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THE FAFYRUS
April
2000
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SAME_DA Advertising Rate Sheet
SAMEDA Monthly News
the official publication of the
San Diego Area Middle Eastern Dance Association
All Fees are per issue and reflect a SAMEDA member
discount 10% discount on 3 or more issues.
All ads must be paid for in advance.
For further information, contact
Sahar, Director of Advertising at (760) 433-9993
Send Newsletter submissions, ads, and flyers
(see back cover for advertising rates) to:
SAM EDA• PMB #51 • 3401 Adams Avenue, Suite A•
San Diego, CA 92116-2490 • [email protected]
Chief Officer.
President:
Treasurer.
Secretary.
Newsletter Editor:
Assisting Editor.
Member Secretary:
Advertising Director.
Cover Story Wm.et.
Board Merrber.
Board Member.
SAMEDA Board Members
Oonna Dutton
(858) 689-1142
Theresa Freese
(619) 298-0849
Jolie Lucas
(858) 541-0833
Lynn Perry
Meleah
(619) 280-8424
Susan Teal
(619) 444-4197
Sahar
(760) 433-9993
Jolie Lucas
(858)541-0833
Meleai
(619) 280-8424
Cindy Scheidt
(619) 449-1744
Newsletter Assembly Persons:
Kathy Thomson
Cindy Scheidt
Add $10. 00 per item for non-members
"" $7.00
Classified ads
6 lines or less
•
Non-member
Business card ad-one issue
Half-page ad
Full page ad
(inside front or back cover) .....
Flyer insert (275 copies)
EXTRAS:
Creation of a flyer master
Creation of a camera ready ad ...... .. ... .
Submissions deadline is the 1
each month. Due to
occasional space constraints, non-time-sensitive items may be
held over till the next issue.
Submissions should be typed or legibly handwritten-preferably double-spaced with adequate margins. Submissions on disk
are acceptable (even preferred) in PC platform. Disks will be
returned if you include a postpaid mailer. Due to the new streamlined format, we accept typeset material only for advertisements.
If you scan your own photos, please do not halftone themscan them as "grayscale" ( 16 grays) or "black and white photo"
in your scanning program.
... $20.00
$20.00/$3 0.00
All ads submitted must be on white paper and clean for scanning. Text must be crisp & legible, original photos if possible.
Otherwise, if extra typesetting needs to be done, an extra charge
of $10 will be added.
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All SAM EDA business correspondence & membership goes
to the following address:
SAMEDA • P. 0. Box 16821 • San Diego, CA 92176
[email protected]
$10.00
.. .. . $10.00
$15 .00
... $25 .00
$35.00
..... $30.00
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You will have all of June and into July, with the SAMEDA Faire
being the deadline. We will have a ballot box set up at the Faire if you
want to put it off till the very last minute. We' re excited about the
upcoming election and very much look forward to seeing the results.
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Please vote. Please vote.
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Okay, the machinery has been set in motion to infuse SAMEDA's
Board of Directors with new blood and the accompanying new energy
and ideas. We have the list of nominees, and we will spend the next
month contacting them to make sure they' re as enthusiastic as their
nominators. We will get short biographies from everyone, and they will
appear in the May issue of Papyrus for your perusal. The June issue will
contain ballots, and at the risk of sounding like a nagging broken record,
I want to encourage you to please vote.
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As always, we welcome any comments or suggestions. Please
send them to SAMEDA, P.O. Box 16821 , San Diego, CA, 92176. Or you
can call or email me at any time at (858) 689-1142, [email protected]. I
look forward to hearing from you.
Sincerely,
Donna Dutton
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THE.. FA FYRUS
2000
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Insights ~ Inspirations
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Happy Easter to one and all. May this spring bring you happiness and
a renewal of inner spirit and energy. And, may the tax man give you mercy.
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I would also ask that each of you take the time to vote for the nominees
for officers and board members.
April showers truly do bring flowers and you are the flowers. Know that you
are budding with the renewal of springtime and the perfection of your dance
is the ultimate blossoming of who you are.
At my age, I've seen it all, done it all, heard it all. . .I just can't remember
it all. Before you criticize someone, you should walk a mile in his shoes. That
way, when you criticize him, you are a mile away from him and have his
shoes. Do Lipton Tea employees take coffee breaks? What hair color do
they put on the driver's licenses of bald men?
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Mission Statement
SAMEDA is dedicated to provide educational and performance
opportunities for those interested in the art of Middle Eastern dance and to
promote this art to the general public by sponsoring seminars, workshops,
and events, which are available to all.
SAMEDA is also dedicated to the production of a monthly
newsletter containing listings of such events and items of related
interest as well as providing a public forum in which the membership is
encouraged to participate.
Article II of the Bylaws.
AFFIRMATION : MY DANCE IS AS BEAUTIFUL AS THE FLOWERS
OF SPRINGTIME.
THE
SAMEDA FAIRE
SUNDAY. ]ULY 16, 2000
LA MESA COMMUNITY CENTER
4975 MEMORIAL DRIVE
LA MESA. CA
10:00 A.M. TO 6:00 P.M.
WORKSHOPS: "PERCUSSIVE RHYTHMNS FOR DANCERs"
FEATURING DAVE DHILLON, DRUMMER 10:00 - 11:30
LILLY 5PLANE. ZILLS OF FIRE 11:30-1:00
CALL MELEAH FOR DANCING: 619-280-8424
CALL SusAN TEAL FOR VENDINGIVowNTEERS: 619-444-4197
CALL THERESA FREESE FOR WORKSHOPS: 619-289-0849
(
THc. FAFYR.US
28
April
2000
J
VOLUNTEERS NEEDED FOR THE
SAMEDA FAIRE
(
April
THc. FAFYR.US
2000
5
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SAME.DAT-Shirts Order Form
Make checks payable and mail to SAMEDA
If you would like to help out in any of these areas, call (619)
444-4197 and sign up: set-up, concessions, tickets, clean-up,
runner, raffle, SAMEDA table, and many others. Call now, we
need you! !!
SAMEDA • PMB #51 • 3401 Adams Avenue•
Suite A• San Diego, CA 92116-2490 •
$15 per shirt plus $5 shipping &handling
Number of shirts ordered - Total amount enclosed - -
~----------
Name:
Address:_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
City/State/Zip code:_~~-:---::~iiiiiiii~-•
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Phone (_) _ _ _ __
Email :_ _ _ _ _ __
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Middle Eastern Performer
16885 W. Bernardo Drive, Suite 212
San Diego, CA 92127
Tel (619) 988-0402
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Fax ( 619) 618-1143
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THE. FAFYR.US
April
2000
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April
2000
THE. FAFYR.US
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You may contact our Board Members & others at the following
addresses:
SAMEDA Website:
...... .. .......... http://members.aol.com/SDSAMEDA/index.htm
SAME DA .. ... .. ..... ... .... ...... ....... .... ... .. [email protected]
Donna Dutton .. .. ..................................... [email protected]
Theresa Freese .... .... .. ......... .... ........... [email protected]
Jolie Lucas ....... ..... .......... ..... ......... ...... .... . [email protected]
Francena Sherburne ... ............. ............... [email protected]
Morwenna Assaf ......... ........... .. ... ...... [email protected]
Aziza Sa'id ....... ...... ....... .. ... ... ..... ...... ... [email protected]
Lynn Perry ................... .... ..... ... ........ [email protected]
Dave Dhillon ... ..................... .... .... ..... ... [email protected]
Fahtiem ....... ... ...... ........ .... ... ... ............. ... . www.fahtiem.com
Claudia lmmerzeel ...... ...... ... ...... [email protected]
Sohaila ..... ... ...... .... ..... .......... ... .. ............... [email protected]
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~d\')!)e2)o2\ Costumer .£1st
Aleia ... ............ .................... ........ .. ... ..... ....... .... (760) 930-9893
Morwenna Assaf ... ......................................... .. (760) 757-4470
Athena's Boutique .. ... ..... .......................................... 221-2920
Cristobal .... ................. ....... ............ ............... ... .. .... ... 697-9121
Gypsy Wear (Rebecca Long) ........ .......... ........... ... .... 579-9526
Nora Luchs ................. .......... ..................... .... ..... ...... 457-7741
Scherezade's Souk ... .. .. ....... .. .... ....... .......... .... . (858) 581-0135
Sohaila ...... ... ....... ...... ......... ... .... .... .. .. .............. (760) 743-7501
Thea/Costume Website: http://members.home.neU
threemuses ... ... ... ...................................................... 461-0194
Theresa Freese ......................................................... 298-0849
G.A. Walke .. .......... ...... ... ........ ......... ... .................... .. 44~74
Zarifa ... .... .... ..... ......... ... ...... .. .. ..... ....... ...... ... .. ... (619) 453-0811
lUeizi
by Mariah
Aleia, my Angel
Had confidence in me
when I had none
Encouraging, loving
Supportive and honest
Integrity and standards as
High as her beautiful stature
Caring heart as deep
As her warm eyes glow
Showing the depths of her soul
Vibrant, alive
Energy contagious
Gracious, kind
Giving freely
Her light shines bright
Extending from her lithe body
Touching all who
Share her presence
Our gift, my Angel
Aleia
27
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THE.. FAFYR.US~ .. ··~~ .
,Aprhooo
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Now with the help of the power of the dance, I will continue to dance for
as long as I can even with the burden of two auto-immune diseases and the
realization of no income and no health insurance in two years with the final
divorce papers filed . This is not being written for your pity, but rather to
illustrate that it is what the power ohhis dance has given me that allows me
to face each new challenge; be it not eating that piece of chocolate, to
exercising when I need to even ifit is raining, to asking to dance first so it fits
in with my diabetic insulin requirements, to foregoing a gig or dance seminar
because the length will put my health in danger.
Few of the readers have any comprehension of the time and energy it
takes to take control of one's diabetes. Measuring and recording all my
food, getting up at 5:30 a.m. every day and to bed by 11 :00 p.m. no matter
what is going on, picking out costumes to cover bruised injection sites,
making sure I have enough insulin and snacks packed anytime I go. What
helps me through all this .. . the power of our dance .
May you all feel motivated and inspired by this to learn for yourself
how to overcome your own weaknesses and character defects with the
power our dance
gives us. You don' t
need alcohol, food,
drugs,
tattoos,
artificial nails, or
breasts to make you
feel better about
yourself. It's within
you already. Search
for this strength
through our dance,
and you will be able
to do and be
anything you want!
(
April
2000
THE.. FAFYR.US
J
7
~dl')!}Wd\ 'fJerformers ~ireetor!I
(all are in the 619 area, unless noted)
C
DANCERS
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Aleia .. ...... ...... ...... (760) 9~9893
Amatya ............... . (760) 432-6574
Ana .... ........ ..... .... 660-6965
Morwenna Assaf .. (760) 757-4470
Cyriana ....... .. ....... (909) 987-1670
Fahtiem ............... (626) 810-9470
Jamila ............ ..... 466-8233
Jasmina ........... ... 449-1744
Jinaan .. .. ... ....... ... (760) 47H3747
Luisa .. ... .. ... ........ . 299-1129
Mariah ..... ............ (760) 727-4545
Marula ... ... ........... 298-2599
Cassie Mavis ....... 230-9442
Meleah .............. .. 280-8424
Niki Vaccar ........... (760) 634-3680
Nora ... ................ 457-7741
Pamela .. ....... .. .... 299-7337
Sahar .......... .. ... ... (760) 433-9993
Ninah Sahar ...... .. 561-5675
Sahra Saeeda ...... (909) 359-6782
Salimah .... .. .. ... .. . (760) 739-8179
Sanura ................ (760) 6~7063
Scherazade ....... .. (858) 581-0135
Sohaila ................ (760) 743-7501
Theresa ...... ..... .. . (619) 298-0849
DRUMMERS
==>
Walid Assaf .... .. (760) 757-4470
Dave Dhillon ... .......... 284-5367
Var Daghdevirian
(909) 987-1670
Richard Steiger .... ..... 283-6325
Randwulf .................. 788-1447
[. ..
THE.. FAFYR.U5
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April
Manbcra' Comer
WtLCOM[ TO
2000
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StlMED/l
Nr.w MtMBr.Rs
Sheryl Christenson
Cynthia Marcusson
George Salek
Mouna Elmansouri
Marc Biagh
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WtLCOM[ BACK TO
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Dondi Dahlin
Janine Lutz
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StlMED/l
MEMBERS
Kathleen Thomson
Restore Your
Mind-Body-Spirit
Connection
Bellydancers-Mention this ad
and receive
$10.00 off on your first massage!
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Call Patti Pietron
760 753-1041 to schedule your
appointment.
(see my article on the benefits
of massage in this issue)
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April
2000
THE.. FAFYR.US
25
·- )
annual birthday party at the Greek Vtllage, and two weeks before my husband
moved out and the final phase of our divorce started. Yet, how did I, and how
am I, getting through a week of6 doctors' appointments, multiple labs being
drawn, divorce papers, taxes and the spring semester of school starting?
Yes, you guessed it, I am using the power of our dance .
Through the ages women have used its power to help them survive
harem life, the pain of pregnancy, P.M.S., and menstrual cramps. The selfesteem, and sense of our own feminity that comes from the power or our
dance has given women the power to endure mens' trangressions, restaurant
owners' scorn, and bachelor party gossip. If every time we face a tough
decision or problem, we could think back to a time that our own hours of
practice on zills and veil to increase our stamina exhibited our own strength
and use that sense of accomplishment and power, to exchange for the fear of
the moment, we would have nothing to fear!
Every time I feel too tired to practice or there are so many other "haveto-dos" to accomplish, I remember the power of our dance, and it motivates
meto practice at 5:30 a.m. when I have to beat work or school at 7:00 am. The
knowledge that with practice I will be able to master a dance skill that will
give me higher scores at a competition, or more confidence to dance at the
Bedouin Bazaar, or Rakkassah. The strength of the dance gives me the
strength to go through terrible times and come out on top.
I can't tell you how many times recently going to have my blood drawn
out of an already bruised arm (knowing I was going to perform that night and
what costuming would I cover the bruises with) that I put on a tape of a
successful performance with John Bilezikjian and relived that performance
and the self esteem I got from doing it.
I could go on, but I want to leave you with the thought that through all
our trials and tribulations, the only person that is always with us is ourself
and the dance gives me a better sense of who I am, goals for who I can be
and the strength to get there. I would hope that I live as one of the best
examples of what dance can do for you.
Briefly, I have danced Polynesian dancing professionally from 9 to 18
years of age. I have ballroom danced since high school and won several
Arthur Murray five state competitions. I lived in Greece for 5 years, and did
dental hygiene and taught Jazzercise. I have danced in Greece for the Prince
of Bahrain, in Tahiti and various cities in the U.S. I also do Victorian and
Cajun dancing.
I have been a dental hygienist for 25 years, but now have been declared
disabled by the State of California and may no longer do this. I speak four
languages fluently and am now pursuing a career in counseling at Cal State
San Marcos. I run the North County Diabetes Support Group.
(
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THE. f AFYRUS
April
2000
)
The Power ol the Dance
by Cyndee Fena (A/eia)
The power of our dance has helped, and is helping me everyday to live
my life fully with inner joy and strength I find nowhere else. I want to share
with our younger members (in the dance) and remind those ofus who have
danced awhile what this dance can do for you.
Many of you know, but for those who don't, I have been an insulin
dependent diabetic, taking 4 to 6 injections per day for 28 years. Yet, in all that
time, I have only missed one performance and one night of teaching because
dancing restores my body's strength and also my mind's. I almost never can
eat at the restaurants I dance in, because I need to eat by 5:30. This is not a loss
to me, because my performance which gives me so much courage, joy, and
inner strength, is never compromised by a full stomach, or my weight going up
because I am eating too late, or by weakness from dancing on an empty
stomach. Being able to dance well is worth more to me than another dinner.
The strength I get from knowing I touched someone in the audience
that night, that their birthday was better because of the fun everyone had, or
they want to take lessons because it was so beautiful, I access when I'm
afraid with stage fright to perform, or the owner insists I accept a drink from
a fan in the audience. The power of our dance I use as a cape to protect me
when bombarded with criticism from a teacher, spouse, fellow dancer, or
"friend." This way I never "have to have a drink" to be able to dance, or a
cigarette to calm myself. I use the power ofour dance to help me live a safer,
healthier life with the strength to overcome the fear of competing, or my
spouse finally leaving, or doing the end of the month finances, or taxes. I
know I am strong because the dance secures that for me. I have self confidence
and self-esteem because I have successfully lived through many challenges
without the crutches of alcohol, smoking, drugs, or the right car, the right
man, the right house, or even the right costume.
We can all relate to arriving at a dance gig somewhere and finding we
had forgotten some crucial part of our costume, like the belt or skirt, or our
wig. We arrived and our tape broke in the car or there wasn't a boom box with
a CD holder. Then and there, I access the power ofour dance and know deep
inside that a good dancer is always a good dancer no matter what she wears
or what she does. I will trade the fear of not being able to perform without the
music I had practiced to, or in the order I pulled, for the strength to dance no
matter what, based on the knowledge that will receive the power of the
dance once I am out on stage.
In January of this year, I was diagnosed with Chronic Lymphocytic
Leukemia, a slow growing, but incurable form of cancer five days before my
[-
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C
2000
THE. f' Af'YRUS
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Teachers: Ifyou need copies of the Monthly News for your class,
please call Meleah at (619) 280-8424 before the t•.
•
Next SAMEDA Board Meeting is Tuesday, April 11°' at 7:30
pm. atMeleah's- 2805 Maple St. Call (619) 280-8424. All members are welcome.
L:
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Beautiful, almost new costumes for sale, $400 each (green, aqua,
or fuchsia). Emerald sequin beledi dress, $300. Fits size 7 - 9.
Leave message for Nancy (858) 486-9130.
•••••••••••••••••••••••••••••••••••••
One E._nchanted E._ven1ng Video
Order Form
Make checks payable and mail to Arnie Lamer
P.O. Box 571612 • Tarzana, CA 91356 • (818) 343-5354
[email protected]
$25 per video plus $5 shipping & handling. Two camera edit from
state-of-the-art Sony Digital Cam & Panasonic Super VHS
Number of Videos Ordered
Total Amount Enclosed
Name:
---------Address:~ - - - - - - - - - - - - - - - ~
City/State/Zip Code:_ _ _ _ _ _ _ _ _ _ _ __
Email:_ _ _ _ _ __
Phone L_)
•••••••••••••••••••••••••••••••••••••
[
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THE. FAFYKUS
April
2000
)
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Shows & Sptcial 6-«nte
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418 & 4/9/2000 - C*E*D*A*R to perform for the Encinitas Street Fair.
More details to follow.
4116 & 4/27/2000- Jamila's Belly Dancing dinner showcase at Greek Town
Restaurant, 431 E St., San Diego Gaslamp District at 7:00 p.m. For reservations,
call (619) 232-0461, to schedule for dancing, call (619) 466-8233 .
4116-C*E*D* A *R to perform in Fallbrook at the Avocado Festival in the
Mission Theatre.
4129 & 4/30/2000 - C*E*D* A*R to perform at Oceanside Days of Art to
close National Dance Week. What are you going to do this year? Call Art/
Dance Academy and Jet us know. Get recognition.
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April
2000
THE. FAFYKUS
Universal Category
Champion/Peoples' Choice: Rana
2nd Runner Up : JoJo
2,
)
1st Runner Up: Meera
3rd Runner Up: Saqra
Tonya & Atlantis deserve both recognition and appreciation for
providing an exhilarative and elevated venue for Middle Eastern dancers. If
you missed it this year, treat yourself to the full two day venue next year. It
is well worth it.
J
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Wednesdays-Tonya and Atlantis present their Original Belly Dance Showcase from 8:45-11 :30 p.m. at the Los Angeles Harbor Radisson Hotel, 601 S.
Palos Verdes St., San Pedro. For show information, call Tonya at (310) 434-3987;
for reservations, call (310) 519-8200.
Burning Incense
Thursdays-Mediterranean Kebob Room, 610 S. Myrtle Ave., Monrovia,
8:00 pm to 11 :00 pm. An Evening of Belly Dancing with guest dancers,
dancing to Turkish, Armenian, Arabic, Greek & Persian music performed by
John Bilezikjian, Var Daghdevirian & Cyriana. Open dancing & Greek folk
dancing. To reserve a dance slot, call Cyriana (909) 987-1670. Show includes
5 solo dance spots. Student dancers are encouraged to dance as well as
instructors & professionals. Troupes welcome, live music or taped show
could be arranged. Reservations call (626) 357-0512.
5/1 & 5/2-Morwenna & Walid Assaf will both teach/perform in Sacramento
for Jodette, along with Taaj of Zaghareet Magazine, Angelika Nemeth &
" Rana
Fahtiem. Call (760)757-4470 for more information.
5/27 & 5/28-From NYC, The Ibrahim Farrah Near East Dance Group in
weekend workshops & Saturday concert at Orange Coast College, Costa
Mesa, CA. Sponsor: Angelika Nemeth (949) 786-3111 .
5/27-Morwenna & Walid Assaf along with C*E*D* A*R will be performing at OCC in a tribute to Ibrahim Farrah at OCC, Orange County. Angelika
Nemeth is the producer. A workshop and weekend not to be missed.
Photos by Kai Kotka
(
THc FAFYRUS
22
April 2000~~=:J
10th ltnnuul HE:lly l>uncE:r
of thE: HnivE:r~E: C!ompE:tition
by Maru/a
Clouds rumbled and rain pelted slick highways, but did this hinder the
Belly Dancer of the Universe Competition? (not on your life!) It was one of
the best attended events that I have been to all year. Vendors were kept busy
and attendees chatted excitedly to one another while others lurked on the
sidelines waiting to take advantage of vacated seats. The ambience was
filled with melodrama as one by one the competitors took a deep breath
before bursting onto the stage. The talent was exceptional! From the eye of
someone who has played both the role of a judge and a competitor, I have to
say these performers were remarkably well prepared.
The competition took a different format this year. A two-day span presented workshops, open dancing, a gala show, preliminary competitions,
final competitions, the prestigious Magic Lamp Awards, a special judge's
dinner, and, of course, shopping! It not only sounded exciting, it was!
Saturday night hosted the Little, Junior, and Divine categories of the
competition. I was incredibly honored to be a judge in all three areas. This was
not an easy task when you see so much talent in such small performers. Once
the scores were collected, I would just shake my head and sigh, "adorable."
The following is a list of the winners of the Saturday night performances:
Little Category
Champion: Isabella
1st Runner Up: Genie of the Desert
Divine Category
Champion: Tilana
2nd Runner Up: Vichelle
Junior Category
Champion: Gem
1st Runner Up: Dawn
1st Runner Up/Peoples' Choice: Kamat
3rd Runner Up: Ranata
(My impression of the Divine Division seems to be same year after year.
The spirit ofgoodwill, warmth, skill, and joy is evident within each competitor).
Sunday hosted the Group, Egyptian, and the Universal categories. The
tension was thick and the atmosphere charged. Attendees eagerly participated
in the judging by selecting the performers oftheir choice for the coveted "Peoples'
Choice Award." Lacking a pencil and yet not deterred, I used lipstick to select
my favorites. While digging desperately through my purse for my smeary writing
tool, I realized what a fabulous award the "Peoples' Choice" is and how insightful
of Tonya & Atlantis to provide that opportunity to the audience.
(
April 2000
THC FAFYRUS
Belt,
~
--~-11~~ )
ClQtllC8
STUDENTS PLEASE NOTE: Please call the teacher you are
interested in for dates and times of classes.
North County & Beyond
Aleia (760) 930-9893
Amalya, Escondido (760) 432-6574
Morwenna & Walid Assaf-Art/Dance Academy (760)757-4470
Oceanside, Encinit.as, Sorrento Valley, La Mesa
Sohaila (760) 743-7501
Sohaila's Studio, Poway Unified School District
Effie Horning (760) 630-7063
Niki Vaccar (760) 634-3680
Carlsbad, Parks/Rec; San Dieguito Adult Ed., Solana Beach
No. Co. Athletic Club, Encinitas;
Solana Parks and Rec., Solana Beach
Stage Door Dance Studio, Encinitas;
Private home-outdoor studio, Cardiff
Greek Village Resaurant, Carlsbad; Cafe Sevilla
Kathy Stradley (909) 699-5606
Temecula Community Recreation Center, Temecula
Mariah (760) 727-4545
Angelika Tustin (949) 786-3111
Tustin/Community Services (714) 573-3326
CostaMesa/OrangeCoastCollege (714)432-5735
Golden West College, Huntington Beach (714) 895-8306
Itvine!Leaming Tree University (949) 442-0690
-
Metro
Cassie (619)230-9442
San Diego Dance Works, 2653 Ariane Drive
Elle (760) 293-3243
Centre City Ballet, 928 Ft. Stockton, Mission Hills
[
12
THE. FAFYRU5
Arril
Luisa (619)299-1129
Dancing Unlimited, 4569 3Qlh Street, North Park
La Jolla Rec Center
Meleah (619) 280-8424
Centre City Ballet, 928 Ft. Stockton, Mission Hills
Taoist Sanctuary, 4229 Park Blvd., North Park
Mahara (619)460-7866
Oasis, Mission Valley
Scherazade (619) 581-0135
3234 Idlewild Way, Clairemont
Richard Steiger-Drumming (619)283-6325
Theresa (619) 298-0849
Centre City Ballet, 928 Ft. Stockton, Mission Hills
Vernetta (619)260-1707
Vemetta'sDance Studio, 3927Utah, North Park
East County
Cyrena (619) 698-9421
San Carlos Recreation Center, 644 5Lake Badin Ave.
Jamila (619)466-8233
La Mesa
Jasmina (619) 660-4350
Cuyamaca College, Room R205, Rancho San Diego Prkwy
Ana Goebel (619) 660-6965
Spring Valley Rec Center
Ninah Sahar (619) 561-5675
Santee
Nefera (619) 579-9526
Rebecca'sSewer'sResale, 1321 E. Main Street, El Cajon
Renah Bayat ( )
Art/Dance Academy
Las Mesa's Sr. & Adult Centre, La Mesa
World Dance nArts, Rancho Bernardo
2000
)
(
April
2000
TH E. FAFYRUS
2 1
]
Lastly comes the spirit. With a joyful spirit comes that connection with
the universe, fellow dancers, and the audience. You're in control and have
the audience in the palm of your hand. It gives a dancer that special "spark"
that ignites and sets her apart from others. She's alive and vibrant and her
dancing shows it!
I hope this artictle has expanded your awareness around massage and
that you' ll give it a try. Massage not only benefits you, but everyone you
come in contact with. It's amazing the effect one balanced person can have
on several others! Blessings and joy. Effects massage on the
Mind
• Increases oxygen & blood supplies
• Time to meditate/visualize
• Brings about clarity of thought
• Removes toxins
• Helps focus
• Helps to center yourself
Body
•
•
•
•
•
•
•
Restores flexibility
Rebuilds strength
Realigns & balances energy field
Decreases resistance & tightness
Increases oxygen & blood supplies
Helps prevent injuries
Relaxes nervous system
•
•
•
•
•
•
•
Restores proper body mechanics
Prevents scar tissue & adhesions
Lengthens & warms muscles
Loosens tendons & joints
Improves range of motion
Removes lactic acid from muscles
Relieves cramps
Spirit
• Increases feelings of wellbeing • Aligns you with the universe
• Gives you "spark" or "fire"
• Connects your spirit with others
·1!1
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...
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. ~~20~
THE. FAFYR.U5
April
2000
)
The lienefit~ ol lff a~~age on lffind.
llody. & ipiFit
by Patti Pietron
Recently I spoke at the January 2000 meeting of belly dance teachers.
My mission was to expand the group's awareness of how massage not only
effects the body but benefits the mind and spirit as well. Massage is my
passion because I see the powerful effects it has on clients. As a regular
receiver of massage, I experience the effects personally as well.
Balance, we all strive to achieve it in our lives. Critical in attaining balance
is having our vital life energy flowing clearly and powerfully to our bodies,
minds, and spirits. Massage is a beautiful therapy that supports, nourishes,
and energizes each element of the body, mind, spirit connection. When the
energy is running to each of these elements we feel centered, clear, happy
and physically strong.
Imagine, if you will, a concert violinist. To deliver that one in a million
performance, three key elements must be in concert first. At the most basic
level is her instrument (or a dancer 's body). If her violin has not been properly
cared for and maintained, it will effect her performance on a very basic level.
If the violin is cracked, warped, or damaged, the very sound it makes will be
off. Ifa string is broken, she can't play at all. If she waits until just before she
goes on stage to check her violin she may be in for an unpleasant surprise.
Let's say she's maintained her violin. It's in perfect condition, but, she's
thinking about an argument she had with a fiiend earlier that day. Her mind
plays it over and over and she catches herself missing notes and her timing
is off. Lastly, lets say her violin is perfect, her mind is focused, but her spirit
is low. She's feeling sad at the thought of a fiiend leaving town. Her misery
shows in her face and in her music. As you can see, if any one of the three
elements is not fully functioning, her performance, her enjoyment as well as
the audiences ' is affected! This scenario applies to dancers as well.
Yes, massage has the obvious benefits for the physical body. But it also
increases blood and oxygen supplies to the mind and removes toxins from it
as well. Toxins are stored in fat, and our minds are made up of largely fatty
tissue. When toxins are removed our thoughts become focused and clear.
I've experienced clearer and more positive thoughts after a massage and
resolved many a problematic situation on the table or just after I've left my
therapist! I've seen the same with clients. The time on the table is yours
alone! Time to visualize a performance, meditate, or just let your mind clear.
A clear mind is a powerful thing!
[
April
hl!l/!f!Nl!l\!ISJ
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2000
THE_ FAFYR.US
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Ninah Sahar Presents Mid-Week Workshops (once monthly) Ethnic/folkloric - Egyptian, Moroccan, Tunisian, Algerian, Arabian, Turkish, including
Bedouin, Berber, Gypsy dances, history. Bellydance - music styles, performing skills, drum solo, dance notation, cymbal mastery, many other subjects.
Pre-registration is required. Each workshop is $20. Call (619) 561-5675.
4111-30/00-National Dance Week. Morwenna Assaf will be the Regional
Director once again. Anyone willing to help or who has any ideas of a
venue, please contact her at (760) 757-4470. Any ideas are valid.
5/13-Morwenna & Walid Assaf to teach Rhythm & Dance workshop. To
be held in new Oceanside Studio. Call (760) 757-4470 for information.
5/11-Belly Dance/Yoga Workshop with Mariah. The Yoga Studio of
Carlsbad. 12:30 pm to 3:00 pm. Call (760) 727-4545 for information.
[ : Out-of-State 6lfflt8
:J
6117100-Morwenna & Walid Assaf will be performing in Phoenix, AZ.
Walid will be teaching along with Aisha Ali & Angelika Nemeth. Walid will
be teaching a drum workshop for the participants. Contact Esther in Tempe
for more information.
[
1+
THE_ f' Af'YRU5
c
April
coo.-. tow
2000
)
::J
I am honored and grateful to be nominated as SAMEDA'.s Soloist of the
Year for 19991 I would like to thank SAMEDA'.s organizing committee and
especially Marula for putting together this magnificent event that brings so
much talent to a single show. One Enchanted Evening has inspired me to be
creative and original in my dance, along with motivating me to continue my
hard work in performing rich and spectacular dance shows in the future .
Allow me to applaud the extraordinary collection of charming and talented
dancers that makes this community so special I
Yours in dance, Julia
o
~ - o ---
Dear Members of SAMEDA, thank you so much for awarding me
"Outstanding Volunteer" for 1999, especially considering all the other
wonderful people who have worked just as hard or harder on behalf of this
organization. In fact, at one a year, I think it will take many lifetimes to
acknowledge everyone who deserves recognition! I Bearing this humbling
truth in mind, I feel very honored.
Sincerely, Kathleen Thomson/A lia
0
~
70
I am also behind in thanking Theresa Freese, Cindy Scheidt, Scottie
Schultz and Susan Teal for their help assembling the February newsletter.
Thank you, Kathleen Thomson/A lia
Dearest Friends ofSAMEDA, Thank you so much for the "Cover Story"
and picture in the January 2000 "Papyrus." It's wonderful to know there are
such loving people. Jolie was a delight to talk to.
San Diego has always been blessed with great dancers. We would love
and appreciate a San Diego representative this year 2000.
May love - peace - health - and prosperity be in the lives of all
SAMEDA members, and blessings to all.
Love and peace, Tonya
(
April
2000
THE_ f'Af'YRUS
19
]
Najwa Fa wad, Tahiya Careoka, Sarnia Gama!, Lucy, and Dina. Even my
moves that weren't Egyptian, I coated heavily with an Egyptian flavor.
Before the competition, I received the "rules and information" packet
and studied it diligently (I would not be disqualified on a technicality!). The
week before the big day my routine was ready, and I found my spirit after
doing my routine for one of Luisa's classes. It was good to have a live
audience. . .thank you!
The day of the competition was grueling but everyone involved was
wonderful (this is true). The contestants in the dressing room were supportive
and professional (this is also true). By the time the finals arrived, we performed
our original routines plus a
spontaneous, live, unrehearsed drum
solo with Susu Pampanian. This is
where I felt alive! I LOVE drum solos
and Susu is terrific (and very
challenging ...all the better).
Late on February 20th, Tonya
and Atlantis announced me as "Belly
Dancer of the Universe, 2000" and
Harry Saroyan was there to hand me
the HUGE trophy for the Egyptian
category. It was and is very exciting!
This is a process I recommend
to everyone who is serious about
being a belly dancer. It is an arena
which is conducive for growth,
expansion, exposure and unique
experiences in one more aspect of
Middle Eastern dance.
]!
~
~
~
0
0
.c
Q.
(
18
THE_ FAFYR.US
April
2000
)
llelly l>uncer
ol the lfniver~e Competition
by Dondi Simone Dahlin
A couple of years ago Harry Saroyan told me I had a major Turkish
influence in my dancing. I'm embarrassed to admit that at that time I barely
knew what he meant. I learned belly dance from a smattering of teachers
though the years but was primarily self-taught. Because of this, I lacked a
secure knowledge on the differences among Turkish, Egyptian, Lebanese,
Folkoric, ethnic, tribal, cabaret, and American style belly dance ... not to
mention Khaleegi, Ouled Nail, Ghawazee, Saidi, Guedra, Zar, etc., etc., etc.!
The day after this revelation, I flew to the Persian Gulf for a dance
contract. I had an intense awakening of how "American-Turkish" my style
was and realized my ignorance of the culture, history, and modem styling of
true Middle Eastern dance. As I soaked up information, I began to admire
the Egyptian dancers in the Gulf and returned to the U.S. deciding to refine,
polish, and "Egyptianize" my dance skills. It has been a two year journey of
classes with Sahra, Angelika Nemeth, and Shareen El Safy. I have watched
many videos and live performances, and listened to hundreds of Egyptian
CDs to get a better, more organic feel for the music.
Last fall I decided to enter the "Belly Dancer of the Universe"
competition. I wanted to grow as an Egyptian dancer and I knew that entering
a competition would force me to be more disciplined. My dad always told me
that there was only one good way to deal with the pressure of competition
and public performances: preparedness. I also knew that if I didn't feel
prepared, it would show as nervousness, stifthess, and coldness in my
dancing and I couldn' t afford that. So I practiced, practiced, practiced!
I ordered a past video from the competition to study how the dancers
staged themselves and the choices they made on costuming and
choreography in the Egyptian category. I also viewed other competitors so
I could be aware of major differences between the categories. Finally, I chose
a new costume that I felt beautiful in and choreographed a routine to "Amera,"
a CD that was given to me and my sister by the dancer Amera when we were
on contract in Australia. I knew there would be little chance that someone
else would have it.
I choreographed every single second ofmy routine (a first in my career)
with moves that were Lebanese, Turkish, and "made-up." However, most of
my techniques were Egyptian and stylized after the previously mentioned
teachers and legendary dancers of Egypt, including: Naima Akef, Fifi Abdo,
(
April
2000
T HE_ FAFYR.US
J
15
SAMEDA IS LOOKING FOR STAFF WRITERS
We can use simple short pieces, articles, anecdotes, or even a
whole series. Don't fret about your writing. As long as your typing or
handwriting is legible, the editor can make sense of it and shape it into
a printable piece of work.
A sample of subjects:
Costuming and Sewing Tips
Recipes (yours, not copied from a publication)
Anecdotes-funny, cautionary, or playful , it's up to you
Public Relations Tips-how to handle surly restaurateurs, band
members, or customers
Discoveries-a new dancer, instructor, musician, fabric store,
or night club
Workshop or Seminar Reviews
Middle-Eastern Culture
Travelogues
Dance Techniques
Belly Dance History
Music and Musical Instruments
Keeping Fit, Grooming, Makeup, Cosmetic Surgery
The Dancer's Public Image
The Business of Belly Dance
Dance Troupe Life
. .. in short, anything that may be part of your dancing life, may
be of interest to others. Share your experiences, your
knowledge, your vision of the future for belly dance.
~ ~ ,~~~i~~~ ~ t~~,~,1~,
1
~1
G~1dajd!<l6<l~~~~~~~~~16i
(
16
THE.. FAFYRUS
April
2000
)
Cov~r itory - John nn~.ziltjizin's
musical liniv~rs~
by Richard Steiger
Ifever there was a true musical virtuoso in our midst, it is John Bilezikjian.
Yet most dancers in the southern California danse oriental community know
him only for his music for bellydance routines. There is much more! John's
oeuvre spans an international range including, but not restricted to, Western,
Armenian, Sephardic, Arabic, Turkish, and Greek music. He is also conversant
in some of the musics of Russia, Israel, Eastern Europe, Asia, Spain, and
Latin America. The scope of his language skills, as a result of this, is global.
Born February I, 1948, and raised in the San Fernando Valley by Armenian
parents who immigrated to America from central Turkey, John eagerly absorbed
the music of his family from childhood. And, when he wasn't actually doing it,
he was listening to the 78 rpm LPs his grandfather brought from the old country.
He defines his own style as rooted in the music indigenous to his familial
heritage. "That's what I heard and that's what I play." An excellent reflection
of this is available in his recording, Music of the Armenian Diaspora, with a
booklet containing a history of Armenians.
Music has taken him all over the Earth, playing for royalty and the
common person alike. John has also traveled widely with singer-songwriter
Leonard Cohen's 1986, 1989, and 1997 tours. John is not a stranger to live
radio either; he has been on many different radio programs including the
beloved Mario Caseta show in KPFK, and Tom Snobels' show on KCRW.
Although he is a classically trained violinist, his principal musical
expressions are on the 'oud. He has performed and composed for chamber
ensembles, symphonies, orchestras, and for the theater. To choose a favorite is
impossible. Performing the debut of Miriam Gerberg's ''Fasl Taiseer" on 'oud
with the American String Quartet, an 'oud concerto written for him by Vazken
Muradian with the los Angeles Mandolin Orchestra, and many dates with the
Los Angeles Philharmonic illustrates some of the breadth of his talents.
John has a forty year association with Hollywood as a studio musician
on all kind of instruments, and as a composer and arranger for literally
hundreds of films and commercials. Seen any movies lately like: The Prince
of Egypt, Anastasia, The French Connection, or Schindler's List? You've
been listening to some of John's overdubbing woven through the
soundtracks. Just to mention a few of the TV shows he has been musically
involved with: Hart to Hart, Mork and Mindy, Cheers, Three's Company, 30
Something, Laverne and Shirley, Mission Impossible, and so on. Some of his
favorite memories doing commercials include the Rice-a-Roni series, the Kit
Kat Bar, and at least twenty NFL jingles. Another work he has arranged and
perfonned multiple parts on was a documentary with Leonard Nimoy. It was
a trilogy on Greece, Rome, and the Rosetta stone, originally featured on
A&E. His most recent film project is the documentary "Voices from the Lake."
(
April
2000
THE.. FAFYR.US
7
1
J
He composed the music and performed numerous instruments. The film was
a finalist in the Berlin Film Festival this January.
John is a very sensitive and perceptive man. His sense of fairness is
profound. He gives his best for everyone he plays for. Many of SAMEDA's
readers have seen him play for one dancer after the other at events such as
Scottie Schultz's Bedouin Bazaar, but this is not the norm. Typically, he does a
fast paced two hour dinner show featuring bellydancing in the last portion. Up
to that point, he plays a mixture of light classical and international music, and
pieces of his own (he has written many songs and instrumentals), all tailored
with a deep sensitivity to the feelings and needs of the audience. It is the last
section of the show that is completely devoted to the dancer. "That isn't
necessarily my show now, it's their show. I would like the dancer to feel that
I'm not only playing for them, but with them-that I'm playing music that's
going to make them move. I don't want to play at them. I don't like for the
dancer to feel embarrassed. I want it to be a memorable evening for the public
and for the dancer." This is exceptionally important to him. He truly enjoys the
process of musician-dancer interaction. John knows there are other styles of
Middle Eastern music for dancers popular currently, such as Arabic-Egyptian,
Lebanese, Saiidi, and so on. "But," he says, "I am not that. That isn't my
upbringing. I am not an Arabic ' oud player." His forte is the virtually
spontaneous incorporation and weaving of everything from his reservoir of
musical heritage, knowledge, and abilities into a synthesis that is uniquely his
own. The dancer that really understands this about his music, perhaps by
previewing his CDs and live performances, will be the most comfortable.
When he has time in his amazingly dense schedule, he also teaches
music. The love of his life, his wife Helen, is also a musical compatriot-an
accomplished vocalist and Armenian folk dancer. Did I forget to mention
John has four sons? Naturally, all of them play music. Two of his boys,
George and John, recorded with him playing the drums on the release Dantz
Fever. They were only six and eight when they did it!
Regarding business, John is rare. For most ofus, it is supremely difficult
to be both a business person and an artist at the same time. He has been and
continues to be quite successful doing both. With over 25 recordings, Tshirts, instruments, and other items available through his publishing company,
Dantz Records, (www.dantzrecords.com) his output has been abundant.
Finally, John concurred with me when I suggested that there are
transcendental moments that happen in performance. You become a conduit
ofa living energy. It's a very powerful thing. John is humbled by the profound
musical gift he has been bestowed, and humbled by the admiration he receives
from his audiences, dancers, and fellow musicians. "It's my whole life. I
could not live without it. That's how it is. I mean I kiss the pegs of the 'oud,
you know, because it's given me such joy. And, how many people can say
that they're in a field that they love and make a living at it? I enjoy this
beyond what a job would be. It is a job, but it goes beyond that. It goes
beyond even the word luck. It's really magical."
(
16
THE.. FAFYRUS
April
2000
)
Cov~r itory - John nn~.ziltjizin's
musical liniv~rs~
by Richard Steiger
Ifever there was a true musical virtuoso in our midst, it is John Bilezikjian.
Yet most dancers in the southern California danse oriental community know
him only for his music for bellydance routines. There is much more! John's
oeuvre spans an international range including, but not restricted to, Western,
Armenian, Sephardic, Arabic, Turkish, and Greek music. He is also conversant
in some of the musics of Russia, Israel, Eastern Europe, Asia, Spain, and
Latin America. The scope of his language skills, as a result of this, is global.
Born February I, 1948, and raised in the San Fernando Valley by Armenian
parents who immigrated to America from central Turkey, John eagerly absorbed
the music of his family from childhood. And, when he wasn't actually doing it,
he was listening to the 78 rpm LPs his grandfather brought from the old country.
He defines his own style as rooted in the music indigenous to his familial
heritage. "That's what I heard and that's what I play." An excellent reflection
of this is available in his recording, Music of the Armenian Diaspora, with a
booklet containing a history of Armenians.
Music has taken him all over the Earth, playing for royalty and the
common person alike. John has also traveled widely with singer-songwriter
Leonard Cohen's 1986, 1989, and 1997 tours. John is not a stranger to live
radio either; he has been on many different radio programs including the
beloved Mario Caseta show in KPFK, and Tom Snobels' show on KCRW.
Although he is a classically trained violinist, his principal musical
expressions are on the 'oud. He has performed and composed for chamber
ensembles, symphonies, orchestras, and for the theater. To choose a favorite is
impossible. Performing the debut of Miriam Gerberg's ''Fasl Taiseer" on 'oud
with the American String Quartet, an 'oud concerto written for him by Vazken
Muradian with the los Angeles Mandolin Orchestra, and many dates with the
Los Angeles Philharmonic illustrates some of the breadth of his talents.
John has a forty year association with Hollywood as a studio musician
on all kind of instruments, and as a composer and arranger for literally
hundreds of films and commercials. Seen any movies lately like: The Prince
of Egypt, Anastasia, The French Connection, or Schindler's List? You've
been listening to some of John's overdubbing woven through the
soundtracks. Just to mention a few of the TV shows he has been musically
involved with: Hart to Hart, Mork and Mindy, Cheers, Three's Company, 30
Something, Laverne and Shirley, Mission Impossible, and so on. Some of his
favorite memories doing commercials include the Rice-a-Roni series, the Kit
Kat Bar, and at least twenty NFL jingles. Another work he has arranged and
perfonned multiple parts on was a documentary with Leonard Nimoy. It was
a trilogy on Greece, Rome, and the Rosetta stone, originally featured on
A&E. His most recent film project is the documentary "Voices from the Lake."
(
April
2000
THE.. FAFYR.US
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He composed the music and performed numerous instruments. The film was
a finalist in the Berlin Film Festival this January.
John is a very sensitive and perceptive man. His sense of fairness is
profound. He gives his best for everyone he plays for. Many of SAMEDA's
readers have seen him play for one dancer after the other at events such as
Scottie Schultz's Bedouin Bazaar, but this is not the norm. Typically, he does a
fast paced two hour dinner show featuring bellydancing in the last portion. Up
to that point, he plays a mixture of light classical and international music, and
pieces of his own (he has written many songs and instrumentals), all tailored
with a deep sensitivity to the feelings and needs of the audience. It is the last
section of the show that is completely devoted to the dancer. "That isn't
necessarily my show now, it's their show. I would like the dancer to feel that
I'm not only playing for them, but with them-that I'm playing music that's
going to make them move. I don't want to play at them. I don't like for the
dancer to feel embarrassed. I want it to be a memorable evening for the public
and for the dancer." This is exceptionally important to him. He truly enjoys the
process of musician-dancer interaction. John knows there are other styles of
Middle Eastern music for dancers popular currently, such as Arabic-Egyptian,
Lebanese, Saiidi, and so on. "But," he says, "I am not that. That isn't my
upbringing. I am not an Arabic ' oud player." His forte is the virtually
spontaneous incorporation and weaving of everything from his reservoir of
musical heritage, knowledge, and abilities into a synthesis that is uniquely his
own. The dancer that really understands this about his music, perhaps by
previewing his CDs and live performances, will be the most comfortable.
When he has time in his amazingly dense schedule, he also teaches
music. The love of his life, his wife Helen, is also a musical compatriot-an
accomplished vocalist and Armenian folk dancer. Did I forget to mention
John has four sons? Naturally, all of them play music. Two of his boys,
George and John, recorded with him playing the drums on the release Dantz
Fever. They were only six and eight when they did it!
Regarding business, John is rare. For most ofus, it is supremely difficult
to be both a business person and an artist at the same time. He has been and
continues to be quite successful doing both. With over 25 recordings, Tshirts, instruments, and other items available through his publishing company,
Dantz Records, (www.dantzrecords.com) his output has been abundant.
Finally, John concurred with me when I suggested that there are
transcendental moments that happen in performance. You become a conduit
ofa living energy. It's a very powerful thing. John is humbled by the profound
musical gift he has been bestowed, and humbled by the admiration he receives
from his audiences, dancers, and fellow musicians. "It's my whole life. I
could not live without it. That's how it is. I mean I kiss the pegs of the 'oud,
you know, because it's given me such joy. And, how many people can say
that they're in a field that they love and make a living at it? I enjoy this
beyond what a job would be. It is a job, but it goes beyond that. It goes
beyond even the word luck. It's really magical."
(
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THE_ FAFYR.US
April
2000
)
llelly l>uncer
ol the lfniver~e Competition
by Dondi Simone Dahlin
A couple of years ago Harry Saroyan told me I had a major Turkish
influence in my dancing. I'm embarrassed to admit that at that time I barely
knew what he meant. I learned belly dance from a smattering of teachers
though the years but was primarily self-taught. Because of this, I lacked a
secure knowledge on the differences among Turkish, Egyptian, Lebanese,
Folkoric, ethnic, tribal, cabaret, and American style belly dance ... not to
mention Khaleegi, Ouled Nail, Ghawazee, Saidi, Guedra, Zar, etc., etc., etc.!
The day after this revelation, I flew to the Persian Gulf for a dance
contract. I had an intense awakening of how "American-Turkish" my style
was and realized my ignorance of the culture, history, and modem styling of
true Middle Eastern dance. As I soaked up information, I began to admire
the Egyptian dancers in the Gulf and returned to the U.S. deciding to refine,
polish, and "Egyptianize" my dance skills. It has been a two year journey of
classes with Sahra, Angelika Nemeth, and Shareen El Safy. I have watched
many videos and live performances, and listened to hundreds of Egyptian
CDs to get a better, more organic feel for the music.
Last fall I decided to enter the "Belly Dancer of the Universe"
competition. I wanted to grow as an Egyptian dancer and I knew that entering
a competition would force me to be more disciplined. My dad always told me
that there was only one good way to deal with the pressure of competition
and public performances: preparedness. I also knew that if I didn't feel
prepared, it would show as nervousness, stifthess, and coldness in my
dancing and I couldn' t afford that. So I practiced, practiced, practiced!
I ordered a past video from the competition to study how the dancers
staged themselves and the choices they made on costuming and
choreography in the Egyptian category. I also viewed other competitors so
I could be aware of major differences between the categories. Finally, I chose
a new costume that I felt beautiful in and choreographed a routine to "Amera,"
a CD that was given to me and my sister by the dancer Amera when we were
on contract in Australia. I knew there would be little chance that someone
else would have it.
I choreographed every single second ofmy routine (a first in my career)
with moves that were Lebanese, Turkish, and "made-up." However, most of
my techniques were Egyptian and stylized after the previously mentioned
teachers and legendary dancers of Egypt, including: Naima Akef, Fifi Abdo,
(
April
2000
T HE_ FAFYR.US
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15
SAMEDA IS LOOKING FOR STAFF WRITERS
We can use simple short pieces, articles, anecdotes, or even a
whole series. Don't fret about your writing. As long as your typing or
handwriting is legible, the editor can make sense of it and shape it into
a printable piece of work.
A sample of subjects:
Costuming and Sewing Tips
Recipes (yours, not copied from a publication)
Anecdotes-funny, cautionary, or playful , it's up to you
Public Relations Tips-how to handle surly restaurateurs, band
members, or customers
Discoveries-a new dancer, instructor, musician, fabric store,
or night club
Workshop or Seminar Reviews
Middle-Eastern Culture
Travelogues
Dance Techniques
Belly Dance History
Music and Musical Instruments
Keeping Fit, Grooming, Makeup, Cosmetic Surgery
The Dancer's Public Image
The Business of Belly Dance
Dance Troupe Life
. .. in short, anything that may be part of your dancing life, may
be of interest to others. Share your experiences, your
knowledge, your vision of the future for belly dance.
~ ~ ,~~~i~~~ ~ t~~,~,1~,
1
~1
G~1dajd!<l6<l~~~~~~~~~16i
[
1+
THE_ f' Af'YRU5
c
April
coo.-. tow
2000
)
::J
I am honored and grateful to be nominated as SAMEDA'.s Soloist of the
Year for 19991 I would like to thank SAMEDA'.s organizing committee and
especially Marula for putting together this magnificent event that brings so
much talent to a single show. One Enchanted Evening has inspired me to be
creative and original in my dance, along with motivating me to continue my
hard work in performing rich and spectacular dance shows in the future .
Allow me to applaud the extraordinary collection of charming and talented
dancers that makes this community so special I
Yours in dance, Julia
o
~ - o ---
Dear Members of SAMEDA, thank you so much for awarding me
"Outstanding Volunteer" for 1999, especially considering all the other
wonderful people who have worked just as hard or harder on behalf of this
organization. In fact, at one a year, I think it will take many lifetimes to
acknowledge everyone who deserves recognition! I Bearing this humbling
truth in mind, I feel very honored.
Sincerely, Kathleen Thomson/A lia
0
~
70
I am also behind in thanking Theresa Freese, Cindy Scheidt, Scottie
Schultz and Susan Teal for their help assembling the February newsletter.
Thank you, Kathleen Thomson/A lia
Dearest Friends ofSAMEDA, Thank you so much for the "Cover Story"
and picture in the January 2000 "Papyrus." It's wonderful to know there are
such loving people. Jolie was a delight to talk to.
San Diego has always been blessed with great dancers. We would love
and appreciate a San Diego representative this year 2000.
May love - peace - health - and prosperity be in the lives of all
SAMEDA members, and blessings to all.
Love and peace, Tonya
(
April
2000
THE_ f'Af'YRUS
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]
Najwa Fa wad, Tahiya Careoka, Sarnia Gama!, Lucy, and Dina. Even my
moves that weren't Egyptian, I coated heavily with an Egyptian flavor.
Before the competition, I received the "rules and information" packet
and studied it diligently (I would not be disqualified on a technicality!). The
week before the big day my routine was ready, and I found my spirit after
doing my routine for one of Luisa's classes. It was good to have a live
audience. . .thank you!
The day of the competition was grueling but everyone involved was
wonderful (this is true). The contestants in the dressing room were supportive
and professional (this is also true). By the time the finals arrived, we performed
our original routines plus a
spontaneous, live, unrehearsed drum
solo with Susu Pampanian. This is
where I felt alive! I LOVE drum solos
and Susu is terrific (and very
challenging ...all the better).
Late on February 20th, Tonya
and Atlantis announced me as "Belly
Dancer of the Universe, 2000" and
Harry Saroyan was there to hand me
the HUGE trophy for the Egyptian
category. It was and is very exciting!
This is a process I recommend
to everyone who is serious about
being a belly dancer. It is an arena
which is conducive for growth,
expansion, exposure and unique
experiences in one more aspect of
Middle Eastern dance.
]!
~
~
~
0
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Q.
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THE. FAFYR.U5
April
2000
)
The lienefit~ ol lff a~~age on lffind.
llody. & ipiFit
by Patti Pietron
Recently I spoke at the January 2000 meeting of belly dance teachers.
My mission was to expand the group's awareness of how massage not only
effects the body but benefits the mind and spirit as well. Massage is my
passion because I see the powerful effects it has on clients. As a regular
receiver of massage, I experience the effects personally as well.
Balance, we all strive to achieve it in our lives. Critical in attaining balance
is having our vital life energy flowing clearly and powerfully to our bodies,
minds, and spirits. Massage is a beautiful therapy that supports, nourishes,
and energizes each element of the body, mind, spirit connection. When the
energy is running to each of these elements we feel centered, clear, happy
and physically strong.
Imagine, if you will, a concert violinist. To deliver that one in a million
performance, three key elements must be in concert first. At the most basic
level is her instrument (or a dancer 's body). If her violin has not been properly
cared for and maintained, it will effect her performance on a very basic level.
If the violin is cracked, warped, or damaged, the very sound it makes will be
off. Ifa string is broken, she can't play at all. If she waits until just before she
goes on stage to check her violin she may be in for an unpleasant surprise.
Let's say she's maintained her violin. It's in perfect condition, but, she's
thinking about an argument she had with a fiiend earlier that day. Her mind
plays it over and over and she catches herself missing notes and her timing
is off. Lastly, lets say her violin is perfect, her mind is focused, but her spirit
is low. She's feeling sad at the thought of a fiiend leaving town. Her misery
shows in her face and in her music. As you can see, if any one of the three
elements is not fully functioning, her performance, her enjoyment as well as
the audiences ' is affected! This scenario applies to dancers as well.
Yes, massage has the obvious benefits for the physical body. But it also
increases blood and oxygen supplies to the mind and removes toxins from it
as well. Toxins are stored in fat, and our minds are made up of largely fatty
tissue. When toxins are removed our thoughts become focused and clear.
I've experienced clearer and more positive thoughts after a massage and
resolved many a problematic situation on the table or just after I've left my
therapist! I've seen the same with clients. The time on the table is yours
alone! Time to visualize a performance, meditate, or just let your mind clear.
A clear mind is a powerful thing!
[
April
hl!l/!f!Nl!l\!ISJ
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2000
THE_ FAFYR.US
··~
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i!l4ij/ll/4lil'1@j
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Ninah Sahar Presents Mid-Week Workshops (once monthly) Ethnic/folkloric - Egyptian, Moroccan, Tunisian, Algerian, Arabian, Turkish, including
Bedouin, Berber, Gypsy dances, history. Bellydance - music styles, performing skills, drum solo, dance notation, cymbal mastery, many other subjects.
Pre-registration is required. Each workshop is $20. Call (619) 561-5675.
4111-30/00-National Dance Week. Morwenna Assaf will be the Regional
Director once again. Anyone willing to help or who has any ideas of a
venue, please contact her at (760) 757-4470. Any ideas are valid.
5/13-Morwenna & Walid Assaf to teach Rhythm & Dance workshop. To
be held in new Oceanside Studio. Call (760) 757-4470 for information.
5/11-Belly Dance/Yoga Workshop with Mariah. The Yoga Studio of
Carlsbad. 12:30 pm to 3:00 pm. Call (760) 727-4545 for information.
[ : Out-of-State 6lfflt8
:J
6117100-Morwenna & Walid Assaf will be performing in Phoenix, AZ.
Walid will be teaching along with Aisha Ali & Angelika Nemeth. Walid will
be teaching a drum workshop for the participants. Contact Esther in Tempe
for more information.
[
12
THE. FAFYRU5
Arril
Luisa (619)299-1129
Dancing Unlimited, 4569 3Qlh Street, North Park
La Jolla Rec Center
Meleah (619) 280-8424
Centre City Ballet, 928 Ft. Stockton, Mission Hills
Taoist Sanctuary, 4229 Park Blvd., North Park
Mahara (619)460-7866
Oasis, Mission Valley
Scherazade (619) 581-0135
3234 Idlewild Way, Clairemont
Richard Steiger-Drumming (619)283-6325
Theresa (619) 298-0849
Centre City Ballet, 928 Ft. Stockton, Mission Hills
Vernetta (619)260-1707
Vemetta'sDance Studio, 3927Utah, North Park
East County
Cyrena (619) 698-9421
San Carlos Recreation Center, 644 5Lake Badin Ave.
Jamila (619)466-8233
La Mesa
Jasmina (619) 660-4350
Cuyamaca College, Room R205, Rancho San Diego Prkwy
Ana Goebel (619) 660-6965
Spring Valley Rec Center
Ninah Sahar (619) 561-5675
Santee
Nefera (619) 579-9526
Rebecca'sSewer'sResale, 1321 E. Main Street, El Cajon
Renah Bayat ( )
Art/Dance Academy
Las Mesa's Sr. & Adult Centre, La Mesa
World Dance nArts, Rancho Bernardo
2000
)
(
April
2000
TH E. FAFYRUS
2 1
]
Lastly comes the spirit. With a joyful spirit comes that connection with
the universe, fellow dancers, and the audience. You're in control and have
the audience in the palm of your hand. It gives a dancer that special "spark"
that ignites and sets her apart from others. She's alive and vibrant and her
dancing shows it!
I hope this artictle has expanded your awareness around massage and
that you' ll give it a try. Massage not only benefits you, but everyone you
come in contact with. It's amazing the effect one balanced person can have
on several others! Blessings and joy. Effects massage on the
Mind
• Increases oxygen & blood supplies
• Time to meditate/visualize
• Brings about clarity of thought
• Removes toxins
• Helps focus
• Helps to center yourself
Body
•
•
•
•
•
•
•
Restores flexibility
Rebuilds strength
Realigns & balances energy field
Decreases resistance & tightness
Increases oxygen & blood supplies
Helps prevent injuries
Relaxes nervous system
•
•
•
•
•
•
•
Restores proper body mechanics
Prevents scar tissue & adhesions
Lengthens & warms muscles
Loosens tendons & joints
Improves range of motion
Removes lactic acid from muscles
Relieves cramps
Spirit
• Increases feelings of wellbeing • Aligns you with the universe
• Gives you "spark" or "fire"
• Connects your spirit with others
·1!1
- ~~~ ,
...
~1111,:,
·--·
11111\
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THc FAFYRUS
22
April 2000~~=:J
10th ltnnuul HE:lly l>uncE:r
of thE: HnivE:r~E: C!ompE:tition
by Maru/a
Clouds rumbled and rain pelted slick highways, but did this hinder the
Belly Dancer of the Universe Competition? (not on your life!) It was one of
the best attended events that I have been to all year. Vendors were kept busy
and attendees chatted excitedly to one another while others lurked on the
sidelines waiting to take advantage of vacated seats. The ambience was
filled with melodrama as one by one the competitors took a deep breath
before bursting onto the stage. The talent was exceptional! From the eye of
someone who has played both the role of a judge and a competitor, I have to
say these performers were remarkably well prepared.
The competition took a different format this year. A two-day span presented workshops, open dancing, a gala show, preliminary competitions,
final competitions, the prestigious Magic Lamp Awards, a special judge's
dinner, and, of course, shopping! It not only sounded exciting, it was!
Saturday night hosted the Little, Junior, and Divine categories of the
competition. I was incredibly honored to be a judge in all three areas. This was
not an easy task when you see so much talent in such small performers. Once
the scores were collected, I would just shake my head and sigh, "adorable."
The following is a list of the winners of the Saturday night performances:
Little Category
Champion: Isabella
1st Runner Up: Genie of the Desert
Divine Category
Champion: Tilana
2nd Runner Up: Vichelle
Junior Category
Champion: Gem
1st Runner Up: Dawn
1st Runner Up/Peoples' Choice: Kamat
3rd Runner Up: Ranata
(My impression of the Divine Division seems to be same year after year.
The spirit ofgoodwill, warmth, skill, and joy is evident within each competitor).
Sunday hosted the Group, Egyptian, and the Universal categories. The
tension was thick and the atmosphere charged. Attendees eagerly participated
in the judging by selecting the performers oftheir choice for the coveted "Peoples'
Choice Award." Lacking a pencil and yet not deterred, I used lipstick to select
my favorites. While digging desperately through my purse for my smeary writing
tool, I realized what a fabulous award the "Peoples' Choice" is and how insightful
of Tonya & Atlantis to provide that opportunity to the audience.
(
April 2000
THC FAFYRUS
Belt,
~
--~-11~~ )
ClQtllC8
STUDENTS PLEASE NOTE: Please call the teacher you are
interested in for dates and times of classes.
North County & Beyond
Aleia (760) 930-9893
Amalya, Escondido (760) 432-6574
Morwenna & Walid Assaf-Art/Dance Academy (760)757-4470
Oceanside, Encinit.as, Sorrento Valley, La Mesa
Sohaila (760) 743-7501
Sohaila's Studio, Poway Unified School District
Effie Horning (760) 630-7063
Niki Vaccar (760) 634-3680
Carlsbad, Parks/Rec; San Dieguito Adult Ed., Solana Beach
No. Co. Athletic Club, Encinitas;
Solana Parks and Rec., Solana Beach
Stage Door Dance Studio, Encinitas;
Private home-outdoor studio, Cardiff
Greek Village Resaurant, Carlsbad; Cafe Sevilla
Kathy Stradley (909) 699-5606
Temecula Community Recreation Center, Temecula
Mariah (760) 727-4545
Angelika Tustin (949) 786-3111
Tustin/Community Services (714) 573-3326
CostaMesa/OrangeCoastCollege (714)432-5735
Golden West College, Huntington Beach (714) 895-8306
Itvine!Leaming Tree University (949) 442-0690
-
Metro
Cassie (619)230-9442
San Diego Dance Works, 2653 Ariane Drive
Elle (760) 293-3243
Centre City Ballet, 928 Ft. Stockton, Mission Hills
[
IO
c:
THE. FAFYKUS
April
2000
)
::J
Shows & Sptcial 6-«nte
-------------'-1.&II.RlllliLlmllilliil
418 & 4/9/2000 - C*E*D*A*R to perform for the Encinitas Street Fair.
More details to follow.
4116 & 4/27/2000- Jamila's Belly Dancing dinner showcase at Greek Town
Restaurant, 431 E St., San Diego Gaslamp District at 7:00 p.m. For reservations,
call (619) 232-0461, to schedule for dancing, call (619) 466-8233 .
4116-C*E*D* A *R to perform in Fallbrook at the Avocado Festival in the
Mission Theatre.
4129 & 4/30/2000 - C*E*D* A*R to perform at Oceanside Days of Art to
close National Dance Week. What are you going to do this year? Call Art/
Dance Academy and Jet us know. Get recognition.
l
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Out-ot~Co""1 s'«llt8~
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(
April
2000
THE. FAFYKUS
Universal Category
Champion/Peoples' Choice: Rana
2nd Runner Up : JoJo
2,
)
1st Runner Up: Meera
3rd Runner Up: Saqra
Tonya & Atlantis deserve both recognition and appreciation for
providing an exhilarative and elevated venue for Middle Eastern dancers. If
you missed it this year, treat yourself to the full two day venue next year. It
is well worth it.
J
aaw,11aGGru1a1
t11@h¥4lll@lllll
Wednesdays-Tonya and Atlantis present their Original Belly Dance Showcase from 8:45-11 :30 p.m. at the Los Angeles Harbor Radisson Hotel, 601 S.
Palos Verdes St., San Pedro. For show information, call Tonya at (310) 434-3987;
for reservations, call (310) 519-8200.
Burning Incense
Thursdays-Mediterranean Kebob Room, 610 S. Myrtle Ave., Monrovia,
8:00 pm to 11 :00 pm. An Evening of Belly Dancing with guest dancers,
dancing to Turkish, Armenian, Arabic, Greek & Persian music performed by
John Bilezikjian, Var Daghdevirian & Cyriana. Open dancing & Greek folk
dancing. To reserve a dance slot, call Cyriana (909) 987-1670. Show includes
5 solo dance spots. Student dancers are encouraged to dance as well as
instructors & professionals. Troupes welcome, live music or taped show
could be arranged. Reservations call (626) 357-0512.
5/1 & 5/2-Morwenna & Walid Assaf will both teach/perform in Sacramento
for Jodette, along with Taaj of Zaghareet Magazine, Angelika Nemeth &
" Rana
Fahtiem. Call (760)757-4470 for more information.
5/27 & 5/28-From NYC, The Ibrahim Farrah Near East Dance Group in
weekend workshops & Saturday concert at Orange Coast College, Costa
Mesa, CA. Sponsor: Angelika Nemeth (949) 786-3111 .
5/27-Morwenna & Walid Assaf along with C*E*D* A*R will be performing at OCC in a tribute to Ibrahim Farrah at OCC, Orange County. Angelika
Nemeth is the producer. A workshop and weekend not to be missed.
Photos by Kai Kotka
(
H ·
THE. f AFYRUS
April
2000
)
The Power ol the Dance
by Cyndee Fena (A/eia)
The power of our dance has helped, and is helping me everyday to live
my life fully with inner joy and strength I find nowhere else. I want to share
with our younger members (in the dance) and remind those ofus who have
danced awhile what this dance can do for you.
Many of you know, but for those who don't, I have been an insulin
dependent diabetic, taking 4 to 6 injections per day for 28 years. Yet, in all that
time, I have only missed one performance and one night of teaching because
dancing restores my body's strength and also my mind's. I almost never can
eat at the restaurants I dance in, because I need to eat by 5:30. This is not a loss
to me, because my performance which gives me so much courage, joy, and
inner strength, is never compromised by a full stomach, or my weight going up
because I am eating too late, or by weakness from dancing on an empty
stomach. Being able to dance well is worth more to me than another dinner.
The strength I get from knowing I touched someone in the audience
that night, that their birthday was better because of the fun everyone had, or
they want to take lessons because it was so beautiful, I access when I'm
afraid with stage fright to perform, or the owner insists I accept a drink from
a fan in the audience. The power of our dance I use as a cape to protect me
when bombarded with criticism from a teacher, spouse, fellow dancer, or
"friend." This way I never "have to have a drink" to be able to dance, or a
cigarette to calm myself. I use the power ofour dance to help me live a safer,
healthier life with the strength to overcome the fear of competing, or my
spouse finally leaving, or doing the end of the month finances, or taxes. I
know I am strong because the dance secures that for me. I have self confidence
and self-esteem because I have successfully lived through many challenges
without the crutches of alcohol, smoking, drugs, or the right car, the right
man, the right house, or even the right costume.
We can all relate to arriving at a dance gig somewhere and finding we
had forgotten some crucial part of our costume, like the belt or skirt, or our
wig. We arrived and our tape broke in the car or there wasn't a boom box with
a CD holder. Then and there, I access the power ofour dance and know deep
inside that a good dancer is always a good dancer no matter what she wears
or what she does. I will trade the fear of not being able to perform without the
music I had practiced to, or in the order I pulled, for the strength to dance no
matter what, based on the knowledge that will receive the power of the
dance once I am out on stage.
In January of this year, I was diagnosed with Chronic Lymphocytic
Leukemia, a slow growing, but incurable form of cancer five days before my
[-
A pril
C
2000
THE. f' Af'YRUS
Ti~
9
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•
Teachers: Ifyou need copies of the Monthly News for your class,
please call Meleah at (619) 280-8424 before the t•.
•
Next SAMEDA Board Meeting is Tuesday, April 11°' at 7:30
pm. atMeleah's- 2805 Maple St. Call (619) 280-8424. All members are welcome.
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Beautiful, almost new costumes for sale, $400 each (green, aqua,
or fuchsia). Emerald sequin beledi dress, $300. Fits size 7 - 9.
Leave message for Nancy (858) 486-9130.
•••••••••••••••••••••••••••••••••••••
One E._nchanted E._ven1ng Video
Order Form
Make checks payable and mail to Arnie Lamer
P.O. Box 571612 • Tarzana, CA 91356 • (818) 343-5354
[email protected]
$25 per video plus $5 shipping & handling. Two camera edit from
state-of-the-art Sony Digital Cam & Panasonic Super VHS
Number of Videos Ordered
Total Amount Enclosed
Name:
---------Address:~ - - - - - - - - - - - - - - - ~
City/State/Zip Code:_ _ _ _ _ _ _ _ _ _ _ __
Email:_ _ _ _ _ __
Phone L_)
•••••••••••••••••••••••••••••••••••••
[. ..
THE.. FAFYR.U5
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April
Manbcra' Comer
WtLCOM[ TO
2000
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StlMED/l
Nr.w MtMBr.Rs
Sheryl Christenson
Cynthia Marcusson
George Salek
Mouna Elmansouri
Marc Biagh
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WtLCOM[ BACK TO
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Dondi Dahlin
Janine Lutz
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StlMED/l
MEMBERS
Kathleen Thomson
Restore Your
Mind-Body-Spirit
Connection
Bellydancers-Mention this ad
and receive
$10.00 off on your first massage!
~
Call Patti Pietron
760 753-1041 to schedule your
appointment.
(see my article on the benefits
of massage in this issue)
...,
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(
April
2000
THE.. FAFYR.US
25
·- )
annual birthday party at the Greek Vtllage, and two weeks before my husband
moved out and the final phase of our divorce started. Yet, how did I, and how
am I, getting through a week of6 doctors' appointments, multiple labs being
drawn, divorce papers, taxes and the spring semester of school starting?
Yes, you guessed it, I am using the power of our dance .
Through the ages women have used its power to help them survive
harem life, the pain of pregnancy, P.M.S., and menstrual cramps. The selfesteem, and sense of our own feminity that comes from the power or our
dance has given women the power to endure mens' trangressions, restaurant
owners' scorn, and bachelor party gossip. If every time we face a tough
decision or problem, we could think back to a time that our own hours of
practice on zills and veil to increase our stamina exhibited our own strength
and use that sense of accomplishment and power, to exchange for the fear of
the moment, we would have nothing to fear!
Every time I feel too tired to practice or there are so many other "haveto-dos" to accomplish, I remember the power of our dance, and it motivates
meto practice at 5:30 a.m. when I have to beat work or school at 7:00 am. The
knowledge that with practice I will be able to master a dance skill that will
give me higher scores at a competition, or more confidence to dance at the
Bedouin Bazaar, or Rakkassah. The strength of the dance gives me the
strength to go through terrible times and come out on top.
I can't tell you how many times recently going to have my blood drawn
out of an already bruised arm (knowing I was going to perform that night and
what costuming would I cover the bruises with) that I put on a tape of a
successful performance with John Bilezikjian and relived that performance
and the self esteem I got from doing it.
I could go on, but I want to leave you with the thought that through all
our trials and tribulations, the only person that is always with us is ourself
and the dance gives me a better sense of who I am, goals for who I can be
and the strength to get there. I would hope that I live as one of the best
examples of what dance can do for you.
Briefly, I have danced Polynesian dancing professionally from 9 to 18
years of age. I have ballroom danced since high school and won several
Arthur Murray five state competitions. I lived in Greece for 5 years, and did
dental hygiene and taught Jazzercise. I have danced in Greece for the Prince
of Bahrain, in Tahiti and various cities in the U.S. I also do Victorian and
Cajun dancing.
I have been a dental hygienist for 25 years, but now have been declared
disabled by the State of California and may no longer do this. I speak four
languages fluently and am now pursuing a career in counseling at Cal State
San Marcos. I run the North County Diabetes Support Group.
(
26
THE.. FAFYR.US~ .. ··~~ .
,Aprhooo
.J
Now with the help of the power of the dance, I will continue to dance for
as long as I can even with the burden of two auto-immune diseases and the
realization of no income and no health insurance in two years with the final
divorce papers filed . This is not being written for your pity, but rather to
illustrate that it is what the power ohhis dance has given me that allows me
to face each new challenge; be it not eating that piece of chocolate, to
exercising when I need to even ifit is raining, to asking to dance first so it fits
in with my diabetic insulin requirements, to foregoing a gig or dance seminar
because the length will put my health in danger.
Few of the readers have any comprehension of the time and energy it
takes to take control of one's diabetes. Measuring and recording all my
food, getting up at 5:30 a.m. every day and to bed by 11 :00 p.m. no matter
what is going on, picking out costumes to cover bruised injection sites,
making sure I have enough insulin and snacks packed anytime I go. What
helps me through all this .. . the power of our dance .
May you all feel motivated and inspired by this to learn for yourself
how to overcome your own weaknesses and character defects with the
power our dance
gives us. You don' t
need alcohol, food,
drugs,
tattoos,
artificial nails, or
breasts to make you
feel better about
yourself. It's within
you already. Search
for this strength
through our dance,
and you will be able
to do and be
anything you want!
(
April
2000
THE.. FAFYR.US
J
7
~dl')!}Wd\ 'fJerformers ~ireetor!I
(all are in the 619 area, unless noted)
C
DANCERS
:> C
Aleia .. ...... ...... ...... (760) 9~9893
Amatya ............... . (760) 432-6574
Ana .... ........ ..... .... 660-6965
Morwenna Assaf .. (760) 757-4470
Cyriana ....... .. ....... (909) 987-1670
Fahtiem ............... (626) 810-9470
Jamila ............ ..... 466-8233
Jasmina ........... ... 449-1744
Jinaan .. .. ... ....... ... (760) 47H3747
Luisa .. ... .. ... ........ . 299-1129
Mariah ..... ............ (760) 727-4545
Marula ... ... ........... 298-2599
Cassie Mavis ....... 230-9442
Meleah .............. .. 280-8424
Niki Vaccar ........... (760) 634-3680
Nora ... ................ 457-7741
Pamela .. ....... .. .... 299-7337
Sahar .......... .. ... ... (760) 433-9993
Ninah Sahar ...... .. 561-5675
Sahra Saeeda ...... (909) 359-6782
Salimah .... .. .. ... .. . (760) 739-8179
Sanura ................ (760) 6~7063
Scherazade ....... .. (858) 581-0135
Sohaila ................ (760) 743-7501
Theresa ...... ..... .. . (619) 298-0849
DRUMMERS
==>
Walid Assaf .... .. (760) 757-4470
Dave Dhillon ... .......... 284-5367
Var Daghdevirian
(909) 987-1670
Richard Steiger .... ..... 283-6325
Randwulf .................. 788-1447
(
6
THE. FAFYR.US
April
2000
)
(
April
2000
THE. FAFYR.US
r---------------------,
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You may contact our Board Members & others at the following
addresses:
SAMEDA Website:
...... .. .......... http://members.aol.com/SDSAMEDA/index.htm
SAME DA .. ... .. ..... ... .... ...... ....... .... ... .. [email protected]
Donna Dutton .. .. ..................................... [email protected]
Theresa Freese .... .... .. ......... .... ........... [email protected]
Jolie Lucas ....... ..... .......... ..... ......... ...... .... . [email protected]
Francena Sherburne ... ............. ............... [email protected]
Morwenna Assaf ......... ........... .. ... ...... [email protected]
Aziza Sa'id ....... ...... ....... .. ... ... ..... ...... ... [email protected]
Lynn Perry ................... .... ..... ... ........ [email protected]
Dave Dhillon ... ..................... .... .... ..... ... [email protected]
Fahtiem ....... ... ...... ........ .... ... ... ............. ... . www.fahtiem.com
Claudia lmmerzeel ...... ...... ... ...... [email protected]
Sohaila ..... ... ...... .... ..... .......... ... .. ............... [email protected]
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~d\')!)e2)o2\ Costumer .£1st
Aleia ... ............ .................... ........ .. ... ..... ....... .... (760) 930-9893
Morwenna Assaf ... ......................................... .. (760) 757-4470
Athena's Boutique .. ... ..... .......................................... 221-2920
Cristobal .... ................. ....... ............ ............... ... .. .... ... 697-9121
Gypsy Wear (Rebecca Long) ........ .......... ........... ... .... 579-9526
Nora Luchs ................. .......... ..................... .... ..... ...... 457-7741
Scherezade's Souk ... .. .. ....... .. .... ....... .......... .... . (858) 581-0135
Sohaila ...... ... ....... ...... ......... ... .... .... .. .. .............. (760) 743-7501
Thea/Costume Website: http://members.home.neU
threemuses ... ... ... ...................................................... 461-0194
Theresa Freese ......................................................... 298-0849
G.A. Walke .. .......... ...... ... ........ ......... ... .................... .. 44~74
Zarifa ... .... .... ..... ......... ... ...... .. .. ..... ....... ...... ... .. ... (619) 453-0811
lUeizi
by Mariah
Aleia, my Angel
Had confidence in me
when I had none
Encouraging, loving
Supportive and honest
Integrity and standards as
High as her beautiful stature
Caring heart as deep
As her warm eyes glow
Showing the depths of her soul
Vibrant, alive
Energy contagious
Gracious, kind
Giving freely
Her light shines bright
Extending from her lithe body
Touching all who
Share her presence
Our gift, my Angel
Aleia
27
J
(
THc. FAFYR.US
28
April
2000
J
VOLUNTEERS NEEDED FOR THE
SAMEDA FAIRE
(
April
THc. FAFYR.US
2000
5
J
SAME.DAT-Shirts Order Form
Make checks payable and mail to SAMEDA
If you would like to help out in any of these areas, call (619)
444-4197 and sign up: set-up, concessions, tickets, clean-up,
runner, raffle, SAMEDA table, and many others. Call now, we
need you! !!
SAMEDA • PMB #51 • 3401 Adams Avenue•
Suite A• San Diego, CA 92116-2490 •
$15 per shirt plus $5 shipping &handling
Number of shirts ordered - Total amount enclosed - -
~----------
Name:
Address:_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
City/State/Zip code:_~~-:---::~iiiiiiii~-•
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Phone (_) _ _ _ __
Email :_ _ _ _ _ __
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Middle Eastern Performer
16885 W. Bernardo Drive, Suite 212
San Diego, CA 92127
Tel (619) 988-0402
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Fax ( 619) 618-1143
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Happy Easter to one and all. May this spring bring you happiness and
a renewal of inner spirit and energy. And, may the tax man give you mercy.
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I would also ask that each of you take the time to vote for the nominees
for officers and board members.
April showers truly do bring flowers and you are the flowers. Know that you
are budding with the renewal of springtime and the perfection of your dance
is the ultimate blossoming of who you are.
At my age, I've seen it all, done it all, heard it all. . .I just can't remember
it all. Before you criticize someone, you should walk a mile in his shoes. That
way, when you criticize him, you are a mile away from him and have his
shoes. Do Lipton Tea employees take coffee breaks? What hair color do
they put on the driver's licenses of bald men?
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Mission Statement
SAMEDA is dedicated to provide educational and performance
opportunities for those interested in the art of Middle Eastern dance and to
promote this art to the general public by sponsoring seminars, workshops,
and events, which are available to all.
SAMEDA is also dedicated to the production of a monthly
newsletter containing listings of such events and items of related
interest as well as providing a public forum in which the membership is
encouraged to participate.
Article II of the Bylaws.
AFFIRMATION : MY DANCE IS AS BEAUTIFUL AS THE FLOWERS
OF SPRINGTIME.
THE
SAMEDA FAIRE
SUNDAY. ]ULY 16, 2000
LA MESA COMMUNITY CENTER
4975 MEMORIAL DRIVE
LA MESA. CA
10:00 A.M. TO 6:00 P.M.
WORKSHOPS: "PERCUSSIVE RHYTHMNS FOR DANCERs"
FEATURING DAVE DHILLON, DRUMMER 10:00 - 11:30
LILLY 5PLANE. ZILLS OF FIRE 11:30-1:00
CALL MELEAH FOR DANCING: 619-280-8424
CALL SusAN TEAL FOR VENDINGIVowNTEERS: 619-444-4197
CALL THERESA FREESE FOR WORKSHOPS: 619-289-0849
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You will have all of June and into July, with the SAMEDA Faire
being the deadline. We will have a ballot box set up at the Faire if you
want to put it off till the very last minute. We' re excited about the
upcoming election and very much look forward to seeing the results.
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Board of Directors with new blood and the accompanying new energy
and ideas. We have the list of nominees, and we will spend the next
month contacting them to make sure they' re as enthusiastic as their
nominators. We will get short biographies from everyone, and they will
appear in the May issue of Papyrus for your perusal. The June issue will
contain ballots, and at the risk of sounding like a nagging broken record,
I want to encourage you to please vote.
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As always, we welcome any comments or suggestions. Please
send them to SAMEDA, P.O. Box 16821 , San Diego, CA, 92176. Or you
can call or email me at any time at (858) 689-1142, [email protected]. I
look forward to hearing from you.
Sincerely,
Donna Dutton
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THE FAFYRUS
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2000
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SAME_DA Advertising Rate Sheet
SAMEDA Monthly News
the official publication of the
San Diego Area Middle Eastern Dance Association
All Fees are per issue and reflect a SAMEDA member
discount 10% discount on 3 or more issues.
All ads must be paid for in advance.
For further information, contact
Sahar, Director of Advertising at (760) 433-9993
Send Newsletter submissions, ads, and flyers
(see back cover for advertising rates) to:
SAM EDA• PMB #51 • 3401 Adams Avenue, Suite A•
San Diego, CA 92116-2490 • [email protected]
Chief Officer.
President:
Treasurer.
Secretary.
Newsletter Editor:
Assisting Editor.
Member Secretary:
Advertising Director.
Cover Story Wm.et.
Board Merrber.
Board Member.
SAMEDA Board Members
Oonna Dutton
(858) 689-1142
Theresa Freese
(619) 298-0849
Jolie Lucas
(858) 541-0833
Lynn Perry
Meleah
(619) 280-8424
Susan Teal
(619) 444-4197
Sahar
(760) 433-9993
Jolie Lucas
(858)541-0833
Meleai
(619) 280-8424
Cindy Scheidt
(619) 449-1744
Newsletter Assembly Persons:
Kathy Thomson
Cindy Scheidt
Add $10. 00 per item for non-members
"" $7.00
Classified ads
6 lines or less
•
Non-member
Business card ad-one issue
Half-page ad
Full page ad
(inside front or back cover) .....
Flyer insert (275 copies)
EXTRAS:
Creation of a flyer master
Creation of a camera ready ad ...... .. ... .
Submissions deadline is the 1
each month. Due to
occasional space constraints, non-time-sensitive items may be
held over till the next issue.
Submissions should be typed or legibly handwritten-preferably double-spaced with adequate margins. Submissions on disk
are acceptable (even preferred) in PC platform. Disks will be
returned if you include a postpaid mailer. Due to the new streamlined format, we accept typeset material only for advertisements.
If you scan your own photos, please do not halftone themscan them as "grayscale" ( 16 grays) or "black and white photo"
in your scanning program.
... $20.00
$20.00/$3 0.00
All ads submitted must be on white paper and clean for scanning. Text must be crisp & legible, original photos if possible.
Otherwise, if extra typesetting needs to be done, an extra charge
of $10 will be added.
~
All SAM EDA business correspondence & membership goes
to the following address:
SAMEDA • P. 0. Box 16821 • San Diego, CA 92176
[email protected]
$10.00
.. .. . $10.00
$15 .00
... $25 .00
$35.00
..... $30.00
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