art stores - Daniel Smith

Transcription

ART STORES
FINEST QUALITY ARTISTS’ MATERIALS
WATERCOLOR PAPER
WATE RCOLOR PADS & SKETCHBOOKS
PRI NTMAKING & DRAWING PAPER
TRADI TI O NAL JAPANESE PAPER
GRAPH IC & ILLUSTRATION
PLEASE CONTACT US FOR CURRENT PRICING OR
TO PLACE YOUR ORDER:
[email protected]
(206) 812-5877 x454
WATERCOLOR PAPER
WATERCOLOR PAPER
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WAT E R C O L O R PA P ER
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Fabriano Artistico Watercolor Paper has a unique soft press
surface, midway between hot press and cold press. Choose slightly
off-white Traditional White or Extra White, with its naturally
bright white surface.
• 100% Cotton
• 2 Natural Deckles
• Acid-free & Chlorine free
• Mouldmade
• Both Internally and Surface Sized
• Watermarked “ARTISTICO +
FABRIANO”
• No Optical Whiteners
Fabriano Artistico
Traditional White
Fabriano Artistico
Extra White
SINGLE SHEETS • 140 lb
202 265 005 22" x 30" CP
202 265 004 22" x 30" HP
202 265 006 22" x 30" R
202 260 005 22" x 30" CP
202 260 002 22" x 30" HP
202 260 004 22" x 30" SP
202 260 006 22" x 30" R
202 285 005 22" x 30" CP
202 285 004 22" x 30" HP
202 285 006 22" x 30" R
202 280 005 22" x 30" CP
202 280 002 22" x 30" HP
202 280 003 22" x 30" SP
202 280 006 22" x 30" R
Arches Natural White
Arches Bright White
159 270 001 22" x 30" CP
159 270 003 22" x 30" HP
159 270 002 22" x 30" R
159 290 002 22" x 30" CP
159 290 003 22" x 30" HP
159 290 004 22" x 30" R
159 280 001 22" x 30" CP
159 280 003 22" x 30" HP
159 280 002 22" x 30" R
159 315 001 22" x 30" CP
159 310 001 22" x 30" CP
159 310 003 22" x 30" HP
159 310 002 22" x 30" R
Arches Natural White
Watercolor Rolls
44-1/2" x 10 yd. • 140 lb
159 400 002 CP
159 400 001 HP
51" x 10 yd. • 156 lb
159 410 001 CP
159 410 003 HP
Strathmore 500 Series Aquarius II
• Cotton & Synthetic
Fiber Blend
• 4 Trimmed Edges
• Acid-free
• Machine-made
• Cold Press Surface
This U.S.-made paper contains a blend of cotton and synthetic fibers and
does not require prestretching. Aquarius II is noted for its exceptional
wet strength.
220 020 001 22' x 30" CP
available
in rolls
• Blended Wood Pulp Paper
• 2 Tear Deckles, 2 Cut Edges
paper roll—cold press on one side/hot
press on the other. It is 25% cotton, mouldmade, tub-sized in gelatin and acid-free.
52-1/2" x 10 yd. • 140 lb
159 420 001
159 600 201 22" x 30" CP
159 600 202 22" x 30" HP
159 600 203 22" x 30" R
SINGLE SHEETS • 300 lb 159 600 211 22" x 30" CP
159 600 212 22" x 30" HP
159 600 213 22" x 30" R
Canson Montval Watercolor Paper is a very popular natural
white paper. Acid-free and resists mold thanks to added fungicides. This versatile paper works well for all wet techniques.
Strathmore 400 Series
Arches Lavis Fidelis Roll—A duplex
Canson Moulin du Roy Watercolor Paper is made on a cylinder mould
machine for the look and feel of handmade paper. The special internal and
surface sizing produces superior wet strength and lifting power.
• Acid-free
• Machine-made
An economical, off-white paper for students and professionals.
Made of 100% high alpha cellulose, it has a textured rough surface.
• 100% High Alpha Cellulose
• 4 Cut Edges
• Acid-free & Chlorine-free
• Mouldmade
• Internally Sized
220 040 001 22" x 30" CP
$ PRICE BREAKS AT 25 & 100 SHEET LEVEL
Yupo Synthetic Paper
Arches Watercolor
BLOCKS
Fabriano Extra White
Watercolor BLOCKS
Fabriano Traditional White
Watercolor BLOCKS
20-Sheet Block • 140 lb
202 290 010 9" x 12" CP
202 290 011 9" x 12" HP
202 290 015 12" x 18" CP
202 290 016 12" x 18" HP
202 291 010 9" x 12" CP
202 291 011 9" x 12" HP
202 291 015 12" x 18" CP
202 291 016 12" x 18" HP
202 295 001 18" x 24" CP
159 430 004 9" x 12" CP
159 440 004 9" x 12" HP
159 450 004 9" x 12" R
159 430 005 10" x 14" CP
159 440 005 10" x 14" HP
159 430 006 12" x 16" CP
159 440 006 12" x 16" HP
159 450 006 12" x 16" R
159 430 002 14" x 20" CP
159 450 002 14" x 20" R
159 430 001 18" x 24" CP
Fabriano Studio PADS are machine-made of acid-free cotton/
alpha cellulose with internal and external sizing.
9" x 12" Pad
202 662 001
202 662 005
202 662 003
202 662 007
20-sheets 90 lb. CP
20-sheets 90 lb. HP
12-sheets 140 lb. CP
12-sheets 140 lb. HP
11" x 14" Pad
202 662 002 20-sheets 90 lb. CP
202 662 006 20-sheets 90 lb. HP
202 662 004 12-sheets 140 lb. CP
202 662 008 12-sheets 140 lb. HP
• 100% Polypropylene
• 4 Cut Edges
• Neutral pH
• Machine-made
Yupo is waterproof, stain resistant
and incredibly strong. Ideal for
offset printing and silkscreen,
it’s also good for oil, acrylics,
drawings, etchings and monotypes.
Watercolors flow across the ultra
smooth, matte surface, giving a
unique fluid appearance to your
image. Holds multiple layers.
Mistakes can be sponged away!
SINGLE SHEETS
74 lb (200 gm/m2)
540 115 001 26" x 20"
540 115 002 26" x 40" ▲
144 lb (390 gm/m2)
540 115 003 20" x 26"
10-sheet Pad
74 lb (197 gm/m2)
540 115 100 9" x 12"
540 115 101 11" x 14"
Roll
74 lb (200 gm/m2)
540 125 001 60" x 10 yds.
540 125 002 30" x 10 yds.
available
in rolls
Canson Montval
Watercolor Pad
Canson Montval
Watercolor Blocks
12-Sheet Pad • 140 lb
159 240 003 9" x 12" CP
159 240 001 10" x 15" CP
159 240 002 15" x 20" CP
159 230 006 9" x 12" CP
159 230 002 12" x 16" CP
Yupo Translucent Pad is
made of a very durable synthetic
material. Ideal for tracing and
receptive to both dry and wet
media, it is almost impossible
to tear.
15 sheet Pad (104 lb)
540 115 005 9" x 12"
540 115 006 11" x 14"
▲ Oversize item
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Please contact us for current pricing or to place your order: [email protected] or (206) 812-5877 x454
3
WATERCOLOR PADS & SKETCHBOOKS
PRINTMAKING & DRAWING PAPER
Br
Arches Cover:
Black,White,
Cream
Arches Cover, White, Cream and Black—
Arjomari-Prioux Mill, France
• 100% Cotton & Mouldmade
• Lightly Textured Surface
• Acid-free and Chlorine-free
• 2 Natural Deckles and
Aquabee Super Deluxe Watercolor
Sketchbook contains sulphite drawing paper
that is natural white and neutral pH. Sized
throughout, with a “toothy” finish, it’s ideal for
watercolor, pencil and charcoal.
60-Sheets (93 lb)
380 010 004 4" x 6"
380 010 001 6" x 9"
380 010 005 9" x 9"
380 010 002 9" x 12"
380 010 006 11" x 14"
Arches Watercolor Pads are convenient for
outdoor painting and travel. Each pad contains
natural white, 100% cotton, acid-free paper and
has a fold-over cover.
12-Sheet Pad • 140 lb
159 465 001 9" x 12" CP
159 465 003 9" x 12" R
159 465 005 9" x 12" HP
159 465 002
159 465 004
159 465 006
Arches® Watercolor Book contains cold
press, 100% cotton, neutral pH paper, bound
on the short side in a hardcover sketchbook.
15-Sheets (140 lb)
159 260 001 10" x 7"
159 260 002 14" x 10"
10" x 14" CP
10" x 14" R
10" x 14" HP
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Arches “88” Silkscreen—
2 Tear Deckles
• Buffered w/Calcium Carbonate
• Registered Watermark
Arches Cover is a versatile fine art printing paper that’s also popular with
pastelists and mixed media artists. Arches Cover Black is a rich black sheet
that, unlike most, is acid-free and contains no colorants. The 22"x30" size is
cut from the larger sheet, with 3 deckle edges and 1 cut edge.
19-1/2" x 25-1/2" (250 gm/m2)
159 370 001 White
22" x 30" (250 gm/m2)
159 370 003 White
159 370 004 Cream
285 540 008 Black
29" x 41" (270 gm/m2) ▲
159 370 006 White
30" x 44" (250 gm/m2) ▲
159 370 009 Black
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{Canson Edition}
White ROLLS 300 gm/m2
285 540 012 42" x 10 yd.
285 540 014 52" x 10 yd.
available
in rolls
• 100% Cotton
• Smooth Surface, Bright White
• Acid-free and Mould Made
• 2 Natural Deckles and 2 Tear
Deckles
• Watermarked
• Waterleaf (unsized)
This ink-receptive paper is ideal for silkscreen printing, monotypes
and lithographs. Some pastelists enjoy working on its delicate surface,
though it lacks pronounced tooth.
159 380 001
22" x 30" (300 gm/m2)
Velin Arches (Arches Text Wove)—
• 100% Cotton
• Soft Woven Textured Surface
• Mouldmade
• 2 Natural and 2 Tear Deckles
This is a very versatile lightweight sheet mainly used for drawing and
printing, etchings, woodcuts and limited edition books. It’s also very
popular with calligraphers.
▲ Oversize item
120 gm/m2
159 390 001
25" x 40" ▲
Canson Edition Printmaking Paper—
• 100% Cotton
• 2 Deckled and 2 Cut Edges
•Two surfaces-smooth and textured
22" x 30" (250 gm/m2)
159 920 001 Bright White
159 920 002 Antique White
159 920 003 Cream
159 920 004 Wheat
159 920 009 Black
Canson XL Mix Media Pad contains heavily
sized paper that’s excellent for watercolor,
acrylics or dry media. Micro perforated for
easy removal.
Canson XL Watercolor Pads were
designed with art students in mind.
Manufactured using environmentally friendly,
sustainable processes, they have innovative,
durable fold-over covers and contain 140 lb.
cold press paper suitable for wet media.
30-Sheet Pad—140 lb.
159 850 001 9" x 12"
159 850 002 11" x 15"
159 850 003 12" x 18"
159 850 004 18" x 24"
Hand•Book Watercolor Journals, bound in
linen book cloth covers, offer a stylish, practical
option for travel painting. Each book includes 60
pages (30 sheets) of soft white, acid-free paper
with a cold press surface. Handy features include
double elastic closures and a clear envelope on
the inside back cover.
200gm/m2 (95lb)
608 300 021 3-1/2" x 8-1/4"
608 300 022 5-1/4" x 8-1/4"
608 300 023 10-1/2" x 8-1/4"
30" x 40" (250 gm/m2) ▲
159 920 007 Antique White
60-Sheets (98 lb)
159 125 007 7" x 10"
159 125 008 9" x 12"
159 125 009 11" x 14"
159 125 010 14" x 17"
Field Drawing Pad from Canson
A black hardcover, double wired spiral-bound
drawing book perfect for travel. The wide rings
allow you to flip pages easily and the pages lie
flat. It contains cream-colored paper suitable
for all dry techniques.
60-Sheets (80 lb)
159 120 050 7" x 10"
159 120 051 9" x12"
Copperplate—Hahnemuhle, Germany
Canson Pure White Drawing
Pad is filled with true white paper
with a smooth “extra fine” surface
that erases beautifully, making it
ideal for detailed drawings. Sheets
are micro-perfed for clean removal.
24-Sheets (80 lb)
159 170 147 9" x 12"
159 170 148 11" x 14"
159 170 149 14" x 17"
159 170 150 18" x 24"
Canson XL Drawing Pad contain
microperforated sheets.The surface
of this sturdy paper ensures clean
erasing and exceptional performance.
60-Sheets (70 lb)
159 125 001 9" x 12"
159 125 002 11" x 14"
30-Sheets
159 125 003
18" x 24"
• Vellum Surface
• Acid-free, No Optical Brighteners
• Mouldmade
• Watermarked with “CMF”
with the star
These high-grade etching papers have an ideal degree of absorbency
and softness for fine intaglio work. They are usually soaked for 1/2 an
hour and blotted prior to printing. Also suitable for drawing, Iris printing, embossing and letterpress printing.
22" x 30" (300 gm/m2)
466 030 003 Warm White
▲ Oversize item
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• 4 Trimmed Edges
• Internally and Externally Sized
This versatile paper has great dimensional stability and is ideal for
lithography and silk screening. Layered inks won’t absorb or look muddy.
It’s also an excellent choice for pencil, charcoal or pastel.
Vellum Finish
540 200 001 23" x 30" (235 gm/m2) ▲
Lenox—U.S.A.
250 gm/m2
039 010 001
039 010 003
039 010 002
• Machine-made
• 4 Trimmed Edges
22" x 30"
26" x 40" ▲
38" x 50" ▲
Domestic Etching—U.S.A.
• 50% Cotton and 50% Sulphite
• Lightly Textured Surface
• Neutral pH
175 gm/m2
285 690 001
285 690 002
• Machine-made
• Trimmed Edges
• Sized for Letterpress Printing
20" x 26"
26" x 40" ▲
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• Acid-free
• Mouldmade
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250 gm/m2
159 500 001
159 500 002
• Internally Sized for controlled
absorption
Satin White
540 240 001
262 330 001
300 gm/m ▲ * *
159 500 003 31-1/2" x 47-1/4"
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• 100% Cotton/light internal sized
• Smooth Surface
• Machine-made
• 2 Deckled Edges
U.S.-made Stonehenge rivals European mouldmade papers in its ability
to produce excellent results in a variety of printmaking techniques.
It can withstand a high embossment without tearing or creasing. The
black sheet is colored with 100% carbon black pigment.
Sheets 250 gm/m2
262 360 001 White 22" x 30"
262 360 002 Cream 22" x 30"
262 360 003 Natural 22" x 30"
262 360 004 Warm White 22" x 30"
262 360 005 Pearl Grey 22" x 30"
262 360 006 Tan (Fawn) 22" x 30"
215 360 001 Black 22" x 30"
285 700 012 White 26" x 40" ▲
262 370 003 White 30" x 44" ▲
262 370 005 Warm White 30" x 44" ▲
White ROLLS 250 gm/m2
285 700 003 50" x 10 yd.
2 ply
3 ply
2 ply
3 ply
* * The 31" x 47" size must be shipped truck freight.
available
in rolls
Rives BFK Heavyweight—
• Registered Watermarked
280 gm/m2 22" x 30"
285 620 005 White
285 620 006 Cream
285 620 003 Gray
285 620 004 Tan
285 620 009 Off White
available
in rolls
Vellum
Vellum
Plate
Plate
▲ Oversize item
22" x 30" (250 gm/m2)
30" x 44" (300 gm/m2) ▲
Textured White
262 330 002 22" x 30" (250 gm/m2)
Velvet (250 gm/m2 )
540 240 002 22" x 30" Radiant White
540 240 003 22" x 30" Newsprint Gray
Strathmore 400 Drawing Paper—
Strathmore, U.S.A.
• Medium Surface
• Acid-free
100 lb
220 060 001
• Machine-made
• 4 Trimmed Edges
19" x 24"
ROLLS (100 lb)
220 050 001 36" x 10 yd.
220 050 002 42" x 10 yd.
available
in rolls
Rives Heavyweight
• 100% Cotton
• Wove Surface
• Mouldmade
The 26" x 40" sheet has 2 deckled edges and 2 torn deckles.
The 19" x 26" sheet has 2 deckle edges, 1 tear and 1 cut.
• Machine-made
• 4 Trimmed Edges
• 2 Watermarks
• Internally and Surface Sized
One of the most versatile sheets Strathmore offers, the medium surface readily accepts pen and ink, pencil, charcoal, crayon, and markers.
280 gm/m2 30" x 44" ▲
285 620 025 White
285 620 023 Gray
Designed specifically for drawing media, it works well with pen and ink,
pencil, technical pens, pastel, charcoal and silkscreen. The vellum finish is
a bit toothy, while the plate finish is very smooth.
22" x 30"
262 340 002
262 340 003
262 340 006
262 340 007
Sized ROLL 300 gm/m2
285 620 014 42" x 10 yd.
• 100% Cotton
• Wove Surface
• Mouldmade
• 100% Cotton
• Satin, Textured and Velvet Surfaces
• Mouldmade
Sensitive surfaces are strong and stable, great for etching, embossing and
multicolor printing. Stays flat after printing and ensures durability.
It works equally well with letterpress engraving and offset printing.
19-1/2" x 25-1/2"
22" x 30"
270 gm/m2 ▲
159 500 004 29-1/2" x 41"
Rising Stonehenge—U.S.A.
{Superfine}
Somerset Printmaking Papers—
St. Cuthberts Mill, England
Rives BFK White—
• 100% Cotton & Mouldmade
• Vellum Surface
• Acid-free
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{Rives BFK Heavyweight}
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25" x 38" s
• 100% Sulphite
• Vellum and Plate Surface
• Acid-free
Its uses include text pages for fine books, stationery, invitations, rubber
stamping, calligraphy, letterpress printing, drawing, and inkjet printing. Wavy laid surface replicates sheets formed when a silk cloth was
stretched across the mould.
25" x 38" (120 gm/m2) s
540 280 001 White
540 280 002 Cream
120 gm/m
540 290 001
2
Rising Drawing Bristol—U.S.A.
Frankfurt—Zerkall, Germany
• Blend of Cotton Fiber and Alpha
Cellulose
• Wavy Laid Surface
• Acid-free
• Mouldmade
This beautiful, lightwweight paper has a distinctive laid pattern with a
wavy chain. It is hard but absorbs ink readily, and must be dampened for
printing. Great for letterpress or blockprinting.
Coventry Rag—U.S.A.
• 100% Cotton
• Vellum Finish, Warm in Color
• Acid-free
Pla
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• Blend of cotton and high alpha
cellulose
• Irregular Wavy Laid Finish
19" x 24"
24" x 38" ▲
• 100% Cotton Vellum Finish
• Neutral pH
• Machine-made
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Nideggen—Zerkall, Germany
Cosmos Blotters
360 gm/m
285 610 001
285 610 002
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175 gm/m2 White
285 620 001 19" x 26"
285 620 021 26" x 40" s
Rives Lightweight
• 100% Cotton
• Wove Surface
• Mouldmade
The 26" x 40" sheet has 2 deckled edges and 2 torn deckles.
The 19" x 26" sheet has 2 deckle edges, 1 tear and 1 cut.
115 gm/m2
285 620 007
285 620 008
285 620 027
285 620 028
White
Cream
White
Cream
19" x 26"
19" x 26"
26" x 40" ▲
26" x 40" ▲
Superfine Text and Cover—
Mohawk Papers, U.S.A.
• 100% Sulphite
• Silky, Smooth Off-White Surface
• Machine-made
• 4 Cut Edges
• Manufactured with Windpower
Superfine Text is ideal for printing fine books and drawing. It has a supple
ink-receptive surface with a 65 lb. text basis weight. Superfine Eggshell
Texture is a slightly smoother version. Superfine Cover, with an 80 lb.
cover basis weight, is recommended for silkscreening, offset printing and
drawing.
25" x 38" (120 gm/m2)
215 010 001 Text ▲
25" x 38" (118 gm/m2)
540 240 010 Eggshell Texture ▲
26" x 40" (175 gm/m2)
215 010 002 Cover ▲
▲ Oversize item
7
TRADITIONAL JAPANESE PAPER
TRADITIONAL JAPANESE PAPER
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{Kinwashi}
Botan White by Awagami
Machine-made in Japan from 100% sulphite. With its narrow laid pattern,
this paper is typical of the “Hanshi” paper used in “shodo” (Japanese “way
of writing”). One side is smooth, one side toothy. Perfect for calligraphy
and brush painting as well as letterpress. Acid-free; 4 cut edges.
Kitakata
Handmade in Japan of 100% Philippine gampi, this natural-colored paper
has a delicate and subtle laid pattern. It is often used in restoration and
bookbinding due to its strength. It is also suitable for printmaking, chine
collé and block printing. Acid-free; 4 natural deckle edges.
Mulberry
Handmade in Japan of a mix of kozo and sulphite. Its name comes from
the mulberry plant from which the kozo fiber is taken. Lightweight and
soft, it is strong and very versatile. This paper is excellent for printing or
printmaking. Acid-free; 4 natural deckles.
Silk Tissue
Machine-made in Japan from gampi and sulphite. Silk Tissue is used as
an interleaving, a mending tissue in conservation work and a chine collé
sheet for intaglio printing. It has a silky feel, is quite transparent and is
surprisingly strong for its weight. Acid-free; 4 cut edges.
31" x 43" (53 gm/m2)
202 553 010
16" x 20" (30 gm/m2)
262 020 013
24" x 33-1/2" (45 gm/m2)
262 020 016
18" x 24" (10 gm/m2)
262 020 020
Chiri
Handmade in Japan from a mix of kozo and sulphite, it is a natural buff
color with many small bark inclusions. It is ideal for block printing and
for end sheets in bookmaking. Acid-free; 4 natural deckle edges.
Kozo Lightweight
Handmade in Japan with a high kozo fiber content. It has the appearance of Goyu, but is stronger with a tighter surface. Acid-free; 4 natural
deckle edges.
Roll 27" x 10 yd (40 gm/m2)
262 030 003
23" x 35-1/2" (37 gm/m2)
262 020 001
24" x 36" (55 gm/m2)
266 220 002 Lightweight
Kozoshi Natural by Awagami
Machine-made in Japan of off-white kozo and hemp. Heavier than our
other Kozo papers, it is quite strong. Excellent for all printing and printmaking applications as well as sumi-e painting and silkscreen. Acid-free;
4 cut edges.
Okawara
Machine-made in Japan from kozo and sulphite. Six feet long, this extra
large sheet is strong, with one smooth side and one lightly textured
side. Recommended for block printing, drawing, and sumi-e painting.
Acid-free; 2 natural deckle edges and 2 cut edges.
25" x 38" (90 gm/m2)
202 553 008
38-1/2" x 73" (60 gm/m2)
262 020 017
24" x 36" (30 gm/m2)
262 020 010 White
262 020 009 Cream
Roll 38" x 10 yd (30 gm/m2)
262 030 002 White
available
in rolls
Kinwashi by Awagami
Machine-made in Japan from a mix of manila hemp and kozo with long
swirling fibers set in a creamy colored paper. It is great for printing and
printmaking, as well as shoji screens, lampshades, collage and book arts.
Acid-free; 4 cut edges.
25" x 38" (30 gm/m2)
202 553 012
8
Masa - Waxed
Machine-made in Japan from 100% sulphite, it is impregnated with wax
to add transparency and water resistance. One side is smoother and
shinier with both an internal and surface sizing, making it useful for sumi
painting, watercolor and printmaking. Acid-free with 4 cut edges.
21" x 31" (140 gm/m2)
262 020 022
Mingeishi Awagami Kozo Paper
Handmade in Japan from kozo, hemp and sulphite pulp. Mingeishi refers
to folk craft paper, or all-purpose paper. It is a lightweight, but strong
long fibered paper suitable for all printing, printmaking and decorative
applications. Acid-free; 4 natural deckle edges.
25" x 37" (45 gm/m2)
202 515 070 Pure White
202 515 071 Natural
202 515 072 White
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25" x 37" (45 gm/m2)
262 020 011
Sekishu
Handmade in Japan from kozo and sulphite. Sekishu is thin, wispy
and delicate in feel, but has great wet strength for its weight and
is an excellent sheet for traditional Oriental painting techniques. It
also works well for collage and as a chine collé paper for intaglio
printmaking. Acid-free; 4 deckle edges.
24" x 39" (30 gm/m2)
262 020 018 White
262 020 019 Natural
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al:
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Owara Mulberry
Handmade in Japan of 50% kozo, 50% sulphite pulp. Ideal for block
printing, sumi painting, lithographs and etchings. One side is smooth and
relatively non-absorbent; the other is soft and takes ink beautifully. For
etching, mist rather than soak. Acid-free; 4 deckle edges.
W
18" x 25" (51 gm/m2)
202 553 004
re
d
Roll 43" x 30 yds (70 gm/m2)
262 030 004
Okawara Student by Awagami
Handmade in Japan from kozo and hemp fibers. It works well for printmaking, brush painting, conservation and book arts. Acid-free; 4 natural
deckle edges.
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Kinwashi
Machine-made in Japan from 100% Manila hemp. Smooth on one side,
textured on the other, these translucent sheets are embedded with
short straight fibers. Kinwashi is generally used for decorative purposes
such as shoji screens and lampshades. Acid-free; 2 natural deckles and
2 cut edges.
available
in rolls
available
in rolls
Roll 39" x 11 yd (25 gm/m2)
262 021 012
re
d
21-1/4" x 31" (77 gm/m2)
262 020 021
24" x 39" (37 gm/m2)
262 020 012
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ex
24" x 36" (40 gm/m2)
266 220 001
Unryu White
Machine-made in Thailand with long, silky fibers running throughout
the surface. This attractive paper is light and translucent, a good choice
for block printing, collage work, sumi painting or as a decorative paper.
Acid-free; 4 cut edges.
W
hit
Kasuiri
Handmade in Japan from kozo fibers with bits of the outer kozo bark
added. Kasuiri papers are strong, durable and have excellent shape
retention upon drying. Used for printmaking, sketching, painting and as
a decorative sheet. 4 deckle edges.
Masa
Machine-made in Japan of sulphite pulp. This bright paper is smooth on
one sides, lightly textured on the other. Internally sized and should be
dampened prior to printing. Economical for edition proofs and as an
inexpensive sumi-e, printmaking and fine letterpress paper. Acid-free; 4
cut edges.
26" x 43-1/4" (81 gm/m2)
202 553 011
Te
xtu
19" x 24" (85 gm/m2)
262 020 015
25" x 38" (Approx. Size) (109 gm/m2)
262 020 023 Natural
Unryu 2 Soushi by Awagami
Machine-made in Japan from kozo/sulphite pulp. This 2-ply paper features prominent fibers, yet still allows for printing impressions without
lifting the surface. Acid-free; 2 cut edges and 2 deckle edges.
ra
l
Hosho Professional
Handmade in Japan of 100% sulphite. Smooth on one side and slightly
textured on the other, Hosho Professional is a fine quality strong paper, creamy in color and absorbent. It is the best choice for relief printing due to its resistance to tearing. Acid-free; 4 natural deckle edges.
25" x 38" (45 gm/m2)
202 553 009
25" x 38" (10 gm/m2)
202 553 005
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21" x 29" (50 gm/m )
262 020 006
2
Kozo Natural by Awagami
Handmade in Japan of kozo fiber made from mulberry bark fiber which
is quite long and strong, yet very supple. Used for block printing and
calligraphy. Acid-free; 4 deckle edges.
Ogura Natural
Handmade in Japan from a mix of hemp, kozo and sulphite. This strong
handmade paper with heavy swirling fibers throughout the sheet is
quite absorbent and makes an excellent painting surface. It’s also good
for collage and decorative purposes. Sheets are acid-free and have
4 deckle edges.
Tengucho White by Awagami
Machine-made in Japan from pure kozo pulp. The thinnest paper made
in Japan, it is specifically designed for conservation and restoration of
documents. Acid-free; 2 cut edges and 2 deckle edges.
Na
Goyu
Handmade in Japan from kozo and sulphite pulp, Goyu is excellent for
block prints and brush painting and sumi-e. Well suited for letterpress
and silkscreen as well. Acid-free; 4 natural deckle edges.
available
in rolls
La
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Mulberry Handmade Natural Papers are handmade in Thailand of
100% kozo fiber. The smooth sheet, good for printmaking and embossing,
is smooth on one side, canvas-like texture on the back. The textured
sheets have a richly dimensional surface created by thick fiber inclusions.
22" x 30" (45 to 60 gm/m2)
470 060 011 White Smooth
470 060 012 White Textured
25" x 36" (40 gm/m2)
470 060 029 Natural Textured
Lama Li Natural from Nepal—This handmade paper is richly
textural with a warm off-white color, flecked with slightly darker fibers.
4 natural deckle edges.
20" x 30"
202 515 001
202 515 002
Thin (10 gm/m2)
Thick (65 gm/m2)
9
GRAPHIC & ILLUSTRATION
Saral Transfer Paper allows precision
image transfer on most surfaces. It makes
clean, crisp lines, erases like a pencil mark
and contains no grease or wax.
12-1/2" x 12 ft. Roll
203 020 003 Blue
203 020 001 Graphite
203 020 002 White
Interleaving Paper is a thin, lightweight
paper, acid-free and buffered. Interleaving
can be used to protect artwork in
storage, both matted and unmatted.
SHEETS (45 gm/m2)
540 300 002 25" x 38"
Glassine Paper, Sheets and Rolls—
This acid-free translucent paper is used
as a slip sheet in storing artwork and has
a little more body than Interleaving.
SHEETS (33 gm/m2)
540 230 001 24" x 36" (100-sheet pack)
Rolls (33 gm/m )
219 040 002 36" x 20 yd.
2
Grafix Dura-Lar Wet Media Film,
combines the best features of Mylar
and acetate. It’s crystal clear, archival
quality, won’t discolor with age and lies
flat. Newly formulated, it’s treated on
both sides to accept paint, marker, pen
and airbrush without beading, crawling
or chipping.
Sheet
388 070 003
20" x 25" x .004"
Transfer Paper Roll is a full 2-feet wide,
great for transferring drawings to canvases or
large sheets of watercolor or drawing paper.
The smudge-proof graphite color transfers
cleanly and erases easily.
Original Frisket Film is low-tack,
repositional vinyl used for stenciling and
masking while painting or airbrushing.
Available in gloss or matte, it has a
translucent backing sheet for easy handling.
027 300 003
Rolls/Matte
094 010 001
094 010 002
15" x 4 yds.
25" x 10 yds.
Rolls/Gloss
094 010 003
094 010 004
15" x 4 yds.
25" x 10 yds.
24" wide x 24 foot roll
Canson 25 lb.Tracing Paper in Pads and
Rolls is a high-quality archival and acid-free
paper with excellent tooth for sketching.
Highly transparent, it makes tracing and
transfering images effortless.
8-Sheet Package
094 020 002 15" x 10" Matte
094 020 003 15" x 10" Gloss
25 lb (40 gm/m2)
Pads (50-Sheets)
159 110 001 9" x 12"
159 110 002 11" x 14"
Rolls
159 080 002
159 080 003
159 080 004
159 080 001
18" x 8 yd.
24" x 10 yd.
36" x 10 yd.
18" x 20 yd.
Canson Vidalon Tracing Vellum has long
been the favorite of draftsmen, artists and
designers. It has great transparency, excellent
surface tooth and good erasability. Each pad
contains 50 neutral pH sheets.
90 gm/m2
Pads (50-Sheets)
159 110 004 9" x 12"
159 110 003 11" x 14"
Polyester Sheets—This is the same sheet
3M sells as Mylar.™ A dimensionally stable,
translucent drawing material, this polyester
film is .004 mm thick. The frosted (on one
side) is an excellent surface for drawing with
technical pens and pencils. Both types make
handy registration materials for printmakers.
White Butcher Paper Roll has a matte
finish with a waxed backing. It’s handy for
sketching out big ideas.
30" x 50 ft Roll
027 300 001
Kraft Postal Wrapping Paper Roll by
Scotch™ is made in the USA from 100%
recycled paper.
30" x 15 ft Roll
146 090 002
Sheet (0.004 mm)
388 070 001 24" x 36" Frosted
388 070 002 24" x 36" Clear
10
11
PLEASE CONTACT US FOR CURRENT PRICING OR
TO PLACE YOUR ORDER:
[email protected]
(206) 812-5877 x454

art stores - Daniel Smith

Transcription

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