Forecast - Info

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Forecast - Info
hp2
1
(The) Design
Title Ideas
Brainwave
Solutions
Atrappe
(The) Draft
(The) Outline
Apercu
(The) Sketch
Creative Process
SketchUp
Pie in the Sky
Mock Up
Scribble
Marquette
Vivid Imagination
Blueprint Forecast
Flash of Genius
(The) Modell
Trail
(The) Brainchild
Prototype
Brainstorm
Future Plans
Moods
Paper versus digital – haptical, cost intensive, nonelectronic collectors item versus multi-media,
easy to share - easy to forget, unlimited virtual space
your choice
cost effectiveness
work effort
fun factor
sex appeal
overall reach
coolness factor
acknowledgement
durability timewise
paper
digital
Preview
Resume
Skizze
2
We invited artists to submit
ma­terial in form of sketches, mod-­
els, texts, manipulated photos,
anything that best describes a yet
to be conceived artwork.
The only requirement, was that the
sketches had to be of a work
in progress. The participants‘ submissions are part of this InfoPunkt publication Forecast, that
is published in digital form
as well as a limited print edition.
First Name
Family Name
Year
of Birth
Residence
First Language
Clémence
Peggy
Hayley
Emily
Olivia
Cosima
de La Tour du Pin
Pehl
Silverman
Shinada
Erlanger
zu Knyphausen
1986
1983
1986
1985
1990
1988
Berlin
Leipzig
New York
Providence
New York
Berlin / Leipzig
French
German
English
English
English
Spanish
3
4
C l é m e n c e
de La Tour du Pin
5
Packing and con·di·tion·ing the idea: the
work provided includes images for
an online ad­vertising campaign. Research
files are currently available as separate
elements in the Dropbox, feel free to
select the ones that are the most connected.
In my Forecast Google Drive, you have
access to my online diary, with further
material, until August 15.
6
avatar, disfjmx, poorimage, belief, 74 0 2 nrmia, gmnastic,
fiction, false, variation, virtual, itjitrjy, lkrjre, skyzo,
dime­thyltryptamine 0—20 seconds : a scratchiness, tkl2gy,
mixed reality, waste, second life, effervescent, mainStream,
ghrt, (New Intuitive Time Zone), plants or plantlike forms,
anti­oxidant 750 ml, SPAM, the eight banners, search engine
ma­rketing, trick banner, floating ad, synaptic vesicular
fra­ction[52], popups and popunders, frame ad, stimergic
be­haviour in social movement.
timebased image
imagelink
second hand opinion
Show 1
Show 2
Show 3
Show 4
Show 5
B8_c150212_1.gif
7
floating ad
Viewers are forced to see the ad.
Even if they try to click out of it
as quickly as possible there is still a few
seconds where they have to look at it.
http://cs.sina.com.cn/minisite/2013bluemoon/index.html
spam
http://themadhouseofcatsandbabies.com/wp-content/uploads/2013/08/spam.jpg
NITZ
http://www.furtherfield.org/lexicon/nitz
stimergic behaviour in social movement
http://en.wikipedia.org/wiki/Stigmergy
synaptic vesicular fraction
http://faculty.washington.edu/chudler/gif/synani1.gif
eight banners
http://en.wikipedia.org/wiki/Eight_Banners
8
http://info-punkt.eu/forecast/59_banners.pdf
9
P
P
e
e
g
g
h
y
l
10
... i am done. i scan this and send it
to you. you can comment it then. i can not
give comments. don’t do sketches
us­ually. thats why i chose to show it this
way – pictures + thoughts (like in mind).
also it feels a little girly and not
pro­fessional, but well i am not
from portland...
11
12
13
14
2
For quite some time now I have
been working with special modelling clay. It comes in many colors.
I use the clay for collages. It is
ovenhardening. There is a series
of African masks which I extended with this modelling clay. I am
very happy with this piece. I
would like to enlarge this wallpiece to a room installation.
There are a lot of possibilities. I
will sketch out one of them here:
Short explanation: I thought
about rolling out the modelling
clay very thin and long with my
noodle machine. Afterwards coat
or mask the wooden sticks with
the clay. The sticks don’t lose
their shape in the process. But
they lose their surface (appearance). Covered completely, I put
them in the oven. Every piece has
its own color. The clay is hardening in the oven. Stick and clay
merge. Then I will group all of
the wooden sticks together to a
bonfire. See sketch. It will take 60
hours... maybe more, maybe less...
3
Modelling clay: seen it in blue
color, there are many more colors
available, all of them very
“bright-colored” (here: rolled
out: very thin & very long)
You can buy them in a chunk of
56 g, approximately this big
(small): you constantly go to the
shop to buy more!
Ingredients are PVC & softener
4
Presently the most important tool
of Peggy Pehl... I mostly use the
lasagna crank - I am going to
need it... maybe more often maybe less
6
Sticks from the wood: I have to
collect them, so many that it
looks like a real good bonfire
15
16
17
H a y l e y
S i l v e r m a n
E
m
i
l
y
S h i n a d a
18
Here is Adam half-printed. This is one
of the first photographs we took
2 1/2 years ago when this project began.
We have since amassed 67 GB of
images. The confluence of our efforts and
differences has created a third thing
with a vitality of its own – originally inspired
by tales of synthetic or magically
cre­­­­a­­t­ed lifeforms the project has begun to
mirr­or it's subjects. Its soft guppy like
features sparkling through the spinners of
the Epson mega-jets.
19
20
21
22
O l i v i a
E r l a n g e r
23
june25.txt
i dragged my text
h of my screen. all
x out to fit the widt
e corners.
i see is white. at th
bo
ur head in an oven
. if you put yo
ad in the computer
he
y
m
t
pu
e
I'v
g
today I'm sittin
acted.
evitability i get distr
i'm dialed in but in
you die.
a rainbow cascade.
all i want to see is
n't escape myself.
over the screen. ca
infinitude falling all
op
in
f
ww
w.
ch
un
kt
wr
iti
hh
ng
se
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ter
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an
d
0%
no
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RE
tf
rfe
re
AL
ef
ct
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lo
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tti
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ng
un
wh
To
da
on
en
uc
rie
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hi
co
s
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.
ng
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al
pr
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wi
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es
ds
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se
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er
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rm
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ot
hu
ea
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nd
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rs
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re
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on
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o.
nt
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al.
ear i heard a
first stepped in i sw
we
en
wh
?
ue
bl
or
it pink
a C or A. but
n't remember, was
i could say, it was
ne
we walked into, i do was more familiar with music maybe
looked up. Everyo
if i
multiple times as we
on
ati
br
vi
long extended note.
ry
to
di
au
llucinated this
whatever it was i ha
looking up.
same thing?
ds that do not
p to appreciate the
sto
ne
yo
er
ev
at is not there, soun
es
th
do
ht
e
lif
lig
e
ur
iat
yo
ec
in
pr
n
ap
Whe
stop to
life will everyone
When else in your
exist.
ve me five bucks
g order? you say gi
in
ep
ke
le?
of
re
tu
na
that the
e nature of spectac
al. why is that? is
at money. Is that th
th
e
ar
ve
u
ha
yo
er
on
ng
lo
ati
it was like a carniv
ip
no
line, is it antic
at shows you
th
in
t
it
ke
wa
tic
d
a
an
u
yo
irs
ve
sta
and ill gi
u climb the
ocrastinations?
y necessary? As yo
to, distractions, pr
ey
are the tickets reall
on
m
y
m
ve
gi
all I ever
paying for? Is that
a darker rectangle.
is room there was
th
In
.
om
ro
er
rk
We went into a da
e.
ze from the other sid
sure I was not
I could feel a bree
.
rk
da
struggled to make
e
I
th
as
in
e
rs
bl
ge
rta
an
fo
m
str
co
at
I looked
n by not rushing.
was too un
ing my appreciatio
ze this but really I
ali
ow
xu
sh
d
se
an
to
e,
try
nc
d
ul
sta
I co
polite di
s view, keeping a
ed out.
blocking someone
quickly so we walk
y
ett
pr
e
er
th
of
t
ou
t
ge
to
ed
nt
But I wa
ould probably
ought to myself i sh
th
i
d
an
le
ng
cta
re
misty
le appeared in that
nice ghosts of peop
stop taking drugs.
lo
o
xt sculptures:
Materials for my ne
y foam
5 white egg memor
ls
tai
1 cat o nine
llar
1 iridescent dog co
ritzer
sp
th
wi
n
fa
i
in
m
1
10 tic tac's
s
e on it the front
5 golden finger tip
print of a palm tre
a
s
ha
at
th
ht
lig
a color changing
3 flesh lites
1 cow hide
2 cowboy hats
24
infopu
nkt2.t
xt
theres
alumin
um foa
runnin
g
m
suede foam
whip w
ith a m
etal ha
its fun
ndle
ny wa
lking h
ere i w
as talk
wormh
ing to
o
myself
portal le
tessera
ct
a wrin
k
transp le in time
arent c
olumn
baudrillard telemorphosis.txt
sleepin
g
transp next 2 my
e
arent c
olumn lectronics.
TELEMORPHOSIS - baudrillard
banality and its celebratory status
capture us all within self referential spectacles of life and death
"parallel worlds of doubled up delirium"
"Digital Body -> screen promiscuity
onscreen double"
question our own relationship 2 deliriums of self referential closed circuit exchanges liberate
ourselves from our own fascination with lowest common denominator of existence
the banality of existence itself phantasmatic illuslusion of live sex
Disappearing- either we demand not to be seen immerse ourselves in the delirious exhibitionism of
its nullity.
we make ourselves nothing, a loser in order to be seen as nothing, the ultimate protection against
the necessity of existing and the obligation of being ones self.
succeed in creating out of this extreme disenchantment of life out of this loss of any symbolic space
an object of contemplation. of awe struck observation and perverse desire.
goudataste.com
alonewithyou.com
wormhole
portal
tesseract
a wrinkle in time
transparent column
25
gy
lo
h
no
ug
rs
ch
ro
ve
th
Te
se
ru
Co
t
er
Th
.tx
ye
iv
ck
ak
lE
un
e
re
s
Fu
te
B
or G
II
na ts
ng
ns ing
W
er en
izi
Se itt
alt nm
p m
til
an iro
U
rti ns
a
e
r
to nv
ng ot
d E
Fi eur
rte ry
N
po nso
s
an Se
s
Tr sh
ge
a
s
Lu
im
tip s s
er er id
15
ng ov A
0sFi e C ring
-1
d
or
y
a
ns
ate E e
Se
Pl ar /H
m
d le ds
ea
ol C u
cr
G e ar b
d
10 alM r E
an
e
h
m
H lve
A
oa
f
E
Si
ils
er
IV
um ta
ain
in ne
fN
I
nt
i
o
m
lu o n ite rs
Co
i
rs
- A Cat sh L aine
ex
lo
Pl
- Fle ont cs
co
in
c a
g
26
baudrillard telemorphosis.txt
TELEMORPHOSIS baudrillard
banality and its celebratory
status
capture us all within self
referential spectacles of life
and death
“parallel worlds of doubled
up delirium”
“Digital Body – screen
promiscuity onscreen double”
question our own relationship 2 deliriums of self
referential closed circuit
exchanges liberate oursel­­ves
from our own fascination
with lowest common
denominator of existence
the banality of existence
itself phantasmatic illuslusion of live sex
Disappearing – either
we demand not to be seen immerse ourselves in the de­
lirious exhibitionism of its
nullity.
we make ourselves nothing,
a loser in order to be seen
as nothing, the ultimate
protection against the nec­
essi­ty of existing and the
obligation of being ones self.
succeed in creating out of this
extreme disenchantment of
life out of this loss of any symbolic space an object of contemplation. of awe struck observation and perverse desire.
goudataste.com
alonewithyou.com
wormhole
portal
tesseract
a wrinkle in time
transparent column
27
28
C o s i m a
z
u
Knyphausen
29
the German Clinic, there is a
beauty salon. Service includes
manicure, pedicure and waxing.
Around eight women and a
rather mature, effeminate malereceptionist work there.
My aunt Beti told me I should
Meanwhile, the morning show.
always ask for Betty there.
They once showed an interview
She waxed the quickest and best.
of actor Diego Muñoz talking
about his new soap opera where I went to her once and kept going
for years. ( My middle name is
he played the role of a woman or rather the one of an uncovered also Beatriz ).
Betty was often not waxed under
man. He claimed the critics
her armpit. I could spot it
were “ surprisingly positive ”
and that all his friends were very whenever she bent over me to
retouch my underarm with a pair
tolerant and supportive of his
work. And yes, walking with high of tweezers. The short sleeve
of her uniform opened right above
heels is very difficult and
he seized every chance he had to my nose, revealing the interior
before my eyes.
sit down and rest.
Then, cheerful tunes started playing and all the men present in
A typical question that upper class
the show’ s studio started dancing kids ask themselves is: “ ... and
clumsily wearing woman’ s shoes. who cooks and cleans for the clean­
ing ladies? ” All depila­doras
agree on the fact that no one can
Saint Expedite
Saint Expedite
wax her own bikini line.
make this go by quickly.
In school, we all wore wool pantyhose in the winter. During
Inside the Pueblo del Inglés
the last spiritual retreat before
(“ The English Town ”), a little
our re­ligious confirmation
shopping Center in the eastern
we spent the night in the sister’ s
sector of Santiago in front of
nunnery. Before we went to
Synopsis: They‘ re looking all
over for the Saint that did
miracles in a beauty salon uptown, where she waxed
hairy upper class women.
30
31
sleep, there was a spontaneous
contest on who had the hairiest
legs underneath the pantyhose.
One of the nuns, according
to the girl that asked her, assured
that despite of the habit she
“ most certainly ” also depilates.
Not for God or anyone (cert­ainly not for men); for herself.
There is a common expression in
the Chilean slang: whenever
something starts getting difficult,
it becomes “ hairy ”.
Berni was the most hairless of
all and yet the most obsessed with
the perfect depilation. Around
that time, her oldest sister had a
crush on a university classmate
she named ‘hairy guy’. “ I love
hairy guys ”, she would say, “ the
hairier, the better ”. (“ Yes, hairs
in the back too! ”)
At some point someone dared
to ask Alice W., if her chapeta was
also redhead. We remembered
that anecdote the day she became
a nun.
Titi would even grow hair on her
fingers. If she didn’ t wax her
legs but used a razor instead, she
would grow thick ‘cannons’
that were black as gunpowder.
When my grandmother advised
If she shaved in the morning, by
the evening you saw the dots.
me that my first waxing had
to be when the moon was thin, it Sometimes in the summer she
was already too late.
would let one or two days go by
and wore skirts and feminine
The Spanish conquered America shoes anyway. C. would then ask
and creoles inherited the problem me: “ how does she not notice? ”,
of hairs.
and then add: “ I would die ”.
In our class, the last to depilate
was Cata M. Her legs were
covered with blonde hairs that
shined against the sun.
Candy would sometimes forget
to remove the hot wax because
she would turn around to watch
TV and stay like that, watching.
My friend Caro García during
my last visit: „waxing is fuck­ing
medieval. Now everyone is
do­ing laser “.
32
33
Sinopsis:
Andan buscando por
todas partes a la santa
que hizo milagros en
un centro de estética,
donde trabajaba depilando a las mujeres
peludas del barrio alto.
Mientras tanto están
dando el matinal. Una vez entrevistaron
al actor Diego Muñoz
por su nueva teleserie, en la cual hacía el
papel de una mujer,
o más bien el de un
hombre encubierto.
Declaraba que la
crítica era „asombrosamente“ positiva y
que contaba con el
apoyo de sus amigos,
todos muy tolerantes
con su trabajo. Y que
sí, caminar con tacos
sí era muy difícil y que
entre cada toma aprovechaba de sentarse y
descansar.
Luego dieron una música alegre y todos los
hombres presentes en
el estudio se pusieron
a bailar torpemente
con zapatos de mujer.
es el recepcionista.
Mi tía Beti me dijo una
vez que vaya siempre con „Betty“, que
es la que depila más
rápido y mejor. Fui
una vez y seguí yendo
por años (Mi segundo
nombre, por lo demás,
es Beatriz.)
Muchas veces, Betty
no estaba depilada
bajo el brazo. Esto yo
lo veía cuando se inclinaba sobre mí para
examinar mi axila y retocar con una pinza el
resultado de su trabajo. La manga corta de
su delantal quedaba
justo a la altura de mi
nariz, permitiéndome
perfecta visibilidad
hacia el interior.
Una de las monjas,
según la que le preguntó, afirmaba que a
pesar del hábito, ella
„desde luego“ también
se depilaba. No para
Dios ni para nadie más
(menos para los hombres); para sí misma.
Cuando mi abuela me
aconsejó que la primera vez debía depilarme
en luna menguante ya
era demasiado tarde. Los españoles conquistaron América y le
heredaron a los criollos el problema de los
pelos. La Berni, la más lampiña de todas, era la
Una pregunta típica
más obsesionada con
que se hacen los niños la depilación perfecde la clase privilegiata. En esa época a
da es: „y a las nanas,
su hermana mayor le
¿quién les cocina y les encantaba un compalimpia la casa?“
ñero de universidad
Todas las depiladoras al que llamaba „el
están de acuerdo en
peludo“. “Me encantan
que nadie se puede
los peludos”, decía,
depilar a sí misma el
“mientras más peludo,
rebaje. mejor”. („¡Sí, también
en la espalda!“)
San Expedito
En el colegio, en
San Expedito
invierno, usábamos el Del curso, la Cata M.
haz que pase rapidito. uniforme con pantys
fue la última en depide lana. Durante el
larse. Tenía las piernas
Hay un local dentro
último retiro espiricubiertas de pelos
del Pueblo del Inglés, tual antes de nuestra
rubios que brillaban al
frente a la Clínica
confirmación alojamos sol. Alemana, en el sector una noche en el mooriente de Santiago. nasterio de las monjas. Existe un modismo
Se ofrece servicio de Antes de ir a dormir
chileno en el que,
podología, manicure
hubo un concurso
cuando las cosas se
y depilación. Alredeespontáneo de quién
ponen difíciles, se
dor de ocho mujeres
tenía bajo las medias
ponen „peludas“.
trabajan ahí y un señor las piernas más pelumaduro y amanerado das.
A la Titi hasta le salían
pelos en los dedos de
la mano. Si no se depilaba las piernas con
cera y usaba la Gillete
en vez, le salían unos
„cañones“ gruesos y
negros como la pólvora. Si se la pasaba en
la mañana, en la tarde
ya se veían los puntitos. A veces, en el
verano, dejaba pasar
uno o dos días, pero
se ponía igual polleras
y zapatitos femeninos. La C. me decía:
“¿cómo no cacha?” Y
luego decía: “yo me
muero”.
En algún momento
alguien se atrevió a
preguntarle a la Alice
W. si la “chapeta” también la tenía colorina.
Nos acordamos de
esa anécdota el día en
que se hizo monja.
A Candy a veces se
le olvida sacar la cera
porque se da vuelta a
ver la televisión y se
queda así, viendo.
Mi amiga Caro García durante mi última
visita: „la cagó la hueá
medieval depilarse
con cera. Ahora todo
el mundo se depila
con láser.“ 34
35
In 2011 Leipzig-based offspace Info-Punkt
borrowed its name from a former insurance office
that was to be rented to host an exhibition.
Although this original plan was never realized the
name stuck and various exhibitions have been
held since in the living room of an apartment nearby. Run by three artist friends, Info-Punkt
recently left this venue and now focuses on art
related publications.
Imprint
Forecast – an Info-Punkt publi­
cation featuring sketches, con­cepts
and ideas for future artwork
by Clémence de La Tour du Pin,
Peggy Pehl, Hayley Silverman
& Emily Shinada, Olivia Erlanger
and Cosima zu Knyphausen
Graphic design by Pia Christmann,
edited and curated by Hendrik
Niefeld, published by Info-Punkt,
Leipzig, October 2013
Special thanks to Anne Fellner,
Burkhard Beschow, Philippa
zu Knyphausen, Judith Lavagna
and Helen Paul
All materials presented in this
publication are licensed under a
Creative Commons AttributionNonCommercial- NoDerivs 3.0
Unported (CC BY-NC-ND 3.0)
[email protected]
www.info-punkt.eu
36
Timeline
info-punkt.eu
Bird of Paradise
1 Anne Fellner &
Burkhard Beschow
December 16, 2011
Flat
Anthony Antonellis
& Ronny Szillo
2
info-punkt.eu/blog
May 19, 2012
3
info-punkt.tumblr.com
4
Drywine
Anne Fellner &
Burkhard Beschow
October 26, 2012
One World
Paul Barsch, Tilman Hornig
& Brad Troemel
longlist.info-punkt.eu
April 5, 2013
5
Forecast
Clémence da La Tour du Pin, Peggy Pehl,
Hayley Aviva Silverman & Emily Shinada,
Olivia Erlanger, Cosima zu Knyphausen
September, 2013
We Outsorced Everything
And Now We’ re Bored.
hp2
FUTURE
37
38
A print version
of this publication
is available upon
request.
Photos by MV
39
40
http://info-punkt.eu
41

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