here - David W. Bandy

Transcription

here - David W. Bandy
 MUSIC EDUCATION IN HAWAIʻI AND THE HAWAIʻI MUSIC EDUCATORS
ASSOCIATION
A pictorial timeline of cultural, social, and educational events throughout the history of
Hawaiʻi relating to music education - Presented by David W. Bandy
University of Hawaiʻi at Mānoa
February 15 – 16, 2014
NOTES:
The different pages included within this complete pdf file were a part of a unique handson audio-visual poster presentation at the 2014 Hawaiʻi Music Educators Conference at
the University of Hawaiʻi at Mānoa. Due to the nature of the presentation, the pages
within this file are combined with both landscape and portrait orientations. Please also
be aware that the two pages that comprise the “poster” portion of the presentation are
set up to print at 56” in length by 36” in height. All other pages are standard 8.5” by 11”.
I have included all signage that was used with the presentation as well. The only
portions of the presentation that could not be included within this pdf file are the
historical documents that were on display at the conference, and of course, the actual
mp3 recordings, which were re-mastered from the original 1968 33-1/3 L.P. vinyl
records that were produced for the HMEA All-State Honor Orchestra, Choir, and Band.
The entire presentation has been saved for future reference. If you should have a desire
to show the presentation at your school or organization, please feel free to contact me
at [email protected].
Mahalo nui loa.
A pictorial timeline of cultural, social, and educational
events throughout the history of Hawaiʻi relating to music
education - Presented by David W. Bandy,
University of Hawaiʻi at Mānoa
February 15 – 16, 2014
PRE-WESTERN
CONTACT
PRE-MISSIONARY:
1778 - 1820
KINGDOM OF HAWAIʻI (MISSIONARY PERIOD) - OVERTHROW/PROVISSIONAL GOVERNMENT - REPUBLIC OF HAWAIʻI:
1820 - 1898
The basic form of musical expression in preEuropean Hawaiʻi was
chant. “The chant or
mele of Hawaiʻi is the
single most important
cultural expression belonging to Hawaiians.
In function and interpretation it represents
the inexplicable mysteries of the deepest
levels of physical and
spiritual union in
humankind and our
relationship to nature.
It represents the prehistorical and historical
events linking past
with present” (George
S. Kanahele, 1979).
1778: Captain James Cook
“discovers” the Sandwich
Islands and the gates are
opened for shipping routes
from beyond & new
musical sounds. - 1810:
Kamehameha I, also
known as Kamehameha
the Great, conquered the
Hawaiian Islands and
formally established the
Kingdom of Hawaiʻi. - 1819:
Kamehameha II discredited
the gods, over-turned the
ancient kapu system and
ordered the destruction of
temples and images. Less
than a year after
overturning the kapu,
Protestant missionaries
arrived from New England
and gradually established a
foothold for Christianity. 1820: The first Christian Missionaries arrive in Hawaiʻi from Boston. 1823: The first hymnal in the Hawaiian language was printed, and the first common schools began.
1836: King Kamehameha III establishes “The Kings Band.” 1839-40: The Chiefs Children’s School began, then Common schools were unified and students were all taught
to read (in Hawaiian), math, geography, and singing.
“School music has been more or less a part of the school curriculum in Hawaii ever since the missionaries established the mission schools during the latter part of the third
decade of the nineteenth century. The missionaries came from New England where singing schools were well known, and the establishment of singing schools in
connection with the mission schools was no surprise. For the most part, the singing schools met in the afternoon and followed instruction in the academic subjects. The
chief purpose was to teach hymns for congregational singing, but the activities were soon extended to include some instruction in music theory. For this purpose, music
theory was written in Hawaiian and printed in the front part of the hymn books. The Hawaiians were not only taught to read music and to sing hymns; some were trained to
assist in the mission schools. In fact, some became better music teachers than their mentors. They arranged exhibitions at examination time, exhibitions in which they
displayed creative talent. We might say these exhibitions were to them what our music festivals are to us. As is true today, in some mission schools music did not fare as
well as it did in others. The work seemed to go best in the districts under the jurisdiction of Reverend Lorenzo Lyons (Kawaihae and Hamakua on the Big Island). In some
other places progress was slow and results discouraging” (Dorothy M. Kahananui, 1967).
As the population grew, so did the number of schools and the education of music within the schools.
1872: Captain Henry Berger arrived from Prussia on June 3 to assume leadership of His Hawaiian Majesty’s Band. Berger became an iconic figure in the community and
also begins teaching singing, writing and composing music, and begins instrumental music in many schools, including the first band later at the Kamehameha School.
Last half-century – Na Lani ʻEhā: Named by the Hawaiian community not only for their musical abilities, but for their patronage in support of Hawaiʻi’s musical culture, the
Royal Composers, David Kalākaua, his sisters Lydia Kamakaʻeha Paki (Liliʻuokalani), Miriam Likelike, and brother William Pitt Leleiohoku, the youngest, are credited with
the vitality and rich musical environment enjoyed by all Hawaiians during the last half of the 1800s. Were it not for the dynamic cultural leadership and personal
contributions of Na Lani ‘Ehā (The Royal Four) in encouraging and supporting aspiring composers, singers, instrumentalists, dancers, chanters and poets, Hawaiʻi’s
significant musical contributions to the world might never have happened (http://www.hawaiimusicmuseum.org/).
TERRITORY – STATEHOOD:
1898 – 1959
1898: Hawaiʻi is annexed to the United States of America. 1923:
From 1923 through the war years (WW II), Dorothy M. Kahananui
was the major influence on music education in the state (territory).
It was her leadership that helped bring the UHM Music Department
to its present level of excellence. Late 1920s: Oʻahu Island had 3
Music Supervisors – other islands each had 1. With the
depression, all were removed. 1934: Dorothy M. Kahananui serves
as “Territorial Chairperson” for Hawaiʻi, but no HMEA organization
has been formed at that time. Late 1930s: First annual Oʻahu
School Music Festival held at McKinley HS. World War II Years:
“HMEA” went inactive. 1947: The Lions Club sponsored a
scholarship to send a music student from Hawaiʻi to the famous
Interlochen Summer Music Camp. 1948: First Annual “Reactivated” HMEA Music Festival held. 1949: HMEA first begins an
official affiliation with MENC (through California). May 14, 1949:
HMEA Massed Band at Andrew’s Outdoor Theater as seen on the
cover of the Music Educators Journal & the 1949 festival planners
with Dorothy Kahananui and Norman Rian on the right end. Emma
Lue Drake announced as the new President for HMEA. 1950s:
Yearly music festivals were sponsored, curriculum guides were
organized and coordinated with school officials, as well as summer
music camps. 1957: Dorothy Gillett invited to present at the MENC
Northwest Regional Conference where she conducts workshops
on Hawaiian music and hula. 1958: UH Concert Choir tours Japan. STATEHOOD - PRESENT:
1959 – 2014
1959: The new “modern” UH Music Department opens. 1961: The first Leka Nū Hou was published – State Legislature votes to re-activate the State
Director of Music position (w/ a staff of 6), and 9 additional music teachers at the elementary school level - UH MENC Student Chapter is founded –
Dr. Ricardo Trimillos presents at the MENC National Conference - Richard S. Lum elected as the new HMEA President. 1963: HMEA gives 5
scholarships to students who will be music education majors at UH – the first meeting of the Hawaiʻi American String Teachers Association (ASTA)
was held. 1964: Leon Burton becomes President of HMEA – HMEA holds its first annual All-Day Music Workshop (the predecessor of the now 2-day
conference). 1965: The first time that students from Hawaiʻi were chosen to perform in the All-Conference ensembles at the MENC Western Division
Conference, held in Long Beach, California – Dr. Paul Bodegraven (National President of MENC) conducted HMEA honor groups. 1966: HMEA AllDay Music Workshop has more than 500 people in attendance. 1967: The First Annual 2-day HMEA State Conference on Music Education is held at
McKinley HS – Dorothy Gillett nominated for Western Division MENC President – McKinley HS Band became the first Hawaiʻi student performance
ensemble to participate in a MENC Conference (Las Vegas, Nevada) – Tanglewood Symposium held. 1968: The Hawaiʻi Music Curriculum Project
begins with Leon Burton. 1969: Hawaiʻi hosted the MENC Western Regional Conference at Waikīkī – Following the conference, Dorothy Gillett
begins her term as HMEA President. 1973: Carmen Dragon (Los Angeles Philharmonic) conducted the HMEA All-State Orchestra. 1974: Kalani HS
Wind Ensemble performed the opening concert at the Mid-East Music Conference in Pittsburgh, PA. – HMEA membership numbers outgrow
associations in Delaware, Alaska, Nevada, Puerto Rico, Guam, & the Virgin Islands. 1975: Richard S. Lum once again serves as the HMEA
President. 1980s: The first time that the Leka is edited by an HMEA member who was not from the island of Oʻahu. 1985: Harold Higa assumes the
role of HMEA President. 1986: Lynn Yanagihara from ʻIolani School organizes the HMEA State Conference. 1987: Largest state ensemble
enrollments went to; Pearl City HS Band @ 313, Wheeler Intermediate Band @ 338, Kapaʻa Intermediate/HS Choir @ 197, and Moanalua
Intermediate Orchestra @ 56. 1993: The “Music Building 1” of the University of Hawaiʻi at Mānoa campus is named and dedicated in the honor of
Dorothy M. Kahananui. 1996: Teresa McCreary organizes a large membership drive to help advocacy efforts for school music education throughout
Hawaiʻi. 1997: Andre Libed appointed the Department of Education Music Specialist for the DOE. 2008-2009: CMENC at UHM reaches highest
membership level. 2014: HMEA Conference held with Nancy Ditmer, Ellen Kirkbride, David Frego, and many others presenting.
HMEA PRESIDENTS THROUGHOUT HISTORY
Aiwohi, Naomi
Ballou, Richard
Burton, Leon
DeMello, Wayne
Drake, Emma Lue
Ford, Max
Gillett, Dorothy K.
Greenberg, Marvin
Harvey, Arthur
Higa, Harold
Higgins, Charles
Kahananui, Dorothy
Leong, Boniface
Lippert, Amanda
Loong, Chet-Yeng
Lum, Richard S.
McCreary, Teresa
McLain, Barbara
Miyamoto, Karen A.
Noble, Dale
Oshiro, Ralph
Rian, Norman
Springer, Robert
Uale, Beth
Uchima, Floyd
Villasurda, Gabriel
Hawaiʻi Music Educators Association
Twenty-First Annual Music Festival – 1968
Select Intermediate Orchestra: Daniel Lewis, Conductor
_PROGRAM_
Concerto Grosse Op. 6 No 10
Preludia, Allemanda, Adagio-Corrente
Pizzicato Polka
Corelli
J. Strauss
SELECT INTERMEDIATE ORCHESTRA MEMBERS
1st VIOLIN
Ernestine Ariyoshi (Niu Valley), Cheryl Beers (Niu Valley),
Sam Kunimura (Niu Valley), Leland Lee (Kaimuki), Cherene
Lindley (Stevenson), Marcia Ogata (Stevenson), Mary Ann
Pultz (Punahou), Caroline Ralston (Punahou), Gaye Rathburn
(Punahou), Pamela Scheider (Punahou), Diane Shimabukuro
(Kaimuki), Robert Shinodo (Niu Valley), Dorothy Tanaka (Niu
Valley), June Uyehara (Niu Valley), Harold Pakele (Kaimuki),
2nd VIOLIN
Steven Azuma (Kaimuki), Neil Ishida (Kaimuki), Lani
Kaneshiro (Niu Valley), Clayton Lee (Kaimuki), Beverly Mau
(Kaimuki), Cynthia Mau (Kaimuki), Dalton Tanonaka (Kaimuki),
Liane Tsuya (Kaimuki), Iris Uramoto (Kaimuki), Fumiko
Wellington (Punahou), Diane Wong (Punahou), Lorinda Wong
(Punahou)
VIOLA
Malia Ana (Punahou), Deborah Aratani (Kaimuki), Peter Chock
(Punahou), Ronald Chun (Kamehameha), Vernon Endo
(Punahou), Stephanie Fitzpatrick (Punahou), Pauline Kamite
(Niu Valley), Derrick Morikawa (Punahou), Eunice Murasaki
(Kaimuki), Ada Tanaka (Niu Valley)
CELLO
Linda Akamine (Punahou), Lisa Gilbert (Punahou), Susan
Groom (Punahou), Carol Higa (Kaimuki), Laura Ing (Punahou),
Lorene Lindley (Stevenson), Martha Mesrobian (Punahou),
Susan Nakamura (Kaimuki), Yoko Okumura (Punahou),
Ronald Wo (Punahou), Helena Yee (Punahou),
BASS
William Abbley (Kaimuki), Aaron Mahi (Kamehameha), Laurel
Tappe (Niu Valley)
Hawaiʻi Music Educators Association
Twenty-First Annual Music Festival – 1968
Select Intermediate Band: Fred Schroeder, Conductor
_PROGRAM_
Amparito Roca
Jaime Texidor
English Folk Song Suite
Ralph Vaughn Williams
1. March "Seventeen Come Sunday"
2. Intermezzo "My Bonnie Boy"
3. March "Folk Songs from Somerset"
SELECT INTERMEDIATE BAND MEMBERS
(Washington), Louise Seymour (Kalani), Steven Shiraki
(Central), Michael Sorakubo (Washington), Joycelyn
Takahashi (Kaimuki), Glenn Tomita (Central), Mark Yoshida
(Washington), Thomas Toyama (Washington), Roland Uchida
(Leilehua), Asa Williams (Kaimuki), Jordan Wong (Iolani),
Dinah Yafuso (Washington), Wendy Yamachika (Central),
Lowell Young (St. Louis), Amy Yuen (Central)
Eb CLARINET
Randa Banks (Castle)
FLUTE
Lorna Ching (Kaimuki), Dancetta Feary (Kaimuki), Abby
Furniss (Punahou), Sandra Hasegawa (Kaimuki), Annette
lrinaka (Niu Valley), Ann lwai (Kaimuki), Cheryl Matsudo
(Central), Joyce Matsukawa (Kaimuki), Rene Nagamatsu
(Kaimuki), Pattie 0naga (Niu Valley), Judy Segawa (Kaimuki),
Dawn Suzuki (Kaimuki), Susan Tasaki (Washington)
ALTO CLARINET
Randall Obata (Kawananakoa), Joan Otsu (Castle), Ralph
Uchida (Leilehua)
OBOE
Barbara Baker (Niu Valley), Leon Burton (Washington), Ronald
Kodama (Kaimuki), Brian Masuda (Kaimuki)
BASSOON
Lisa Archuletta (Castle), Joseph Chang (St. Louis)
Bb CLARINET
Wendall Awada (Iolani), Joseph Danao (Dole), Claudia Gabor
(Castle), Valerie Hoshino (Kaimuki), Carnation I (Central),
Kenneth Ishimine (Niu Valley), Robert Kanemoto (Iolani), Peter
Kawamoto (Kawananakoa), Roy Kuga (Kawananakoa), Kim
Lorch (Punahou), Richard Maeda (Dole), Brian Nakagawa
(Kaimuki), Diana Nakaoka (Central), Ada Lynn Nemoto
(Kaimuki), Bert Nishihara (Kaimuki), Keith Nishimura
BASS CLARINET
Julei Alejo (St. Louis), Pamela Matsukawa (Castle), Alan
Takano (Kaimuki)
ALTO SAXOPHONE
Paul Jordan (Washington), George Mansho (Iolani), Ian Onaga
(Kalani), Craig Tanno (Dole), Roy Yamamoto (Kaimuki), Glenn
Yamashiro (Central)
TENOR SAXOPHONE
Robert Hornos (Central), Wayne Miyashiro (Castle), Luis
Segovia (Central)
Hawaiʻi Music Educators Association
Twenty-First Annual Music Festival – 1968
BARITONE SAXOPHONE
Lyle Chee (Iolani), Glen Kuniyuki (Dole)
Morgan (Kamehameha), Lane Muraoka (Washington), Dale
Nishikawa (Iolani), Glenn Taniguchi (Washington)
TRUMPET
Dale Howard (Castle), Paul Kanaya (Washington), Richard
Kawamura (Washington), Dennis Kim (St. Louis), Patrick
McMillin (Aliamanu), Gen Miyashiro (Washington), Russell
Morita (Washington), Calvin Nagato (Central), Wayne Oshiro
(Kaimuki), Clark Silva (Central), Samsor Sugiyama (Castle),
David Tanaka (Kaimuki), Don Tsuha (Kawananakoa), Kenneth
Yamato (Kaimuki), Ross Yokoyama (Iolani),
BARITONE
Randall Ide (Kaimuki), Herman Lum (Castle), Glenn Miyamoto
(Washington), Miles Uyeda (Kaimuki)
FRENCH HORN
Joan Arakaki (Central), Paula Bilsland (Castle), Keith
Kagamida (Kaimuki), Ryan Hotoke (Kawananakoa), Clayton
Ichikawa (Kaimuki), Barry Matsumoto (Castle), Anthony
Wunsch (Kaimuki), Benton You (Central)
PERCUSSION
Randall Isaki (Washington), Stephen Manke (Kaimuki), Doreen
Nakamura (Washington), Scott Osaki (Washington), Dean
Patterson (Kaimuki), Bruce Wong (Kaimuki)
TROMBONE
Warren Ikei (Castle), Bert Kato (Kaimuki), Clayton Koseki
(Kaimuki), Gerald Lam (Kaimuki), Gary Lum (Iolani), Don
BASS
Herbert Lau (Kaimuki), Arthur Lee (Iolani), Edward Nishimura
(Kaimuki), Val Sakamoto (Castle), Richard Sakoda
(Washington), Francis Tanji (Leilehua)
Hawaiʻi Music Educators Association
Twenty-First Annual Music Festival – 1968
Select High School Choir: Weston Noble, Conductor
_PROGRAM_
Gloria
Franz Schubert
Lo, My Shepherd is Divine
Arranged from the Mass in G
Franz Joseph Haydn
Of the Father's Love Begotten
Wilbur Chenowith
Based on a 13th Century Plain Song
Book of The Dove
Robert G. Olson
Adaptation of a Belorussian Folk Tune
Glorify The Lord With Me, from Psalm 34
Great Day, Negro Spiritual
Jean Berger
Arranged by Warren Martin
SELECT HIGH SCHOOL CHOIR MEMBERS
SOPRANO
Louise Ballam (Punahou), Marcella Barcelona (Waianae),
Mary Barrett (McKinley), Charlene Batonqbacal
(Kamehameha), Kathy Bishop (Punahou), Patricia Furniss
(Punahou), Joan Hathaway (Punahou), Johnette Keawehawaii
(Farrington), Linda Masui (Roosevelt), Christine Plouffe
(Leilehua), Sharon Porter (Leilehua), Veronne Reney
(Leilehua), K. Schottleutner (Leilehua), Peggy Seladis
(Waianae), April Suan (Aiea), Sandi Suzuki (Punahou), Carol
Willis (Radford)
ALTO
Mary A. Alexander (Punahou), Betsy Bushong (Punahou),
Linda Bushong (Punahou), Christine Carter (Leilehua), A. Dela
Cuesta (Leilehua), Anna Horne (Punahou), Beverly lnere
(Farrington), Sharon Kaaihue (Kamehameha), Merrille
Kahiamoe Leilehua), Lee Martindale (Leilehua), Judy
Musgrove (Leilehua), Antoinette Na-o (Aiea), Marqaret Ormita
(Aiea), Diane Spencer (Roosevelt), Mary Taufaasau
(Waianae), Sharman Thompson (Kamehameha), Gretchen
West (Punahou), Michelle Wong (Kamehameha), Gwen Yee
(Kalani)
TENOR
Benjamin Abadilla (McKinley), Leonard Cagata (Waianae), Leo
Cullen (Kamehameha), Kekua Fernandes (Kaimuki), Davis
Goldstein (Kamehameha), Revelution Kalauli (Roosevelt),
Samuel Keliikuli (Aiea), Darrell Lupenui (Aiea), Clarence
Palenapa (Roosevelt), Randy Rabino (Leilehua), Julian Dela
Cruz (Farrington), William Kahau (Roosevelt), Joseph Paahau
(Waianae), Harry Palmer (Roosevelt), Lionel Patton (Leilehua),
John Saito (Punahou)
BASS
Michael Ambrosio (Leilehua), Henry Cozo (Leilehua), Joe
Deese (Kalani), Alexander Kalauli (Roosevelt), Garrison Kepa
(Kamehameha), Louie Kauo (Roosevelt), Merwyn Lee (Aiea),
Bertle MacDonald (Waianae), Stephen McKinley (Punahou),
Moses Miranda (Waianae), Walter Nakamura (McKinley),
Joshua Na-o (Aiea), Nyle Nevis (Campbell), William Nihi
(Roosevelt), Wayne Yakuma (Iolani)
1968 HMEA SELECT BAND RECORDING
The instructions on how to use the mp3 player at this station are seen
below. Please do not attempt to move the player device, as they are
affixed to the table. Please follow each step seen below, and in order
to help save power, please turn the device off when you are finished.
Mahalo.
1968 HMEA SELECT CHOIR RECORDING
The instructions on how to use the mp3 player at this station are seen
below. Please do not attempt to move the player device, as they are
affixed to the table. Please follow each step seen below, and in order
to help save power, please turn the device off when you are finished.
Mahalo.
1968 HMEA SELECT ORCHESTRA RECORDING
The instructions on how to use the mp3 player at this station
are seen below. Please do not attempt to move the player device, as
they are affixed to the table. Please follow each step seen below, and
in order to help save power, please turn the device off when you are
finished. Mahalo.
PLEASE DO NOT REMOVE THIS DOCUMENT FROM THIS LOCATION. MAHALO.
Hand typed/written manuscript by Dorothy M. Kahananui, 1946.
PLEASE DO NOT REMOVE THIS DOCUMENT FROM THIS LOCATION. MAHALO.
Reproduced copy of “A Brief Outline of Music Reading Procedure in the Primary Grades”
by Dorothy M. Kahananui, 1938.
PLEASE DO NOT REMOVE THIS DOCUMENT FROM THIS LOCATION. MAHALO.
Original pamphlet of the HMEA Music Teachers’ Directory, 1965-1966.
PLEASE DO NOT REMOVE THIS DOCUMENT FROM THIS LOCATION. MAHALO.
Original pamphlet of the HMEA Music Teachers’ Directory, 1975 - 1976. Do you recognize any names on p. 33?
PLEASE DO NOT REMOVE THIS DOCUMENT FROM THIS LOCATION. MAHALO.
Original HMEA All-State Band-Chorus-Orchestra Concert Program , 1971.
PLEASE DO NOT REMOVE THIS DOCUMENT FROM THIS LOCATION. MAHALO.
Original Hand-Typed Article by Dorothy K. Gillett, year unknown.
PLEASE DO NOT REMOVE THIS DOCUMENT FROM THIS LOCATION. MAHALO.
Original Souvenir Program of the HMEA 10th Annual Music Festival, 1957.
PLEASE DO NOT REMOVE THIS DOCUMENT FROM THIS LOCATION. MAHALO.
Original Leka Nuhou (Leka Nū Hou), 1969.
LISTENING STATIONS
LISTENING STATIONS
MUSIC EDUCATION IN HAWAIʻI
A unique hands-on audio-visual
poster presentation by
David W. Bandy
Aloha, and welcome to Music Education in
Hawaiʻi. Due to the nature of this presentation,
there are no hard copies available today. A
digital copy will be available online as of
Tuesday morning, February 18, 2014. For
information regarding how to download a copy
for yourself, please take one of the pass-outs
from this stand. Mahalo.
èèèèèè “MUSIC EDUCATION IN
HAWAIʻI”
“MUSIC EDUCATION IN
HAWAIʻI”
A unique hands-on audio-visual
poster presentation by
David W. Bandy
A unique hands-on audio-visual
poster presentation by
David W. Bandy
Due to the nature of this
presentation, there are no hard copies
available today. A digital copy will be
available online as of Tuesday morning,
February 18, 2014.
Due to the nature of this
presentation, there are no hard copies
available today. A digital copy will be
available online as of Tuesday morning,
February 18, 2014.
You may locate the poster presentation
at:
You may locate the poster presentation
at:
http://www.davidwbandy.com/publication
s-presentations-.html
http://www.davidwbandy.com/publication
s-presentations-.html
The presentation will be available to
download in pdf format. Mahalo.
The presentation will be available to
download in pdf format. Mahalo.
♪ ♪