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DECEMBER 2015
December 29, 2015
– January 10, 2016
December 2015
Volume 20, No. 5
Paul Heppner
Publisher
Susan Peterson
Design & Production Director
Ana Alvira, Robin Kessler,
Shaun Swick, Stevie VanBronkhorst
Production Artists and Graphic Design
Mike Hathaway
Sales Director
Brieanna Bright, Joey Chapman,
Gwendolyn Fairbanks, Ann Manning
Seattle Area Account Executives
Marilyn Kallins, Terri Reed,
Tim Schuyler Hayman
San Francisco/Bay Area Account Executives
Brett Hamil
Online Editor
Jonathan Shipley
Associate Online Editor
Jonathan Shipley
Ad Services Coordinator
Carol Yip
Sales Coordinator
Leah Baltus
Editor-in-Chief
Paul Heppner
Publisher
Marty Griswold
Associate Publisher
Dan Paulus
Art Director
Jonathan Zwickel
Senior Editor
Gemma Wilson
Associate Editor
Amanda Manitach
Visual Arts Editor
Paul Heppner
President
Mike Hathaway
Vice President
Marty Griswold
Director of Business & Community Development
Genay Genereux
Accounting
Sara Keats
Marketing Coordinator
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WELCOME
From Seattle Theatre Group, a non-profit arts organization
We can’t imagine a better way to greet the new year than with this exciting return
engagement of THE BOOK OF MORMON! We welcome this musical to The Paramount
for the third time, in what will no doubt be another enjoyable run.
As we move into 2016 we want to note that this season offers a very special
opportunity for us to present renowned composer and drummer Stewart Copeland
and the Seattle Rock Orchestra in a live performance as part of our Trader Joe’s® Silent
Movie Monday series.
In 1925, a fledgling film studio called Metro-Goldwyn-Mayer released a sprawling,
epic, adaptation of Lew Wallace’s biblical novel, Ben Hur: A Tale of the Christ. The
film’s production was beset with accidents and logistical nightmares, but Ben Hur was
destined to become a classic, and has since gone down in cinematic history as one of
the greatest silent films ever made.
In 2010, Stewart Copeland, famed drummer for the rock band The Police, was asked
to compose a score for an arena spectacle celebrating Wallace’s original book. The
spectacle played throughout Europe, including Munich, Rome, and at London’s O2
Arena, and in 2014 Copeland debuted a full-length score for the film at the Virginia Arts
Festival. Copeland’s score, designed for an 84-minute edit of the film, will be brought to
life at Seattle’s Paramount Theatre on February 29, 2016.
Perhaps best known for his rock star past with The Police, Copeland has since enjoyed
a rich career composing for numerous films and television shows. In preparation for the
Ben Hur soundtrack, he travelled to Istanbul to research the music of the region, and his
score incorporates both traditional Middle Eastern elements and the dynamic, modern,
percussive style for which he is known.
With over 150,000 actors and extras involved in shooting the film, Ben Hur was one of
the most ambitious films of its time, and with a final budget of $3.9 million dollars, it
remains the most expensive silent movie ever made. It boasts one of Hollywood’s most
iconic action sequences, the famous Roman chariot race, which gripped audiences with
its unprecedented intensity and was recreated nearly shot-for-shot in the 1959 remake of
the same name. The chariot scene’s influence on filmmakers has endured over the years,
and even left its mark on the Star Wars franchise, influencing director George Lucas’
staging of the pod race scene in Episode I: The Phantom Menace, released in 1999.
While the film initially fared poorly at the box office, among audiences and film critics
a near-consensus was soon reached that director Fred Niblo had delivered something
uniquely wonderful. The influential film magazine Photoplay wrote of Ben Hur in 1925:
“The screen has yet to reveal anything more exquisitely moving than the scenes at
Bethlehem, the blazing of the star in the heavens, the shepherds and the Wise Men
watching...this is a truly great picture.” Eventually, the film would gross over ten
million dollars, and was selected for preservation by the Library of Congress in 1997 in
recognition of its lasting cultural significance.
“I wrote this humongous piece for orchestra and drum-set in support of this even
bigger, humungous, film,” Copeland told the BBC in 2014, “the percussion section—
they break a sweat [while performing Ben Hur]…I want to rock the house.”
STG and Trader Joe’s® are proud to host Stewart Copeland and the Seattle Rock
Orchestra at the Paramount Theatre for this special cinematic event. Come experience
this larger-than-life movie set to a larger-than-life score, and see for yourself why Ben
Hur remains such a beloved classic.
Tickets at stgpresents.org or the Paramount Theatre box office.
Encore Arts Programs is published monthly by Encore Media
Group to serve musical and theatrical events in the Puget
Sound and San Francisco Bay Areas. All rights reserved.
©2015 Encore Media Group. Reproduction
without written permission is prohibited.
encoreartsseattle.com 3
“THE BOOK
IS ALWAYS
BETTER”
thebookofmormon.org
DECEMBER 29, 2015 – JANUARY 10, 2016
ANNE GAREFINO SCOTT RUDIN
ROGER BERLIND SCOTT M. DELMAN JEAN DOUMANIAN
ROY FURMAN IMPORTANT MUSICALS STEPHANIE P. M c CLELLAND
KEVIN MORRIS JON B. PLATT SONIA FRIEDMAN PRODUCTIONS
EXECUTIVE PRODUCER STUART THOMPSON
PRESENT
BOOK, MUSIC AND LYRICS BY
TREY PARKER, ROBERT LOPEZ AND MATT STONE
WITH
A.J. HOLMES BILLY HARRIGAN TIGHE
ALEXANDRA NCUBE BRIAN BEACH STANLEY WAYNE MATHIS
RON BOHMER COREY JONES RANDY AARON EBONY BLAKE
JOSH BRECKENRIDGE MICHAEL BUCHANAN VELADYA CHAPMAN
JOSH DANIEL DAYNA JARAE DANTZLER KELECHI EZIE
CHRISTOPHER FAISON JEFF HEIMBROCK COBY GETZUG
KEISHA GILLES LOGAN HART MILES JACOBY KEZIAH JOHN-PAUL TYLER JONES
BEN LAXTON TREVOR LEADERBRAND ANTYON LE MONTE IAN LIBERTO
DANA JOEL NICHOLSON JAMIL AKIM O’QUINN DANIEL PLIMPTON ADAM RAY
STEVE RAYMOND TYRONE L. ROBINSON COCO SMITH
KRISTOPHER THOMPSON-BOLDEN JAMAAL WILSON
SCENIC DESIGN
COSTUME DESIGN
LIGHTING DESIGN
SOUND DESIGN
SCOTT PASK
ANN ROTH
BRIAN M ac DEVITT
BRIAN RONAN
HAIR DESIGN
ORCHESTRATIONS
CASTING
PRODUCTION STAGE MANAGER
J OSH MARQUETTE LARRY HOCHMAN & CARRIE GARDNER
STEPHEN OREMUS
KIMBERLY FISK
D ANCE MUSIC ARRANGEMENTS
MUSIC DIRECTOR
MUSIC COORDINATOR
ASSOCIATE PRODUCER
GLEN KELLY
JUSTIN MENDOZA
MICHAEL KELLER
ELI BUSH
TOUR BOOKING AGENCY
TOUR PRESS AND MARKETING
PRODUCTION MANAGEMENT
GENERAL MANAGEMENT
AURORA
PRODUCTIONS
STP/
DAVID TURNER
THE BOOKING ALLIED LIVE
GROUP/
MEREDITH BLAIR
MUSIC SUPERVISION AND VOCAL ARRANGEMENTS
STEPHEN OREMUS
CHOREOGRAPHED BY
CASEY NICHOLAW
DIRECTED BY
CASEY NICHOLAW AND TREY PARKER
“I’VE READ
THE BOOK”
thebookofmormon.org
6 SEATTLE THEATRE GROUP
Cast
SEATTLE THEATRE GROUP
in order of appearance
CORPORATE SPONSORS
Mormon............................................................................................................................... TYLER JONES
Moroni..................................................................................................................................BRIAN BEACH
Elder Price......................................................................................................BILLY HARRIGAN TIGHE
Elder Cunningham...............................................................................................................A.J. HOLMES
Missionary Training Center Voice.................................................................................RON BOHMER
Price’s Dad..........................................................................................................................RON BOHMER
Cunningham’s Dad.................................................................................................................. ADAM RAY
Mrs. Brown.........................................................................................................................KELECHI EZIE
Guards................................................................. CHRISTOPHER FAISON, JAMIL AKIM O’QUINN,
TYRONE L. ROBINSON
Mafala Hatimbi............................................................................................STANLEY WAYNE MATHIS
Nabulungi............................................................................................................. ALEXANDRA NCUBE
Elder McKinley...................................................................................................................BRIAN BEACH
Joseph Smith......................................................................................................................RON BOHMER
General................................................................................................................................ COREY JONES
Doctor................................................................................................................. JOSH BRECKENRIDGE
Mission President.............................................................................................................RON BOHMER
Ensemble...............................EBONY BLAKE, JOSH BRECKENRIDGE, MICHAEL BUCHANAN,
VELADYA CHAPMAN, KELECHI EZIE, CHRISTOPHER FAISON, KEISHA GILLES,
LOGAN HART, TYLER JONES, BEN LAXTON, JAMIL AKIM O’QUINN,
DANIEL PLIMPTON, ADAM RAY, STEVE RAYMOND,
TYRONE L. ROBINSON, KRISTOPHER THOMPSON-BOLDEN
UNDERSTUDIES
Understudies never substitute for the listed players
unless a specific announcement is made at the time of the performance.
For Elder Cunningham: MICHAEL BUCHANAN .
For Elder Price: ADAM RAY .
For Mafala Hatimbi: JOSH BRECKENRIDGE, JAMAAL WILSON .
For Nabulungi: DAYNA JARAE DANTZLER, KEZIAH JOHN-PAUL .
For Missionary Training Center Voice/Price’s Dad/Joseph Smith/Mission President: .
IAN LIBERTO, ADAM RAY.
For Elder McKinley: IAN LIBERTO, DANIEL PLIMPTON .
For the General: JOSH BRECKENRIDGE, JAMAAL WILSON
Pours on Pine Sponsor
COMMUNITY PARTNERS
Standby for Elder Cunningham: COBY GETZUG, DANA JOEL NICHOLSON .
Standby for Elder Price: MILES JACOBY
SWINGS
RANDY AARON, JOSH DANIEL, DAYNA JARAE DANTZLER, JEFF HEIMBROCK,
KEZIAH JOHN-PAUL, TREVOR LEADERBRAND, ANTYON LE MONTE,.
IAN LIBERTO, COCO SMITH, JAMAAL WILSON
The Taxpayers of
Washington State
DANCE CAPTAIN
IAN LIBERTO
ASSISTANT DANCE CAPTAIN
JEFF HEIMBROCK
THE BOOK OF MORMON ORCHESTRA
Conductor—Justin Mendoza; Keys 2/Associate Conductor—Daniel Klintworth; .
Keyboards—Daniel Klintworth, Justin Mendoza; Bass—Mike Preen; .
Drums—Phil Martin; Guitar—Lou Garrett; Keyboard Programmer—Randy Cohen
THERE WILL BE ONE 15-MINUTE INTERMISSION
THE PARAMOUNT ORCHESTRA
Flute, Piccolo, Alto Sax, Tenor Sax, Oboe—David Long; Trumpet, Flugel Horn, Piccolo Trumpet—
Brad Allison; Violin, Viola—William Boyd; Tenor Trombone, Bass Trombone—Dan Marcus;
Keyboard Substitute—Dwight Beckmeyer; Orchestra Contractor—Doug Solowan
Musicians in the orchestra are members of the Musicians Association of Seattle, Local 76-493
and the Federation of Musicians.
PARAMOUNT AND MOORE
SEASON PARTNERS
Cast
in order of appearance
A.J. Holmes
Billy Harrigan Tighe
Alexandra Ncube
Brian Beach
Stanley Wayne Mathis
Ron Bohmer
Corey Jones
Randy Aaron
Ebony Blake
Josh Breckenridge
Michael Buchanan
Veladya Chapman
Josh Daniel
Dayna Jarae Dantzler
Kelechi Ezie
Christopher Faison
Coby Getzug
Keisha Gilles
Logan Hart
Jeff Heimbrock
Miles Jacoby
Keziah John-Paul
Tyler Jones
Ben Laxton
Trevor Leaderbrand
Antyon Le Monte
Ian Liberto
Dana Joel Nicholson
Jamil Akim O’Quinn
Daniel Plimpton
Adam Ray
Steve Raymond
Tyrone L. Robinson
Coco Smith
Kristopher
Thompson-Bolden
Jamaal Wilson
“YOU’VE SEEN
THE PLAY...
NOW READ
THE BOOK”
thebookofmormon.org
Who’s Who
A.J. HOLMES (Elder Cunningham). Theater credits include
Arnold Cunningham in The Book of Mormon (West End,
national tour), Frederick Frankenstein in Young Frankenstein
(national tour), Henry in Next to Normal (Arizona Theatre
Co. & SJ Rep.). A.J. also composes for StarKid Productions
(Twisted, A Very Potter Musical, Me and My Dick). Proud
University of Michigan graduate. “Thanks to BRS/GAGE.
Love to Mom, Dad, Kellyn and the rest of my incredibly
supportive family.”
BILLY HARRIGAN TIGHE (Elder Price) joins the first
national tour after playing Elder Price in the West End. Other
theater credits include Pippin (Broadway), Fiyero in Wicked
(U.S. national tour), Jean-Michel in La Cage aux Folles (U.S.
national tour), Dirty Dancing (U.S. national tour). Regional
credits: The MUNY, North Carolina Theater, Goodspeed
Opera House, La Comedia, Marriott Lincolnshire. Proud
graduate of the University of Cincinnati College Conservatory
of Music (CCM). He would like to thank his family and
friends, CCCEPA, BRS/GAGE, ’06 and his wife Kristine for
their continuous support.
ALEXANDRA NCUBE (Nabulungi) is delighted to make
her national tour debut with The Book of Mormon. She holds
her B.A. in Theatre from Arizona State University. Favorite
credits include Spring Awakening (Martha) and Rent (Mimi).
“A huge thank you to friends, family and dear Sean for all of
the love and support!”
BRIAN BEACH (Elder McKinley). O-M-GOSH! I’m honored
to join the BOM family. National tours: 9 to 5, Disney’s High
School Musical. Regional: The Drowsy Chaperone (Robert),
White Christmas (Phil), West Side Story, Tommy, 42nd
Street. “Thank you to everyone who gave me this awesome
opportunity! Love to my family and friends, especially Alec.
Follow your dreams!”
STANLEY WAYNE MATHIS (Mafala Hatimbi). Broadway:
The Book of Mormon; Nice Work If You Can Get It; Wonderful
Town; Kiss Me, Kate; You’re A Good Man, Charlie Brown; The
Lion King; Jelly’s Last Jam; Oh Kay! Off-Broadway: ResurGents,
Real Black Men Don’t. Regionals: Ruined, Radio Golf, Gem of
the Ocean, Fences, Master Harold and the Boys. TV: “2-2,” “Law
& Order: Criminal Intent,” “Gossip Girls.” Film: Brother To
Brother, Family On Board, Steve McQueen’s Shame.
RON BOHMER (Price’s Dad and others). Broadway/tour
roles include Father in revival of Ragtime, title role in The
Scarlet Pimpernel, Sir Percival Glyde in The Woman in White,
Phantom in The Phantom of the Opera, Joe Gillis in Sunset
Boulevard (Jefferson Award nom.), Alex in Aspects of Love
(Robby Award, best actor). Regional: El Gallo in The Fantasticks
(Acclaim Award, best actor), George in Sunday in the Park
with George (Critics Circle Award, best actor).
COREY JONES (General). Regional: Othello (Shakespeare
Santa Cruz); King John, Aaron in Titus Andronicus, Caliban
in The Tempest (Utah Shakespeare Festival); Chad Deity
in The Elaborate Entrance of Chad Deity (Dallas Theater
Center); The Color Purple (Celebration Theater); Gee’s Bend
(Arkansas Repertory); Macbeth, Ragtime (PCPA Theaterfest);
Williamstown Theater Festival; Illinois Shakespeare Festival.
“Much love to my family!”
RANDY AARON (Swing). Broadway/Tour: 9 to 5: The
Musical, Cry-Baby, Dame Edna: Back with a Vengeance,
Joseph. Off-Broadway: The Tin Pan Alley Rag, Junie B. Jones.
Regional: White Christmas, Aladdin, Peter Pan, Hairspray.
EBONY BLAKE (Ensemble). Tour: Aida (u/s Aida). Regional:
Classical Theatre of Harlem, Music Theatre of Wichita, The
Human Race Theatre. Proud Wright State University alumna
and AEA member. Huge hugs and thanks to family, friends
and the BOM creative team!
JOSH BRECKENRIDGE (Ensemble). Broadway: The
Scottsboro Boys (Olen), The Ritz. Off-Broadway: The Scottsboro
Boys (Vineyard), Saved! (Shane, Playwrights Horizons).
Regional: The Whipping Man (John, KC Rep), Tales of the City
(Jon, ACT/O’Neill Theatre Ctr.), Scottsboro Boys (Guthrie),
Hairspray (Seaweed, Marriot Lincolnshire), Smokey Joe’s Café
(Cape Playhouse), Dreamgirls (C.C., NCT), Memphis (La Jolla
Playhouse, 5th Avenue). Film: Finding Me: Truth. B.F.A.: CCM.
MICHAEL BUCHANAN (Ensemble). Broadway: The
Addams Family, Cry-Baby. Off-Broadway: Fat Camp, Play It
Cool. National Tour: The Addams Family. Other credits: White
Noise (Chicago), The Addams Family (Chicago), Hair—Woof
(Arizona Theatre Co.), Urinetown—Bobby (2006 Joseph
Jefferson Award Winner: Best Actor in a Musical), Mame
(Kennedy Center), Pirates of Penzance (Guthrie), West Side
Story (Tony), The Fantasticks (Matt).
VELADYA CHAPMAN (Ensemble) is honored to make her
National Tour debut with BOM! She holds her B.F.A. in Musical
Theatre from Carnegie Mellon University. A huge thanks to
her amazing and endlessly supportive friends and family.
DAYNA JARAE DANTZLER (Swing). Previous credits
include national tours: The Color Purple (Celie), James and
the Giant Peach (Spider); regional theater: Little Shop of
Horrors (Audrey II), Frankenstein (Ensemble) and most
recently opened Disney’s newest ship, the Disney Fantasy.
Dantzler gives thanks to her mother for her everlasting love
and support.
JOSH DANIEL (Ensemble) is beyond excited to make his tour
debut ringing doorbells! Regional: St. Louis MUNY, Weston
Playhouse, Music Theatre of Wichita. Favorites include Into
the Woods (Jack), Hello Again (The College Boy), Street Scene
(Dick McGann). So much love to CCM, CGF, BOM and the
greatest family and friends. Dream on.
KELECHI EZIE (Ensemble). “Buffalove” N.Y. native,
Princeton University. Recent credits: Celie in The Color Purple
(White Plains Performing Arts Center), Seven Sicknesses
and Restoration Comedy (Flea Theater). Writer/star of The
Truth About Beauty and Blogs, official selection of Roger
Ebert’s Film Festival. Special thanks to Carrie Gardner, BOM
creatives, Shelli at RKS and family and friends. Kelechi is
thrilled to join BOM!
CHRISTOPHER FAISON (Ensemble). N.Y.: Finian’s Rainbow
(Irish Repertory Theatre), Mine Eyes Have Seen (The Duplex
Cabaret Theater). Regional: Songs for a New World (Man One),
Dreamgirls (J.T. Early), Smokey Joe’s Café (Ken). “Much love
and thanks to family and friends across the globe. Forever
thankful for DDO, AEA and BOM creatives. For Corey.”
COBY GETZUG (Standby Elder Cunningham). Thrilled
to be part of BOM! Broadway: Brighton Beach Memoirs.
National tour: Spring Awakening. Regional: The Black Suits,
The Lieutenant of Inishmore (Center Theatre Group); Our
Town. UCLA graduate. “Endless thanks to my family and BBR.”
KEISHA GILLES (Ensemble) is thrilled to be joining this
cast! National tour: Dreamgirls. Off-Broadway: Sistas the
Musical. Regional: The Little Mermaid, Smokey Joe’s Café, The
Drowsy Chaperone. Graduate of The Hartt School. Thanks to
the boys at Hoff!
LOGAN HART (Ensemble) ecstatically joins this production!
Regional: Gabe—Next to Normal (MTC); Ryan—High School
Musical (Paper Mill Playhouse, Casa Mañana); Mark—Altar
Boyz (Zach Scott). Broadway Bares XXII and XXIII. “Love
and thanks to Mom, Dad, Jess, Shalaina, Jake, Jen, About
Artists, Carrie Gardner and the BOM team!”
JEFF HEIMBROCK (Assistant Dance Captain/Swing) is
thrilled to return to Mormon! Broadway: The Book of Mormon.
Tour: Newsies (Spot Conlon), The Book of Mormon (Chicago/
Los Angeles). Regional: A Chorus Line, 42nd Street. Thanks
to Mom, Mel, AJ, Mere, and Gorman!.
MILES JACOBY (Standby Elder Price). Broadway: The Book of
Mormon. Miles recently played Bob Gaudio in the first national
tour of Jersey Boys. New York: These Seven Sicknesses (Flea
Theater), Woyzeck (Aporia). Regional: Streetcar (Barrington);
Zombies Actually (New Orleans Fringe); Rent, Floyd Collins,
Arcadia (Yale Dramat). Special thanks: Carrie Gardner, Brian
Usifer, Vicki Shaghoian, Craig Holzberg/Avalon, Mom, Dad,
Grant and RJ.
KEZIAH JOHN-PAUL (Swing). Touring debut! Recent
graduate of NYU Tisch’s New Studio. Favorite roles: The
Wild Party (Kate), Broadway Celebration at the White House
(Ensemble), The Seven (The DJ). Love to Mom, family, friends,
teachers and gratitude to BOM.
TYLER JONES (Ensemble). Theatre: Last Smoker In America,
Parade, All’s Well That Ends Well. Television: Boardwalk Empire.
This is the little
this is the
with a rare immune disease. And
who works with the
both supported by these generous
who are
to repair tiny
immune systems, giving children like Ezra a second chance
at a healthy childhood.
CARE. RESEARCH. PHILANTHROPY. COMING TOGETHER EVERY DAY. Baby Ezra
was diagnosed with a rare immune disease, leaving him unable to fight germs and infections.
The collaboration between Seattle Children’s doctors, researchers and generous people like
you make it possible for children like Ezra to have a brighter future. To learn more or donate,
visit seattlechildrens.org.
Who’s Who
Thanks to Carrie, the Mormon team, TKO, and Candace Goetz.
“Love to Mom, Dad and Jordan. Michigan grad.”
TREVOR LEADERBRAND (Swing) couldn’t be happier
to travel with the Mormon family! Broadway: The Book of
Mormon. National tour: Catch Me If You Can. Regional:
Maples Repertory, Timber Lake Playhouse, VADco. Many,
many thanks to Kate and Carrie Gardner. Trevor couldn’t
be here without his family, friends and Ms. D. Proud Florida
State graduate!
BEN LAXTON (Ensemble) is thrilled to join this cast!
Tours: Catch Me… (u/s Frank Jr.), Ghost (u/s Sam). Regional:
Riverside, POTS. “Love to my wife Andrea, Mom, Dad, Tori,
Mrs. Halbert, Todd, Carrie and friends. Proud Belmont grad!”
ANTYON LE MONTE (Swing) is thrilled to join The Book
of Mormon. Credits include Hairspray (national tour, 2007);
“American Idol” (Fox, 2009); La Cage (The Arts Center Hilton
Head); Aida (Gateway Playhouse); Mama, I Want to Sing!
(New World Stages NYC). He sends his love and thanks to
his family and friends for their continuous love and support.
IAN LIBERTO (Dance Captain, Swing). Broadway: Promises,
Promises; How to Succeed…; Chaplin; Billy Elliot. Tours: Evita,
A Chorus Line, Thoroughly Modern Millie. Graduate of Millikin
University. Thanks to Carrie, Casey, TKO and all who helped
make this happen. Love to Kasey.
DANA JOEL NICHOLSON (Standby Elder Cunningham) is
ecstatically grateful to be joining the BOM family! Regional:
Carousel (KC Rep/The Living Room), Shrek: The Musical (Coterie
Theatre), Evil Dead: The Musical (Egads! Theatre), The Last 5 Years
and Elegies (Riverbend Theatre Collective). “Enormous amounts
of love to my fiancé Emma and my incredible family/friends.”
JAMIL AKIM O’QUINN (Ensemble). I’m grateful for this
national tour debut. TV: Disney’s Gone Fishin’, Picket Fences,
Epic Fail, 30 Rock. Proud UC Berkeley and Princeton graduate.
Special thanks to BOM creative team, Maurice Stinnett, Calvin,
BAA, Ronelle Lucas and family.
DANIEL PLIMPTON (Ensemble) is ecstatic to join BOM.
National Tour: Spring Awakening. Regional: Paper Mill,
Goodspeed, North Shore, Engeman, Weston. The most thanks
to Boston Conservatory, BRS/GAGE, Carrie Gardner and the
creative team. Love you Mom and Dad!
ADAM RAY (Ensemble). Debut album The Clown Parade
available on iTunes now. “Special thanks to The Boston
Conservatory and Karl Bury, as well as Carrie Gardner and
the creative team. Love to my family, friends and Matthew.”
JANUARY 15 – 31, 2016
dineoutvancouver.com
STEVE RAYMOND (Ensemble). As an avid “South Park” fan
since age ten, Steve is overjoyed to be joining the BOM family!
Tremendous thanks to Carrie Gardner, the BOM Team, Judy
Boals, MSU, friends and his astoundingly supportive family.
TYRONE L. ROBINSON (Ensemble) worked with writing
teams at The Daily Show and The Colbert Report. His musical
Show Way ran to critical acclaim in N.Y.C. (iTunes). Tour:
The Lion King. “Thank you friends and family, especially
Gordon.” M.F.A. NYU Tisch.
COCO SMITH (Swing). Touring debut. Cleveland native
and graduate from AMDA of NY. Most recently performed
in the Broadway Rising Stars concert at Town Hall. CoCo is
elated to be a part of the BOM family.
KRISTOPHER THOMPSON-BOLDEN (Ensemble) is
beyond elated to join this amazing production! You may
remember him from the Broadway national tours of The
Color Purple, Billy Elliot, Anything Goes, or as CJ in the world
premiere of the musical The Nutty Professor, directed by Jerry
Lewis. “Many thanks to JC, Mama, the gang at TalentWorks,
Carrie and this amazing creative team!”
PRESENTED BY
FESTIVAL PARTNER
PREFERRED PARTNERS
™ Trademark of Tourism Vancouver, The Metro Vancouver Convention and Visitors Bureau.
JAMAAL WILSON (Swing). Tours/regional: Dreamgirls; The
All Night Strut; Sundiata, The Lion King of Mali (Sundiata);
Olympic Spirit: The Jesse Owens Story (Jesse Owens); Junie B.
Jones. Other: POPart, The Musical; For the Love of Christ, etc.
Multiple concerts throughout U.S., Germany and London.
“Much love to Mom and family for your support.”
TREY PARKER (Co-Director, Book, Music, Lyrics) wrote and
directed his first feature film, Cannibal! The Musical, while attending
the University of Colorado in Boulder. A few years later, Trey
co-created the hit animated series “South Park” with Matt Stone
(his college friend and Cannibal! producer). Debuting on Comedy
Central in 1997 and currently in its 15th season, “South Park” has
won four Emmy Awards as well as the coveted Peabody Award.
The same year “South Park” debuted, Parker wrote, directed and
starred in the film Orgazmo. Two years later, Parker and Stone
released the critically acclaimed feature film South Park: Bigger,
Longer & Uncut. The musical, which Parker directed and co-wrote,
earned an Oscar nomination for Best Song and the first-ever New
York Film Critics Circle Award for an animated film. In 2004,
the pair returned to theaters with Team America: World Police,
an action movie cowritten and directed by Parker that starred
a cast of marionettes. It has been a long-time dream of Parker’s
to write a musical for Broadway. Trey Parker is originally from
Conifer, Colorado.
ROBERT LOPEZ (Book, Music, Lyrics) is the Tony, Grammy and
Emmy-winning co-creator of the smash hit musicals Avenue Q and
The Book of Mormon. With wife Kristen Anderson-Lopez, he wrote
the songs for Disney’s blockbuster movie Frozen, including its hit
song “Let It Go,” nominated for an Oscar and Golden Globe Award.
They also wrote songs for Winnie the Pooh (Disney Animation,
2011) and Finding Nemo: The Musical (playing at Walt Disney
World since 2006). They are currently writing an original stage
musical called Up Here, directed by Alex Timbers. Bobby shared
two Emmy Awards for his music for “The Wonder Pets” and an
Emmy nomination for the “Scrubs” musical episode. His work
has been seen on “South Park,” “The Simpsons” and “Phineas and
Ferb.” Member BMI Workshop, Dramatists Guild Council, WGA,
AEA, Yale grad, native NY’er. Thanks Buzzetti, Mom, Dad, Billy,
Katie, Annie and especially Kristen for all the love and support.
MATT STONE (Book, Music and Lyrics) met Trey Parker at
the University of Colorado, and together they made a short
animated piece called The Spirit of Christmas. This launched
their most recognized work, the critically acclaimed and
award-winning television show, “South Park.” The animated
series is in its 15th season on Comedy Central and has won
Stone four Emmy Awards and the coveted Peabody Award.
South Park: Bigger, Longer & Uncut, which Stone produced
and cowrote, earned an Oscar nomination and the New
York Film Critics Circle Award for Best Animated Film. In
addition to “South Park,” Stone has partnered with Parker on
the low-budget Cannibal! The Musical, the superhero comedy
Orgazmo and the marionette action thriller Team America:
World Police. Matt Stone is originally from Littleton, Colorado.
SCOTT PASK (Scenic Design). Selected Broadway: The Book
of Mormon (Tony), The Pillowman (Tony), The House of Blue
Leaves, A Steady Rain, A Behanding in Spokane, Promises,
Promises; Hair, The Coast of Utopia (Tony, Drama Desk, Outer
Critics Circle and Hewes awards), Pal Joey (Tony nom.), Les
Liaisons Dangereuses (Tony nom., Drama Desk Award), Nine,
The Lieutenant of Inishmore, Speed-the-Plow, November, Take
Me Out, Martin Short…, The Vertical Hour, Sweet Charity,
Urinetown. London credits include: The Country Girl, Love
Song, On an Average Day (all West End); Barnum, (UK Tour).
Also Peter Grimes (Met). Cirque du Soleil’s Amaluna. BArch.
and Honorary Doctorate from The University of Arizona,
MFA Yale School of Drama.
ANN ROTH (Costume Design). Theater includes: Hurlyburly,
The Best Little Whorehouse in Texas, Singin’ in the Rain, Purlie,
The Odd Couple, Waiting for Godot. Tony nominations: The
BRIAN MACDEVITT (Lighting Design). The Book of
Mormon (Tony award). Recent NYC: Death of a Salesman
directed by Mike Nichols, Mountaintop with Samuel L.
Jackson, Chinglish on Broadway and The Enchanted Island at
the MET Opera. Last season he designed Le Compte Ory at the
Metropolitan Opera House. Dance: American Ballet Theater,
Tere O’Connor Dance, Merce Cunningham, Lar Lubovitch,
Nancy Bannon Etal. Director: Proof Theater. Three awards:
five Tonys, OBIE, Bessie, Outer Critics’, Hewes awards, Drama
Desk, et al. Member: Naked Angels Faculty: University of
Maryland. Father: Jake and Georgie.
BRIAN RONAN (Sound Design). More than 20 Broadway
shows including Bring It On; Nice Work If You Can Get It (Tony
nomination); The Book of Mormon (Tony Award); Anything
Goes (Drama Desk, Tony nomination); American Idiot; Promises,
Promises; Next to Normal (Tony nomination); Grease; Curtains;
Spring Awakening; Grey Gardens; and The Pajama Game. His
career has spanned North America, Europe and Asia and has
allowed him to work with the most talented composers, directors,
designers, actors, musicians and stagehands in the world for which
he is eternally grateful.
STEPHEN OREMUS (Music Super visor/
Vocal Arranger/Co-Orchestrator). Broadway: Tony and Drama
Desk awards for co-orchestrating The Book of Mormon and
Grammy Award for Best Musical Theater Album. Worldwide
music supervisor/arranger of Wicked; music supervisor/vocal
arranger/orchestrator: Avenue Q, All Shook Up and 9 to 5;
co-producer with Dolly Parton of the Grammy-nominated
9 to 5 Broadway cast recording. Music supervisor/arranger of
Kinky Boots. Other credits: Music supervisor, vocal arranger
and orchestrator; tick, tick…BOOM!; music director: Andrew
Lippa’s The Wild Party. Music director: Jerry Springer—The
Opera at Carnegie Hall; music director: Rufus Wainwright’s
concerts at London’s Royal Opera House and his re-creation
of Judy Garland’s legendary concert at Carnegie Hall.
LARRY HOCHMAN (Co-Orchestrator). Tony Award for The Book
of Mormon. Four other Tony nominations incl. The Scottsboro Boys
and Spamalot. Five Emmy Awards as composer of “The Wonder
Pets!” (Nickelodeon). Other Broadway incl. The Addams Family, Jane
Eyre. Twenty-five regional and Off-Broadway shows incl. Death Takes
a Holiday. Seventeen films incl. Marvin Hamlisch’s The Informant!
Composer: Little Mermaid II (add’l music), Spielberg’s Amazing
Stories, In Memoriam (symphonic, publ. E.B. Marks). Recordings,
concerts: Sir Paul McCartney, Eric Idle, Mandy Patinkin, Audra
McDonald, Barry Manilow, Boston Pops, San Francisco Symphony,
New York Philharmonic.
BRIAN USIFER (Associate Music Supervisor). Broadway/
Off-Broadway orchestras: The Book of Mormon, Sister Act,
Wicked, …Spelling Bee, Avenue Q, Altar Boyz, Burnt Part Boys.
Five years of regional theater, including Follies (Barrington Stage
Co.). Concerts: Clay Aiken “Tried and True DVD,” Arranger/
orchestrator for many readings/workshops of new musicals,
Music Director for upcoming Kinky Boots. B.Mus., SUNY
Fredonia; M.A., NYU Steinhardt.
Pictured: Dreya Weber • Photo: Michael Doucett
CASEY NICHOLAW (Co-Director and Choreographer) won
2011 Tony, Drama Desk and Outer Critics Circle awards for his
work as co-director of The Book of Mormon. Other Broadway
credits: Elf: The Musical, The Drowsy Chaperone (2006 Tony,
Drama Desk and Outer Critics Circle nominations) and
Monty Python’s Spamalot, directed by Mike Nichols (2005
Tony, Drama Desk and Outer Critics Circle nominations for
Best Choreography). Additional New York credits: for City
Center Encores!—the highly acclaimed productions of Anyone
Can Whistle and Follies (direction and choreography), Bye Bye
Birdie (choreography) and Can-Can (musical staging); for NY
Philharmonic—Candide; South Pacific at Carnegie Hall (also
on PBS “Great Performances”), Sinatra: His Voice, His World,
His Way at Radio City Music Hall starring the world-famous
Rockettes. He directed and choreographed the world premieres
of Minsky’s at Center Theatre Group, Robin and the 7 Hoods at
the Old Globe and Disney’s Aladdin at the 5th Avenue in Seattle.
Crucifer of Blood, The Royal Family, Present Laughter, The
House of Blue Leaves. Films include: Midnight Cowboy, Klute,
The Day of the Locust (BAFTA), The Goodbye Girl, Coming
Home, Hair, Working Girl, Sabrina, Silkwood, The Unbearable
Lightness of Being, The Mambo Kings, The Birdcage, The
English Patient (Oscar), The Talented Mr. Ripley, The Hours,
Cold Mountain, Angels in America, The Stepford Wives, The
Village, Closer, Evening. Irene Sharaff Lifetime Achievement
Award (2000).
JUSTIN MENDOZA (Music Director). Broadway: In the
Heights. Tours: In the Heights first national (Conductor),
Wicked first national (Associate Conductor). Off-Broadway:
Fugitive Songs. Regional: She Loves Me, Falsettos, Jesus Christ
Superstar, three years as Associate Music Director of San
Francisco’s Beach Blanket Babylon. “Much love and gratitude
to my family and all who helped me on this journey!”
JOSH MARQUETTE (Hair Design). Broadway/Off-Broadway:
Dogfight, The Best Man, The Book of Mormon, Elf, The Drowsy
Chaperone (and West End), To Be Or Not To Be, Pig Farm,
The…Trailer Park Musical, Altar Boyz, Mamma Mia! West
Coast: Aladdin, Robin and the 7 Hoods, Peep Show, Minsky’s,
Vanities. Other N.Y.: Show Boat at Carnegie Hall, Encores! No,
Who’s Who
No, Nanette and Follies, numerous productions at Juilliard.
National tours: Drowsy, Barbie Live! Television: 30 Rock.
PARAMOUNT
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CARRIE GARDNER, C.S.A. (Casting) also serves as
casting director for the Roundabout. Broadway: Cyrano
de Bergerac; The Importance of Being Earnest; The Pee-Wee
Herman Show; Bloody, Bloody Andrew Jackson; American
Idiot; Spring Awakening; Mrs. Warren’s Profession; Les Liaisons
Dangereuses. Off-Broadway: Sons of The Prophet; Look Back
In Anger; Suicide Incorporated; Dream of the Burning Boy;
Tigers Be Still; Ordinary Days; The Understudy; The Language
of Trees; Distracted; Speech & Debate; Marriage of Bette & Boo.
GLEN KELLY (Dance Arrangements). Music supervisor and
arranger for The Producers and Young Frankenstein. Other
Broadway credits include The Scottsboro Boys, Spamalot,
The Drowsy Chaperone, Beauty and the Beast, Death of a
Salesman, The Frogs, High Society, Steel Pier, Dance a Little
Closer and A Christmas Carol. For NYCB, he arranged the
music and co-wrote the libretto for Double Feature. Other
ballet credits: Thou Swell (for NYCB) and But Not for Me for
the Martha Graham Company.
MICHAEL KELLER (Music Coordinator). Current
Broadway: Hamilton, The Color Purple (2015), School of
Rock, Kinky Boots, The Book of Mormon, Wicked, The Lion
King. Upcoming Broadway: Gotta Dance, SpongeBob Tours:
Kinky Boots, If/Then, The Bridges of Madison County, The Book
of Mormon, The Lion King, Wicked. Pamela, Alexis, Zachary
and Christin make it all worthwhile.
MARC BRUNI (Associate Director). Director: Old Jews Telling
Jokes (Westside), Pipe Dream (Encores!), Fanny (Encores!),
Ordinary Days (Roundabout), In the Mood (Berkshires), …
Spelling Bee (Paper Mill/PTC), Irving Berlin’s White Christmas
(Paper Mill), Such Good Friends (NYMF Directing Award),
six shows at St. Louis MUNY including Thoroughly Modern
Millie, The Music Man, The Sound of Music (both Kevin Kline
nominations). Associate: 15 Broadway shows.
STEPHEN SPOSITO (Associate Director). Resident Director:
Wicked. Associate Director on Broadway: Cat…; How to
Succeed…; Promises, Promises; Shrek. Director: Shrek (national
tour), American Theatre Wing Gala, The Obie Awards.
Member: Stage Directors and Choreographers Society.
Graduate: The University of Michigan.
STEVE BEBOUT (Broadway Associate Director) also served
as Associate Director of The Addams Family (Broadway, tour,
Brazil, Australia), Sister Act (Broadway), 101 Dalmatians
(tour), Girl Crazy (Encores!). Directing credits include
NYC: I Got Fired, Two Rooms; Regional: The Full Monty,
The Buddy Holly Story, Little Shop of Horrors; and for NYU:
Urinetown, Bye Bye Birdie. “Thanks to Casey, Trey, Jen and
the entire BoM team.”
JENNIFER WERNER (Broadway Associate Director).
Associate Director: Follies (Encores!), Robin and the 7 Hoods
(Old Globe), Winnie the Pooh int’l tour. Choreography:
ABC’s Upfronts; As Long As (Roundabout), NFL national
commercials; Drama League Awards. Regional: Ogunquit,
TriArts, Engeman and NC Theaters. Off-Broadway choreography: Bloodsong of Love (ArsNova), The Plant That Ate
Dirty Socks (Lortel/TheatreworksUSA), ReWrite (Urban
Stages), Things to Ruin (Second Stage) and The Black Suits
(The Public Theatre/SPF).
Packages start at $300
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CLUB
PARTNERS:
JOHN MACINNIS (Associate Choreographer). Credits
include Director/Choreographer of Medals Ceremonies at
The Olympic Winter Games (2002 and 2010). Choreographed
Disney’s Beauty and the Beast, currently running in Europe.
Director/Choreographer: Radio City Christmas Spectacular
in Mexico City, Mexico. Choreographed at Shaw Festival,
Goodspeed, 5th Avenue, Pittsburgh CLO, TUTS, MTW,
Sacramento Music Circus and North Shore Music Theatre.
John has performed in eight Broadway shows.
AURORA PRODUCTIONS (Production Management).
Current projects: The Book of Mormon (Broadway and National
Tour), Once National Tour, Matilda (Broadway and National
Tour), The Curious Incident of the Dog in the Night-Time,
Amazing Grace, The Flick, The 39 Steps, The Humans, Allegiance,
King Charles III, A View from the Bridge, and School of Rock.
Upcoming projects include Noises Off, The Crucible, Hughie,
An Act of God (LA and San Francisco), Eclipsed, Shuffle Along,
and A Long Day’s Journey Into Night. Aurora has been providing
technical supervision and production management to the
entertainment industry since 1989. www.auroraprod.com.
KIMBERLY FISK (Production Stage Manager). National
tours include Wicked, Billy Elliot, Mamma Mia!, Dirty Rotten
Scoundrels, Hairspray, The Full Monty (both national tours),
Ragtime, Titanic, Victor/Victoria and How To Succeed in
Business Without Really Trying. Broadway credits include How
To Succeed…, Titanic, Chicago and Disney’s Aida. Favorite
credits include Bubba and Jezebel.
MICHAEL PULE (Stage Manager). Broadway: Mamma Mia!,
The Addams Family, La Cage aux Folles, The Lion King, A Funny
Thing…, Kiss of the Spider Woman, Les Misérables, Shogun:
The Musical, 42nd Street. National tours: Mamma Mia!, Les
Misérables. “Thank you and love to Yvonne.”
JASON J. CARROLL (Assistant Stage Manager). Broadway:
Les Misérables 25th anniversary production, In My Life,
Cabaret, Thou Shalt Not. National tours: Les Misérables 25th
anniversary production, The Phantom of the Opera, The
Full Monty, Million Dollar Quartet, The Producers, Jolson.
Off-Broadway: Hair and Bloomer Girl (Encores!), Mr.
Goldwyn, Blue Window. Regional: Goodspeed and Paper
Mill. B.F.A. University of Michigan.
DAVID TURNER (General Manager). Since joining Stuart
Thompson Productions in 2008, David has managed 12 Broadway
productions and tours including The Book of Mormon and
Jerusalem. Previously, David managed numerous Broadway
and Off-Broadway shows including …Spelling Bee, Show Boat
and Barrymore. From 1994 to 2007 he founded and ran the
Adirondack Theatre Festival where he produced more than 60
plays and musicals and led the construction of a new theater in a
vacant Woolworths store in Glens Falls, N.Y.
ALLIED LIVE (Press and Marketing) is a full-service
marketing and advertising agency representing Broadway
shows, national tours, performing arts institutions and
experiential entertainment entities. Clients include Billy Elliot,
Mamma Mia!, Catch Me if You Can, West Side Story, Hair,
Irving Berlin’s White Christmas, Ghost, A Christmas Story, Elf,
Traces, Blue Man Group and Stomp.
ANNE GAREFINO (Producer) is the executive producer
for the Emmy and Peabody award-winning television series
“South Park.” She has produced two critically acclaimed
films with Trey Parker and Matt Stone: South Park: Bigger,
Longer & Uncut and Team America: World Police. Before
moving to Los Angeles, she lived in Washington, D.C., and
worked for the public television station WETA-TV. During
her tenure at WETA, she co-produced the “In Performance
at the White House” series. The Tony and Grammy awardwinning production of The Book of Mormon marks Anne’s
Broadway debut. She began her career in entertainment at
the Folger Shakespeare Theatre on Capitol Hill and is thrilled
and honored to be working in theater once again! Anne
attended Boston College and the American Film Institute
and is originally from Lambertville, New Jersey.
SCOTT RUDIN (Producer). Films include Moonrise
Kingdom; The Girl With the Dragon Tattoo; Extremely Loud &
Incredibly Close; Moneyball; Margaret; The Social Network; True
Grit; Greenberg; It’s Complicated; Fantastic Mr. Fox; Julie & Julia;
Doubt; No Country for Old Men; There Will Be Blood; Reprise;
The Queen; Margot at the Wedding; Notes on a Scandal; Venus;
Closer; Team America: World Police; I Heart Huckabees; School
of Rock; The Hours; Iris; The Royal Tenenbaums; Zoolander;
Sleepy Hollow; Wonder Boys; Bringing Out the Dead; South
Park: Bigger, Longer & Uncut; The Truman Show; In & Out;
Ransom; The First Wives Club; Clueless; Nobody’s Fool; The Firm;
Searching for Bobby Fischer; Sister Act; The Addams Family.
Theatre includes Passion; Hamlet; Seven Guitars; A Funny Thing
Happened on the Way to the Forum; Skylight; The Chairs; The
Blue Room; Closer; Amy’s View; Copenhagen; The Designated
Mourner; The Goat, or Who Is Sylvia?; Caroline, or Change;
The Normal Heart; Who’s Afraid of Virginia Woolf?; Doubt;
Faith Healer; The History Boys; Shining City; Stuff Happens;
The Vertical Hour; The Year of Magical Thinking; Gypsy; God
of Carnage; Fences; The House of Blue Leaves; Jerusalem; The
Motherf**ker with the Hat; One Man, Two Guvnors; Death of
a Salesman. Television includes The Newsroom.
ROGER BERLIND (Producer). Recent productions include
Copenhagen; Kiss Me, Kate; Proof; Medea; Anna in the Tropics;
Caroline, or Change; Wonderful Town; Doubt; The History Boys;
Who’s Afraid of Virginia Woolf?; Faith Healer; Deuce; The Year of
Magical Thinking; Curtains; Rock ’n’ Roll; Is He Dead?; Gypsy; 13;
Equus; Ragtime; A Little Night Music; A Behanding in Spokane;
Driving Miss Daisy; La Bête; Arcadia; Jerusalem.
SCOTT M. DELMAN (Producer) has co-produced 25
Broadway and London West End plays and musicals including
Tony nominees such as Ragtime, American Idiot, Reasons to
Be Pretty, Mary Stuart and Arcadia. More recently, Scott has
won Tony awards for co-producing Death of a Salesman and
The Book of Mormon.
JEAN DOUMANIAN (Producer). Cock, Tribes, Death of a
Salesman, The Mountaintop, The Motherf**ker with the Hat,
The House of Blue Leaves, August: Osage County (2008 Pulitzer
Prize and Tony Award for Best Play), Tom Stoppard’s Jumpers
and Thornton Wilder’s Our Town, dir. David Cromer (Obie
and Lortel awards).
AEA is a member of the AFL-CIO, and is affiliated with FIA,
an international organization of performing arts unions. The
Equity emblem is our mark of excellence. actorsequity.org.
STAFF FOR THE BOOK OF MORMON
GENERAL MANAGEMENT
STUART THOMPSON PRODUCTIONS
Alexa Bishop Brad Broman Susan Brumley
Megan Curren Kevin Emrick Micah Frank
Rebecca Habel David Haines Adam Jackson
Zak Jacobs James Lawson Nick Lugo
Adam J. Miller Shaun Moorman Julie Schneider Spencer Smith Brittany Weber
ASSOCIATE GENERAL MANAGER
Nick Lugo
COMPANY MANAGER
Susan Brumley
PRODUCTION MANAGEMENT
AURORA PRODUCTIONS
SONIA FRIEDMAN PRODUCTIONS (Producer). West
End/Broadway shows include Twelfth Night and Richard III;
A Chorus of Disapproval; The Sunshine Boys; La Cage aux
Folles; Clybourne Park; Nice Work If You Can Get It; Jerusalem;
The Mountaintop; Betrayal; Much Ado About Nothing; The
Children’s Hour; Arcadia; A View From the Bridge; A Little
Night Music; The Norman Conquests; Boeing-Boeing; The
Seagull; Rock ’n’ Roll; Faith Healer. SFP is a subsidiary of The
Ambassador Theatre Group.
McCarthy, Helen Jones, Melissa Mazdra, Rob Ward, Gene O’Donovan
ROY FURMAN (Producer). Currently on Broadway: The
Book of Mormon, War Horse, Nice Work If You Can Get It,
Evita. Upcoming: Annie, The Heiress, Cinderella. Recent
productions include The Addams Family, West Side Story,
The History Boys, Spamalot. Co-founded investment firm
Furman Selz. Currently Vice Chairman at Jefferies and Co.
Vice Chairman at Lincoln Center. Chairman Emeritus, Film
Society of Lincoln Center.
TOUR PRESS & MARKETING
ALLIED LIVE
Laura Matalon Marya Peters
Andrew Damer John Gilmour Meghan McDonald
STEPHANIE P. MCCLELLAND (Producer). Founder,
Green Curtain Productions (GCP). Ms. McClelland has six
Tony and Drama Desk awards and more than 50 theatrical
productions worldwide. Broadway credits include The Cripple
of Inishman; All The Way; A Raisin in the Sun; After Midnight;
Betrayal; Twelfth Night/Richard III; The Testament of Mary; I’ll
Eat You Last; The Heiress; One Man, Two Guvnors; Jerusalem;
Arcadia; La Bête; Red; The Addams Family; A Behanding in
Spokane; Ragtime; Hamlet; All My Sons; Sunday in the Park With
George; Cyrano de Bergerac; Journey’s End; The History Boys;
The Drowsy Chaperone; The Color Purple; Spamalot; Glengarry
Glen Ross; The Pillowman; Democracy; Jumpers; Flower Drum
Song. Boards: The Juilliard School and American Associates
of the National Theatre. “Love and gratitude to my family.”
KEVIN MORRIS (Producer). Proudly Trey and Matt’s lawyer
and friend since they slept on couches. Producer of the classic
documentary film Hands on a Hardbody. In addition to his
law practice, he now devotes much of his time to writing. He
thanks Gaby and their beautiful kids, Rocky and Dulcie, who
won’t be allowed to see this show for a long time.
JON B. PLATT (Producer). Tony Awards: Angels in America:
Millennium Approaches (Pulitzer Prize)/Perestroika, Clybourne
Park (Pulitzer Prize), Copenhagen, God of Carnage, The Book of
Mormon, Death of a Salesman. Nominations: Wicked, A View
From the Bridge, The Motherf**cker with the Hat, Jerusalem,
Venus in Fur, Nice Work If You Can Get It. Off-Broadway: Cock.
STUART THOMPSON (Executive Producer). This season
on Broadway: King Charles III, The Curious Incident of the
Dog in the Night-Time. Of his numerous producing credits,
recent ones include The River, No Man’s Land/Waiting for
Godot, The Testament of Mary, Cat on a Hot Tin Roof, Death
of a Salesman, Jerusalem, The Motherf*cker With the Hat, A
View From the Bridge, God of Carnage, Exit the King.
ACTORS’ EQUITY ASSOCIATION (AEA), founded in
1913, represents more than 49,000 actors and stage managers in
the United States. Equity seeks to advance, promote and foster
the art of live theater as an essential component of our society.
Equity negotiates wages and working conditions, providing a
wide range of benefits, including health and pension plans.
Ben Heller, Chris Minnick, Liza Luxenberg, Anthony Jusino,
Isaac Katzanek, Geoff Quart, Kelly Levy, Katie Hesketh, Andrew
TOUR BOOKING AND
ENGAGEMENT MANAGEMENT
THE BOOKING GROUP
Meredith Blair, President
Kara Gebhart, Vice President Operations
Doug Blemker, Mary Alyce Blum, Sarah Dahlberg, Jen Gallagher,
Anne Dailey Meyer, Jacqueline Smith
BROADWAY PRESS OFFICE
BONEAU/BRYAN-BROWN
Chris Boneau Jim Byk Kelly Guiod
ASSOCIATE DIRECTOR
Marc Bruni Stephen Sposito
BROADWAY ASSOCIATE DIRECTORS
Steve Bebout Jennifer Werner
ASSOCIATE CHOREOGRAPHER
John MacInnis
SCOTT RUDIN PRODUCTIONS
Colin Greten Robert Moya Melody Ramnath Jason Sack Jeff Schwartz
Production Stage Manager.............. Kimberly Fisk
Stage Manager.........................................Michael Pule
Assistant Stage Manager...................... Jason J. Carroll
Assistant Company Manager.....................Brad Broman
Dance Captain............................................ Ian Liberto
Assistant Dance Captain........................Jeff Heimbrock
Associate Scenic Designer.................Frank McCullough
Assistant Scenic Designers.................... Lauren Alvarez,
Christine Peters, Orit Carroll
Associate Costume Designer........... Matthew Pachtman
Assistant Costume Designer.................... Irma Brainard
Costume Shopper.......................Brenda Abbandandolo
Associate Lighting Designer..............Benjamin C. Travis
Assistant Lighting Designer......................... Rob Denton
Associate Sound Designer.......................Cody Spencer
Production Carpenter.............................. Mike Martinez
Production Electrician.................................... Dan Coey
Production Sound Engineer............ Christopher C. Sloan
Production Props......................................Peter Sarafin
Moving Light Programmer..................... David John Arch
Head Carpenter.......................................... Keith Reese
Advance Carpenter.........................................Cris Cory
Flyman...................................................Ronnie Sukinik
Automation........................................... Forrest Hinman
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CREDITS
Scenery fabrication by PRG-Scenic Technologies, a division
of Production Resource Groups, LLC, New Windsor, N.Y.
Lighting equipment provided by PRG Lighting, Secaucus, N.J.
Sound equipment provided by Masque Sound. Costumes by
Eric Winterling, Inc.; Gilberto Designs, Inc.; Katrina Patterns;
Izquierdo Studios, Ltd.; Studio Rouge, Inc. Millinery by
Rodney Gordon, Inc. Custom fabric printing by First 2 Print
LLC.; Jeff Fender Studios. Eyewear provided by Dr. Wayne
Goldberg. Custom footwear by LaDuca Shoes, Inc. Props
executed by Cigar Box Studios, Tom Carroll Scenery, Jerard
Studios, Deadalus Design and Production, Joe Cairo, J&M
Special Effects, Jeremy Lydic, Josh Yoccom. Wigs made
by Hudson Wigs. Makeup provided by MAC Cosmetics.
Keyboards from Yamaha Corporation of America.
SPECIAL THANKS
John Barlow, Lisa Gajda, Angela Howard, Bruce Howell, Beth
Johnson-Nicely,
Sarah Kooperkamp, Kristen Anderson-Lopez,
3/20/13 3:00
PM
Katie Lopez, Annie Lopez, Kathy Lopez, Frank Lopez, Billy
Lopez, Brian Shepherd, Eric Stough, Boogie Tillmon, The
Vineyard Theatre, Darlene Wilson.
EAP House Ad Reach 1_6V 3.19.13.indd 1
Photo courtesy of Seattle Opera. Bill Mohn photographer
Assistant Carpenter.................................. Jon Wildesen
Head Props............................................ Vera Pizzarelli
Assistant Props.........................................Scott Gibson
Head Electrician........................................... Bob Jarvis
Advance Electrician................................... Steve Deidel
Deck/Moving Lights................................ Sean Hamilton
Followspot...............................................Mark Anthony
Head Sound.............................................. Mike Farfalla
Assistant Sound......................................Nate Flanagan
Wardrobe Supervisor..................................Elmo Struck
Assistant Wardrobe................................. Renee Gomila
Stitcher................................................. Michael Harrell
Hair Supervisor............................................Debra Parr
Assistant Hair............................. Rosemary Lucius-Louis
Associate Musical Supervisor.......................Brian Usifer
Assistants to the Producers....Jack Zegarski, Carly Price
Production Assistants............................. Alan D. Knight,
Michelle Heller, Katrina Stevens
Casting Associate.................................... Kate S. Boka
Banking.......................................... City National Bank/
Erik Piecuch, Michele Gibbons
Payroll.....................................Castellana Services, Inc.
Accountant......................... Fried & Kowgios CPAs LLP/
Robert Fried, CPA
Controller................................................... J.S. Kubala
Insurance........................................ DeWitt Stern Group
Legal Counsel............................. Lazarus & Harris LLP/
Scott Lazarus, Esq.,
Robbert C. Harris, Esq.
Marketing Consultant............................Crispin Ollington
Advertising............................................ Serino/Coyne/
Nancy Coyne, Greg Corradetti, Scott Johnson,
Sarah Marcus, Ryan Murphy, Brian DeVito
Digital Outreach...................... BLT Communications, Inc.
Logo and Artwork Design........... BLT Communications, Inc.
Website Design..................... BLT Communications, Inc.
Travel Agent............................................... Tzell Travel
Company Housing.............. Lisa Morris, Road Concierge
Physical Therapy............... Neuro Tour Physical Therapy
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EMG07 Audience 1_12.pdf
The actors and stage managers employed in this production are members of Actor’s Equity Association, the
union of professional actors and stage managers in the
United States.
Backstage employees are represented by the
International Alliance of Theatrical Stage Employees (or
I.A.T.S.E.).
The musicians, conductors, music preparation personnel and librarians employed in this production are members of the American Federation of Musicians of the
United States and Canada.
The Director and Choreographer are members of the
Stage Directors and Choreographers Society, a national
theatrical labor union.
The press agents and company managers employed in
this production are represented by the Association of
Theatrical Press Agents & Managers.
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KICK OFF 2016 WITH…
JANUARY
UNKNOWN MORTAL
ORCHESTRA
FEBRUARY
STICK FIGURE
3 Mike Gordon
The acclaimed Phish bassist performs with his own band.
16 Doug Loves Movies Podcast Taping
The comedian and podcast host talks to his special surprise guests about his first love… movies!
23 Craig Gass
The popular comedian and impressionist brings his
stand-up show to Seattle.
29 Little Big Show #14:
Unknown Mortal Orchestra
The psychedelic Portland band headlines this year’s
event, also featuring Baltimore’s Lower Dens and.
Seattle’s Hibou.
30 Jesse Cook
The Juno Award-winning Canadian guitarist, composer,
and producer performs.
NEPTUNE SPONSORS & SUPPORTERS
4 Stick Figure
This group of musicians, fronted by Scott Woodruff,
brings its blend of upbeat roots reggae and dub to the
stage.
5 Dr. Dog
The popular band, which specializes in live shows, offers
songs from its new release Live at a Flamingo Hotel.
6 Super Furry Animals
The renowned Welsh rock band brings its psychedelic
rock and electronic experimentation to Seattle.
25 Railroad Earth
The jam band performs its own style of Americana-based
progressive bluegrass.
FEBRUARY 2-7 • THE PARAMOUNT THEATRE
877-784-4849 • STGPresents.org
Priority Seating & Discounts for Groups 10+ call: 888-214-6856
Tickets Available Through Tickets.com and Select Ticketmaster Locations
What Really Happened…
Rick Elice Talks
About The
Jersey Boys
Phenomenon
Playing The Paramount
March 8–13
Forget about show-stopping finales.
In Jersey Boys, the smash-hit musical about the rise and fall of The Four
Seasons, the pinnacle of excitement
comes about 45 minutes into the first
act. That’s when back-to-back presentations of three of the group’s biggest hits
— “Sherry,” “Big Girls Don’t Cry” and
“Walk Like a Man” — are greeted with
enough thunderous applause to start a
downpour.
“At that moment the a udience has
forgotten they’re watching four actors and they root for these four guys
as though they really are The Four
Seasons in their youth,” says Rick Elice,
one of the show’s book writers. “The
response is so sincere and enthusiastic
and over the top that it’s impossible to
believe anything else.”
It’s also somewhat surprising. After
all, The Four Seasons may have been
one of the most successful groups of
the 1960s, but history hasn’t institutionalized them the way it has the
Beatles or other bands popular with
that era’s counterculture. But Elice
thinks that’s one reason why fans are so
hungry for their music and the incredible story of four Italian-American
kids from the wrong side of the New
Jersey tracks who could just as easily
have ended up in prison as on the pop
charts.
“In many ways the band was a reflection of the people who were buying
their records,” Elice notes. “They didn’t
have long hair or accents. There was no
glamour quotient to them at all, which
is why they were never written about.
For fans of the band, the show is an
edification of who they are, because the
cultural establishment ignored them
too. These weren’t the people who went
(l to r) Keith Hines, Aaron De Jesus, Drew Seeley and Matthew Dailey Photo: Jeremy Daniel
down to Washington and marched
against the war; these were the guys
who shipped out and went to Vietnam.
And the respect that the band is getting
all these years later somehow feels like
respect for them too.”
In fact, before working on Jersey
Boys, The Four Seasons song that most
resonated with Elice (pronounced
“Ellis”) was “Can’t Take My Eyes Off
You,” because characters in The Deer
Hunter sing it just before they go to
Vietnam. But he and his Oscar-winning
co-author, screenwriter Marshall
Brickman (Annie Hall), probably were
more familiar with Vivaldi’s Four
Seasons than pop music’s when they
began work on the show, a first musical for them both. Des McAnuff, on the
other hand, the Tony-winning director
behind The Who’s Tommy, was a huge
fan of the group (the first album he ever
bought was a Four Seasons one), and
he helped to shape the show from its
early stages.
While other musicals have tried to
capitalize on a group’s catalog of songs
by integrating them into the plot, the
writers agreed with McAnuff that their
staging should be presentational, as if
The Four Seasons were performing the
songs to an audience, not singing them
from one character to another.
“In the first act the songs are presented pretty much chronologically, as they
took place within the life of the band,”
explains Elice, who prefers to describe
Jersey Boys as a “play with music” instead of employing the much maligned
“jukebox musical” moniker. “In the
second act the music is more cunningly chosen to reflect either directly
or by contrast what the band is going
through at the point where things start
to fall apart.” As members leave the
group one by one, it’s to a medley of
“Stay,” “Let’s Hang On (To What We’ve
Got),” “Opus 17 (Don’t You Worry
’Bout Me)” and “Bye, Bye, Baby.”
Jersey Boys was born when Elice,
for many years the creative director of
Broadway advertising agency Serino
Coyne, was contacted by a former client who had the option on The Four
Seasons catalog. Elice had written a
couple of plays and always wanted to
work with Brickman, who was a poker
buddy. But as they interviewed the
E X PE R I E N C E O U R
Lauren Tartaglia and Aaron De Jesus.
Photo: Jeremy Daniel.
three surviving Seasons, they faced
a predicament over how to tell the
group’s “true” story when they couldn’t
even figure out what it was.
Elice and Brickman met with Bob
Gaudio and Frankie Valli, the two
Seasons who, way back when, formed a
business partnership with a handshake
that still stands today. “They started to
describe what it was like to be bluecollar kids, first-generation Americans,
Roman Catholic, high school dropouts
who were flirting with careers in crime
in an environment where people had
two pictures on the living room wall:
the Pope and Frank Sinatra,” Elice recounts. “It was the archetypal American
rags-to-riches story: You start with
nothing, achieve success and then try
to navigate your life through the waters
of success.”
But when they contacted Tommy
DeVito, the initial driving force behind
the group until gambling debts put
him on the outs with the mob, “He
said, ‘Don’t listen to them, I’ll tell you
what really happened,’” Elice recalls.
That’s when they decided to structure
the show the Rashomon way, by letting
each character tell his own account.
As Tommy says at the beginning of the
show, “You ask four guys, you get four
different versions.”
Each Season narrates a portion of the
story, including bass player Nick Massi,
who died in 2000 and left the group
at the height of its popularity without
much explanation. Brickman and
Elice drew their portrait of him from
the memories of the other survivors.
“There was a great mystery to Nick,”
Elice says. “Today you would call him
obsessive-compulsive with sort of a
sideline in sexual addiction. One day
we realized the correlative for Nick
would be to think of him as the Ringo
of the band. In any group there’s going
to be someone who’s off to the side.”
That gave them the chance to focus on
the Tommy-Frankie-Bob dynamic that
first propels The Four Seasons to the top
of the charts and eventually breaks them
apart. “This was really a love triangle —
without any sexual component,” Elice
observes. “There was Tommy, who discovered Frankie when he was a teenager
and held the trio group of Tommy, Nick
and Frankie together when they were a
cover band. Then Bob, this new, young
talent came on the scene, and Frankie
turned away from Tommy and turned
toward Bob because Frankie and Bob
were simpatico.”
Valli and Gaudio saw in each other
what the group needed to succeed:
Gaudio, already a songwriting prodigy
when he joined the group, wrote or
co-wrote many of the group’s signature
songs, which accentuated Valli’s vast
vocal range and commanding falsetto.
DeVito, meanwhile, piled up a huge
debt. But by then the Seasons were
more than just a group: They’d become
a family, and that put their loyalty to the
test. “Tommy gave Frankie and Bob an
opportunity to do what families always
do,” Elice says. “No matter what kind of
betrayals occur you always stand up for
another person in the family because
the ties that bind are so strong.” DeVito
may also have been dealing with his
own family issues. As The Four Seasons
climbed the charts, his brother, who
once had been part of the band, was
behind bars.
And for Elice, that’s the essence of the
show —family. “That was a very powerful hook,” he says. “We all know what
it’s like to want acceptance, to want respect and to try to find a sense of home
with people that are not just the family
we’re born into but the family that we
choose.”
Diane Snyder is a freelance journalist
whose work has appeared in Time Out
New York, The Wall Street Journal and
American Theatre.
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$10,000 – $24,999
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$2500 – $4999
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Your Dollars @ Work
AileyCamp Comes to Seattle!
AileyCampers participate in a personal development class at AileyCamp New York.
Photo by Tiffany Batifort
AileyCamp changes lives…
One young AileyCamp Berkeley participant, who is now a junior staff
member, described in her own words:
When I was 12 and arrived at AileyCamp, I was angry, drinking,
having a hard time in school, and not living with my Mom because
we were always fighting. I didn’t understand why I was feeling and
acting that way until I experienced the personal development class
at AileyCamp. For the first time in my life, I was around adults who
believed in my potential. The personal development classes helped
me understand why I was confused and angry. AileyCamp literally
changed my life.
We don’t know exactly how many young people may be going
through the same thing that this young woman experienced, but we
are committed to assuring that at least 60 kids, ages 11–14 from our
community are given a chance to succeed, like she did.
AileyCamp is a free six-week program that combines professional
level dance training with personal development courses and
activities to ignite the uniqueness, brilliance, and creativity in every
camper.
The Seattle Theatre Group AileyCamp launches in June 2016. To
ensure that 60 kids from our community have this very special
opportunity, we’re asking for your support to provide:
•
•
•
•
•
•
•
•
•
•
Free transportation to and from camp daily for 6 weeks
Free meals and all needed materials
Equitable access to a life-changing experience
Each full scholarship = $4,440
Cost per week of camp = $740
Camp cost per day per camper = $148
Transportation cost per camper = $1000
Meal cost per week per camper = $420
Class materials per camper = $41
Camp attire per camper = $125
Lend your support to Seattle Theatre Group AileyCamp!
Our goal is to underwrite 60 campers for the full 6-week program,
with your help. To date, 28 scholarships have been underwritten
thanks to many generous individuals and the following corporate
and community supporters.
Boeing, USI Kibble & Prentice, Zaki Rose, Schultz Family Foundation,
Plum Creek Foundation, Jubilation Foundation.
To learn more or pledge your support, contact Maura Ahearne at
[email protected], or 206-467-5510 x 1148.
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BOARD OF DIRECTORS
im Margard, C
J
hair
Greg Mollner, P
resident
Bob Lipman, T
reasurer
Ron Wilkowski, V
ice President
Jim Kraft, General Counsel
Ricardo Frazer, S
ecretary
Directors
Lindsay Anderson
Jan Block
Becky Bogard
Shavondelia Brown
Peter Davis
Masha Hart
Brian Langstraat
David McShea
George Northcroft
Steve Peltin
Tina Podlodowski
Mike Slade
Mary Beth Wressell
HONORARY BOARD MEMBERS
Ida Cole, F
ounding Director
nn Deutscher
A
Sara Hart
Marian Thrasher
SEATTLE THEATRE GROUP
Josh LaBelle, Executive Director
VISION To enrich, inspire, challenge and expand our world through the arts
MISSION Making performances and arts education in the Pacific Northwest enriching, while
keeping Seattle’s historic Paramount, Moore and Neptune Theatres healthy and vibrant
CORE VALUES • Stewards of historic theatres
• Catalysts for community alliances
• Passion for diversity in the arts, artists and audiences
• Arts leadership locally, regionally and nationally
MEMBERS OF STAFF
EXECUTIVE OFFICE
PATRON SERVICES
HOUSE STAFF
Josh LaBelle
Executive Director
Tory Wimer Contreras
Director of Sales and Patron Services
Mason Sherry
Theatre Manager
David Allen
Chief Operating Officer
Heather Davidson
Club Relations & Events Coordinator
Ted Dowling
House Manager
Martin Sepulveda
Executive Assistant
PJ Mertz
Sales Manager
PROGRAMMING
Bryan Lineberry
Group Sales Manager
Brandon Cyprian, Chad Hudson,
Miranda Lerian, Enrique Sigala, Billie
Webber, Sydney Webster
Adam Zacks
Senior Director of Programming
Debra Heesch
Special Events Manager
Ryan Cook
Talent Buyer
Jack McLarnan
Season Programming Manager
David Oster
Subscripion’s Coordination
Anna Bryant
Patron Relations Manager
Jenny Lachuta
Club Relations
Administrative Coordinator
BOX OFFICE
CENTERSTAGE COUNCIL
Kayte Olsufka
Programming Associate
Ann Deutscher
MARKETING
ed and Danielle Ackerley
T
Howie Barokas
Janie Hendrix
Marty Loesch and Cyndi Lewis
John Maynard
Chris McReynolds
Kabby Mitchell
Tina Pappas and Robert Aigner
Paul Pradel
Stephen and Sheila Salamunovich
Michael Shrieve
Jeff Trisler
Gigi and Alan White
Vivian Phillips
Director of Marketing & Communications
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SLATE OF OFFICERS 2012-2014
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Graphic Designer
Ginny Matheson
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Sara Hart Kelly McMahon
Data Specialist
Misty Stevens
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Fred Johnson Vice-Chairman
Susan Jackson Secretary
Members
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Bonnie Briant
JoAnn Field
Jim Malatak
Linda Middlebrooks
Arlene Rankiin
Lynn Thrasher
Marian Thrasher
Melinda Wilson
Honorary Member
Phil Hargiss, P
uget Sound
Organ Society
Council Members Emeritus
Barbara Roper
Claire Tompkins
STG Volunteer Office Coordinator
Jim Malatak
Lauren Daniels
Digital Communications Manager
Ken Potts
Director of Marketing, Season and
Major Programs
Emily Krahn
PR Manager
Hilary Northcraft
Marketing Associate
Joshua Phenicie
Digital Communications Assistant
Jason Ross
Concerts Marketing Manager
Maura Ahearne
Development Director
Danielle Olson
Director of Corporate Relations
Aaron Semer
Annual Fund Manager
Brian Layton
Historic Facilities Program Director
Jamie Moses
Development Coordinator
Lauren Tucker
Development Associate
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Vicky Lee
Director of Education & Performance Programs
Sarah Loritz
Community Programs Manager
Marisol Sanchez-Best
Education Programs Manager
Shawn Roberts
AileyCamp Director
Dance for PD® Program Manager
Marita Phelps
Education and Community
Programs Coordinator
Jeff Beauvoir
Director of Ticketing
Phil Brock
Show Supervisor
Stefanie Wolf
Show Supervisor
Ngai Kwan
Ticketing Manager
Tonjia Phenicie
Box Office Administrator
Elizabeth Davenport
Box Office Lead
MAINTENANCE
Jeff DeVick
Director of Building Services
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Building Services Manager
Jason Armes, Judith Carroll,
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CUSTODIAL
Dido Ali, Denise Antoine,
Alex Arthur, David Beckley,
Ramon Bland, Michael Blue,
Suzanne Brandkamp,
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Fadumo Farah, Simon Godfrey, Andrea
Groce, Lonnie Haynes, Dembo Hatu,
Kelsang Jinkak,
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Ashley Mauerhan, Tamara McLennan,
Nikita Pines, Eddie Scott,
James Stone, Kirk Thompson
Cenee Cain, Courtney Comfort, James
Eddy, Chad Gabagat, Alicia Gibson,
David Gordon, Lila Hughes, Timothy
Mitchell, Mia Sessions
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STAGE CREW
HUMAN RESOURCES
Mike Miller
Head Sound Engineer
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Andria Green
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Ellen Trowbridge
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Brianna Ponio
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Jennifer Moore
Accountant
Kate Schneider
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David Allen
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Dean Wattles
Operations Manager
Dan Reinharz
Neptune Manager
Michael von Kempf
Network Administrator
Mike Miles
Technical Director, Paramount
Jeff Payne
Head Electrician, Paramount
Joseph Poole
Head Props, Paramount
Robert Margoshes
Technical Director/
Head Electrician, Moore
Steve Martin
Head Flyman, Moore
Dan Droz
Head Sound, Moore
Anneka Kielman
Electrician, Moore
HAIR & MAKEUP
Pam Farrow
Head of Hair & Makeup, Paramount
WARDROBE
Delia Mulholland
Wardrobe, Paramount
All stage, wardrobe, hair and makeup
personnel employed by Seattle
Theatre Group are represented
by the International Alliance of
Theatrical Stage Employees Locals
15, 887 and 488 respectively. The
musicians employed by Broadway at
the Paramount are members of the
American Federation of Musicians,
Local 76-493.
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