rack rig rundown pdf - STAGECUE Electronics

FRIDGE RACK RIG-RUN-DOWN
JANUARY 2013
This custom “Refrigerator” Rack-mount FX system harkens back to the mid 80’s - early 90’s Guitar FX systems that
were as big and heavy as a refrigerator. These rack FX systems contained rack-mounted guitar preamps, studio
quality effects and power amplifiers controlled by remote MIDI pedalboards that allowed the performer to call-up
presets made up of different combinations of the above preamps and effects.
These systems started out as guitar preamps serially feeding 16 or 18 bit digital FX processors which would
“digitally chop” your signal in successive stages of analog to digital and digital to analog conversion within the FX
processor; thereby destroying your preamp’s guitar tone. This inferior audio quality quickly became unacceptable
to touring musicians so they sought out pioneering rack builders, like Bob Bradshaw, who realized that they could
maintain the performer’s tone by mixing the musician’s pristine guitar tone with the audio from multiple digital FX
units in parallel using a mixer. Secondary benefits of a system like this are…
1.
2.
Delays and Reverbs will carry-over when switching Preamp presets.
The Dry Signal can feed its own amplifier for improved clarity due to less intermodulation distortion
caused and created by effects.
Since the Dry signal has its own amplifier, when the Effects are set to Kill the dry Signal, (100% Effects
Only), the FX can have their own amplifier as well creating a WET/DRY effects system.
All of the Audio remains in the Rack as opposed to a pedal-board system where long cables must
transverse the stage between the pedal-board and Guitar Amplifier.
3.
4.
Here’s my system…
INPUTS
The Guitar Signal enters the rack via a custom rack patch panel in two ways;
1.
2.
via a guitar cable to INPUT ¼” Jack labeled “A” or
via a LINE6 G30 Wireless Receiver connected to the Rear Panel of the custom rack patch panel and
normalized from the front panel “W-LESS” ¼” connector to the “B” ¼” connector.
WAH
PRE
FX
B
A
[B] WIRELESS
PZ
FRONT
-30
MIDI
-40
-50
-60
VOL
TUNER
TAP
SE
W-L
ESS
WIRE
-70
-20
-10
1
0dB
+10
DECIMATOR
G String
LINE6
RELAY G30
RECEIVER
2
REAR
DEC IN
DEC OUT
OUTPUT
INPUT
GUITAR
FX
SE
W-L
ESS
TAP
PRE OUT
PRE IN
MIDI
12 VDC
OUT 3
OUT 2
OUT 1
SPLIT IN
WAH
VOL
TUNER
GUITAR
3
B
A
T
[A] WIRE
R
STEREO
GUITAR
CABLE
PIEZO
PART OF
CUSTOM
PATCH PANEL
TO
AURA
Those two options, Wireless or Wired Cable, are switched using a manual A/B switch toggle switch located on the
custom rack patch panel.
WIRELESS
The wireless is a LINE6 G30 Wireless Receiver modified
with two external ¼ λ 2.4 GHz Antennae and mounted on
the SKB sliding rack shelf and powered by a Voodoo Lab
ISO5 Power Supply.
WIRED CONNECTION
(MAG and Piezo Pickup Routing)
If a Stereo Guitar Cable is plugged into patch panel Input
“A”, and the guitar has a Graphtech Acousti-phonic Piezo
Bridge system, the Magnetic guitar signal is available on the
TIP and the Piezo signal is available on the RING of the
Stereo Cable. Those separate MAG & PIEZO signals are
routed and available on two different connectors on the
custom rack patch panel; the GUITAR and PIEZO ¼” Jacks
respectively.
[B] WIRELESS
LINE6
RELAY G30
RECEIVER
GUITAR
B
3
4
A
2
(MAG SIGNAL)
TO FX
[A] WIRE
T
1
R
2
The Piezo signal is routed to a Fishman AURA 16 Acoustic
Imaging processor and then to a Radial J48 Direct Box that
feeds the P.A. System.
PIEZO
3
PART OF
CUSTOM
PATCH PANEL
4
FISHMAN
AURA 16
5
RADIAL
J48 DI
PIEZO SIGNAL PATH
MAG SIGNAL PATH
NOISE REDUCTION
The patch panel’s rear GUITAR output ¼” jack is connected
to the INPUT half of an ISP Decimator G-String Noise Gate
before feeding a Dunlop Crybaby DCR-2SR Rack Wah
system. The DECIMATOR half of the ISP Decimator G-String
Noise Gate goes in the Marshall JMP-1 Midi Preamp effects
loop to squelch any hum/hiss/noise from the preamp and
all of the effects preceding the preamp. The Decimator GString Noise Reduction is based on the threshold setting
and the presence of the sampled guitar signal from the
INPUT half of the ISP Decimator G-String Noise Gate. The
ISP DECIMATOR G-STRING circuit board resides within the
custom rack patch panel.
(PIEZO SIGNAL)
BALANCED OUT
TO PA
STEREO
GUITAR
CABLE
WAH IN
[B] WIRELESS
IN
OUT
1
GUITAR
LINE6
RELAY G30
RECEIVER
2
3
B
A
T
ISP DECIMATOR
G-STRING
[A] WIRE
R
DEC IN
DEC OUT
SEND RETURN
FX LOOP
PIEZO
PART OF
CUSTOM
PATCH PANEL
TO
AURA
STEREO
GUITAR
CABLE
WAH
The GUITAR OUT of the ISP Decimator G-String Noise Gate continues to the DUNLOP Custom Shop DCR-2SR Rack Wah.
The DCR-2SR is a remote Wah-System that allows you to control the wah-sound remotely using up to six remote pedals that
use a DC Voltage to control the wah so that the Audio stays in the rack.
GCX GUITAR EFFECTS SWITCHER - PRE-AMPLIFIER EFFECTS
The output of the DUNLOP DCR-2SR Rack Wah feeds five serial loops of a Digital Music Corp. (Voodoo Lab) GCX Guitar
Effects Switcher with the following effects…
1.
2.
3.
4.
5.
Voodoo Lab Overdrive,
Voodoo Lab Bosstone,
MXR Phase 90,
Xotic EP Booster and
Voodoo Lab Tremolo
DIGITAL MUSIC CORP. GCX SWITCHER
DUNLOP DCR-2SR CUSTOM RACK WAH
REAR
WAH OUT
DCR-1FCH
STK
VIBE
V1
V1
V1
5
OUT RTN SND
N.O.
N.C.
IN
4
OUT RTN SND
N.O.
N.C.
IN
V1
3
OUT RTN SND
N.O.
N.C.
IN
2
OUT RTN SND
N.O.
N.C.
IN
1
OUT RTN SND
N.O.
N.C.
WAH WAH
STK
R128
IN
CONTROLLER
PREAMP
The above five effects precede a Marshall JMP-1 Midi Tube Preamp where the main “tones” are generated. The output
from GCX loop 5 feed GCX loop 6 which is set to mute the Input to the JMP-1 and feed a tuner on the pedalboard. (An
Isolation Transformer before the tuner ensures that there are no ground-loops between the tuner at the pedalboard and
the FX rack.)
The rear panel output of GCX loop 6 makes its journey to the front panel input of the JMP-1 Preamp via the GCX
loopthrough connectors.
DIGITAL MUSIC CORP. GCX SWITCHER
DUNLOP DCR-2SR CUSTOM RACK WAH
REAR
WAH OUT
DCR-1FCH
STK
VIBE
STK
V1
5
OUT RTN SND
N.O.
N.C.
IN
4
OUT RTN SND
N.O.
N.C.
V1
3
IN
OUT RTN SND
N.O.
N.C.
IN
2
OUT RTN SND
N.O.
N.C.
WAH WAH
R128
V1
IN
1
OUT RTN SND
N.O.
N.C.
IN
CONTROLLER
OUT RTN SND
N.O.
N.C.
IN
TUNER
MARSHALL JMP-1 MIDI TUBE PREAMP
6
JMP1 MUTE
FEED
THRU
GUITAR
OUT
REAR
GUITAR
IN
FEED
THRU
FRONT
ISO TRANSFORMER
There are three main sounds generated in the JMP-1 Preamp corresponding to the following sounds CLEAN, CRUNCH &
BURN.
AUDIO DISTRIBUTION AMP (SIGNAL SPLITTER)
The Marshall JMP-1 preamp has two audio outputs. The RIGHT output feeds the output mixer directly through some ¼”
jacks on the custom rack patch panel that allows the Preamp dry signal to be interrupted to allow feeding the dry signal to a
separate amplifier.
SHURE MIXER
PRE OUT
MARSHALL JMP-1 MIDI TUBE PREAMP
LEFT
PART OF
CUSTOM
PATCH PANEL
PRE
PRE IN
RIGHT
The LEFT output feeds a Radio Design Labs Audio Distribution Amplifier (D.A.), which also resides within the custom rack
patch panel. Two of the D.A.’s outputs feed two GCX loops to allow the muting of two digital FX processors…
The TC ELECTRONIC G-MAJOR II GUITAR FX PROCESSOR and TC ELECTRONIC ND-1 NOVA DIGITAL DELAY.
Muting the inputs to the processors allows Reverbs and Delays to “trail” naturally when you switch presets.
G-MAJ2
OUTPUT
3
INPUT
SHURE SCM268 MIXER
TC ND-1
2
OUTPUT
JMP-1
OUT
1
INPUT
GMAJOR MUTE
OUT RTN SND
N.O.
N.C.
8
IN
ND-1 MUTE
OUT RTN SND
N.O.
N.C.
7
IN
PRE OUT
PART OF
CUSTOM
PATCH PANEL
OUT OUT OUT
PRE IN
RADIO LABS
ST-DA3 AUDIO
SPLITTER
MARSHALL JMP-1 MIDI TUBE PREAMP
PART OF
CUSTOM
PATCH PANEL
LEFT
RIGHT
PRE
Since you have a separate DRY Preamp signal, the DRY signal can be removed from the FX outputs by either, adjusting the
output mix to 100% WET or by, activating the Kill-Dry” function within the processor. This will allow for a true WET/DRY FX
system if you use the patch panel PRE out and FX outputs to separate amplifiers.
G-MAJ2
OUTPUT
3
INPUT
SHURE SCM268 MIXER
TC ND-1
RETURN
2
OUTPUT
JMP-1
PALMER ISO BOX
OUT
AMP2 LEVEL
XFBB-EXS
EXPRESS 1x12
60W SPEAKER
CABINET
w/ 12" Celestion V30
Vintage 30 Speaker
ISO2
1
GND2
0
180
WET AMP
INPUT
GMAJOR MUTE
8
ND-1 MUTE
7
RETURN
OUT RTN SND
N.O.
N.C.
IN
OUT RTN SND
N.O.
N.C.
IN
PRE OUT
PART OF
CUSTOM
PATCH PANEL
0.XCBBB-CLS
LONESTAR 1x12 90W
GUITAR AMP SPEAKER
CABINET
w/ 12" Celestion MC90
Black Shadow Speaker
OUT OUT OUT
PRE IN
RADIO LABS
ST-DA3 AUDIO
SPLITTER
MARSHALL JMP-1 MIDI TUBE PREAMP
PRE
PART OF
CUSTOM
PATCH PANEL
LEFT
DRY AMP
CABLE INSERTION
DISCONNECTS PREAMP
SIGNAL TO MIXER
RIGHT
GUITAR AMPS
In the above drawing we have created two outputs, wet and dry to feed the wet and dry signals to separate amplifiers,
using two amplifiers in this configuration will usually create a ground-loop that will in turn create an audio hum that can
only be mitigated by the use of an audio isolation transformer. The product of choice for this function is the Palmer PGA-03
Y BOX Isolated Guitar splitter that isolates the ground of the Dry Amp as shown above.
The two audio outputs feed the power sections of tow Mesa Boogie 5:25 Tube Guitar Amplifier Heads.
The 5:25 Tube Guitar heads feed an EXPRESS 1x12 60W GUITAR AMP SPEAKER CABINET with 12" Celestion V30 Vintage 30
Speaker and a LONESTAR 1x12 90W GUITAR AMP SPEAKER CABINET with 12" Celestion MC-90 Black Shadow Speaker. Both
Speaker Cabinets are modified with foam Speaker Directivity Modifiers to help level the off-axis sound of the speaker.
http://www.tgpwebzine.com/?page_id=424
MIDI PEDALBOARD
The Midi Control Change and Program Change messages are sent via a Digital Music Corp. Ground Control
Original Midi Foot Controller (V2.5), a Digital Music Corp. Ground Link and two Ernie Ball 250k Volume pedals
configured as Expression pedals and connected to the Music Corp. Ground Control Original Midi Foot Controller.
The board also has the DUNLOP DCR-1FC Wah foot controller, a TC Electronic Polytune Mini Tuner, a Tap-Tempo
Switch for the TC Electronic ND-1 Delay Tap-Tempo and a Midi Solutions Event Processor.
All of the components are mounted on an ozite-carpet covered plywood board with chrome handles and
transported in an SKB C3613 LARGE CONTROLLER CASE.
The above Midi Control pedal-board connects to the custom rack patch panel MIDI connector which connects to
the GCX rear panel MIDI Input. The GCX Midi Out daisy chains in and thru in and out of the following
processors… GCX > JMP-1 > TC Electronic G-MAJOR II
EVENT PROCESSOR
Here's some info on the EVENT PROCESSOR... The Ground Control Original is setup in BANK 4 MODE (4 Presets
and 6 Instant Access switches per Bank). Within each Bank, I have programmed a number of G-Major2 Presets
that apply to all four presets within each BANK.
i.e.
Ground Control Bank 1 =
Ground Control Bank 2 =
Ground Control Bank 3 =
Chorus, Delay, Reverb set-up in G-Major2 preset 1
Univibe, Delay, Reverb set-up in G-Major2 preset 2
Flanger, Delay, Reverb set-up in G-Major2 preset 3
So, within any patch I can turn on/off G-Major2 Modulation and/or Delay and/or Reverb FX and have those
effects hold across all four patches within that Bank by using the Ground Link to send CC’s to control the FX
blocks within the G-Major 2.
The EVENT PROCESSOR is programmed to Filter redundant PC’s from the Ground Control from being sent to the
G-Major2 (Those are not filtered by the Ground Control if you press a Preset button twice by mistake!!)
It is also programmed that when a different PC is sent to the G-Major2, then set CC#, 90, 91, 92, 93, 94, 95 CC
value to 00 (all G-Major2 FX blocks, and Ground Link LED's, turn off when I go to a new Bank)
It is also programmed to block redundant CC's from being sent to the G-Major2 if I hit a patch button twice (all
G-Major2 FX blocks remain as is and the Ground Link LED's do not change)
The Event Processor is programmed by a small text utility that sends MIDI messages from your computer
through your MIDI interface to the Event Processor.
CABLE SNAKE
The following lines run between the Rack and the pedal-board and connect via custom patch panels…
7 Pin Midi Cable, Stereo ¼” Audio cable for remote Wah, Mono ¼” Audio cable for Tuner, Mono ¼” Audio cable
for ND-1 Tap-Tempo and 2.5 x 5.5 Coax Power Cable for Tuner Power.
POWER
CABLE SNAKE
¼” MONO
¼” ST.
TAP
5 PIN MIDI
POWER
WAH
¼” MONO
¼” ST.
MIDI
WAH
¼” MONO
ND1 TAP
5 PIN MIDI
MIDI
¼” MONO
TUNER
TUNER
PEDALBOARD
IN
OUT
MIDI IN
GROUND LINK
GCX
FILT
CC90
COMP
CC91
PITCH
CC92
MOD
CC93
DELAY
CC94
REVERB
CC95
GMAJ2 TAP
CC80
FILTER RED. CC’s
ND-1
TAP
P1
OVERDRIVE
BOSSTONE
PHASE 90
EP BOOST
TREMOLO
TUNE/MUTE
CLEAN
CRUNCH
BURN
BURN SOLO
BANK DOWN
BANK UP
EXPRESSION
GROUND CONTROL
EXPRESSION
DCR-1FCH
P2
STEREO
WAH WAH
MIDI OUT
LOOP 7
ND-1 DELAY
VP JR.
VP JR.
PACKAGING
All of the system components are mounted in an SKB 1SKB19-8U 8-Rack Unit Rack Case modified with casters on
the back lid.
EFFECTS POWER
The FX Pedals are mounted to an SKB 1SKB-VS1 -Sliding Velcro Rack Case and powered by a Voodoo Lab ISO5
Power Supply.
LINE POWER
The AC power is distributed using a Furman PL PLUS-C POWER CONDITIONER that has over voltage protection,
eight AC Outlets, two front light bars and a rear Littlite Lamp.
EXTRAS
There is an external EIA AC power outlet mounted on the outside of the SKB 8U Rack case so that the rack can
be powered without removing the rear lid.
WIRING
2524
380
280
226
236
228
Mogami
Switchcraft
Switchcraft
Switchcraft
Switchcraft
Switchcraft
Instrument Cable (Bulk - 40 pf/FT)
Short Mono Straight Plugs
Long Mono Straight Plugs
Mono RT ANGLE ¼” Plugs, Round
Stereo RT ANGLE ¼” Plugs, Round
Mono RT ANGLE ¼” Plugs, Flat
FULL MAP
LINE6
G50 WIRELESS
RECEIVER
CUSTOM PATCH PANEL FRONT
©2012
WAH
PRE
FX
B
A
DEC IN
PZ
DEC OUT
OUTPUT
INPUT
GUITAR
FX
PRE OUT
PRE IN
MIDI
FRONT
- 30
-
MIDI
- 40
VOL
TUNER
TAP
SE
W-L
ESS
WIRE
- 20
-50
-10
-60
0dB
- 70
REAR
RACK
FX SYSTEM
WET DRY IMPLEMENTATION
+10
DECIMATOR
W-LESS
OUT 3
OUT 2
OUT 1
SPLIT IN
SE
W-L
ESS
TAP
WAH
W-LESS
1
12 VDC
VOL
TUNER
G String
DUNLOP CUSTOM SHOP - DCR-2SR RACK WAH
[B]
TO PA
RADIAL
J48 DI
WAH IN
WAH OUT
5
6
STK
PIEZO
ISP DECIMATOR
G-STRING
R128
10
V1
4
5
OUT RTN SND
N.O.
N.C.
FISHMAN
AURA 16
OUT RTN SND
N.O.
N.C.
IN
V1
8
9
3
IN
OUT RTN SND
N.O.
N.C.
V1
7
2
IN
OUT RTN SND
N.O.
N.C.
IN
OUT RTN SND
N.O.
N.C.
IN
T
DEC
IN
[A] WIRE
R
GUITAR
CABLE
PIEZO
PART OF CUSTOM
PATCH PANEL
TC G-MAJ2
DCR-1FCH
A
PART OF
CUSTOM
PATCH PANEL
4
GUIT.
IN
DEC
OUT
B
3
GUIT.
OUT
1
2
GUITAR
STK
VIBE
WAH WAH
3
TO
AURA
SHURE SCM268 MIXER
TC ND-1
TUNER
TT
OUT
JMP-1
XLR
TO PA
1
OUT
WAH PEDAL TAP TEMPO
H&K
RED BOX PRO
2
ISOLATION TRANSFORMER
TO GUITAR
AMP RETURN
TC G-MAJOR 2
11
FX
FX
G.O.O.T.S.
RETURN
MIDI
THRU
MIDI IN
(RX=CH 02)
IN
GCX REAR PANEL
8
7
ND-1 MUTE
6
JMP1 MUTE
PALMER ISO BOX
PART OF
CUSTOM
PATCH PANEL
TC NOVA DELAY
GMAJOR MUTE
PRE OUT
AMP2 LEVEL
XFBB-EXS
EXPRESS 1x12
60W SPEAKER
CABINET
w/ 12" Celestion V30
Vintage 30 Speaker
ISO2
GND2
0
180
OUT RTN SND
N.O.
N.C.
IN
OUT RTN SND
N.O.
N.C.
OUT RTN SND
N.O.
N.C.
IN
IN
GCX REAR PANEL
PRE
PRE IN
15
REAR
GROUND LINK
FILTER RED. CC’s
FILT
CC90
COMP
CC91
PITCH
CC92
MOD
CC93
DELAY
CC94
REVERB
CC95
EXPRESSION
EXPRESSION
12
LOOP 7
ND-1 DELAY
OVERDRIVE
BOSSTONE
PHASE 90
TREMOLO
EP BOOST
TUNE/MUTE
CLEAN
CRUNCH
BURN
BURN SOLO
BANK UP
BANK DOWN
14
RETURN
GUITAR
OUT
FEED
THRU
CC80
GROUND CONTROL
17
OUT OUT OUT
GMAJ2 TAP
VP JR. VP JR.
WET AMP
16
RIGHT OUT
FRONT
RADIO LABS
ST-DA3 AUDIO
SPLITTER
PART OF
CUSTOM
PATCH PANEL
CABLE INSERTION
DISCONNECTS PREAMP
SIGNAL TO MIXER
0.XCBBB-CLS
LONESTAR 1x12 90W
GUITAR AMP SPEAKER
CABINET
w/ 12" Celestion MC90
Black Shadow Speaker
MARSHALL JMP-1
13
IN
GUITAR
IN
FEED
THRU
MIDI IN
LEFT OUT (RX=CH 01)
SEND
RTN
DRY AMP
LINE6
G50 WIRELESS
RECEIVER
CUSTOM PATCH PANEL FRONT
©2012
WAH
PRE
FX
B
DEC IN
PZ
A
OUTPUT
DEC OUT
INPUT
GUITAR
FX
PRE OUT
PRE IN
MIDI
FRONT
- 30
MONO IMPLEMENTATION
MIDI
- 40
VOL
TUNER
TAP
SE
W-L
ESS
WIRE
-10
-60
0dB
- 70
W-LESS
W-LESS
- 20
-50
REAR
RACK FX SYSTEM
+10
DECIMATOR
12 VDC
OUT 3
OUT 2
OUT 1
SPLIT IN
SE
W-L
ESS
TAP
WAH
1
VOL
TUNER
G String
DUNLOP CUSTOM SHOP - DCR-2SR RACK WAH
TO PA
[B]
RADIAL
J48 DI
WAH IN
WAH OUT
2
GUITAR
STK
5
VIBE
6
STK
PIEZO
ISP DECIMATOR
G-STRING
R128
10
V1
FISHMAN
AURA 16
8
9
5
OUT RTN SND
N.O.
N.C.
4
IN
OUT RTN SND
N.O.
N.C.
V1
7
3
IN
OUT RTN SND
N.O.
N.C.
V1
2
IN
OUT RTN SND
N.O.
N.C.
IN
1
OUT RTN SND
N.O.
N.C.
IN
4
[A] WIRE
T
DEC
IN
R
GUITAR
CABLE
PIEZO
PART OF CUSTOM
PATCH PANEL
G-MAJ2
DCR-1FCH
A
PART OF
CUSTOM
PATCH PANEL
GUIT.
IN
DEC
OUT
B
3
GUIT.
OUT
WAH WAH
3
TO
AURA
SHURE SCM268 MIXER
TC ND-1
TUNER
H&K
RED BOX PRO
2
ISOLATION TRANSFORMER
TT
OUT
JMP-1
XLR
TO PA
1
WAH PEDAL
OUT
TAP TEMPO
11
TC G-MAJOR 2
TO GUITAR
AMP RETURN
18
FX
MIDI
THRU
MIDI IN
(RX=CH 02)
IN
8
7
ND-1 MUTE
6
JMP1 MUTE
G.O.O.T.S.
PRE OUT
RETURN
PALMER ISO BOX
PART OF
CUSTOM
PATCH PANEL
TC NOVA DELAY
GMAJOR MUTE
GCX REAR PANEL
FX
AMP2 LEVEL
XFBB-EXS
EXPRESS 1x12
60W SPEAKER
CABINET
w/ 12" Celestion V30
Vintage 30 Speaker
ISO2
GND2
0
180
OUT RTN SND
N.O.
N.C.
IN
OUT RTN SND
N.O.
N.C.
IN
OUT RTN SND
N.O.
N.C.
IN
17
16
GCX REAR PANEL
19
WET+DRY AMP
PRE
PRE IN
20A
15
REAR
GROUND LINK
FILTER RED. CC’s
FILT
CC90
COMP
CC91
PITCH
CC92
MOD
CC93
DELAY
CC94
REVERB
CC95
CC80
12
LOOP 7
EXPRESSION
RIGHT OUT
ND-1 DELAY
OVERDRIVE
BOSSTONE
PHASE 90
TREMOLO
EP BOOST
TUNE/MUTE
CLEAN
CRUNCH
BURN
BURN SOLO
BANK UP
BANK DOWN
RADIO LABS
ST-DA3 AUDIO
SPLITTER
PART OF
CUSTOM
PATCH PANEL
0.XCBBB-CLS
LONESTAR 1x12 90W
GUITAR AMP SPEAKER
CABINET
w/ 12" Celestion MC90
Black Shadow Speaker
MARSHALL JMP-1
FRONT
GROUND CONTROL
RETURN
20B
GUITAR
OUT
FEED
THRU
GMAJ2 TAP
VP JR. VP JR.
EXPRESSION
14
OUT OUT OUT
13
IN
GUITAR
IN
FEED
THRU
LEFT OUT
MIDI IN
(RX=CH 01)
SEND
RTN
WET+DRY AMP
FRONT WIRING
RACK FX SYSTEM WIRING
9VDC
©2012
TUNER
CUSTOM PATCH PANEL
TUNER
W
A
H
P
R
E
F X
B
A
P
Z
-30
DUNLOP CUSTOM SHOP
DCR-2SR RACK WAH
M
I D
-40
I
T A P
S E
W
IR
E
N D- 1
GM AJ 2
-10
+10
-60
L
JM P-1
-20
-50
V O
0dB
-70
+10
ISOLATION XFMR
RADIO LABS
ST-DA3 AUDIO SPLITTER
TAP
LINE6
G50 WIRELESS
RECEIVER
REAR
BOSSTONE
PHASE
90
TREMOLO
EP
BOOST
JMP-1
MUTE
ND-1
MUTE
GMAJ2
MUT E
FRONT
W-LESS
L-OUT R-OUT
OVER DRIVE
TAP
REAR WIRING
W-LESS
MARSHALL JMP-1
SND L-RTN
MIDI IN
OUT
MIDI
4
3
2
1
MIDI
IN
GUITAR
VOODOO LAB ISO5
[B]
9VDC
12VDC
18 VDC
9VDC
9VDC
9VDC
V1
B A/B SW.
V1
V1
V1
18 VDC
IN
A
9 VDC
OUT
T
3
2
GMAJOR
MUTE
ND-1
MUTE
JMP1
MUTE
8
7
6
1
[A] WIRE
DEC OUT
STEREO
CABLE
DEC IN
GCX REAR
5
9 VDC
9 VDC
12 VDC
R
ISP DECIMATOR
G-STRING
PIEZO
V1
PRE IN
PEDALBOARD
TO GCX
MIDI
MIDI IN
FILTER RED. CC’s
TO PA
. PC’s
MIDI
PRE
TC NOVA DELAY
GMA J2
OUT
SHURE SCM268 MIXER
WET
Thanks for comin’ out…
check... check one... check
Sincerely,
Joe Leskovar, C.E.T.
www.dirtyhurricane.com
January 2013
FX
FX
(WET/DRY SET-UP = FX ONLY)
(MONO SET-UP = PRE + FX)
EXPRESSION
N D-1
GROUND LINK
FILT
CC90
COMP
CC91
PITCH
CC92
MOD
CC93
DELAY
CC94
REVERB
CC95
DCR-1FCH VP JR.
VP JR.
EXPRESSION
J MP-1
OUTPUTS TO
AMPLIFIERS
TT
EXPRESSI ON
DRY
PRE OUT
WAH WAH
TC G-MAJOR 2
(WET/DRY SET-UP = PRE ONLY)
(MONO SET-UP = NOT USED)
EXPRESSI ON
WET
1 RU DRAWER
MIDI
DRY
MIDI THRU
TAP
V1
VOODOO LAB ISO5
PATCH
4
GMAJ2 TAP
CC80
LOOP 7
ND-1 DELAY
GROUND CONTROL
OVERDRIVE
BOSSTONE
PHASE 90
BOOST
CLEAN
CRUNCH
BURN
BURN SOLO
TREMOLO
TUNE / MUTE
BANK UP
BANK DOWN