Fine Art Auction - Masterpiece Auction House

Transcription

catalogue not for sale
Jakarta, 11 May 2014
Fine Art Auction
MASTERPIECE FINE ART AUCTION
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Fine Art Auction
Auction
Sunday, 11 May 2014
Luncheon : 11.30 am
Auction : 1.30 pm
Viewing
Friday, 9 May 2014
Saturday, 10 May 2014
11.00 am - 08.00 pm
Venue
MASTERPIECE Building
Tanah Abang IV No. 23-25
Jakarta Pusat - Indonesia
Tel: (62-21) 351 0808 (Hunting)
Fax: (62-21) 351 0707
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Published by:
MASTERPIECE
Auction House
PT. Dwi Samapersada
MASTERPIECE Building
Tanah Abang IV. No.23 - 25
Jakarta Pusat - Indonesia
Tel: (62-21) 351 0808 (Hunting)
Fax: (62-21) 351 0707
[email protected]
www.masterpiece-auction.com
Copyright @ 2014, Masterpiece Auction House
All right reserved. No part of this publication
may be reproduced, stored in a retriavel system, or
transmitted in anyform or by any means, electronic,
mechanical, photocopying or otherwise, without written
permission from the publisher.
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Important Notice
BRIEF ON CATALOGUE
All Lots are sold on an “as is” basis. The contents of catalogues produced by Masterpiece
formed statements of opinion only. Subject to the limited warranty given in the Conditions
of Sale for Buyers, no representation and warranty is made by Masterpiece or any seller of
a Lot in respect of anything, including without limitation, description, value, or quality.
Buyers are advised to inspect the property themselves. Masterpiece is not liable for any
error or omission in this catalogue. All descriptions of dimensions are approximate only.
CONDITION REPORTS
Condition reports are provided as a service to interested clients. Prospective buyers
should note that descriptions of property are not warranties and that each lot is sold
“as is”. Masterpiece catalogues sometimes include references to condition only
in descriptions of Lots such as prints, books and wine. Generally, no statement
of condition is given although they can be made available on request. Please
liaise with Masterpiece representatives for a condition report on a particular lot.
EXPLANATION OF CATALOGUING PRACTICE
For Pictures, Drawings, Prints and Miniatures.
Terms used in this catalogue have the meanings ascribed to them below:
Name(s) or Recognized Designation of an Artist without any Qualification in Masterpiece
opinion a work by the artist.
*”Attribute to…” In Masterpiece qualified opinion probably a work by the artist in whole
or in part.
*”Studio of..’/”Workshop of..” In Masterpiece qualified opinion a work executed in the
studio or workshop of the artist, possibly under his supervision.
*”Circle of..” In Masterpiece qualified opinion a work of the period of the artist and
showing his influence.
*”Follower of…” In Masterpiece qualified opinion a work executed in the artist’s style but
not necessarily by a pupil.
*”Manner of…” In Masterpiece qualified opinion a work executed in the artist’s style but
of a later date.
*”After…” In Masterpiece qualified opinion a copy (of any date) of a work of the artist.
*”Signed..”/”dated…”/“Inscribed…” In Masterpiece’s qualified opinion the work has been
signed/dated/inscribed by the artist.
“With signature…”/”With inscription…” In Masterpiece’s qualified opinion the signature/
inscription appears to be by hand other than that of the artist.
*With date…” In Masterpiece’s qualified opinion the date on the item was not executed
on that date.
BIDDING
The Auctioneer accepts bids from those present in the saleroom, from telephone bidders, or by
absentee written bids left with Masterpiece in advance of the auction. Bidding will be done in
Rupiah (Rp.). The auctioneer will not specifically identify bids placed on behalf of the consignor.
3.
BIDDING INCREMENTS
The auctioneer will normally start with bids below the low estimate and may at his own
discretion increase bids. The standard increments are:Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
Rp.
1.000.000 10.000.000
20.000.000
50.000.000
100.000.000
200.000.000
500.000.000 1.000.000.000
-
-
-
-
-
-
-
-
Rp. 10.000.000
by Rp. 500.000
Rp. 20.000.000
by Rp. 1.000.000
Rp. 50.000.000
by Rp. 2.000.000
Rp. 100.000.000 by Rp. 5.000.000
Rp. 200.000.000 by Rp. 10.000.000
Rp. 500.000.000 by Rp. 20.000.000
Rp. 1.000.000.000 by Rp. 50.000.000
above by the auctioneer’s direction.
ABSENTEE BIDS
Absentee bids are written instructions from prospective buyers directing Masterpiece
to bid on their behalf up to a maximum amount specified for each lot. Masterpiece
staff will attempt to execute an absentee bid at the lowest possible price taking into
account the reserve price. If identical bids are received from two or more parties, the
first bid received by Masterpiece will take priority. The auctioneer may execute absentee
bids directly from the rostrum. Absentee Bids Forms are available in this catalogue.
Absentee bids submitted on “no-reserve” lots will, in the absence of a higher bid, be
executed at the amount of the bid.
4.
TELEPHONE BIDS
Prospective buyers may bid by telephone during the course of the auction.
Arrangements for this service must be confirmed with the Bid Department at
least 2 hours prior to the auction. Telephone bids may be recorded. By bidding on
the telephone, prospective buyers consent to the recording their conversation.
Masterpiece will not be responsible for errors of failures to execute bids.
SUCCESSFULL BIDS
The fall of the auctioneer’s hammer indicates the final bid, at which time, the buyer
assumes full responsibility for the lot.
AUCTION RESULTS
You may view auction results at www.masterpiece-auction.com
CONDITIONS OF SALE FOR BUYERS
Together with the terms as set out in “INFORMATION FOR BUYERS”, These Conditions contain
all terms in which a buyer contracts with a seller in respect of the sale of a Lot. These terms
may be amended at any time by way of notices or oral announcements during the sale and
auction. The buyer agrees to be bound by these Conditions when he/she bids to purchase a Lot.
1. Meanings
In these terms and conditions, the following words and expressions have the
following meanings:
“Buyer” means the successful bidding buyer of a Lot;
INFORMATION FOR BUYERS
CONDITIONS OF SALE
Masterpiece CONDITIONS OF SALE FOR BUYERS governs the terms and conditions of
contract between the buyer and the seller of a lot and is set out later in this catalogue.
Persons who have been registered as bidders will be deemed to have read and be fully
aware of and subject to the terms as stated in the CONDITIONS OF SALE FOR BUYERS..
No reliance should be placed on oral representations made by any person at the auction.
“Catalogue” means the Catalogue prepared by Masterpiece which describes and
illustrates all Lots for sale by Masterpiece;
“Conditions” means these terms and conditions;
“Hammer Price” means the price at which a Lot is sold to Buyer;
“Lot” means each piece of property as described in the Catalogue for which bids are
invited for purchase;
“Masterpiece”, “our”, “we”, “us” means PT. Dwi Samapersada;
ESTIMATES
Estimates are based upon prices recently paid at auction for comparable property,
condition, rarity, quality and provenance. Estimates are subject to revision. Buyers should
not rely upon estimates as prediction of actual selling prices. Estimates do not include
the buyer’s premium. For estimate on request, please contact us for further information.
“Reserve Price” means in respect of a Lot, the minimum price which the Seller is
prepared to accept from a buyer;
RESERVES
The reserve is the confidential minimum price the consignor will accept. The reserve will
not normally exceed the low estimate.
“Rp” means the lawful currency of Indonesia.
BUYERS PREMIUM
Masterpiece charges a premium to the buyer on the final bid price of each lot sold at 22%
(twenty two percent).
VIEWING/ADMISSION
Pre-auction viewings are open to the public and free of charge. Buyers are strongly
advised to examine the lots thoroughly, Condition reports are available. Masterpiece
reserves the right to refuse admission and participation in its auctions.
REGISTRATION
Prospective buyers need to register for a numbered bidding paddle. Details of bank
accounts are required for credit reference purposes.
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“Seller”, means in respect of a particular Lot, the seller of that Lot and his personal
representatives;
Except where the context otherwise requires, words importing the singular shall include
the plural and vice versa, words importing any one gender shall include all genders, and
words importing persons shall include companies and corporations and vice versa. Unless
otherwise stated, references to Clauses are references to Clauses in these Conditions.
The headings appearing in this Agreement are inserted for ease of reference only and
shall in no way define, limit or construe the terms and conditions appearing herein.
2. Parties to the sale of a Lot
Unless otherwise stated, a Buyer contracts with a Seller to purchase a Lot.
Masterpiece acts as the Seller’s agent in respect of the sale of a Lot.
5.
(a)
(b)
(c)
(d)
(e)
(f)
(a)
(b)
(c)
(d)
(e)
(f)
Bidding
Registering. Prospective buyers are required to register for a numbered bidding paddle. Copies of bank accounts may be required to be shown to Masterpiece for credit references and/or payment purposes.
Reserve. Unless otherwise stated, all Lots are offered for sale, subject to a Reserve Price which is confidential between the Seller and Masterpiece. Bids may be placed by representatives of Masterpiece on behalf of the Seller up to the Reserve Price. There is no obligation on Masterpiece to identify bids placed on behalf of a Seller.
Types of bids. Bids may be accepted from those present at the auction and from telephone bidders, or by absentee written bids left with Masterpiece prior to the auction. By bidding by telephone, all prospective buyers consent to the recording of all conversation and bids.
Currency. Prices of all Lots are in Rupiah and all bids shall be made in Rupiah.
Final bid. The fall of the auctioneer’s hammer indicates acceptance of the final bid, at which time the Buyer enters into a full valid and binding contract with the Seller to purchase the Lot. The results of absentee bids will be notified to the prospective buyer after the auction. Risk and responsibility of the Lot (but not title) pass to the Buyer seven calendar days from the date of the sale or earlier if full payment is made and delivery made to the Buyer.
Buyer’s responsibility. When bidding, a prospective buyer accepts personal
responsibility to pay the Hammer Price of the Lot for which he bids if he is
successful, together with the premium price of 22% (twenty two percent) of the hammer price.
Limited warranty
No warranty. Neither the Seller nor Masterpiece makes any warranty in respect
of the description of any Lot, its value or its quality. Save for the limited warranty set out in this Clause 4(b) below, the Buyer purchases a Lot “as is” without any representation or warranty of any kind by Masterpiece or the Seller. The contents of the Catalogue are statements of opinion only and do not constitute any representation or warranty whatsoever in respect of any Lot.
Limited warranty. The Seller and Masterpiece only warrant that the Lot is related to the artist named in its description in the Catalogue. In the event of any allegation of lack of authenticity or forgery, the Buyer is required to notify Masterpiece in writing within a period of one year (the “Notice”) from the date of auction.
Contents of Notice. The Notice shall include written evidence from a reputable independent expert who is able to show that the Lot is a forgery. Masterpiece or the Seller reserves the right to request for further evidential proof from other experts if in their respective opinions either of them is not satisfied with the finding of the Buyer’s expert.
Refund. In the event that Masterpiece is satisfied with the evidence as enclosed in the Notice and subject to (i) receipt of the full refund from the Seller and (ii) the return of the Lot in such condition as it was sold, a refund of the purchase price for that Lot will be made to the Buyer. The liability of Masterpiece and the Seller is limited to the purchase price of such Lot. Neither Masterpiece nor the Seller shall be liable for any other damages, costs and expenses that may be incurred in presenting the Notice.
Conflict of opinion. In the event of conflict of opinion between the Buyer’s expert and the expert appointed by Masterpiece or the Seller, or if it can be shown that tests of authenticity would involve scientific process which could damage or otherwise jeopardize the condition of the Lot and which scientific process did not exist at the time of the publication of the Catalogue, no refund will be made of the affected Lot.
No assignment of Limited Warranty. The Limited Warranty in this Clause 4 is for the benefit of the Buyer only and cannot be assigned to any third party.
6.Non-payment
Where a Buyer fails to make payment with cleared funds within the stipulated
time, Masterpiece and/or the Seller shall be entitled, in addition to all other rights
and remedies available under the law, to :(a) charge default interest at the rate of 1.5% per month on the outstanding sums due from the Buyer;
(b) to commence legal proceedings against the Buyer for recovery of all outstanding sums, including interest, legal fees, costs and other expenses on a full indemnity basis;
(c) rescind the sale of the Lot;
(d) to resell the property on such terms as they deem fit and to set-off the proceeds of sale against the outstanding sums unpaid by the Buyer;
(e) to hold the Lot as security; pledge or lien pending payment of all outstanding sums due from the Buyer.
7.Copyright
The copyright in all images, illustrations and literature, including the Catalogue is the property of Masterpiece and shall not be used by the Buyer without the prior written consent of Masterpiece. No warranty is made by Masterpiece and the Seller that the Buyer of a Lot shall acquire any intellectual property rights in it or to reproduce it.
8.Miscellaneous
(a) Notwithstanding anything stated in these Conditions, the Buyer shall indemnify Masterpiece and the Seller on a full indemnity basis, in respect of any loss,
damage, cost or expense that may be incurred by either the Seller or Masterpiece in respect of any breach by the Buyer of these Conditions.
(b) If any part of this agreement is found by any courts to be invalid, illegal or unenforceable, that part may be discounted and the rest of the agreement shall continue to be valid and enforceable to the fullest extent permitted by law.
(c) Masterpiece will hold Buyer’s personal data and may communicate it to
affiliated companies worldwide for the purposes of enabling the Buyer to consign or purchase property or services and, unless the Buyer objects, advising of forthcoming sales, events and service.
(d) These Conditions are subject to Indonesia law, which shall apply to its construction as well as to its effect.
(e) Where a translation of this agreement has been provided, the English
language version shall prevail in case of conflict.
Payment, Title and Collection of purchases
(a) Deadline for payment. All payments for sold Lots must be made within seven
calendar days from the date of sale.
(b) Title. No title in the Lot will pass to the Buyer until all amounts due to Masterpiece as stated in Clause 3(f) above have been paid, even in circumstances where Masterpiece has released the Lot to the Buyer before full payment has been made.
(c) Payment modes. Payments must be in Rupiah and may be made in the following modes:
(i) telegraphic transfer to Masterpiece’s bank account. Please include the Buyer’s name and invoice number in the bank instructions.
(ii) By way of bankers’ draft or cashier’s order made payable to
“PT. Dwi Samapersada.”.
(d) Collection. The Buyer is required to collect his purchase from the premises of Masterpiece and pay for all delivery and shipping costs. Masterpiece may assist the Buyer in making packing and shipping arrangements at the Buyer’s own costs and risk.
(e) Storage charges. All purchases will initially be held for collection at the premises of Masterpiece at no charge for a period of fourteen days from the date of sale. Subsequently Masterpiece will charge the Buyer storage charges at the rate of Rp. 50.000,- a day per Lot, together with all other transport, handling, removal, insurance and other expenses where a Lot is transported to another location pending collection.
(f)
Limit on insurance cover. Masterpiece provides general insurance cover for sold
Lots for a period of up to seven days from the date of sale of such Lots. Subsequently,
risk of such Lots will transfer to the respective Buyers.
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001
ARIE SMIT
(Zaandam, the Netherlands, 1916)
Ke Pura, 1990
002
GERARD PIETER ADOLFS
(Semarang, 1899 – The Netherlands, 1968)
The Farmer
Acrylic on paper: 25 x 32 cm
Signed and dated lower left: Arie Smit,90
Watercolor on paper: 60 x 40 cm
Signed, lower left: Adolfs
RP 45.000.000 – 60.000.000
USD 4,100 – 5,500
RP 25.000.000 – 35.000.000
USD 2,300 – 3,200
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MASTERPIECE
MASTERPIECE
FINE
FINE
ARTART
AUCTION
AUCTION 11 11
Gerard Pieter Adolfs
Gerard Pieter Adolfs was born 2 January 1898 in Semarang,
Central-Java. He was a Dutch East Indies painter and
architect. He was already well-known as a talented advertising
illustrator, when in 1924 he was first introduced to the public
of Yogyakarta as a painter, water-colourist and graphic artist.
Each year Adolfs travelled for a few months. He had studios
in Florence, Rome, Vienna, Budapest, prag and - together
with his Japanese friend Léonard Tsuguharu Fujita - in Paris
and exhibited his works of art internationally (Netherlands
Indies, Japan, Singapore, USA, England, Holland, Sweden,
Norway, France, and Switzerland.
In his works he has always attempted to represent the light,
colour and the simple joy of life that impregnates the native
scenes of the East. As can be seen from the works reproduced,
he has a bold, vigorous style, applying his pigments with quick
strokes of the palette knife. The main subjects of his works
are scenes of Java, Bali, Japan (market sceneries, cockfights,
landscapes and townscapes) and of North Africa.
003
(Semarang, 1899 – The Netherlands,
1968)
Markt Toneel, 1951
Oil on canvas: 45 x 60 cm
Signed, lower left: GP. Adolfs
Signed and dated on the reverse
RP 220.000.000 – 300.000.000
USD 20,000 – 27,300
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004
RUSTAMADJI
(Surabaya, 1932 – 1990)
Gadis Bali, 1976
005
DADANG CHRISTANTO
(Tegal, 1957)
Head Blue White, 2008
Oil on canvas: 48,5 x 40 cm
Signed, lower right: Rustamadji, 1976
Mixed media canvas: 110 x 135 cm
RP 15.000.000 - 20.000.000
USD 1,400 - 1,800
RP 80.000.000 – 120.000.000
USD 7,300 – 10,900
15
Basoeki Abdullah
Basoeki Abdullah started painting since he was 5 years old in simple drawing, and at 10 he
traveled to Surabaya and Bali where he started portrait painting. During 1933, he held his first
exhibition in Bandung. He brought his painting to RMP. Sosrokartono, RA. Kartini’s brother,
who was very impressed on Basoeki’s painting. Sosrokartono and Prince of Mangkunegoro VII
became the person who greatly supported his painting career until Basoeki become a famous
painter. During that time he continued his study at Academia van Beeldende Kunsten in the
Hague, the Netherlands.
Basoeki Abdullah is one of the most prominent Indonesian maestros in portrait paintings. The
late artist was well-known for his realistic paintings. Besides painting of natural beauty and
sensuous landscape, he is also noted for his portraits of beautiful women, as well as paintings of
scenes from legends that are also tempered with the same lyrical and overly sensual treatment.
His great fond of paintings women’s figure perhaps derived from his great interest in exploring
the beauty of women that is attractive to paint in any way. The artist gain the public recognition
after winning a painting competition held in conjunction with the Netherland's Queen Juliana
ascension to throne on 6 September 1948.
006
BASOEKI ABDULLAH
(Solo, 1915 – Jakarta, 1993)
Lady With Kebaya, 1967
Signed and dated, lower left:
Basoeki Abdullah 67
RP 60.000.000 – 80.000.000
USD 5,500 – 7,300
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007
HARIJADI SUMADIDJAJA
(Kutoarjo, 1921 - 1997)
Bungaku, 1970
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008
I MADE DJIRNA
(Ubud, 1957)
Kuda - kudaan, 2011
Signed and dated, upper right:
Harijadi S, Djak 15 Juli 1970
Provenance: Private Collection, Jakarta
Mixed media on canvas : 140 x 200 cm
Signed and dated, lower right: Djirna, 2011
Signed, titled and dated on the reverse
RP 50.000.000 – 70.000.000
USD 4,500 – 6,400
RP 65.000.000 – 80.000.000
USD 5,900 – 7,300
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Arie Smit
Arie Smit came to Indonesia in 1950s and to Bali in 1956. In Bali he moved one place
to another, including Denpasar, Ubud and Buleleng, in his pursuit of natural beauty of
Bali which he poured it all in his paintings.
Arie Smit is an artist who loves natural beauty and Balinese culture in the form of
imaginative painting, painting that express the pure soul of an adventurer, a natural
devotee of tropical sunlight. Nature provides Arie Smit with a tremendous amount of
energy that serves as the driving force for his exploration. In his works, Arie portraits
his deep admiration for the beauty of Bali, its mountains, palm trees, rice terraces,
the life of the farmers and particularly, the local spiritual life. Life on the island is
perpetual rich with rituals. Arie’s painting show breath-taking landscapes, relaxing
youths, colourful tropical gardens, glittering seascapes, and quiet temples that evoke
a sense of wander.
009
ARIE SMIT
(Zaandam, the Netherlands, 1916)
Pura di Taman, 1986
Acrylic on canvas: 87 x 74 cm
Signed and dated lower right: Arie Smit, Bali 86
RP 290.000.000 – 400.000.000
USD 26,400 – 36,400
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21
Roedyat Martadiredja
Roedyat was born in Bandung, 1932. He began to learn painting
in 1948 and later continued his study at the Bandung Institute of
Technology. In 1978 he performed his solo exhibition in Honolulu,
Hawaii in 1988. Although abstract style was a dominant stream
in Bandung, Roedyat was one of the Bandung School artists who
work in a figurative style. He had an individual painting style
which makes him different from other Bandung Artist. His works
had deformation tendencies with soft tertiary colors and also
complicated but well thought-out compositions. He performed
his solo exhibition in Jakarta (1978) and was included in the EastWest Center’s Art of Bali exhibition in Honolulu, Hawaii (1988).
His works are unique, rich and colorful that creates a strong
rhythm. His works are in private collections of European and the
United States.
010
ROEDYAT MARTADIREDJA
(Bandung, 1932 – 2002)
Ika Dasa Ludra, 1979
Signed, title and dated, lower right:
Roedyat 79, Bali, Ika Dasa Ludra
RP 150.000.000 – 200.000.000
USD 13,600 – 18,200
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012
IB. SAID
(Malang, 1935)
Jembatan Tiga, 1990
Signed and dated, lower left: IB. Said 1990
RP 6.000.000 – 9.000.000
USD 500 – 800
013
FREDERICK ANTON KIEVITS
(Bogor, West Java, 1887 – The Hague, 1951)
The Lake
Signed, lower right: FA. Kievits
RP 12.000.000 – 15.000.000
USD 1,100 – 1,400
014
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Prosperity Guilin Valley, 2011
011
WILHEMUS JEAN FREDERIC IMANDT
(St. Jansteen, The Netherlands, 1882 – 1967)
Blue Sea
Signed, lower right: Imandt
Provenance:
The collection of the late Mrs. H. O. Loebis
Signed and dated lower left: Erica, 2011
This lot is accompanied with certificate
of authenticity from the artist
RP 12.000.000 – 20.000.000
USD 1,100 – 1,800
RP 15.000.000 – 20.000.000
USD 1,400 – 1,800
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015
ADRIEN JEAN LE MAYEUR DE MERPRES
(Brussel, 1880 – 1958)
Canal Scene
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016
ROEDYAT MARTADIREDJA
(Bandung, 1932 – 2002)
Kampung
Mixed media on paper: 45 x 60 cm
Authenticity of the work was
inscribed on the reverse
Signed, lower right: Roedyat
RP 70.000.000 – 80.000.000
USD 6,400 – 7,300
RP 50.000.000 – 70.000.000
USD 4,500 – 6,400
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018
JOVITO ANDRES
(Philippines, 14 December 1966)
Mother and Daughter, 2007
Signed and dated, lower right: Jovito. 07
RP 10.000.000 – 15.000.000
USD 900 – 1,400
019
JOSEPHINE LINGGAR
(Jember, East Java, 1943)
Woman With Cigar, 2013
017
RUSTAMADJI
(Surabaya, 1932 – 1990)
Nenek,1973
Signed and dated, lower right:
Josephine, 2013
RP 55.000.000 – 70.000.000
USD 5,000 – 6,400
Rustamadji, 1973
Provenance:
The collection of the late
Mrs. H. O. Loebis
RP 30.000.000 – 40.000.000
USD 2,700 – 3,600
28
29
Fx Harsono
I know church bells interfere mosque drums
And may distract Moslem’s prayer;
I know to sing out our hymns
While a Moslem brother earnestly
recites holy Koran is appropriate;
I understand that when Moslem’s
call for prayer is heard
A preacher’s sermon is improper
So to commemorate
The birth of Jesus Christ
I took your advice
Find a quiet place
To celebrate the Christmas
Within a Christian circle
Services require church buildings
Offerings require altars
Priests need pulpits
Ritual require heavenly music
And many holy hollered hallelujahs.
I flew to Tapanuli, I bid you goodbye
See you again in the coming New Year …
At noontime and all so unexpectedly,
Awake all night long, the tele-image so violent
Even when Nativity’s light triumphs over darkness
You were lost, nowhere to found
Dear friend, my brother
You walked out on me when
You once ushered me.
Now gone for good. For good
You saw me off to festivity
And took all the suffering.
Lord, for who is thy kingdom on earth and in heaven,
If not for him and me.
Dear friend, do we really part
Separated by religious beliefs?
020
FX HARSONO
(Blitar, 1949)
Perpisahan
Digital print:100 x 180 cm
RP 80.000.000 – 100.000.000
USD 7,300 – 9,100
30
31
023
FAIZIN
(Banyuwangi, 1973)
Di Mabok Cinta Berjuta Rasa...
Gelisah Rasa Mengharapkannya..akankah Nyata..?
Title, lower left
RP 6.000.000 – 9.000.000
USD 500 – 800
021
ABDI SETIAWAN
(Sicincin, Sumatra, 1971)
Es Cream ed. 1/3, 2008
Fiberglass: 118 x 23 x 36 cm
Signed and dated, lower area:
Abdi S. 2008, 1/3
RP 35.000.000 – 50.000.000
USD 3,200 – 4,500
022
OTTO DJAYA
(Rangkas Bitung, West java, 1916 - 2002)
Pasar, 1997
Signed and dated, lower right: Otto Djaya, 1997
RP 15.000.000 – 20.000.000
USD 1,400 – 1,800
024
AGUS RIYADI
(Sleman, Yogyakarta, 1979)
Ultah 64 Negriku, 2009
Signed and dated, lower right: Agus Riyadi, 2010
RP 15.000.000 - 20.000.000
USD 1,400 - 1,800
025
PRATOMO SUGENG
(Ponorogo, East Java, 1946)
Menoleh, 2003
Pratomo Sugeng, JKT.03
RP 11.000.000 – 15.000.000
USD 1,000 – 1,400
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33
026
AHMAD SYAHBANDI
(Palembang, 1968)
Nyanyian Alam, 2012
Ahmad Syahbandi, 2012
RP 15.000.000 – 20.000.000
USD 1,400 – 1,800
027
ZULFA HENDRA
(Bukittinggi, West Sumatra, 1973)
Seri Ikan 9, 2006
Zulfa Hendra.06
RP 25.000.000 – 35.000.000
USD 2,300 – 3,200
028
UGY SUGIARTO
(Wonosobo, 1969)
The Power of Love, 2010
Signed and dated, lower left: Ugy10
RP 40.000.000 – 60.000.000
USD 3,600 – 5,500
34 34MASTERPIECE
MASTERPIECE
FINE
FINE
ARTART
AUCTION
AUCTION
35
030
DIPO ANDY
(Sumbawa, 1975)
Seri Bola II, 2002
Signed and dated, upper right:
Dipo Andy, 2002
RP 30.000.000 – 40.000.000
USD 2,700 – 3,600
031
ANANG ASMARA
(Yogyakarta, 1974)
Poligami, 2007
Signed, lower right: Anang Asmara
of authenticity from the SriSasanti Gallery
RP 12.000.000 – 20.000.000
USD 1,100 – 1,800
029
NYOMAN GUNARSA
(Klungkung, 1944)
Penari Bali, 1989
Signed and dated, lower right: 1989
RP 65.000.000 – 90.000.000
USD 5,900 – 8,200
36
37
M. Irfan
Mohammad Irfan, who is often called as M.
Irfan, is a painter who was born in Bukittinggi,
in 19 October 1972. He is regarded as one of
the best-selling Indonesian visual artists in the
contemporary art world. His works are being
pursued by collectors and are often appearing
in auction houses. His paintings are mostly huge
in size. They portray trains, railways, and fumes
which give a sense of darkness.
In his recent series of paintings Irfan try to talk
about dreams, hopes, ideas and also the struggle
of his family. Irfan is an artist that does not like
to involve himself in great or political issues. He
feels that they are simply beyond his capacity
and interests. For him perceiving petty objects
around him is more interesting. The image of
ship on the ocean is perhaps Irfan’s personal
message that contained his dreams, hopes and
ideas.
032
M. IRFAN
(Bukittinggi, West Sumatra 1972)
Armada, 2014
Signed and dated, lower left: Irfan, 2013
RP 300.000.000 – 400.000.000
USD 27,300 – 36,400
38
39
033
CATUR BINA PRASETYO
(Wonogiri, 1972)
Freeday, 2010
Acrylic on canvas: x cm
Signed, title and dated, lower right:
Catoer Binaprasetyo “Freeday” 2010
RP 15.000.000 – 20.000.000
USD 1,400 – 1,800
034
KABOEL SUADI
(Cirebon, 1935- 2010)
Tangkuban Perahu, 1962
Signed and dated, lower right: Kaboel S 62
RP 35.000.000 – 45.000.000
USD 3,200 – 4,100
036
RUSLI
(Medan, 1912 – Jakarta 2005)
Pelabuhan, 1982
Signed and dated, lower right: Rusli, 15 April 82
RP 60.000.000 – 80.000.000
USD 5,500 – 7,300
037
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
The Famous Red Trojan, 2014
Signed and dated lower right: Erica, 2014
RP 18.000.000 – 25.000.000
USD 1,600 – 2,300
035
HARLIM
(Bandung, 1945)
Pasar
Signed, lower right: Harlim
RP 7.000.000 – 10.000.000
USD 600 – 900
40
41
038
ALIT SEMBODO
(Magelang, 1973 – 2003)
Untitled, 1994
Alit Sembodo, 94
RP 80.000.000 – 100.000.000
USD 7,300 – 9,100
039
DIPO ANDY
(Sumbawa, 1975)
Discobolos, 2004
Dipo Andy, 2004
RP 50.000.000 – 60.000.000
USD 4,500 – 5,500
040
JEIHAN SUKMANTORO
(Solo, 1938)
Ujang, 1986
Acrylic on canvas : 140 x 100 cm
Signed and dated, lower left: Jeihan, 86
RP 40.000.000 – 60.000.000
USD 3,600 – 5,500
42
43
R.E. Hartanto
Born in Bandung, 1973. R.E. Hartanto is an Indonesian artist, currently living and
working in Bandung, Indonesia. He is known for his provocative portraitures that
narrate stories of contemporary social political issues that are prevalent in our society.
From 1992 – 1998, he studied at Fine Art Departement, Faculty of Fine Art & Design,
Bandung Institute of Technology, majoring painting. He also took his formal education
at Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands (2001-2002).
He participated in many Artist-in-Residence & Workshop programs. His latests solo
exhibitions were “7 Bandung Artists Drawing Exhibition” Common Room, Bandung
(2004) and “Unseen Wounds” Koong Gallery, Jakarta (2000). He also has participated
in several group exhibitions such as in Bandung, Jakarta, Magelang and Singapore.
His works are an experiment which tries to explore area between memory, stimuli,
perception, projection, response and experience that involves them all. His portraits
capture vivid facial expressions of his subjects - some are locked in cryptic suspicion
while others are in a state of shock at unknown sources from beyond the drawing
board. Underlying these unsettled portrayals is the artist’s reflection on disconnection
in contemporary society which triggers and perpetuates these anxieties.
041
R.E. HARTANTO
(Bandung, 1973)
Pieta
RP 70.000.000 – 90.000.000
USD 6,400 – 8,200
44
45
042
HARLIM
(Bandung, 1945)
Pemandangan Bawah Laut
Signed, lower left: Harlim
RP 9.000.000 – 15.000.000
USD 800 – 1,400
043
LEO ELAND
(Java, 1884 – 1952)
Going Home
Oil on board: 40 x 52 cm
Signed, lower left: L. Eland
RP 20.000.000 –30.000.000
USD 1,800 – 2,700
044
RADEN SOEKARDJI
(1880 – 1950)
Air Terjun
46
045
JEIHAN SUKMANTORO
(Solo, 1938)
Kusuma Aditya ( Bunga Matahari), 1985
Signed, lower left : Soekardji
Oil on canvas : 140 x 200 cm
Signed and dated, lower right: Jeihan, 85
Signed and titled on the reverse
RP 6.000.000 – 8.000.000
USD 500 – 700
RP 50.000.000 – 70.000.000
USD 4,500 – 6,400
47
48
046
DIPO ANDY
(Sumbawa, 1975)
How Are Mr. Blue Blood, 2002
047
A. HADI MAS’UD
(Surabaya, 1966)
Kita Serahkan Pada Hukum Yang Berlaku, 2003
Signed and dated, upper left:
Dipo Andy, 2002
2.13.03. Hadi Masoed
RP 70.000.000 – 90.000.000
USD 6,400 – 8,200
RP 20.000.000 – 30.000.000
USD 1,800 – 2,700
“We rely on the stated law” is an expression of hope about
the fair judgments in law. This is a question about the quality
of justice in our country. But, sometimes people are just
got the image that there will only little hope that justice will
emerge. How ironic!
49
048
I MADE SUKADANA
(Amlapura, Bali, 1966)
Bima Kroda, 2000
Sukadana, 2000
RP 35.000.000 – 45.000.000
USD 3,200 – 4,100
049
ABAS ALIBASYAH
(Purwakarta, 1928)
Wajah Misterius, 1962
Signed, lower right: Abas
This lot is accompanied with a photograph
of the artist with the painting
RP 16.000.000 – 20.000.000
USD 1,500 – 1,800
050
I MADE WIANTA
(Apuan, Bali, 1949)
Calligraphy Abstraction 2, 2008
Oil, acrylic on Fragrance on canvas: 119 x 244 cm
Signed and dated, lower right: Wianta, 2008
RP 20.000.000 – 30.000.000
USD 1,800 – 2,700
051
KRIJONO
(Jakarta, 1951 - 2011)
Arwana Yang Bagus Banget, 2004
Signed, titled and dated, lower left:
2004, Arwana Yang Bagus Banget, Jkt, Krijono
RP 80.000.000 – 90.000.000
USD 7,300 – 8,200
50
51
Lee Man Fong
He was born in Canton, China, 1913. He arrived at Singapore at young age
then later moved to Jakarta. He has shown great artistic talent since young.
He participated in the Association’s First Art Exhibition invited by the head
of the Dutch East Indies Associations (1931). Lee Man Fong was a successful
commercial artist before engaged in full time painting in 1941. His successful
exhibitions in Bandung and Jakarta made him a fast growing artist at that time.
He received scholarship from the Dutch government to study painting in
Holland (1946). In 1952 he returned to Indonesia and gained more credits
as well as acknowledgement. He was officially become a presidential palace’s
painter and chief curators of its collection in 1961 and compiled a 5 volume
edition of President Sukarno’s art collection. He died in 1988 and remembered
as a western vigorous painter and an oriental unique oil painting painter.
One exceptional aspect of Lee’s art was his great intense in creating a personal
expression through observation of life and nature surrounds him. He was
refused to be ‘modern’ simply to be ‘fashionable’. His composition in Chinese
painting is dominantly with a balance between substance and void, light and
darkness, bright color and subdued tones. Lee was passionate and energetic
in describing his world – street vendors of Jakarta, Malaysian fishing villages,
Balinese processions, and a wide range of animals he personally observed. This
characteristic perhaps sums up the unique feature of Lee Man Fong’s art.
052
LEE MAN FONG
(Canton, China 1913 – Singapore 1988)
Scenery
Signed and stamped in chinese character, lower right
RP 1.100.000.000 - 1.500.000.000
USD 100,000 - 136,400
52
53
054
DADANG RUKMANA
(Bandung, 1964)
Strawberry Lips, 2009
Signed and dated, lower left: Dadang R, 2009
RP 20.000.000 - 30.000.000
USD 1,800 - 2,700
055
WARDOYO
(Banyumas, 1935)
Pemain Siter, 1994
Signed and dated, lower left: Wardoyo’94
053
UGY SUGIARTO
(Wonosobo, 1969)
Serenity, 2010
RP 28.000.000 - 35.000.000
USD 2,500 - 3,200
Signed and dated, lower left: Ugy’10
RP 60.000.000 - 80.000.000
USD 5,500 - 7,300
54
55
058
AGUS RIYADI
(Sleman, Yogyakarta, 1979)
Untitled , 2010
Signed and dated, lower left: Agus Riyadi, 2010
RP 15.000.000 - 20.000.000
USD 1,400 - 1,800
056
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Picnic With All Friends, 2011
Signed and dated, lower middle: Erica, 2011
This lot is accompanied with certificate of
authenticity from the Artist
RP 12.000.000 - 20.000.000
USD 1,100 - 1,800
059
FAIZIN
(Banyuwangi, 1973)
Aku Tak Cukup Pantas Untukmu, Tapi Aku Sangat Mencintaimu, 2014
Signed and dated, lower right: Faizin, 2014
057
INGE RIANTO
(b.Semarang)
Power Struggle
RP 7.000.000 - 10.000.000
USD 600 - 900
Bronze: 35 x 107 x 27 cm
RP 30.000.000 - 40.000.000
USD 2,700 - 3,600
060
RIDWAN NUR
Cartoon Series, 2010
Signed and dated, lower right: Ridwan, 2010
RP 20.000.000 - 30.000.000
USD 1,800 - 2,700
56
57
Agung Mangu Putra
Mangu Putra was born in Sangeh, Bali, on May 11, 1963. He graduated
from the faculty of Art and Design at the Indonesian Arts Institute
(ISI), Yogyakarta majoring Visual Communication Design (1990).
His first exhibition was in Dewata Gallery (1987) at Taman Budaya
Denpasar. Being a designer did not satisfy him as an artist then he
decided to engage in full time painting in 1998. Since his first solo
exhibition in Ubud (1990) his name was considered as valuable painter
in Indonesia. He held his solo exhibition at National Gallery, “Teater
Rakyat”, Jakarta, 2010; “Silent Word”, Gajah Gallery, Singapore (2008),
Mandala, Bidadari, Ubud-Bali (2007), “Belief, Rupa Gallery”, Surabaya
(2005),etc. He also joined in several group exhibitions in Jakarta,
Yogyakarta, Bali and other country. He received awards as the Best in
Design Arts (during the 4th and 6th anniversary of ISI, as the finalist of
Philip Morris Award in 1994 and Indofood Art Award 2002, Second
Place, Jakarta. Through his work he expressed his gratitude towards
God creations and tried to give alternative point of view about Bali
from its touristy image. He gave specific themes on his work from
which other painters did not pay attention to. Until now many of his
works were collected by art collectors in Indonesia and overseas. This
exciting and very talented artist has participated in a number of group
and solo exhibitions throughout Indonesia and abroad.
061
AGUNG MANGU PUTRA
(Sangeh, Bali, 1963)
Landscape Batur, 2013
Signed and dated, lower right: Mangu Putra, 2013
RP 250.000.000 - 350.000.000
USD 22,700 - 31,800
58
59
065
I MADE DJIRNA
(Ubud, 1957)
Kotak Merah, 1998
062
R. HADI
Nenek
Signed, lower left: R. Hadi
Mixed media on canvas: 140 x 130 cm
Signed and dated, lower right: Djirna,
1998
Signed, titled and dated on the revese
RP 8.000.000 - 12.000.000
USD 700 - 1,100
RP 40.000.000 - 50.000.000
USD 3,600 - 4,500
066
LUCIEN FRITS OHL
(Palembang, South Sumatra, 1904 –
The Hague, 1976)
Kapal
Signed, lower right: L. F.Ohl
RP 40.000.000 - 50.000.000
USD 3,600 - 4,500
063
TATANG GANAR
(Bandung, 1936 – Bandung, 2004)
Penggembala Kerbau, 1989
Signed and dated, lower left: T. Ganar’89
RP 9.000.000 - 15.000.000
USD 800 - 1,400
064
RUDOLF BONNET
(Amsterdam, 1895 – 1978)
Njoman, 1947
Pastel on paper: 29 x 20 cm
Signed, titled and dated, upper left:
Njoman:. Makasar, 4/47, RB
RP 20.000.000 - 30.000.000
USD 1,800 - 2,700
60
61
a.
b.
c.
068
RUDOLF BONNET
(Amsterdam, 1895 – 1978)
067
JEIHAN SUKMANTORO
(Solo, 1938)
Unang, 2001
Signed and dated, upper left: Jeihan’01
RP 40.000.000 - 60.000.000
USD 3,600 - 5,500
62
a. Bernando
Signed, upper right: R. Bonnet
Titled, middle left: Bernando
b. Study of a Balinese Peasant
c. Lake by The River
RP 38.000.000 - 45.000.000
USD 3,500 - 4,100
63
069
R. HADI
Nenek
Signed, lower left: R. Hadi
RP 8.000.000 - 12.000.000
USD 700 - 1,100
072
OTTO DJAYA
(Rangkas Bitung, West java, 1916 - 2002)
Kesenian Betawi, 1995
Signed and dated, lower right: Otto Djaya, 1995
070
SUDJONO ABDULLAH
(Yogyakarta, 1911 – 1993)
River Scene
RP 15.000.000 -20.000.000
USD 1,400 - 1,800
Signed, lower left: S. Abdullah
RP 20.000.000 - 30.000.000
USD 1,800 - 2,700
071
FAIZIN
(Banyuwangi, 1973)
Beribu Kata Cinta Berjuta Makna, Puisi Cintaku Tak Lelah Merayunya, 2014
Signed and dated, lower left: Faizin, 2014
RP 6.000.000 - 9.000.000
USD 500 - 800
64
073
DIPO ANDY
(Sumbawa, 1975)
Mirror (After Picasso), 2005
Dipo Andy, 2005
RP 30.000.000 - 50.000.000
USD 2,700 - 4,500
65
Budi Ubrux
Born in 1968. He was graduated from the Institute of Fine Art (ISI)
Yogyakarta. He had lived for 2 years in Switzerland to continue
his study and working. He has participated in several exhibitions
in Indonesia and overseas. He had his solo exhibition in Semarang
Gallery (2002). He received awards as the first winner of PMIAA,
a finalist for Asean Art Award (2000) in Singapore and Indofood
Art Award, Jakarta (2002). Now he lives in Bantul, Yogyakarta.
The exhibition at the furnace gallery (15 – 30 May 2010) was Budi
Haryono aka Ubrux’ first exhibition in Europe, a breakthrough after
his three earlier solos at Semarang Gallery, Bentara Budaya Jakarta,
and iPreciation gallery in Singapore.
Budi Ubrux loves to create contemporary realist artworks by
exploring newspaper as a true-lies media. This phenomenon is put
into canvas in the form of human being with skin from newspaper.
Figures wrapped from top to toe in newspaper appeared suggesting
a futuristic imagination of what could happen in our uncertain future.
Bandaged, swathed and tied, the faceless sculptural figures are able
to lead the imagination in wild proximity. Since then, art observers
and collectors became interested in his works.
074
BUDI UBRUX
(Yogyakarta, 1968)
Who am I, 2002
Signed and dated, lower right: B. Ubrux, 2002
RP 120.000.000 - 200.000.000
USD 10,900 - 18,200
66
67
075
I WAYAN SADIA
(Panetasan, Ubud, Bali, 1939)
Panen
Signed, lower left: I. W.Sadia, Penestanan
Kelod Ubud Bali
RP 30.000.000 - 40.000.000
USD 2,700 - 3,600
076
DIDIK NURHADI
(Ngawi, East Java, 1972)
The King (Berita Gembira Tentang Raja), 1998
Signed and dated, lower left: Nurhadi’98
077
RUDOLF BONNET
(Amsterdam, 1895 – 1978)
Peasant Figure
RP 20.000.000 - 30.000.000
USD 1,800 - 2,700
68
Literature:
OUTLET Yogyakarta Within the
Contemporary Indonesian art Scene, Cemeti
Art Foundation
RP 30.000.000 - 50.000.000
USD 2,700 - 4,500
078
(Semarang, 1899 – The Netherlands, 1968)
Straat Rafereel, 1933
Signed and dated, lower left:. Ger. P Adolfs'33
RP 40.000.000 - 50.000.000
USD 3,600 - 4,500
69
079
ERNEST DEZENTJE
(Jatinegara, 1885 – 1972)
Red Flamboyant
Signed, lower right: Ern. Dezentje
RP 10.000.000 - 15.000.000
USD 900 - 1,400
080
MAHYUDDIN S.
(Bukittinggi, Sumatra 1924 - 1993)
Ujung Ngarai
Signed, lower left: Mahyuddin S.
RP 45.000.000 - 60.000.000
USD 4,10 0 -5,500
081
ARIE SMIT
(Zaandam, The Netherlands, 1916)
Lovina Beach, Bali, 1987
Signed and dated, lower right: Arie
Smit’87
RP 40.000.000 - 50.000.000
USD 3,600 - 4,500
70
71
Basoeki Abdullah
Basoeki Abdullah is one of the later proponents of the Mooie Indies School
(Beautiful Indies) preferring the depictions of the natural beauty and sensuality
drawn from the Indonesian landscape. He is also noted for his portraits of beautiful
women, as well as paintings of scenes from legends that are also tempered with
the same lyrical and overly sensual treatment. The late artist was well-known for
his realistic paintings. The artist gain the public recognition after winning a painting
competition held in conjunction with the Netherland's Queen Juliana ascension to
throne on 6 September 1948.
Basoeki Abdullah often went to places for field trip, observing object for his painting
and put it into sketch. He is a great naturalist and romantic painter and best known
as a portrait painter as well as landscapes, epic story, and people’s daily lives. He
had produced a great number of portrait paintings of popular figures as well as
relatives and friend. The present lot was one of his great mastery in capturing the
figures of three brothers.
082
BASOEKI ABDULLAH
(Solo, 1915 – Jakarta, 1993)
Three Brothers, 1967
Signed and dated, lower right: Basoeki Abdullah’67
RP 60.000.000 - 80.000.000
USD 5,500 - 7,300
72
73
084
HASAN DJAAFAR
(Koto Gadang, West Sumatra, 1919 - 1995)
Lake View
Signed, lower right: Hasan Djaafar
RP 28.000.000 - 35.000.000
USD 2,500 - 3,200
085
CAREL LODEWIJK DAKE, Jr
(Schaerbeek, 1886 – Jakarta, 1946)
Carnaval
Signed, lower right: CL. Dake
RP 15.000.000 - 20.000.000
USD 1,400 - 1,800
083
REDY RAHADIAN
(Cianjur, West Java, 1973)
Untitled, 2011
Mild steel: 224 x 72 x 20 cm
Signed and dated, lower right: Redy R.2011
RP 95.000.000 - 120.000.000
USD 8,600 - 10,900
086
FREDERICK ANTON KIEVITS
(Bogor, West Java, 1887 – The Hague, 1951)
Fisherman Boats Near The Flamboyant Tree
Signed, lower right: FA. Kievits
RP 25.000.000 - 35.000.000
USD 2,300 - 3,200
74
75
088
CHENG SHUI
(Bogor, West Java, 1981)
Bali Life
Signed, upper right: Ong Cheng shui
RP 35.000.000 - 55.000.000
USD 3,200 - 5,000
089
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Lovely Giant Fish, 2013
Signed and dated, lower right: Erica, 2013
RP 50.000.000 - 70.000.000
USD 4,500 - 6,400
087
MERSUKA DOPAZO
(Las Palmas, Canaria, 1971)
Pinocchio
Signed, lower right: Mersuka Dopazo
RP 35.000.000 - 50.000.000
USD 3,200 - 4,500
76
77
Lee Man Fong
He was born in Canton, China, 1913. He arrived at Singapore at young age
then later moved to Jakarta. He has shown great artistic talent since young.
He participated in the Association’s First Art Exhibition invited by the head
of the Dutch East Indies Associations (1931). Lee Man Fong was a successful
commercial artist before engaged in full time painting in 1941. His successful
exhibitions in Bandung and Jakarta made him a fast growing artist at that time.
He received scholarship from the Dutch government to study painting in Holland
(1946). In 1952 he returned to Indonesia and gained more credits as well as
acknowledgement. He was officially become a presidential palace’s painter
and chief curators of its collection in 1961 and compiled a 5 volume edition
of President Sukarno’s art collection. He died in 1988 and remembered as a
western vigorous painter and an oriental unique oil painting painter.
Lee’s subject matter included wide range of human figures, landscapes and animals
particularly those commonly found in Chinese brush paintings, such as goldfish,
doves, chickens, rabbits, horses and tigers. He developed his paintings by creating
a personal expression based on observation of live and nature around him. His
paintings often are able to transport us to forgotten places in the wilderness,
where old trees, withered mambo grow out of hardened rocks. The present
lot was one of the many themes about cock and hen. The pair standing on the
hardened rock occupies the foreground, while the background is twisted branches
of withered bamboo. Lee showed how it is possible to marry many of the most
essential elements of both classical painting traditions – light, shadow and realism
on the other hand, and expressionism, experienced calligraphic brushwork, and
the balance between form and emptiness on the other.
090
LEE MAN FONG
A Pair of Chicken
RP 450.000.000 - 600.000.000
USD 40,900 - 54,500
78
79
091
NYOMAN SUJANA KENYEM
(Sayan, 1972)
Simfoni Bunga II, 2008
Signed and dated, lower right: N. Sujana, 2008
RP 25.000.000 - 35.000.000
USD 2,300 - 3,200
092
I MADE WIANTA
(Bali, 1949)
Abstraksi, 2010
Oil, acrylic on fragrance canvas: 120 x 240 cm
Signed and dated, lower left: Wianta, 2010
RP 20.000.000 - 30.000.000
USD 1,800 - 2,700
093
JUMALDI ALFI
(Lintau, West Sumatra, 1973)
Fighting, 1997
Signed and dated, lower left: Alfi, Yogya, 1997
094
NYOMAN GUNARSA
(Klungkung, 1944)
Three Dancers, 2007
Signed and dated, lower right: 2007
RP 50.000.000 - 80.000.000
USD 4,500 - 7,300
RP 40.000.000 - 60.000.000
USD 3,600 - 5,500
80
81
096
ROLAND STRASSER
(Vienna, 1885 – 1974)
Portrait of W. Dooijewaard, 1923
Signed and dated, lower left: Roland Strasser, China, 1923
Provenance:
The collection of the late Mrs. H.O. loebis
RP 30.000.000 - 50.000.000
USD 2,700 - 4,500
097
HENK NGANTUNG
(Bogor, 1921 - 1994)
Boy, 1939
Signed and dated, lower right: Henk Ngantung’39
095
EDHI SUNARSO
(Salatiga, 1932)
Monumen Pembebasn Irian Barat, 1963
Provenance:
The collection of the late Mrs. H.O. loebis
RP 15.000.000 - 20.000.000
USD 1,400 - 1,800
Illustrated:
Mikke Susanto, Edhi Sunarso “Seniman
Pejuang” pg.164
RP 80.000.000 - 100.000.000
USD 7,300 - 9,100
82
Insert: Edhi Sunarso with Soekarno
(1st President of Republic Indonesia)
83
S. Sudjojono
Born in Kisaran, Sumatra, 1914. He first studied painting under the artist
Pringadi, and later from Jasaki, a Japanese painter. In 1937 he founded the
Persagi Indonesian Artists Association in Jakarta. In 1970 he was awarded
recognition in art by the Indonesian government. His works have been
exhibited in the Netherlands and in the Fukuoka Art Museum in Japan
(1980). Local exhibitions have been held in Jakarta, Yogyakarta, Denpasar and
Bandung. He died in Jakarta (1986).
S. Sudjojono, a self-taught artist who trained briefly at a Taman Siswa school,
is widely regarded as the driving force behind the establishment of modern
art in Indonesia. Through his writing and critics as a member of PERSAGI
– Indonesian Artists Association, Sudjojono articulated a new generation’s
reaction against the idyllic academic and colonial style of Mooi Indie (Beautiful
Indies) school. S. Sudjojono paintings have a typical harsh and wild strokes as if
the paint has been poured directly onto canvas. Sudjojono used a combination
of fantasy and memory to create his surrealistic landscapes. Sometimes, he
incorporated elements derived from places that he had seen in books or
actually visited. His observation of his surroundings seemed spontaneous, as
though they were snapshots of views that appealed to him.
098
S. SUDJOJONO
(Kisaran, 1914 – 1986)
Angsa, 1969
Signed and dated, upper left: SS. Djak, 1969
This lot is accompanied with verification letter from Musem
RP 450.000.000 - 600.000.000
USD 40,900 - 54,500
84
85
099
S.YADI K.
(Banyuwangi, 1958)
Paju Gandrung, 2004
Signed and dated, lower left: S. Yadi K’04
RP 12.000.000 - 20.000.000
USD 1,100 - 1,800
102
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
My Uniquely London, 2013
RP 18.000.000 - 25.000.000
USD 1,600 - 2,300
100
AUKE CORNELIS SONNEGA
(Leeuwarden, 1910 – 1963)
Ni Buda, 1950
Signed, titled and dated, lower left:
Ni Buda, Kmp.Tatag, Sonnega ,Bali’50
RP 20.000.000 - 30.000.000
USD 1,800 - 2,700
101
F. SIGIT SANTOSA
(East Java, 1964)
Untitled, 1991
Signed and dated, lower left: F. Sigit Santosa, 1991
RP 10.000.000 - 15.000.000
USD 900 - 1,400
86
103
RUDOLF BONNET
(Amsterdam, 1895 – 1978)
Nude
Upper left: 1967
RP 30.000.000 - 50.000.000
USD 2,700 - 4,500
87
Edhi Sunarso
Born in Salatiga, July 2, 1932. He studied at the Indonesian Fine Art Academy (ASRI)
Yogyakarta and Visva Bharati (Santiniketan Usniversity, India). He received many award as
the Second Winner of the International Sculpture Competition in England (1953), the Gold
Medal Winner from the government of India (1957), the Art Award from the Indonesian
Government (1984) and from the government of Yogyakarta Special Province. He held his
first solo exhibition in Calcuta and Santiniketan India in 1957 and active to participate in many
exhibitions ever since. He also joined in tour Exhibition to Europe and Japan in 1978.
Since 1953, Edhi Sunarso has participated in several group exhibitions in Indonesia, England,
Holland, France, Italy and Japan. At the same year, he also won second prize in an International
sculpture competition in London, England. The Indian government awarded him a gold medal
for best sculpture in 1957. He also received the Anugerah Seni Art Award in 1981 and the
Bintang Budaya Parama Dharma in 2003 from the Indonesian government. Since 2000, he has
been a member of Asosiasi Pematung Indonesia (API, Indonesian Association of Sculptors).
Edhi Sunarso personal sculptures express straightforwardly his emotions. They appear in
other visual forms and media like wood and metal. They bring various themes such as the
struggle for independence, History of Sukarno, Pancasila, social issues and criticism, and
also women (portray and anatomy). His ideas are not only realistically but also figuratively
and even abstractly realized in his works. His various visual styles indeed have become his
characteristics.
Insert: Edhi Sunarso with Soekarno
(1st President of Republic Indonesia)
104
EDHI SUNARSO
(Salatiga, 1932)
Gadis Terperanjat, 1965
Signed and dated, lower area: Edhi, 1965
Illustrated:
Mikke Susanto, Edhi Sunarso “Seniman
Pejuang” pg. 242
RP 250.000.000 - 350.000.000
USD 22,700 - 31,800
88
89
105
TATANG GANAR
Adu Ayam, 1995
Signed and dated, lower right: T. Ganar’95
RP 7.000.000 - 10.000.000
USD 600 - 900
108
FX. LUCKY WIDIASMARA
Lion Of Judah, 2013
Signed and dated, lower right: FX.
Lucky’13
RP 12.000.000 - 18.000.000
USD 1,100 - 1,600
106
MORI KINSEN
(Yokohama, Japan 1888 - Magelang, 1959)
Landscape
Signed and dated, lower right: M. Kinsen
Provenance:
The Collection of the late Mrs. H.O. Loebis
RP 15.000.000 - 20.000.000
USD 1,400 - 1,800
109
BAGONG KUSUDIARDJO
Wayang, 1969
Signed and dated, lower right: Bagong K.1969
107
MEN SAGAN
(Yogyakarta, 1948)
Horses
RP 18.000.000 - 25.000.000
USD 1,600 - 2,300
Signed, lower left: Men Sagan
RP 60.000.000 - 80.000.000
USD 5,500 - 7,300
90
91
Ugo Untoro
As an individual artist who is looking for meaning through imagery symbolism, Ugo’s
scratchy paint shows his indeterminate sign and poetic upon his self consciousness.
His rough scratches never recognized anything nor reach into form perfections. His
horizontal lines sometimes go beyond his conscious and offer not only form but also
meaningful message.
The horse has its own history in the human history. Ugo explore the image of horse as
the witness of the human bloddy and paintful history. The horse has a mistery towards
the human betrayal of his/her own best friend. Ugo’s horse reflects a mind set that
place the horse as his way to understand reality. Ugo’s horse plays as a personification
and a methapore towards reality.
Awards:
1996 Finalist in the Indonesian Art Awards Competition
1998 The Best Painting at the Indonesian Art Awards
Solo Exhibitions
2007 "Word's of Ugo Art Forum", Singapore
"Poem of Blood", Taman Budaya, Yogyakarta
"Poem of Blood", Jakarta
2006 "Short – Short Stories", Kuala Lumpur
"My Lonely Riot", Kuta Bali
2004 "Silent Texts", Jakarta
2002 "Goro – Goro", Jakarta
2000 Boneka dan Buku, Surabaya
1999 Sika Contemporary Art Gallery, Bali
1995 "Corat – Coret", Bentara Budaya, Yogyakarta
110
UGO UNTORO
(Purbalingga, 1970)
Folding History #14, 2007
Signed, titled and dated, upper right: Folding History, Ugo’07
RP 90.000.000 - 150.000.000
USD 8,200 - 14,000
92
93
114
EDI SUNARYO
(Banyuwangi, 1951)
Pagar Tetangga, 2008
111
S. DJUPRIJANY
(Bogor, 27 July 1929)
Di Puntjak Bogor-Pohon Kapuk (Randu), 1969
Edi Sunaryo, 2008
RP 30.000.000 - 50.000.000
USD 2,700 - 4,500
Signed and dated, lower right: S. Djurp, 1969
RP 10.000.000 - 15.000.000
USD 900 - 1,400
112
WAKIDI
(Palembang, South Sumatra, 1890 – Padang,
West Sumatra, 1979)
Landscape
Signed, lower left: Wakidi
115
NASHAR
(Pariaman, 1928-1994)
Abstrak, 1993
Signed and dated, lower left: 3.8.93
RP 25.000.000 - 35.000.000
USD 2,300 - 3,200
Provenance:
RP 30.000.000 - 40.000.000
USD 2,700 - 3,600
113
TATANG GANAR
Perahu Jukung, 1981
Signed and dated, lower right: T. Ganar’81
RP 12.000.000 - 18.000.000
USD 1,100 - 1,600
94
95
Rustamadji
Born in Surabaya, East Java, April 16, 1932. In 1946 he started painting under
the painter S. Sudjojono in Sanggar Indonesia Muda (Young Indonesian Artists
Association), Madiun. Rustamadji was a painter in the realistic – naturalistic style
from the 1940’s to the 1960’s, he focused on themes of daily life and experiences
which were familiar to the people. This subject, that reflected feelings of nationalism,
became popular after the more romantic – naturalistic – Mooi Indie style of the
1930’s.
Rustamadji was greatly influenced by the spirit of the time when he began painting.
His works were egalitarian with their messages of social, economic and political
equality for everyone. Rustamadji was deeply inspired by the people’s daily life. His
often used objects of paintings describing the themes of figures, landscapes, and
markets and dancers. He closely observed the realities of life among ordinary people.
He shows his expertise in presenting detailed forms, treatment of light and shadow,
and creating a certain kind of mood.
116
RUSTAMADJI
(Surabaya, 1932 – 1990)
Jaka Tarub, 1973
Signed and dated, lower left: Rustamadji, 1973
RP 300.000.000 - 500.000.000
USD 27,300 - 45,500
96
97
117
ERNEST DEZENTJE
(Jatinegara, 1885 – 1972)
Lake View
Signed, lower right: Ern. Dezentje
Provenance:
RP 8.000.000 - 10.000.000
USD 700 - 900
118
SUDJONO ABDULLAH
Landscape, 1978
Signed and dated, lower left: S.
Abdullah’78
RP 20.000.000 - 30.000.000
USD 1,800 - 2,700
119
HASAN DJAAFAR
(Koto Gadang, West Sumatra, 1919 1995)
Village Near The Lake
Signed, lower left: Hasan Djaafar
RP 15.000.000 - 20.000.000
USD 1,400 - 1,800
98
120
SYARIEF HIDAYAT
(Bandung, 1982)
Global Cash Cow, 2011
Signed and dated, lower right: Rief’11
RP 40.000.000 - 50.000.000
USD 3,600 - 4,500
99
121
LIM WASIM
(Garut, West Java, 1929 – Jakarta, 2004)
Gadis Bali, 1991
Signed and dated, lower left: L. Wasim’91
122
HENDRA BAYU HERMANTO
(Ponorogo, 1985)
Remembering Series (Soekarno #2), 2009
Signed and dated, middle area: Hendra Bayu’09
RP 40.000.000 - 50.000.000
USD 3,600 - 4,500
RP 65.000.000 - 80.000.000
USD 5,900 - 7,300
100
101
Chen Wen Hsi
Born in Baigong, Caozhu, 1906. Chen Wen Hsi studied art at the Hsin Hwa Art Academy
in Shanghai. He became a lecturer at the Nangyang Academy of Fine Arts in Singapore.
His paintings were strongly influenced by Chan (Zen) and the unorthodox Qing School
of Yangzhou. He actively participated in several exhibitions outside Singapore which also
incidentally promote Singapore. He was awarded the Public Service Star from the President
Tun Yusof Bin Ishak and received honorary doctorate from the National University of
Singapore. He became famous since his oil study on formalism, cubism, and expressive
abstraction.
Besides Chinese brush painting, Wen Hsi also produced abstract compositions in oils and
Chinese inks of which his paintings showed a strong influence of analytical Cubism and Fauvism
with non-naturalistic and exuberant colours. This style has heightened the vividly expression
and exoticism of Southeast Asia. Chen painted ceaselessly through his life. Numerous solo
and group exhibitions were held in Singapore and around the world. Wen Hsi’s artistic
excellence was recognized. Among the many awards he had received are the Public Service
Star in 1964, a Gold Medal by the National Museum of History, Taiwan in 1980, the first
recipient of the ASEAN Cultural and Communication Award for outstanding artists in 1987
and received an honorary doctorate from the National University of Singapore.
123
CHEN WEN HSI
(Baigong, Caozhu, 1906 – Singapore, 1992)
Boats in The Valley
Chinese ink on rice paper: 32.5 x 31.5 cm
Signed and stamped in Chinese character, middle right
RP 30.000.000 - 50.000.000
USD 2,700 - 4,500
102
103
125
AGUS DJAYA
(Pandeglang, West Java, 1913 - 1993)
Woman with Offering, 1976
Signed and dated, lower left: Agus Djaya'76
RP 8.000.000 - 12.000.000
USD 700 - 1,100
126
BAGONG KUSUDIARDJO
Two Dancers, 1991
Signed and dated, lower right: Bagong
K.91
RP 38.000.000 - 45.000.000
USD 3,500 - 4,100
124
HARIJADI SUMADJIDJAJA
(Kutoarjo, 1921 - 1997)
Ibu dan Anak, 1947
Signed and dated, upper middle: Harijadi S, 1947
RP 30.000.000 - 40.000.000
USD 2,700 - 3,600
104
127
I MADE DJIRNA
(Ubud, 1957)
Figure, 1990
RP 12.000.000 - 20.000.000
USD 1,100 - 1,800
105
Agung Mangu Putra
Mangu Putra’s works arise from intense contact with the world as a conscious
expression of his main creative orientation. Representations of natural
phenomena, along with the inner pulse of life, form the main stream of his
search. The natural world, such as mountains and coasts, are depicted as
identifiable objects. Some of his works with abstract designs imply natural
images, such as the character of water and the texture and colors of earth
or stone. Nevertheless, there is a certain progressive critical vision in Mangu
Putra’s way of viewing and interpreting the world. His works are not mirrors
of direct observations with the naked eye. Natural objects are shown as if
through sophisticated technological imagery, so that they appear artificial,
attractive, provocative, and even fantastic. His artistic world is not a natural
one but instead is ‘polluted’ by civilization.
Mangu’s magnificent landscapes and volcanoes are depicted as majestic,
timeless and all powerful, yet quietly dormant. They are breathtaking, yet
set within an atmosphere of silent intimidating strength. It is this aspect of his
work that sets Mangu apart from his predecessors. It is remarkable how he
adapts from one series of work to another, from painting lifelike textures of
skin to captivating landscapes or sensual nudes. His feel for colors is always
impressive: breathtaking blues for his landscapes, black and whites bonded
with a philosophical theme or just translucent colors that captivate the
viewers’ attention.
128
AGUNG MANGU PUTRA
(Sangeh, Bali, 1963)
Gunung Batur, 2012
Signed and dated, lower right: Mangu Putra, 2012
RP 150.000.000 - 200.000.000
USD 13,600 - 18,200
106
107
129
ADAM LAY
(Wonosobo, Central Java, 1949-2014)
Paris, 2001
Signed and dated, lower right: Adam L.’01
RP 12.000.000 - 18.000.000
USD 1,100 - 1,600
130
I KETUT SADIA
(Batuan, Bali, 1966)
Tari Kecak, 2012
Signed and dated, lower left: Kt. Sadia, batuan Bali
Signed, lower right: L. Frits Ohl
RP 20.000.000 - 30.000.000
USD 1,800 - 2,700
RP 30.000.000 - 40.000.000
USD 2,700 - 3,600
131
FREDERIK KASENDA
(1920-1950)
Boats and Coconut Tree
Signed, lower left: Frederik Kasenda
RP 8.000.000 - 10.000.000
USD 700 - 900
108
132
LUCIEN FRITS OHL
(Palembang, South Sumatra, 1904 – The Hague, 1976)
Figure Crossing the Flamboyant Tree
133
ENDRO
(Yogyakarta, 1983)
Best Things Ever Happened To Me, 2011
Signed and dated, lower right: Endro, 2011
RP 12.000.000 - 18.000.000
USD 1,100 - 1,600
109
M. Irfan
M. Irfan was born in Bukittinggi, West Sumatra 1972. M. Irfan is
included in 51 members of the young artists from West Sumatra
that recently held a group exhibition under the theme of Panorama.
He is widely known as prospective painters in Indonesian art world.
He was one of the member or Jendela Group, a group of painters
from Minang, West Sumatra. Basically Irfan is an artist that does not
like to involve himself in great or political issues. He feels that they
are simply beyond his capacity and interests. For him perceiving
petty objects around him is more interesting. The present lot
perhaps Irfan’s personal observation towards his surroundings.
Irfan’s gratitude towards the natural world offers him an endless
inspiration in his artworks. He was amazed at how nature effortlessly
provides balance, color, design and beauty which he loved to
present as the harmony of his artworks. M. Irfan recently was part
of a group exhibition of Panoramic Views along with other young
artists from West Sumatra.
134
M. IRFAN
(Bukittinggi, West Sumatra 1972)
Rain Sugar, 2013
Signed and dated, lower right: Irfan, 2013
RP 110.000.000 - 150.000.000
USD 10,000 - 13,600
110
111
135
I DEWA PUTU MOKOH
(Pengosekan, Ubud,Bali, 1936)
Ikan
RP 10.000.000 - 15.000.000
USD 900 - 1,400
136
I MADE DJIRNA
(Ubud, 1957)
Tiga Topeng, 1990
RP 12.000.000 - 20.000.000
USD 1,100 - 1,800
137
IDA BAGUS MADE NADERA
(Tegallingah, 1910 - 1998)
Pasar
Rembrandt colour on canvas: 90 x 152 cm
Signed, lower left: Ida Bagus Made Nadra
RP 35.000.000 - 45.000.000
USD 3,200 - 4,100
112
138
DULLAH
(Solo, 1919 – 1996)
Laut, 1967
Signed and dated, lower right: Dullah, 1967
RP 80.000.000 - 100.000.000
USD 7,300 - 9,100
113
Lee Man Fong
Lee Man Fong was one of a rare artist who received honor by critics and collectors
across Asia. As an Oriental artist, Lee man Fong has renewed and transformed Western
oil painting by imbuing it with the essence of Chinese ink painting, achieving a mutual
identity between subject and object, at the same time vastly opening the restrictions
on traditional Chinese painting. In short, he created a unique “Man-fong style”.
Lee Man Fong is famous painter who captures gold fishes in magnificent way. Some
gold fishes are swimming freely in the space of an aquarium, still with his essential
element by using the light, reflecting the sun’s radiance, Lee success to bring all the
goldfishes as a depiction of calmness. In Lee Man Fong paintings, light is of prime
importance and the subjects are consistently bathed in a luminous glow as presented
in this lot. The background, unlike the flat, void spaces of Chinese paintings, is likewise
illuminated by an almost mysterious glow of white sunlight. Therefore the subjects,
reflecting the sun’s radiance, seem also to be lit from the back, creating the effect of
“glowing silhouettes”.
As an Oriental artist, Lee man Fong has renewed and transformed Western oil
painting by imbuing it with the essence of Chinese ink painting, achieving a mutual
identity between subject and object, at the same time vastly opening the restrictions
on traditional Chinese painting. In short, he created a unique “Man-Fong style”. Lee
Man Fong was a famous painter who captures gold fishes in magnificent way. He was
success to bring all the goldfishes illuminated by an almost mysterious glow of white
sun radiance. The fishes swim freely in the aquarium filed with reefs and weeds that
express harmonious life of the habitat. As to the Chinese philosophy, Gold fish is
believed that the fish can bring rich and prosperity.
139
LEE MAN FONG
Gold Fish
RP 250.000.000 - 400.000.000
USD 22,700 - 36,400
114
115
140
YAP HIAN TJAY
(Surakarta, Central Java, 1927)
The Lake, 1999
Signed and dated, lower left: JHT’99
Provenance:
143
HENING PURNAMAWATI
(Cimahi, 1960)
Nyanyian Alam, 2014
RP 15.000.000 - 20.000.000
USD 1,400 - 1,800
RP 30.000.000 - 40.000.000
USD 2,700 - 3,600
141
I KETUT SOKI
(Penestanan, Gianyar, Bali, 1946)
Bali Life
Signed, lower right: KT. Soki, Penestanan, Ubud Bali
RP 7.000.000 - 10.000.000
USD 600 - 900
144
SAFTARI
(Payakumbuh, 1971)
Sensitif #1
142
S. DJUPRIJANY
(Bogor, 27 July 1929)
Flowers, 1976
RP 40.000.000 - 50.000.000
USD 3,600 - 4,500
Signed and dated, lower left: S. Djurpijany, 20/4/1969
RP 8.000.000 - 12.000.000
USD 700 - 1,100
116
117
Dipo Andy
Dipo works are considered belongs to Andy Warhol’s pop art style that focused
the attention in imaging object. The differences are seen in Dipo’s painting that
uses acrylic on canvas medium, while Warhol uses graphic technique. Dipo seems
always have a strong interest in popular images. He often uses popular figures such
as soccer star David Beckham, the singer Madonna and others as the subjects.
His images are shape by thin lines of nuanced colors to produce portraits out of
emphatic lines of different colors. This gives us the impression that Dipo has interest
in the issues of industry, technology and the cultural values involved.
Awards: 1999 Top-5 Winner of Indonesia Art Award(Philip Morris) 1998 Finalist Indonesia Art Award (Philip Morris) 1995 Finalist Indonesia Art Award (Philip Morris) 1992 Best painting- Indonesia Institute of Art (ISI Yogyakarta)
145
DIPO ANDY
(Sumbawa, 1975)
Serie Color Genome Project-Steve Jobs, 2011
Signed and dated, lower right: Dipo Andy, 2011
RP 150.000.000 - 200.000.000
USD 13,600 - 18,200
118
119
147
SAMBODJA
(Purworejo, Central Java, 1931)
Memadu Cinta, Pantai Jawa Barat, 1984
Signed and dated, lower right: Sambodja, 1984
RP 12.000.000 - 20.000.000
USD 1,100 - 1,800
148
DAHLAN SOFWANDI
(Blitar, 1970)
Recycle Project #10, 2009
146
HENING PURNAMAWATI
(Cimahi, 1960)
Kokoh Sepanjang Masa, 2014
Dahlan Sofwandi, 2009
RP 28.000.000 - 35.000.000
USD 2,500 - 3,200
Signed, lower left: Hening
RP 30.000.000 - 40.000.000
USD 2,700 - 3,600
120
121
Arie Smit
Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in
Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies
prior to the Second World War. He moved to Bali in 1956 to engage in full time painting
and became an Indonesian Citizen, produced as well as taught painting at the Bandung
Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding
environment. He had several solo exhibitions in Bandung Institute of Technology, The
Honolulu East West Center, and the Center of Strategic and International Studies in
Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali.
Arie Smit is best known for his paintings of fertile rice fields, vast valley and mountain
ranges, temple courtyards and monumental gateways, and festive temple processions of
Bali. Arie’s landscapes often go beyond the scenes of nature. Landscape, Hills and Trees is
not a mere rendition of the rolling green terrain of the valley. Facades of temple are often
shown with human figures in front of them. Arie Smit uses a simple single vanishing point
perspective to depict the temple surrounding. His special characteristics were seen by the
use of his tropical rich colour on the object.
149
ARIE SMIT
(Zaandam, The Netherlands, 1916)
After The Ceremony, 2001
Signed and dated, lower left: Arie Smit’01
RP 200.000.000 - 300.000.000
USD 18,200 - 27,300
122
123
Trubus Sudarsono
Born in 23 April 1926 in Wates, Yogyakarta. He only had a short formal education until
elementary school. His amazing talent and skill was sharpened through learning time with
Affandi and Sudjojono. During revolutionary time in Yogya, he joined Seniman Indonesia
Muda and then Pelukis Rakyat lead by Hendra Gunawan. In 1948, he was arrested and jailed
in Netherlands colonial government because he was considered involving with guerrilla
activity. After released from prisoner, he taught at Akademi Seni Rupa Indonesia, Yogyakarta
during 1950-1960. He was known as one of the strongest realism painter in Indonesia. He
indeed closed with opposition and had been selected as Indonesia delegate in a goodwill
journey to Chekoslovakia in 1954. Trubus was also a victim of opposition elimination in
1966. Trubus had mastery in capturing the dancing figure through expressive brush stroke
that become his distinctive characteristic in painting. He tended to use secondary and
tertiary colours that reflected his restless spirit.
150
TRUBUS SUDARSONO
Dancer, 1959
Signed and dated, lower right: Trubus. S 23/4 ‘59 DK
RP 60.000.000 - 80.000.000
USD 5,500 - 7,300
124
125
Index of Artist
A. Hadi Mas’ud
47
FX. Lucky Widiasmara
108
RE Hartanto
41
Abas Alibasjah
49
Gerard Pieter Adolfs
2, 3, 78
Redy Rahadian
83
Abdi Setiawan
21
Harijadi Sumadijaja
7, 124
Ridwan Nur
60
Adam Lay
129
Harlim
35, 42
Roedyat Martadiredja 10, 16
Adrien Jean Le Mayeur
15
Hasan Djaafar
84, 119
Roland Strasser
96
Agung Mangu Putra
61, 128
Hendra Bayu Hermanto
122
Rudolf Bonnet
64, 68, 77, 103
Agus Djaya
125
Hening Purnamawati
143, 146
Rusli
36
Agus Riyadi
24, 58
Henk Ngantung
97
Rustamadji
4, 17, 116
Ahmad Syahbandi
26
I Ketut Sadia
130
S. Djupriany
111, 142
Alit Sembodo
38
I Ketut Soki
141
S. Sudjojono
98
Anang Asmara
31
I Made Djirna
8, 65, 127, 136
S. Yadi K
99
Arie Smit
1, 9, 81, 149
I Made Sukadana
48
Saftari
144
Auke Sonnega
100
I Made Wianta
50, 92
Sambodja
147
Bagong Kussudiarja
109, 126
I.B. Said
12
Soekardji
44
Basoeki Abdullah
6, 82
Ida Bagus Made Nadera
137
Sudjono Abdullah
70, 118
Budi Ubrux
74
Inge Rijanto
57
Syarif Hidayat
120
Carel Lodewijk Dake Jr
85
Jeihan Sukmantoro
40, 45, 67
Tatang Ganar
63, 105, 113
Catur Binaprasetyo
33
Josephine Linggar
19
Trubus Soedarsono
150
Chen Wen Hsii
123
Jovito Andres
18
Ugo Untoro
110
Cheng Shui
88
Jumaldi Alfi
93
Ugy Sugiarto
28, 53
Dadang Christanto
5
Kaboel Suadi
34
Wakidi
112
Dadang Rukmana
54
Krijono
51
Wardoyo
55
Dahlan Sofwandy
148
Lee Man Fong
52, 90, 139
Wayan Sadia
75
Dewa Putu Mokoh
135
Leo Eland
43
Willem Imandt
11
Didik Nurhadi
76
Lim Wasim
121
Yap Hian Tjay
140
Dipo Andy
30, 39, 46, 73, 145
Lucien Frizt Ohl
66, 132
Zulfa Hendra
27
Dullah
138
M. Irfan
32, 134
Edhi Sunarso
95, 104
Mahyuddin
80
Edi Sunaryo
114
Men Sagan
107
Endro
133
Mersuka Dopazo
87
Erica Hestu Wahyuni
14, 37, 56, 89, 102
Mori Kinsen
106
Ernest Dezentje
79, 117
Nashar
115
F. Sigit Santosa
101
Nyoman Gunarsa
29, 94
Faizin
23, 59, 71
Nyoman Sujana Kenyem
91
Frederick Anton Kievits
13, 86
Otto Djaya
22, 72
Frederik Kasenda
131
Pratomo Sugeng
25
FX Harsono
20
R. Hadi
62, 69
126
Biography of Artist
127
A. HADI MAS’UD (Surabaya, 1966)
He was born in Surabaya, 1966. He graduated from the Indonesian Arts Institute (ISI),
Yogyakarta in 1992. He has worked as a Graphic Designer / Packaging Plant Teflon, Maspion
Sidoarjo (1992), Supervision Kebudayan YPIA Surabaya (1993-2004), Come into teaching
(creative development) at the primary level school founded with friends in the village
Kedungmaling, Sooko Mojokerto (2002-2007). He is also actively participating in several
joint like Exhibition Exhibition Installation “Sullearisme”, Surabaya (2000), Exhibition
Installation Art Without Frame, along with artist Rudi Isbandi, Syahrizal Pahlevi, S. Teddy
D, Febrianto, Watoni, P Day, 6 artists Petro Kimia Gresik & street artists (anonymous),
Surabaya (1999), with Ugo Untoro Exhibition & Day Prajitno, Purna Budaya Yogyakarta
(1998), Painting Exhibition Surabaya Art Festival (1997) , Installation Exhibition at Balai
Pemuda Surabaya & Launching the project “Art Book 1” (1994), Single Painting Exhibition
at Auditorium PPIA Surabaya (1993).
ABAS ALIBASYAH (Purwakarta, 1928)
Born in Purwakarta, March 1, 1928. studied at the Akademi Seni Rupa Indonesia (ASRI,
Indonesian Academy of Fine Arts) in Yogyakarta, Central Java, from 1950-1956. He also
taught at many schools and universities in Yogyakarta, including ASRI and Universitas
Gajah Mada. His works are balanced compositions of color and form. Award: Piagam
Anugerah Seni (Indonesia, 1975). Exhibitions: Festival of Indonesia (U.S.A., 1990-1992),
center for Strategic and International Studies (Jakarta, Indonesia, 1996). Abas became
the lecturer of ASRI and later became the principal of the institution ever since. He
started painting landscapes and was later attracted to ethnic objects. His works have
been granted many awards from the Indonesian government as well as foreign countries
such as Cultural Award Scheme from the Australian government (1970), the best work in
painting of Biennale Indonesia (1974), the Lempad award from Sanggar Dewata Indonesia
(1984) etc. His works was in the collection of former Indonesian President Soekarno as
well as many art collectors.
ABDI SETIAWAN (Sicincin, Sumatra, 1971)
Born in Sicincin, Sumatra, on 29 December 1971. He graduated from the Indonesian Arts
Institute (ISI), Yogyakarta in 2003. He held his solo exhibition “Gairah Malam” in Lembaga
Indonesia Perancis Yogyakarta 2004. He also has participated in several group exhibitions
among other “Art for Aceh” in Yogyakarta, “Spirit of Play” in Yogyakarta, “Omong Kosong #
1” in Yogyakarta, “Open View” in Bali and “Urban/Culture” in Jakarta, all in 2005.
ADAM LAY (Wonosobo, Central Java, 1949 - 2014)
Born in Wonosobo, Central Java on September 25, 1949. He started painting since he was
in elementary school. He was known as an autodidact painter. His first solo exhibition held
in 1979 at Hotel Indonesia, Jakarta. As a professional painter he joined several exhibitions
in Jakarta and Australia.
ADRIEN JEAN LE MAYEUR DE MERPRES (Brussel, 1880 – 1958)
Born in Brussel, Belgium, 1880. He married with the famous Legong Dancer, Ni Nyoman
Pollok, who was his best-known model and settled in Bali in 1932. His works shows
effective use of light and shadow in bright colors. He donated his house and his studio in
Sanur, Bali, to the Indonesian Government which is now known the Le Mayeur Museum.
AGUNG MANGU PUTRA (Sangeh, Bali, 1963)
Mangu Putra was born in Sangeh, Bali, on May 11, 1963. He graduated from the faculty
of Art and Design at the Indonesian Arts Institute (ISI), Yogyakarta majoring Visual
Communication Design (1990). His first exhibition was in Dewata Gallery (1987) at Taman
Budaya Denpasar. Being a designer did not satisfy him as an artist then he decided to
engage in full time painting in 1998. Since his first solo exhibition in Ubud (1990) his name
was considered as valuable painter in Indonesia. He held his solo exhibition at National
Gallery, “Teater Rakyat”, Jakarta, 2010; “Silent Word”, Gajah Gallery, Singapore (2008),
Mandala, Bidadari, Ubud-Bali (2007), “Belief, Rupa Gallery”, Surabaya (2005),etc. He also
joined in several group exhibitions in Jakarta, Yogyakarta, Bali and other country. He
received awards as the Best in Design Arts (during the 4th and 6th anniversary of ISI, as
the finalist of Philip Morris Award in 1994 and Indofood Art Award 2002, Second Place,
Jakarta. Through his work he expressed his gratitude towards God creations and tried to
give alternative point of view about Bali from its touristy image. He gave specific themes
on his work from which other painters did not pay attention to. Until now many of his
works were collected by art collectors in Indonesia and overseas. This exciting and very
talented artist has participated in a number of group and solo exhibitions throughout
Indonesia and abroad.
AGUS DJAYA (Pandeglang, West Java, 1913 - 1993)
Born in Pandeglang, West Java, April 1, 1913. He studied art at Rijks Academie Beeldende
Kunsten, Amsterdam (1947 – 1949) and Universiteit Amsterdam, Facultieit van Journalistiek
(1947 – 1949). He was taught under the guidance of painter Willem van der Berg and Van
Thienen. During in Europe, he met with great painters like Pablo Picasso, France, Salvador
Dali, Spain and Sculpture expert, Ossip Zadkine, Poland. He has been participated in
numerous exhibitions in Indonesia and overseas. He received an honor to held exhibition
in Stedelijk Museum, Amsterdam which introduce not only his name but also Indonesian
Painters to the world. In 1947, he participated in the International Exhibition, Monaco
and received an award “Le Grand Prix de la Peinture de Monaco. In 1965, he received an
award “L’oscar de Peinture” in the International exhibition in Zagreb, Yugoslavia. In 1993,
the Indonesian government awarded him the Art Award and also awarded many military
medal of his participation in the Indonesian struggle for independence. His contribution in
Indonesian art development also seen by founding art studio and galley in Bali (1953) and
also Agus Djaya Foundation of Fine Art and Social education in Jakarta.
AGUS RIYADI (Sleman, Yogyakarta, 1979)
Born in Sleman Yogyakarta on 21 August 1979. He has actively participated in several
group exhibitons such as the KIAF(Korea International Art Fair), Art Seasons Gallery, COEX,
WTC Seoul Korea (2008), Dies Natalis ISI Yogyakarta (2005-2007), Group exhibitions with
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Kelompok Kereta Yogyakarta (2002), and the Anniversary of SMSR Yogyakarta (1998).
AHMAD SYAHBANDI (Palembang, 1968)
Born in Palembang, Sumatra, 1968. He graduated from the Indonesian Art Institute
(ISI) Yogyakarta. He has participated in several group exhibitions such as “Seni untuk
Semua” Yogyakarta (1994), Re-Kreasi in Museum H. Widayat, Magelang (2002), “Exhibition
Sculpture” in Benda Gallery Yogyakarta (2003), “m Search of Peace” in WTC Jakarta
(2003) and “relation” in Edwin’s Gallery Surabaya. He awarded as Finalist Adi Rupa Citra
Raya I Exhibition in Tangerang.
ALIT SEMBODO (Magelang, 1973 – 2003)
Born in Magelang, 1973. He took his formal study at the Indonesia Institute of Fine Art
(ISI) Yogyakarta. He has actively participated in several solo and group exhibitions in
major cities in Indonesia. His work has been awarded the Pratisara Affandi Adi Karya
Pize in 1999. His painting has particular and distinct characteristic of all kinds of figures
and scenes. He passed away in Magelang 2003. Yet, his short lifetime has been noted by
important works that captured the people’s attention.
ANANG ASMARA (C. Java, 1974)
Born in Central Java, 1974. He is a painter from Sleman regency near Yogyakarta. His
work has significant style and astounding ability to reproduce detail and texture that
contains strong symbolism. Most of his paintings capture Anang’s admiration and respect
for traditional culture (especially the Javanese traditions into which he was born), and
also influenced by his admiration and respect for women, whom he feels often get a very
raw deal in contemporary Indonesia. He has participated in several painting exhibitions
and many of his works have been in the collection of collectors in Indonesia.
ARIE SMIT (Zaandam, the Netherlands, 1916)
Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in
Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies
prior to the Second World War. He moved to Bali in 1956 to engage in full time painting
and became an Indonesian Citizen, produced as well as taught painting at the Bandung
Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding
environment. He had several solo exhibitions in Bandung Institute of Technology, The
Honolulu East West Center, and the Center of Strategic and International Studies in
Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali.
AUKE CORNELIS SONNEGA (Leeuwarden, 1910 – 1963)
Born in Leeuwarden, Holland, 1910. He worked in Jakarta in 1935. He did his paintings
in Parapat and Medan, North Sumatra, and Bali. He returned to Holland in 1959 and died
in Den Haag in 1963. Sonnega’s paintings of Bali have attracted mtany people attention.
BAGONG KUSSUDIARDJA (Yogyakarta, 1928 – 2004)
Born in Yogyakarta, 1928. He studied art at the Indonesian Fine Arts Academy (ASRI)
Yogyakarta under famous artists like Sudiarjo, Hendra Gunawan and Kusnadi. He was
also well known as a dancer and choreographer. He founded an Arts Training Center in
Yogyakarta. He received many art awards among others are Gold Medal from Pope Paul VI
(1973), the Gold Medal from Bangladesh Government (1981) and Cultural Art Award from
the Indonesian Government.
BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993)
Born in Solo, January 27, 1915, he is the second son of Abdullah Soerjosoebroto, a
prominent landscape painter. He studied at the Academia van Beeldende Kunsten in
The Hague, the Netherlands. His work includes painting of the Queen of Netherlands,
King of Thailand, President of Philippines, Sultan of Brunei and many other important
figures. He is best known as a portrait painter as well as landscapes, fauna, flora and
other themes. His works have been exhibited in various European countries, South East
Asia and Indonesia.
BUDI UBRUX (Yogyakarta, 1968)
Born in 1968. He was graduated from the Institute of Fine Art (ISI) Yogyakarta. He had
lived for 2 years in Switzerland to continue his study and working. He has participated
in several exhibitions in Indonesia and overseas. He had his solo exhibition in Semarang
Gallery (2002). He received awards as the first winner of PMIAA, a finalist for Asean Art
Award (2000) in Singapore and Indofood Art Award, Jakarta (2002). Now he lives in Bantul,
Yogyakarta.
CAREL LODEWIJK DAKE, Jr (Schaerbeek, 1886 – Jakarta, 1946)
Born in Schaerbeek, Belgium, 1886. He traveled to different places and intensely painted
about Cambodja and Thailand but mostly attracted to Indonesian landscape. He went to
all over Java, Sumatra and Bali as his painting objects. He died in Jakarta (1946).
CATUR BINA PRASETYO (Wonogiri, 1972)
Born in Wonogiri on 16 September 1972. He graduated from the Indonesian Arts Institute
(ISI), Yogyakarta majoring in Fine Arts. He has joined in several group exhibitions such
as “Self Portrait” in Jakarta 2005, “Mosaic of Contemporary Indonesia Fine Art 2004” in
Jakarta and “Indofood Art Award 2003” in Museum Nasional Jakarta.
CHEN WEN HSI (Baigong, Caozhu, 1906 – Singapore, 1992)
Born in Baigong, Caozhu, 1906. He studied art at the Hsin Hwa Art Academy in Shanghai.
He became a lecturer at the Nangyang Academy of Fine Arts in Singapore. His paintings
were strongly influenced by Chan (Zen) and the unorthodox Qing School of Yangzhou.
He actively participated in several exhibitions outside Singapore which also incidentally
promote Singapore. He was awarded the Public Service Star from the President Tun Yusof
Bin Ishak and received honorary doctorate from the National University of Singapore.
He became famous since his oil study on formalism, cubism, and expressive abstraction.
CHENG SHUI (Bogor, West Java, 1981)
Ong Cheng Shui was born in Bogor, West Java in 1981. He is autodidact painter who found
his great interest in painting since he was young. He has been actively involved in arts
since 2000. As a professional painter, he has participated in several group exhibitions
since 2000 until now. Among others group exhibition at Bogor (2000), at Crown Plaza Hotel
(January, 2010), at Pacific Place (March, 2010), at pondok Indah Mall (April, 2010), and at
Grand Indonesia, (July, 2010). His artworks have been in the collections of both local and
foreign collectors. As a painter, he was inspired by Lee Man Fong paintings. His subject of
paintings closely connected with the animal world, village scene and people’s daily lives
which have become the sought after themes of painting by collectors.
DADANG CHRISTANTO (Tegal, 1957)
Born in Tegal, Central Java, 1957. He studied painting at Pawiyatan Sanggar Bambu,
Yogyakarta (1975 – 1977), Sekolah Seni Rupa (SMSR) Yogyakarta (1975 – 1979), The Institute
of Arts (ISI) Yogyakarta (1980 – 1986) and later become the lecturer at the School of Art
and Design, Northern Territory University, Darwin, Australia (1999 – 2003) and lecturer at
the College of Fine Arts, University of New South Wale, Sydney, Australia (2004). Since
2006 he lives and works in Brisbane, Australia.
DADANG RUKMANA (Bandung, West Java, 1964)
Born in Bandung, West Java, October 10, 1964. He learnt painting under the guidance
of the Paniter Barli Sasmitawinata College Fine Art, Rangga Gempol Bandung in 19821985. He held his solo exhibition “Icontroversial”, Gallery Canna, Jakarta (2009). He laso
has participated in several group exhibitions such as “Interpetations on Self”, Gallery
Canna, Jakarta (2008), “Pos Ideologi”, Gracia Art Gallery, Surabaya (2007), “Twenty
Fo(u)r Maestro”, V-Art Gallery Yogyakarta and Orasis Art Gallery Surabaya (2007)
“Bianglala”, Madiun Exhibition Art Fair 100 Painter for Remembering 100 day’s Painter
Barli Sasmitawinata Died, in Balai Seni Barli, Bandung (2007), Summit. Event Bali Biennale
2005, Tony Raka Gallery, Mas-Ubud, Bali (2005), “On Discourse” Pra Bali Biennale 2005,
Hamur Sava, Malang, Orasis Art Gallery Surabaya and Bentara Budaya Yogyakarta (2005),
“Holopis Kuntul Baris”, Surabaya (2005), “Realistage”, Gallery Goong, Bandung, Gallery
Semar Malang, And Museum H Widayat, Magelang, Central Java (2005).
DAHLAN SOFWANDI (Blitar, 1970)
Born in Blitar, 5 May 1970. Dahlan is a self-taught artist who learnt how to paint at a very
young age. He studied and sharpened his painting skills under the guidance of Samsul in
Yogyakarta. The Samsul group is very well known for making giant posters in the style of
realism. He has participated in several group exhibitions in various places including the
one at Bizzet Gallery Yogyakarta, Gallery Omah Dhuwur Yogyakarta, Benteng Vanderburg
Yogyakarta, TMII Jakarta, and Jogja Art Fair 2008 in Yogyakarta.
DEWA PUTU MOKOH (Pengosekan, Ubud,Bali, 1936)
Born in Pengosekan, Ubud, Bali, 1935. Though he never had any formal education in
arts, his painting styles are very ingenuine and unique applying the Pengosekan painting
techniques. He learned painting from I Gusti Kobot. But since 1970, Mokoh’s work has
been completely different from his mentor style.
DIDIK NURHADI (Ngawi, East Java, 1972)
Born in Ngawi, East Java, 1972. He graduated from the Indonesian Institute of Arts (ISI),
Yogyakarta. Since 1992, he extensively participated in several group exhibitions and held
solo exhibitions in Kedai Kebun, Yogyakarta and Bentara Budaya, Yogyakarta.
DIPO ANDY (Sumbawa, 1975)
Dipo Andy was born in Sumbawa 1975. He graduated from Indonesia Institute of Art (19921999). He held his solo exhibition “Voice of Nation” in Intaran Gallery Bandung (1999),
“Feminografi” in Gelaran Budaya Yogyakarta (2000), “Muka Kamu Amuk Muak” in Nasional
Museum Jakarta (2001), “Mirror : Masters Revisited” in Vanessa Art Link Jakarta (2006). He
was awarded as Top 5 Winner of Indonesia Art Award in Jakarta (1999).
DULLAH (Solo, 1919 – 1996)
Dullah was born in Solo, 1919. He studied painting under Affandi and Sudjojono but has
his own distinctive style of naturalism. He was well known for his landscape and portraits
paintings. He was one of the founders of HBS – Surakarta Cultural Community (1950).
In 1956, he edited book of former Presiden Soekarno’s Private Collection of Indonesian
Art (volume I & II). Since the early days of the independence, Dullah was very close to
Soekarno, the first President of the Republic of Indonesia and was appointed by Soekarno
to care for the President’s private art collection and as curator of the state painting
collections. At age 70, Dullah built his museum, now a cultural landmark, as his dedication
to a love of the arts over a creative lifetime. He has had numerous art exhibitions in
Indonesia and overseas and in 1988 his work was included in the Art of Bali exhibition held
at the East West Center in Honolulu, Hawaii. Now, his works been kept in Dullah Museum
in Solo. He died in 1996.
EDHI SUNARSO (Salatiga, 1932)
Born in Salatiga, July 2, 1932. He studied at the Indonesian Fine Art Academy (ASRI)
Yogyakarta and Visva Bharati (Santiniketan Usniversity, India). He received many award as
the Second Winner of the International Sculpture Competition in England (1953), the Gold
Medal Winner from the government of India (1957), the Art Award from the Indonesian
Government (1984) and from the government of Yogyakarta Special Province. He held his
first solo exhibition in Calcuta and Santiniketan India in 1957 and active to participate in
many exhibitions ever since. He also joined in tour Exhibition to Europe and Japan in 1978.
EDI SUNARYO (Banyuwangi, 1951)
Born in Banyuwangi, 1951. He graduated from the Indonesian Fine Arts Academy (ASRI)
Yogyakarta and continued his study at the Bandung Institute of Technology (ITB) majoring
Fine Arts. He received awards as the Best Painting from ASRI Yogyakarta (1975), and the
Pratisara Affandi Adikarya (1975, 1976). His works have been represented in exhibition in
Indonesia, Russia, South Korea, Japan and Italy. He had several solo exhibitions in 1987,
1992, and 2000.
ENDRO (Yogyakarta, 1983)
Born in Yogyakarta, Central Java, 1983. He graduated from the Indonesian Art Institute
(ISI) Yogyakarta. He has actively particiapated in several exhibitions among others “Dunia
Yang Sebenarnya” Yogyakarta, “Mendawa Mandala” Yogyakarta, “Sketsa” Yogyakarta,
“Kecil-kecil” Yogyakarta, ‘Art For Yogya” at Taman Budaya Yogyakarta (2006), and “Peduli
Gempa” at Semarang and Yogyakarta. Endro uses both subjective and structural frames
in creating his artworks. He challenges his audience to see his/her own experiences
and imagination through interpretation of symbols, codes or signs, color and tone. An
understanding of which element is most important to him can help the audiences to
discover the meaning behind each of his work.
ERICA HESTU WAHYUNI (Yogyakarta, 1971)
Born in Yogyakarta, 1971. She began to study painting when she was young and join
Sanggar Katamsi under painters Suharto P.R. and Herry Wibowo. In 1996, she graduated
from the Indonesian Institute of Arts (ISI), Yogyakarta. She performed her solo exhibition in
Yogyakarta and Jakarta. She intensely participated in many group exhibitions in Indonesia
and overseas, Singapore, Philippines, Japan and Russia. She received award for the Best
Work at ISI Yogyakarta in 1993.
ERNEST DEZENTJE (Jatinegara, 1885 – 1972)
Born in Jatinegara, Java, 1885. He was a self-taught artist who came from French. He
was a member of the Bataviasche Kunstkring. He used impressionist and sometimes
divisionistic style. He has participated in several exhibitions to represent his works. He
received prize from former President Soekarno. He died in 1972.
F. SIGIT SANTOSA (East Java, 1964)
Born in Ngawi, East Java, 1964. He studied at Faculty of Fine Arts – Indonesian Fine
Arts Institute and graduated in 1993. He has actively participated in numerous group
exhibitions since 1987. In 2003, he had his solo exhibition in Jakarta. In 1994 he was
nominated among the best 10 of the Phillip Morris Group of Companies of Indonesian Art
Awards and received award for Best Work at Biennale IV.
FAIZIN (Banyuwangi, 1973)
Born in Banyuwangi, East Java, 1973. He actively participated in several exhibitions in
Indonesia. He became the finalist at the Phillip Morris Indonesian Art Awards in 1999.
FREDERICK ANTON KIEVITS (Bogor, West Java, 1887 – The Hague, 1951)
FA Keivits was born in Bogor, West Java 10 September 1887. Painter and draughtsman, who
lived and worked in Indonesia in the 1920’s and 1930’s. In April – May 1938 he participated
in the “Bondscollectie” exhibition in Jakarta, “Kuntszaal Kolff and Co, November 1930
(one man show) in Jakarta, The Hague, Panorama Mesdag in 1949 (one man show). During
Wordl War II he was interested by the Japanese and put in a camp. The Artist painted and
drew landscapes depicting Indonesia, his memories from the Japanese camps and other
subjects of his native country. He was passed away in The Hague 1951.
FREDERICK KASENDA (1920-1950)
Born 1920 – 1950. He was considered as one of the Mooi Indie painter who did his painting
career in early 20th Century in Indonesia. His subject of paintings mostly depicts Indonesia
scenery of mountain landscape, rice field, and also sea panorama. Several works by the
artist have been sold at auction in Indonesian as well as abroad.
FX HARSONO (Blitar, 1949)
Born in Blitar, 1949. He studied at Indonesia Intitute of Art (ISI), Yogyakarta in 1974 and
continued to Jakarta Intitute of Art (IKJ), Jakarta in 1991. He has participated in several
group exhibitions such as Meet 3 : 3 in Yogyakarta, Purna Budaya, Yogyakarta (1998), Solo
Show “Victim”, Cemeti Gallery, Yogyakarta (1998), Volume & Form, Singapore (1999),
Art Document 1999, in Kanazu Forest Museum, Japan (1999), Kwangju Biennial, Korea
(2000), Solo Show ”Displacet”, National Gallery, Jakarta (2003), Langgeng Contemporary
Art Festival 2006, Langgeng Gallery (2006), and “Titik Nyeri”, Langgeng Icon Gallery,
Jakarta (2006).
GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968)
Born in Semarang, 1899. He once lived in Surabaya and made many paintings about the
city. He traveled to many countries in Asia, Europe, and Africa, like Japan, Rome and
Arab. He decided to spend the rest of his time in Holland until he died in Den Bosch, the
Netherlands, in 1968.
HARIJADI SUMADIDJAJA (Kutoarjo, 1921 - 1997)
Born in Kutoarjo, Central Java, 1921. He began painting and sculpting at seventeen. In
1946 he joined Seniman Masjarakat (People’s Artists) in Yogyakarta together with painters
Hendra, Rusli and Affandi. Harijadi was assigned by former President Sukarno to Mexico to
do research on museums in 1965. He was a member of the Organisacion Internacional de
Muralistos del Mundo in South America.
HARLIM (Bandung, 1945)
Harlim was born in Bandung, West Java on 17 January 1945, where he studied painting
from the artist Teng Tien Wen. Since, 1976. Harlim has participated in numerous group
Exhibitions in Indonesia. He also showed his works aboard in Hong Kong for the 16th Festival
of Asian Arts in 1996, In Singapore for the Asian Watercolor exhibition in 1997, and Taiwan
for the Asia Pasific Watercolor Exhibition in Taipe 2001. Harlim ws honoured in 2001 as one
of the most respected watercolourist in Shouteast Asia by the International Artist Magazine
that is published in the USA and which also printed one of his painting in Volume 2: How
Did You Paint That 100 Ways to paint Still life and Florals in 2005 in Jakarta. Having been a
professional artist for 30 years, Siang Lin marks various accomplishments, e.g. Honored by
the International Artist Magazine (USA) as one of the most respectable watercolor artists
in South East Asia (2001), Finalist in the Indonesia Art Award Competition (2003), and
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Finalist in the Golden Palette Competition (2005). In 2005, one of his works was published
in the “100 Ways to Paint Still-life and Floral” by International Artist Magazine, USA. Later
in 2010, his works was included in the publication of “ Modern Indonesian Art - from Raden
Saleh to the Present Day.
HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995)
Born in Koto Gadang, West Sumatra, 1919. He once taught by the famous landscape painter,
Wakidi. He visited Europe in 1948 which after influenced his works to be impressionist
and expressionist. In 1956, he held his first exhibition in Indonesia then continued to
participate in tour exhibitions, among others are Singapore, Australia, Brazil, Japan, and
several European countries. He died in 1995.
HENDRA BAYU HERMANTO (Ponorogo, 1985)
Born in Ponorogo, 9 June 1985. He graduated from SMSR Yogyakarta (2002-2005). Then
he continued his study at Art Politechnic Yogyakarta (2005-2008). He has participated in
several group exhibitions in Yogyakarta since 2005. He received award “Pratita Adi Karya”
as the Best Student in 2005.
HENING PURNAMAWATI (Cimahi, 1960)
Born in Cimahi, September 3, 1960. He graduated from ISI Yogyakarta in 1987. She received
awards from the Indonesian Fine Art Academy (ASRI) Yogyakarta for the Best Sketches
(1981) and the Best Work (1987), Perupa Muda Surabaya (Surabaya Young Painters) for
the Best Painting, the Ten Best Paintings Award (1994) and the Best Winner of Best Work,
Indonesian Art Award (1996) from the Indonesian Fine Art Foundation, as Talented Popular
Figure of East Java from Surabaya Post (1996) and the Award from the Department of
Tourism and Culture, minister Marzuki Usman (1998). She was received award from
Indonesia Institute of the Arts in Yogyakarta in 1987, Philip Morris Indonesian Fine Arts
Foundation Art Awards in 1994 and 1996, Minister for Tourism Art and Culture (1998).
HENK NGANTUNG (Bogor, 1921 - 1994)
Born in Bogor, West Java, 1921. He started painting in 1934. He held his solo exhibitions
in Tomohon, Minahasa (1936), at Hotel SavoyHomann, Bandung (1939) and at Hotel
des Indes, Jakarta (1947). He studied under Dutch painter, Willem F.M. Bosschaert and
Austrian Artist, Rudolf Wenghart in Bandung (1937 - 1941). He was a member of POETERA
(People’s Activity Center) and LEKRA (People’s Cultural Institute). From 1960 - 1964 he
was Vice-Governor of Jakarta and Elected as Governor of Jakarta in 1964 - 1965. He died
in Jakarta, 1994.
I KETUT SADIA (Batuan, Bali, 1966)
Born in Batuan, Bali, 1966. iS a younger brother of the famous painter I Wayan Bendi. He
first learned to paint from his brother. Sadia’s early works resemble Bendi’s. In a later
development, Sadia takes to using bright colors, giving his paintings their “pop” looks.
His works have been exhibited in Bali and Bali several times. In his young age. “My sight
is consumed by the details of my painting”, he said. Inded, his painting is highly detailed,
complicated, and compact.
I KETUT SOKI (Penestanan, Gianyar, Bali, 1946)
Born In Penestanan, Gianyar, Bali, 1946. He was among the first group of youngsters to
study under Arie Smit. He has participated in several group exhibitions among others in
Museum of Modern Art (San Francisco, California, 1964), Smithsonian Institution Young
Artists Touring Exhibitions (U.S.A., 1964-1965), National Museum (Singapore, 1970-1971),
Alpha Gallery (Singapore, 1972, 1974), Balai Seni Lukis Negara (Kuala Lumpur, Malaysia,
1983 - 1984), East-West Center (Honolulu, Hawaii, 1998), Museum Nasional (Jakarta,
Indonesia, 1995), Centre for Strategic and International Studies (Jakarta, 1996), and
Indonesia - Japan Friendship Festival (Morioka, Tokyo, 1997).
I MADE DJIRNA (Ubud, 1957)
Born in Ubud, 1957. He studied at YSRI, Yogyakarta (1974 – 1977) and He graduated from
the Faculty of Fine Arts and Design at the Indonesia Institute of the Arts Yogyakartain
1985. Received Awards for Best Sketch and Painting from ASRI and the Best Painting on
PORSENI (Jakarta, 1978), Lempad Prize for the Best Painting from Dewata Indonesian
Gallery (Yogyakarta, 1982), and Pratisara Affandi Adikarya from ISI Yogyakarta (1983). A
active artist who enjoys multi-faceted and experimental works of different mediums, he
has held numerous solo shows as well as participated in group shows in Indonesia as well
as internationally. He currently lives and works in Ubud, Bali
I MADE SUKADANA (Amlapura, Bali, 1966)
Born in March 12, 1966 in Amlapura, Bali, 1966. He Graduated from the faculty of Art and
Design at the Indonesian Art Institute (ISI) Yogyakarta. Actively in doing exhibition since
1987 in Yogyakarta, Solo, Bali, and Jakarta. In 1987-1988 received awards for “Best in
Sketch” from the faculty of Arts and Design of the Indonesian Art Institute (ISI) Yogyakarta.
He received awards for the Best Sketch/ Painting from painting program in his school
(1985 – 1987), the Lempad Prize from Dewata Indonesia Gallery (1982), award from the
minister of the Department of Tourism, and as the finalist for the Philip Morris Art Award.
Since 1987 he participated in joint-exhibition for 42 times, The “Lempad” award (1992)
and 4 times solo exhibition in Bentara Budaya, Yogyakarta (1997) and in National Museum,
Jakarta (2001).
I MADE WIANTA (Apuan, Bali, 1949)
I Made Wianta was born 1949 in the village of Apuan, Bali, Indonesia. He graduated from
the prestigious ASTI art academy in Yogyakarta. Wianta thrived in ASTI during the heady
years of the early 70s. Along with his experiences, Wianta had grown into a vigorous
multidimensional artist from a versatile painter. He is regarded as one of the most
influential living Indonesian artists today. Wianta has frequently travelled and exhibited
in Indonesia as well as abroad. He has held many exhibitions abroad and received the Art
Academia Intern “Greci Marino” award from Italy.
IB. SAID (Malang, 1935)
Born in Malang, East Java, r1935. He is well known as a self trained painter. He has
participated in several group exhibitions.
IDA BAGUS MADE NADERA (Tegallingah, 1910 - 1998)
Ida Bagus Nadera was born in Tegallingah, 1910. He only finished elementary school. He
dedicated all his life in painting. He learnt painting by himself then later been directed
by Rudolf Bonnet and Walter Spies. He used traditional style for his works and greatly
influenced by Walter Spies. Since 1932 – 1940 he was active to participate in Pitamaha
organization and joined the Ubud Artists’ Association after the World War II. He spent the
rest of his life living in Gianyar by reading and as a Dalang Wayang (wayang player). He
received the Wija Kusuma Art Award from Gianyar and The Dharma Kusuma award from
Bali government in 1988. Nadera set up his own studio in 1959, where he continued to
paint until he died in 1998.
INGE RIJANTO (b.Semarang)
Born in Semarang. She graduated as a fashion Designer from Hochschule fur bildence
Kunste, Berlin, Germany. After her return from Germany, she has worked as Chief Designer
at Matahari Department Store, before she started her own bussines in the Fashion
and Garment Business, for export oriented market. Attended life figure drawing class
conducted by Teguh Ostenrik several years ago and also from karman tp learn realistic
rendition. She also has participated in life drawing class at Julian Asthon School of
Dolorosa Sinaga. She was have been participated in several selected group exhibition
such as ”February – ”Milestone”, Vanessa Artlink, Jakarta, Indonesia (2009), ”January –
Untukmu Perempuan Indonesia” at Gedung Arsip Nasional (2008), she also was exhibited
her sculptures at the “Salon D’ Automne de International Luneville” at Central Culturel
Erkman, Luneville, France in 2008.
JEIHAN SUKMANTORO (Solo, 1938)
Born in Solo, 1938. He studied at the Himpunan Budaya Surakarta (HBS – Surakarta
Cultural Society) (1953 – 1955) and at Bandung Institute of Technology (ITB) (1960 – 1966).
In 1978, He established Studio Seni Rupa Bandung (Bandung Fine Arts Studio) together
with Dr. Sudjoko. He has participated in several exhibitions. He held his solo exhibitions
at Bandung (1998), Galerie Darga & Lansberg, Paris France (1999), Darga Gallery, Bali
(2000), the Jakarta Hilton International Hotel, Jakarta and Nadi Gallery, Jakarta (2002).
He combines Eastern mysticism with Western analytical sense that made his portraits
paintings are very distinctive and well known.
JOSEPHINE LINGGAR (Jember, East Java, 1943)
Born in Jember, East Java, 1943. She greatly produced painting using woman as her
object. For her, women have uniqueness of beauty, ugliness, sincerity, passion as well
as strong and weak character. Josephine is a serious artist who ought to be placed
amongst the constellations of Indonesian artist. International collectors as well as the
Indonesian Presidential Palace have her works. Primadonna offers women as the main
subject. Women as calm and cool creatures containing their emotions. Her first dabble
into the art world was influenced greatly by William G. Hofker. “His sepia and brownish
colours, the poses of the figures, all very natural and thematic. Everything was simple
but at the same time rich and elegant” Josephine says in her book” Primadonna”. She
held her solo exhibition at Hotel Intercontinental,Geneva,Switzerland (1994), “ Man and
1000 Butterflies” an Aids Charity Exhibition, the only (1997), Solo Exhibition ,SG Private
Banking, Alliance Francaise, Singapore (2008), Solo Exhibition, Hotel Marriot, Jakarta
(2008), Solo Exhibition ,Gallery Hadiprana, Kemang, Jakartam (2007), Exhibition at
National Gallery, Jakarta (2006), woman artist along with Srihadi Soedarsono, Jeihan,
Sunaryo and Roedyat at the Regent Hotel (1997), Asian Artists Exhibition in Singapore
(1999), “Palace of the Republic of Indonesia (2000), Solo Exhibition at Marina Mandarin,
Singapore (2001),Exhibition at Gallery Hadiprana, Kemang, Jakarta (2003), Solo Exhibition,
Indonesian Embassy,Washington DC (2004), Participated more than 50 exhibitions in
Jakarta. and more than 400 pieces of her paintings have been collected by art lovers from
within and outside Indonesia. She received awarded as Finalist Phillip Morris Art Awards,
Jakarta in 2001, Finalist for the Indofood Art Awards, National Museum in 2002. Chosen by
the Palace for a special commission to paint the late Madam Tien Soeharto.
JOVITO ANDRES (Philippines, 14 Dec)
Born in Anggono, 14 December. He is the youngest of ten children of serafino Andres, a
farmer, fisherman, and tricycle driver who served as barangay captain of San Vicente
and Natividad Villamayor. He graduated with “The Best Artist” honors from the Anggoro
Private School. He held his solo exhibition “Chocolate Grinder” at West, SM Megamall in
February 1995. He joined two group exhibitions among other Art Ecology at the Ninoy
Aquino Parks and Wildlife and Sining Kalayaan at the Manila Hotel.
JUMALDI ALFI (Lintau, West Sumatra, 1973)
Born in Lintau, West Sumatra, 1973. He graduated from Fine rt High School and Faculty
of Fine Art, Indonesia Institute of Art (ISI) Yogyakarta. In 1998 he was awarded the best
painting at Faculty of Fine Art, ISI Yogakarta. He was a member of Jendela Group and had
participated in some exhibitions in Yogyakarta in 1997, and the rom the Window at the
Bali Padma Hotel, Bali in 1999.
KABOEL SUADI (Cirebon, 1935 - Bandung, 2010)
Kaboel Suadi was born in Cirebon, West Java, on 7 November 1935. He Graduated in
1964 from the faculty of Fine Art at Institut Teknologi Bandung (ITB, Bandung Institute
of Technology) in Bandung, West Java. Kaboel received a scholarship to study from 19681969 at the Hochschule Fur Bildende Kunst (University For Art Education)located in Berlin,
Wst Germany. The artist also held a sol exhibition while living there and over the years has
participated in many group shows else where. He now lives and work in Bandung, Where
he also is a lecturer in Graphic at ITB.
KRIJONO (Jakarta, 1951 - 2011)
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Krijono was born in Jakarta on 11 July 1951. His father was a collector, so Krijono was
surrounded by works of art. He began studied painting under the guidance of the art
critic Kusnadi. In 1971, Krijono enrolled in the painting program at the Indonesian Fine
Art Academy (ASRI) Yogyakarta. He has held solo exhibitions in Indonesia and aboard. His
works are documented in the books Great Charcoals by Indonesia Artist Krijono (1997)
and Krijono: The Flying Elephant (2000). He was lives and works in Jakarta. He died in
Jakarta on 30 November 2011.
LEE MAN FONG (Canton, China 1913 – Singapore 1988)
He was born in Canton, China, 1913. He arrived at Singapore at young age then later
moved to Jakarta. He has shown great artistic talent since young. He participated in the
Association’s First Art Exhibition invited by the head of the Dutch East Indies Associations
(1931). Lee Man Fong was a successful commercial artist before engaged in full time
painting in 1941. His successful exhibitions in Bandung and Jakarta made him a fast
growing artist at that time. He received scholarship from the Dutch government to study
painting in Holland (1946). In 1952 he returned to Indonesia and gained more credits as
well as acknowledgement. He was officially become a presidential palace’s painter and
chief curators of its collection in 1961 and compiled a 5 volume edition of President
Sukarno’s art collection. He died in 1988 and remembered as a western vigorous painter
and an oriental unique oil painting painter.
LEO ELAND (Java, 1884 – 1952)
Born in Java, 1884. He was a self-taught artist, lived and worked in Indonesia. He
intensely involved in the Union of Dutch Indies Art Circles from the beginning of 20th
century. He painted a great deal of Indonesian nature with tremendous command of light
and shade. In 1920 he left to settle in The Hague but still continue to paint Indonesian
subject. His work was included in the International Colonial exhibition in Paris (1931) but
unfortunately damaged by fire. Today, his works are in the collection of several Dutch
museums.
LIM WASIM (Garut, West Java, 1929 – Jakarta, 2004)
Born in Bandung, West Java 1929. He learned painting with Kok Tekkang at Tiong Hoa
Hwee Koan. After, he learnt painting from Sudjana Kerton and Mochtar Apin. He graduated
from China Institute of Fine Art in 1956and then assigned to teach at Xian An Institute
until 1959. He participated in a joint exhibition in Bandung and many other exhibitions
since then. He was appointed as a Presidential Palace painter in 1961 and awarded the
gold medal Golden Centaur from International Parliament, USA. His solo exhibition was
held in 2003.
LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976)
Born in Palembang, South Sumatra, 1904. He was a self-taught painter whose works were
mostly Indonesian landscape. He also produced paintings of Asian panorama. He was a
painter, watercolorist, and draughtsman in the style reminiscent of the late of GP. Adolfs.
He once lived in Jakarta for a long time then settled in The Hague until he died in 1976.
M. IRFAN (Bukittinggi, West Sumatra 1972)
M. Irfan was born in Bukittinggi, West Sumatra 1972. M. Irfan is included in 51 members
of the young artists from West Sumatra that recently held a group exhibition under the
theme of Panorama. His works illustrate beautiful landscape and seascape that captivate
his interest in choosing theme of his painting.
MAHYUDDIN S. (Bukittinggi, Sumatra 1924 - 1993)
Mahyuddin S. the naturalist painter was born in 1924 in Bukittinggi, Sumatra. Since
childhood, he was already very fond of painting and developed his skill and techniques
under guidance of noted painters in his born city. In 1948, he held his joint exhibition in
Bukittinggi with painters from all over Sumatra. In 1950, he moved to Jakarta for work and
continued his study at the Perguruan Tinggi Djurnalistik Institute of Journalism until 1955.
In 1956, he held a joint exhibition in at Bapenas Building, Jakarta. He worked in Unilever
Jakarta from 1957 until 1961 in which he decided to devote his full attention in painting.
He continued to hold several painting exhibitions, among the successful one was in 1968
at Hotel Indonesia. In 1969 – 1971, he held exhibition in Singapore, Kuala Lumpur and
Bangkok. In 1972, he held his exhibition in Bremen, West Germany, Amsterdam Holland,
and Vienna, Austria. In 1973, he travelled again to Europe and performed the exhibitions
in West Berlin and Frankfurt. In 1974, he held his last exhibition in Singapore again.
Mahyuddin is a naturalist painter who conveys quietness, peacefulness and grandeur in
his paintings. His works have been in the collection of many important art collections in
Indonesia and abroad.
MEN SAGAN (Yogyakarta, 1948)
In 1960 he started to paint by self. In 1967 he established “Group Seni Rupa & Tari” and in
1970s he was well known as an artist who had expertise in painting Affandi’s style. He had
joined in several group exhibitions with the other painters.
MERSUKA DOPAZO (Las Palmas, Canaria, 1971)
Mersuka Dopazo was born in Las Palmas de Gran Canaria in 1971. She studied law but
her natural vocation and aptitude for painting led her to work full time in the world of
art. She began her artistic career in 1993 influenced by her experiences of travelling to
various places. She works in oils, acrylics, pencils and pastels with theme ranging from
portraits (figurative works), landscapes and abstracts. From 2000 until present, she had
been actively participated in numerous painting exhibitions; solo and group exhibitions in
Spain, Holland, Portugal, Italy, France, and Indonesia (Bali & Jakarta).
Sudjojono. He help established the Institut Kesenian Jakarta (IKJ, Jakarta Arts Institute)
where he became a lecturer. In 1979 – 1992 he was a member of Dewan Kesenian Jakarta
(Jakarta Art Committee). He has participated in exhibitions of the Festival of Indonesia
(USA, 1990 – 1992), the Gate Foundation (Amsterdam, Holland, 1993) and several places in
Indonesia. He left his figurative paintings to fully paint in abstract style until his deceased
in April 13, 1994.
NYOMAN GUNARSA (Klungkung, 1944)
Born in Klungkung, Bali, April 15, 1944. He graduated from the Indonesian Fine Arts
Academy (ASRI) in Yogyakarta where he is currently a lecturer in art. He began his career
as painter of models and portraits. Since 1967, active performing solo exhibitions, like
in British Embassy, Jakarta (1967), Arcade Gallery, Kuala Lumpur (1971), Blance Gallery,
San Francisco (1991), Blance Gallery, Osaka (1982), 21 Gallery, Singapore (1995), OperaGallery, Paris (1996), and Hamburgische Landesbank, Hamburg (1998). He also participates
in joint-exhibitions in Indonesia and overseas. He received awards from the Pratisara
Affandi Adikarya (1976), in the Biennial Indonesian Art Exhibitions (1878 & 1980) and the
Lempad Prize (1980). His works are in collection by local and abroad collectors.
NYOMAN SUJANA KENYEM (Sayan,Bali, 1972)
Born in Sayan, Ubud, Bali, September 9, 1972. He graduated form the Indonesian College
of Arts (STSI), Denpasar, Bali. His works have been exhibited in numerous group exhibitions
at NAkita Gallery, Stockholm, Sweden (1996), Duta Fine Art, Jakarta (1998), Bentara
Budaya, Jakarta (2001), Puri Lukisan Museum, Ubud, Bali (2002), etc. He received awards
for the Best Work in “Kamasra Price”, The Indonesian College of Arts (STSI), Denpasar
(1996), and the Best Work in the final examination 1997 at STSI, Denpasar (1998).
OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002)
Born in Rangkas Bitung, Banten, West Java on October 6, 1916. During the Japanese
colonialism in Indonesia, he received his army training for officer in the “Pembela Tanah
Air” (Defenders of the country) in Bogor. During the Physical revolution, as a Major in
the Indonesian Army, he took part in the Armed Struggle for the Independence of the
Republic of Indonesia. After the proclamation, Otto had an opportunity to study at the
“Rijksacademie van Beeldende Kunsten” in Amsterdam and at the Faculty of Letters and
Philosophy, University of Amsterdam. He also had an opportunity of joining the study-tour
of the Netherlands, Belgium, France, Italy and Swiss. Otto was a Vice Chairman of the Art
Section of the Cultural Centre in Jakarta. He joined in the “Exposition le Grand Prix de
Peinture en Monaco” in Monte Carlo and in Biennial Exhibition in Sao Paolo, Brazil. Besides
his one-man exhibitions in Jakarta, Otto often took part in the joint exhibitions in Jakarta
and Melbourne, Australia.
PRATOMO SUGENG (Ponorogo, East Java, 1946)
Born in Ponorogo, East Java, 1946. He studied painting under the realist painter, Dullah.
He held exhibitions in Jakarta, Solo, Yogyakarta and Bali. He believed realistic style as
art medium adaptable to the ever changing period. He became the finalist of Indofood
Art Awards in 2002.
R. HADI
He came from Semarang. He is a realist painter and one of painters that study under
guidance of painter Sudjono Abdullah. Many of art collectors have included his painting as
their precious art collections in Indonesia as well as abroad.
R.E HARTANTO (Bandung, 1973)
Born in Bandung, 1973. His academic background was painting major in Bandung Intitute
of Technology (ITB). He participated in many Artist-in-Residence & Workshop programs.
His latests solo exhibitions were “7 Bandung Artists Drawing Exhibition” Common Room,
Bandung (2004) and “Unseen Wounds” Koong Gallery, Jakarta (2000). He also has
participated in several group exhibitions such as in Bandung, Jakarta, Magelang and
Singapore.
REDY RAHADIAN (Cianjur, West Java, 1973)
Born in Cianjur, West Java, 1973. He studied at the Mechanical Department of the
St.Joseph Institute in Brussels, Belgium. He won a public sculpture exhibition in Medan,
North Sumatra. He has participated in several group exhibitions.
ROEDYAT MARTADIREDJA (Bandung, 1932 – 2002)
Born in Bandung, 1932. He first painting in 1948 and studied at the Bandung Institute of
Technology. He performed his solo exhibition in Jakarta (1978) and was included in the
East-West Center’s Art of Bali exhibition in Honolulu, Hawaii (1988). His works are unique,
rich and colorful that creates a strong rhythm. His works are in private collections of
European and the United States.
ROLAND STRASSER (Vienna, 1885 – 1974)
Born in Vienna, Austria, 1885. He had lived in Indonesia for a considerable period of time.
He painted a lot of Balinese lifestyles. He studied painting in Munich, Germany. His works
are in the collection of former President Soekarno and many art collectors. He died in
America in 1974.
MORI KINSEN (Yokohama, Japan 1888 - Magelang, 1959)
Born in Yokohama, Japan, 1888. In 1914 he came to Indonesia and interned together
with Walter Spies and A.J. Konig. He was a painter and watercolorist of landscapes and
seascapes. His paintings were also included in the Soekarno collections.
RUDOLF BONNET (Amsterdam, 1895 – 1978)
Born in Amsterdam, 1895. He studied art at the Hendrick de Keijser-school, the Rijksschool
voor Kunstnijverheid and the Rijksacademie in Amsterdam. He visited Indonesia in 1936
and stayed in Bali from 1931 – 1941. He helped establish the Museum Puri Lukisan and
together with Walter Spies founded the Pita Maha Artist’s Association (1936). His works
are amongst the collections of former President Soekarno, the Neka Museum, the Agung
Rai Fine Art Gallery, the Rijksmuseum Kroller Muller Otterlo and the Sinerg Museum in
Laren.
NASHAR (Pariaman, 1928-1994)
Born in Pariaman, West Sumatra, October 3, 1928. He studied painting under Affandi and
RUSLI (Medan, 1912 – Jakarta 2005)
Rusli was born in Medan, North Sumatra, 1912. He studied at the Kala Bhawana
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Santiniketan University of Rabindranath Tagore, India from 1932 to 1938, and he taught
in 1951 at Akademi Seni Rupa Indonesia (ASRI) in Yogyakarta. He joined Seniman Muda
Indonesia (Indonesian Young Artists) and helped established the Seni Rupa Masyarakat
(Art for People Association). In 1955 he performed his solo exhibition at Stedelijk Museum
Amsterdam. His works were exhibited at the Biennale exhibition II in Sao Paolo, Brazil
(1953) and held solo exhibition at Palazzo Brancaccio, Rome, Italy (1954 – 1956). He
passed away in Jakarta on 11 May 2005.
RUSTAMADJI (Surabaya, 1932 – 1990)
Born in Surabaya, East Java, April 16, 1932. In 1946 he started painting under the painter
S. Sudjojono in Sanggar Indonesia Muda (Young Indonesian Artists Association), Madiun. In
1950s he used naturalistic style which afterwards changed to impressionistic. He actively
participated in several exhibitions in Indonesia and abroad. He lived in Surabaya and died
in the year of 1990.
S. DJUPRIANY (b. 1929)
He was the adopted son of Ernest Dezentje who was trained as a painter. He was granted
the first price of painting competition of Indonesian painting panorama 1950s. He also
won the flower painting competition in 1956. His painting has been in the collection of
former Indonesian president Soeharto, former vice president Adam Malik and a number
of National figures. World’s top leaders are also collecting his works, among others: the
former President USA Roosevelt, even the lady of President Roosevelt sent a letter that
she admired his paintings. His works were also in the collection of famous Dutch museum
“Hoes Gen Heilbronn OUD Valken Burg (Limburg) Netherlands.
S. SUDJOJONO (Kisaran, 1914 – 1986)
Born in Kisaran, Sumatra, 1914. He first studied painting under the artist Pringadi, and
later from Jasaki, a Japanese painter. In 1937 he founded the Persagi Indonesian Artists
Association in Jakarta. In 1970 he was awarded recognition in art by the Indonesian
government. His works have been exhibited in the Netherlands and in the Fukuoka
Art Museum in Japan (1980). Local exhibitions have been held in Jakarta, Yogyakarta,
Denpasar and Bandung. He died in Jakarta (1986).
S. YADI K (Banyuwangi, 1958)
Born in Banyuwangi, August 6, 1958. He learnt painting since 1997 and became the 100
top finalist of Philip Morris Art Award. He had joined many exhibitions in several big cities
like Jakarta, Bali, Yogyakarta, Surabaya, Malang and Banyuwangi. Together with Agus
Darmawan T. he had held cultural visiting to some museums and galleries in Spain, Athena,
Turks and Egypt.
SAFTARI (Payakumbuh, 1971)
Born in Payakumbuh, West Sumatra, September 10, 1971. He studied at the Indonesian
Institute of Arts (ISI), Yogyakarta. He actively participated in several group exhibitions
since 1996. He received award for the Best Watercolour painting from his school (ISI) in
1996 and the finalist at the Indofood Art Awards, 2003.
SAMBODJA (Purworejo, Central Java, 1931)
Born in Purworejo, Central Java, 1931. In 1951 he worked for Auke Sonnega to make
painting for advertising purpose. He learned the technique to paint on oils under guidance
a contemporary Dutch painter Auke Sonnega. After Auke Sonnega returned to The
Netherlands, he continued worked as a painter and magazines illustrator. Since 1962 he
has joined in several group exhibitions and had his first solo exhibition in 1966. In 2000 he
had exhibition that was opened by Mrs. Megawati Soekarnoputri.
RADEN SOEKARDJI (1880 – 1950)
He beginning painted of 20th century. Many Dutch expatriate interest with his painting, he
was well known as landscape painter, and a stile painting “Mooi India”. His friend like a
R Abdullah Suriosubroto (1878–1914), Wakidi (1889-1979), angd Mas Pringadi(1875-1936).
They are “Mooi Indie”. He painted a great deal of Indonesian nature with tremendous
command of light and shade, image river, jungle and many activity people who lived in
village.
SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993)
Raden Soedjono Abdullah was born in Yogyakarta, 1911. He was the son of Abdullah
Suriosubroto, a famous landscape painter and was also the brother of Basoeki Abdullah.
He used to help his father cleaned the pallet from which he found his contenment to be a
painter. He finished his school from HIS – Indonesian Dutch School and worked as a poster
artist for the Rex Theater in Yogyakarta. During the Japanese colonization in Indonesia,
Sudjono went to Parangtritis, Parangkusumo where he continued painting. During the
1970s, Soedjono moved to Kertosono in East Java, where he lived up to his death in the
village of Pisang at Patian Rowo on 2 May 1993.
SYARIEF HIDAYAT (Bandung, 1982)
Born in Bandung, February 10, 1982. He was participated in several exhibitions such
as “Exhibition in Anniversary Sanggar Bambu at Taman Budaya, Yogyakarta (2009), Art
exhibition “Menjadi Gelap” at Gedung Siliwangi Bandung (2001), Art Exhibition “Stop
Korupsi” at Gedung Sate, Bandung (1999), Art exhibition at Pasar Seni, ITB (1998),
“Exhibition at SMSR, Bandung” 1994” and Artefak – Art exhibition at Gua Pakar, Dago,
Bandung (1993).
Jakarta, Bandung, and Bali. Every year he had exhibition with Papilio Group in Jakarta,
Bandung and Surabaya. In 1994 he had his solo exhibition in Folklore I, TIM, Jakarta and
Folklore II, Topaz Hotel, Bandung.
TRUBUS SUDARSONO (Yogyakarta, 1926 – 1966)
Born in Yogyakarta, 1926. A member of Seniman Indonesia Muda (Young Indonesian Artists)
and Pelukis Rakyat (People’s Painters), Yogyakarta, he was a self-taught practitioner
who honed his skills in the amateur art associations that flourished during and after the
Japanese occupation. Trubus was taught by both Affandi and Hendra Gunawan and he also
studied the paintings of the old and modern masters through prints and lithographs, as
well as the works of artists in Indonesia such as Antonio Blanco, Romualdo Locatelli and
Basoeki Abdullah. His works are represented in the Jakarta Art Gallery and other museums
in Indonesia.
UGO UNTORO (Purbalingga, 1970)
Born in Purbalingga, Central Java, 1970. He studied at the Indonesian Institute of Art (ISI),
Yogyakarta. He held his solo exhibitions at Cemeti Ctontemporary Art Gallery, Yogyakarta
(1996, 1998), Kedai Kebun Gallery, Yogyakarta (1999), Essence Art Gallery, Jakarta (2000)
and Cemeti Art House, Yogyakarta (2002). He participated in several group exhibitions at
Purna Budaya Yogyakarta, Cemeti Contemporary Art Gallery, Yogyakarta (1997), Galeria
Jangva, Helsinki, Finland (1998),T Singapore, National Gallery, Jakarta, Cemeti Art House,
Bali, Queensland Art Gallery, Australia, Centrum van Beeldende Kunst, Dordrecht, The
Netherlands (1999), Nadi Gallery, Jakarta (2000, 2001, 2003), etc.
UGY SUGIARTO (Wonosobo, 1969)
Born in Wonosobo on 30 August 1969. He was awarded as the nomination of the Thousand
Mistery of Borobudur from UNESCO. He has participated in severalh groups such as in
Yogyakarta, Surabaya and Jakarta.
WAKIDI (Palembang, South Sumatra, 1890 – Padang, West Sumatra, 1979)
He was born in Semarang, 1889. He was the son of itinerant farmers from Semarang,
Central Java, who moved to Bukittinggi in West Sumatra in 1904. He studied at Kweek
School (Training School) in Bukittinggi and after graduating in 1908 began teaching there.
In his adulthood he went to Plaju, Sumatra to work in oil fields. He was well known as a
landscape painter, with Minangkabau, West Sumatra theme. He taught at the Kayutanam
School and has become a teacher for General Nasution and Muhammad Hatta. He received
the Anugerah Art Award from the Indonesian government in 1971. He passed away in
Padang, West Sumara, on 27 December 1979.
WARDOYO (Banyumas, 1935)
Born in Banyumas, 1935. He finished his formal study at the Indonesian Fine Arts Academy
(ASRI), Yogyakarta (1961). Since 1959, his works have been exhibited in several group
exhibitions. He was a lecturer at ISI Yogyakarta.
I WAYAN SADIA (Panetasan, Ubud, Bali, 1939)
Wayan Sadia was born in Panetasan, Ubud, Bali, 1939 1950. At the age of the age of 20,
he meet Rudolf Bonnet who encouraged him to join “Golongan Pelukis Ubud”. Ever since
then Sadia’s work had been influenced by Bonnet especially the illustration of human
anatomy. But Bonnet influence obviously had been shown in vision leading him to paint
more secular themes, such as the peasant life, figures of animal and vegetation (rice ang
grass). Aside from Indonesia, Sadia’s work had been exhibited in Netherlands, German,
Swiss, Mexico and United States.
WILHEMUS JEAN FREDERIC IMANDT (St. Jansteen, The Netherlands, 1882 – 1967)
Born in St. Jansteen, The Netherlands, 1882. In 1908, he visited Indonesia, where he lived
and worked as a painter and drawing teacher at secondary school. From 1920 - 1925, he
participated in several exhibitions organized by the Bataviasche Kunstkring in Jakarta.
He returned to The Netherlands and stayed there since 1928 - 1935, and then came to
Indonesia again afterward. He finally settled in his home town around 1946 until he died
in 1967.
YAP HIAN TJAY (Surakarta, Central Java, 1927)
Born in Surakarta, Central Java, 1927. He studied art in Academy Voobeeldende Kusten
in Rotterdam & Rijksacademie in Amsterdam, The Netherlands on 1950-1957. He was
known as the pupil of Siauw Tik Kwie who still consistent painting and maintaining his
excellent quality. His works were collected by collectors in Indonesia, Vietnam, Polandia
and abroad.
ZULFA HENDRA (Bukittinggi, West Sumatra, 1973)
Zulfa Hendra was born in Bukittinggi, West Sumatra 1973. He graduated from the
Indonesian Institute of Arts (ISI) Yogyakarta. He held his solo exhibition in Dirix Art Gallery
Yogyakarta (2003). He has also participated in several group exhibitions such as “Behind
the Realism” in V Galeri Yogyakarta, “an Aproach to Indonesian Contemporary Art” in
Biasa Art Space Denpasar, “Kecil itu Indah” in Edwin Gallery Jakarta, “Silence Landscape”
in Mon Décor Gallery (2006), etc.
TATANG GANAR (Bandung, 1936 – Bandung, 2004)
Born in Bandung, August 19, 1936. He graduated from ASRI Yogyakarta (1961) and lived in
Bandung until now. Since 1965 he was active to participate in solo and joint exhibitions in
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Fine Art Auction - Masterpiece Auction House

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