Bulletin of Faculty of Music – University of Arts in Belgrade EVENTS

Transcription

Bulletin of Faculty of Music – University of Arts in Belgrade
o
Belgrade, June 2011
N 5
Year II
March – May 2011
EVENTS/CELEBRATIONS/JUBILEES
DAY OF STUDENTS
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Day of students was celebrated on April 4 2011 at the FoM Grand Hall when the awards from the funds were
handed.
• Marija Dumnid and Ivana Ljubinkovid got the award from Aleksandar Đorđevid fund (the best student at the
ethnomusicology study program)
• Jelena Bankovid, class of professor Aneta Ilid, got the award from Anita Mezetova fund (student who graduated
with the highest average grade in the course of studies at singing study program).
• Ivana Petrovid, class of professor Nikola Kitanovski, got the award from Biserka Cvejid fund (for success at
competitions and opera plays)
• Stojan Krkuleski, class of professor Ante Grgin, got the award from Branislava i Jakov Srejovid fund (the highest level
of performance at the graduate exam at wind instruments study program)
• Jovana Čurovid, class of associate professor Višnja Pavlovid Drakulid, got the award from Jelena Mihailovid fund ( the
best student at singing study program)
• Vanja Đorđevid, class of professor Ljubiša Jovanovid, got the award from Bruno Brun fund (best success in
completing postgraduate studies at brass instruments study program)
• Nataša Đikanovid, class of professor Ljudmila Popovid got the award from Danica Mastilovid fund (the best and the
most promising student at singing study program)
• Ljubica Stojanovid, class of professor Aleksandar Šandorov got the award from Emil Hajek fund (the most promising
young pianists)
• Stanko Simid, class of professor Lidija Stankovid got the award from Slobodanka Miloševid Savid fund (the best
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success at 4 year of piano study program and best success at the main subject)
• Katarina Anđelkovid, class of assistant professor Nenad Radid, got the award from Olga Mihailovid fund (the most
talented student at piano study program)
• Dragana Sredojevid, class of professor Marija Jokanovid , got the award from Miodrag Macid – Mišo fund (the best
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success at the main subject at 2 year of string instruments study program)
• Jelena Matovid, class of associate professor Gordana Matijevid Nedeljkovid got the award from Merima Dragutinovid
fund (student who graduated with the best success at violin study program of string instruments study program)
• Miloš Čorlija, class of professor Marija Jokanovid, got the award from Meri Žeželj Majer (the best student at violin
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study program at 3 year of concert course)
• Dušica Blaženovid, class of professor Marija Jokanovid, got the award from Marija Mihailovid fund (the best student
at the postgraduate studies of string instruments study program)
• Miljana Ivankovid, class of associate professor Dejan Stošid, got the award from Jelena Pavlovid fund (the best
graduate student at piano study program)
• Stefan Cvetkovid got the award from Vlastimir Peričid fund (success accomplished during the studies and an
extraordinary success at the graduate exam at the musicology study program)
The concert was held within this official ceremony. Academic choir Collegium musicum led by assistant Dragana
Jovanovid opened the concert singing the anthem Gaudeamus igitur. Miloš Čorlija (violin) and Sara Vujadinovid (piano
accompaniment) played Beethoven’s sonata for violin in C sharp major, Ivana Petrovid (soprano) and Milivoje Veljid
(piano accompaniment) performed aria Odabella from Verdi’s opera Attila and Ljubica Stojanovid (piano) played
Alborada del Gracioso from Ravel’s Miroirs.
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EPARM INTERNATIONAL CONFERENCE
Faculty of Music hosted the international conference of
the European Platform for Artistic Research in Music
(EPARM) - Sounds, Searchings, Sharings: Towards a Common Platform for the Development and Dissemination of
Artistic Research in Music (April 8-10, 2011).
Artistic Research is one of the newest concepts, and
currently one of the most vigorous areas of
development, in European Higher Music Education. Still
controversial in some quarters, it has been eagerly seized
upon in others and many institutions are now offering
‘Artistic Doctorates’ and establishing frameworks
through which their teachers may be encouraged to
develop their artistic practice within a research-oriented
context. Students of the artistic doctoral studies from
Belgium, Italy, Germany, France, Switzerland, Sweden,
Serbia as well as the directors of the institutions where
the ‘Artistic Doctorates’ has already been establish
shared their experience on this subject. Mr. Jeremy Cox,
chief executive of the Association Européenne des
Conservatoires (AEC) gave his opinion on this subject.
There was a wide range of topics that were discussed
from various aspects – performing, compositional and
pedagogical. Main goal of this conference was initiation
of the dialog, interaction and creation of the basis for a
mutual understanding of the polarized approaches within
the given issue.
A small concert was held within this conference
when, among others, French pianist Alain Roudier
performed on a Conrad Graf fortepiano piano from 1828.
Rector of the University of Arts, professor Ljiljana
Mrkid Popovid, PhD, Pascale de Groote, president of the
AEC and Dean of the Faculty of Music professor Dubravka
Jovifid, PhD opened EPARM conference. This conference
geathered representatives from 23 European countries
and 118 participants. Representatives of the diplomatic
core were present at the opening ceremony and the
concert, making this event ever more special.
Association Européenne des Conservatoires and
Ministry of Education and Science of the Republic of
Serbia contributed to the organization of this conference.
The following participants presented their works at the
EPARM conference:
• Bart Vanhecke, docARTES and ORCiM, Orpheus
Institute, Ghent (Systematising dissonance, atonality,
and amotivity in serial composition),
• Nikodemus Gollnau, Staatliche Hochschule für Musik
und darstellende Kunst, Stuttgart (The Fibonnaci Series
and Musical Form),
• Georg Schulz, Rector of the University of Music and
Performing Arts Graz – KUG (Artistic Research – a
Rector’s institutional perspective),
• Nicolas Deletaille, Faculty of Arts & Architecture, K.U.
Leuven Association / docARTES, Orpheus Institute, Ghent
(Schubert’s Arpeggione Sonata: Instruments as Tools for
Artistic research),
• Rastko Popovid, FoM (Contemporary Musical Medium
– Electric Viola),
• Clément Himbert, Conservatoire de Paris
(CNSMDP)/Université de Paris IV -Sorbonne (Between
Composer and Performer),
• Sara Wilén, Musikhögskolan i Malmö, Lunds
Universitet (Opera in process: the possibilities and
constraints of opera improvisation),
• Ivan Penov/Margherita Pevere, Master in Audiovisual
Studies, School of Music and New Technology,
Consservatorio Tartini, Trieste (Light and Silence),
• Laura Maes, University College Ghent and Logos
Foundation (Sounding Sound Art),
• Massimo Zicari, Divisione Ricerca e Sviluppo, Scuola
Universitaria di Musica, Lugano (On Charles Darwin and
Captain FitzRoy or On the framing conditions of artistic
research),
• Jeremy Cox, European Association of Conservatoires
(From Castles in the Air to Jacob’s Ladders: building the
steps to Doctoral and Post-Doctoral Artistic Research).
• Luk Vaes, Orpheus Research Centre in Music
/ORCiM/, Ghent (A portrait of an artist as a young
researcher)
As an illustration of the successful collaboration between
Faculty of Music in Belgrade and the Association
Européenne des Conservatoires, we attach a copy of the
letter written by Mrs. Pascale de Groote, president of the
AEC and Mr. Jeremy Cox, chief executive of the AEC to
the Rector of the University of Arts in Belgrade
prof.Ljiljana Mrkid Popovid, PhD and Dean of the Faculty
of Music in Belgrade prof. Dubravka Jovifid, PhD.
• Steffan Storm, Musikhögskolan i Malmö, Lunds
Universitet (Compositional Processes from a Phenomenological Perspective),
• Stéphanos Thomopoulos, Conservatoire de Paris
(CNSMDP)/Université de Paris IV –Sorbonne (Graphic
Representation as a Conceptual Tool for Pianists),
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Swedish International Development Agency (Sida) provided Faculty of Music with financial support for IRCAM
software, restoration of seven violins and one viola, organization of Open Day activities, printing of one issue of Trill
magazine and organization of the inaugural EPARM conference.
Faculty of Music in Belgrade received means for five projects at the annual Concurs of the Ministry of Culture of the
Republic of Serbia. The received means will be used for tour of the FoM students’s orchestra in Ljubljana and
Banjaluka, Young author’s concerts KOMA 8, printing of the International magazine for music New Sound and two
projects regarding the library that Faculty of Music applied for the first time. Belgrade City Library bought some
copies of the New Sound magazine in the amount of 1000 Euros following the results of the Concurs for purchase of
publication of the Ministry of Culture that Faculty of Music applied for with the New Sound magazine.
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MUSIC THEORY AND ANALYSIS
9th International conference Music theory and analysis, organised by the Department for music theory at the Faculty
of Music, was held from May 13-15, 2011. More than sixty participants including thirty five from abroad presented
their works within five thematic circles (Music Theory and Narrativity, Aspect of Recearchin Musical Hermeneutics,
Concept and methods of music theory and analysis, History of music theory and Specific problems and tendencies in
music analysis).
• William Caplin (McGill University, Montreal; Formal Function versus Thematic Content: Mozart’s „Rondo in D, K.
485“),
• Anica Sabo (Faculty of Music in Belgrade; The Concept and Function of Energy in Music: Interference between
Theoretical Thought and Compositional Poetics in the Works of Berislav Popovid)
• Carlos Duque (City University, London; Chaos, Utopia and Creation. Analysis of the Dynamic of the System in Music)
• Marcello Messina (School of Music, University of Leeds; James Dillon’s Crossing Over: An Attempt to Conduct a
Morphemic Analysis on a Musical Score)
• Georgia Petroudi (European University, Cyprus; Working Towards the “Ideal”: Hindemith and the Journey of the
Marienleben Songs)
• Simon Desbruslais (Christ Church College, Oxford; Towards a Musical Syntax in Paul Hindemith’s Solo Viola Sonata,
Op. 25/1, /1922/)
• R. C. Tyagi (independent scholar; The Evolution of an Absolute Scale of Music)
• Markos Lekkas (Ionian University; Tonic Misconceptions and Tonal Repercussion)
• Aleksandar Perunovid (Music Academy , Cetinje; Bach’s ‘Sonata’ Form)
• Jasna Veljanovid Rankovid (The Faculty of Philology and Arts, Unievrsity in Kragujevac; The Permeation of Ternary
Form and Sonata Form in a Minuet)
• Pieter Bergé (University of Leuven; How Perfect “Perfect Authentic Cadences” can be?)
• Dimitar Ninov (Texas State University, San Marcos; The Craft of Harmonization)
• Michael Baker (University of Kentucky; Aspects of Tonal Pairing in the Lieder of Robert Franz)
• Filip Pavličid (Faculty of Music in Belgrade; The Modulation from a Major Key to its Upper Mediant and the Meaning
of Emotional Distance in the Works of Robert Schumann)
• Marko Aleksid (Faculty of Music in Belgrade; Various Aspects of Romantic Harmony in Strauss’s Songs for Voice and
Orchestra)
• Srđan Teparid (Faculty of Music in Belgrade; The Interpretation of Tonality in Terms of Symbols – the Relationship
between Language and Style in Several Examples of the Music from the First Half of the Twentieth Century)
• Atila Sabo (Faculty of Music in Belgrade; The Encounter between Tonality and Atonality on Lorelei Rock in Dmitri
Shostakovich's Fourteenth Symphony)
• Neil Newton (University of Auckland; Functional Harmony in Schoenberg’s Early Post-Tonal Music)
• Aleksandra Ivkovid (Faculty of Music in Belgrade, Autocitations in the Melodies of Early Romanticists)
• Mauricio de Bonis (University of São Paolo; Reference and Structure in Henri Pousseur and Willy Corrêa de Oliveira)
• Marta Grabócz (University Marc Bloch, Strasbourg, France; Some Aspects of Musical Narratology: The Topic of
Walking and its Evolution in the Music of György Kurtág)
• Ana Stefanovid (Faculty of Music in Belgrade, Topoi et structure narrative dans „Proserpine“ de Lully)
• Małgorzata Pawlowska (Academy of Music in Krakow; The Story of Romeo and Juliet Liberated from Words.
Narratological Analysis of Works by Tchaikovsky and Prokofiev)
• Adam Ferguson (University of Leeds; Reorienting Music Theory towards Proto–narrative Engagement)
• Nataša Crnjanski/Ira Prodanov Krajišnik (Academy of Arts, Identity of the Rhetorical Gesture in Music)
• Daniel Brown (University of California; A Computer Model of Musical Narrative)
• Bijan Zelli (independent scholar; Rob Waring: At This Point, in Time…)
• Rebecca Au Sau Woon (Chinese University of Hong Kong; Chance –“Change”— Cage and the I Ching)
• Ivan Brkljačid (Faculty of Music in Belgrade; Instrumental Theater Observed through Selected Compositions by
Mauricio Kagel)
• Makoto Mikawa (University of Western Ontario; How to Analyze a Multimedia/Interdisciplinary Composition: The
Case of Mauricio Kagel’s Antithese /1962, Stage Version/)
• Olga Jokid (Faculty of Music in Belgrade; Webern’s Sechs Bagatellen op. 9 from the Perspective of Pitch-class Theory)
• Man-Ching Yu (independent scholar; The Pitch-class Formation of Joseph Schwantner’s Distant Runes and
Incantations)
•
Hong Ding (Chinese University of Hong Kong; Maximally Smooth Cycle and Bian-fan: Dilemma of Theory in
Practice)
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• Miloš Zatkalik (Faculty of Music in Belgrade) и Aleksandar Kontid (Faculty of Applied Arts, Belgrade); Is There a Wolf
Lurking behind These Notes – The Unconscious Code of Music
• Niels Chr. Hansen (Royal Academy of Music, University of Aarhus; Applying Multiple Strategies from Cognitive Music
Research to Account for Emotional Experience in Three Subjectively Chosen Excerpts of Strongly Emotion-inducing
Music)
• Adrian Foltyn (Frederic Chopin Music University in Warsaw; Harmonic Tension Measure as a Keystone of a New Type
of Musical Analysis)
• Wai-Ling Cheong (Chinese University of Hong Kong; Towards a Theory of Synaesthetic Composition: a Case Study of
Messiaen’s Colour Hearing)
• Jan Philipp Sprick (Hochschule für Musik und Theater Rostock; Model-Based Composition as Event − Mozart's
Concert Aria “Vorrei spiegarvi, oh Dio!”, KV 418)
• Herbert Schneider (Musikwissenschaftliches Institut der Universität des Saarlandes; Antoine Reicha: an Avantgardist and Visionary of Romanticism or Dreamer?)
• Kalliopi Stiga (University of Athens; The ‘Female Figure’ in the Theodorakian Work)
• Mark McFarland (Georgia State University, Atlanta; Bill Evans and the Limits of Schenkerian Theory)
• Zoran Božanid (Faculty of Music in Belgrade, Imitation on Cantus Firmus in Renaissance Vocal Polyphony)
• Denis Collins (The University of Queensland, Brisbane; Palestrina's Missa sacerdotes Domini and Analytical
Approaches to Renaissance Counterpoint)
• Predrag Repanid (Faculty of Music in Belgrade; What is Hiding at the Foundation of the Obscure Edifice?)
• Senka Belid (Faculty of Music in Belgrade; Josquin’s Motet „Illibata Dei Virgo nutrix“ in a New Light)
• Luca Bruno (University of Calabria and “San Pietro a Majella” Conservatory of Music, Naples; Toward a Theory of
Harmony in the Renaissance Historical-Analytical Inquiry into Harmonically-Oriented Genres of Sixteenth-Century
Secular Polyphony)
• Milena Medid (Faculty of Music in Belgrade; Mia benigna fortuna: Rime sparse and the Scattered Renaissance
Discourses on /Musical/ Melancholy)
• Frank Heidelberger (University of North Texas; Traces of the Past, or Visions of a Bright Future? – Antoine Reicha’s
Music Theory and Hector Berlioz’s Compositional Practice)
• Ivana Ilid (Faculty of Music in Belgrade; The Dispositives of Music Theory in Serbia: an Outline)
• Gregorios Anastasiou (Institute of Byzantine Musicology, Athens; From the “Trochos’ Parallage” /Byzantine
Solmization/ to the Contemporary Psaltic Solfege)
• Dimosthenis Spanoudakis (Aristotle University of Thessaloniki; Manuscript Dionysiou 564: Palaeographical
Description, Calendar Study, Transcriptions and Musical Analysis of Chants in Honor of Saint John Chrysostom)
• Chelsey Hamm (Indiana University, Bloomington; A Critical Examination of Verbula in the Berkeley Manuscript)
• Sonja Marinkovid (Faculty of Music in Belgrade; Aspects of Contemporary Methodological Position of Mazelj’s
Method of Integral Analysis of a Musical Work).
A concert with music by Serbian authors was organised within the conference. Program included following pieces:
Lamentoso for clarinet, bassoon and piano by Milan Mihajlovid (Vojislav Dukid, clarinet; Goran Marinkovid, bassoon;
Dejan Subotid, piano), Šandorov sonatas I and II for piano by Miloš Petrovid (Tea Dimitrijevid, piano), Marika for
soprano and piano by Miloje Milojevid, Rebuke for soprano and piano by Stanojlo Rafid, Girl on the well for soprano
and piano by Dušan Radid and Upon the Blossoming Garden for soprano and piano by Vera Milankovid (Gordana
Gavrilovid, soprano; Tatjana Drobni, piano), Bells for piano by Goran Marinkovid (Sara Vujadinovid, piano) and Rejoyce
for piano fourhanded by Ivan Jevtid (Milena Maleš/ Nevena Jankov, piano).
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A TOURNAMENT OF MUSIC SKILLS
A tournament of music skills, organised by the Department of solfeggio and music pedagogy at the Faculty of Music,
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gathers students at the different study programs. 12 tournament of music skills was held at the Faculty of Music on
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May 14 2011. Teams of students from the Faculty of Music in Belgrade, Faculty of Arts in Niš, Academy of Arts in
Banja Luka and Faculty of Arts in Priština-Zvefan competed at this tournament. Jury members were Professor Gordana
Karan, Phd; associate professor Bojana Matorkid, MA; assistant professor Slobodan Kodela, MA; assistant professor
Milena Pertovid, PhD; teacher Dragana Todorovid, MA and professor Vesna Kršid Sekulid, MA.
The results of Tournament:
1.
Nenad Ivovid
Marija Lazid
FoM, Belgrade
Class of Vesna Kršid Sekulid, MA
2.
Veljko Oparnica
Milomir Kojadinovid
Lazar Pejid
Aleksandra Brankovid
FoM, Belgrade
Class of Gordana Karan, PhD
3.
Miloš Gavrilovid
Maja Petrovid
Tijana Šaranac
Miljana Jovanovid
Fakultet umetnosti Niš
Class of Slobodan Kodela, MA
4.
Ivan Plazačid
Ana Ristivojevid
Saška Marjanovid
Iva Miloševid
FoM, Belgrade
5.
Umbina Maj Nestorovid
Verica Pekmezovid
Milica Zidarid
FoM, Belgrade
6.
Jovana Jovanovid
Tamara Hadži Đorđevid
FoM, Belgrade
Class of Vesna Kršid Sekulid. MA
7.
Nikola Komatovid
Marija Golubovid
Tamara Komatovid
FoM, Belgrade
8.
Milena Miladinovid
Anita Savid
Dejan Zdravevski
Tamara Rajinac
FoM, Belgrade
Class of Vera Milankovid, MA and
Milena Petrovid, PhD
9.
Sanja Spasid
Stefan Đokovid
FoM, Belgrade
10.
Milan Rakid
Zorana Ignjatovid
Marija Tomid
Nikola Cvetkovid
Faculty of Arts in Niš
Class of Šerif Damadžid, MA
11.
Sara Abramovid
Nebojša Adimovid
Aleksandar Aleksandrovid
Faculty of Philology and Arts,
Kragujevac
Class of Bojana Matorkid Ivanovid,
MA
12.
Tijana Nikolid
Lidija Paulin
Nikolina Savanovid
Milica Blaženovid
Academy of Arts, Banja Luka
Class of Saša Pavlovid, MA and
Slavica Gluvid, MA
13.
Biljana Todorovid
Aleksandra Dragosavac
Miona Barbul
FoM, Belgrade
14.
Darko Ivanovid
Miloš Krstid
Darko Dimntrijevid
Kragujevac
MA
15.
Luka Lopičid
Petar Mirkov
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Aleksandar Stefanovid
Ljiljana Kočovid
Kragujevac
MA
16.
Sanja Tomišid
Katarina Pantelid
Aleksandra Jovanovid
Bogdan Đurid
Kragujevac
MA
17.
Sara Stojkovid
Tatjana Tešanovid
Ana Miljojkovid
Andrea Protid
FoM, Belgrade
18.
Mihajlo Kostid
Mihajlo Dimitrijevid
Ivan Blagojevid
Julijana Vasiljevid
Faculty of Arts in Priština-Zvefan
Class of Zoran Jankovid, MA
19.
Nevena Božovid
Dušan Đorđevid
Marko Jagličid
Olivera Miljkovid
Faculty of Arts in Priština-Zvefan
Class of Zoran Jankovid, MA
20.
Ana Šipka
Željko Manid
FoM, Belgrade
MA
21.
Božidar Antid
Marija Nikolid
Slavica Krstid
FoM, Belgrade
Faculty Informational System FIS has started working! FIS is an informational system, computer program designed for
students and student’s service that enables electronic application of exams keeping records of exams and other
students’ activities. FIS is the program by the Faculty of Electrical Engineering that the Faculty of Music purchased in
2010 and the deadline for its implementation is three years. More than 400 students used FIS program during the
April exam term for the first time. June exam term will be the first term when all the exam records will be processed
electronically.
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Faculty of Music and Tourist Organisation of Belgrade (TOB) signed the Agreement on Cooperation (April 5 , 2011)
that defines basis of the future collaboration. TOB will promote Faculty of Music in their publications (Belgrade, city of
culture; Welcome to Belgrade; Belguest), provide promotional material (already done for the last two international
conferences: EPARM and Music theory and analysis), let their premises for FoM celebrations, organise sightseeing
tours and provide help with accommodation of FoM guests. Faculty of Music will include TOB into the club of donors
and friends, give free tickets for the concerts and promote TOB in their publications and web site. Moreover, it was
suggested that FoM regular concert activities become part of TOB programme.
The Rule of Publishing activities at the Faculty of Music was established for the first time at the meeting of the
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Teaching-Artistic-Scientific council (May 11 2011). The Publishing Board and Statutory Board suggested establishing
of this Rule that defines terms and conditions of issuing FoM publications. Faculty of Music signed the Agreement on
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Cooperation with TON PLUS (Belgrade) and PASSAGE GROUP (Panfevo) on May 13 , 2011. These Agreements define
jurisdictions, terms and obligations regarding preparation and printing of FoM publications.
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Open Doors Day for students interested in studying at the Faculty of Music was held on May 21 , 2011. Brochures for
future students were printed for this occasion and they are available at the FoM Bookstore (at the price of 200 RSD).
This Brochure includes the most important information about the entrance exams at all levels of studying. Author of
the Brochure for future students is professor Slobodan Raicki, Vice Dean for teaching process.
INTERNATIONAL COOPERATION
 Básits Branka is the first guest student at the
Faculty of Music within the interuniversity exchange.
Branka is a second-year-student of folk singing at the
Franc Liszt Academy of Music in Budapest who attends
lectures (and takes exams) during one semester at the
Ethnomusicology study program.
`
 Branko Penčid, MMus, associate professor and Head of Piano Department, was a FoM representative who visited
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the Royal College of Music in Stockholm (Sweden) on March 30 - April 2 , 2011. This visit was part of the AEC
program devoted to development of higher music education in the Western Balkans region. Representatives of the
music institutions at the higher level of education were welcomed by Johannes Johansson, rector; Johan Falk, Director
of the International Relations; Karin Nordgren, Head of Library; Måns Tengnér, Head of IT section and Kersti Larsson,
Planning Director. The Swedish International Development Agency (Sida) financed the entire visit.
 Marija Đukid, MMus, associate professor at the Piano Department went to Helsinki (Finland, May 15-18, 2011) to
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the 4 seminar Innovative Conservatoires within the AEC Polifonia project. More than 43 professors from 16 countries
participated at this seminar led by Helen Gaunt, PhD (Guildhall School of Music and Drama, London) and Bart van
Rosmalen (Royal Conservatoire of the Hague). Faculty of Music participated with financial support provided by The
Swedish International Development Agency (Sida). Main goals of this seminar were exchange of experience regarding
pedagogical processes at the institutions of a higher level of education, professors’ professional development,
familiarizing with the innovations within the teaching process etc. Seminar included a great deal of workshops where
the relevant sources of development and professional enhancement, improvisation as a means of artistic
development were being discussed.
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MASTERCLASSES/WORKSHOPS/LECTURES
Department for Ethnomusicology organised a lecture Micro narratives on
music and politics of genders (and other identities politics) by Ana Hofman,
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PhD, on March 1 , 2011. Ana Hofman works at the Scientific Research
Center of the Slovenian Academy of Sciences and Arts, Ljubljana and she
teaches at the Faculty for Humanistic arts, University in Nova Gorica. Her
research is based on music and politics of gender, music practices and
politics of identities in socialistic and post socialistic societies (with the
focus on ex Yugoslavia), music and cultural memory. She has published
many articles and chapters, book Staging Socialist Femininity dealing with
politics of gender and music practices during the late socialism in southeast
Serbia.
 Composer Marko Nikodijevid had a course of electronic music from March 11-26, 2011. Faculty of Music organised
the course held in the premises of the Composers' Association of Serbia. Topics of the course were Concept of digital
signal processing and Program applications for computer music – an overview of program architectures (text editors
and graphical interface).
 Ljubiša Jovanovid, flute professor at the Department for Wind Instruments, visited Beijing (China, March 16-29,
2011) where he held seven-day-master class at the Central Conservatory of Music, two recitals and he was the jury
president of the flutist competition. Professor Jovanovid held the master class in Podgorica (March, 2011) with 22
active participants.
 Master class for all students at the Department for Wind Instruments was held on March 17 , 2011 during the
USA Wind Ensemble visit to Belgrade. This master class was organized with the support of Stanislav Binički Ensemble
that let their premises for this event. An interactive concert with numerous FoM students participating was held on
this occasion.
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A well known violinist Dimitris Semsis, professor at
the Music Horizons Conservatory of Athens and
associate at the Royal College of Music in London, held
a master class for violin students at the Faculty of
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Music on March 27 , 2011. Divna Tontid (I year, class
of Jasna Maksimovid), Teodora Dimitrijevid (I year,
class of Jasna Maksimovid), Jovana Stošid (III year, class
of Godrana Matijevid Nedeljkovid), Aleksandra
Bogdanovid (II year, class of Ivana Adimoski Žikid),
Ivana Zavišid (III year, class of Ivana Adimoski Žikid),
Aleksandra Stoiljkovid (IV year, class of Marija
Špengler). Dimitris Semsis was a jury member at the
Jeunesses Musicales Competition in Belgrade 2011 in
the category of violin.
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David Horne, composer and professor at the Royal College of Music in
Manchester held a lecture Contemporary British Composition with the
emphasis to his students’ works. Professors at the Department for
Composition and students of composition attended this lecture held on
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April 8 . David Horne is widely regarded as one of the most talented
Scottish musicians of his generation. When still a teenager he established
his name both as a pianist, making his BBC Proms concerto debut in 1990,
and as a composer, with a prize-winning work at the Huddersfield
Contemporary Music Festival. His composition studies took him to the USA,
first at the Curtis Institute in Philadelphia and then at Harvard University,
and he has since returned to the UK and is based in Manchester.
 A prominent violinist Stefan Milenkovid held a master class for violin students (Faculty of Music, April 13 -14).
Anja Popovid (III year, class of Gordana Matijevid Nedeljkovid), Boris Bosanac (II year, class of Marija Misita), Divna
Tontid (I year, class of Jasna Maksimovid), Teodora Dimitrijevid (I year, class of Jasna Maksimovid), Ivan Simeunovid
(class of Ljubomir Mihajlovid), Dejan Markovid (class of Madlen Stokid Vasiljevid). Master class was held at the
premises of the Composers' Association of Serbia.
 Master classes of violin (professor Pavel Vernikov, Vienna Conservatory, Austria), piano (professor Emanuel
Krasovsky, Tel-Aviv University, Israel), guitar (professor Sante Tursi, "N. Piccinni" Music Academy, Italy), flute
(professor Norbert Girlinger, Anton Bruckner University Linz, Austria) and singing (professor Tatyana Shorluyan,
Rostov State Conservatory, Russia) were held at the Academy of Arts (Novi Sad, May 1 – April 24). Following students
participated in the master classes: Lazar Ostojid (guitar, IV year, undergraduate studies, class of professor Srđan Tošid),
Mladen Drenid (violin, master studies, class of Marija Špengler), Katarina Anđelkovid (piano, specialist studies, class of
Nenad Radid), Marija Mitid (singing, master studies, class of Violeta Panfetovid Radakovid) and Aleksandar Jovan Krstid
(flute, II year, undergraduate studies, class of Miomir Simonovid); students were selected by their departments. The
Swedish International Development Agency (Sida) and Association Européenne des Conservatoires (AEC) supported
those master classes thus courses, accommodation and meals were free for all participants from the Western Balkans.
 Ida Vujovid, professor at the Royal Conservatoire of the Hague (the Netherlands) held workshop and lectures ICT
(informational and communicational technologies) in music pedagogy; Lifelong learning in solfeggio: new methods
and target group. Professor Vujovid presented new computer programs and their applications. More than 20 students
from the music pedagogy study program attended this workshop organised with the WUS Austria financial support.
The workshop was held from April 26 – May 6, 2011.
Marcel Cobussen, professor of philosophy and auditory culture at the
Leiden University (the Netherlands), the Orpheus Institute Ghent (Belgium)
and associate at the Malmö Academy of Music (Sweden) held lecture and
improvisation course for FoM students (May 5-6, 2011). Marcel Cobussen
studied jazz piano at the Conservatory of Rotterdam, and Art and Cultural
Studies at Erasmus University Rotterdam (the Netherlands). He is the
author of the book Thresholds. Rethinking Spirituality Through Music
(Ashgate, 2008) and coauthor of the book Dionysos danst weer. Essays over
hedendaagse muziekbeleving (Kok Agora, 1996). He was the editor of the
special issue of the international magazine for music New Sound in October
2010 and he initiated the magazine The Journal of Sonic Studies.
 The successful master class for students of the brass instruments was held on May 20 , 2011 by prominent artists
from Croatia and Slovenia - Marin Zokid, first trumpet of the Philharmonic Orchestra in Zagreb and assistant professor
at the Music Academy in Zagreb; Viktor Kirčenkov, horn player of the Philharmonic Orchestra in Zagreb; Marko Ilid,
trombone player of the Slovenian Philharmonic Orchestra and assistant professor at the CEI Youth Orchestra and
Krunoslav Babid, trumpet player of the Philharmonic Orchestra in Zagreb.
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 Snežana Nikolajevid, PhD, associate professor at the Faculty of Philology and Arts in Kragujevac held a course
Musician in the media. Following topics were discussed within this course Media and music, Media as means of music
and musician’s popularization, Musician’s place in media, “Reading” of the media, Art and media/ Media as art.
Students from different study programs (music pedagogy, musicology, ethnomusicology, composition) participated in
these courses held during the March.
Hideki Kozakura, pianist and composer gave a lecture The General Circumstance
in Japanese Music (from J-pop to classical/contemporary music) on May 23rd.
Kozakura (born in Seto, Japan), who has been residing in Nagoya, Japan, since
April 2009, after many years of stay in Stockholm and Berlin, leads a
professional life both as a pianist and a composer. Having graduated from both
Bachelor and Master degrees from the Tokyo University of Fine Arts and Music
under the supervision of Teruyuki Noda and Akira Miyoshi, he studied for a year
with Tristan Murail in New York in 1999 under the Japanese Government
Overseas Programme. He received his second Masters degree in composition
from the Royal College of Music in Stockholm (Kungliga Musikhögskolan) under
the guidance of Pär Lindgren, Bent Sørensen and Örjan Sandred (electronic music). Ever since he won equal first Prize
in the 1997 Takemitsu Composition Competition, his pieces have been performed by leading musicians and orchestras
in many parts of Japan, Europe and North America. Selected prizes for his winning pieces include the Japan Symphonic
Prize, Nagoya Cultural Promotion Prize, scholarships and a research grant from the Nomura-Foundation, as well as the
Agency for Cultural Affairs Performing Arts Prize, the Berlin Culture and Science Prize, and several awards piano
competitions in Japan. He started his musical carrier with playing the piano at the age of five and then on playing
violin at seven. His music is influenced by German classical period composers, such as Beethoven, Schubert and
Brahms and the traditional Japanese performing arts such as Kabuki Theatre or Kyogen (traditional short comedic
drama), and German electro pop music and techno, particularly minimal techno. Being very active in projects involving
cultural exchange with invited musicians from abroad, at the end of 2005 he teamed up with colleague Jummei Suzuki
to found "Nuovo Virtuoso" a composer unit dedicated to promoting young and promising musicians and composers
from both home and abroad. In 2009, he founded ‘Company Bene’ together with a composer from Tokyo, Haruyuki
Suzuki with the aim of organising international events both in Japan and in Europe. He also gives many lectures and
master classes at various Universities and institutions. Kozakura's music is recorded on the labels BIS and Media Artes.
Performance of his music can be heard mainly in Japan, Sweden, Germany, Spain and USA. He is currently teaching at
Nagoya College of Music as Assistant Professor.
A Bulgarian born composer and music theorist Dmitar Ninov (Texas State
University) held a master class Development in 18th-century sonata form
(May 16). Professor Ninov teaches theory, aural learning, and applied
composition at Texas State University, San Marcos. Ninov is the Chair of the
Board of Directors of the National Association of Composers, USA (NACUSA)
 Marija Lončar Schtrohm (Los Angeles, USA) held the organ master class, from May 18 to 24, 2011. The master
class was organised by the Faculty of Music and WUS Austria and it was held in the premises of the Museum of
Science and Technique. Marija Lonfar Štorm gave lectures on history, development, construction, peculiarities of
different instruments, methods of playing and official playing with an emphasis on creativity and interpretation in the
period of French classicism. All students from the class of associate professor Maja Smiljanid Radid actively
participated in this master class. Seven students played at the final concert held at the Museum of Science and
Technique on May 24, 2011. This concert was devoted to the works of French authors.
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Performance Wellness Seminar led by a prominent
pianist Tatjana Rankovid, (Mannes Preparatory
Division Piano Faculty in New York) was held on May
26 – Jun 1, 2011. This seminar was financially
supported by WUS Austria, Belgrade Cultural Centre
gave its premises, technical and logistic support and
Department for Poly-instrumental department gave a
renaissance harp.
Performance Wellness is a pro active, creative
approach devoted to the methods of dealing with the
psychological and behavioural problems of the
musicians. This approach is based on the
interdisciplinary compilation of knowledge and
psychology/ music psychology, psychotherapy, music
therapy, creative art therapy, behavioural medicine
and yoga techniques. The main goal of this seminar is
obtaining knowledge and experience that enable
creative expressing, more intimate relationship
performer-audience, disarmament of the inner critic,
overcoming of the extreme criticism, taking control of
the psychical symptoms of jitters and having the
insight in the emotional processes while public
performance. Eighteen students from all study
programs actively participated in this seminar through
improvisation on different instruments, drawing, non
verbal communication, “role playing”, breathing
techniques, relaxation, metaphorical body and gesture
expressing. According to the students’ opinion,
benefits of this approach are clear, short-term and
long-term.
Participants got the Certificate for
Performance Wellness level I and Tatjana Rankovid
gave two publications and two CDs as a gift to the
FoM library.
This seminar is one of the first steps towards
realisation of ideas regarding practical psychological
work with students aiming to their personal and
professional development.
AUDITIONS/SCHOLARSHIPS
Regional audition for Maribor International Orchestra was held on March 26, 2011 at the Faculty of Music in
Belgrade. Aleksandar Jankovid (double bass), Jelena Vojvodid (horn), Miloš Rakid (viola), Katarina Miloševid (viola),
Milena Nedeljkovid (violin) and Ivana Zavišid (violin) passed the audition. Klaus Arp (conductor, Austria), Živa Ploj
(conductor, Slovenia) and Petra Ferlif (orchestra organizer, Slovenia) attended this audition. Concerts of the Maribor
International Orchestra will be held in Slovenia, Italy and Great Britain from July 15 to August 10, 2011 and the
program will include pieces by Strauss, Mahler, Lojze Lebic and Berlioz. Klaus Arp and Živa Ploj will conduct this
orchestra.
Sara Vujadinovid (MA student, class of professor Ninoslav Živkovid) will receive Yamaha 2011 scholarship. She was
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chosen at the audition (competition) held on March 4 , 2011.
Lazar Miletid (viola, II year) and Jelena Matovid (violin, master studies) will be scholars of the Academia Teatro alla
Scala (May 10 – July 15, 2011). So far they have had concerts with Academy vocal soloists and concert with pianists
Lang Lang and Herbie Hancock, led by conductor John Axelroad. Currently they are working on the opera The Italian
Girl in Algiers (Gioachino Rossini) led by conductor Antonello Alemandi.
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The FoM students Nataša Đikanovid (singing), Ljubica Stojanovid (piano), Vladimir Korad (composition), Divna Tontid
(violin), Jelena Mihajlovid (violoncello), Nemanja Krstid (clarinet) and Marija Milosavljevid (flute) will attend the
Summer academy Vienna-Prague-Budapest (July 29-August 28, 2011).
Jelena Vojvodid (horn), Jelena Vukotid (viola) and Marija Jevtid (percussions) will participate in the Per Art Festival
(Romania, August 29 – September 11, 2011). These students were selected by their departments.
The University of Music and Performing Arts Graz offered two Austrian bank scholarships Steiermärkische Sparkasse
for FoM students. Katarina Rankovid (piano), Jelena Nedeljkovd (piano), Jelena Vojvodid (horn) and Hana Paraušid
(harp) applied for the scholarships. Besides free education, students will monthly receive 1000 Euros for the living
costs and they will be given the opportunity to participate in the work of Graz Opera and Musikverein für Steiermark
orchestra.
The Government of the Republic of France granted two scholarships for master studies in France to the candidates
who finished undergraduate studies at the University of Arts in Belgrade. Vladimir Perfevid (viola) and Sofija Perovid
(harpsichord) are FoM students who got these scholarships.
Jelena Nedeljkovid, Bojan Savid (piano duo) and Hana Paraušid (harp) will participate in the International summer
festival Nei Suoni del Luoghi (Italy). These students were selected by the Festival jury based on the sent recordings.
Students will have concerts in July and August.
CONCERTS
 Madlen Stokid Vasiljevid (violin), Miloš Nikolid
(clarinet), Maja Mihid (piano) and Vladimir Vasiljevid
(violin) performed at the concert Pieces by Serbian
Composers held at the Students Cultural Centre on
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March 2 2011. Program of the concert included
following pieces: Trio variations (Jugoslav Bošnjak),
Lamentoso for clarinet, violin, piano (Milan
Mihajlovid), Lamentoso for two violins and piano
(Dejan Despid) Do you want me? and Serbian native
dance (Aleksandar Vujid). The same program was
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performed on March 13 at Kolarac Foundation and
on May 9
Arts.
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at the Serbian Academy of Science and
 Concert devoted to 40 years of artistic career of professor Zorica Detkovid was held on March 7 , at the Kolarac
Foundation. Program of the concert consisted of the following pieces: Suite in F Major by L. Couperin (Zorica Detkovid,
harpsichord), Preludes In G by D. Buxtehude (Milan Popovid, harpsichord), Sonata in C Minor for Harpsichord & Violin
by J.S Bach (Ivana Detkovid, baroque violin, Zorica Detkovid, harpsichord), Piano trio Op. 49 in D major, I movement by
F. Mendelssohn (Ivana Detkovid, violin; Ladislav Mezei, violoncello; Zorica Detkovid, piano), Pictures from the East,
Op. 66 for piano fourhanded by R. Schumann (Tea Dimitrijevid-Dejan Subotid), Three solo songs for soprano and piano
by P. I. Tchaikovsky (Ljudmila Gros Popovid, soprano; Zorica Detkovid, piano), Goldberg Variations for piano and drums
/fragments/ J. S. Bach /arrangement by M. Karlovid/ (Zorica Detkovid, piano; Miroslav Karlovid, drums), Bach to Swing
by C. Bolling (Zorica Detkovid, piano; Miroslav Karlovid, drums; Slobodan Gerid, double bass).
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Zorica Detkovid, pianist, harpsichord player and chamber musician started her music education in Belgrade. She
graduated (undergraduate and postgraduate studies) at the Faculty of Music in Belgrade in the class of professor
Andreja Preger. First contact with the harpsichord she had during her piano studies owing to the Students Cultural
Centre that organised harpsichord coursed led by professor Olivera Đurđevid. Ever since then, professor Detkovid’s
artistic enhancement has been developing simoultaneoulsy at both instruments.
After entering the finals of the Yugoslav piano competition in Zagreb 1973, Zorica Detkovid had been given an
opportunity to have performances as a soloist with Belgarde Philharmonic orchestra and to play with renowned
conductors performing pieces by S. Rachmaninoff, R. Schuman, F. Liszt, E. Grieg. Together with violoncellist Valter
Despal she participated in the World Festival of Youth and Students in Berlin.
As a harpsichord player Zorica Detkovid started her music career entering the finals of the International
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competition in Paris wining the special award for performances of 20 century pieces. Having finished her harpsichord
Master studies she continued further professional enhancement at the international master classes in Spain, Belgium,
Switzerland. Moreover, as a Czech government scholar Zorica Detkovid spent some time at the in Prague in the class of
professor Zuzana Ružifková. As a soloist with the chamber ensemble she performed in France, Great Britain and
Scotland. In Belgrade she held a series of concert for harpsichord playing carefully selected pieces (Music from
England, Music of the French baroque, Parallels: Handel-Bach; parallels: Scarlatti-Soler, Music of the English virginalist
composers, Evening of J. S. Bach etc). Concert devoted to the French music was named the best concert of the season.
Zorica Detkovid has been interested in chamber music ever since she was a student. On several occasions she has
assisted at the Jeunesses Musicales international competitions (violoncello) and in 2010 she assisted in piano and
harpsichord categories. The greatest achievements as a chamber musician Zorica Detkovid accomplished performing
as a part of the trio Musica da Camera (U. Pešid, violin; R. Detkovid, violoncello). This trio had three consecutive
concerts at the Kolarac Foundation Hall playing the entire opus by W. A. Mozart for piano tri and piano quartet.
Besides pieces written for this kind of ensemble (Beethoven, Brahms, Schubert, Mendelssohn, Schuman etc), trio
Musica da Camera had a series of concerts First performances with pieces by Clara Schumann, Claude Debussy and
other composers whose pieces had never been performed in this region.
As a pianist Zorica Detkovid has been collaborating with Ljudmila Gros Popovid (soprano) with whom she has had
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several concerts devoted to the Russian composers of the 20 century. Zorica has been collaborating with violoncellist
Mezei Ladislav playing sonatas for violoncello and piano by J. S. Bach, L. V. Beethoven, E. Grieg, F. Chopin, D.
Shostakovich, J. Brahms, C. Debussy etc. Recently she has been performing with her daughter, violinist Ivana Detkovid
in London and with her son, violoncellist Igor Detkovid in the USA.
During the last couple of years Zorica Detkovid has transferred her experience as a pianist, harpsichord player and
chamber musician to the field of research regarding the new aspects of interpretation of baroque music. Result of this
research is a project designed to introduce the brand new musical dimension of a famous music piece – Goldberg
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variations by J. S. Bach. One of the aims of this concert held at City Assembly of Belgrade on October 13 , 2010, was
to join the authentic performance with the sound of drums through the carefully prepared arrangement by professor
Miroslav Karlovid.
Zorica Detkovid is a professor at the Faculty of Music in Belgrade where she teaches chamber music and
harpsichord.
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 FoM students Dragan Petakovid, Dušan Panajotovid (violins), Lazar Miletid, Sreten Jovid (violas) and Jelena
Vojvodid (horn) participated in the Young Euro Classic Orchestra South-eastern Europe (Berlin, March 13-26). Program
included pieces by W. A. Mocart (Symphony No. 34, I movement, Piano Concert No. 20 KV 466), Serbian composer
Jelena Dabid (world premiere of ordered composition), A. Vivaldi (Concert for violin RV 278) and J. Haydn (Symphony
No. 94). Conductor Liana Isakadze led the orchestra. This has been the third cooperation between the Faculty of Music
in Belgrade and the Young Euro Classic Orchestra South-eastern Europe.
 Jelica Gligorijevid, piano teacher at the Department for piano, had a recital – final concert within the cycle Mozart
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– from a nine-year-boy to youth (March 23 , Matica Srpska, Novi Sad). Program consisted of the following pieces:
Fantasy KV 397 D minor, Variations KV 24, Variations KV 264, Variations KV 455 and Variations KV 573. Prior to this
concert Jelica Gligorijevid had recitals at the Belgrade Cultural Centre (December 20, 2010), Students Cultural Centre
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(March 1 , 2011) and Kolarac Foundation Hall (January 23 , 2011) when together with pianist Dejan Stošid, associate
professor at the Department for Piano, she performed Sonata KV 19 for four hands and Adagio and Fugue KV 426 for
two pianos.
 The Queen of Spades, opera by P. I. Tchaikovsky in the production of the Serbian National Theatre from Novi Sad
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and directed by Oleg Meljinkov (Belarus) was performed on March 29 in Novi Sad and March 31 in Belgrade. Nikola
Kitanovski, associate professor at the Department for Singing plays the role of Herman.
 International Harp Festival was held in Belgrade on April 2-20, 2011. Professor Ljiljana Nestorovska, assistant
professor Milena Stanišid, students Milica Pašid and Mina Marinkovid played at the opening ceremony along with
FoM Choir, choir Collegium Musicum (led by Dragana Jovanovid) and Aneta Ilid, associate professor at the
Department for Singing. During the Festival, students had the opportunity to attend master classes by Isabelle Moretti
(harp professor in Paris), Jana Boušková (harp professor at the Prague Conservatory and Bristol Conservatory) and
Jasna Corrado Merlak (Italy).
Ljiljana Nestorovska played Prego per verdure for voice and harp by Anja Đorđevid (world premiere), she
performed with Ljubiša Jovanovid (Monodija by Enriko Josif) and Borislav Čifovafki (Meditation by Dejan Despid) at the
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concert Music for Harp by Serbian Compopsers (April 14 , Assembly of City of Belgrade). Milena Stanišid played Jurij
for voice, flute and harp by Dragana Jovanovid (world premiere) at the concert Music for Harp by Serbian Compopsers
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(Students Cultural Centre, April 19 ) when she performed with Stana Krstajid (Floral by Vladimir Tošif; Music for June
by Ivan Stefanovid). Milena Stanišid and flutist Stana Krstajid had a concert of music for harp and flute within the
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Opera Days on May 8 at Madlenianum.
 Ana Marija Franc, Radmila Jovanovid, Hana Paraušid, Aleksandra Tomid, Milica Pašid, Milica Kankaraš and Mina
Marinkovid (class of professor Ljiljana Nestorovska) performed at the concert held within the Day of Students
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celebration (April 4 , Students Cultural Cnetre). All students are in the class of professor Ljiljana Nestorovska.
 Concert devoted to 45 years of artistic career of professor Ante Grgin was held on April 7 , at the Kolarac
Foundation Hall. Art ensemble Stanislav Binički, orchestra Camerata Serbica led by conductor Darinka Matid Marovid
were among many performers who played pieces by this clarinettist and composer. Vladimir Markovid (violin) played
Ballad for violin and orchestra; Miomir Simonovid (flute) played Small talk for flute and strings by M. Kotlid/A. Grgin,
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homage to Milan Kotlid); Dragan Lazid (oboe) played Biljana, theme with variations for oboe and strings; Nenad
Jankovid (bassoon) played Little suite for bassoon and strings; Mihailo Samoran (clarinet) played Theme with
variations No.2 for clarinet and strings; Ljubiša Jovanovid (flute) played Fantasy for flute and symphonic orchestra;
Ognjen Popovid (soprano saxophone) played Concertino for soprano saxophone and symphonic orchestra; Mladen
Đorđevid (trumpet) played Laura, fantasy for trumpet and orchestra and Ante Grgin (clarinet) played Concertino for
clarinet and orchestra.
Ante Grgin was born in 1945. He attended the Music School in Split and in 1965 began his clarinet studies at the
Music Academy in Belgrade, in the class of Brun Bruno. He graduated in 1969 and completed his postgraduate studies
in 1972 with the highest possible grades. As a student he took part in prestigious international competitions in
Geneva, Munich and Prague, as well as at the competition Jeunesse Musicale in Belgrade, where he was awarded the
second prize in 1970. Since 1975, Ante Grgin has been actively involved in the music world as an outstanding concert
performer, chamber musician and first clarinet of the Belgrade Philharmonic. He has performed with many orchestras
in his homeland and in many other countries. He is a member of an ensemble for new music. As a composer, Ante
Grgin has distinguished himself in works for piano, violin, viola, flute, clarinet, oboe, bassoon, trumpet and horn. The
dominant features of his works are a tendency to free form, a certain jazz influence, tonal harmony, Balkan folk
rhythms and striking melodies which exploit the character of the instrument used. He has been teaching at the Faculty
of Music since 1995. Many of his students now play in Belgrade orchestras and have obtained prizes in music
competitions.
Ante Grgin has received many awards such as Dositej Obradovic, the Remembrance Medallion of Belgrade City, a
Letter of Recognition from the Faculty of Musical Art, the Golden Medal of the Belgrade Philharmonic on the
Orchestra’s 75th anniversary, a Silver Medal of the University of Arts and an award from the Association of Musical
Artists of Serbia.
 Ana Marija Franc, Hana Paraušid and Mina Marinkovid performed at the concert by the award-winning harp
students and pupils.
Concert devoted to composer Zoran Erid, professor at the Department for
Composition, organised by Jugokoncert was held at the National Theatre on
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April 17 This retrospective consisted of four compositions from
composer’s different periods: Seven glances at the sky for string sextet
performed by St. George Strings with concert master Gordan Nikolid,
Oberon, concert for flute and instrumental ensemble with soloist Ljubiša
Jovanovid and conductor Biljana Radovanovid, Talea Koncertštik for violin
and strings and I have not spoken for alto saxophone (Maja Hajdukovid),
mouth bass harmonica, narrator (Pavle Pekid), Obilid mixed choir, Branko
Krsmanovid ensemble led by Darinka Matid Marovid.
 Concert of Memories, devoted by FoM professors and associates who died during the last decade (2001-2011) was
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organised on April 17 2011 at the Kolarac Foundation. Program included following pieces: Intermezzo No. 1, A minor,
No. 2 A major, Ballad G major No. 2, Op. 118 by J. Brahms (Aleksandra Pavlovid, piano), Memories – five songs from
cycles Op. 71 by Anton Aresnky (Ljudmila Gros, soprano, Zorica Detkovid, piano), Laudatio for solo horn by Bernhard
Krol (Milan Radid, horn), Šandorov sonatas 2 and 3 by Miloš Petrovid (Tea Dimitrijevid, harpsichord), Lugudre and
Ditiramb for flute choir and harp by Enriko Josif (Flautino lola classic/ artistic director Ljubiša Jovanovid/, Milica Pašid,
harp), I love your hands and Silly song by Kostanin Babid (Vojka Đorđevid, soprano and Nataša Mitrovid, piano),
Saturdays of my childhood by Kostanin Babid (Jovanka Kneževid, soprano and Nataša Mitrovid, piano), Preludes op.
23, C minor, E flat major by S. Rachmaninoff (Marija Đukid, piano), Sonata C major by Jean Baptiste Lully (Dragan
Lazid, oboe and Rada Pedanad, piano), Madrigal by Konstantin Babid (FoM Madrigal choir, conductor Bojana
Matorkid Ivanovid), Spiritual diptych – in memory of a lost friend: Intrada, Canon e Finale for mixed choir a cappella
and renaissance organs ad libitum (part 1) and Fuga canonica interotta, Coral e Lamentatio for inner voices and string
orchestra (part 2) by Predrag Repanid (FoM Madrigal choir, conductor Bojana Matorkid Ivanovid, Marija Družijanid,
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organs; FoM string orchestra, conductor Aleksandar Vujud). Audience had the opportunity to watch a movie about
Faculty of Music (author Marina Nikolid, directed by Srba Božinovid) before the concert.
 The Bridge on the Drina is a cross border cooperation program (Serbia and Bosnia and Hercegovina) that includes
series of concerts by Royal strings of St. George and singing association Srbadija. During April and May 2011 this
cooperation held more than 12 concerts. Drino, vodo… cantata for soprano, solo tenor, mixed choir, string orchestra
and percussions by Dimitrije O. Golemovid, Solemn mass by Jean Langlais that Dimitrije Golemovid adjusted for choir
and orchestra (originally this composition was written for choir and organs) and Ambient instrumental music for
soloists, orchestra and choir by Veljko Kuzmanfevid were performed at these concerts. The same progam will be
performed at nine more concerts during June and July in the cities alongside the Drina River. Jelena Trakilovid who
finished her studies at the Slobomir P University, class of professor Darinka Matid Marovid, conducts all the concerts.
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 Mr. Borislav Rus, director of the Serbian selfgovernment in Budapest and his associate Mr. Pera
Lastid invited FoM Mixed choir to Budapest (Aril 1720, 2011). Owing to the last year’s successful
performance, FoM choir had one more chance to
perform cantata Postcards by Milica Paranosid. During
this year’s concert choir sang Requiem in B minor by
Stevan Hristid. Goran Mrđenovid, violoncello; Igor
Perazid, bassoon; Marija Jevtid, percussions; Olivera
Tifevid, soprano; Ana Šipka, soprano; Dina Travica,
mezzo soprano; Nenad Čifa, tenor and Stefan Hadžid,
baritone were soloists at this concert conducted by
Dragana Jovanovid, assistant professor at the
Department for conducting. Concert was held on April
18 at Budai Vigadó concert hall and it received a lot
of media attention.
 Organ students in the class of associate professor Maja Smiljanid Radid had a concert Timeless music of J. S. Bach in
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the honour of M. I. Pupin at the Museum of Science and Technique on April 19 , 2011.
 Assistant professor Igor Lazid, Mmus, had a successful cooperation with the Orchestre Philharmonique Royal de
Liege (April 25 – May 25, 2011). This cooperation resulted in numerous concerts, the most important being the one in
Warsaw (The Warsaw National Philharmonic Orchestra) and in Vienna (Musicverein Wien). Belgian conductor Louis
Langrée led the concert in Warsaw and Yossif Ivanov (finalist of the Queen Elisabeth Competition) performed as a
soloist. Prelude to the Afternoon of a Faun by Debussy, Concert for violin and orchestra No.3 in B flat major Op. 61 by
Saint-Saëns and Symphony in D minor by César Franck were played at this concert. Cédric Tiberghien (piano) was a
soloist at the concert in Vienna when Le Chasseur maudit by César Franck, Variations symphoniques für Klavier und
Orchester, Daphnis et Chloé (Suite No. 2) and Boléro by Maurice Ravel were performed. Both programs were played
one more time - in Liège and Brussels while concerts in Amsterdam will be held in July 2011.
 Belgrade composer and performer Ana Gnajtovid, student at doctoral studies of composition and Danish band
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DYGONG had a concert on May 4 at Students Cultural Centre and on May 10 at famous Literaturhaus in
Copenhagen. Band DYGONG founded by four young Danish composers Regin Petersen, Simon Lefler, Kristijan VinterKristensen and Nikolai Vorse is devoted to interpretation and promotion of experimental, electro-acoustic and
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improvised music. Band members educated at the Royal Danish Academy of Music perform all across Europe
combining acoustic instruments, electronics, video and multimedia, elements of music theatre. Program of the
Belgrade and Danish concerts included piece Fashion Victim V for violin, double bass, voice and block flute by Ana
Gnjatovid.
 Concerts Vocal lyrics featuring pieces by Vera Milankovid and Edvard Grieg were held at Belgrade (Students
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Cultural Centre, Novi Beograd, May 11 ) and Novi Sad (Matica Srpska, Great Hall, May 18 ). Ileana Milid (soprano)
with piano accompaniment by Vera Milankovid performed at these concerts. Program included following pieces:
Happiness, Premonition (Desanka Maksimovid), Secret places (verses by Miloš Komadina)This country weight so heavy
(verses by Richard Burns), From Norway (first performance), Die Prinzessin (Princes), Guten Morgen (Good morning),
Ein Schwan (Swan), Solveigs Lied (Solveig's Song) and Ich liebe dich(I love you) by Edvard Grieg.
 FoM Symphonic Orchestra led by professor Aleksandar Vujid had concerts at the Students Cultural Centre and the
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Kolarac Foundation on May 12 and 14 , 2011. Ljubica Stojanovid (piano, class of professor Aleksandar Šandorov) was
a soloist playing Concert for piano and orchestra No. 1 in D minor, Symphony No. 4 in B flat major Op. 60 by Ludwig
van Beethoven.
 Marija Družijanid, organ student at the specialist studies in the class of associate professor Maja Smiljanid Radid
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had a concert within the cultural event Night of the museums on May 14 at the Museum of Science and Technique.
 Piano, harp, guitar, musicology and music pedagogy students who attend History of music in the class of assistant
professor Dragana Stojanovid Novifid had a concert Music from films, musicals and TV shows. Students performed
pieces for piano; violin and piano; voice and piano; voice, piano and violin; vocal ensemble and piano; piano
fourhanded; harp. Aleksandar Ranđelovid (piano and voice), Dejan Jelid (voice), Sanja Spasid (piano), Nenad Đurđevid
(piano), Nina Milojkovid (violin and voice), Katarina Rankovid (piano), Ana Marija Franc (harp), Milica Tegetlija (voice
and piano), Angelina Živanovid (voice), Tanja Krivokapid (voice and piano), Milica Predolac (voice), Ana Vasid (piano
and voice), Vesna Zelenovid (piano), Vojin Nenadovid (piano), and Aleksandar Lazarevid (voice) performed pieces
from musicals Hair and Cabaret, movies Titanic, The Godfather, Balkan ekspres, The Mambo Kings, Табор уходит в
небо, An Officer and a Gentleman and Shrek. This was the third concert within the concert cycle This is history of
music!
 Concert Contemporary music for piano, harp and electronic devoted to the memory of Johnny Cage, prepared and
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organized by assistant professor Dragana Stojanovid Novifid was held at the Faculty of Music on May 24 , 2011. Piano,
harp and music pedagogy students performed at this concert playing pieces for piano, two pianos, piano and
electronics and harp. Before every performance students talked about the composer and piece they were about to
play. Pieces by John Cage, Sergei Prokofiev, Francis Poulenc, Joaquín Turina, Carlos Salcedo, Svetislav Božid, Olivier
Messiaen, Nicolas Flagello, Francesco Di Fiore, Ferenc Farkas, Pavle D. Popov and Alfred Schnittke were performed at
this concert when Ana Vasid (piano), Hana Paraušid (harp), Katarina Jovanovid and Katarina Rankovid (piano), Sanja
Spasid (piano), Ana Marija Franc (harp), Vesna Zelenovid (piano), Miona Barbul (piano), Mina Marinkovid (harp),
Olivera Pantelid and Kristina Matijaševid (piano), Pavle D. Popov (piano and electronics) and Milica Predolac (piano)
played. This was the fourth concert within the concert cycle This is history of music!
Students at the Department for Ethnomusicology had
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a public class on May 29 at FoM Grand Hall when
they performed traditional pieces for singing and
dancing from Serbia, Bosnia and Herzegovina and
Bania. Sanja Radinovid, MA, professor Olivera Vasid,
PhD, associate professor Selena Rakofevid, PhD,
associate professor Mirjana Zakid, PhD and assistant
Zdravko Ranisavljevid prepared students of
undergraduate and master level of studies for this
concert.
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ASSEMBLY OF CITY OF BELGRADE
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March 21 , 2011
GORAN MARINKOVID AND FRIENDS
Milan Mihajlovid: Eine kleine Trauermusik for flute,
oboe, clarinet, bassoon and piano
Aleksandar Ružid, flute; Ivana Dakid, oboe; Voijislav
Dukid, clarinet; Goran Marinkovid, bassoon; Radmila
Dinid, piano;
Francis Poulenc: Trio for piano, oboe and bassoon
Radmila Dinid, piano; Bojan Pešid, oboe; Goran
Marinkovid, bassoon
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Milan Mihajlovid: Lamentoso for clarinet, bassoon
and piano
Vojislav Dukid, clarinet; Goran Marinkovid, bassoon;
Dejan Subotid, piano
May 5 , 2011
MADLEN STOKID VASILJEVID, violin
ARPAD PEČVARI, piano
Dušan Radid: Sonata for violin and piano, Op. 25, No. 2
Ludwig van Beethoven: Sonata No. 7 in C minor
Dejan Despid: Vinjete Op.43
Igor Krivokapič: 3 for 3, for piccolo flute, bassoon and
piano
Aleksandar Ružid, piccolo flute; Goran Marinkovid,
bassoon; Tea Dimitrijevid, piano
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June 14 , 2011
LJILJANA VUKELJA, piano
Goran Marinkovid: Quadrilateral for two violins, viola
and bassoon
Madlen Stokid Vasiljevid, violin; Marija Misita, violin;
Rastko Popovid, viola; Goran Marinkovid, bassoon
Ludwig van Beethoven: Sonata Op. 110, A flat major
Franz Liszt: Transcendental Etude No. 10 in f minor
and Sonata in B minor
STUDENTS CONCERTS
Sunday concerts, Great Hall, FoM
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March 9 , 2011
Students from the class of associate professor Goran Marinkovid and assistant Igor Lazid
W. A. Mozart: Duet for two pianos
(Vladimir Gagid, Stefan Šokšid)
(Miloš Miketid, flute; Adam Bou, clarinet; Marija
Kovafevid, piano)
Ferenc Farkas: Antique Hungarian Dances for two
oboes
(Marija Nikolid, Božidar Antid)
Henri Pousseur: St. Hubert's Hunt for horn and piano
(Umbina Maj Nestorovid, horn; Verica Pekmezovid,
piano)
Charles Addison: Sonata for three clarinets
(Nikola Ulemek, Adam Bou, Dejan Ivanovid)
Tielman Susato: Dance Suite
J. S. Bach: Arie
Franz Doppler: Rigoletto Fantasie, for two flutes and
piano
(Iva Miloševid, flute; Saška Marjanovid, flute; Vojislav
Peruđida, piano)
Anonymous: Sonata
John Avison: Frère Jacques – fantaisie for bas quintet
(Dušan Murišid, trumpet; Konstantin Sotirovski,
trumpet; Katarina Popovid, horn, Vladimir Vereš,
trombone, Đorđe Antid, trombone)
Ernesto Cavallini: Reverie Russe for flute, clarinet and
piano
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March 13th, 2011
Department for string instruments
J. S. Bach: Allemanda and Couranta (from Partiture
for solo violin No. 2, D minor)
Aleksandra Jovid, piano
C. Saint-Saëns: The Introduction and Rondo
Capriccioso
Aleksandra Bogdanovid, violin; Sanja Petkovid, piano
J. S. Bach: Adagio and Fugue (from Sonata for solo
violin No. 1, G major)
N. Paganini: Caprice No. 24
E. Isai: Ballad
Divna Tontid, violin
M. Ravel: Gipsy rhapsody
Jovana Stošid, violin; Ivana Pavlovid, piano
P. de Saraste: Habanera
Ivana Zavišid, violin; Sanja Petkovid, piano
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March 29 , 2011
Opera studio
MUSIC PREPARATION:
Assistant professor Dragana Radakovid – conductor
Artistic associate Valentina Konstandinovid – piano
Senior artistic associate Ivana Stokovid – piano
J. Strauss: The Bat
Trio - Rosalinda, Adele, Eisenstein (Act I)
Gorana Radenovid, Ana Kovafevid, Igor Arizanovid
W. A. Mozart: The Marriage of Figaro
Duet / Susanne-Contessa
Milica Milifid, Milica Jovifid
G. Verdi: La Traviata
Duet Violetta/Germon
Nataša Đikanovid, Aleksa Vasid
W. A. Mozart: The Magic Flute
Pamina and the Three Boys
Tijana Blefid, Milica Milifid, Milica Jovifid, Jovana
Čurovid
Jules Massenet: Manon
Duet Manon/De Grie
Marija Mitid, Dejan Ljutovac
G. Verdi: Troubadour
Duet Conte di Luna/Leonora
Ivana Petrovid, Aleksa Vasid
G. Donizetti: Don Pasquale
Duet Noreen/Malatesta
Nevena Tirnanid, Aleksa Vasid
G. Donizetti: The Daughter of the Regiment
Duet Maria/Tonio
Jelena Bankovid, Danilo Stošid
G. Rossini: The Barber of Seville
Music lesson
Ana Radovanovid, Dejan Ljutovac, Igor Arizanovid
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April 28 , 2011.
Piano department
L. van Beethoven: Sonata Op. 2 No. 2 (movement I)
Darja Samofalova
S. Prokofiev: Diabolic Suggestions
Anđelo Janjid
F. Chopin: Fantasie Impromptu
Sanja Prgonjid
M. Clementi: Sonata in F sharp minor Op. 26 No. 2
Sanja Spasid
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F. Liszt: Bohemian arie
Jelena Markovid
A. Simid: Tokata
Tijana Blagojevid
S. Rachmaninoff: Preludes C sharp minor
Anđela Stojovid
S. Rachmaninoff: Prelud G major Op.32, Etude E flat
major Op.39
Pavle Živojinovid
M. Ravel: Le Tombeau de Couperin (Forlana, Rigodon,
Menuet)
Nevena Milovanovid
F. Liszt: Valley of Obermann
Stefan Đokovid
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May 19 , 2011
Department for string instruments
H. Wieniawski: Concert for violin D minor,
I movement
Ana Milosavljevid, violin
Ivana Pavlovid, piano
P. I. Tchaikovsky: Violin Concerto in D major,
I movement
Ivan Simeunovid, violin
Katarina Hadži Antid Tatid, piano
A. Hudojan: Sonata for solo violoncello
Nevena Konjevid, violoncello
A. Ginastera: Pompeana No. 2 for violoncello and
piano
Eli Krsteva, violoncello
Ivana Pavlovid, piano
H. Vieuxtemps: Capriccio
Miloš Rakid, viola
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March 21 , 2011
Department for singing
G. F. Handel: aria Tornami a vagheggiar from opera
Alcina
Aleksandra Alivojvodid
Professor Milica Ilid, piano accompaniment
C. Gounod: aria Marguerite Ah, je ris… from opera
Faust
Jovana Čurovid
Tatjana Drobni, piano
G. Rossini: aria Rozine Una voce poco fa from opera
The Barber of Seville
Tamara Grubin
Milivoje Veljid, piano
G. Puccini: Ch’il bel sogno aria from opera La Rondine
Gordana Radenovid
Vladimir Gligorid, piano
V. Bellini: aria Ah, non credea mirarti from opera
Sonnambula
Sanja Simid
V. Bellini: aria Julia Eccomi in lieta vesta from opera
The Capulets and the Montagues
Sanja Simid
G. Puccini: aria Quando m’en vo, aria Musetta from
opera La bohème
Ana Kovafevid
G. Donizetti: aria Norineen Quel guardo il cavaliere
from opera Don Pasquale
Nevena Tirnanid
Milica Ilic, piano
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C. Gounod: aria Juliette Je veux vivre from opera
Romeo and Juliette
Jelena Bankovid
G. Puccini: aria In quelle trine morbide from opera
Manon Lescaut
Marija Mitid
F. Cilèa: aria Adriana Lo son l’umile ancella from
opera Adriana Lecouvreur
Nataša Tasid
A. Catalani: aria Ebben, ne andrò lontana from opera
La Wally
Jasmina Stojkovid
WORD OF MUSIC
 Assistant professor Tijana Popovid Mlađenovid, PhD attended the international scientific symposium Une musique
française après 1945 (Lion, March 3-5, 2011) organised by Conservatoire national supérieur musique et danse de Lyon
(CNSMD de Lyon) where she presented her work Les maîtres du marteau, du faune et du temps. Proposition d’une
nouvelle lecture du Marteau sans maître. Pierre Albert Castanet, Emmanuel Ducreux, Robert Pascal, Hugues Dufourt,
Gilbert Amy and François-Bernard Mâche attended this symposium that included scientific sesions and ten concerts.
Publication from this symposium issued by Éditions Symétrie will include work by Tijana Popovid Mlađenovid.
 Assistant professor Dragana Stojanovid Novičid, PhD got the invitation to participate in the international
colloquium organised by the Society for Minimalist Music, University of Wolverhampton (April 8-10, 2011, Great
Britain). Scientists from Great Britain, the USA, Serbia, Belgium, Finland and the Netherlands participated in this
colloquium. Dragana Stojanovid Novifid gave a lecture in English language Music Minimalism in Serbia: Its Beginnings,
Circumstances of Its Emergence, and Its Creative Endeavors. Works presented at this colloquium will be published in
the collective international monography on music minimalism issued by the reputable English publisher Ashgate.
University Wolverhampton and the Ministry of Science co-financed Dragana Stojanovid Novifid’s trip to Great Britain.
 The American Society for Eighteen-Century Studies annual meeting was held in Vancouver (Canada, March 16-19).
One of the sessions The image of Harlem included work by associate professor Tijana Markovid, PhD based on the
study of the recently discovered opera Das Serail by Joseph Friebert (1724-1799). This work attracted a lot of
attention given the fact it was the unknown part that W. A. Mozart used while composing his Die Entführung aus dem
Serail and Zaide. Tijana Markovid’s work will be published.
 Associate professor at the Department for musicology Tatjana Markovid, PhD was a guest lecturer at the New York
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University on March 21 . She gave a lecture The Ottoman Other in Southeast European 19 -century opera presenting
parts of her postdoctoral studies at the University in Graz. Historian Larry Wolff, director of the Center for European
and Mediterranean Studies and Leslie Pierce, professor at the Department for History: Middle East and Islamic studies
at the New York University invited professor Tatjana Markovid to give a guest lecture.
• Mirjana Veselinovic Hofman, PdH, professor at the Department for Musicology, participated in the International
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Conference Musicians' Forum “Music Professions Today – from a European Perspective (March 24 , Texas State
University San Marcos, USA). Mirjana Veselinovic Hofman gave a keynote lecture On the Sustainability of
Contemporary Music in Interdisciplinary and Cross-Cultural Context at the International conference of modern music
(March 25-26, Texas State University San Marcos, USA).
 During the event Days of Vlada Miloševid (April 15–16, 2011; Academy of Arts, University in Banja Luka) an
international scientific meeting Tradition as inspiration was organised. Tijana Popovid Mlađenovid, PhD
(Hofmannstal's and Strauss' "Ariadne on Naxos" and cultural tradition), Olivera Vasid, PhD (Presence of two-bar dance
patern in dance tradition of Bosnia and Herzegovina), Zdravko Ranisavljevid (Meaning of genre "kolo u 3" in symbolic
Serbs' dance practice), Selena Rakočevid, PhD (Dancing in wedding ritual of Banat Serbs: ethnocoreological narative)
and Slavica Stefanovid, MA (Use of time in primary schools).
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 Translatio imperii st studii, one of the annual meetings of the international interdisciplinary scientific project of
linguists, theorists of art, theatre experts and musicologist in Vienna, Paris and Rome was held in Rome, on April 9-13,
2011 at the Austrian institute for history (Istotuto Storico Austriaco a Roma). Professor Tatjana Markovid, PhD was
the only musicologist who presented her work From “Zriny” (1812) to “Nikola Šubid Zrinjski” (Zagreb, 1876):
Translation, re-politisation, and re-nationalisation of the theatre play by Theodor Körner. The paper will be published.
 Dragana Todorovid, MA, participated in the international scientific meeting The school as a factor in the
development of national and cultural identity and pro-European values: education - tradition and modernity held on
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April 16 2011 at the Faculty of Pedagogy in Jagodina. Dragana Todorovid presented her work Contribution of Borivoje
Popovid to a continuous development of Serbian musical-pedagogical identity.
 The latest book Bela Bartok – Composer, performer and pedagogue (Music Centre of Montenegro) by Dragoljub
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Šobajid, PhD was published in April 2011. Book promotion was held in Podgorica on April 14 within A tempo festival.
Žarko Mirkovid, director of Music Centre of Montenegro, Ivana Miladinovid Prica and the author himself spoke about
this book.
 Mirjana Zakid, PhD and her colleagues from SASA Institute for Musicology Danka Lajid Mihajlovid, PhD and Rastko
Jakovljevid, MA had a panel discussion The Presence of Rural Instruments in Serbia Today – case of “sviralac”; case of
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“gajde”; case of “gusle” at Stubifkim Toplicama on April 16 during the 18 Meeting of the ICTM Study Group on Folk
Musical Instruments.
 Mirjana Zakid, PhD attended 2 Internatonal Festival of Slovenian Folk Song Оптинская весна (Кпзельск, May 14
– 15) and organised participation of Vidovdan band (led by ethnomusicologist Branko Tadid) that won laureate
awards.
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 Promotion of the book Processes of Pan-stylistic Music Thinking (Faculty of Music and Signature, 2009) by Tijana
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Popovid Mlađenovid, PhD was held on May 16 , 2011 at the Artget Gallery. Musicologist Mirjana Veselinovid Hofman,
PhD, psychologist (and psychologist of music) Ksenija Radoš, PhD, esthetician and theorist of art Miško Šuvakovid,
PhD, neuro-psychiatrist Tomislav Sedmak, PhD, composer Zoran Erid and philosopher Miloš Arsenijevid, PhD talked
about this book. Pianist Vladimir Stojnid played prelude The Wine Gate from Preludes for piano (book II) by Claude
Debussy, piece that is , among others, discussed in this book.
 Biljana Sredkovid, assistant at the Department for Musicology gave a lecture Contemporary Serbian art:
Electroacoustic music of Vladan Radovanovic on May 17th, 2011 in Vienna. This lecture held within Alte Schmiede
festival devoted to contemporary art practices, was organised by Alte Schmiede Kunstverein Wien and Vienna City
Hall. Austrian composer Dieter Kaufmann who invited Biljana Sredkovid to give a lecture, attended the lecture himself.
 Theatre play Trieste written by Miloš Radovid, directed by Alisa Stojanovid and music by Ivan Brkljačid had its
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premiere on May 17 , 2011 at Atelje 212 Theatre. The composer performs live music together with actor Svetozar
Cvetkovid.
 Ivana Miladinovid Prica, assistant at the Department for musicology presented her study A new era of (music)
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listening – from soundless to noisy environment at 5 International symposium Keep an Ear on...This symposium held
in Florence on May 20-22, 2011 was organised by european association Forum Klanglandschaft (Basel), Center for
music research Tempo Reale (Florence) and Centre for contemporary art EXZ (Florence).
 The leading German mixed choir I vocalisti (led by conductor Hans-Joachim Lustig), first prize winner at the federal
german competition in 2001, published the CD that includes composition Pater noster by Aleksandar Vujid.
DEFENDED PhD THESES
Ted Dimitrijevid, MA
Aspects of permormances and issue of pedalling in
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piano duos of 19 and 20 century French composers
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April 17 , 2011
Prof. Zorica Detkovid, mentor; prof. Ladislav Mezei;
prof. Ljubmila Popovid; associate prof. Goran
Marinkovid; Uroš Pešid, retired prof.
Dejan Subotid, MA
Specificities of the interpretative approach of
transcriptions in regard to the approach of the original
pieces in French literature for piano duo at the turn of
the 19th century into the 20th century
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April 17 , 2011
Prof. Zorica Detkovid, mentor; prof. Mezei Ladislav;
prof. Ljubmila Popovid; associate prof. Goran
Marinkovid; Uroš Pešid, retired prof.
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ANNOUNCING...
University of Arts Summer school will be organised in NIš and Sidevo (July 16 – 24, 2011) including three workshoprs of
the Faculty of Music. Nebojša Ignjatovid, professor at the Department for String Instruments will lead Music Garden
workshop whose main goal is to encourage students to cherish the ideas formed durings the creation process. Basis of
this workshop is local music heritage freed from parochialism and obduracy often common for committment to
tradition. Milena Miladinovid, Ana Sretenovid, Marija Družijanid, Luka Čubrilo, Milan Berginc, Eli Krsteva and Tamara
Komatovid will participate in this workshop.
Đorđe Petrovid, associate professor at the Department for Composition will lead Cook Book Pro workshop.
Recorded music improvisations will be processed in the studio at the Faculty of Arts in Niš. Branislav Stojanovid and
Vladimir Perišid will participate in this workshop.
Mirjana Zakid, assistant professor at the Department for Ethnomusiclogy and Iva Nenid, assistant will lead
ethnomusiclogical workshop NIŠnu se zvezda: Traditional music from Sidevo and its surroundings. Field research will
include traditional music from Niš and municipality Niška Banja that Sidevo belongs to. Traditional vocal, instrumental
and vocal-instrumental music will be double researched - as testimony of the past and as an element of villagers and
ethnomusicologist life experience. Jovica Miliutinovid, Aleksandra Stošid, Jovana Karnid and Milena Stoiljkovid will
participate in this workshop.
AWARDS AND RECOGNITIONS

Davorin Jenko competition was held on February 26 – March 6, 2011. The following FoM students won prizes in
the wind instrumets discipline: FLUTE – Dragana Jovanovid (laureate, D category, class of Ljubiša Ljovanovid), Miloš
Miketid, (I 4, class of Ljubiša Ljovanovid), Ana Kaličanin (III 1, class of Ljubiša Ljovanovid), Marija Milosavljevid
(laureate, E category, class of associate professor Miomir Simonovid); OBOE – Ivana Jovid (I 2), Božidar Antid (I 3),
Katarina Mučalica (II 1) (class of professor Dragan Lazid); CLARINET – Stefan Beloičid (I 2), Marko Banjac (I 2), class of
professor Ante Grgin.

13 flute competition Tahir Kulenovid was held on March 12 – 14, 2011. Dragana Jovanovid (1 prize), Nikola
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Nikolid (2 prize), Ana Kaličanin (3 prize) and Ana Marija Banovid (1 prize), class of professor Ljubiša Jovanovid won
prizes at this competition.
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
Piano competition Memorial Dr Vojislav Vučkovid was held in Belgrade, from March 5 - 9, 2011. Naomi Gereg,
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PhD student won the 1 prize and the Laureate title in the highest, 5 category . Sanja Spasid, third year student, won
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the 2 prize in the same category. Darja Samofalova, first year student won the 2 prize in the 4 category of the
same competition. All students are in the class of professor Ninoslav Živkovid.
Dragan Đilas, the Mayor of Belgrade and
Aleksandar Antid, President of the
Belgrade City Assembly handed the
awards to the best individuals in the
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capital (April 19 2010). Aneta Ilid,
associate professor of singing won the
award for music-theatrical creativity and
artistic work in 2010 and Vladimir Trmčid,
first year student at the doctoral studies of
composition (class of associate professor
Isidora Žebeljan) won the award for his
composition Zeleno sunce Janusa. These awards were handed within the event Days of Belgrade.
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
Petar Konjovid competition was held in Novi Sad on May 4 – 12, 2011. Seven students from the Faculty of Music
competed at harp discipline and three of them won awards: Hana Paraušid (II prize, IV category), Mina Marinkovid (I
prize, V category) and Ana Marija Franc (III year, V category). Mina Marinkovid, winner of the oldset category, won
several concert in Euorpean cities.
Dragana Jovanovid (III prize, IV category) and Ana Marija Banovid (III prize, V category) were awarded in flute
discipline.

Professor Vladimir Tošid won the 3 prize for his composition Five dances for three guitars. This completion held
in Lebach, Germany gathered more than 110 compositions from around the world. Vladimir Tošid’s composition
entered the finals together with six more compositions that had their performances at the concert after the award
ceremony.
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University Senate (University of Arts) made an
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unanimous decision on May 26 2011 awarding
Darinka Matid Marovid, Biserka Cvejid (Faculty of
Music) and Nikola Jankovid (Faculty of Fine Arts) the
title of Professor Emeritus. Darinka Matid Marovid
and Biserka Cvejid are both retired professors and
they are promoted in professors emeritus for their
overall artistic, professional and pedagogical
contribution to development and progress of the
University of Arts and Faculty of Music. Nikola
Jankovid, retired professor, gained the professor
emeritus title for his contribution to development and
progress of the University of Arts and Faculty of Fine
Arts.
NEW FoM RELEASES
Book Interweaving Dance Structures (Traditional
dances and Music for Dance of Serbian people in
Banat in light of the mutual influeneces) by Selena
Rakočevid, assistant professor at the Faculty of Music
was published with financial support of the Ministry of
Science and Technological Development.
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NEW AT FoM LIBRARY
MAGAZINES
The list of releases gifted to FoM library from RILM (Répertoire International de Littérature Musicale):
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Journal of the American Musicological Society, Berkeley, California (USA): American Musicological Society: 1978, Vol. 31, No. 3
Journal of the American Musicological Society, Berkeley, California (USA): American Musicological Society: 1993, Vol. 46, No. 2, 3
Journal of the American Musicological Society, Berkeley, California (USA): American Musicological Society: 1994, Vol. 47, No. 1, 2, 3
Journal of the American Musicological Society, Berkeley, California (USA): American Musicological Society: 1997, Vol. 50, No. 1
Early Music, London: Oxford University Press: 1982, Vol. 10, No. 1, 2, 3, 4
Early Music, London: Oxford University Press: 1984, Vol. 12, No. 3, 4
Early Music, London: Oxford University Press: 1990, Vol. 18, No. 2
Early Music, London: Oxford University Press: 1991, Vol. 19, No. 4
Journal of Research in Singing and Applied Vocal Pedagogy, Texas (USA): IARS: 1992, Vol. 16, No. 1
Journal of Research in Singing and Applied Vocal Pedagogy, Texas (USA): IARS: 1993, Vol. 16-17, No. 1, 2
Journal of Research in Singing and Applied Vocal Pedagogy, Texas (USA): IARS: 1994, Vol. 17-18, No. 1, 2
Journal of Research in Singing and Applied Vocal Pedagogy, Texas (USA): IARS: 1995, Vol. 18, No. 2
BOOKS
 Зборник Матице српске за сценске уметности и музику, 43, Нови
Сад: Матица српска, 2010.
 Rakofevid, Selena: Igre plesnih struktura, Beograd: Fakultet muzifke
umetnosti, 2011.
 Грба, Недељко: Бисери оперске ризнице, Београд: Сигнатуре, 2010.
 Olivier Messian: The centenary papers, London: Cambridge Scholars,
2010.
 Kuba, Ludvig: Slovanstvo ve svých zpĕvech: písnĕ jihoslovanské, Praha :
Hudebni Matice umĕlecké besedy, 1923.
 Kuba, Ludvig: Slovanstvo ve svých zpĕvech: písnĕ jihoslovanské, Praha :
Hudebni Matice umĕlecké besedy, 1927.
 Вагнер, Рихард: Ка Бетовену, Београд: ОСВИТ, 1922.
 Wallace, Berry: Form in Music, Englewood Cliffs: Prentice Hall, cop. 1966.
25
CD/VCD/DVD
 Музика класика 3, Београд : Музика класика, 2011.
 Živkovid, Mirjana: Kamerna muzika (Duvafki kvintet, Zapis...; *S.l. : s.n.+, 2010, (izv. Srpski duvafki kvintet et. al.) *kopija+
 Živkovid, Mirjana: Kružna melodija (izv. B. Čifovafki, oboa; A. Đurid, igrafica; autorsko vefe na Međunarodnoj tribini kompozitora
u Holu Narodne banke Srbije, 2010) DVD [kopija]
 ...Antologija srpske klavirske muzike (J. Slavenski, P. Miloševid...), Beograd : FMU, 2010 (izv. D. Trbojevid, klavir; Simf. orkestar
RTB-a; dir. V. Čavdarski...), 2 CD
 Rodrigo, Joaquín: Dela za klavir (Svita za klavir...), Madrid : Sony Music, 2001 (PGP RTS, 2003) (izv. S. Marjanovid, klavir) 2 CD
 Marjanovid, Sara: Tragovima zvuka, Beograd : Sara Music Art, 2007 (izv. autor, klavir, et.al.) 2 CD
 Sarasate, Pablo: Muzika za violinu i klavir (Introducción y Tarantela Op. 43...), Madrid : Sony Music, 2008 (izv. I. Marinkovid,
violina; S. Marjanovid, klavir) 2 CD
 Liszt, Franz: Études d’Éxecution Transcendante, Los Angeles (USA) : JVC, 1997 (izv. K. Gekid, klavir)
 Bartók, Béla: Gudafki kvarteti br. 1-6, [S.l.: s.n., 1987] ) izv. Alban Berg kvartet 2 CD [kopija]
SCORES








Chopin, F.: Impromptus, Krakow: PWM, cop. 1983.
Chopin, F.: Scherza, Krakow: PWM, cop. 1985.
Liszt, F.: Waldesrauschen, Budapest: Edition Musica, s.a.
Liszt, F.: Etuden II, Budapest: Edition Musica, cop. 1970.
Liszt, F.: Ungarische Rapsodien I, Budapest: Edition Musica, cop. 1972.
Liszt, F.: Ungarische Rapsodien II, Budapest: Edition Musica, cop. 1972.
Liszt, F.: Etude op. 6, Budapest: Edition Musica, cop. 1985.
Schumann, R.: Fantasiestucke, Leipzig: Peters, s.a.
Trill published three times a year
Editor: Nataša Danilovid
Translation into English: Ivana Tanackov
Design and technical editing: Nataša Danilovid
For the publisher: professor Dubravka Jovieid, PhD
Publisher: Faculty of Music, Kralja Milana 50, Belgrade
[email protected], [email protected]
http://www.fmu.bg.ac.rs
26

Bulletin of Faculty of Music – University of Arts in Belgrade EVENTS

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