(2010) – NEO-EXPRESSIONIST PAINTING FROM BERLIN The

Transcription

(2010) – NEO-EXPRESSIONIST PAINTING FROM BERLIN The
TEL AVIV MUSEUM OF ART EXHIBITION CATALOGUES
(2010) – NEO-EXPRESSIONIST PAINTING FROM BERLIN
The exhibition includes important works by some of the prominent Neo-Expressionist artists active in Berlin
during the 1970s and 1980s: Karl Horst Hödicke, Rainer Fetting, Salomé, Helmut Middendorf and Peter
Chevalier. Their works represent interesting aspects of the "back to painting" trend that had swept over the
centers of the western world, in Europe and the USA, as a backlash to the minimal and conceptual art of
the 1960s and 1970s. The Neo-Expressionist artists reacted to their complex reality in West Berlin in the
shadow of the Cold War, through sensuous, tactile painting that assimilated the colorful intensity and formal
elements of German Expressionism of early 20th century and of American Abstract Expressionism.
Hebrew-English
84 p.-- Paperback --27x23 cm
Tel-Aviv, November 2010-February 2011
ISBN: 978-965-539-020-9
Price 50 NIS
(2010) - SAM HAVADTOY: BEAUTY IS MYSTERY
The exhibition presents portraits the artist made inspired by paintings by Alexej von Jawlensky in the
collection of the museum. In some of the paintings, the figure's outlines are very clear, whereas in others,
Jawlensky's paintings take on a new interpretation by Havadtoy, almost devoid of figurative aspect. The
process of work, combining painting, erasing and concealing the image, at times by gluing onto it a layer of
lace, leads Havadtoy's work towards minimalist, almost abstract painting that seeks to reach a sublime
spiritual experience through its intensity.
Hebrew-English
108 p.-- Paperback--23.5x23.5 cm
Tel-Aviv, November 2010-January 2011
ISBN: 978-965-539-005-6
Price 50 NIS
(2010) – AVIGDOR ARIKHA: SELF PORTRAITS
This exhibition is presented as homage to Avigdor Arikha, who died this year at the age of 81. The
exhibition includes 19 self-portraits painted by Arikha between 1948 and 2001. Compared with earlier
portraits, which depict the artist as a soldier or a pianist, the later ones deal with his artistic oeuvre as a
painter and as an observer of his work. More than anything else, Arikha focused in his last years on his
own posture and facial expression, seeking to capture the animate and the inanimate, with an almost
defeatist awareness of the inability of art to seize the transient.
Hebrew-English
83 p.--Hardcover—28x22.5 cm
Tel-Aviv, September-December 2010
ISBN: 978-965-539-021-6
Price 70 NIS
(2010) - LARRY ABRAMSON: PAINTINGS 1975–2010
comprehensive exhibition of paintings by leading Israeli artist Larry Abramson. Abramson's work comprises
mostly of series centered on one leading motif, e.g., The Black Square, The Yellow Square, Columns,
Beams. Over the years, the series have accumulated more and more images and contexts that serve
Abramson as linguistic units, recurring in his work to create each time new painterly sentences. Abramson
began painting in the mid-1970s, concurrently with the appearance of new artistic forms in Europe and the
USA, especially "New Painting," which challenged the conventions of conceptual and minimalistic neoavant-garde. Against this background, as an artist challenged by art history and theory, Abramson
constructed his painting as a form of inter-era hybrid-painting; painting which, on the one hand, refers to
values from the past, yet on the other hand offers an alternative system of ideas and concepts centered on
the desire to rehabilitate painting as a relevant medium for the expression of the complicated reality of this
place, where he lives.
Hebrew-English
415 p.-- Paperback—28x24.5 cm
Tel-Aviv, July-October 2010
ISBN: 978-965-539-018-6
Price 180 NIS
(2010) – Si 51: TZURI GUETA
The combination of sophisticated polymeric knowledge, textile traditions and the human element is the
subject of the exhibition by textile designer Tzuri Gueta. Gueta (b.1968), a graduate of the Shenkar College
of Engineering and Design, has developed over the years surprisingly unsophisticated techniques for
synthesizing natural fibers and synthetic polymers. He crosses between the technological and the traditional
and seeks to expand the surface of fabric and thread using silicone, the polymer Si51, beyond its physical
and functional boundaries.
Hebrew-English
109 p.-- Paperback –22x16.5 cm
Tel-Aviv, May-august 2010
ISBN: 978-965-539-012-4
Price 75 NIS
(2010) - THE SCULPTURE OF EDGAR DEGAS
The exhibition presents Edgar Degas’ (1834–1917) 74 sculptures in bronze. The bronzes were cast from
previously unknown lifetime plasters made directly from Degas’ original waxes, with the artist’s knowledge
and consent. The plaster of Degas’ most important. The plaster of Degas’ most important sculpture, “The
Little Dancer, Aged Fourteen,” was discovered in 2001, leading to the 2004 discovery of the other 73
plasters. It is well documented that every Degas bronze was cast after the artist’s death. His sculptures
focus on five main themes, presented here as five chapters: dancers, dancers backstage, bathing
women, heads and horses.
Hebrew-English
191p.-- Hardcover –29x23 cm
Tel-Aviv, March-June 2010
ISBN:978-965-539-007-0
Price 120 NIS
(2010) – TAMAR GETTER GO 2: WORKS 1974-2010
Tamar Getter is one of the prominent artists of the Israeli avant-garde that developed and peaked in the
1970s. In addition to being a student of Raffi Lavie, one of the most important figures in the domestic
contemporary art scene, whose influence is evident mostly in her composition, Getter’s studies at the Tel
Aviv University Department of Poetics and Comparative Literature during the 1970s have probably been
even more constitutive and significant. Getter’s work expands the understanding of the modernist project
and refers to the artistic object as one of constant research. Tamar Getter’s comprehensive exhibition, “GO
2”, emphasizes her work’s combined, multi-voiced, exaggerated and grotesque utterance.
Hebrew-English
508 p.-- Hardcover –22x27 cm
Tel-Aviv, March-July 2010
ISBN: 978-965-539-010
Price 250 NIS
(2010) – TAL MAZLIACH : THE CONCEPT HAS GONE FOR A WALK
Tal Mazliach’s paintings are constructed like a riddle which the viewer must decipher. Beyond the colorful,
tempting, almost blinding cover, there hides a plethora of images, of figures and of symbols, imbued with
sentences and words that consolidate into a full, complex pictorial and emotional world. A deep, prolonged
observation exposes an intricate layering and reveals yet more details, which eventually become a flickering
puzzle, demanding repeated scrutiny from the viewer.
Hebrew-English
190 p.--Hardcover—28x22.5 cm
Tel-Aviv, March-May 2010
ISBN: 978-965-539-009-4
Price 90 NIS
2009
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Zadok Ben-David: Human Nature
Alex Kremer: Valley of Hinnon
Menachem Shemi: man and artist
Highlights from the Yehuda Assia Colllection
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Family/Tree: New Acquitions Donated by the Rivka Saker and Uzi Zucker Fund for Israeli
Contemporary Art
Nathan Gottesdiener foundation, the Israeli art Prize 2008: Maya Attoun: between Dog and Wolf
(entre Chien et Loup); Michal Helfman: the lesson; Gil Marco Shani: Blue Paintings
Mind the Cracks! Collages from the Museum and from other Collections
Amnon David Ar
Irit abba: Wheel, Period
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Valley, on the Road to Kfar Yehoshua: Elie Shamir paintings
Aram Gershuni: Paintings 2004-2009
Jossef Krispel: Ghosts
Yaacov Dorchin: iron folds and line gestures, retrospective
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5 Artists; wonderouse worls: Nogah Engler
Fragmented Mirror: Exhibition of Jewish Artists, Berlin, 1907
Alima: between Frame and Window
Tel Aviv Time 2009
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My Own Body: art in Israel the Third Decade 1968-1978 (O.P.)
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Art at Home/Home as Art
Avraham Naton
avigdor Stematsky:Late Works
Ayala Serfaty: Soma
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Deplation: works From the Doron Sebbag Art Collection, ORS Ltd.
Esther Knobel: long Distance runner
Gil Shachar
Jan Rauchwerger: a Portrait(O.P.)
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Michal Heiman: Attacks on Linking
Nathan Gottesdiener Foundation: The Israeli Art Prize 2007
Netally Schlosser: Orchestra
Performalism(O.P.)
The Ten Plus Group-Myth and Reality
Tuvia Beeri
Tsibi Geva: Mount of things
Yitzhak Livneh
Mentalgrafie: Viaggio nell’arte contemporanea italiana
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Adam Berg
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2008
2007
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Nurit David: I Was Born Chinese
Ofir Dor: Painting 2005-2007
Barry Frydlender: Down Here
Tal Gur: The Turtle Laughs At Me
Dani Karavan 2 Vols.
Marik Lechner: Swan Song
Yudith Levin: Alexander
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Meissen Porcelain
Moods and Modes in Israeli Photography
The Israeli Art Prize 2006
Eli Petel: A Day’s Ending
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Mark Rothko
Ricardo Stein
Young Israeli Art
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Gal Weinstein: Huleh Valley
Leon Engelsberg
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Michal Rovner: Fields
Ilana Goor: Hybrids
Sharon Ya’ari: 500m Radius
Zvika Kantor: Hotel – It May be a Verbal Riddle
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Chantal Akerman: Spiritual autobiography
Dov Feigin
Diti Almog: Paintings 1994-2006
Eli Petel: The Original Nature
Givati: Painting 1960-2006
Femme Fatale
Reuven Kuperman: Portrais
In Front of Your Nose
Zoya Cherkassky: Action Painting
Reuven Rubin: Dream land
2006
2005
2004
2003
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Hila Lulu Lin: Mole
The Glassware of Emile Gallė
Nir Hod: Forever
Tresured in the Heart: Haim Gliksberg’s Portraits
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Avraham Hay: Face to Face
Timothy Greenfield-Sanders: Portrait Photographs
Dreaming Art: Dreaming Reality
Old Testament – Old Masters
Yigal Ozeri
Masha Zusman: black Paintings
El Hama’ayan (Anthology)
El Hama’ayan (Guide)
On the Banks of the Yarkon
Photographs of Israeli Artists
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Avraham Eilat: Drawing between Line and Stain 1974-2004
Shimon Mizrahy: Reflections
Nelly Agassi: Borrowed Scenery
Shimcha Shirman
Kadim
Jonathan Leaman: Ziw, that Light
Ori Reisman
Ibrahim Nubani: In Between
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Joav BarEl
Rose c’est la vie: on Flowers in Contemporary Art
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Günther Förg: to the builders
Contemporary Israeli Photography
How Many is One: Deganit Stern Schocken
Mordecai Ardon: the colors of time
First Portrait
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Eyewitness: Adam Baruch
Meir Pichhadze
Ahlam Shibli: Goter
Izhar Patkin: host culture homage to Arie Aroch
Sionah Tagger
Young Israeli Art: the Jacques and Eugenie O’Hana Collection
Michael Gordon Imprints
Alberto Giacometti: drawings and prints
2002
2001
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Philip Rantzer .No no no don’t leave me alone here. 114 p., 2002
Patrick Raynauld : Vanity Fair (after Holbein). 53 p., 2002
Miri Segal : Interfaces. 50 p., 2002
Lars Spuybroek. Leaflet. 2002
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Afterglow – Ori Gerscht. 200p2002 ,.
Picasso. 85p2002 ,.
Between Collection and Museum : From the Peremen Collection through the Tel Aviv
Museum. 127p., 2002
Double Transformation. Leaflet2002 .
Point-Blank [Israel]. Pavel Wolberg; Photographs of the Recent Times. 122p. 2002
Fernando and Umberto Campana” : Never Letting the Poetry Escape”. Leaflet. 2002
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Impressionism and sculpture of Degas. 68p2002 ,.
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Bianca Eshel-Gershuni: Step by Step. 80 p., 2001
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Dina Recanati: Passage. 80 p., 2001
The Work of Charles and Ray Eames. Leaflet, 2001
The Return of the Real: a Selection from the Daniel Hechter Art
Moshe Sternschuss. 186 p., 2001
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Yohanan Simon: Dual Portrait. 290 p., 2001
Safari : Gil Marco Shani. 50 p2001 ,.
Recent Acquisitions Purchased by the Uzi Zucker Fund for Contemporary Art, Tel Aviv
Museum of Art. 32 p., 2001
Ofer Lellouche : Self-Portrait 1977-2001. 148 p., 2001
Cucchi : Desert Scrolls. 173 p., 2001
Boaz Tal – Allegory/Allegro Non Troppo. 130 p., 2001
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2000
Collection. 176 p., 2001
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Natalia Goncharova: a Pioneer of the Russian Avant-Garde. 96 p., 2000.
Shuka Glotman: Here Live Happily Mr. Poetic and Mr. Pathetic 10) .notebooks in a folder),
2000.
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Yosl Bergner: a Retrospective. 290 p., 2000.
Video Art: 4 Contemporary Israeli Artists. 32 p., 2000.
A Wall of My Own: Israeli Art - a Selection from The Benno Kalev Collection. 278 p., 2000
Dalia Amotz - The Dark Land, Fields of Light. 100 p., 2000
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Ghada Amer - Intimate Confessions. 95 p., 2000
Maya Cohen Levy: Ponds 1995-2000. 82 p., 2000
The Vera, Silvia and Arturo Schwartz Collection of Contemporary Art. 392 p., 2000
1999
1998
1997
1996
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Michal Na’aman, Legion. 247 p., 1999.
Felicja Blumental: Portraits. 61 p., 1999.
Tel Aviv Museum of Art 32 .p., 1999.
Daniel Buren. Sail-Canvas-Canvas-Sail 2 .p., 1999.
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Shamir: Hebrew Graphics, Shamir Brothers Studio. 80 p., 1999.
Hiriya in the Museum: Artists’ and Architects’ Proposals for Rehabilitation of the Site. 160 p.,
1999.
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Van Gogh to Picasso: the Moshe and Sara Mayer Collection. 193 p. 1999.
Putting Herself in the Mirror. 35 p., 1999.
Enzo Cucchi: the Tel Aviv Mosaic 160 .p., 1999.
David Smith: Paintings, Sculptures and Medals 228 .p., 1999.
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Perspectives on Israeli Art of the Seventies. “The Eyes of the Nation,” Visual Art in a Country
without Boundaries. 350 p. 1998.
Chen Zhen. Jue Chang / Fifty Strokes to Each. 98 p. 1998.
On the Edge - New Art from Private Collections in France. 220 p. 1998.
Hedva Ser. Sublime Landscapes. Aubusson Tapestries 40 .p. 1998.
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Avigdor Arikha - Drawings 173 .p.1998 .
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Valerio Adami.174 p. 1997.
Dani Karavan. Passages. Hommage to Walter Benjamin 86 .p. 1997.
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Yigal Ozeri 1994-1997 66 .p. 1997.
Yehiel Shemi. 316 p. 1997.
The Helene and Zygfryd Wolloch Collection of Modern Sculpture. 101 p. 1997.
Jan Lievens: The Sacrifice of Isaac. 164 p. 1997.
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Surrealism: Prints from the Charles and Evelyn Kramer Collection 214 .p. 1997.
Surroundings: Helen Chadwick, Hannah Collins, Willie Doherty, Steven Pippin, Catherine
Yass. 252 p. 1997.
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Zvi Hecker. Sunflower 144 .p. 1996.
Eti Jacobi. The World of Wonders 3 - Paintings 1996-1997 70 .p. 1996.
Collection of Susan and Anton Roland-Rosenberg. 115 p. 1996.
Andres Serrano. The Morgue 72 .p. 1996.
Virtual Reality 24 .p. 1996.
Tiranit Barzilay, 1995 75 .p. 1996.
Micha Ullman. Moon: 29 Drawings 44 .p. 1996.
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Micha Ullman. Library. Drawings 44 .p. 1996.
”New Horizons”: Sculpture. 44 p. 1996.
Itzhak Danziger 426 .p. 1996.
1995
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1993
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Shai Barkan. 48 p. 1995.
Yakov Dorchin: Blocked Well 94 .p. 1995.
Van Dyck and his Age. 386 p. 1995.
The Simon and Marie Jaglom Collection 124 .p. 1995.
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Lea Nikel. 248 p. 1995.
Gilad Ophir: Cyclopean Walls 110 .p. 1995.
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Fernand Léger: Selected Works from a Private Collection. 68 p. 1994.
The Mizne-Blumental Collection 190 .p. 1994.
Asim Abu-Shakra 91 .p.1994 .
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Raffi: The Early paintings 1957-1961 90 .p. 1993.
Ido Bar-El: Works, 1959-1993 86 .p. 1993.
Pinchas Zinovich 68 .p. 1993.
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The International Poster Exhibition 111 .p. 1993.
Drora Dominey: Sculptures, 1990-1993 56 .p. 1993.
Three Artistic Generations in Contemporary Italy. 98 p. 1993.