File - Dana Zenobi, Soprano

DANA ZENOBI
2450 Wickersham Lane #1602 ♦ Austin, TX 78741 ♦ 512-507-6137 ♦ [email protected] ♦ www.danazenobi.com
Southwestern University ♦ Sarofim School of Fine Arts ♦ 1001 E. University Avenue ♦ Georgetown, TX 78626 ♦ [email protected]
EDUCATION AND TRAINING
Doctor of Musical Arts - Voice Performance and Pedagogy
The University of Texas at Austin
2011
Master of Music - Opera Performance
The University of Texas at Austin
Bachelor of Arts - Music/Women’s Studies, magna cum laude Duke University
2003
1999
Treatise: A Study of Listening Behaviors and the Effectiveness
of Aural Modeling with Undergraduate Level Singers
Dalcroze Eurythmics Certificate – Modules I, II (III, IV pending) Institute for Jaques Dalcroze Education 2014
Resonance Repatterning Practitioner Certification
Repatterning Practitioners’ Association 2010
Certificate in Communications
Duke University Continuing Education 2001
TEACHING EXPERIENCE
Southwestern University, Georgetown, TX
2007-present
Part-Time Assistant Professor
 2014-15 expanded responsibilities include serving as Assistant Director for full production of
Mark Adamo’s Little Women, Southwestern Opera Theatre.
 Created musical and staging rehearsal schedule.
 Assisted with casting decisions.
 Recruited three professional guest artist performers.
 Assisted with musical preparation.
 Directed selected scenes (Beth’s death scene, Prologue).
 Directed staging rehearsals when Director unable to attend.
 Collaborated with Theater Department to procure costumes.
 Served as contact for stage management, technical staff, and lighting staff.
 Created online presence for Opera Theatre and managed promotion through social media.
 2013-2014 expanded responsibilities include teaching Song Literature and Performance and
Vocal Pedagogy.
 2012-2013 expanded responsibilities include Vocal Diction I (English and Italian) and Vocal
Diction II (French and German).
 2011-2012 expanded responsibilities include teaching Fundamentals of Solfege/Ear Training.
 Promoted to Assistant Professor, fall 2011.
 Consistent outstanding marks on student evaluations, especially for communicating concepts
clearly and showing genuine interest in student progress.
Part-Time Voice Instructor
 Applied voice, half-hour and one-hour lessons, average of 20-30 undergraduate students of all
voice types per semester. Music performance and education majors and non-music majors.
 Instruct students in vocal technique, musicianship, languages and diction, stage deportment, and
interpretation of vocal literature.
 Incorporate voice science, voice technology and acoustic analysis in pedagogical approach.
 Collaborate with all applied voice faculty to team teach weekly combined studio master class.
 Prepare undergraduate music majors for juries, barrier exams, departmental recitals, and degree
recitals.
 Musically prepare students for leading roles in opera and musical theater productions.
 Collaborate with music department faculty and guest artists on recital and chamber
performances.
 Advise and mentor students on building careers in music performance and/or education.
 Prepare students for local and national young artist vocal competitions and summer programs.
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Round Rock Independent School District, Round Rock, TX
2004-2010
Private Voice Instructor
 Weekly individual and group half-hour voice lessons to students in grades 6-12.
 Worked with adolescent male and female students to develop strategies for successful
negotiation of vocal registers.
 Created age-appropriate study materials in vocal anatomy and basic acoustic analysis.
 Integrated instruction in musicianship, language, diction and interpretation.
 Assigned and prepared repertoire for UIL All-State Choral Competition and Texas State Solo and
Ensemble Contests (TSSEC).
 Organized and presented annual voice studio recital.
 Coached high school students auditioning for local music theater productions and competitions.
The University of Texas at Austin
2002–2003
Teaching Assistant, Voice and Opera Department
 Weekly individual one-hour voice lessons to male and female undergraduate non-music majors.
 Prepared all students for final public performance.
 Incorporated technology into the voice studio by creating email discussion group
focused on vocal technique and repertoire.
Private Voice Instructor, Durham, NC
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2000–2001
Maintained a private studio of adult students in the Duke University area.
Worked with students of diverse backgrounds and skill levels, choosing repertoire and
technical exercises tailored to individual needs.
PROFESSIONAL ACHIEVEMENTS
TEACHING
Judges’ Citation for Inspiration in Teaching
Artist Series Lecturer: “Funding Strategies for Performers”
The American Prize
Texoma NATS Conference
2014
2014
PERFORMANCE
CONCERTS AND RECITALS
Guest Artist Recital (N. Boulanger, Strozzi, P. Viardot)
Reich Music for Mallet Instruments, Voices and Organ
Saint-Saëns Christmas Oratorio
Berlioz Les nuits d’été/Barber Knoxville/Argento Six Elizabethan Songs
Achsah – Handel Joshua
Ashley H. Kraft Love While You May (song cycle premiere)
Scenes from Eugene Onegin
G. Bottesini & Amy Beach songs for sop./piano/double bass
Juliet’s Waltz and “Verrano a te” from Lucia di Lammermoor
Reich Music for 18 Musicians (Voice I)
Guest Artist – Faculty Recital (“Duets, Dancers and Double Bass”)
Noel Alford Lightener of the Stars
Boulanger Clairières dans le ciel
Rorem Ariel
Barber Hermit Songs/Larsen Try Me, Good King
Franz Liszt 200th Birthday Celebration Concert
Jalbert Icefield Sonnets
Poulenc Gloria
Copland “As it Fell Upon a Day”
Ticheli “Angels in the Architecture”
Purcell Come, Ye Sons of Art
Guest Artist Recital (Rossini, Rachmaninoff, H.L. Adams)
The University of Texas at Austin
2016
line upon line Percussion Ensemble (Austin, TX) 2016
San Gabriel Chorale (Georgetown, TX)
2015
The University of Texas at Austin
2015
San Gabriel Chorale
2015
Huston-Tillotson University (Austin, TX)
2015
Duke University Opera Gala
2014
BassFest, Texas Christian University
2014
Austin Civic Orchestra
2014
Fast Forward Austin Music Festival
2013
The University of Texas at Austin
2013
Austin Chamber Ensemble
2013
The University of Texas at Austin
2013
The University of Texas at Austin
2012
Southwestern University
2012
Bachus Center for the Performing Arts (Austin,TX)2011
New Music Ensemble, U.T. Austin
2010
Choral Arts Society, U.T. Austin
2010
Georgetown Festival of the Arts
2010
Southwestern University Wind Symphony
2010
Southwestern University Chorale
2009
Duke University
2008
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CONCERTS AND RECITALS (Continued)
Lowell Liebermann Struwwelpeterlieder
Gala Concert (Massenet, Verdi, DeLibes)
Gala Concert (Arne, Offenbach, Puccini)
H. Leslie Adams Art Song Recital, directed by Composer
Young Artist Recital (American Art Song)
National Federation of Music Clubs Young Artist Winners’ Recital
Beethoven Ninth Symphony
Beethoven Ninth Symphony (Soprano Solo Cover)
Little Women Preview Concert, directed by Mark Adamo
Spaces Concert (Mozart Repertoire)
Haydn Lord Nelson Mass
Fauré Requiem
Schubert Mass in G
Viola By Choice Chamber Music Ensemble
Opera in the Heights (Houston, TX)
Montgomery County Performing Arts Society
Lyric Opera Cleveland
Lyric Opera Cleveland
Austin Wednesday Morning Music Club
Valley Symphony Orchestra & Chorale (McAllen,TX)
The Austin Symphony
Lyric Opera Cleveland
Lyric Opera Cleveland
University United Methodist Church (Austin, TX)
University United Methodist Church
University United Methodist Church
2008
2007
2007
2006
2006
2006
2005
2005
2004
2004
2003
2003
2002
OPERATIC ROLES
Donna Elvira
Star
Konstanze
Mabel
Blonde (Cover)
Alinda
Donna Elvira
Don Giovanni
Waiting for the Barbarians (US Premiere)
Die Entführung aus dem Serail (German)
The Pirates of Penzance
Die Entführung aus dem Serail (English)
Giasone
Don Giovanni
Opera in the Heights (Houston, TX)
Austin Lyric Opera
Opera in the Heights
Lyric Opera Cleveland
Lyric Opera Cleveland
Aspen Opera Theater Center
The Living Opera (Richardson, TX)
2007
2007
2006
2006
2006
2005
2005
Mimi
Fourth Maid
Violetta
Amy (Cover), 1st Voice
Handmaiden
La Bohème
Elektra
La Traviata
Little Women
Turandot
Opera in the Heights
Austin Lyric Opera
Opera in the Heights
Lyric Opera Cleveland
Austin Lyric Opera
2005
2005
2004
2004
2003
AWARDS
 National Finalist, The American Prize, Professional Division / Art Song, 2013, 2014 and 2015
 Second Place Winner, National Federation of Music Clubs Biennial Young Artist Competition, 2005
 Voice Division Winner, Entergy Young Texas Artists Competition, 2005
 Finalist, Fielder Career Development Awards, Austin Wednesday Morning Music Club, 2006 & 2008
 Reba Kochersperger Award for Excellence, Opera in the Heights, 2006
 Recognition Award, Austin Wednesday Morning Music Club, 2003
 Austin Critics’ Table Award Nominee (for role of Adina in L’elisir d’amore), 2003
 Semi-Finalist, Center for Contemporary Opera International Opera Singers’ Competition, 2006
 Semi-Finalist, Opera Birmingham Competition, 2005
 Semi-Finalist, Orpheus Competition, Middle Tennessee State Choral Association, 2004, 2006
 Semi-Finalist, El Paso Opera Competition, 2003
CRITICAL ACCLAIM
"[In the American Premiere of Philip Glass’ Waiting for the Barbarians] In the supporting roles, Adrianna
Zabala (the Barbarian Girl), Dana Zenobi (Star) and Georgia Pickett (Cook), all shone." - Willard
Spiegelman, Opera News, April 2007
"Dana Zenobi's singing lends a throaty edge to Donna Elvira [in Mozart’s Don Giovanni], who pursues her
errant husband Giovanni like a fury for much of the proceedings. Her voice...soars to brilliance at its
heights." -Everett Evans, The Houston Chronicle, March 24, 2007
“Two segments stood out [In Mozart’s The Abduction from the Seraglio]. In Konstanze's great Act Two aria,
soprano Dana Zenobi caught fire and elevated her attractive…work into emotionally intense and technical
inspired singing. And in Act Three…Zenobi and tenor John Day found the key to impassioned singing about
pensive worry and deep longing.” – Charles Ward, The Houston Chronicle, November 12, 2006
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CRITICAL ACCLAIM (Continued)
“The chief vocal pleasure is Dana Zenobi, whose radiantly sung Mabel [in The Pirates of Penzance] sounds
like a healthy warm-up for Violetta. Her coloratura dazzles, and her phrasing is irresistible and melting.
Zenobi is a soprano to listen for.” – Donald Rosenberg, The Cleveland Plain Dealer, June 16, 2006
"Dana Zenobi's rather large soprano voice is very agile, and her intonation superb." -Kelly Ferjutz,
CoolCleveland.com, June 14, 2006
“As sickly flower-maker Mimi [in La Bohème], Dana Zenobi looks like a drawing by Ingres, and her voice is
just as inky: a deep, luscious soprano that spills out Puccini's achingly beautiful tunes with grace to spare.
There isn't a false move in her performance, either.” - Nancy Galeota-Wozny, D.L. Groover and Lee
Williams, The Houston Press, April 7, 2005
“[As Mimi in La Bohème] Zenobi’s voice was warm and her characterization intelligent.” – Charles Ward,
The Houston Chronicle, April 2, 2005
“[At the Entergy Young Texas Artists Competition] Zenobi offered "Ruhe sanft, mein holdes Leben," from
the rarely performed opera Zaide. Poised and joyful, her performance was elegant …and would win her the
First Prize.” - David Dow Bentley III, Houston Community Newspapers Online, March 12, 2005
“Zenobi had a good flair in the part [Violetta in La Traviata] — enough technique to make the showy stuff
effective…and a keen sense of the pathos of Violetta's demise.” -Charles Ward, The Houston Chronicle,
September 17, 2004
“Dana Zenobi shines as Adina [in The Elixir of Love], her neat, business-minded character not taken in by
anything the men throw at her, yet slowly revealing her affections for that young peasant boy.” - Robi
Polgar, The Austin Chronicle, November 1, 2002
“Dana Zenobi in the role of Creon’s wife [Eurydice in Carl Orff’s Antigonae] had good dramatic presence.” Michael Barnes, The Austin American Statesman, February 22, 2002
RECRUITING
Director, Sarofim Vocal Competition
2014, 2015
 Proposed, secured funding, and served as sole organizer for national competition for high
school singers.
 Publicized event effectively, including listings in YAP Tracker and Auditions Plus.
 Taught resume workshop and co-taught text expression workshop.
 Welcomed 27 singers and families from across Texas to campus (maximum registration
reached).
 All seniors involved in 2014 competition applied to Southwestern.
 Participant and parent feedback overwhelmingly positive.
Host School Faculty Contact, Classical Singer National Competition
2014, 2015
 Initiated contact with Classical Singer Competition staff and coordinated logistics for
Southwestern to serve as host school.
 Served as adjudicator.
 Event drew over 20 singers and several teachers/pianists to campus.
Recruiting Faculty Representative, Classical Singer National Convention
2014
 Proposed participation at National Convention and requested funding.
 Taught master class for high school and college students.
 Cultivated personal connections with prospective students from across the United States.
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PUBLICATIONS AND RECORDINGS
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Ashley H. Kraft’s Love While You May, recorded with Eileen Meyer-Russell, trombone, 2016 release
“Reflections on the 2011 Institute for Jaques Dalcroze Education,” Dalcroze Society of America
Journal, Fall/Winter 2011
Florilegium, Viola By Choice Chamber Ensemble, Released in 2010
STUDENT ACHIEVEMENTS (Undergraduate and High School Levels)
 Accepted to graduate programs at schools including Indiana University, The University of
Texas at Austin, University of North Texas and George Mason University.
 Received offers from summer programs including OperaWorks, Cincinnati CollegeConservatory of Music Summer Opera Studio, Opera Viva, Lingua e Canto, Boston
University Tanglewood Institute, Opera in the Ozarks, Opera NEO, Spotlight on Opera,
Festival of International Opera of the Americas, and the Franco-American Vocal Academy.
 Performed professionally with the Austin Opera Chorus and Ensemble Settecento (Austin
Baroque Orchestra).
 Earned awards from:
o The American Prize
 Career Encouragement Citations (Opera Division - 2014)
 Young Artist Citation (Art Song Division – 2015)
o National Association of Teachers of Singing
 National Finalist (Musical Theater)
 Texoma Region Semi-Finalists
 South Texas District Alice Dutcher Thornton Certificate of Honor
 South Texas District Winners, Finalists, and Semi-Finalists
o Hal Leonard Vocal Competition: Honorable Mentions
o Classical Singer National Competition: First Round Winner and Semi-Finalist
o San Antonio Tuesday Morning Musical Club Competition: Finalists
o Schmidt Youth Vocal Awards – Outstanding Sophomore Award
o Southwestern University Orchestra Concerto Competition Winners
COMMUNITY ENGAGEMENT
BELTÀ (Building Empowered Lives Through Art), Austin, TX
2009-Present
Founder, Executive Director
 Create administrative and operational framework for 501(c)(3) nonprofit organization.
 Develop mission statement, budget, bylaws, and all required documentation to
successfully establish federal tax exempt status and file annual tax reports.
 Establish working board of directors and recruit new board members as needed.
 Create and implement programming in response to feedback gathered from the fine
arts community.
 Collaborate with web designer to create, launch, and maintain website and effective
online presence.
 Spearhead development activities, including grant writing and donor relations.
 Cultivate relationships with community organizations that offer pro bono legal and
financial services.
 Recruit, supervise and mentor student interns (3-5 total).
 Secured over $22,000 worth of in-kind donations within the first year of operations.
 Over $45,000 in donations generated in 2014 fiscal year (LaunchPad program).
 Over 50 fine arts projects supported since 2010; artists include classical singers, instrumentalists,
choral ensembles, composers, chamber ensembles, solo instrumentalists, actors, stage
directors, and painters.
 Services reach both local Texas artists and those working in communities across the U.S.
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PROFESSIONAL ACTIVITIES
PERFORMANCE
CONCERTS AND RECITALS
Faculty Recital (Barber, Berlioz, Argento)
Guest Performer - Faculty Recital (Eileen Meyer-Russell)
George Biggs’ Watching for God at Dawn
Faculty Recital (“Duets, Dancers and Double Bass”)
Faculty Recital (Boulanger Clairières dans le ciel)
Guest Performer: 365 Days, 365 Plays by Suzan-Lori Parks
Faculty Recital (Barber Hermit Songs, Larsen Try Me, Good King)
Guest Artist on DMA Composition Recital (Justin Capps)
Bastrop County Wildfire Relief Benefit Concert
“Austin Flops Orchestra” Classical Parody Concert
DMA Recital (Larsen, Barber)
DMA Chamber Recital (Ravel, J. Lambert, Schubert, Falla)
Faculty Recital (Felix and Fanny Mendelssohn, Liszt)
Outdoor Concert Series (Verdi, J. Strauss, Mozart)
Southwestern University
Southwestern University
First Presbyterian Church (Georgetown, TX)
Southwestern University
Southwestern University
Southwestern University Theatre Department
Southwestern University
The University of Texas at Austin
Southwestern University
Esther’s Follies (Austin, TX)
The University of Texas at Austin
The University of Texas at Austin
Southwestern University
Triangle Opera Company (Durham, NC)
2015
2014
2013
2013
2013
2012
2012
2012
2011
2011
2011
2010
2010
2000
COMMUNITY ENGAGEMENT
Guest Speaker/Panelist
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Guest Speaker: Crowdfunding Your Project, Duke University Art of Performance Class, 2014
Guest Speaker: Upward Bound Program, East View High School, Georgetown, TX, 2013
Panelist: Choosing a Dissertation Topic, UT Austin Butler School of Music, 2012
Guest Lecturer: Research methods/acoustic analysis, vocal pedagogy class, UT Austin, 2011
Panelist: Negotiating the Academic Career Path, UT Austin College of Fine Arts Career Services,
2011
Guest Artists Hosted
 Jack Stevenson, Dalcroze-Eurythmics Diplome (Eurythmics and Solfege classes –
Collaboration with UT Austin and Southern Methodist Unversity), 2016
 Weston Hurt, baritone (Master class, Sarofim Vocal Competition Guest Judge), 2015
 Kara Cornell, mezzo-soprano (Master class, recital, lecture on new music performance), 2015
 Peter Kozma, stage director (Master class, character workshop with opera cast), 2014, 2015
 Marlissa Hudson, soprano (Master class, recital, lecture on entrepreneurship), 2014
Adjudicator
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Round Rock Independent School District Solo and Ensemble Competition, 2015
Fielder Career Development Grant Competition, Austin Wednesday Morning Music Club, 2015
National Association of Teachers of Singing, South Texas District Auditions, Spring 2015
Classical Singer National Vocal Competition, Round I, 2015
Texas State Solo and Ensemble Competition, 2014
National Association of Teachers of Singing, Texoma Regional Auditions, Fall 2014
National Association of Teachers of Singing Aspiring Artist Grant, 2013
National Association of Teachers of Singing, South Texas District Auditions, Spring 2013
National Association of Teachers of Singing, Texoma Regional Auditions, Fall 2013
Texas State Solo and Ensemble Competition, 2010
Round Rock Independent School District Solo and Ensemble Competition, 2010
Klein Independent School District Solo and Ensemble Festival, 2009
Austin Independent School District UIL Region Choir Competition, 2003-2009
Master Class Clinician
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Classical Singer National Convention, San Antonio, TX
Duke University, Durham, NC
Akins High School Choir Program, Austin, TX
The University of Alabama, Tuscaloosa, AL
Duke University, Durham, NC
2014
2014
2013
2013
2008
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Memberships and Affiliations

National Association of Teachers of Singing
o
Elected Secretary of South Texas Chapter, 2015
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Dalcroze Society of America

Repatterning Practitioners’ Association

Big Brothers Big Sisters of Central Texas (2002-2012)
ADVANCED PERFORMANCE TRAINING AND PROFESSIONAL CONTACTS
YOUNG ARTIST POSITIONS
Apprentice Artist Program, Lyric Opera Cleveland, Summer 2004; Summer 2006
Aspen Opera Theater Center, Summer 2005
Rising Star Singers Audition Works, Summer 2003 (Cincinnati College-Conservatory of Music Faculty)
Opera in the Ozarks Summer Festival, 2003
Austrian American Mozart Academy, 2002
MASTER CLASS PERFORMANCES
Elizabeth Heinz, Aspen Opera Theater Center, 2005
James Lowe, Lyric Opera Cleveland, 2004
David Bamberger, Lyric Opera Cleveland, 2004
Dawn Upshaw, The University of Texas at Austin, 2002
William Stone, University of North Carolina at Greensboro, 1999
OPERATIC ROLES (PERFORMED AS YOUNG ARTIST / STUDENT)
Donna Anna
Donna Elvira
Adina
Konstanze
Foreign Woman
Susanna
Don Giovanni (English)
Don Giovanni (Italian)
L’Elisir d’Amore (English)
Die Entführung aus dem Serail (German)
The Consul
Le Nozze di Figaro (English)
University of Texas at Austin
Opera in the Ozarks (Eureka Springs, AR)
University of Texas at Austin
Austrian American Mozart Academy (Austin, TX)
University of Texas at Austin
Duke University, Durham, NC
SELECTED OPERATIC SCENES (PERFORMED AS YOUNG ARTIST / STUDENT)
Mimi
La Bohème
Act III quartet
Aspen Opera Theater Center
Violetta
La Traviata
Act II Sc. I (Italian)
Lyric Opera Cleveland
Female Chorus The Rape of Lucretia
Act I Sc I
Lyric Opera Cleveland
Violetta
La Traviata
Act I Sc. I “libiamo” (Italian)
Austin Lyric Opera Gala
Lucia
Lucia di Lammermoor
Act II Sextet (Italian)
Texas State University Opera Gala
Manon
Manon
Act V Death Scene (French)
University of Texas at Austin
Madame Mao Nixon in China
Act III “We saw our parents…” Opera in the Ozarks
Antonia
Les Contes d’Hoffmann
Act III (Antonia) Trio (French)
University of Texas at Austin
Rosalinda
Die Fledermaus
Watch Duet, Act II (German)
UT Austin, Duke University
Musetta
La Bohème
Act III (English)
Duke University Opera Theater
Baby Doe
The Ballad of Baby Doe
Act I
Duke University Opera Theater
Pamina
Die Zauberflöte
Act II, Aria & Finale (English)
Duke University Opera Theater
SCHOLARSHIPS
Dalcroze Society of America Scholarship, 2011
Sarah and Ernest Butler Scholarship, The University of Texas at Austin Opera Program, 2001-2003
William Dente Memorial Scholarship, The University of Texas at Austin Opera Program, 2001-2003
ARTIST MANAGEMENT
Catherine Sidoti, Aeolian Artists International Management, 2006-2008
244 Fifth Avenue Second Floor J234, New York, NY 10001
212-252-2648, [email protected], www.aeolianartists.com
2003
2003
2002
2002
2002
1999
2005
2004
2004
2004
2004
2003
2003
2003
2002, 2000
2001
1998
1997
Dana Zenobi, Page 8 of 8
VOICE TEACHERS ♦ Gioacchino (Jack) LiVigni, 2014-present ♦ Darlene Wiley, 2010 - 2014 ♦ Irene
Gubrud, 2005 – Present (NY Area) ♦ Juli Wood, 2003-2005 ♦ Barbara Honn, Summer 2003 ♦ Martha
Deatherage, 2001-2003 ♦ Susan Dunn, 1997-2001
STAGE DIRECTORS ♦ Mark Adamo /Lyric Opera Cleveland ♦ Linda Ade Brand /Opera in the Ozarks ♦
Edward Berkeley/Aspen Opera Theater Center ♦ Ken Cazan /Austin Lyric Opera ♦ Michael Chadwick /The
Living Opera ♦ Robert DeSimone/The University of Texas Opera Theater ♦ Pat Diamond/Aspen Opera
Theater ♦ Susan Dunn/Duke University Opera Theater ♦ Jonathon Field/Lyric Opera Cleveland ♦ Lynda
McKnight/Opera in the Heights ♦ Guy Montavon/Austin Lyric Opera ♦ Fred Reeder /Lyric Opera Cleveland ♦
Leslie Swackhammer/Opera in the Heights
CONDUCTORS ♦ Peter Bay ♦ Harry Bicket ♦ Richard Buckley ♦Thomas Cockrell ♦ Marc Erck ♦ Gottfried
Hellmundt ♦ Chris Fecteau ♦ James Lowe ♦ James Morrow ♦ David Neely ♦ Kevin Noe ♦ Stuart Raleigh
♦Steven Smith ♦ Scott Tilley ♦ William Weibel ♦ Dan Welcher
COACHES ♦ Shirley Bolen ♦ Keith Chambers ♦ Eugene Cline ♦ Leesa Dahl ♦ Dale Dietert ♦ Chuck Dillard ♦
Mary Dunleavy ♦ Jocelyn Dueck ♦ Hank Hammett ♦ David Heid ♦ William Hobbs ♦ Gina Lapinski ♦ Elden
Little ♦ Ben Terry Lusk ♦ Kristine McIntyre ♦ Sylvia Plyler ♦ Charles Riecker ♦ Elaine Rinaldi ♦