REVIEWS - Readytoplay.com
Transcription
REVIEWS - Readytoplay.com
ffi 'i* ;$ ,w" PRE'E NTE D " 'M ac . l L i f g ,'1.;".,i']}.#;:... PAGES OFHARD.HITTING :.ir. , r t:ir.' REVIEWS NEWEST H EADP HO NE S SPEAK E RS MED IA APPS GAMES W M RipDVDsto YouriPod TurnYouriPodtouchinto a Killere-BookReader Service a CD-Ripping Choose DISPLAYUNTIL3/24/09 Macthe RIPPER Countus amongthe manywho wereskeptical serviceswhenwe f irst heard aboutCD-ripping of them.The ideaof payinga companyto do somethingthat iTunesalreadydoesfor free paysoff in yourCD-ripping Outsourcing metadata. timeandnear-perfect & fEo Shlpplng r.co m www.m usicshifte pshark.com \l]/ww.ri at 69centsperCD Price:Starts perCD at 99cents Price:Starts in options offers themostflexible MusicShifter needs, onyourparticular Depending termsof price. lvlusicShifter can speed, in bothformat andshipping ThePopular each. foraslittleasS.69 ripyourdiscs package AAC, or ripsin MP3, includes single-format Lossless WIVA formats at bitratesupto 320kbps. Lossless, or FLAC-are WMA Lossless, rips-Apple package, at S.69. alsostarting available in theArchive forripping copy-useful lf you'dlikebotha lossless having to without formatinthefuture, to another f ilef ory ouriPod, a s m aller loa dd iscs-a nd manu ally youa (starting gives package at S.99/disc) theDeluxe "lossy" version. to a smaller lossless filein addition although withgreatmetadata, Rlps wereclean, artists werenot different containing several albums proper iTunes withAlbum Artistt0 ensure tagged trial,so offers a free10-disc MusicShifter sorting. youcantaketheservice dropping fora spinbefore t hed ou gh . format, in CDripsin MP3or AAC Ripshark offers Basic service bitratesallthewayupto 320kbps. perdisc.Addona lossless ripin FLAC or isS.99 Theresulting foranadditional Apple Lossless S.69. filesandApple AAC 224kbps files-wechose andRipshark evenripped error-free, Lossless-were wethrewin asa test(RIAA lawyers, CDs a fewburned Theydidmiss us,weowntheoriginals). don'tbother including Brian Wilson's Pef a fewdiscs, however, obscure andreleased in 2002. Live-hardly Sounds y Ds p i n d l e Rips h a rskh'si p p i nmga t e r i a l s -fal i m s C beyond a custom-sized inside a boxwithnopadding, inspire confidence. lnfact, cardboard insert-didn't tripio us,andwe onitsreturn thespindle broke rattling around loose inside a boxwithCDs received alongwithshards of plastic thelidof thespindle, itself. 0uch! spindle fromthebroken >> 28 winter200e MILipoDHANDBooK luxury,something seemedlikean extravagant bestleft for peoplewith more moneythan commonsense.The basicconceptis this:Pack up your musicCDs,shipthemoff,anda few dayslater,your CDscomeback,alongwith professionally digital ripped,iTunes-ready versions-completewith albumart, track ) names,releasedates,and in somecasescompose[artist,and complete track-numberdata.lf you'relikewe oncewereiyou'reaskingyourself why wouldanyonein their right mindpay for somethingyou can easily do yourself? we managedto rip at homein smallbatches.As muchas we wouldhave The answeris simple:convenience. Wehavea moderatecollectionby musicgeekstandards-of a few hundredCDswe'veamassedover the last few decadesof scouringthe BayArea'sfinestrecordstoresand street-cornerblanketsales.And yet,despiteour best intentions,we only artist,and trackdata is anotherprojectonto itself. As a test,we sent out batchesof discsout to four differentcompanies specializing in digitizing CDcollections. On the whole,we foundthe quick,and simple.And despitesomekey servicesto be convenient, hadabout20 percentof our CDcollectionripped.Therest sat for years. unheardandburiedin boxesunderthe bed-most of our listening has transitionedfrom recordsand CDsto digitalfilesplayedvia computers and iPods.We'vebeensubsistingon a diet of digitaldownloads(seep54 differencesbetweenthe levelsof serviceoffered,all of the resulting fileshaveexcellent soundquality.On convenience alone,we'resold.The abilityto access anyandall of your musicwitha few mouseclicksis an irresistibleconceptfor all hosewho'veeverwishedthey couldf inallyfill for our takeon three alternativesto the iTunesstore)and the few discs out their iTuneslibrary.-RayAguilera lovedto haveour entirecollectionavailablein a click,endlesslyfeeding CDsintoour Macwassimplytoo time-consuming-not to mentionmindjankyalbum, numbing. Andchecking andcorrectingiTunes' notoriously {r4:n:l:* nfir W I -'-*, A.dyToFlry.6n!.tu orFnir.d dlgbl -#- COr hb.n 6uk ttbnrn www.readytop Iay.com perdisc;contact Price:Starts at S1.30 forquote w!\Iw.riptopia.com perCD Price:Starts at 99cents ReadyToPlay wasourhands-down favorite among theservices wetested. Iheresultinq filessounded great, butwhatgaveReadyToPlay theedgewastheir thorough metadata. Thecompany checks album data fourdifferent across databases, andincludes Album Artistandcomplete tracknumber data("Track 3 of "Track 12"instead 3")foraccurate of simply sorting in Thethorough ilunes. dataisanyobsessive collector's dream. Single-format ripsstartat S1.30 each, but volume discounts areavailable, anda second format isavailable foranadditional fee.Unlike theother pricing giveexact services, which ontheirsites, RIP quotes prices andis usedto dealing uponrequest fromusers withspecial requests withhigh-end wasthemostexpenslve audiosystems. ReadyToPlay service wetried,buttheincredibly detailed metadata service wereunmatched. andhands-on customer yougetwhatyoupayfor. Ultimately, Liketheotherservices metadata wetested, Riptopia's wasgreat, andevenincluded Album Artistinfo forproper sorting of multi-artist albums. 192kbps MP3s areS.99 a pop,andthePremium service adds in a second Lossless, 320kbps MP3, WMA or FLAC v e r s i ofno r5 1 . 6 9 . 0gnlea r i npgr o bl e ma r r eodu r Riptopia TheTerms included experience. 0f Service watermarking fileswith"customer theresulting information." Worse, wasn't revealed thisdetail p r i o tro p l a c i nagno r d e r - o n lay f te ro r d e r i nagn d (andpouring receiving over)a pageof fine-print wereweaware thatourfileswould bewatermarked. passing A sinqle, reference to thewatermarking disappeared fromthecompany's website during thetimeweweredealing withthem.Repeated requests exactly emailandtelephone to clarify whatinformation isincluded, andhowa consumeT mightverifytheinformation forthemselves, went unanswered. Thepossibility of thatmysterious "customer intothewrong information" infofalling hands if ouriPodiseverlostor stolen isa morethan a littlebutnerve-wracking. A lookat ourfileswith a texteditorrevealed notice inthefile a copyright headers, butwecan'tbesurethatthereisn'talso private someembedded information in eachthatwe didn'tnotice-and thecompany isn'ttalking. winter2009 MIL29 iPoDHANDBooK {<