standard
MA Scancommander
...the original
S
ince the late eighties automated fixtures had established their
place in only the more sophisticated shows and tours. Today
even the smallest show or event is already support by all kind of
different moving lights.
The initial approach to control automated fixtures by using
conventional lighting controllers soon reached physical and
operational limits. The complexity of lighting with moving lights
required an entirely new way of operating a console with
dedicated user interfaces.
In this section of control the MA Scancommander has set the
foundation for new standard. His ease of use and the groundbreaking user philosophy of convenient programming with
maximum flexibility without compromise made him to one of the
most famous lighting controllers the industry ever developed.
The
perfect access to stored programs and the possibility
to react immediately to changes in live shows makes the MA
Scancommander the ideal touring console. Using SC-Extension
units with 16 fixtures and 96 DMX channels each, allows for shows
with even a larger amount of scans via a single Scancommander.
The DMX signal can be merged to one line, or each unit can send
its own separate line. Combined with a generic light console, the
MA Scancommander allows a single operator to run the complete
show from either board, or in a team it allows exact breakpoints
and perfect timing.
As part of an automated Multi Media Show, the MA Scancommander
can be synchronized via MIDI or SMPTE/ EBU Time Code.
Especially because of its easy Teach-In-Mode and the editing
possibilities, Time Code becomes more and more the standard
for these special applications.
A console tailored to your needs
Direct Access
Live Override During Preprogrammed Shows
Live or playback – not only musicians know the difference. By consequently following
through with the LTP principle the MA Scancommander presents a unique combination of
preprogrammed sequences and permanent direct access. Beam effects or positions can be
changed via presets or selective memories at all times. With a single key stroke you can
override fade times or change them to manual fade. Even in complex MIDI or SMPTE
operations you override the MA Scancommander at all times without interrupting its
synchronization. “FREEZE“ function for example lets you exclude scans from a running
program to use them as follow spots.
Stage Setup
Adjusting To New Sets
Generic lights have to be focused from the truss, whereas
Automated Fixtures can be adjusted from the console. To change
your programmes from one set to the next, you simply have to
initialize the new stage. Each fixture has to be focused to the
four corners of the stage and stored. Check and correct your
preset positions, and your preprogrammed show will be exactly
reproduced. If the lamptype functions correspond, the programs
of the MA Scancommander can even be changed to different
lamptypes.
LTP Principle
Selective Scenes
Scenes from traditional lightboards can be freely combined. The
intensity of the dimmer always reads the highest value (HTP
principle). It is very helpful to combine effects on a scan controller
too, but the HTP principle (Highest Takes Precedence) would
mean when – for example – calling several effects, the colour
that corresponds with the highest DMX value always appears.
Latest Takes Precedence (LTP) always means the latest command
will be executed. LTP only makes sense when it is possible to select
certain effects for certain memories. Then the operator can
combine a stored movement with colours and gobos afterwards.
This is the basic operation mode: position GROUP B to the
FRONTLINE with colour RED and gobo STAR.
33
Software that makes live easier
MA software
Scancommander
& functions
Thanks to extremely fast programming and adapting programs
Show technology is no longer limited to entertainment anymore.
to new stages and fixtures, lightshows with little time to prepare
do not pose a big problem for the Scancommander. Selectively
programmed scenes, for example, colour combinations or colour
changes can be combined with slow or fast moves or shutter
chases.
In direct access during a show the “SAMPLE“ function allows
you to take scenes from preprogrammed presets to combine
them blind and play them back together.
Corporate presentations and conventions use Hightech to create
a desired setting for their visitors. Exact timing in Multi Media
Events and automated playback mark the demands. Although
the Scancommander is mainly designed to operate Automated
Fixtures, its additional 96 DMX channels make it an universal
controller.
The fast programming leads to a comfortable SMPTE Time Code
section with Teach-In-Mode. Copying the shows to SCExtension units that will work as free standing playback unit,
minimizes space requirements in the booth.
That's how it works
Personalities
Fade And Trigpoint
Preparations
From the physical principles
most of the modern moving
lights are basically the same.
They allow a remote control of
the beam, colour change, gobo
and many other functions. It
is the task of the controller to
relieve the operator from his worries about DMX channel numbers
and values and to standardize operation of different lights.
Choosing manufacturer and lamptype, setting the DMX start
address and all necessary data on the used lamp will be loaded
automatically. Initializing lights can be that fast and the show
can begin.
Scans with two pan and tilt channels are automatically controlled
with 16 bit resolution by the Scancommander.
Slow Fades And Switching Effects
Lightshows with automated fixtures often require slow movement
fades with fast switching
effects at the same
time. Programmable
fade times with fast
editing and even manual
override via fader
seems to be the best
solution, as well as a
delay for the trigpoint
executing the switches
during the fade.
Presets
34
Direct Access
Faders are very effective for controlling the intensity of lights.
To select colours, gobos or prisms they are of little use. What
would be better than to choose a group of scans and select
via button one of the listed
colours?
Which DMX channel and
what value is needed to send
this command to the desired
fixtures is the task of the
controller.
Working with preset positions is unbeatable even for the
movement, and because you only have to correct your presets
later on, stored programmes can be adapted to different stages
or different fixtures easy and fast.
Memories & Cues
Storing and Editing of Programs
Programming a controller cannot
be more simple, and that is exactly
how the MA Scancommander
works. Especially when programming chases and sequences the
Scancommander offers a variety
of EDIT, COPY, TEST and DELETE
functions. Even programming
selective memories remains simple and easy due to graphic display
and direct access. It is so precise that you can activate or deactivate
up to ten effects per scan. A shutter chase, for example, can be
programmed independently from gobo and iris.
Circle function
Exact And Complex Movements
Program a circle for a group of scans. Difficult? Not with the MA
Scancommander. Center, radius and speed are the only parameters
the computer needs to calculate circles for each individual scan.
Selective programming allows overlapping fades, and for “CAN CAN“
or “MEXICAN WAVE“ effects you only need to add start and finish
position.
Single Components
MA
Scancommander Extension
Add-On unit to control more than 16 scans
and playback unit for synchronized shows.
Scancommander Extension
Ordering Options
Item-No.
120103
120501
120702
120504
120502
121004
MA Scancommander Tourpack
Includes 19" unit with wooden side profiles, keyboard,
drawer, trackball, desklamp, memory-card (256 kByte),
dust cover and flightcase
Item-No.: 120102
Description
Scancommander Extension 19" Unit
Memory RAM-Card 256 kByte
MA Memory Card Reader/Writer
Mini Keyboard
External industrial Trackball,
Flightcase 19"/4HE
Scancommander 19" Pack Ordering Options
Item-No.
120101
120501
120702
010205
129926
120505
120506
120504
120502
Description
Scancommander 19" Unit
Spare Desklamp
Dust Cover
Wooden End Cheeks with Hand Rest
Slide for Keyboard
Mini Keyboard
External industrial Trackball,
Atari standard
Flightcase for
Scancommander
(available ony for
desk version with side profiles)
MA Scancommander 19"
rackmount unit incl. desklamp
Wooden End
Cheeks with
arm rest
Item-No.: 120505
Drawer kit for
mini keyboard
Item-No.: 120506
Scancommander Tourpack Ordering Options
Item-No.
120102
120501
120702
010205
129926
Description
Scancommander Tourpack
MA Memory Card Reader/ Writer
Spare Desklamp
Dust Cover
Memory Card Reader/Writer
Mini-Keyboard
Item-No.: 120506
Trackball
MA Scancommander and all MA Lightcommander – but Pulsaror Celco-Desks as well – use Memory Cards for the backup of
programs. The MA Card Reader/Writer enables to transfer the
data to a PC or Laptop via serial interface and to save them on
disk. He accepts all cards with format ITT-Cannon Starcards an
Fujisoku 38 Pin S-Ram Cards.
Item-No.: 120702
(Atari compatible)
Item-No.: 120502
Memory Card (256 kByte)
for external storage of programs
Item-No.: 120501
35
Memory Masters
MEMORY Faders
Scenes on stage can be stored on one of the 16 memory masters by pressing ‘PROGRAM MEMORY’. Each memory master can contain
up to eight scenes by selecting a ‘MEMORY PAGE’. Consequently you can directly access a total of 132 scenes. When choosing a new
memory page, all faders stay active, only faders that are at zero will load new scenes. Apart from scenes, chasers with preprogrammed
speeds can be stored to four of the memory masters.
Presets
Single Channel Faders
Two presets allow setting of scenes and direct access during a live
show. ‘WIDE’ mode doubles the number of channels so that
Preset 1 and Preset 2 will activate different channels.
Aux 1 thru 6 are additional channels which are independent of the
masters allowing easier control of houselights and special effects
like fog machines, mirror balls etc.
Specials
36
Switch MEMORIES
Beside the 16 memory masters, the Lightcommander offers eight
switch memories ‘SPECIALS’ on eight pages. The scenes which
are stored in the specials can be activated either momentarily in
‘FLASH’ mode, permanently in ‘TOGGLE’ mode or alternatively in
‘KILL’ mode. Multifunctional fixtures and colour changers
prefer the ‘TOGGLE’ or ‘KILL’ mode.
A console for all occasions…
MA Lightcommander
II
24/6 & 48/2
There is a world-wide standard for lighting control consoles in
show applications which has developed over years from the
experience of many board operators. That is why many consoles
look pretty similar at first sight: For example, two-preset single
channel faders, memory faders with different pages, chaser and
master sections – often with various display and special functions.
But having a closer look to the Lightcommander’s sophisticated
solutions and intuitive logical user interface will reveal the reasons
why these MA consoles rank among the best-selling boards of
their class throughout the world.
Both
consoles, the MA Lightcommander II 24/6 and MA
Lightcommander II 48/6 do have a solid, robust and most reliable
construction and design. They are fast and precise in handling
and most flexible in their way of operation.
With the built-in softpatch both Lightcommander consoles are
capable to control up to 255 dimmer circuits patched to 30 or
54 individual channels.
Front Panel Layout
Scene
X-Fade Section
The X-Fade Section allows to recall preprogrammed scenes with
individual In- and Outfade times per scene. ‘DIPLESS X FADE’
helps to avoid brightness drops by linearly crossfading between
the old and new values. Using the ‘GO’ key, preprogrammed fade
times or even the manual X fader, sequences with up to 99 steps
can be recalled. Single scenes can be joined with chase effects.
The ‘GO–’ key and the possibility to skip or insert steps allows
direct access in playback mode.
Mastering
Master Section
Besides the master faders for presets, memory section and chaser,
a graphic LCD display allows access to various special functions.
All functions and menu changes are clearly labeled allowing
operation without having to refer to the manual. With
‘PREVIEW’ all programs can be checked and modified before
being activated. Of course, this function also works ‘on-line’, i.e.
when programs have already been activated (on stage).
Chaser
Chaser Section
Fifty programmes with up to 99 steps each can be stored. When
recalled via chase master and four memory masters, five different
chase programmes with different speeds can run simultaneously.
The preprogrammed speed can be changed at all times using the
‘LEARN SPEED’ key.
37
Programming & Playback
Softpatch Menu
Preview Modify
Fast System Configuration
On-Line Modification
The internal softpatch allows you to freely connect channels of
the board with dimmer channels. To simplify this process, the
selected dimmer will be switched on automatically. This saves
you from having to write channel lists and makes the softpatch
easy and effective. The ‘BLIND’ key turns this option off,
allowing you to change patch during a show.
Besides the single channels that can be activated via the presets at all times, the ‘PREVIEW MODIFY’ function of the
Lightcommander allows you to correct scenes even when
already on stage. Further programs can be stored blindly via
the channel LED during the show. Because of the well designed designation of user elements, only those functions will
be blocked that are necessary to store the programs.
Memories
Multichaser
Simple Programming
Fast Processing
The scene on stage can be stored directly and quickly by pressing ‘PROGRAM MEMORY’ and the flash button of the
desired memory fader. In ‘BLIND’ mode programming can be
done independent from the output of the board. During
programming of chasers the display will show special menus
with the corresponding information and the new functions of
the soft keys. The ‘UTILITY’ key allows you to enter easy
understandable menus for special functions and presets for the
board.
The MA Lightcommander does only offer an ergonomic user
surface for fast recalling of programs, but beyond that its
powerful electronics guarantees instant realization of your
commands. The fast processing and a DMX update rate of
more than 30 Hz make sure that dimmers are informed on
their status within 0.06 seconds, e.g. when a flash button has
been pressed.
Five chaser programs with different speeds up to 25 scenes per
second can be played simultaneously without influencing the
timing. Due to its independent operating system, the
Lightcommander will be on line again in less than a second
with the same programming step than before after a power
failure .
Infade/Outfade
Sequence Programming
Up to 5.000 scenes can be stored in 50 sequences, each scene
with separate In- and
Outfade times. A special advantage is the
dipless X fade. A
channel stored in
scene A at 85% and in
scene B at 60% fades
linearly to its new
value. This eliminates
the disturbing drop in brightness that is unavoidable when
crossfading via memory masters.
38
Flexible Working Modes
Displays
Rear Pannel
Channel Value monitor
Connectivity & Archive
The current percent values of the channels can be displayed
giving a more precise overview than LEDs in the channel keys.
When modifying a programmed scene, the values can be
displayed and tuned via encoder wheel at a tolerance of 0.4%.
This sounds unnecessary for the brightness of fixtures, but
when controlling colour changers or multifunctional fixtures, it
is very helpful.
The Lightcommander series features 30/54 analogue outputs
with 0 to +10 Volt via a Socapex EF 337 female connector. In
parallel all values can be send to dimmers via a DMX 512
(1990) link with softpatch for 255 dimmer circuits. The graphic
display of the patchlist helps editing these values.
For remote applications there is a MIDI In – Out – Thru port as
well as a sound input for chase trigger.
All programs are stored internally in a battery backed-up RAM
and may optionally be copied onto a memory card. The
contents of both memory card and console can be swapped at
once.
All stored programs are interchangeable between 24 and 48
channel boards.
Insert Step
Theatre Application
The display of the running sequence ensures fast access to the
actual fade times which can be altered on-line. A ‘GO–’ key to
return to the previous scene and the possibility to skip steps
or insert memories and preset programmes, ensures that the
operator can react flexibly at any time.
Extra Channels, Specials
MA Lightcommander II Ordering Options
Effect Channels
The percentage display and the tuning via encoder allows
precise controlling of effects. At the same time, the
‘SWOP’ function, i.e. blackout when pressing a flash
key – can be locked
for certain channels
because its use
does not make
sense with colour
changers etc…
For the direct playback of colour
combinations, the effect channels can be stored separately
from the memory masters onto switch memories and can be
triggered in toggle mode, while the dimmers can be faded in via
memory masters.
Item-No.
120201
120202
121001
121002
120601
120702
220201
010205
129923
129924
120703
130502
130502
Description
MA Lightcommander II 24/6,
including desklamp and dust cover
MA Lightcommander II 48/6,
including desklamps and dust cover
Flightcase LC II 24/6
Flightcase LC II 48/6
Socapex/PLT FMD 337,
cable connector 37-pole, male
Spare Desklamp
Spare Dust Cover LC II 24/6
Spare Dust Cover LC II 48/6
Mini-MIDI-Converter PC-Board
-10V analogue Converter Kit for LC II 24/6
-10V analogue Converter Kit for LC II 48/6
39
Programming & Playback
User Interface
1
Easy operation of basic functions
Sequence or Chaser ?
As long as “P” is indicated in the small display,
the Lightcommander acts as a two preset
board. The Page button swaps the desk to
memory mode and selects one of 10 memory
pages, offering all together 120 memories.
Additional stage views can be stored as steps
of the chaser programs. All special functions
are guided by information on the two line LCD
display. Many help functions make operating
very handy, i.e. the dimmer channel, selected
during softpatch, can be indicated on stage.
Free selection of working mode
5
12
7
2
14
10
11
3
4
40
9
13
6
8
15
The chaser section offers a broad variety
of operation modes. During programming a chase, the encoder wheel can be
used to test, delete or overwrite the
already programmed steps. Programs can
be recalled with adjustable speed, via
sound or via step button. X-fade time
can be set on line. The same X-fader can
also be used to change manually from
one step to the next. By the INSERT
function it is also possible to fade to
any memory selected by its Flash button.
1
2
3
4
5
6
7
8
9
10
11
12
Mains switch
Channel faders PRESET-AMemory controls
Flash-buttons (channel-flash, memory-flash, solo)
XLR-socket for a Gooseneck-lamp
Sound to Light / Chase to Memory
Sound potentiometer and switched channels
Page button with display
Master Preset, Memory, MAIN and Chaser
Display section with soft buttons and Quit
Programming buttons and utilities
Memory Card Slot
The talented junior from MA…
MA Lightcommander
12/2
M
ore than 2,000 Lightcommander 24 and 48 consoles sold are
the convincing proof for the outstanding quality offered with the
MA philosophy. Previous MA consoles were designed for the middle
and upper class show sectors, but a large number of individual
channels is still no guarantee for a good light show.
As smallest member of the family the Lightcommander 12/2 still
offers user-friendly handling and a wide variety of specialized
features. The incorporated LCD display helps to visualize all
current activities. With its outstanding production quality the
Lightcommander 12/2 still grants to same level of support as
known from its big brothers.
When it comes to working with a restricted number of channels,
the designer’s creativity and material flexibility are the decisive
factors. There is no reason whatsoever why users with fewer
control channels or a lower budget should be excluded from the
achievements of technical developments.
The ultimate strength of the Lightcommander 12/2 is its flexibility
and all-round nature. Its broad variety of special features makes
it the ideal tool to be used in discotheques, on stage, in theatres
and for simple room illuminations.
Powerful Effects
Chase-to-Memory and Sound-to-Light Effect
Memory fader 9 to 12 can be assigned to control chases,
where all chases can run simultaneously with individual
speeds. A learn speed button allows
to set the speed of the chase by
simply pressing the button in time
with the music.
Bass, Mid, Treble and Pause of the
sound input can be selected to control intensity of memory fader 9 to
12. Both effects can be used in
parallel and will generate a sound
controlled light show.
Two Presets or single Channels
Wide function to double the number of channels
By the combination of Shift+Upper button the desk
controls 12 additional channel faders and flash buttons. By
this way the console offers control about total of
24 channels that can be manually faded and saved as
memories or chaser steps.
13 Chaser Speed, Fade or Manual-X-Fade
14 Data entry encoder
15 Chaser mode buttons
MA Lightcommander 12/2
Ordering Options
Item-No.
Description
120204
Lightcommander 12/2,
desktop housing
Lightcommander 12/2, 19" housing
Desklamp
Flightcase
Dust cover
120203
010204
120601
120702
121006
129925
41
Facts + Features
Control
Console
grandMA
full-size
technical data
grandMA
light
grandMA
ultra-light
grandMA
replay unit
grandMA
micro
Control Capacity
DMX Console Outputs
Parameter Count
EtherNet Channel Count
Number of Fixtures
Cue Capacity
2048
16384
2048 (4096 optional)
4096 (16384 optional)
unlimited
2048
16384
4096 (16384 optional)
unlimited
1024
16384
1024
4096 (16384 optional)
unlimited
2048
16384
4096 (16384 optional)
unlimited
1024
1024
1024
1024
unlimited
20, motorised
60 + 40
1280, via 64 pages
6400
3
1280, via 64 pages
1280, via 64 pages
10, motorised
30 + 20
640, via 64 pages
3200
3
640, via 64 pages
640, via 64 pages
10, manually operated
30 + 20
640, via 64 pages
3200
15 + 5
320, via 64 pages
1280
10 + 20
640, via 64 pages
1920, via 64 pages
640, via 64 pages
640, via 64 pages
320, via 64 pages
320, via 64 pages
640, via 64 pages
640, via 64 pages
899
999
8991
999
4096
899
999
8991
999
4096
899
999
8991
999
4096
899
999
8991
999
4096
899
999
8991
999
4096
3
2
1
2
1
1+1
2
LED, 2 rows, 16 char
1
6 Pocket PC
16 buttons, analogue
96 faders or buttons
6 Pocket PC
6 Pocket PC
6 Pocket PC
1 Pocket PC
Trackball Connection
DMX512/1990 Ports
MIDI Connection
Timecode
Audio/Sound (mono)
Printer
EtherNet Network
@-Keyboard
Mouse
build-in trackball
4 out / 1 in / 1 thru
in / thru / out
SMPTE (LTC) / MIDI
>20 mV, 6.3mm socket
parallel
10 base-T/100 base-T/TX
built-in (US/D layout)
built-in (3 buttons)
build-in trackball
in / thru / out
SMPTE (LTC) / MIDI
build-in trackball
in / thru / out
SMPTE (LTC) / MIDI
parallel
on-screen / optional
Mouse optional
external/Atari Standard
2 out / 1 in
in / out
SMPTE (LTC) / MIDI
Desk Lamp
2 Goosenecks
(dimmable)
parallel
built-in Trackball,
Mouse optional
1 Gooseneck
(dimmable)
build-in trackball
2 out / 1 in
in / out
SMPTE (LTC) / MIDI
parallel
10/100 base-T/TX
built-in Trackball,
Mouse optional
1 Gooseneck
(switched levels)
Wind River Systems®
VXWorks
12 MByte Flashdisk
15 GByte Harddisk
3.5” Floppy Drive
AMD, 450 MHz
Motorola 68360 33MHz
256 MByte
UPS (15 minutes)
90-230 V, 50-60 Hz
1200 x 150 x 670 mm
(47.3 x 5.9 x 26.4 inch)
47 kg / 104 lbs
VXWorks
12 MByte Flashdisk
15 GByte Harddisk
3.5” Floppy Drive
AMD, 450 MHz
Motorola 68360 33Mhz
256 MByte
UPS (15 minutes)
90-230 V, 50-60 Hz
730 x 120 x 510 mm
(29 x 5 x 20 inch)
20 kg / 44.2 lbs
VXWorks
15 GByte Harddisk
3.5” Floppy Drive
VXWorks
12 MByte Flashdisk
15 GByte Harddisk
3.5” Floppy Drive
AMD, 450 MHz
Motorola 68360 33MHz
256 MByte
UPS (15 minutes)
90-230 V, 50-60 Hz
485 x 130 x 430 mm
(19 x 5 x 17 inch)
11 kg / 24.3 lbs
Playback
Executor Faders
Executor Buttons
Playback Faders
Playback Buttons
Silent Playback Keys
Channel Faders
Channel Flash Buttons
Programming
Effects
Groups
Presets
Macros
Profiles
Display
TFT Touch-Screens
External VGA Screens
Dot-Matrix Display
Remote control
Hand Held Remote
Touchboard/ Switches
DMX-In
Remote GO
Connectivity
10/100 base-T/X
ext. Mouse optional
1 Gooseneck
(switched levels)
System
Operation System
Archive Options
Main Processor
Slave Processor
Main Memory
Power Supply
42
Dimensions
Weight
VIA, 773 MHz
256 MByte
special PC
90-230 V, 50-60 Hz
635 x 157 x 490 mm
(25 x 6.2 x 19.3 inch)
12.9 kg / 28.5 lbs
Wind River Systems®,
VXWorks
256 MByte Flashdisk,
3.5” Floppy Drive
Geode, 266 MHz
min. 64 MByte
Industrial
90-230 V, 50-60 Hz
480 x 157 x 440 mm
(18.9 x 6.2 x 17.3 inch)
12.9 kg / 28.5 lbs
grandMA
off-line/ onPC
4096
4096 (requires NSP)
4096
unlimited
Scancommander
19’’
Scancommander
Extension
Lightcommander II
48/6
Lightcommander II
24/6
Lightcommander
12/2 – 19’’
488
488
48+6/96+6
24+6/48+6
12/24+2
16 (+96 Channel)
130
16 (+96 Channel)
130
192
192
120
16 via 8 pages
16 via 8 pages
12 via 10 pages
48
24
24
12
2
2
1 out
in / thru / out
SMPTE (LTC)
1 out
in / thru / out
SMPTE (LTC)
1 out
in / thru / out
2 Goosenecks
1 Gooseneck
opt. 1 Gooseneck
20, “on-screen”
60 + 40
1280, via 64 pages
6400
3
1280, via 64 pages
1280, via 64 pages
8
899
999
8991
999
4096
8
302
8
302
yes
yes
external / Atari Standard
1 out / 1 in
in / thru / out
SMPTE (LTC)
external / Atari Standard
1 out / 1 in
in / thru / out
SMPTE (LTC)
Mini-Keyboard
optional
Mini-Keyboard
optional
1
56
1
96
48
2
3 sub-windows
2 sub-windows
6 Pocket PC
uses PC mouse
via EtherNet
parallel
depends on PC
PC-Keyboard
PC-Mouse
1 Gooseneck
(dimmable)
>20mV, Chinch socket
Windows® 2000/ XP
depends on PC
(40 MByte Harddisk
space required)
800 MHz required
64 MByte required
depends on PC
Memorycard, 256 kByte
Motorola 68020, 16 MHz
372 KByte
Industrial
110 or 230 V, 50-60 Hz
483 x 116 x 488 mm
(19 x 4.6 x 19.2 inch)
11 kg / 24.3 lbs
372 KByte
Industrial
110 or 230 V, 50-60 Hz
483 x 133 x 230 mm
(19 x 5.2 x 9.1 inch)
4 kg / 8.8 lbs
64 KByte
Industrial
110 or 230 V, 50-60 Hz
1190 x 135 x 620 mm
(46.9 x 5.3 x 24.4 inch)
24 kg / 53 lbs
64 KByte
Industrial
110 or 230 V, 50-60 Hz
740 x 135 x 620 mm
(29 x 5.3 x 24.4 inch)
16 kg / 35.3 lbs
32 Kbyte
Industrial
110 or 230 V, 50-60 Hz
530 x 90 x 340 mm
(20.9 x 3.4 x 13.4 inch)
8 kg / 17.7 lbs
43
44
Signal Processing
by MA Lighting
Without having a digital signal processing the installation
of huge lighting systems is no longer possible. Also in this
sector MA became established. In addition to their reliable
Demultiplexer, DMX-Booster and DMX-Merger and its
grandMA family MA Lighting entered the EtherNetcommunication sector.
Their latest development is the new Network Signal
Processor (NSP) for the transfer of DMX data via EtherNetSignal network.
45
Maximum Network Connectivity
Speed up your data
For de-centralized DMX distribution networks the Network Signal Processor (NSP) converts the incoming Ethernet data stream back
into full-speed DMX 512 signals. Four individual DMX ports are available for output, and up to two of them might also be used for
DMX input. The NSP can be controlled as DMX node via multiple network protocols. Currently supported are ArtNet from Artistic
Licence and our own protocol MA-Net.
For maximum flexibility the NSP is built in a compact 19 inch housing, only 1 unit high. The network signal processor requires no external power
supply and can easily be configured with the built-in encoder wheel and four function keys. A backlit LCD display shows necessary
information about the actual connection state and features an intuitive menu structure which is also mirrored on the optional
external VGA screen. Any change of configuration or setup can also easily be done with an optional external PC keyboard. Optionally
each NSP can remotely be operated by a Pocket PC with wireless EtherNet connection and an installed Telnet client.
46
More parameters for everybody
More functionality for the off-line editor
The NSP is the heart of a grandMA parameter expansion
The Network Signal Processors can be used as a decentralized
parameter expansion to any of the grandMA consoles (except
grandMA micro). DMX signals are no longer generated and
distributed from the main console – they are actually calculated
locally by the NSP units. A maximum of eight Network Signal
Processors can be used to process a total of 16,384 parameters
– if all of them would have to be with 16 bit resolution another
eight NSPs will output the additional required DMX-universes.
Even together with the grandMA ultra-light a single Network
Signal Processors calculates 2048 parameters in total and simply
doubles the capacity of this console.
Makes the grandMA off-line to become "on-line"
Any Network Signal Processor connected to a grandMA off-line
PC on the same network like a "DMX-dongle" will enable the
offline-software to send "real" DMX data to the world. With this
feature the grandMA off-line becomes a full-featured lighting
control package for multiple applications. Together with just one
NSP the grandMA off-line can be utilised as a real fulltracking backup system to any of the grandMA consoles with up
to 2048 parameters.
The grandMA off-line is restricted for use with a maximum number
of two Network Signal Processors for up to 4096 parameters. The
grandMA off-line cannot be used as a master in a parameter
expansion network.
Let`s get together
NSP
The grandMA Network Signal Processor allows for a complete The Network Signal Processor, as well as any of the grandMA
integrated network solution by bridging the differences between
the multiple defacto standards in existence today. An Ethernet
network can be used to bridge longer distances and to provide
more channel capacity on a single transmission line than a
DMX universe has ever done. It also brings more transparency
into the signal flow and utilizes standard components from
industry for an increased level of reliability. As long as the
Advanced Network Protocol (ACN), the designated successor to
the DMX standard, is not released it is vitally important to be
able to run an DMX node – via Ethernet – on anyone of the
known protocols today.
consoles, gives you the choice of two fully implemented
protocols.
For the new grandMA parameter expansion network the NSP
plays a leading role in processing the external parameters for
the master console as well as outputting up to four DMX
universes at the same time.
The Network Signal Processor requires grandMA version 5 software or above to support all operational modes as described
below.
The uplink to the world
Operational Modes
The Network Signal Processor
You may choose between five operational modes when using the Network Signal Processor. Depending on your application the NSP
can in- and output your DMX channels from a EtherNet network, act like a DMX merger and booster or even expand your grandMA
system by additional parameters.
DMX-Merger and –Booster
➲ 1 or 2 DMX inputs with HTP or LTP functionality
➲ 2 or 3 DMX outputs
EtherNet Node with MA-Net protocol
➲ 10/100 MBit/s EtherNet
➲ 4 physical DMX Slots for output
➲ up to 2 physical DMX Slots for input
(replaces 2 output ports)
➲ 64 DMX universes per network
➲ 32,768 DMX channels per network
EtherNet Node with ArtNet protocol
➲ 16 DMX Slots / 16 Subnets = 256 DMX Universes
➲ 131,072 possible DMX channels
grandMA offline DMX-dongle
➲ up to 4096 parameter (requires two NSPs)
➲ up to 8 DMX universes per network
grandMA parameter expansion with MA-Net protocol
➲ calculates 2048 parameters with 8 or 16 bit
➲ up to 16,384 parameters on MA-Net
➲ generates 8 DMX Slots on MA-Net
➲ 64 DMX universes per network
➲ 32,768 DMX channels per network
Technical data NSP Network Signal Processor
Parameter Count: ................ 2048
DMX Circuit Capacity:.... 4 Universes / 2048 Circuits
External VGA Screens:.... 1
DMX512/1990 Ports: ....... 4 out or 3 out 1 in or 2 out 2 in
EtherNet Network: ............. 10/100 base-T/X
@-Keyboard:............................ external Keyboard optional
Mouse connection: ............ external Mouse optional
Operation System: .............. Wind River Systems®, VXWorks
Archive Options: ................... 64 MByte Flashdisk CF-Card
Main Processor: ..................... Geode, 266 MHz
Main memory: ........................ 256 MByte
Power Supply:.......................... 120/230 V, 50-60 Hz
Dimensions: ............................... 483 x 44.5 x 190 mm
............................................. (19 x 1.75 x 7.48 in)
Weight: ........................................... 3 kg / 6.6 lbs
NSP network signal processor Ordering Options
Item-No.
130101
129712
Description
NSP Network Signal Processor,
4 DMX lines, 110-240 V
Mini Keyboard
47
MA Booster
19" rack mount unit to build up DMX networks
The Booster receives one DMX signal and sends seven (resp. eight)
amplified identical DMX signals. Beside the standard unit with 5-pin
XLR, another version features computer network plugs RJ45.
• Input and output via 5-pin XLR,
alternatively RJ45
• DMX input optically isolated
and over-voltage protected
• Built-in end-of-line termination
with selectable resistance
MA Booster Ordering Options
• Original DMX-Line available on DMX Thru
Item-No.
Description
• Seven (eight) optically isolated DMX outputs,
each with separate power supply
130417
130419
MA Booster 1 in 7 XLR
MA Booster 1 in 8 RJ45
• Control LED for incoming signal
• Frontpanel: 19" (483 mm), 1 unit (44,5 mm)
• Housing: 435 x 42 x 150 mm, 4,0 kg
48
Your link to the outside world
Signal
Distribution
DMX network technology
W
ith nowadays installations the heavy use of multiple DMXuniverses often exceed cable length of 200m or more with up to
30 receivers on one line. Even when using quality cables and a
Line-End-Plug the signal may be affected by strong electromagnetic interference. By using a Line-Booster to refresh the
DMX signal half way down, you are no longer limited to the
recommended maxima.
O
n large scale installations it even makes sense to place a booster with multiple outputs on center stage and split the DMX
line star-shaped, reducing the length and load of the single
lines. But keep in mind to use special, shielded DMX cable and
selects shortest cable run, but separate from power supply and
load cables of dimmers.
Booster, Merger & Repeater
MA DMX Merger
"Two in One"
The MA DMX Merger enables to “mix” two DMX signals into one DMX line,
for example for parallel control with two desks. Working mode can be selected between HTP or Lowest-Takes-Precedence.
• Two inputs and one output via 5-pin XLR
• Inputs and output optically isolated
and over-voltage protected
against each other
• Address-offset for second DMX input
with decimal input via three rotary knobs
• Control LED for incoming signals
• Frontpanel: 19" (483 mm), 1 unit (44,5 mm)
• Housing: 435 x 42 x 170 mm, 3,0 kg
MA DMX Merger Ordering Options
Item-No.
Description
130418
MA DMX Merger
MA Optoisolator Box
Protect your DMX-Lines
Refreshes the DMX signal. The Optoisolator works as
Line-Booster with optical isolation between incoming and outgoing DMX line. This way it even eliminates over-voltage spikes. It also extends the possible length of single DMX-lines or can be used as Ysplitter for DMX line-branches.
• Input and output via 5-pin XLR
• Plastic housing with mains power cable
• Housing: 80 x 55 x 150 mm, 0,5 kg
MA DMX Merger Ordering Options
Item-No.
Description
130421
MA Optoisolator Box
49
MA DMX Demultiplexer 30
19" unit to convert DMX 512
into 30 analogue control signals.
• Decimal input of start address
via three rotary knobs
• Outputs via
three 15-pin Sub-D connectors
• Frontpanel: 19" (483 mm),
1 unit (44,5 mm)
• Housing: 435 x 40 x 150 mm, 3,0 kg
MA Demultiplexer 30
Ordering Options
Item-No.
Description
130411
19" unit to convert DMX 512
MA Demultiplexer 60
Ordering Options
Item-No.
Description
130412
• Outputs via
five 15-pin Sub-D connectors
• Frontpanel: 19" (483mm),
1 unit (44,5mm)
• Housing: 435 x 40 x 150mm, 3,0 kg
50
The DMX link to the analogue world
Demultiplexer
interfaces & relays
MA Demultiplexers receive DMX 512 signals and convert All MA Demultiplexers feature input and DMX test indicator
them into an analogue control voltage of 0 to +10 V. As a
Demultiplexer is only one link in a chain, all units are equipped
with a DMX outlet socket to forward the signal to the next
receiver or for daisy-chain wiring. For reasons of data integrity,
any tapping of DMX signals on MA units is optically screened
and protected against over-voltage.
LEDs. The analogue outputs are fused by diodes for parallel
operation and function as short-circuit protection.
The maximum rating per output is 8mA. All units and PC boards
are available for 230V AC/50 Hz or 110V AC/60 Hz.
Boxed units
MA DMX Demultiplexer 14 Channel Box
Stage top box to convert DMX 512
• Outputs via 15-pin Sub-D connector
• Housing: 195 x 142 x 54 mm, 2 kg
MA DMX Demultiplexer
14 Channel Box Ordering Options
Item-No.
Description
130414
14 Channel Box
MA DMX Demultiplexer 1-6 Box (Relay Outputs)
Stage top box for voltage free control of six switching effects
with up to 1A or 16A per output.
• Hold Function
for DMX failure selectable
• Relay outputs
on 25-pin Sub-D connector (max. 1A)
or internal Wago Terminals (max. 16A)
• Housing: 195 x 142 x 54 mm, 2 kg
MA DMX Demultiplexer 2 Channel Box
Stage top box to convert DMX 512 into 2 analogue
control signals. Simultaneously for voltage free control
of two switching effects with up to 16 A per output.
• Binary setting of start address via DIP Switch
• Hold function for DMX failure selectable
• Control-Voltage output 0 to +10V
via 2 XLR 3-pin Connectors (female)
• 2 Relay 16A via Wieland connectors GST18
• Housing: 195 x 142 x 54 mm, 2 kg
MA DMX Demultiplexer 1-6 Box
(Relay Outputs) Ordering Options
Item-No.
Description
130402
(Relay Outputs), Sub-D connector
(Relay Outputs), Wago Terminals
130401
MA Demultiplexer 2 Channel Box
Ordering Options
Item-No.
Description
130405
2 Channel Box
51
Technical details on page 56/ 57
MA DMX Demultiplexer 60 (30) PC-Board
MA DMX Demultiplexer 14 Channel PC-Board
PC-board to convert DMX 512 into
60 (30) analogue control signals.
PC-board to convert DMX 512 into 14 analogue control signals.
• Decimal input of start address via three rotary knobs
• Outputs via five (three) 15-pin Sub-D connectors
• 228 x 141 x 35 mm, 0,5 kg
• Decimal input of start address via three rotary knobs
• Outputs via 15-pin Sub-D connector
• 142 x 93 x 38 mm, 0,4 kg
Ordering Options
Item-No.
130422
Description
14 Channel PC-Board
Ordering Options
Item-No.
Description
130408
130409
MA DMX Demultiplexer 30 PC-Board
MA DMX Demultiplexer 60 PC-Board
MA Dux-LS4 DMX Demultiplexer PC-Board
for Fluorescent Lamps
PC-board to convert DMX 512 into 4 analogue control signals
for fluorescent lamps operated on electronic ballasts with
1-10V current control technology. Ideal for building custom
DMX controlled RGB+white fluorescent fixtures.
• Decimal input of start address via three rotary knobs,
•
52
•
•
•
available on backside for flat surface mount
Provides power-off functionality for all channels
with four on-board SRC relays
Build-in colour chaser and fade effects in stand-alone mode
In- and outputs via Wago spring loaded terminals
160 x 60 x 35mm, 0.4kg
Ordering Options
Item-No.
130423
130424
Description
MA Dux-LS4 DMX Demultiplexer PC-Board,
4-channel, address switches on solder side
MA Dux-LS4 DMX Demultiplexer PC-Board,
4-channel, address switches sideways
Customize your solution
Demultiplexer
printed circuit boards
MA demultiplexers receive DMX 512 signals and convert MA Demultiplexer are also available as PC-boards to be built
them into an analogue control voltage of 0 to +10 V. As a in to any kind of stage effect. The board comes with a technical
demultiplexer is only one link in a chain, all units are delivery description but work should be done by a professional.
with a DMX outlet socket to forward the signal to the next
receiver or for daisy-chain wiring. For reasons of data integrity, The necessary plugs are included in the delivery.
any tapping of DMX signals on MA units is optically screened
and protected against over-voltage.
Analogue outputs & relay drivers
MA DMX Demultiplexer 2 Channel
“Maxi” (Mini) PC-Board
PC-board to convert DMX 512 into 2 analogue control signals.
Simultaneously for voltage free control of two switching effects
with up to 16 (3) A per output.
•
•
•
•
•
Binary setting of start address via DIP Switch
Hold Function for DMX failure selectable
Control-Voltage output 0 to +10V via Wago clips
2 Relays 16 (3A) A via Wago clips
No in-built powersupply!
Supply 12 - 25 Volt, DC or AC – "Mini" PC-Board
• 105 x 75 x 47 mm, 0,5 kg – "Maxi" PC-Board
• 75 x 55 x 19 mm, 0,3 kg – "Mini" PC-Board
Ordering Options
Item-No.
130404
130407
Description
2 Channel “Maxi” PC-Board
2 Channel “Mini” PC-Board
MA DMX Demultiplexer 1-6
PC-Board (Relay Output)
PC-Board for Servo-Control
PC-board for voltage free control of six
switching effects with up to 1 Amp per output.
PC-board to convert DMX 512 into 8 control signals for
servo-motors as available for small scale models.
• Hold Function for
DMX failure selectable
• 6 Relays- via Wago clips 16A
• 118 x 164 x 47 mm, 1 kg
Ordering Options
Item-No.
Description
130403
MA DMX Demultiplexer 1-6
PC-Board (Relay Output)
•
•
•
•
Decimal input of start address via three rotary knobs
DMX input and Mains supply via Wago clips
8 output Impulse-Length-Modulation via Wago clips
110 x 103 x 40 mm, 0,5 kg
Ordering Options
Item-No.
Description
130406
PC-Board
for Servo-Control
53
MA DMX Multiplexer 30 PC-Board
MA Optoisolator PC-Board
To retrofit analogue lighting boards to DMX 512.
The analogue signals stay available and the control
signals will be sent additionally on DMX 512.
Refreshes the DMX signal. The Optoisolator works
as Line-Booster with optical isolation between
incoming and outgoing DMX line. This way it even
eliminates over-voltage spikes. It also extends the
possible length of single DMX-lines or can be used
as Y-splitter for DMX line-branches.
• 30 resp. 60 analogue input 0 bis +10V
via one Sub-D 37-pin socket
• DMX output via 5-pol XLR
• Build-in power supply,
mains via Wago clips
• 202 x 152 x 35mm, 0,5 kg
• Input and output via Wago clips
• Build-in power supply, mains via Wago clips
• 115 x 44 x 40 mm, 0,3 kg
Ordering Options
Item-No.
130201
Description
Ordering Options
Item-No.
130420
Description
MA Optoisolator PC-Board
MA Inverter Platine "minus" 10 V
To retrofit analogue lighting boards to DMX 512.
The analogue signals stay available and the control
signals will be sent additionally on DMX 512.
This platine converts 30 channels "plus" 10 V
into 30 channels "minus" 10 V, to allow control
of Dimmerpacks with negative control inputs.
• 60 analogue input 0 bis +10V
via two Sub-D 37-pin socket
• DMX output via 5-pol XLR
• Build-in power supply,
mains via Wago clips
• 202 x 152 x 35 mm, 0,5 kg
Ordering Options
Item-No.
130202
Description
54
• build-in power supply
• two flat cables (20 cms)
for in- and output
• 162 x 92 x 37 mm, 1,0 kg
Ordering Options
Item No.
130501
Description
MA Inverter Platine
"minus" 10 V
To solve any problem
Signal converters
DMX & MIDI
MA
signal converters are very often the "missing link"
to finally transform the sum of all single control desks, show
controllers and dimmer into a fully integrated system.
Some even call the problem solvers as they very often helped to
save shows.
The multiplexers are designed to retrofit pure analogue consoles
in ones with DMX output.
With the Midi converter board even Lightcommander II and
Scancommander can be directly controlled by specific Midi
commands.
Multiplexers, Midi Converters & Testplugs
MA MIDI Converter
Freely programmable MIDI translator,
which can store up to 256 command sets.
(MIDI System-Exclusive-Data can not be processed)
• 2 MIDI input and 1 MIDI output
via 5-pin DIN sockets
• Programming with handy Teach-In mode
• Display to edit linked command sets
• 243 x 229 x 63mm, 2,0 kg
Ordering Options
Item-No.
120701
Description
MA MIDI Converter
MA DMX Test Plug
This small PC-board modifies standard MIDI signals
to remote control MA Lightcommander or
MA Scancommander via keyboard.
• MIDI input and output via 5-pin DIN sockets
• Connector for standard power supply
• Different modes selectable
• 120 x 37 x 25mm, 0,2 kg
Just a 5-pin XLR-plug (male) with two LEDs
will help to solve the most common DMX problem,
broken cables or open connections. At the same time
it can be used as a Line-End-Plug.
Ordering Options
Item-No.
120703
Description
• No powersupply
or battery required
• 280g in a leather-purse,
always ready to go
Ordering Options
Item-No.
130510
Description
MA DMX Test Plug
55
Facts
Signal Processing
technical data
ETHERNET and DMX NETWORK
DMX - ANALOGUE and MIDI CONVERTERS
Unit
Article
Name
130101
NSP Network
Signal
Processor
130418
DMX
Merger
•
•
130419
DMX
Eight Way
Booster
130417
DMX
Seven
Way
Booster
(RJ45
connectors) (XLR5pin)
130421
DMX
Optoisolator
Box
130420
DMX
Optoisolator
PCB
130412
Demultiplexer
60 Box
130409
Demultiplexer
60 PCB
130411
Demultiplexer
30 Box
130408
Demultiplexer
30 PCB
130414
Demultiplexer
14 Box
130422
Demultiplexer
14 PCB
130405
Demultiplexer
2 Channel
Box
Housing
19"
•
•
Housing
•
•
PCB
Kit
•
•
•
•
•
•
•
InputSignals
EtherNet
Ports
1
DMX
Circuits
1024
2 x 512
512
512
1
1
2048
512
8 x 512
7 x 512
512
512
1
1
1
1
1
1
1
60
60
30
30
14
14
2
Analog
0 to -10 V
MIDI
OutputSignals
DMX
Circuits
Analog
0 to +10 V
Analog
0 to -10 V
2x (230V´
/16A)
Switch
Contact
Servo
Drive
MIDI
Options
Note
56
RJ45
Connector
Analog
Qutput
and
Switch
Contacts
work
parallel
DMX - ANALOGUE and MIDI CONVERTERS
130404
Demultiplexer
2 Channel
PCB
Maxi
130407
Demultiplexer
2 Channel
PCB
Mini
130401
Demultiplexer
1/6 Box
230V/16A
130403
Demultiplexer
1/6 PCB
Switch
•
1
1
130406
Demultiplexer
8 Servo
PCB
130510
DMX
Test Plug
XRL5male
130202
Multiplexer
60 PCB
130201
Multiplexer
60 PCB
130501
Inverter
10 V
PCB
130502
120701
130503
MIDI
-10V- Kit -10V-Kit
Converter LCII 48/6 LCII 24/6
120703
Mini
MIDIConverter
Wago Terminal
•
•
130402
Demultiplexer
1/6 Box
•
•
1
1
1
•
•
•
1
1
•
•
•
1*
1*
60
30
30
60
30
in
in
60
2
2
2
2x (230V
/16A)
2x (24V/
3A)
6x (230V
/16A)
6x (230V
/ 16A)
30
1*
30
30
6x (24V/
1A)
8
out
Analog
Qutput
and
Switch
Contacts
Work
parallel
Analog
Qutput
and
Switch
Contacts
Work
parallel
Quick
Cable
Tester
1* only
Note
on/off –> to build
in LC
Control
Change
1* only
to build
in LC
Controls
LC and
SC
57
The Temptation of St. Anthony; Lighting Design: Robert Wilson; Photo: © Brinkhoff / Mögenburg
58
Dimming
by MA Lighting
With its touring dimmers MA could set a standard which is
mainly characterized by a high density construction and an
outstanding
reliability.
The
existing
know-how
is daily extended by the close relation to the market.
New standards for electrical interference as well as
electromagnetical compatibility (EMC) were reasons for
permanent improvements of the complete product range.
Based on former experiences, MA has developed installation
dimmerracks with plug-in modules that provide also the
well-known excellent features of the touring dimmers.
59
Rough racks for all applications
Rittal® housing with swivel frame assembly
The new MA digital dimming system follows the need of many applications and utilizes standard
19” racks supplied by Rittal® – Germany. With only 0.36 m footprint and a height of 2,000 mm
(excluding socket) these racks a compact enough to fit in any space in your dimmer room. The
dimmer cabinet is populated with six 19“ crates offering space for 18 plug-in dimmer modules
(max. 72x 3 kVA). Each crate features an individual residual current device (RCD) and a combined
mains fuse and switch. Standard module types are 4x 1.4 kVA, 4x 3 kVA, 2x 5.7 kVA or 1x 11.4
kVA load. They all are protected by single pole magnetic circuit breakers (MCB, C-profile) and
provide full load and current sensing as well as fault feedback to the rack’s network dimmer
processor. Each rack can be populated with dimmer modules of different types. In addition dimmer
modules with high rise-time chokes for TV applications are available and a future “sine-wave”
dimmer module is in the pipeline. The rack features a unique ventilation system based on software
and temperature controlled fans per dimmer module. The MA digital dimming system for installation
is an investment in future-prove technology and rugged construction.
Dimmer crates
The right cage for the powerful dimMA modules
The various sizes of dimMA modules are securely kept in strong 19 inch crates with integrated power
distribution. A mains fuse with power lockout feature and a residual current
protection (RCD) are provided as standard. All dimmer crates are linked via CANbus to the network dimmer processor for bi-directional data exchange. Even the
software for each single dimmer modules processor can be upgraded remotely from the NDP. The address
setting for each dimmer slot happens on the crate itself so dimmer modules take the actual configuration
for the dedicated slot automatically when swapped out.
Dimmer modules
60
They like to dim heavy loads
Each dimmer module has got control LEDs for mains input and over temperature warning. All modules' circuits have got an automatic
neutral disconnect feature once a dimmer module has been removed. So the final distribution circuits are completely isolated by withdrawing a module from its slot. Additional LEDs per dimmer circuit display a load-check, active control and error warning. The dimmer
reports the actual inside temperature, a possible MCB trip, a load failure and the actual current per circuit back to the network dimmer processor which sends this information online to any grandMA console or grandMA off-line editor. Any circuit on a dimmer module may be controlled by two input signals from independent control slots (feed by DMX or EtherNet control signals), both with independent input patch and various control options (input A-HTP-B, A-over-B, A-LTP-B). Dimmer modules of same rating may be exchanged without any change to the rack configuration. Dimmers modules (phase cut or future sine wave, relay modules and solid contact)
are fully interchangeable in one slot if provided of the same rating. Different ratings are mechanically locked against incidental exchange. Dimmer modules are automatically taking the features and configuration information linked to the slot when swapped in other positions – no manual action or confirmation is required.
Take control
dimMA
installation dimmer system
Highest availability and practical relevance of their Digital Touring Each Network Dimmer Processor provides dual DMX512 inputs
Dimmer made MA Lighting Technology famous around the world.
Now you can get these advantage and much more for permanent
installations, too. The new MA installation dimmer comes in
compact cabinet at a footprint of only 600 x 600 mm. Easy and
direct access to load terminals, mains power feed and control inputs
in guaranteed by a 19” swivel frame which operates like a huge
front door. The heart of the system is MA’s unique Network
Dimmer Processor (NDP) – a central processing unit – which is
capable to control two fully populated dimmer racks. It can also
be run with an additional redundant backup processor which
stands for maximum reliability and security.
and direct control via different EtherNet protocols all with individual
patch. A network connection allows full integration in grandMA
systems. It has a built-in power supply option and allows the
design of conventional and LAN controlled systems in a very easy
way.
Innovative dimmer modules communicate with the NDP on a
CAN-bus and provide live feedback and error messages to an
external PC or any control of the grandMA family. For additional
safety a panic facility allows specific dimmers to be controlled
even without an operational NDP.
Future proofed technology
Network dimmer Processor
The heart that beats for 144 dimmer circuits
Each network dimmer processor controls up to 36 dimmer modules
(equals a maximum of 144 circuits of 3,000 VA) even when located
in different racks via CAN-bus and may also be placed remotely
to the actual dimmer rack. CAN-bus is also used to link a redundant
backup processor unit to the NDP. Any processor module holds
and edits the configuration data of the whole system and can therefore
be exchanged against any other module system-wide without
uploading data or manual re-configuration. The dimMA network dimmer
processor provides two independent
DMX input ports (DMX 512/1990).
As standard a parallel control with
EtherNet protocols is provided (ArtNet and MA-Net). Any
control signal (DMX or EtherNet) is assigned to two independent
control slots, both with independent input patch and various
control options (input A-HTP-B, A-over-B, A-LTP-B).
Dimmer levels as set by local control or any input signal can be
stored as a "snapshot" in any of an unlimited number of backup
cues, which are stored and handled like a sequence known from
the grandMA console range. These cues can be remotely triggered
by six dry-contact inputs
(either in direct mode with GO, PAUSE, RESUME, GO- and OFF or
in binary mode with direct access to 62 cues). Backup cues
provide their own fade and delay times and can be linked and
activated by the loss of a DMX signal. For configuration and
operational features the NDP provides a 2 line LC display, 4 menu
keys and 6 status LEDs. The LC display shows necessary information
about the actual connection state and allows to do any dimmer
module configuration an intuitive menu structure which is also
mirrored on an optional external VGA screen. Any change of
configuration or setup can also easily be done with an optional
external PC keyboard. Optionally each NDP can remotely be operated
by a Pocket PC with wireless EtherNet connection and an
installed Telnet client.
The NDP is either controlled by
up to two independent DMX 512
inputs or directly via EtherNet
connected to the 10/100 base-T/TX
port. Six opto-isolated analogue inputs
can be used for various external control options or to activate
internal backup cues.
The built-in panic facility has got two dry contact input, too. For
an additional current sensor to monitor the neutral mains feed an
additional analogue input is provided. The network dimmer
processor is based on a 266 MHz CPU with min. 128 MB SO-RAM
and a 64 MByte CF-flashcard. It operates on embedded Linux and
can easily be upgraded and remotely configured by any grandMA
device.
Dimmer Fade Profiles
Eight dimmer profiles are built-in as standard, another 4088 profiles can be edited by the user with the graphical editor included in the
dimmer monitoring software.
Configurable parameters and functions
Fault reporting
➲ Individual patch per dimmer with 8 or 16 bit control
➲ Over-temperature per module or per rack
and various options (input A-HTP-B, A-over-B,
➲ Overload per dimmer
A-LTP-B, A-only, B-only)
➲ Over-voltage on supply
➲ Maximum and minimum output voltage settings
➲ Over-current on neutral connection (with optional sensor)
per circuit, independent from profiles in use
➲ RCD trip per crate & MCB trip or short circuit on output
➲ Response time individually per module
➲ Excess DC-current on output
➲ Automatic preheat feature per circuit
➲ Load failure (no load connected)
with configurable level
➲ Load failure (load change during operation)
➲ DMX backup value by individual cue editing for backup
➲ Date and time of fault are reported together
61
Networked solutions
New solutions for fully integrated systems
The sophisticated modular dimming system for installation by MA
For de-centralized lighting systems with distributed dimming and
network solutions the network dimmer processor (NDP) converts the
incoming EtherNet data stream or two separate DMX lines into intensity
information for each module. In addition up to four individual DMX ports
are available for output to feed any third party equipment directly from
the dimmer rack. More complex distribution systems with DMX mergers,
booster or repeaters will become history. Together with an optional PC
keyboard the network dimmer processor can easily be configured and an
external VGA screen shows vital information about the rack’s configuration and the network itself. The NDP can easily be controlled like a DMX
node via multiple network protocols. Currently supported are ArtNet
from Artistic License and our own protocol MA Net. For maximum flexibility the NDP is built in a compact 19 inch housing only 1 unit high.
The network dimmer processor requires no external power supply and
can easily be configured with the built-in encoder wheel and four function
keys. A backlit LC display shows necessary information about the actual
connection state and features an intuitive menu structure.
An optional second NDP can be linked via CAN-bus and operates in full
tracking mode as a redundant backup processor. Each NDP has the
capability to run up to 144 single dimmer circuits with full signal
feedback processing – so actually two fully populated racks can be
controlled by only one network dimmer processor. The NDP brings more
transparency into your lighting system especially when combined with
other components from the grandMA console range.
grandMA
main console (control and dimmer configuration)
grandMA replay unit
backup to main console
Network Dimmer Processor
optionally outputs
up to 4 DMX lines
grandMA off-line editor
remotely configures MA digital dimmers
and displays feedback information
EtherNet
CAN-bus
62
dimMA Digital Installation Dimmers
up to two racks controlled by single NDP
DMX 512
outputs additional 4 DMX lines
Technical Data
Performance and RFI surpression
The dimMA-Systems utilises filter chokes with high rise-time and soft current raise. These special engineered ring-shaped
filter devices reach more than 260µs rise-time as standard (400µs with 5,700 VA) and nearly maintain this value even when
smaller loads are connected. For critical environments special filtering with an even higher rise-time of 720µs are available.
Lamp filament noise will be successfully suppressed by these high quality devices.
Technical Data
Dimmer Modules
Number of Crates
Number of Modules
Dimmer Circuits
Backup NDP
Nominal Load
6
18 (3 per crate)
72x 6 A (4 per module)
optional
72x 1,400 VA
6
18 (3 per crate)
optional
72x 3,000 VA
6
18 (3 per crate)
optional
36x 5,700 VA
6
18 (3 per crate)
optional
18x 11,500 VA
Mains Feed
230/400 V
140 A / Phase
230/400 V
315 A / Phase
230/400 V
300 A / Phase
230/400 V
300 A / Phase
Rack Sizes
Dimmer Circuits
Load
Module Rise-Time
(10-90% at 90° firing angle)
4x 6 A
1,400 VA
380 µs
2x 6 A
1,400 VA
720 µs
4x 13 A
3,000 VA
260 µs / 370 µs
2x 13 A
3,000 VA
720 µs
2x 25 A
5,700 VA
400 µs
1x 25 A
5,700 VA
720 µs
1x 50 A
11,500 VA
400 µs
dimMA – complete racks – Ordering Options
140105
dimMA dimmer rack, complete with 18
dimmer modules with 4x 3,000 VA,
260 µs rise time, Network Dimmer Processor,
mains bus-bar system and 19" swivel frame
140106
dimmer modules with 2x 5,700 VA,
140107
dimmer modules with 11,500 VA,
Module Processor
16 Bit, CAN-bus interface,
independent power supply
dimMA – additional components – Ordering Options
140132
Backup processor unit, Network Dimmer Processor,
19 inch, for 144 dimmer circuits
140141
Dimmer module, 4x 1,400 VA,
380 µs rise time, full feedback
140142
140143
140144
140145
140146
140147
140148
63
Basic Principles of Phase-Angle Control
The power dimensions of lighting controls are much higher than the
ones of audio equipment. Therefore the audio technique of amplification
via power transistors, clean and free of harmonic waves, cannot be
transferred to dimmers.
Phase-Angle Control
Electronically, SCR’s as well as triacs are switched with an on/off function
only. The smooth dimming is achieved by switching each half wave of AC
power at a certain moment. The central problem is the steep rise of the
current, which will transmit strong electromagnetic waves when not filtered.
Attenuation Of The Rise Time
The rising of the current and the resulting distortion can be dampened by
special filters. Inductance coils store part of the energy to release it later with
as little heat loss as possible. A measure for the effectiveness of a filter is
the time used between switching and reaching 80% or 100% of the maximum
power. More important is the absolute limiting of the harmonic waves as
registered with a monitoring receiver.
Alternatively To Attenuation By Filters:
Controlled Phase-Angle Via Power Transistors
This technique causes a higher heat loss than the use of triacs or SCR’s. In this
case, savings due to less weight and materials of no more necessary filters
are being overcompensated by necessary cooling and expensive electronic
components.
Alternatively To Phase-Angle Control:
High Frequency Clocking With Impulse Duration Modulation
This technique, used in switch power supplies, produces even more distortion
in higher frequencies than phase-angle control, and material costs are
extremely high.
64
The compact powerpack…
MA Digital
Dimmer
touring version
A dimmer like the MA Digital Dimmer in touring version justifies Its large graphic display is probably the most striking feature of
the luxury of a large display to monitor each and every status and
conveniently handle the special functions for your advantage.
There were guidelines for dimmers even before the CE symbol was
introduced. The MA digital dimmer was checked and tested in the
company’s own laboratory not only to comply with these guidelines,
but to exceed them for the higher practical requirements of the
industry as well.
the MA digital dimmer, but its most important qualities are to be
found inside.
The thyristors, being able to handle 1,000 amp power spikes, are
controlled and monitored by a high-end computer with a 32 bit
time-processing unit. Combined with proven MA interference
suppression and smartly engineered ventilation techniques, the upshot
is a power pack with a 100% duty cycle and an exceptional
reliability.
Interference Suppression & Safety
Power components
The MA dimmer works with SCR’s under phase-angle control. Power components and circuit
breakers are tuned in such a manner that first the electronic is safe from short circuiting the
output, and second, a power spike of turning on halogen lamps would not trigger the circuit
breaker.
Electronic control
The digital control of the whole dimmer ensures error free operation. Changes in temperature
caused by different load situations cannot influence the dimmer characteristics. Before overheating
(e.g. from blocked fans) the dimmer alarms the operator and finally turns off. The control of
input voltage with automatic shutdown in case of wrong polarity or missing neutral, secures
your equipment against overvoltage. The soft start after powerfailure ensures the limiting for
115 volts before the dimmer switches on.
Dimmer noise
Special filter mounting and smart engineering of the housing with an interior chassis make sure
that there will hardly be any dimmer buzzing. With only 46 dBa at 1 m distance the MA 12 x
10 Amp dimmer can be installed virtually everywhere.
Heat control
When you dampen electronic waves you produce magnetic fields and heat. At a duty cycle of
12x 10 Amp inside a 3 unit 19" housing, the average loss of 3–4% corresponds to a medium sized
heating coil. In the MA dimmer the development of heat was reduced considerably by using
special coil core materials. The remaining heat is being dissipated by a powerful temperature
controlled fan through the front panel. Due to these features, the MA digital dimmer has 100%
duty cycle.
Attenuation
Phase-angle control produces technically caused harmonic waves, which might distort
other electronic equipment and are very undesired especially in audio applications.
The especially developed filters of the MA dimmers not only suppress these impulses
in the range controlled by law but especially in the audio range up to 20 KHz.
Although rise times are not the only measure to determine interference suppression, the
MA dimmer qualifies with its 300 µs till 80% and 500 µs till 100% (measured at 2
KW/ channel) as one of the market leaders.
65
Comfortable Operations
The large graphic display on the MA Digital Dimmer
lists all important status values and allows access
to numerous functions. Errors like broken lamps,
overvoltage or overheating are displayed
also by LEDs and a buzzer.
Status display
Diagrams show the actual values of the twelve channels. Loadcheck is shown in the display
and by LED. The DMX 512 input as well as the 3 phase power supply are monitored and
displayed continuously. In the event of wrong polarity or no neutral, the dimmer shuts
down and a buzzer comes on allowing you at least 30 minutes to correct the mistake.
Characteristics & Profiles
The characteristics of the single channels can be modified. The ‘Limit’-function allows limiting
the maximum brightness, for example, allowing single lower voltage equipment. Preheat
can be controlled individually per channel to increase the lifespan of your luminaires. Two
profiles can be graphically edited to suit individual fixtures so that equipment with no linear
brightness can be dimmed smoothly.
Memories
Even without a controlboard, the MA Digital Dimmer allows setting, storing and recalling of
scenes. The maximum of 12 scenes can also be played back as a sequence. In the sequence
as well as in single scene playback, the fade times are freely programmable. In the event
of DMX line interruption, one of the scenes or even the automatic sequence can be chosen
as spare programmes.
DMX-data
channel … – 25 – 26 – 27 – 28 – 29 – 30 – 31 – 32 – 33 – 34 – …
Single channel patch
DMX 512 has established itself as an international standard. Most
modern control boards use this handy format today.
To patch dimmers blockwise, the first dimmer channel will be addressed.
The other eleven channels will react to the following DMX channels.
Alternatively, the MA Digital Dimmer allows a free patch of single
channels so that for example several dimmers react to one DMX
channel. Compared to a softpatch in the controlboard, this method
saves DMX channels and allows free patching of spare channels.
DMX special mode
Since in large productions many channels are often used only as switch
channels, the MA dimmer offers a channel saving DMX special mode.
Only two DMX channels are used to control twelve switch channels.
The interpretation of always the upper 6 bit allows the programming
at the control board according to percentages. Each percent value
means a certain on-off combination.
66
DMX-data
binary
… –10001100
01110100–…
channel
… –––––– 12 –––––––––––––––––– 13 –––– …
Item-No. 140501
Item-No. 140512
Item-No. 140601
MA Digital Dimmer 12 x 2.3kVA
A rack-mountable Digital Dimmer unit in a 19“ 3U housing with 12 single dimmers
2300 VA. The rack is controlled by a high power micro controller with ‘time
processing-unit’ – digital adjusting of the ignition time of the phase control. All
data and stored memories are filed in the EEPROM. It is possible to change the
operating system via EPROM for later software upgrades. DMX control with single
channel or sequence patch, and hold or memory of the dimmer output data can be
selected in advanced in the event of DMX breakdown. Master/Slave connection
with other dimmers (e.g. in a dimmer rack) is possible. The dimmer is delivered with
mounted supply H07RN-F 5G 6 mm2, without plug.
MA Digital Dimmer 12 x 2.3kVA TV 3
A rack-mountable Digital Dimmer unit in a 19“
3U housing with 12 single dimmers 2300 VA
with special filter technology and a rise time of
330 µs between 10% and 90% at a phase angle
of 90°. Designed especially for TV studios, excellent
interference suppression can be guaranteed.
Further functions and equipment as the MA
Digital Dimmer 12 x 2.3kVA. The dimmer is
delivered with mounted supply H07RN-F 5G
6 mm2, without plug.
MA Digital Dimmer 12 x 2.3kVA FI
A rack-mountable Digital Dimmer unit in a 19“
3U housing with 12 single dimmers 2300 VA and
built-in RCD breaker rated at 30 mA mounted
on the front. Further functions and equipment
as the MA Digital Dimmer 12 x 2.3kVA. The
dimmer is delivered with mounted supply
H07RN-F 5G 6 mm2, without plug.
MA Digital Dimmer
12 x 2.3kVA - rear Harting
MA Digital Dimmer
12 x 2.3kVA - rear Socapex
MA Digital Dimmer
12 x 2.3kVA - rear Hotpatch
3700 VA for higher loads. Further functions and equipment as the MA Digital
Dimmer 12 x 2.3kVA. The dimmer is also available with integrated RCD breaker
rated at 30mA. Delivery includes mounted supply H07RN-F 5G 10 mm2, without
plug.
Item-No. 140504
5.7kVA for very high loads. Protection by one or two breakers. Further functions
and equipment as the MA Digital Dimmer 12 x 2.3kVA. Delivery includes mounted
supply H07RN-F 5G 10 mm2, without plug.
Item-No. 140508
5.7 kVA for very high loads. Protection by one or two breakers, also with built-in RCD
breaker rated at 30mA mounted on the front. Further functions and equipment as
the MA Digital Dimmer 12 x 2.3 kVA.Delivery includes mounted supply H07RN-F
5G 10 mm2, without plug.
Item-No. 140608
67
68
Digital Dimmer Rack
48 x 3.7kVA
Digital Dimmer Rack
48 x 2.3kVA
The MA 48 channel Dimmer rack is
equipped with four MA Digital Dimmer
units 12 x 3.7kVA each.
The MA 48 channel Dimmer rack
is equipped with four MA Digital
Dimmer units 12 x 2.3 kVA
This rack is equipped with 250A
Powerlock distribution, all required
RCD and mains breaker, a hotpatch
24/4 and 24/2 unit and 24 Harting
HAN 16E outputs and is delivered
completely wired and in full working
order. The dimmer units are protected
with 63A breakers per phase.
The special shock-proof case offers
optimal safety during transport.
Rollers are also mounted on the
rear for improved transportation.
The Major Hotpatch unit includes
test plug, constant current outputs
and desk lamp. The rack is delivered
with 4 x MA Digital Dimmer units
12 x 3.7kVA, 250A Powerlock
distribution, but excluding hotpatch cables.
This rack is equipped with 125A
Powerlock distribution, all required
RCD and mains breaker, a 48/2
hotpatch panel and 16 Harting
HAN 16E outputs and is delivered
completely wired and in full
working order. All dimmer units
are protected with 32A breakers
per phase. The special shock-proof
case offers optimal safety during
transport. Rollers are also
mounted on the rear for improved transportation. The rack is
delivered with 4 MA Digital
Dimmer units 12 x 2.3kVA, 125A
power distribution and includes
a desk lamp and drawer for
accessoires, but no hotpatch
cables.
MA Digital Dimmer Racks – Ordering Options
140803
MA Digital Dimmer Rack 24 x 2.3 kW
140853
MA Digital TV-Dimmer Rack 24 x 2.3 kW
140852
140804
140850
MA Digital Dimmer Rack 24 x 3.7 KW
140851
140854
Special dimmer racks are available on request.
The compact powerpack…
MA Dimmer
Racks
touring version
The MA Digital Dimmers are now being offered in touring Special custom-made dimmer racks are also available on
racks. The special sturdy MA dimmer racks are delivered with
two, three or four MA Digital Dimmer units of different capacities,
and are all equipped with an integrated power distribution (CEE
or Powerlock) including all required RCD and main circuit
breakers. For the touring version a hotpatch panel is integrated as
a standard feature. The dimmer racks are available in different
sizes from 24 x 2.3kVA up to 48 x 3.7kVA. 5.7kVA dimmers can
also be built-in to the racks.
request. Customers may also specify power outputs in the form
of Harting HAN16E, ICP/Socapex, CEE17 or Schukoplugs.
The whole system is rounded off by the excellent ABS cases for
optimum safety during transport and also with additional
heavy duty rollers on the back for ease of manoeuvrability.
All touring versions are equipped with Major Hotpatch units
complete with a test plug and desk lamps; the output panel can
also be equipped with constant current outputs.
Heavy Metal
Digital Dimmer Rack
36 x 2.3kVA
Digital Dimmer Rack
24 x 2.3kVA
The MA 36 channel space-saving
dimmer rack is built complete with
three Digital Dimmer units 12 x
2.3kVA RCD
The MA 24 channel dimmer
rack is equipped with two
Digital Dimmer units 12 x
2.3kVA
This rack is equipped with power
distribution with the required mains
breaker, a hotpatch panel 36/4 and
24 Harting HAN 16E sockets and is
delivered completely wired and in
full working order. All dimmer units
are protected with 32A breakers per
phase; and two additional plugs with
permanent power are available.
The special shock-proof case offers
optimal safety during transport.
Rollers are also mounted on the rear
for improved transportation. The
Major hotpatch panel includes a
test plug, constant current outputs
and a desk lamp. The rack is delivered
with three MA Digital Dimmer units
12 x 2.3 kVA RCD, 125 A power
distribution, but excludes hotpatch
cables.
This rack is equipped with
63A power distribution including all required RCD breakers, a 24/4 hotpatch panel
and 16 Harting HAN16E sokkets is delivered completely
wired and in full working
order. All dimmer units are
protected with 32A breakers
per phase. The special shockproof case offers optimal
safety during transport. The
dimmer rack is delivered
inclusive of 2 MA Digital
Dimmer units 12 x 2.3kVA,
63A power distribution, a desk
lamp and drawer for accessoires, but excludes hotpatch
cable.
Digital Dimmer Rack
24 x 2.3kVA TV
The MA 24 channel dimmer rack TV is equipped with two Digital Dimmer units 12 x
2.3kVA TV with special filter technology and a
rise time of 410 µs measured between 10%
and 90% at a phase angle of 90°.
Designed especially for use in TV studios, excellent interference suppression can be guaranteed.
This rack is equipped with 63A power distribution, but with 24 HAN 16 and 24 parallel
Schuko outputs and is delivered completely
wired and in full working order. All dimmer
units are protected with 32A breakers per
phase. The special shock-proof case offers
optimal safety during transport. The rack is
delivered with two Digital Dimmer units 12 x
2.3 kVA TV and 63 A power distribution.
69
Power Distribution Powerlock 250 A
All fuses and RCD breaker of the 19“ 10 U housing distribution are
placed on the front, whereas the four 63A CEE sockets are in the
middle of the back. The five Powerlock inputs as well as the five outputs with the necessary NH00 3x160A power isolating links are on
the back. The axial ventilation fan is placed on the side. The distribution is delivered without Powerlock socket.
Power Distribution 6 U/125 A
placed on the front, whereas the four 63A CEE sockets are in the
middle of the back. 3 of the four separate Schuko plugs are on the
front, the last on the rear. The four 32 A CEE sockets, the input for
the supply and an axial ventilation fan are also mounted on the
back. The distribution is delivered with a mounted 125A CEE sokket.
70
Give me…
MA Power Distributions
…built to last
In the concert touring business, lighting systems will be constantly They are equipped with RCD as standard and offer a specialised
set-up and broken-down and scanners and moving lights in
particular require reliable power distribution. As the factory
power compensation is not standard across all moving lights,
overloads may be caused. To avoid this and to provide the power
between dimmers and other units, power distributions need to be
used.
MA Lighting´s power distributions are able to fulfil these high
expectations.
Power Distribution, 3 U/63 A
All fuses and RCD breaker of the 19“ 3U housing distribution are
placed on the front where there is also a Schuko socket for constant
current, independent from the power outputs. The CEE sockets and
the input for the supply are mounted on the back. The distribution
is delivered with mounted 63 A CEE socket.,
MA Power Distributions – Ordering Options
140833
Power Distribution 63 A (2 x 32 A), 3 U,
with RCD and mains breaker
140809
with constant current and mains breaker
140826
with mains breaker
140828
140832
140837
with RCD and mains breaker
measuring system for determining all important parameters in a
symmetrical or asymmetrical electrical alternating current network.
All versions are equipped with outputs via 32A or 63A CEE 3P+N+
PE built-in sockets and all direct current connections for permanent
patch are protected separately.
A grounding screw is mounted on the back of the power distribution
units. All units include a mains breaker and a separate 30mA RCD
breaker for each output.
Power Distribution 3 U/125 A
placed on the front where there is also a Schuko socket for constant
current, independent from the power outputs. The CEE sockets and
the input for the supply are mounted on the back. The distribution
is delivered with mounted 125A CEE socket.
140815
with RCD and constant current
140814
140813
Power Distribution 160 A (4 x 32 A) Powerlock,
6 U, with RCD
140817
Power Distribution 250 A (In/Out on 4 x 63 A)
Powerlock, 10 U, with RCD
140818
Powerlock, 10 U, with mains breaker
140819
Powerlock, 10 U, with RCD and constant current
140820
Powerlock, 10 U, w. const. current and mains breaker
Further power distributions and options are available on request
71
Facts
Dimming
technical data
MA POWER DISTRIBUTIONS
Article
Description
140833
63 A
3 U,
with RCD
and
mains
breaker
140809
63 A
3 U,
with permanent
power
and
mains
breaker
140826
125 A
3 U,
with
mains
breaker
140828
125 A
3 U,
with permanent
power
and
mains
breaker
140832
125 A
3 U,
with permanent
power
and
mains
breaker
140837
125 A
6 U,
with
RCD and
mains
breaker
140815
125 A
6 U,
with
RCD and
permanent
power
140814
125 A
6 U,
with permanent
power
and
mains
breaker
140813
160 A
Powerlock,
6 U,
with RCD
140817
250 A
Powerlock,
10 U,
with RCD
140818
250 A
Powerlock,
10 U,
with
mains
breaker
140819
250 A
Powerlock,
10 U,
with RCD
and permanent
power
140820
250 A
Powerlock,
10 U,
with permanent
power
and
mains
breaker
160
250
250
250
250
•
•
•
•
•
•
•
•
•
250
250
250
250
Power
input
Powerlock (A)
CEE (A)
63
63
125
125
125
125
125
125
Circuit
isolator
Mains
breaker
•
•
•
•
•
•
•
Outputs
Powerlock (A)
160
CEE 63 A
via RCD
30mA
4
CEE 63 A
3
2
CEE 32 A 2
via RCD
30mA
CEE 32 A
4
4
2
3
1
1
1
4
4
4
4
4
MCB and
RCD
HAN 16
E permanent
power (6
circuits)
1
1
1
1
HAN 6 E
permanent
power (3
circuits)
72
Schuko
outputs
2
1
2
1
1
2
2
2
2
4
4
4
4
19’’
Housing
(U)
3
3
3
3
3
6
6
6
6
10
10
10
10
MA DIGITAL DIMMER and MA DIGITAL DIMMER with RCD
Article
Description
140501
12 x 2.3 kW
(Harting)
140512 TV3
12 x 2.3 kW
(Harting)
[140601 RCD]
[140612 RCD] [140602 RCD]
2.3
2,3
2.3
2.3
2.3
3.7
3.7
5.7
5.7
12
12
12
12
12
12
12
6
6
6
3
6
3
6
3
10
3
6
3
10
3
10
3
10
3
10
3
•
•
•
12
•
•
•
12
•
•
•
12
•
•
•
12
•
•
•
12
•
•
•
12
•
•
•
12
•
•
•
12
•
•
•
12
•
3
•
3
•
3
•
3
•
3
•
3
•
3
•
3
•
3
2
2
2
2
C25A
[63]
C25A
[63]
140502
12 x 2.3 kW
(Socapex)
140511
12 x 2.3 kW
120 V
(Socapex)
140503
12 x 2.3 kW
(Hotpatch)
140504
12 x 3.7 kW
(Harting)
140505
12 x 3.7 kW
(Socapex)
140508
6 x 5.7 kW
(Wieland)
140507
6 x 5.7 kW
(Wieland),
with 2-pole breakers
[140603 RCD] [140604 RCD] [140605 RCD] [140607 RCD] [140608 RCD]
Power
Power per
Channel (kVA)
Dimmer
Channels
Supply
Cable (mm2)
No. of phases
Control
DMX
Analogue
MIDI
Cues
Function
Non-dim
Curves
Outputs
Harting
HAN 16E
Socapex
Hotpatch
Harting HsB6
Schuko
Fuse
Rating
RCD (A)
2
2
2
2
2*12
C10A
[40]
C10A
[40]
C10A
[40]
C25A
C10A
[40]
C16A
[63]
C16A
[63]
MA DIGITAL DIMMER RACKS
Article
Description
140853
24 x 2.3 kVA »TV«
140852
36 x 2.3 kVA
140804
48 x 2.3 kVA
140850
24 x 3.7 kVA
140851
48 x 3.7 kVA
140854
12 x 5.7 kVA
2,3
2,3
2,3
3,7
3,7
5,7
24
36
48
24
48
12
63
63
63
125
125
4x
16
24
4x
24
2x
16
4x
16
140803
24 x 2.3 kVA
Power
Power per Channel 2,3
(kVA)
Channels
24
Inputs
Powerlock
CEE 17
Outputs
Hotpatch
HAN 16E
HsB6
Schuko
CEE 32A L+N+PE
Permanent Power
(Schuko)
RCD
Rack (U)
Accessories
(drawer)
Special
250
125
4x
16
12
24
2
1
3
4
2
4
12
1
32
13
•
11
32
15
32
24
•
63
11
63
26
63
11
interference
suppression 410µs
73
Live on stage
grandMA
key references
Theatres, Musicals, Plays
- Saturday Night Fever, Argentina
- Ben, Belgium
- Mamma Mia, Germany
-
Witches of Eastwick, Russia
My fair Lady, Spain
Peter Pan, Spain
Phantom of the Opera, Spain
Thoroughly Modern Millie, USA
Evita Open Air Theatre, Hungary
Teatro El Nacional, Argentina
Aarhus Theatre, Denmark
Finnish National Theatre, Finland
L'empire, France
Berliner Ensemble, Germany
Friedrichstadtpalast, Germany
Staatsschauspiel Dresden, Germany
-
Piacenza, Italy
National Theatre, Japan
Riksteatret, Norway
Casino Figueira da Foz, Portugal
Teatro da Cornucopia Lisboa, Portugal
Apollo Victoria Theatres, UK and USA
Palace Theatre, UK
EMP – Experience Music Project, USA
Disney Hyperion Theatre, USA
Martinus Concert Hall, Finland
Sydney Symphony Orchestra, Australia
Efteling Theatre, The Netherlands
and many more…
-
Al Jarreau, Germany
John Farnham, USA / Australia
Atomic Kitten, Germany
Scorpions, India
Meja, Japan
Natalie Cole, Germany
Toto, Germany
Nobel Peace Price Concert, Norway
Montreux Jazz Festival, Switzerland
and many more…
Nibelungenfestspiele, Worms; Germany; Lighting Design: Ulli Schneider; © Bettina Müller
Concert Touring
-
Bon Jovi World Tour
Maná World Tour
David Copperfield World Tour
Simple Minds World Tour
Bad Religion, Germany
Marla Glen, Germany
Avril Lavigne, USA
Eminem, USA / Japan
Kiss, Germany
Aerosmith, Germany
Bon Jovi World Tour; Lighting Design: Doug „Spike“ Brandt and JUSTIn Collie, Lighting Director: Patrick Brannon
TV, Studios, Shows
-
Idols, Netherlands
Hillsong Live 2002 DVD, Australia
ATN7 Telethon, Australia
Film shoot “Chicago”, Canada
Hunan TV, China
Nanjing Cable Television, China
Danish Television, Denmark
Danish TV 2, Denmark
SWR, HR, NDR, WDR, MDR,
ZDF, SR; Germany
-
French TV M6 Hit Machine, France
MMC Studios, Germany
RCTI TV Studio, Indonesia
Miyazaki BTV TV, Japan
TVI TV Station, Portugal
Spanish Television, Spain
Taipei Television, Taiwan
MTV, USA
QVC, USA
and many more…
Idols, Rotterdam; The Netherlands
Venues - Arenas - Museums Hotels
Arena AufSchalke, Gelsenkirchen; Germany
-
IMAX Cinema Vienna, Austria
TD Waterhouse Stadium, Canada
Hangzhou City Circus, China
Skoda Museum, Czech. Republic
Dansk Design Center, Denmark
Theatre academy of Finland, Finland
Internationales Congress Center
Munich, Germany
- Tempodrom, Germany
- Osaka Teikoku Hotel, Japan
- Icehockey Hall, Russia
- Palace of Republic, Minsk-Belarus
- Auditorium Stravinsky Congress,
Switzerland
- Waterman´s Arts Centre, UK
- Convention Center Washington, USA
- Madison Square Garden, USA
- Olympic Winter Games 2002, USA
- Youth Olympic Festival 2003, Australia
- South Pacific Games, Fiji
- WWF Café NYC, USA
- Skydome Toronto, Canada
- and many more…
MA Lighting
distribution
&
customer service
What we do
MA Lighting is not only producing and selling products,
they are also offering excellent support for solutions
of complex network systems. A prompt service and
worldwide distribution partners who are optimal
trained help that every customer is satisfied any time.
Training programs for the different products are very
important for MA Lighting.
In order to come up to the permanent more complex
possibilities of the technology qualified operators are
absolutely necessary. For all demands coming from
the market MA Lighting has created the grandMA
system certification. This certified advanced training,
a qualitaty standard, shall identify all grandMA users
and also includes their explicit employment.
More than 30 exclusive distribution partners worldwide are selling MA products. The link between
MA and all its distribution partners is based on long-term professional service contracts.
To round off the service and support activities and to ensure that all customers are kept upto-date MA provides lots of technical
information including operating
instruction, product details and the
latest software versions on the website: www.malighting.de.

grandMA

Transcription

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