HIT PLAY - Charles Bethea

DISPATCHE S M E D I A
INGRID BACKSTROM, FREESKIER
SKI MOVIE 2: HIGH SOCIETY
(MATCHSTICK PRODUCTIONS, 2001)
In Her Words: “Skiers Shane McConkey and Seth Morrison take it to the next level, and Wendy Fisher does
her best ripping ever. I can watch it over and over and
still be inspired.”
Our Take: As in all good porn—skiing or otherwise—
there’s very little talking. Just an all-star cast of powderheads hucking cliffs, ripping virgin British Columbia
steeps, and grinding rails, backed by grating rap-rock.
Money Quote: “It started up on this big face with waistdeep pow. I knew the slough was gonna rip off the cliffs,
and then I had a nice 35-to-40-footer at the end I could
hurl my carcass off.” [Skier Aaron McGovern]
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KELLY SLATER, SURFER
STORM RIDERS
HIT PLAY
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Ten iconic athletes name their favorite sports films of all time, from the touching and zany to
the truly awe-inspiring. Clear out your Netflix queue. BY CHARLES BETHEA
DEAN KARNAZES, ULTRARUNNER
GREG LEMOND, ROAD CYCLIST
TERMINATOR 2: JUDGMENT DAY
BREAKING AWAY (20TH CENTURY FOX, 1979)
(ARTISAN ENTERTAINMENT, 1991)
In His Words: “The only true cycling classic. I used to race with a friend who could
have been the inspiration for the film. He dressed and acted as though he were
Italian. He even changed his name from Tony Comfort to Antonio Conforte.”
Our Take: Breaking Away manages to make Indiana look beautiful and make drafting an
18-wheeler—on a bicycle—seem smart. Fantastico! Still, we’ve never resorted to using
fake European accents to woo the bellas. That’s what bike shorts are for.
Money Quote: “Are you really gonna shave your legs?” [Daniel Stern, as Cyril]
TOMMY CALDWELL, CLIMBER
DOSAGE, VOLUME III
(BIG UP PRODUCTIONS, 2005)
In His Words: “Super-inspiring footage of cutting-edge
climbing. Director Josh Lowell’s films are authentic.”
Our Take: Packed with first ascents, from Utah to Vietnam. Watch Chris Sharma (spiritual offspring of SpiderMan and Wavy Gravy) pinch his way over a cave ceiling
in the Ozarks, upside down.
Money Quote: “These rocks have become my teacher
... They can reflect just how you feel. So I try to make
friends with them.” [Climber Ron Kauk]
30 OUTSIDE
JIMMY CHIN, MOUNTAINEER
THE EIGER SANCTION
(UNIVERSAL STUDIOS, 1975)
In His Words: “It’s one of the few good mountaineering movies and a fully entertaining
glimpse into what was cool in another era.”
Our Take: Clint Eastwood in the Alps—as an
art-collecting assassin? This soft jab at the
James Bond formula, full of tongue-in-cheek
grimacing and groping (of rock, mostly),
offers up spectacular high-altitude cinematography. And views of Eastwood in a harness that make us want to cut the rope.
Money Quote: “Now all I have to do is kill
every mountain climber with a sore foot.”
[Clint Eastwood, as Jonathan Hemlock]
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PHOTOFEST; FRANK W. OCKENFELS 3
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In His Words: “I’ve seen a few friends come back from
the dead during long races, and I always chuckle and
think of that scene where the Terminator keeps running after being blown into a million tiny pieces.”
Our Take: Put James Cameron behind the camera and
a not-yet-political Arnold Schwarzenegger in front of it
and you’ve got one of the greatest action flicks ever.
Money Quote: “It was suddenly so clear: The Terminator
would never stop.” [Linda Hamilton, as Sarah Connor]
CLOCKWISE FROM LEFT: ROBERT MAXWELL/ART DEPT./CPI; EVAN HURD/CORBIS; PATRIK GIARDINO/CORBIS OUTLINE
(HOOLE/MCCOY FILMS, 1982)
In His Words: “When I was a kid, this was my favorite. It was filmed in Bali, when it
was a new place for surfing, and Indonesia’s Mentawai Islands, where the waves
were still undiscovered. Twin fins were in full effect then; that’s what I was riding.”
Our Take: An anthropological stoke—mullets, short shorts, Morrissey melodies,
and big-swell surfing by Gerry Lopez and Rabbit Bartholomew.
Money Quote: “Thornton, Joe, and the rest of the team took a surf break to check out
a nearby village. The locals are friendly enough now. But only a few years ago these
guys were real live headhunters. As you walk around the village, you can see the chopping blocks.” [Narrator Marcus Hale]
GARY FISHER, MOUNTAIN BIKER
ROAM (THE COLLECTIVE, 2006)
TONY HAWK, SKATEBOARDER
THRASHIN’ (MGM, 1986)
In His Words: “Thrashin’ is the quintessential cheese
of skateboarding movies, which makes it my favorite.
The plot is a thin version of West Side Story, with
plenty of eighties skate action.”
Our Take: Halfpipe dream or nightmare? Both, actually. But damned if the final skate-off between our
Valley-boy hero and the skate punk—for the girl (and
corporate sponsorship)—didn’t make our eyes water.
Money Quote: “C’mon, man. Mr. Studly is givin’ up first
shot at a virgin ramp?” [Josh Richman, as Radley]
In His Words: “Hands down, the Collective is the best group making mountain-bike
films. You feel like you’re on the trail with the riders. The soundtrack is spectacular.”
Our Take: Mesmerizing. The camera work and editing are as sharp and artistic as the
riding, which ranges from acrobatics on bridges and ladders on Vancouver’s North
Shore to catching huge air off the shoulders of Morocco’s Atlas Mountains.
Money Quote: “Jordie liked to build jumps. So he built a little one, and then a little bit
bigger, and a little bit bigger . . . Eventually I just bought my own excavator so we
could build jumps and ride in the yard here.” [Brian Lunn, Jordie Lunn’s dad]
SHAUN WHITE, SNOWBOARDER
THE HAAKONSEN FAKTOR
(CINEMASEOANE, 1999)
TANYA SHUMAN, FREESTYLE KAYAKER
DYNASTY
(YOUNG GUNS PRODUCTIONS, 2006)
In Her Words: “The athletes push the envelope on all
fronts: freestyling, river running, and cinematography.
A lot of shots were taken by helicopter or by jet ski.”
Our Take: The Young Guns—including Shuman’s
boyfriend, Marlow Long—are big-wave virtuosos. But
a soundtrack with whitewater rap? Keep the flow in
the river, fellas.
Money Quote: “That one time you lace it and stick it
makes up for all those times you didn’t.” [Kayaker
Charlie Center]
In His Words: It was released right when Terje
Haakonsen was killing it, changing the face of
snowboarding. I remember watching it—I was
eight or nine years old—and being amazed
that someone could go so big. This film had a
big impact on my career.”
Our Take: Terje and friends tear it over a velvet techno-funk score. We love the dim, backroom interviews with Haakonsen—just wish
we could tell what he’s saying. Did he claim he’s
going to compete in the Olympics someday? Or did he say he’s got the munchies?
Money Quote: “On a big mountain, the mountain decides what you’re going to
get. You can always pick your own line, though . . . You’re turning the steering
wheel of the carousel.” [Snowboarder Terje Haakonsen]
OUTSIDE 31