8 - Moc.gov.tw

Transcription

8 - Moc.gov.tw

C ONTENT
O4
Forwar d by Minister ,
Ministry of Culture
O6
Forwar d by Director
18 24
Solitude-Joy – Brahms-Wagner
Fabian Müller's Taiwan
Images
O8
Wen-Pin Chien, Artistic Advisor
1O
National Taiwan
Symphony Or chestra
12
2014/15
2014/15 Season Concerts
16
20
The T urn of the Screw
by Benjamin Britten
Madama Butterfly by
Giacomo Puccini
22
Lan Shui's Song without Words
26
Un ballo in maschera
by Giuseppe Verdi
42
‫ܪߌڒ‬ůԆБంϑপˬ
Mostly Mozart By
Cho-Liang Lin III
28
44
̫ѝԧ֕࿅ϣ౎ů
੺ઙ۞ˠᓏॠ඀
Gustav Mahler's Vocal
Journey
‫ڱ‬ᜋҘ۞঎ႝᄃО෪
Romantic Impressions of
the French Music
34 46
30
ଐບ̂ঔů
ͪᖡ۞ˠϠ̝ႇ
Lan Shui's Song of Life
32
̋‫߹ͪܜ‬ϖ̙ொů
੺ᜋؑऋąາ͵ࠧ
The Maiden of Malan –
New World Symphony
঎ႝႇෝů
Օ਴۞ᓏଐϹᜩ
Symphony of Voice and
Sentiment
38
ճሤҘ঱Ͱ
Olé, España!
Δለࢲଐ൪
Nordic Imageries
48
‫۞ྻ׻‬ཙՎ
Footsteps of Fate
50
40
ٛ‫ރ‬Ⴌ۞ளຐ͵ࠧ
Fantastic World of
Maurice Ravel
ܻᘲ೻ࢰሄλˠ
The Giants of
Russian Music
52
58
঎ႝࠁ۞͑ຐ
Romanticism Fantasies
ᖎჅ‫ܦ‬Ladies' Night
Pi-Chin Chien: Ladies' Night
54
‫؜‬ᇇႬ࿵۞ࢰሄ৵ೡ
Musical Sketches by
Mendelssohn
57
‫ ܪߌڒ‬Cosplay Mozart
Cho-Liang Lin: Cosplaying
Mozart
59
ٛᄿ‫ڒ‬Fascinating
The Fascinating and
Rachlin
62
NTSOဥᇉࢰሄົů็௚ᄃ็ٚ
NTSO Anniversary ConcertTraditions & Transition
63
2014໐ϐࢰሄົůճᝌᔙШ2015
2014 End of Year ConcertCarnival Night: Hello 2015!
64
NTSOᏐ̄ࢰሄົůဂ‫ᜲݱ‬௏͘
NTSO Family ConcertPied Piper in the City of Rats
67
61
NTSOᏐ̄ࢰሄົů൑ࢨճຐ
NTSO Family ConcertImaginationąź
᝘֍ᄂ៉۞ᓏࢰĪາሄąߐ᜙ī
2014‫ܦ‬ѐࢰሄ౹үᚮᔈՙᔈࢰሄົ
Voice of the New and BrilliantFinal Concert of the Composition
Competition 2014
઼ϲᄂ៉Ϲᜩሄဥࢰሄ౹үࢍထ
68
ሄဥበ‫ט‬ᄃNTSOႊ΍Җְፌ
81
Open Houseࢰሄ๩ྼົ
70
ࢰሄछ̬௜
87
઼ϲᄂ៉Ϲᜩሄဥ‫ܢ‬నგሄဥ
72
઼ᄂϹx‫ڱ‬ฮ‫މ‬x๔࡚ྕ‫ݡ‬āࢰሄᓾૅ 104
NTSO઼ᅫ‫͌ܦ‬ѐგ‫ؽ‬ሄᒉ
74
2014/15‫ؠ‬ഇࢰሄົրЕइை૞९ 105
NTSO‫͌ܦ‬ѐგሄᒉ
76
VIPᔉை͞९ 106
ઐᅈጯ७७γᘹ͛ିጯ
77
˘ਠᔉைྤੈ 107
103ѐ‫ޘ‬NTSOरϠሄТҖ
78
̚ᎸૅळҜဦ 108
ႊ‫ݶ‬ះ۞̬௜
80
3
2011
2011/12
2013/14
004
2012/13
Cultivating Local Appreciation
of The Arts with Abundant
Musical Energy
NTSO has long been devoted to promoting music and arts in Central
Taiwan. In addition to their busy touring schedules, the musicians also
visit rural areas and correction centers, and introduce the children
there to their very first musical instruments. Last year, NTSO organized
a series of large-scale concerts, titled
B lue skies, open fields,
under the banyan trees , to spread music and joy at various venues,
including the Chiang Kai-shek Memorial Hall Plaza in Taipei, the
Wei-W u-Ying Center for the Arts in Kaohsiung, Longtan Township in
Taoyuan, and Puli Township in Nantou. Locals flocked to the concerts
and thoroughly enjoyed the performances, proving NTSO, with its
bountiful music ener gy, has indeed successfully encouraged more
people to engage in artistic and musical events.
Since 2011, NTSO has been organizing concerts by musical season
under the leadership of Artistic Advisor Mr. Lan Shui, and all have
been well-received. Looking back to the 2011/12, 2012/13, and
2013/14 seasons, NTSO has presented wondrous classics and fantastic
legends with themes such as Salute to the Masters
and the Love
and Death Series . Every season, NTSO tours the region and
initiates dialogues with locals via music. Classic yet innovative music
presentations lead to inclusive and meaningful conversations and
attract mor e residents to come and participate.
NTSO has impressed the public with its numerous collaborations
with internationally-acclaimed maestr os, continuous improvement
of skills and artistry, and active renewal of the brand. The orchestra
simultaneously launches various promotion campaigns such as visiting
rural areas to offer opportunities for the residents to appr eciate and
enjoy music. I joined the masses of fans in the open plazas when
NTSO performed outdoors in Taipei and Kaohsiung. I remember
being surrounded by cheerful elderly ladies in colorful shirts,
elementary school students with their teachers there for an outdoor
music class , and grandpar ents with grandchildr en standing next to
their bicycles right under distant banyan trees. Each and every one of
them immersed in this pure, spiritual exchange linked together by the
magic of music.
For this new season, NTSO presents Symphony of Voice and
Sentiment . The season offers various large-scale opera concerts
under the guidance of Artistic Advisor and well-known composer W
enPin Chien. The Weekend Concert Breaks series showcase different
aspects of classical music by including works from composers such as
Ravel and Mendelssohn, and from diverse countries and cultures such
as Russia and France. Wi th sophisticated skill and artistry , NTSO brings
forth a multitude of emotions and styles this season. And we cordially
invite you to join us and enjoy the beauty of music.
Minister of the Ministry of Cultur e
Ying-Tai Lung
005
ႊᘯຏજ
āā౹ౄ੃ጸ
઼ϲᄂ៉Ϲᜩሄဥߏ઼̰።Ϋ౵ଊ˳۞ϹᜩሄဥĂ၆˘࣎ጾѣ።
ΫĂ‫ܜ‬ഇ࡭˧Ο‫ࢰ׏‬ሄଯᇃ۞ሄဥ҃֏Ăтңдன̫۞ᒖဩ̚Ă
̙ኢߏሄဥԛ෪۞ГౄăΟ‫ࢰ׏‬ሄ۞ଯणă៍ி۞ૈዳĂைٗ۞
јᒻඈඈଯજ࠰ߏ‫̙ג‬टቤ۞ЇચĄ࿅ΝΗѐֽĂдՏ˘ಞႊ΍
̚Ă࠻‫઼ז‬ᄂϹဥࣶ၆ሄѡ˧ՐĶৌķ۞ܑனĂ၆‫މ‬यࢰሄछ
Ķචķ۞ၗ‫ޘ‬Ă၌݈၌‫ޢ‬Т̥ጬ˧̙ጻĶ࡚ķ۞ჟৠĂ఺࣎૞ຽ
ᄃҖ߆Ъү൑มĂࢬ၆ሄဥଊ˳።Ϋ҃ဥࣶπӮѐ᛬‫࠹ݒ‬၆ѐᅅ
۞ሄဥĂ၆Ο‫ࢰ׏‬ሄѣ൑ࢨ۞ሤଐĂдՏ࣎࠹ົ۞ॡ‫ג‬Ă౅࿅ࢰ
ሄĂ็ᅍ̙Т۞ຏજᄃԼតĄ
າ۞ሄ‫؞‬Ăሄဥ‫ޝ‬ၷ‫ض‬ᔛኛ‫઼ז‬ᅫۢЩ޽೭छᖎ͛૽АϠፉЇᘹ
ఙᜪયĄᖎ޽೭ߏ઼̰ࢵ‫ࢰ۞޽˘ئ‬ሄछĂ‫׎‬ᖳಱ۞གྷ።ᄃᎫ૜
۞‫ޥ‬ჯĂ૟ͽາ۞ෛ౎૲ᅳ઼ᄂϹ֕ซΩ˘֧࣎඀༫Ąдᖎᜪ
ય۞ඉထ˭Ă2014/15ሄ‫઼؞‬ᄂϹ૟ͽĪᓏāଐāϹᜩīүࠎ͹
ᗟĂ౅࿅ࢰሄົ۞ӔனĂ૲ᅳ៍ி൴னΟ‫ࢰ׏‬ሄ̝࡚Ą
ࠎஎਆдг៍ிăଯणώဥ۞૞ຽᄃ٤णᛈ֎Ă઼ᄂϹдώሄ‫؞‬
૟дՏ‫؞‬ᓝᏱĶOPEN HOUSEķࢰሄ๩ྼົĂͽᅅᗫ۞͞ёĂ
ඕЪሄ‫ࢰ؞‬ሄົ̰टĂΐૻଯᇃ߿જćඕЪᄂ̚ξ઼ϔ̈ጯᏱந
ĶरϠሄТҖķĂឰ઼̈ጯϠдሕொᐵ̼̚ତ‫ܕ‬Ο‫ࢰ׏‬ሄćੵ̏
ѣ۞ᓾळγĂ૟ᄃᄂ̚‫ڱ‬ฮ‫މ‬ă๔࡚ྕ‫ݡ‬ЪүĂ‫ؠ‬ഇᓝᏱࢰሄᓾ
ૅĂ᎕ໂᔛࡗ઼̰౤ыࢰሄˠ̖‫̚ז‬ᄂ៉ซҖᘹఙଯᇃć҃ᄃᄂ
៉੼ᜠЪүइைᐹ೎ĂٕᄃЧ৺ጯ७۞Ъүඈ͞९ĂГГពϯሄ
ဥ૟ͽк̮۞͞ёĂซҖࢰሄଯᇃĄ2014/15ሄ‫؞‬Ă઼ᄂϹ૟д
࿅Ν۞ૄᖂ˯Ăႊᘯຏજ۞ࢰ௑Ăࠎϔி౹ౄ࡚р۞੃ጸĂᔛኛ
ଋ˘Т֍ᙋ઼ᄂϹ࡚ᚊ۞ེតĄ
ဥ‫ܜ‬āเ৵࢐
006
Interpreting Emotions
Creating Memories
NTSO is the oldest symphony orchestra in Taiwan, and throughout
the years, we have dedicated ourselves to the promotion of
classical music. We make it our utmost mission to constantly
reinvent NTSO's image, promote classical music, discover new
audiences, and promote ticket sales in today's environment. In
the past six months, during every concert, we see our musicians
devote themselves to seeking the truest form of interpretation,
treat other guest artists with kindness, and collaborate smoothly
with one another. This is an orchestra with an old history and
a group of relatively young members, with endless passion for
classical music, and where artists and those behind the curtains
cooperate in perfect harmony. This is an orchestra that turns every
encounter into a different musical conversation on emotion and
change.
NTSO is honored to have internationally-acclaimed conductor
Mr. Wen-Pin Chien as our Artistic Advisor for this new season. Mr.
Chien is one of the best musicians in Taiwan, and will undoubtedly
lead NTSO towards a new milestone with his vast experience
and comprehensive vision. The theme of the 2014/15 Season
isņSymphony of Voice and SentimentŇ, and aims to present
the beauty of classical music to the audience through a series of
concerts.
Moreover, this season NTSO will organize and host various events
to further promote our profession and introduce ourselves to
additional local audiences.ņOPEN HOUSEŇ Music Fairs will
introduce concert pieces in a fun and playful way, and various
projects with elementary schools in Taichung can acquaint young
children with classical music. In addition to the lectures already
scheduled, NTSO, in collaboration with Taichung FNAC and Park
Lane/Eslite Bookstore, will host regular music lectures and invite
top musicians in Taiwan to share and promote their arts here in
Central Taiwan. NTSO also teams up with Taiwan High Speed Rail
to offer special transportation & concert ticket packages. And
these are just some of the methods NTSO employs to actively
promote classical music.
In the 2014/15 Season, NTSO carries on with our journey. Starting
out from the foundations laid in the past, we invite you to walk
with us and witness NTSO's transformation and beauty.
Director
Su-Jen Huang
007
ᘹఙᜪય/ᖎ͛૽
ᖎ͛૽Ϡ‫ٺ‬ᄂΔĂ઼ϲᘹ૞Ğன઼ϲᄂ៉ᘹఙ̂ጯğᔣሹ௡லຽĂ1990ѐ࢑ᾯ๸гӀ
ˢ઼ϲჯ˵ৼࢰሄੰĞன઼ϲჯ˵ৼࢰሄၱܑႊᘹఙ̂ጯğ២ࡁ޽೭Ă1994ѐ‫଀פ‬Ⴧ
̀ጯҜĄд७ഇมĂഅ‫ٺ‬ཌྷ̂Ӏ̈́‫઼ڱ‬ඈг઼ᅫ޽೭̂ᔈ̚ᒔረĄ1995ѐ‫ͽٺ‬ҒЕ
ၷᒔࢵ‫ب‬ұा೻‫޽؃‬೭̂ᔈপҾረĄ1996ѐ੓ፉЇᇇ઼඿਩ႇᆐੰĞDeutsche Oper
am Rhienğዸੰ޽೭̫֞Ă֭‫ٺ‬1998Ҍ2004ѐፉЇ͟ώ͉π߶ࢰሄ༼ĞPacific Music
Festivalğ૱Ї޽೭Ą1999Ҍ2001ѐᖎ͛૽ᒔᔛፉЇ઼छϹᜩሄဥĞNSOğࢵय‫މ‬ळ
޽೭Ă2001Ҍ2007ѐፉЇࢰሄᓁႾĄፉЇNSOࢰሄᓁႾഇมĂᖎ͛૽ͽ౹າ‫ޥ‬ჯఢထ
ሄ‫༼؞‬ϫĄĮ൴னրЕį‫ؠ‬ഇࢰሄົĂѣր௚ͽҘ͞གྷ‫׏‬үѡछࠎ͹ᗟĂລ੨ᓾळă
૞३ăࢰሄົ݈̈́ᇃᇫ۩̚ጱ௮Ăឰࢰሄົଂಏ৷۞௮ካ٤णࠎ፾প۞វរᄃጯ௫གྷ
រĂјΑૈዳϹᜩሄ‫ڟ‬ካˠ˾Ąͽྭࠧໄ‫ه‬ଯ΍۞ĮႇᆐրЕįăĮϖᅈ۞ආྖįĂ
ᇃᔛᆐಞЩछ̈́ဥវЪүĂјΑᕖणາ៍ிཏĂТॡщଵ઼γ૞छֽᄂૈ੊Ăࠎ઼
̰ѐᅅᓏሄछχౄრ‫ٸ‬Ѝ૾̝ᄅᄂćᖎ͛૽˵᎕ໂ؎੉઼ˠүѡछ౹үĂ๊Ϡᄂ៉Ϲ
ᜩሄາү‫ݡ‬Ă֭޽೭NSOซҖ઼ˠү‫ݡ‬૞ᏭᐂࢰĄ2006ѐ૲ᅳNSO߄ጼරॾৼБώ
Į޽ᒖįĂ౹ֲ߷гડҋᄦྍᆐࢵּĂᒔ଀઼ᅫ૞ຽಫវ̂ቔ಼ಡጱᄃָෞĄ2007
ѐ‫͉צ‬π߶ࢰሄ༼̝ᔛĂதᅳNSOјΑ‫ف‬ጼ͟ώϑຄĂߏࢵ͚ᒔ଀ྍࢰሄ༼ᔛኛ̝
ֲ߷ᖚຽሄဥĄᖎ͛૽ੵͽႇᆐ޽೭̶֗Ă‫צ‬ᔛ‫ٺ‬๸гӀăఈᜋăᇇ઼̈́༄̀ඈгᆐ
ੰ޽೭ႊ΍Ă˵‫މ‬य޽೭Β߁๸гӀăཌྷ̂Ӏăଥҹă઼ܻă‫઼ڱ‬ă͟ώăࢶപăᇇ
઼ă઼̈́̚ࡻ઼ඈгϹᜩሄဥĄ1998ѐ΁தᅳᇇ઼඿਩ႇᆐੰࢵѨ‫ٺ‬Ķჯ˵ৼᘹఙ
༼ķĞWiener Festwochenğႊ΍Ăࠎྍᆐੰͽ̈́ԧ઼޽೭छᆷ˭˘ࢱາࡔᐂĄ2007
ѐ૲ᅳNSOᄃᇇ઼඿਩ႇᆐੰࢵ‫઼ྭޘ‬ЪүĂ‫઼̰ٺ‬ႊ΍БώநߤąΫপ౻೻Įۘ
Ⴔᗨ̀įĄТѐதᇇ઼඿਩ႇᆐੰ‫ٺ‬༄̀Ķ˝͡ࢰሄ༼ķĞSeptembre musicalğႊ
΍Įˬፗ̝᝽įĄ2009ѐᖎ͛૽ᄃጱႊChristoph NelЪүଯ΍ਰϨҹႇᆐĮᇝҘᄃ
ֲࣖįາᄦүĂజᇇ઼ࢦࢋಫវ̈́ෞኢ᜖ࠎྍᆐੰ‫˩ܕ‬ѐֽ౵јΑ۞ᄦүĄ඿਩ฎಡ
៙྽Ķᖎ͛૽Ă˘ҜೠଠБԊ۞̂रĄ၆ٙѣႊ΍۰҃֏Ă΁ಶည˘ొజ‫ڦ‬ˢϠ‫۞׻‬
ጱਝጡĂሄဥ˵д‫૲׎‬ᅳ˭Ӕன΍݈ٙϏѣ۞௟ቜĄķĶдᖎ͛૽۞޽೭˭ĂĮᇝҘ
ᄃֲࣖįრன΍࡚҃ᐹள۞БາᇹᄻĂࠤҌឰ᝘ிԆБԞ੃఺‫׎‬၁ߏ˘ొኑᗔ۞ĺ൑
008
Wen-Pin Chien
Artistic Advisor
2010
2010
Eur opean Capital
of Cultur e
Hans W erner
Henze
P haedra
NSO
2007
2008
2009
2013
5
2014/15
NSO
2007
2014/15
10
Wen-Pin Chien – Kapellmeister of the Deutsche Oper am Rhein
(since 1996/1997 season), Resident Conductor of the Pacific
Music Festival in Japan (1998-2004) and Music Director of the
National Symphony Or chestra of Taiwan (2001-2007) – was
born in Taipei in 1967. He graduated from the National Taiwan
Academy of Arts summa cum laude (1988) with major in piano,
and gained his master's degr ee in conducting at the National
University for Music and Performing Arts in Vienna (1994).
Chien won the first prize at the International Conducting
Competition La Bottega , Treviso (1992), the second prize at
the International Competition for Y oung Musicians, Douai (1994),
and the only Special Mention in the first Leonar d Bernstein
Jerusalem International Conducting Competition, Israel (1995).
During his tenur e as the Music Dir ector of the National
Symphony Or chestra, Chien was the central artistic force
behind its innovative annual Subscription Concerts and Opera
series. Under his direction, the orchestra celebrated it's 20th
anniversary in 2006 with critically acclaimed production of
Wagner's complete Ring cycle, the first-ever production in the
Chinese speaking regions. At the National Theater in Taipei, he
conducted the Deutsche Oper am Rhein's tour production of
Der Rosenkavalier (2007) and Opera Australia's Carmen (2009).
At the Deutsche Oper am Rhein, Chien conducted the world
premièr e of Franz Hummel's Beuys and Anno Schr eier's
Mör der Kaspar Brand, the German premier e of Peter Eötvös's
Drei Schwestern, Gior gio Battistelli's Richar d III and the world
premièr e of Eleni Karaindr ou's ballet Phädra, as well as many
revived pr oductions. In 2009, Chien conducted a new pr oduction
of Schoenber g's Moses und Ar on and, in 2010, a new pr oduction
of Henze's Phaedra. In the 2013/14 season, he conducts the
world pr emièr e of Adriana Hölszky's Deep Field, new pr oduction
of Ludger Vo llmer's Gegen d ie W and, revival of Britten's
Peter Grimes, The Turn of the Scr ew, as well as Carmen, Die
Zauberfl öte, Hänsel und Gr etel, Die Entführung aus dem Serail,
La Traviata and W erther.
As a guest conductor , Chien has worked with orchestras in Italy,
Czech, Russia, France, Japan, Germany , England, Hong Kong ,
China and Taiwan. He also appear ed as a guest conductor at
the W iener Kammer oper; The Nederlands Opera, Amster dam;
Hambur gische Staatsoper; Komische Oper Berlin; Opernhaus
Graz and Theater Bonn. At the Grand Théâtr e de Genève he
has conducted Unsuk Chin's Alice in W onderland (2010) and
Birtwistle's Punch and Judy (2011).
009
Photo: Mischa Blank
઼ϲᄂ៉Ϲᜩሄဥ
઼ϲᄂ៉Ϲᜩሄဥ౹ϲ‫ٺ‬ϔ઼34ѐĂࠎᄂ៉።Ϋ౵ଊ˳۞ϹᜩሄဥĄјϲ̝‫ܐ‬ĂА‫ޢ‬ᔴᛳ‫ٺ‬ᄂ៉࠷ᛋ
౯Φ΄ొăᄂ៉࠷ᘹఙ‫ޙ‬న‫ົם‬ăᄂ៉࠷߆‫ିع‬ֈះ̼̈́͛఍ඈಏҜĄϔ઼88ѐ7͡ԼᔴҖ߆ੰ̼͛
‫ޙ‬న؎ࣶົĂՀЩࠎĶ઼ϲᄂ៉Ϲᜩሄဥķć ဥӬळར‫ٺ‬ᄂ̚ᙳपĂѣ૞ᛳࢰሄះă̂̈ଵቚ‫ވ‬Ă
ߏጾѣԆፋహർវ۞Б͞ҜࢰሄဥវĄ
дᄂ៉Ο‫ࢰ׏‬ሄ۞൴ण࿅඀̚Ă઼ϲᄂ៉Ϲᜩሄဥ˘ۡԷႊ඾ໂࠎࢦࢋ۞ᙯᔣّ֎ҒĄҋ౹ဥͽֽĂ
ᔛኛ઼̰γᐹսࢰሄछણᄃႊ΍Ăฟୁ઼ˠ‫ڟ‬ካΟ‫ࢰ׏‬ሄ۞ࢲঈćдགྷᑻ੓ࢳ۞ѐ΃Ăሄဥ࡭˧͙ॲ
ିֈĂБ͞ҜૈֈΟ‫ࢰ׏‬ሄିर჌̄Ă၆‫ٺ‬Ο‫ࢰ׏‬ሄ۞೼̈́Ă‫ا‬Α౿ઈĄᔵೀགྷՀ࢜Ăሄဥ޺ᜈͽ઼
छ৺ႊ‫ݶ‬ဥฤࠎ‫ؠ׎‬ҜĂͽᕖ઼̰̂Ο‫ࢰ׏‬ሄ࡚ጯෛ౎Ă೩‫چ‬ᄂ៉Ο‫ࢰ׏‬ሄႊ‫ݶ‬ᄃ‫ڟ‬ካͪ໤ࠎϫᇾĂ
֭ഇధଯજ౹າĂஎ̼֭ᖼ̼Ăซ҃᜙˯઼ᅫᄅέĂ‫ޙ‬ϲሄဥ۞‫ݡ‬ൕгҜĄ
̱˩ዶѐֽĂд።Їဥ‫ܜ‬Ĉችᚶ൧ăͳᐁ؈ăᑛოࣖăΫଘ‫ܪ‬ăዒ႔ᐅăౘሏฯăᛂ‫م‬ăߟૄ։ă
ᆒϛෝă‫ڒ‬ϒᆇăૺ३੐۞ಧૄᄃ౹າĂ̈́னЇဥ‫ܜ‬เ৵࢐۞ଯण˭Ă઼ϲᄂ៉Ϲᜩሄဥ௢᎕ᖳಱ
۞ႊ‫ݶ‬གྷរĂ‫צ‬ᔛᄃώဥЪүႊ΍۞઼ᅫဥฤ̈́ᘹఙछ̙ࢍ‫׎‬ᇴĂ޽೭छтĈૺ̂౼ăౘࡌ஽ăౘ
ሏฯăқӀą୥ࣰĞHenry MazerğăᘲၔপĞMichel Rochatğă‫܆‬؉ႬĞFrederick Fennellğă
Ϟᖠ֧ĞTamás VásáryğăͪᖡĞLan ShuiğăͳซĞJin Wanğăᖎ͛૽ćႊ‫ݶ‬छтĈ᐀ൣछ౮
ᓐăౘυАăౘ໓ᓷăฮοษකΙฮĞOxana Yablonskayağă‫࣯گ‬࿩Ղ؈ĞIvo Pogorelichğă
ዒ঍̋ĞDang Thai Sonğă̈അॲৌĞMakoto Ozoneğć̈೩ൣछࡧ˜̮ăഅਊ̮ă‫ܪߌڒ‬ă
য়ҹતĞPinchas Zukermanğăૺ௻ٛĞSarah Changğăआ႔ĞGil Shahamğăщąᛂහą
ᇍপĞAnn-Sophie Mutterğć̚೩ൣछ̡̫‫̄ܫ‬ĞNobuko Imaiğć̂೩ൣछ໅͛‫ܫ‬ăֶ༃Ӏ
೻ĞSteven IsserlisğăᜪᇇતĞNatalia Gutmanğă౪೻ૄĞMischa Maiskyğćᗕᖊგछ౪Ⴌ
ĞAlbrecht Mayerğć‫ཱིܜ‬छ‫ڒ‬ұॾĞChristian Lindbergğć‫ܜ‬௏छ‫ܠ‬ѧ֧щĞAndras Adorjanğă
‫ࡧس‬ᇇĞEmmanuel PahudğĂဥฤтĈߦ‫ڒ‬ຑሄDivertimentoࢦ‫ݶ‬ဥăჯ˵ৼ઼छႇᆐੰЪભဥ
ĞKonzertvereinigung Wiener Staatsopernchorğăາΐ‫؂‬ϹᜩሄဥඈĄ
ሄဥனЇᘹఙᜪયᖎ͛૽АϠĄ‫ܜ‬ഇͽֽĂ઼ϲᄂ៉ϹᜩሄဥͽШᖞ็௚‫פ‬གྷĂᄃາॡ΃ତ࢖Ăഇͽ
Ķჟซԫᘹă็௚౹າăିֈ͙ॲă࡚ጯଯᇃķࠎ̎ЇĂഇ‫ޞ‬ĶჟቜķᄃĶ‫׶‬ிķ֭ࢦĂĶགྷ‫׏‬ķᄃ
Ķ౹ຍķӮ֖Ăͽ೩‫چ‬БϔࢰሄϠ߿Ă྿‫׶ົۤז‬Ꮨ࡚р۞ϫᇾĄ
010
National Taiwan
Symphony Orchestra
The National Taiwan Symphony Orchestra (NTSO) was founded in 1945 and is now the most reputable symphony
orchestra in Taiwan. Since its foundation, it has been managed by the Taiwan Garrison Command, then the
Taiwan Provincial Art Construction Association, and then the Taiwan Provincial Government Department of
Culture and the Department of Education. Finally, in July of 1999, the jurisdiction of the NTSO was transferred to
the Council for Cultural Affairs, Executive Yuan, and the name was changed to theņNational Taiwan Symphony
Orchestra.Ň It is now located in the Wufeng District of Taichung City, and is a comprehensive music group with
full functionality and facilities, including its own concert hall and rehearsal rooms of all sizes.
The NTSO has always played an important role concerning the development of classical music in Taiwan. Since
it was founded in 1945, we have invited many professional musicians within and outside the country to perform
with us, and supported the trend of classical music appreciation in Taiwan. In the 1960s, we were dedicated to
the music education and the cultivation of classical music teachers, contributing to the popularization of classical
music. After all these years, we continue to expect the NTSO to perform as a national performance group in
order to enlarge the vision of classical music in the country and enhance performance standards and people's
ability to appreciate it. We expect the orchestra to be creative and flexible, and to take to the international
stage and build up the reputation of the orchestra.
Over the last 60 years, we have been led by Tsai Chih-Kun, Wang Shin-Chi, Day Tsuei-Lun, Shin Wei-Liang, Deng
Han-chin, Chen Cheng-Hsiung, Su Chung, Ke Chi-Liang, Liu Hsuan-Yung, Lin Zheng-Yi, and Chang Su-Pao. They
established a steady foundation for the orchestra with creation; furthermore, the present leader, Huang SuJeng helps the orchestra to develop and gain rich experiences with countless orchestras and artists that have
been invited to perform with us from around the world. For example, conductors including Chang Da-Shen,
Chen Chiu-Shen, Chen Cheng-Xiong, Henry Mazer, Michel Rochat, Frederick Fennell, Tamas Vasary, Lan Shui,
Jin Wan and Chien Wen-Pin. Also some very famous pianists, including Fu Comg, Cheng Pih-Sien, Gwhyneth
Chen, Oxana Yablonskaya, Ivo Pogorelich, Dang Thai Son, Makoto Ozone; violinists including Hu Nai-Yuan,
Tseng Keng-Yuen, Veaon Lin, Pichas Zukerman, Sarah Chang, Gil Shaham, Ann-Sophie Mutter; violists including
Nobuko Imai; cellists including Yang Wen-Sinn, Steven Isserlis, Natalia Gutman, Mischa Maisky; oboist Albrecht
Mayer; trombonist Christian Lindberg; flautists Andras Adorjan and Emmanuel Pahud; and musical groups such
as the Divertimento Ensemble of the Berliner Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, and
the Singapore Symphony Orchestra.
Some important members in the orchestra are the Art Consultant of the orchestra, Mr. Lan Shui, the musician
Mr. Lin Cho-Liang, and the conductor, Mr. Fusao Kajima. During all these years, we have always tried to learn
from the past and integrate with the new generation. We expect toņsharpen skills, renew tradition, take hold in
education and promote aestheticsŇ, hoping to reach the balance between exquisiteness and popular trends,
and satisfy the requirements of being both classical and creative. Through these efforts, we are looking forward
to enhancing the music life of the public and achieving a harmonious and wonderful society.
011
Concert
ሄ‫ࢰ؞‬ሄົSeason
2014
09/11.12
09/28
10/04
࡚р۞˘͟ů೼‫ݵ‬κĮኄኅ͈ˠį
ņMadama ButterflyŇby Giacomo Puccini
11/21.22
൑ࠦ۞ຑůο༄࿲ĮჅᘁࣙᚖį
12/07
NTSOဥᇉࢰሄົů็௚ᄃ็ٚ
ճሤҘ঱Ͱ
Olé, España!
Fantastic World of Maurice Ravel
NTSO Family Concert-Maginationąoo
nąoo
‫؝‬૚ᄃಈॆůವଣοٛؒ೻ăරॾৼ۞ຑଐ
Solitude-Joy-Brahms-Wagner
11/01
‫ ܪߌڒ‬Cosplay Mozart
11/02
‫ܪߌڒ‬ůԆБంϑপˬ
11/08
012
൑֏ႇůͪᖡ۞Դଐሄౢ
Lan Shui's Song without Words
Ꮠ̄ࢰሄົů൑ࢨճຐ
12/26
10/24.26
NTSO Anniversary ConcertTraditions & Transition
12/12.13
10/10
ņThe Turn of the ScrewŇby Benjamin Britten
Cho-Liang Lin: Cosplaying Mozart
Mostly Mozart by Cho-Liang Lin III
Romantic Impressions of the French Music
2014໐ϐࢰሄົůճᝌᔙШ2015
2014 End of Year ConcertCarnival Night: Hello 2015
ᓏāଐāϹᜩ
ฉϐࢰሄ̝ॠ
‫̰ވ‬ሄ̝؆
পҾЋထ
2015
01/09.10
01/23.24
01/28
04/24.26
ܻᘲ೻ࢰሄλˠ
05/07.08
ଐບ̂ঔůͪᖡ۞ˠϠ̝ႇ
05/22.23
঎ႝࠁ۞͑ຐ
05/29.31
̋‫߹ͪܜ‬ϖ̙ொů੺ᜋؑऋąາ͵ࠧ
06/06.07
Δለࢲଐ൪
The Giants of Russian Music
Nordic Imageries
Lan Shui's Song of Life
ෝભ߇ฏů‫ͧڱ‬щ۞ᄂ៉О෪
Fabian Müller's Taiwan Images
ᖎჅ‫ܦ‬Ladies' Night
Romanticism Fantasies
Pi-Chin Chien: Ladies' Night
06/10
03/13.15
૛‫۞׻‬ຑů‫ރ‬ႬௐĮ઄ࢬᄅົį
03/21.22
‫۞ྻ׻‬ཙՎ
04/10.11
̫ѝԧ֕࿅ϣ౎ů੺ઙ۞ˠᓏॠ඀
04/17.19
NTSOᏐ̄ࢰሄົůဂ‫ᜲݱ‬௏͘
The Maiden of Malan– New World Symphony
Musical Sketches by Mendelssohn
The Fascinating and Rachlin
ņUn ballo in mascheraŇby Giuseppe Verdi
Footsteps of Fate
06/26.27
঎ႝႇෝůՕ਴۞ᓏଐϹᜩ
Symphony of Voice and Sentiment
Gustav Mahler's Vocal Journey
NTSO Family Concert-ņPied Piper in the City of RatsŇ
013
ᓏଐϹᜩ
Symphony of Voice
and Sentiment
࡚р۞˘͟Ǖ
೼‫ݵ‬κĮኄኅ͈ˠį
14/9/11Ğαğ19:30
઼छࢰሄះāைᆊĖ1600Ą1200Ą1000Ą800Ą500Ą300
14/9/12Ğ̣ğ19:30
ᄂ̚̚ᎸૅāைᆊĖ1000Ą800Ą500Ą300
޽೭Ėᖎ͛૽ Conductor: Wen-Pin Chien
ࡌࡌॹĖ‫ࠠڒ‬ᇊĞ9/11ğă‫ڒ‬ᐅтĞ9/12ğ Cio-Cio San: Ling-Hui Lin (9/11), Ching-Ju Lin (9/12)
πҹ࿲Ė૫౼ዩ B. F. Pinkerton: Choi Seung Jin
࿚͢Ėਃࡶ঳ Suzuki: Jo-Pei Weng
઼࡚ᅳְĖԒϨϜᘛ Sharpless: Wui-Ba Yu-Hsi
̣ࢡĖͳ‫ ׏‬Goro: Fernando Wang
‫إ׶‬Ėၐᓐ͛ Lo zio Bonzo: Chong-Boon Liau
‫ڌ‬ঔ̂ጯཐሄဥ Tunghai University Choir
೼‫ݵ‬κĖĮኄኅ͈ˠįĞႇᆐࢰሄົğ
G. Puccini:ņMadama ButterflyŇ(Opera Concert)
Ұࣵધ"!ᙱ྽Ұ̙࠹‫ܫ‬๜@
ԧࣇົ࠻֍˘ᒽ‫ܦ‬໬Ăҋᅌᅈ۞ঔ˯‫چ‬੓
ϨҒ۞௺ዺˢപ˾Ă൑Ⴝ۞ඈ‫ޞ‬ĀĀ
֤Ă࡚р۞˘͟
੼ᜠइை
੼ᜠᇾ໤֘ೃֽа7Զ+ࢰሄົை‫ד‬56ԶĞ800̮ͽ˯ğĂ‫ٺ‬Бᄂ
016
ࡦഀ൪үĈࡌ̋ߋͪĞ΀̃ğƟ઼ϲέ៉࡚ఙᐡ‫׏‬ᖟ
ሤ኱̚
ņMadama ButterflyŇ
by Giacomo Puccini
Įኄኅ͈ˠįߏ೼‫ݵ‬κ౵இ࡚۞ႇᆐү‫ݡ‬Ăᆐଐ‫ג‬ထ઼࡚࢕‫ء‬πҹ࿲ᄃ͟ώᘹӿࡌࡌॹдጼ
‫̚ۋ‬Ϲᖐ۞ଐຏĄࡌࡌॹࠎ͕ຑ۞շˠ੉;௣֗Ăдछ୉۞‫؝‬ϲ˭Ă̪൒͕ຍિՙ۞ႝ‫ܜ‬ඈ
‫ޞ‬Ą൑؉πҹ࿲Ϊԯс༊үдள઼ᄙཱུᕇͪ۞‫ݱ‬ξ̝᝽Ąкѐ‫ޢ‬ГົĂࢬ၆̏གྷ௡ј‫ض‬჊छ
ल۞πҹ࿲Ă඗୕͕҃൭۞ࡌࡌॹͽѪ‫ځ‬ԠĂ˘ᒽ‫͕۾‬ӣީ҃௣Ą
೼‫ݵ‬κϡ͟ώࢰሄ̮৵Ꮙˢ΁ཌྷ̂Ӏҕਔ۞Ϡ‫׻‬ሄౢĂள઼ଐአ۞‫׶‬ᓏ๊̼඾፾প۞ᘹఙϠ
‫׻‬Ąͷ࠻2014/15ሄ‫؞‬ฟ‫ࢰ؞‬ሄົĂ઼̰γᓏሄछிߐำะĂᘹఙᜪયᖎ͛૽Ăᓏሄछ‫ࠠڒ‬
ᇊă‫ڒ‬ᐅтă૫౼ዩăਃࡶ঳ăԒϨϜᘛăͳ‫׏‬ăၐᓐ͛ᄃNTSOᛸ͘णฟĂͷ᝘֤Ϡ‫̚׻‬
۞ೌಈϹΐĂфή̚ᔳӣ۞ᕇႍৌ͕Ăາሄ‫؞‬ĂᆐனĂ࿝ᚥĄ
Madama Butterfly, Puccini's most tragic opera, presents the failed love story between
American officer Pinkerton and Japanese geisha Cio-Cio San during the war. Even when
her family deserted her, Cio-Cio San remained loyal to her lover and stubbornly waited
for his return. Alas, for Pinkerton, Cio-Cio San was just another warm embrace in another
exotic city. Pinkerton did eventually return, many years later, with his own happy family.
Heartbroken, Cio-Cio San killed herself in despair.
Puccini melded Japanese elements into his dynamic Italian masterpiece, teasing forth
unique artistry with exotic harmonies. Come experience it yourself in the opening concert
of this season, in which conductor Wen-Pin Chien works alongside NTSO and a starstudded lineup of top vocalists: Ling-Hui Lin, Ching-Ju Lin, Choi Seung Jin, Jo-Pei Weng,
Wu-Bai Yu-Hsi, Fernando Wang, and Tsung-Wen Liao. Come and hear how joy and
grief interweave with life, and how true love persists quietly behind words. New season,
timeless opera, grand presentation.
p.8
Wen-Pin Chien
ᖎ͛૽
p.96
Ling-Hui Lin
‫ࠠڒ‬ᇊ
p.96
Ching-Ju Lin
‫ڒ‬ᐅт
p.97
Wu-Bai Yu-Hsi
ԒϨϜᘛ
p.96
Choi Seung Jin
૫౼ዩ
p.97
Fernando Wang
ͳ‫׏‬
p.97
Jo-Pei Weng
ਃࡶ঳
p.98
p.102
Chong-Boon Liau Tunghai University Choir
ၐᓐ͛
‫ڌ‬ঔ̂ጯཐሄဥ
017
IMF
‫؝‬૚ᄃಈॆę
ವଣοٛؒ೻ăරॾৼ
۞ຑଐ
14/10/24Ğ̣ğ19:30
14/10/26Ğ͟ğ14:30
လཌྷᎩܑႊᘹఙ͕̚āைᆊĖ800Ą500Ą300
޽೭Ė⮞甬剱ᇂ Conductor: Fusao Kajima
Ѩ̃੼ࢰĖϮ‫ٽ‬μ Mezzo-Soprano: I-Chiao Shih
̃̚ࢰĖౘ঳൝ Alto: Pei-Chi Chen
ٛᓅˠЪભဥ Taipei Male Choir
රॾৼĖĮ৸ࣖಢ۞Щႇ͘į݈‫ݶ‬ѡ
R. Wagner: Prelude toņDie Meistersinger von NürnbergŇ
රॾৼĖĮ‫ރ‬഑‫ڌ‬ҹ̝ႇį
R. Wagner:ņWesendonck-LiederŇ
οٛؒ೻ĖĮ̃Ҳࢰճຐѡį
J. Brahms:ņAlto-RhapsodyŇ, Op.53
οٛؒ೻ĖF̂አௐˬཱིϹᜩѡ
J. Brahms: Symphony No.3 in F Major, Op.90
ЯЈ୕҃ૣ੼ć
Я้Ф࡚҃ᚊĂΪࠎ֤̙Ξ଀۞‫ض‬჊Ą
018
ࡦഀ൪үĈችቹഋĞߍğƟ઼ϲέ៉࡚ఙᐡ‫׏‬ᖟ
Solitude–Joy–
Brahms–Wagner
̶ፂ঎ႝॡഇͷЧѣ፬ซጾ᜕۰۞οٛؒ೻ᄃරॾৼĂ
ᔵ൒౹үந‫࢛ه‬ளĂ‫ݒ‬Тᇹ‫צ‬඾ଐຑ̝ࡴĈĮ̃Ҳࢰճຐ
ѡį‫؝‬૚ͷᇙ͵۞߹঎۰ĂΪՐຑৠࢫᓜĂ‫ܮ‬Ξෛਣ႐
ࠎϟߵćĮ‫ރ‬഑‫ڌ‬ҹ̝ႇįҋ็ё۞ഠഠஎଐᄃ፲ሤຑ
᝽ĂԸड΍үѡछ൑‫ڱ‬ᛈ̈́˫எः͕‫۞غ‬ഽ୕̈́ᑅԺĄ
д੽‫ۋ‬ᄃኢጼ̚ĂරॾৼϡĶॡ҃൴৯ॡ҃൭ࣵķ۞͕
ჰĂԆјĮ৸ࣖಢ۞Щႇ͘įĂᛚ‫ځ‬િ޺̎֍۞ՙ͕ćο
ٛؒ೻ĶҋϤ҃ԣሄķĞF-A-Fğ۞ௐˬཱིϹᜩѡĂϺण
ன˞̎֗೩࣍۞࡚ጯᆊࣃĄ
ᔵд֤͞εརĂϺΞд΁͞ќᘥĂጾ‫ٱ‬᏷ጹ‫଀ޢ‬Ҍ۞ಈ
ॆĂֱ֤οٛؒ೻ᄃරॾৼିԧࣇ۞ְĄ
Romantic period composers Brahms and Wagner both
had their respective fervent fanbases, both had very
distinctive personal styles, and both were unfortunate
victims of love. Brahms'ņAlto-RhapsodyŇdepicts a
lonely and cynical wanderer who prays only for love to
grace him so that his world can become a paradise.
Wagner'sņWesendonck-LiederŇflows with strong
passion and love, reflecting the desire suppressed
deeply inside the composer's aching heart. Amidst
conflict and arguments, Wagner blatantly declared his
stubbornness inņDie Meistersinger von NürnbergŇ
with a heart thatņat times laughed, at times criedŇ;
while Brahms presented hisņFree but HappyŇ(ņFrei
aber FrohŇ) aesthetic values through hisņSymphony
No.3Ň.
In life, you win some, you lose some. Just remember to
embrace the joy you receive after loss, just as Brahms
and Wagner did before.
p.88
Fusao Kajima
⮞甬剱ᇂ
p.98
I-Chiao Shih
Ϯ‫ٽ‬μ
p.98
Pei-Chi Chen
ౘ঳൝
p.103
Taipei Male Choir
ٛᓅˠЪભဥ
019
IMF
൑ࠦ۞ຑǕ
ο༄࿲ĮჅᘁࣙᚖį
14/11/21Ğ̣ğ19:30
14/11/22Ğ̱ğ14:30
੼ฯፘᇇࡊԫ̂ጯāைᆊĖ300
͔֏Ė૗ͧąᗬႬ‫ ݵ‬Prologue: Corby Welch
̃छलିरĖౘ࡚ࠠ Governess: Mei-Lin Chen
ᔙႬ೻Ėྮҹą౪Ξරপ೻ Miles: Luke McWatters
‫܀‬ឍٛĖғቷऌąߦҹ Flora: Eleanor Burke
ཀྵᘲක͉͉Ėਃࡶ঳ Mrs. Grose: Jo-Pei Weng
ሒ৶̈ؓĖౘӽ౗ Miss Jessel: Yen-Lin Chen
‫ٿ‬পĖ૗ͧąᗬႬ‫ ݵ‬Peter Quint: Corby Welch
ᓏሄྚᛖ޽ጱƟ᐀ൣĖͳׂႱ Vocal Coach/Piano: Pei-Yao Wang
ο༄࿲ĖĮჅᘁࣙᚖįĞႇᆐࢰሄົĂᄂ៉ࢵႊğ
B. Britten:ņThe Turn of the Screw Ň, Op.54 (Opera Concert, Taiwan Premiere)
ྭ෸͵΃۞གྷ‫͛׏‬ጯĂ
дមᕘᄃᚙႷ̚ᛈ֍ីّ۞ৌචĄ
Ꭻ૜ሹᖒ۞௟Ꮅሄ‫ޥ‬Ă
௑᜙̝มᑠᘭ͕‫ܜྖؽ‬ൺĄ
੼ᜠइை
ᄂ̚ಞֳ੼ᜠᇾ໤֘ೃֽа7Զ+ࢰሄົை‫ד‬56ԶĞ800̮ͽ˯ğĂ‫ٺ‬Бᄂ
020
ࡦഀ൪үĈోౠസĞ૚ဩğƟ઼ϲέ៉࡚ఙᐡ‫׏‬ᖟ
ሤ኱̚
ņThe Turn of the ScrewŇ
by Benjamin Britten
ο༄࿲ࠎ˟˩͵ࡔࢦࢋ۞ࡻ઼үѡछ̝˘Ă౹ү჌ᙷк̮͍‫ߏ׎‬ႇભᙷү‫̳࠰ݡ‬ᄮໂࠎ΍
ҒĂĮჅᘁࣙᚖįߏ˩˝͵ࡔᐹս۞੿َᚙႷ̈ᄲĂࠎ઼࡚̈ᄲछHenry James۞ൺቔ඾
үĂο༄࿲‫ٺ‬1954ѐ૟‫׎‬ᙉ˯ࢰ௑ăວ˯ᄅᄂĄ
ѐᅅ႓‫۞ܪ‬छलିर‫ܷࡻזצ‬௠̀۞؎੉Ă႕ᘃഇ୕۞ֽ‫ז‬ฏ˭̂шĮჅᘁį໰ᜪ‫͇࣎׌‬ৌ
Ξຑ۞‫̄ޅ‬Ăҭགྷॡม߹ీৈ൴ຏ‫זצ‬шੰ̙ಏ৷۞ঈिĂ΃ܑᇒ୕۞ីᅿˢ‫ܬ‬൑֢۞̰͕
͵ࠧĀĄᎫ૜۞ࢰሄඕၹᄃ˩˟ࢰЕ۞௡јĂሹॱ҃˯۞୊‫ޠ‬ᑠღৠགྷĂღ៤૜ခ۞‫ڤ‬ಛ‫ݒ‬
่ื˩αҜࢰሄछႊ΍Ąᘹఙᜪયᖎ͛૽‫ٺ‬ώሄ‫̚؞‬Ω˘ࢦณႊ΍ĂБᄂ៉ሄਜ਼‫ލ‬िඈ‫ޞ‬Ă
NTSOᔛଋ˘Тଷ࠻఺གྷ‫׏‬ᆐү۞ࢰሄࢬ৲Ą
Edward Benjamin Britten, a central English composer of the 20th century, is best
known and widely recognized for his vocal works among his wide genres of music. His
operaņThe Turn of the ScrewŇis based on a novella of the same title by American
novelist Henry James. Britten's musical adaptation of this outstanding ghost story novella
of the 19th century was premiered in 1954.
Hired by a handsome gentleman, a young, beautiful governess arrived at Bly House in
the countryside to take care of two innocent and adorable children. As time went by, she
began to sense the unusual vibe of the house, which seemed to suggest the intrusion
of evil spirits into a pristine land. With its impeccable structure and recurrent twelvenote theme, the music is performed by only 14 musicians but creates a nerve-wracking
sensation and tense atmosphere. The opera concert is yet another important and muchanticipated concert conducted by Artistic Advisor Wen-Pin Chien. You are cordially invited
to the concert and unravel the mysteries in this classic musical work.
p.8
Wen-Pin Chien
ᖎ͛૽
p.99
Corby Welch
૗ͧąᗬႬ‫ݵ‬
p.99
Mei-Lin Chen
ౘ࡚ࠠ
p.99
Luke McWatters
ྮҹą౪Ξරপ೻
p.100
Eleanor Burke
ғቷऌąߦҹ
p.97
Jo-Pei Weng
ਃࡶ঳
p.100
Yen-Lin Chen
ౘӽ౗
p.92
Pei-Yao Wang
ͳׂႱ
021
IMF
൑֏ႇę
ͪᖡ۞Դଐሄౢ
14/12/12Ğ̣ğ19:30
14/12/13Ğ̱ğ19:30
ᄂ‫ݑ‬јΑ̂ጯјΑះāைᆊĖ1000Ą800Ą500Ą300
޽೭Ėͪᖡ Conductor: Lan Shui
̈೩ൣĖⷿώ̂ซ Violin: Daishin Kashimoto
ٛᄿႳκᏚ͈ĖĮ൑֏ႇį
S. Rachmaninoff:ņVocaliseŇ, Op.34, No.14
ཐॹ೻Ėb̈አௐˬཱི̈೩ൣ‫ݶם‬ѡ
C. Saint-Saëns: Violin Concerto No.3 in b minor, Op.61
οٛؒ೻ĖD̂አௐ˟ཱིϹᜩѡ
J. Brahms: Symphony No.2 in D Major, Op.73
ቤቤ˯̿۞੼ࢰညߏ˘୧٦‫ۏ‬ቢĂͽ౵࡚۞‫ݻ‬ၗᐹฮထ࿅ĂԜ‫˘ق‬ᒽ‫ࢶޖ‬ՓˢĂ࡚р۞ຏ‫צ‬
ᅅᅅгᇬ඾ԧࣇ۞͕‫ؽ‬ĂٛᄿႳκᏚ͈۞൑֏ႇஎՕ̰ᑦĂͽ৷ო۞ᓏቢᖳ‫˞ݓ‬Ϡ‫׻‬Ąοٛ
ؒ೻ௐ˟ཱིϹᜩѡྭ෸֓к‫۞܆‬ཙՎĂдസЍ̋Ғ۞̂ҋ൒̚Ăᅅμ೚ॆгणฟሄౢĂ፧༵
۞ࢰҒҖ๬඾႕໕۞‫ض‬჊Ăπᐖᄃ࡚рްዋ࠹ҡĄ
݈ᘹఙᜪયͪᖡĂͽ൑֏ႇฟಞࢦາ෦ᄲ࠹ۢ࠹ົ۞͕ဩĂઌТߦ‫ڒ‬ຑሄሄဥࢵयⷿώ̂
ซĂ૲ֽཐॹ೻࠹༊҅ሢਕྎ۞ௐˬཱི̈೩ൣ‫ݶם‬ѡĂൣᓏԜ‫ق‬ᑚᆐਠۡତሤଐ۞ထ৔ှ
ᐖĂࢲ੓ำയ૲ֽ˘ాҚ௖ᘈ˫௟ቜ۞Ғ૾Ą࠻ⷿώ̂ซтңणனጃೊˠ͕۞ൣࢰĂͪᖡ̂
रтңд޽೭ഔ᜙જม፬΍࡚ᚊ۞ͫ‫܅‬Ăࢦณ࿝ᚥĂ̙ट᏾࿅Ą
੼ᜠइை
022
ࡦഀ൪үĈᆒ‫پ‬႔ĞϜ̋ำğƟ઼ϲέ៉࡚ఙᐡ‫׏‬ᖟ
ሤ኱̚
Lan Shui's Song
without Words
൑֏̝ႇĂ႕໕ཛ̚˼ᐝ༱ჰĂ
पਫ਼ྮᖼ֕࿅Ϡ‫׻‬൑Ⴝ໐͡Ă
аᕩĂ˘኶ԴଐπᐖĄ
p.88
Lan Shui
ͪᖡ
p.92
Daishin Kashimoto
ⷿώ̂ซ
Slowly-ascending high notes are like a parabolic curve which gracefully traces itself in the
air, or a delicate fragrance which soothes our mind. Sergei Rachmaninoff'sņVocaliseŇ,
both profound and reserved, enriches our life with its simplistic melodies. Johannes
Brahms has taken a step beyond Beethoven with hisņSymphony No.2Ň. The first
movement unfolds in a serene mood, as if in natural grandeur, with its thick sound nuance
rich in happiness, tranquility, and beauty.
Former Artistic Advisor Lan Shui will commence this concert withņVocaliseŇas an
expression of tacit understanding. Together with Daishin Kashimoto, Concertmaster of
Berliner Philharmoniker, the NTSO will present the well-knownņViolin Concerto No.3 in
b minorŇby Charles-Camille Saint-Saëns. The solo part dramatically and unwaveringly
shatters the peace of the beginning, and the undulating music develops in a gorgeous
palette of musical hues, both rough and again exquisite. In this concert, Daishin Kashimoto
will showcase his captivating musical charm and present a musical feast with conductor
Lan Shui. The final concert of the 2014 NTSO International Music Festival will be yet
another not-to-miss concert of the season.
023
ෝભ߇ฏę
‫ͧڱ‬щ۞ᄂ៉О෪
15/1/23Ğ̣ğ19:30
15/1/24Ğ̱ğ19:30
੼ฯ̂‫̼͛ڌ‬ᘹఙ͕̚āைᆊĖ1000Ą800Ą 500Ą 300
̂೩ൣĖᖎჅ‫ ܦ‬Cello: Pi-Chin Chien
ғႬΐĖĮຑ۞ᖃ៙į
E. Elgar:ņSalut d'amourŇ,Op.12
‫ͧڱ‬щą᎗ઙĖĮᄂ៉ճຐѡįĞ͵ࠧࢵႊğ
Fabian Müller:ņTaiwan RhapsodyŇ(World Premiere)
ғႬΐĖĮೌရį
E. Elgar:ņSospiriŇ, Op.70
‫ͧڱ‬щą᎗ઙĖĮ̱ࢵᄂ៉ႇᔀįĞ͵ࠧࢵႊğ
Fabian Müller:ņSix Taiwanese SongsŇ(World Premiere)
ൣᓏଐஎϹᏉĂͽࢰሄሤҕጾ‫ٱ‬Ă
ᏉЪᄂ៉ϔᔀෝભ߇ฏĂ
‫ג‬ထᓏଐϹᜩĄ
੼ᜠइை
024
ࡦഀ൪үĈࡌ̋ߋͪĞ୶ͪğƟ઼ϲέ៉࡚ఙᐡ‫׏‬ᖟ
ሤ኱̚
Fabian Müller's
Taiwan Images
ᑙ
Fabian Müller
2006
Pi-Chin Chien, an internationally-r enowned Taiwanese cellist living in Switzerland, and
Fabian Müller, a seminal contemporary Swiss composer and ethnomusicologist, expr ess
their love for T aiwan through their passion for music.
F abian Müller married Taiwanese cellist Pi-Chin Chien and received an award from
the canton of Zurich in 2006. His Taiwan Rhapsody and Six Taiwanese Songs ,
dedicated to his beloved wife, were both composed for a cello solo and an orchestra. The
two works, with strong Taiwanese flavors, are inspired by Taiwanese folk songs such as
Memories , DiuDiuDeng
(or Train through the Tunnel ), and Longing for the
Spring Breeze . This concert will feature the world premier e of Taiwan Rhapsody and
Six Taiwanese Songs , along with two other works with profound emotions- Salut
d'amour and Sospiri by E. Elgar . The conductor of this concert, Wen-Pin Chien, is the
recipient of Taiwan's National Award for Arts and now lives in Germany . Both world-known
artists living abroad, conductor Wen-Pin Chien and cellist Pi-Chin Chien will expr ess their
love for their beautiful homeland-Taiwan-through their music.
p.8
Wen-Pin Chien
p.93
Pi-Chin Chien
025
૛‫۞׻‬ຑů
‫ރ‬ႬௐĮ઄ࢬᄅົį
15/3/13Ğ̣ğ19:30
15/3/15Ğ͟ğ16:30
੼ฯ኎‫ڠ‬ᒉĞ͗γҺ෱ႊ΍ğ
޽೭Ė‫ڱ‬ᜋ̷೻ΞąߟႬॅ Conductor: Francesco Corti
֧ΙкĖ૫౼ዩ Riccardo: Choi Seung Jin
࿩ৼкĖԒϨϜᘛ Renato: Wu-Bai Yu-Hsi
ғ࡚ఆֲĖౘ࡚ࠠ Amelia: Mei-Lin Chen
নᚊΙĖౘ঳൝ Ulrica: Pei-Chi Chen
๸೻ΙĖౘӽ౗ Oscar: Yen-Lin Chen
ҘႬϞᏚĖ‫̚ڒ‬Ѝ Silvano: Chung-Kuang Lin
๫ᖱႬĖၐᓐ͛ Samuel: Chong-Boon Liau
഼ؒĖᔁᅛᏖ Tom: Ming-Mou Hsieh
‫ءڱ‬Ɵғ࡚ఆֲ۞ဉˠĖૺইᆅ Un Giudice / Un Servo di Amelia: Yin-Chi Chang
έΔຑሄЪભဥ Taipei Philharmonic Chorus
ᓏሄྚᛖ޽ጱĖͳׂႱ Vocal Coach: Pei-Yao Wang
‫ރ‬ႬௐĖĮ઄ࢬᄅົįĞႇᆐࢰሄົĂᄂ៉ࢵႊğ
G. Verdi:ņUn ballo in mascheraŇ(Opera Concert, Taiwan Premiere )
д઄ࢬᄅົ˯Ă࿩ৼкͽӀ˺‫ۿ˞ࡍו‬ΐ࣯ᓁ༛֧Ιк۞਒ቮĂ˘ि‫إ‬х۞֧Ιкଂᘃ྆ो
΍˞˘ૺ؎Ї‫ې‬Ă၆࿩ৼкᄲĈĶԧᔵ൒ຑҰ۞‫̄؍‬ғ࡚ఆֲĂҭߏଂϏࠝѳҰ۞Щ᜖Ăс
ߏ৷ሒ൑ີ۞ĂҰࣇ૟ᗕᗕᗓฟĂ̿ዏ‫ז‬າ۞ಏҜΝĄķдிˠ۞‫๋̚ݖ‬Ă֧ΙкవҺ˞΁
۞Ꮠ‫ܫ‬࿩ৼк‫ޢ‬ѪΝĄ
఺տౣߏިᆃᇹ۞૛‫۞׻‬ຑଐ߇ְĉឰ‫ރ‬ႬௐᚶĮԘҊįᄃĮਮ‫̃܅‬į̝‫ޢ‬Ă˫ᙉᆷ΍఺᛫
·႕඾જˠ୊‫ޠ‬ᄃૻধᑚᆐგ‫ؽ‬ሄड़‫۞ڍ‬ႇᆐĄ˘тĮԘҊį̚۞̳ᒑᄃਮ‫۞̃̚܅‬Į‫ܠ‬τ
࿩кįĂĮ઄ࢬᄅົį۞֧Ιкߏ˘࣎·႕ܑன˧۞շ੼ࢰ֎ҒĂᔹཱྀշ੼ࢰ૫౼ዩĂᚶ
Įኄኅ͈ˠį‫ޢ‬ĂГѨᄃፉЇ̃͹֎ғ࡚ఆֲ۞ౘ࡚ࠠă࿩ৼк۞ԒϨϜᘛẵΚ˪रনᚊ
Ι۞ౘ঳൝ͽ̈́ͅҚַଂ๸೻Ι۞ౘӽ౗ᛸ͘൳έĂྚᛖ‫ރ‬Ⴌௐ఺᛫ፁજˠ͕۞ઈ̂ႇᆐĄ
੼ᜠइை
026
ࡦഀ൪үĈเЍշĞ඄ᇆ̝˟ & ඄ᇆ̝ˬğƟ઼ϲέ៉࡚ఙᐡ‫׏‬ᖟ
ሤ኱̚
ņUn ballo in mascheraŇ
by Giuseppe Verdi
At a masked ball, Renato stabs Governor Riccardo in the chest with a knife. In his death
moment, Riccardo takes out an order for Renato and Amelia's repatriation to England
and said to Renato,ņI love your wife Amelia, but I have never offended your name. She
is pure. You will leave with her and advance to a new post.ŇWith his last breath, Riccardo
pardons his closest advisor Renato as the crowd bewails the death of Riccardo.
AfterņRigolettoŇandņLa traviataŇ, the fateful love story once again drove Verdi to
compose an opera full of moving melodies and dramatic orchestral music. Just as the
Duke of Mantua inņRigolettoŇand Alfredo Germont inņLa traviataŇ, Riccardo in ņUn
ballo in mascheraŇis sung by an expressive tenor. Korean tenor Choi Seung Jin, after
his casting inņMadama ButterflyŇ, will sing with Mei-Lin Chen (Amelia), Wu-Bai Yu-Hsi
(Renato), Pei-Chi Chen (Ulrica, the fortune-teller), and Yen-Lin Chen (Oscar, Riccardo's
page, played by the opposite sex) to present this phenomenal opera by Verdi that stirs the
audience's heart.
p.87
p.96
Francesco Corti
Choi Seung Jin
‫ڱ‬ᜋ̷೻ΞąߟႬॅ ૫౼ዩ
p.101
p.98
p.97
Wu-Bai Yu-Hsi
ԒϨϜᘛ
p.101
Chung-Kuang Lin Chong-Boon Liau Ming-Mou Hsieh
ၐᓐ͛
ᔁᅛᏖ
‫̚ڒ‬Ѝ
p.92
Pei-Yao Wang
ͳׂႱ
p.99
Mei-Lin Chen
ౘ࡚ࠠ
p.102
Yin-Chi Chang
ૺইᆅ
p.98
Pei-Chi Chen
ౘ঳൝
p.100
Yen-Lin Chen
ౘӽ౗
p.103
Taipei Philharmonic Chorus
έΔຑሄЪભဥ
Ӏ˺ࡍˢĂ
Ϲᖐ۞ଐ̶ᖼԶĂ
ຑެଐ̩ѷࢳ໬ໝĂ
ፁજˠ͕۞۬ཀྵҌѩ!!ቡໝĄ
027
̫ѝԧ֕࿅ϣ౎ę
੺ઙ۞ˠᓏॠ඀
15/4/10Ğ̣ğ19:30
15/4/11Ğ̱ğ19:30
ૄษξ̼͛ԊႊᘹះāைᆊĖ800Ą500Ą300
޽೭Ėఄ‫ ڔڌ‬Conductor: Tung-Chieh Chuang
̃੼ࢰĖषͽ൞ Soprano: Yi-Lin Hsu
੺ઙĖĮѐᅅॠˠ̝ႇį
G. Mahler:ņLieder eines fahrenden GesellenŇ
1. Wenn mein Schatz Hochzeit macht
2. Ging heut Morgen übers Feld
3. Ich hab'ein glühend Messer
4. Die zwei blauen Augen von meinem Schatz
੺ઙĖĮӕ౶পႇѡįᏴѡ
G. Mahler:ņRückert-LiederŇ
1. Blicke mir nicht in die Lieder!
2. Ich atmet' einen linden Duft
3. Liebst du um Schönheit
੺ઙĖD̂አௐ˘ཱིϹᜩѡĮλˠį
G. Mahler: Symphony No.1 in D Major,ņTitanŇ
̫ѝԧ֕࿅ϣ౎Ă
Տॲქਨౌყ඾ᜨ঴Ă
೚ԣ۞౧‫׊‬၆ԧᄲĈĶ๙ĊѝબĄķ
੼ᜠइை
028
ࡦഀ൪үĈౘ‫ࡷ׎‬ĞߋࢠğƟ઼ϲέ៉࡚ఙᐡ‫׏‬ᖟ
ሤ኱̚
Gustav Mahler's
Vocal Journey
̫ѝԧ֕࿅ϣ౎ĂՏॲქਨౌყ඾ᜨ঴Ă೚ԣ۞౧‫׊‬၆ԧᄲĈĶ๙ĊѝબĄķ Ă੺ઙ۞ௐ˘
ొᓑቔᘹఙႇѡะĮѐᅅॠˠ̝ႇįΒӣ඾αࢵგ‫ؽ‬ሄႇѡĂᇾᗟ̶ҾߏĮຑˠඕ૓۞֤˘
͇įăĮ̫ѝԧ֕࿅ϣ౎įăĮԧѣԯ‫ۉ‬ሤ۞˥įͽ̈́Į֤ᗕᖡҒ۞ீ༗įĂѡ̚·႕඾‫ߋܦ‬
۞ሤଐᄃԓ୕ĂҭඕԊ‫ࡴߏݒ‬ᒁᄃεརĄ‫̚׎‬ௐ˟ࢵ۞͹୊‫ޠ‬јࠎ˞΁ௐ˘ཱིϹᜩѡ۞͹ᗟĂ
ௐˬሄౢтေ͑ਠ۞୊‫ֽ݋ޠ‬ҋௐαࢵႇѡĂд˘ಞࢰሄົ݈̚‫ڟޢ‬ካ఺‫ࢵ׌‬ү‫̙ݡ‬ҭΞͽ࠹
̢၆໰ĂՀΞͽវរ੺ઙϹᜩѡ֤̚ᄃᘹఙႇѡ૜̙Ξ̶۞ĶᓏāଐāϹᜩķĂ˵ߏ‫ڟ‬ካ੺ઙ
Ϲᜩѡˢ‫ܝ‬ଥशĄᇇ઼੺ઙ̂ᔈᄃοΐઙ೻প޽೭̂ᔈ଀͹ఄ‫ڔڌ‬ᄃ઼ᄂϹপҾᔛኛЩᓏሄछ
षͽ൞Ă˘Т૲ᅳҰซˢ੺ઙѐᅅᄃຊ೉۞̰͕Ăវរ˘ಞˠᓏᄃგ‫̝ី͕۞ؽ‬ॠĄ
I walked across the fields this morning;
dew still hung on the grasses.
The merry finch spoke to me:
"Hey! Isn't it? Good morning! Isn't it?Ň
Mahler'sņLieder eines fahrenden GesellenŇ(Songs of a Wayfarer), the first song cycle
by the composer, has four movements:ņWenn mein Schatz Hochzeit machtŇ(When My
Sweetheart is Married),ņGing heut Morgen übers FeldŇ(I Went This Morning over the
Field),ņIch hab'ein glühend MesserŇ(I Have a Gleaming Knife), andņDie zwei blauen
Augen von meinem SchatzŇ(The Two Blue Eyes of my Beloved). The songs are full of
youthful longings and passion but end in bitterness and sorrow. The melody of the second
song became a theme in Mahler's First Symphony, and the fourth song was developed into
the dream-like melody in the third movement of his First Symphony. In this concert, one
can compare between two different but related works of Mahler and have a taste of the
inseparable voice and sentiment in Mahler's symphonies and art songs. For beginners, the
concert will also serve as a great introduction to Mahler's symphonies. The NTSO under
conductor Tung-Chieh Chuang, winner of the Gustav Mahler Conducting Competition and
the Jeunesses Musicles International Conducting Competition in Bucharest, and vocalist
Yi-Lin Hsu will bring the audience to explore the young Mahler's confused state of mind
and experience a spiritual journey of human voice and orchestral music.
p.89
p.100
Tung-Chieh Chuang Yi-Lin Hsu
ఄ‫ڔڌ‬
षͽ൞
029
ଐບ̂ঔę
ͪᖡ۞ˠϠ̝ႇ
15/5/7Ğαğ19:30
઼छࢰሄះāைᆊĖ1600Ą1200Ą1000Ą800Ą500Ą300
15/5/8Ğ̣ğ19:30
޽೭Ėͪᖡ Conductor: Lan Shui
Ѩ̃੼ࢰĖᛂࠞৼą࿩೻੺ҹ Mezzo-Soprano: Susanne Resmark
Ҙ֓߹̀ĖĮ‫܆‬ᜋ࿵į
J. Sibelius:ņFinlandiaŇ, Op.26
ғႬΐĖĮঔഀį
E. Elgar:ņSea PicturesŇ, Op.37
ॻࡊ͈೻ૄĖb̈አௐཱི̱ϹᜩѡĮೌບį
P. I. Tchaikovsky: Symphony No.6 in b minor, Op.74ņPathétiqueŇ
˘୕൑ᅫ۞̂ঔĂ੯੯൴‫۞ܪ‬ঔ঎Ăࢬ၆඾ᆵᔮ۞̂ঔĂԜ‫̙ق‬ᕝ೩ᏹ඾ҋ̎ߏтѩി̈Ą
ঔѣЧ჌ࢬᄻĂॡ҃ᐖᔃăॡ҃ࠂയĂ༱ਠຓჰ˯͕ᐝĄдҘ֓߹̀Į‫܆‬ᜋ࿵į̚Ăຏ‫זצ‬
၆छᄃ઼Ϗֽ۞ፉᇎćдॻࡊ͈೻ૄϠ݈౵‫۞ޢ‬ү‫ݡ‬ĮೌບįϹᜩѡ̚Ăຏ‫זצ‬၆Ϲᜩѡඕ
ၹοԊ۞າଣ৶ᄃ၆ˠϠᄃຏଐ۞ਜ਼କᄃ۬ඕĄ
Ķღ೪඾ԧ۞͘Ă༊ࢲᇷବ࿅ঔ߶ᄃ̂гĂΪѣຑિ‫̙ؠ‬ொĀķ ĄғႬΐ۞Įঔഀį̚Ăͽ
̣ࢵྐүඕЪ඾ˠᓏᄃϹᜩĂೡᘱ΍̣Ҝྐˠீ̂̚ঔ۞̣჌̙ТࢬᄻĂ‫̚׎‬Β߁˘ࢵғႬ
ΐຑ‫؍‬Ιࠃ൞۞ྐүĂລ੨඾ᛂࠞৼą࿩೻੺ҹଊೳ۞ႇᓏĂͷឰͪᖡᄃ઼ᄂϹ͔ᅳ඾ҰĂ
ውྼдтྐт൪۞ᖡҒგ‫̂ؽ‬ঔĄ
੼ᜠइை
030
ࡦഀ൪үĈૺཌྷฯĞঔᙝğƟ઼ϲέ៉࡚ఙᐡ‫׏‬ᖟ
ሤ኱̚
Lan Shui's
Song of Life
ღ೪඾ԧ۞͘Ă
༊ࢲᇷବ࿅ঔ߶ᄃ̂гĂ
Ϊѣຑિ‫̙ؠ‬ொĀ
p.88
Lan Shui
ͪᖡ
p.101
Susanne Resmark
ᛂࠞৼą࿩೻੺ҹ
The sea stretches as far as the eye can see, and the waves glitter. The vast expanse of the
sea keeps reminding individuals of their insignificance. The multifaceted sea environmentat times tranquil and again turbulent-seems to trigger a surge of emotions. InņFinlandiaŇ
by J. Sibelius, the composer expressed his deep concern for the fate of his homeland. In
ņPathétiqueŇ, P. I. Tchaikovsky's final completed symphony, the composer navigated the
complexity of life and emotions while exploring new symphonic horizons.
Closely let me hold thy hand,
Storms are sweeping sea and land;
Love alone will stand.
E. Elgar'sņSea PicturesŇ, a song cycle inspired by five poems, portrays five changing
faces of the sea perceived by five different poets and poetesses, one of whom is Elgar's
wife, Caroline Alice Elgar. Led by the mellifluous voice of Susanne Resmark, the NTSO
under conductor Lan Shui will take the audience to explore the poetic and picturesque sea
of music.
031
̋‫߹ͪܜ‬ϖ̙ொę
੺ᜋؑऋąາ͵ࠧ
15/5/29Ğ̣ğ19:30
15/5/31Ğ͟ğ14:30
ᄂ‫ڌ‬Ꭹ߆‫̼͛ع‬఍ᘹ͕͛̚ႊᘹះāைᆊĖ800Ą500Ą300
޽೭Ė‫ڒ‬๔෹ Conductor: Chin-Chao Lin
̃੼ࢰĖౘ࡚ࠠ Soprano: Mei-Lin Chen
շ੼ࢰĖ᎗჊୳ Tenor: Vicente Fortunato Moran
έΔຑሄЪભဥ Taipei Philharmonic Chorus
ᇇτϑҹĖëአௐ˝ཱིϹᜩѡĮາ͵ࠧį
A. Dvořák: Symphony No.9 in e minor, Op.95ņFrom the New WorldŇ
᏿‫ݑ‬ౢĖĮ੺ᜋؑऋį
Nan-Zhang Qian: A Suite of Taiwan's Aboriginal Folk SongsņThe Maiden of MalanŇ
ᄂ៉үѡछ᏿‫ݑ‬ౢ౹үߵ໚ࢼ߂ӈߏĂଂྐགྷ‫ז‬າྐĂϔᔀ‫̈ז‬አĂጴ඾၆ᄂ៉۞ଐຏࠎ̈
फ˯۞ᕇᕇႍႍ‫ג‬ထО੃Ă‫מ׎‬෸۞੒ᚥՀ‫ٺ‬2005ѐᒔ଀ௐ˝‫઼ب‬छ͛ᘹረĄ1996ѐͽ‫ܠ‬
࡚୉ႇᔀĮ੺ᜋؑऋį߇ְࠎ͹คĂᕜ‫ࣧ˞פ‬ҝϔϔᔀҚј˘इˣࢵ۞Ъભ௡ѡĂѩѡϺၷ
ᒔ‫ܛ‬ѡረ۞‫ؠۺ‬Ą
ච‫ٺ‬ᒉౄᐹ࡚୊‫۞ޠ‬ᇇτϑҹĂ‫׎‬౵ᓛ‫ۉ‬ˠ˾۞ௐ˝ཱིϹᜩѡĮາ͵ࠧįĂ൴ຐҋ઼࡚ώ˿
۞โˠីႇăОгщЩᔀĂ‫ؽ‬ሄᄃ͢გ̝ม۞ϹᖐĂಶညߏາ͵ࠧ۞ጌ‫ځ‬ଐഀĂಱѣຐည˧
۞୊‫ޠ‬ღљ͕‫ؽ‬Ăፋ࣎ү‫·ݡ‬႕˞ྐଐ൪ຍ۞࡚Ą
ֽҋᄂ៉۞ᐹս޽೭छ‫ڒ‬๔෹ĂNTSOϹᜩᖃ៙ĂέΔຑሄЪભဥˠᓏᛜೳĂᓏଐϹᜩෝ
ભĂͷឰԧࣇ௮᝘ᛳ‫ٺ‬ᄂ៉फ˯۞ᐹ࡚ሄౢĄ
032
ࡦഀ൪үĈ‫ڒ‬೑ᑐĞ፬߹ğƟ઼ϲέ៉࡚ఙᐡ‫׏‬ᖟ
The Maiden of Malan
– New World Symphony
p.90
Chin-Chao Lin
‫ڒ‬๔෹
p.102
Vicente Fortunato Moran
᎗჊୳
߇ฏ‫ܠ‬Ċ
ԧࢋࠎҰભ̈؆ѡĂ
ԧࢋϡᄅᔏăႇભШҰ࡭ຍĂ
ԧ۞ҕ‫׶‬ਔĂ˵ϖᅈᛳ‫ٺ‬ҰĊ
p.99
Mei-Lin Chen
ౘ࡚ࠠ
p.103
έΔຑሄЪભဥ
Taiwanese composer Nan-zhang Qian draws his creative inspirations from a rich variety
of sources-from the ancient Book of Songs to modern poetry, from folk songs to ballads.
His repertoire is a vivid portrayal of this island and reveals his emotional attachment to
it. In 2005, he was awarded Taiwan's National Award for Arts.ņThe Maiden of MalanŇ,
based on a love story of an Amis maiden, is a choral suite of eight indigenous songs. The
composer received a Golden Melody Award for Best Composer for this composition.
Inspired by African-American spirituals and Indian music, A. Dvořák composed the famous
ņSymphony No.9 in e minor 'From the New World' Ň. Having a gift of writing gracious
melodies, Dvořák painted a beautiful picture of the sunrise at dawn in the new world with
interweaving strings and winds. The creative melodies can often strike a chord in the
audience, imbuing the work with poetic beauty.
The NTSO under outstanding Taiwanese conductor Chin-Chao Lin will present beautiful
melodies with the Taipei Philharmonic Chorus in this concert of Dvořák and authentic
Taiwanese music.
033
঎ႝႇෝǕ
Օ਴۞ᓏଐϹᜩ
15/6/26Ğ̣ğ19:30
15/6/27Ğ̱ğ19:30
າѻᎩ̼͛ԊႊᘹះāைᆊĖ800Ą500Ą300
޽೭Ė⮞ม聡͈ Conductor: Fusao Kajima
̂೩ൣĖಟࣣ Cello: Tsuyoshi Tsutsumi
ғႬΐĖëአ̂೩ൣ‫ݶם‬ѡ
E. Elgar: Cello Concerto in e minor, Op.85
ٛᄿႳκᏚ͈Ėëአௐ˟ཱིϹᜩѡ
S. Rachmaninoff: Symphony No.2 in e minor, Op.27
ᓏଐϹᜩĂ
ଐຍቺ‫ؼ‬ሄࢰႇෝĂ
঎ႝଐᘃĂ
дცᚊ۞ࢰҒ̚඗࡚ՕዕĄ
੼ᜠइை
034
ࡦഀ൪үĈՂᏂᐇĞࢳᕃᅈࢰğƟ઼ϲέ៉࡚ఙᐡ‫׏‬ᖟ
ሤ኱̚
Symphony of Voice
and Sentiment
ғႬΐ၆‫۞̄؍‬எଐؕ௣т˘Ăࠎ˞໰ᜪ‫̄؍‬Ăᇶቤ˞఺ᔯĮ̂೩ൣ‫ݶם‬ѡį۞౹үซ‫ޘ‬Ą
̙ត۞ߏ΁૟఺Њ၆‫࡚̄؍‬рă঎ႝаጸ‫ڦ‬ˢ‫̂ז‬೩ൣ۞઱࡚ሄᓏ̚Ă֭णன˞̂೩ൣ͌֍
۞੼෹ԫμĂລ੨˯‫͛׍‬ฮ‫׏‬ቜҒ૾۞გ‫ؽ‬ሄဥĂሄѡ߹ᜨৌຑҬͪߘଐ۞঎ႝĄ
ώѨᔛኛ༊̫౵‫צ‬಴ૣ۞͟ᚱࢰሄ̂रęಟࣣАϠĄಟࣣҋ̈‫ܮ‬णனᐹս۞ࢰሄّĂ‫ٺ‬
1963ѐፉЇΫ྿ҹି଱̝ӄିĂ֭‫צ‬དࠎྍ७௣֗ି଱ĄТѐᒔ଀ЛͰӀο྿ׂ೻ΙᖠႬ
೻઼ᅫࢰሄͧᔈௐ˘ЩĂᐌӈणฟዂ໴۞ႊ‫ݶ‬Ϡ୾Ă֭അд͟ώ͇࠱଄݈ႊ΍֭‫צ‬࿴̼͛ረ
ౢĂΞᏜ̝͟ώΟ‫ࢰ׏‬ሄ઼̝ࠧᚗĄ
ͽ঎ႝ඾Щ۞ٛᄿႳκᏚ͈дˬొϹᜩѡ̚Ă౵‫צ‬ᝌ‫ߏܮ۞ܓ‬Įëአௐ˟ཱིϹᜩѡįĄٛ
ͩͽјሢ۞Ϲᜩԫ‫ڱ‬Ăឰࢰሄ̚·႕Ч჌Ғ૾ᆸѨĂ൑ኢߏ୺୺۞ຏ๋‫ڤ‬ಛĂٕԴଐᐹ࡚۞
୊‫ޠ‬Ă̺ઙ΍ధк࡚ᚊજˠ۞ଐഀĂಝჍٛͩ౵ѣጃ˧۞ϹᜩѡĂࣃ଀௟௟‫ݡ‬ᑀĊ
With his deep affection for his wife, E. Elgar delayed the composition of his Cello Concerto
to take care of his wife. Despite the delay, he later channeled his love for his wife and their
beautiful memories into mellifluous cello sounds. The concerto, featuring a rare display
of cello virtuosity and exquisite orchestral colors, is indeed a true revelation of tenderness
and a sincere show of emotions.
In this concert, the NTSO is privileged to invite revered Japanese cellist, Maestro Tsuyoshi
Tsutsumi, who displayed remarkable musicality at an early age. In 1963, Tsutsumi became
Professor János Starker's assistant and later joined the permanent faculty of Indiana
University. In 1963, he also won the first prize at the 12th International Casals Competition
in Budapest, Hungary and started his splendid music career shortly after. He once had
the honor to perform for the late Emperor Hirohito of Japan and was awarded the Medal
of Honor by the Government of Japan. The achievements have made Maestro Tsuyoshi
Tsutsumi a national treasure in Japan.
Of all Rachmaninoff's three romantic symphonies,ņSymphony No.2 in e minorŇenjoys
the most popularity. Rachmaninoff's consummate orchestration has imbued the work with
rich musical hues. From vague melancholy to melodic sentiments, the moving scenes
delineated by this work have made it the most fascinating symphony of Rachmaninoff that
is definitely worth appreciating.
p.88
Fusao Kajima
梶間聡夫
p.95
Tsuyoshi Tsutsumi
ಟࣣ
035
Musical Journey
at Weekend
ճሤҘ঱Ͱ
14/9/28Ğ͟ğ14:30
޽೭ĖкӀщą‫ރ‬Ⴌ഑ Conductor: Dorian Wilson
आο֧ࡠĖგ‫ؽ‬ሄճຐѡĮҘ঱Ͱį
E. Chabrier:ņEspañaŇ, Rhapsody for Orchestra
ԓ֤೻পٛĖ‫ݶם‬ត‫ݶ‬ѡ
A. Ginastera: Variaciones Concertantes, Op.23
ٛ‫ރ‬ႬĖҘ঱Ͱճຐѡ
M. Ravel: Rapsodie Espagnole
‫ڱ‬ฮĖĮˬ֎ಽįௐ˟௡ѡ
M. de Falla: Suite No.2 fromņThree-Cornered HatŇSuite
ԧ۞͟͡ԧ۞ߐĂ
ԧ۞ᖻഥԧ۞ីĂ
߹୷дҘ঱Ͱҕ୵྆۞ሤ˧Ă
ᛢજăճᄅă፼፵ă‫ڳ‬ᛡĊ
੼ᜠइை
038
ሤ኱̚
Olé, España!
᝘֤౟᜙۞࿚ခၬᑝĂ࠻֤ͫࡓ۞֗ᇆࢳᖼĂૻধ۞Ҙ঱
Ͱࢰ঎Ăമߖј˘಼Ғ૾ᔿ៨۞ࢲଐ൪Ĉٛ‫ރ‬Ⴌஎ‫צ‬आο
֧ࡠᇆᜩĂͽ‫۞΃ܕ઼ڱ‬੨ጡ̈́‫׶‬ᓏ͘‫ڱ‬Ăܑன΍ҋ̎ந
ྋ۞ள઼ଐአγĂ˫ΐˢ‫ޖ‬ᐖ௟Ꮅ۞ࢲॾćҘ঱Ͱүѡछ
‫ڱ‬ฮ‫۞ؕࣧͽ݋‬ঈ๕Ăវன˞ྍ઼ϔܸࢰሄ۞߿˧Ą
ұा೻‫؃‬ᙯ‫ܝ‬ԙ̄‫ރ‬Ⴌ഑Ă˝ี઼ᅫ޽೭̂ᔈॳ݄ᄮᙋ۞
̂रĂഅࠎ‫ڌ‬ᇇ᝘ிࢵႊԓৼ೻পٛ̈́‫ڱ‬ฮඈˠү‫ݡ‬Ăሤ
ਾଯᇃҽᆈགྷ‫΁۞׏‬Ă̫؆ອ֗ճᝌĂҘ঱Ͱ۞ሤ˧Ăα
ड൴೸Ċ
The sound of a tambourine bounces along the swirling
splashes of red. Waves of strong Spanish music paint
a colorful tableau. Deeply affected by Chabrier's style,
Ravel used modern French instrument arrangements and
harmonies to present his interpretation of the exotic with
a quiet, delicate touch. Spanish composer Falla chose to
take another road and portrayed the vitality of local folk
music with primal strength.
Dorian Wilson, L. Bernstein's last student, is a master
who has received laureate certifications in 9 categories
in the International Conducting Competition. He is
dedicated to promoting lesser-known classics, and is the
one who introduced the works of Ginastera and Falla to
former East Germany audiences. Tonight, come join him
in this passionate Spanish fiesta and feel the fire!
p.87
Dorian Wilson
кӀщą‫ރ‬Ⴌ഑
039
IMF
14/10/04Ğ̱ğ19:30
޽೭Ė‫ڱ‬ᜋ̷೻ΞąߟႬॅ Conductor: Francesco Corti
᐀ൣĖ฾̂ჯ Piano: David Fung
ٛ‫ރ‬ႬĖ੼ෳ҃ຏ๋۞๪ᄅѡ
M. Ravel: Valse noble et sentimentale
ٛ‫ރ‬ႬĖȑ̂አ᐀ൣ‫ݶם‬ѡ
M. Ravel: Piano Concerto in G Major
᎗ୣ೻ૄƟٛ‫ރ‬ႬĖणᜓົ̝൪
M. Mussorgsky / M. Ravel: Pictures at an Exhibition
၆‫ٺ‬ሄጡมࢰҒត̼ໂࠎୂዟ۞ٛ‫ރ‬ႬĂࢰ௑ᔺᔺԜ‫ق‬ኬ̟ৠ؈۞ᜲ‫ڱ‬Ăтঔ͇˘ҒԸˢว
ЍਠĂᆸᆸ‫گ‬ᚡඝᚊĄ
ಈᝌٛ‫ރ‬Ⴌ۞‫̓ڈ‬ĂΞ˼༱Ҿ᏾࿅఺˘ಞႊ΍Ă΁˘ϠΪ౹ү‫ࢵ׌‬᐀ൣ‫ݶם‬ѡĂ҃‫۞˘׎‬
ĮĜአ᐀ൣ‫ݶם‬ѡį˵ߏ΁୎ഇү‫۞̚۞ݡ‬ჟოĂᚵ৾გ‫ؽ‬ሄҒ૾ᏉЪ඾Ο‫׏‬ᄃᒑ̮̀
৵Ă่̙ѣ͹‫۞ݶ‬፾ϨĂᖳಱ۞Ғ૾ћߍă੯‫۞ܪ‬ሄຐĂລ੨ٛ‫ރ‬Ⴌგ‫ؽ‬ሄበѡ۞᎗ୣ೻ૄ
གྷ‫̝׏‬үĮणᜓົ̝൪įĂᄅᆐ੨ሄĮ੼ෳ҃ຏ๋۞๪ᄅѡįՀߏͽ̙ТࢬШĂຏ‫̂צ‬र۞
౹үࢲ‫ܚ‬Ą
2014NTSO઼ᅫࢰሄ༼۞ௐ˘ಞĂ፫̂Ӏֲරཱྀ᐀ൣछ฾̂ჯͽ‫׏‬ฮă৷ஐтྐ‫ૻ׶‬ধ۞ႊ
‫ॾࢲݶ‬ჟവྚᛖٛ‫ރ‬Ⴌ۞ᐖᔃᄃૺճĂᔛଋ˘Т൴னٛ‫ރ‬Ⴌ۞ᚵ৾Ғ૾Ċ
੼ᜠइை
040
ሤ኱̚
Fantastic World of
Maurice Ravel
Ғ૾‫گ‬ᚡĂϹᖐ฀ᇠ௑ำมĂ
ᆸᆸુᝑĂٛ‫ރ‬Ⴌ۞͵ࠧඝᜀ᜙னĄ
p.87
p.91
Francesco Corti
David Fung
‫ڱ‬ᜋ̷೻ΞąߟႬॅ ฾̂ჯ
Due to his great sensitivity to various tones of different instruments, Ravel is able to gift
every musical note with magic, creating an incredible image with multilayered shades and
lights as complex as sunlight dancing on the sea.
If you are a fan of Ravel, this concert is for you. Out of the only two piano concertos Ravel
ever wrote,ņPiano Concerto in G MajorŇis considered one of his best works in the
later period. Classical jazz elements can be found in the lively orchestra presentation,
and the lead solo is often accompanied by lush and unique harmonies. This concert also
includes Ravel'sņValse noble et sentimentaleŇ, and his rearranged orchestra version of
Mussorgsky'sņPictures at an ExhibitionŇ, bringing to the audience different aspects of
the maestro's creations.
For the first concert of the 2014 NTSO International Music Festival, we also have Australiaborn Chinese pianist David Fung here to present his interpretations of Ravel: a classic,
poetic touch to show his tranquility, and a strong, distinctive style for his unruliness.
Come and experience the colorful world of Ravel!
041
IMF
Ⅲ
14/11/2
14:30
1000
800
500
300
Conductor / Violin: Cho-Liang Lin
B
W. A. Mozart: Rondo in B-flat Major , KV.269
E
W. A. Mozart: Adagio in E Major, KV.261
C
W. A. Mozart: Rondo in C Major , KV.373
B
F. J. Haydn: Sinfonia Concertante in B-flat Major , Hob.I:105
W. A. Mozart: Serenade in D Major Haffner
, KV.250 (248b)
2013/14
KV.269
7
042
+
56
800
KV.261
Mostly Mozart
by Cho-Liang Lin III
ྃ᏷ֶᖞགྷ‫׏‬ĂրЕֶ൒ჟ૾Ă
‫ܪߌڒ‬౵ຑంϑপĂᚥගࠡଓ঴Ϝࢰ௑۞ҰĄ
p.88
Cho-Liang Lin
‫ܪߌڒ‬
ņIf I could only enjoy one composer's works for the rest of my life, Mozart would definitely
be THE choice!ŇęCho-Liang Lin
It is not difficult to feel his great passion for Mozart's works, as Lin has already collaborated
with NTSO to perform a complete set of five violin concertos back during the 2013/14
season. This season, he's back to round up the set withņRondo in B-flat Major,
KV.269ŇandņAdagio in E Major, KV.261Ň. Mozart's predecessor, Haydn, also showcases
the essence of the Classical School in hisņSinfonia Concertante in B-flat Major, Hob.
I:105Ň, a rare composition for violin, cello, oboe, and bassoon.
As internationally-acclaimed violinist Cho-Liang Lin states,ņit is a musician's duty to
perform the entire collection of Mozart's violin worksŇ. Come experience the unique
simplicity and sleekness found only in Mozart's music as we performņHaffner Serenade,
KV.250Ň, a piece Mozart composed for his old friend's daughter's wedding. Feel the
happiness and life as you float through the warm melodies.
043
IMF
14/11/8Ğ̱ğ19:30
᐀ൣĖዒ঍̋ Piano: Dang Thai Son
࿪̄გࢲൣĖᆒ‫ܫ‬Ԉ Electric Organ: Hsin-Hung Tony Liu
̖ͧĖௐ˟ཱིĮ‫ܠ‬඿‫ؑݱ‬ऋ௡ѡį
G. Bizet:ņL' Arlesienne SuiteŇNo.2
ٛ‫ރ‬ႬĖD̂አν͘᐀ൣ‫ݶם‬ѡ
M. Ravel: Piano Concerto for Left Hand in D Major
ཐॹ೻Ėc̈አௐˬཱིϹᜩѡĮგࢲൣį
C. Saint-Saëns: Symphony No.3 in c minor, Op.78ņOrganŇ
‫ܜ‬௏፾‫ݶ‬ҡ඾ከൣ۞્ࡗ̈ѡĂ‫ܠ‬඿‫ؑݱ‬ऋдᖎಏ۞୊‫̚ޠ‬णன୻ᚊ௲ܸĂ̖ͧࠎ‫઼ڱ‬үछ
ౌᇇᇤᆷ۞ᑚᆐ੨ሄĂͽࢰሄ̺ઙ΍۞ቢ୧ឰˠ˵ԡ̙ҝౝˢ̙Ξҋ٥۞ճ᝽Ą၆ࢰҒೠ೪
ໂѣ̶͇۞ٛ‫ރ‬ႬĂ‫׎‬Įν͘᐀ൣ‫ݶם‬ѡį‫ͽ݋‬Ω˘჌ଐຏ‫׶‬ᓏቢᒉౄĂдࢰሄҒ૾ጯ۞ዂ
ߍ˭Ă˧‫ࢰޘ‬Ғᄃ୊‫ޠ‬Ϲᖐ΍পঅ۞Ϡ‫˧׻‬Ą҃ώ֗˵ߏგࢲൣ̂र۞үѡछཐॹ೻Ă้‫׎‬
ٙѣ۞۩݈̝үௐˬཱིϹᜩѡĮგࢲൣįĂ࿸႕۞ᓏࢰᄃგ‫ؽ‬ሄဥ̝ม۞Ϲ̢ԩᏊᄃЪүĂ
በᖐ˘჌ᐹฮ߶໕۞ঈ‫ڤ‬Ą
ᐌ඾Щछሄᓏ୽ႌणன࠹ᚶጾᒭĂᘹఙᜪયᖎ͛૽ᄃௐ˩‫ب‬රՒᏂ઼֣ᅫ᐀ൣ̂ᔈࢵረ଀͹
۞෸‫ݑ‬᐀ൣछዒ঍̋Ăგࢲൣλᑞᆒ‫ܫ‬ԈĂͽ‫ڱ‬ᜋҘ۞঎ႝᘱ΍Ⴔᚊ۞Ғ૾Ą
੼ᜠइை
044
ሤ኱̚
Romantic Impressions
of the French Music
‫ڱ‬ё঎ႝଐᘃĂ႕໕ᚵ৾Ғ૾Ă
҃ԧĂд඗࡚۞ࢰҒ̚ՕዕĄ
p.8
Wen-Pin Chien
ᖎ͛૽
p.91
Dang Thai Son
ዒ঍̋
p.91
Hsin-Hung Tony Liu
ᆒ‫ܫ‬Ԉ
A simple melody performed with a flute solo accompanied by the harp,ņL' Arlesienne
SuiteŇ is a delicate piece which carries an ethereal, pure taste. Bizet composed this piece
for French playwright Daudet's work, sketching out the emotional tragedy with music and
luring in the audience like moths to a flame. Fellow French composer Ravel, with his great
mastery of tone, wove a different kind of melody and emotion into hisņPiano Concerto
for Left Hand in DŇ. Strength and music blend with each other in tune to music and color
science, producing a unique force of life. Saint-Saëns, who was also a master pipe organ
player, completely poured his talent and soul into his Symphony No.3ņOrganŇ. It is a
spar between rich, colorful sounds and the entire orchestra, and presents an elegant and
graceful atmosphere.
Artistic Advisor Wen-Pin Chien, Vietnamese pianist Dang Thai Son, winner of the 10th
International Chopin Piano Competition, and pipe organ virtuoso Hsin-Hung Liu team up
tonight to bring you a concert where masters and masterpieces jointly illustrate a fantastic
picture with French romance.
045
Δለࢲଐ൪
15/1/09Ğ̣ğ19:30
15/1/10Ğ̱ğ19:30
ࡺΔᘹ͕͛̚āைᆊĖ800Ą500Ą300
޽೭Ė⮞甬剱ᇂ Conductor: Fusao Kajima
χᑝĖౘ࠳⛥ Percussion: Ying-Hsueh Chen
κႬ഑Ė˛ࢵ̈‫ݡ‬ᏴҋĮ‫ܠ‬ٛ˚į
C. Nielsen: 7 Pieces ofņAladdinŇ, Op.34
ߟׂႬĖௐ˘ཱི੺‫͐͢ڒ‬ൣ‫ݶם‬ѡ
A. Koppel: Marimba Concerto No.1
ᄣপ഑Ėࡶԧѣԯຼᐝ
R. Peterson: If I Had a Hammer
Ҙ֓߹̀ĖĈአௐˬཱིϹᜩѡ
J. Sibelius: Symphony No.3 in C Major, Op.52
αࢵֽҋ೻ಝг֤ჯֲүѡछ۞ү‫ݡ‬Ă‫ݒ‬Ӕன΍α჌̙Т۞ঈኳᄃ‫קڶ‬Ą̜౪үѡछκႬ഑
૲඾ආྖေ͑ঈኳ۞Į‫ܠ‬ٛ˚įΒӣ඾ĈĮϿ೻‫ڱ‬ց۞ξะįăĮ઼̝̚ႇįăĮО‫̝ޘ‬
ႇįඈඈĂႽߏ၆‫ޘ઼͞ڌ‬ৠ৛ცຐ۞ሄౢĄТᇹֽҋ̜౪۞ߟׂႬࠎ੺‫͐ڒ‬ᙉᆷ˞඾Щ۞
ௐ˘ཱི‫ݶם‬ѡĂ఺ࢵϤᎊ഑ಢ઼ᅫ̂ᔈ؎੉౹ү۞ሄѡĂߊѣଣ͖۞፬ଐĂ˵ѣ൑቎જၗ۞
ᑝሄࠍԫĄIf I Had a Hammerߏ˘ࢵ40ѐ΃·႕඾ࢭ‫׻‬ሤҕ۞ႇѡĂϤ̜౪үѡछᄣপ഑
Լᆷ‫̪ޢ‬൒ឰˠ᝘˞਒ᘃ፬ᒜĄ‫܆‬ᜋүѡछҘ֓߹̀۞ௐˬཱིϹᜩѡĂߏ΁˛ࢵϹᜩѡ̚઱
˘ˬሄౢ۞ү‫ݡ‬Ăѡ̚Ϲᖐ඾Δ઼ϔ୉۞எᖿ‫؝‬૚ᄃ‫ۉ‬ሤૻধ۞Ϡ‫˧׻‬Ąֽҋᄂ̚Ϯ‫ت‬ϫ݈
ॠ‫̜ا‬౪۞χᑝሄЩछ陳盈斈ᄃ઼ᄂϹĂд΋ϐߋ‫ܐ‬ॡ΄ᚥ˯ДͫϹᏉ۞ΔለࢲଐĂणฟ˘
߱ள઼۞ฉϐࢰሄ̝ॠĄ
046
Nordic Imageries
тေҬ͑ϨҒ઼‫ޘ‬Ă
ආ͑Ғ૾ᚢႝĂ
Δለϔ୉۞எᖿᄃ‫ۉ‬ሤĂ
ᄅજᑝሄĂࢳೳДͫϹᏉ۞ሄౢĄ
p.88
Fusao Kajima
梶間聡夫
p.93
Ying-Hsueh Chen
陳盈斈
Four pieces from four Scandinavian composers, four distinctive styles and presentations.
Danish composer Nielsen's works are filled with exotic fantasies of the Orient. His fairy
tale-likeņAladdin, Op.34ŇSuite includes pieces such asņThe Marketplace in IspahanŇ,
ņChinese DanceŇ, andņHindu DanceŇ. His compatriot and peer Koppel composed
the famousņMarimba Concerto No.1Ňfor the marimba. The composition, commissioned
by the International Percussion Competition Luxembourg, delivers the passion of the
tango and the extraordinary, dynamic skills of percussion.
ņIf I Had a HammerŇwas originally a song of revolution back in the 40s, and its passion
and determination is still apparent in Danish composer Peterson's rearranged version.
Finnish composer Sibelius'ņSymphony No.3 in C Major, Op.52Ňis the only one out of his
seven symphonies which has three movements, and the profound loneliness and fierce
vitality of the Nordic people pulse deep throughout the entire composition.
Tonight, percussionist Ying-Hsueh Chen, who is originally from Shigang, Taichung and
currently resides in Denmark, collaborates with NTSO to lure you to the Lands of Ice and
Fire as winter turns into spring. Welcome to the first concert of our series of Weekend
Concert Breaks, where we kick off with an exotic splash of the North!
047
‫۞ྻ׻‬ཙՎ
15/3/21Ğ̱ğ14:30
လཌྷξ̼͕͛̚ࢰሄះāைᆊĖ800Ą500Ą 300
15/3/22Ğ͟ğ14:30
޽೭Ė഼Ⴓ೻ąᄏႬ Conductor: Tamás Gál
̈೩ൣĖⱡణ̰೿̄ Violin: Akiko Suwanai
ంϑপĖĮ࣫ąಕ୕κįԔѡ
W. A. Mozart:ņDon GiovanniŇOverture, KV.527
κႬ഑Ė̈೩ൣ‫ݶם‬ѡ
C. Nielsen: Violin Concerto, Op.33
֓к‫܆‬Ėc̈አௐཱི̣ϹᜩѡĮ‫ྻ׻‬į
L. v. Beethoven: Symphony No. 5 in c minor, Op.67ņFateŇ
‫̝ྻ׻‬ᓏΣᜩĂ֓к‫܆‬གྷ‫׏‬࿝үᇠˢ͕‫ؽ‬Ă
ࢷ඾ൣࢰ୊ࢲ҃ҌĂ
ࢳ෸ᄃᎱඡ۞͕Б൒णฟĄ
੼ᜠइை
048
ሤ኱̚
Footsteps of Fate
ፍᙯ‫۞ྻ׻‬གྷ‫̝׏‬؆Ă˘ዅ̄˘‫ࢋؠ‬᝘˘ѨĊ
ంϑপтֹ͇·՗ͷ୻າ۞ࢰሄ౹үីᅿĂឰĮ࣫ąಕ୕
κįԔѡՏಞႊ΍υГѨឰ៍ிீ༗ࠎ̝˘‫ܪ‬Ąజᚑࢦ҅
়ͽ̈́ጼ‫ۋ‬ᇆᜩ۞֓к‫܆‬Ă૟΁఺ֱ൭ࡴ۞ዎ࿃Ă૙නд
ࢰሄ̝̚۞ᘈ͵࿝үௐཱི̣ϹᜩѡĮ‫ྻ׻‬įĂᇴѺѐֽĂ
α࣎ާܳ˫̷࢝۞ࢰ௑ࢦኑღљˠ͕Ă୊‫˞ڇفޠ‬Б͵ࠧ
ٙѣ۞᝘ிĂߏ˘ࢵ൑‫ڱ‬జ෹෸ͷυื˘᝘д᝘۞གྷ‫׏‬Ą
ࢷ඾ሄᓏውྼ˘኶‫̝ྻ׻‬ॠĂ၇Ѩᒔᔛ‫צ‬ሄਜ਼፬ካ۞̂र
഼Ⴓ೻ąᄏႬĂॻࡊ͈೻ૄ‫ܛ‬ൕⱡణ̰೿̄Ăӈ૟ͽκႬ
഑۞̈೩ൣ‫ݶם‬ѡ૲ග̂छ˘࣎ჟ૾۞؆୎Ăᙱͽຐည۞
۩݈௡ЪĂ̙Ξ̙ۢ۞གྷ‫׏‬ѡϫĂЩछЩѡࢦณ࿝ᚥĄ
A night of the classics, a night of fate and destiny! A
concert you definitely should not miss in this lifetime.
With a musical soul as clear and lively as an angel,
Mozart made sure that hisņDon Giovanni OvertureŇwill
never cease to amaze regardless of how many times it
has been performed. Plagued by severe ear problems
and war, Beethoven transformed the pain and suffering
in his life into the extraordinary masterpieceņSymphony
No. 5 in c minor, "Fate" Op.67Ň. For centuries, the
strong opening four notes and impressive melody
continue to captivate the hearts of audiences around the
globe. Without a doubt, this insurmountable classic is
indeed timeless.
Embark on a journey of fate and destiny through music
tonight with conductor Tamás Gal, who is back due
to popular demand, and International Tchaikovsky
Competition winner Akiko Suwanai as they present
Nielsen'sņViolin Concerto, Op.33Ň. Incredible
ensemble, unmissable classics, astonishing presentation.
p.89
Tamás Gál
഼Ⴓ೻ąᄏႬ
p.94
Akiko Suwanai
ⱡణ̰೿̄
049
ܻᘲ೻ࢰሄλˠ
15/4/24Ğ̣ğ19:30
າѻξ̼͛ԊႊᘹះāைᆊĖ1000Ą800Ą500Ą300
15/4/26Ğ͟ğ14:30
޽೭Ė梶間聡夫 Conductor: Fusao Kajima
᐀ൣĖౘ͵ઈ Piano: Shih-Wei Chen
೼ᘲߟහ͈ĖĮૄ౰̚૝į௡ѡ
S. Prokofiev:ņLieutenant KijeŇSuite, Op.60
೼ᘲߟහ͈ĖĈአௐˬཱི᐀ൣ‫ݶם‬ѡ
S. Prokofiev: Piano Concerto No.3 in C Major, Op.26
Ꮒ೻๰ࡊჯ‫ݵ‬Ėd̈አௐ˩˟ཱིϹᜩѡĮ1917į
D. Shostakovich: Symphony No.12 in d minor Op.112,ņThe Year 1917Ň
જᒜ۞ॡ΃Ă
2:28ܻᘲ೻ࢰሄλˠͽ̰ᑦܑனҕ୵྆۞ૺճĂ
ីᅿ౹үăሄѡӔனĂ
̂͵΃̚۞̈ˠ‫ۏ‬Ăϡ౵࡚۞ᓏࢰӞ಄Ą
੼ᜠइை
050
ሤ኱̚
The Giants of
Russian Music
͇Ϡ۞੿̖೼ᘲߟහ͈Ăӈ‫֗ܮ‬дኜкࢨ‫۞ט‬ໂᝋॡ΃Ă̪ϡ˘ѡ˘ѡ۞ሄౢϹᖐӵᖟ႕ට
ሤҕĄ࿪ᇆ੨ሄ۞Įૄ౰̚૝įಶߏдѩॡ΃̚Ăͽॆ҅۞ࢰ௑ຳຳᏝ‫ו‬༊ॡ۞ෳ୉ۤົĄ
҃ᓛ‫ۉ‬ˠ˾۞ௐˬཱི᐀ൣ‫ݶם‬ѡĂߏ೼ᘲߟහ͈Ω˘གྷ‫׏‬λүĂࠎ˞Ӕன᐀ൣ፾‫۞ݶ‬රᚊᄃ
ჯ޺გ‫ؽ‬ሄ۞‫׶‬ᏘĂ೼ёপѣ۞‫ؽ׶‬ᄃሄѡ۞ૺ˧д఺྆ჟ૾णனĄᏂ೻๰ࡊჯ‫۞ݵ‬ௐ˩˟
ཱིϹᜩѡ‫ߏ݋‬ᗟᚥගЕှĂಏ˘જ፟రࡍፋѡ֭ͽ˘ঈ‫ר‬ј۞͞ёႊ‫ݶ‬Ăૻধϒࢬ۞ࢰሄܑ
னۡତ็ᅍ͕ٙ̚‫۞זצ‬ຏΡĄજᒜ۞ॡ΃Ă఺˘͵ࡔ۞ܻᘲ೻д̶Ъ̚Ăүѡछࣇ˵ͽሄ
ᓏаᑕ።ΫĄ
̂ॡ΃̚۞̈ˠ‫ۏ‬Ăᄂ៉᐀ൣछౘ͵ઈă͟ᚱ޽೭梶間聡夫ࢦາ൴ன1917ܻᘲ೻۞ҽᄃ
ሤĂᖙᛡ۞‫ޥ‬ჰĂកજ۞͕ဩĂᔛଋᏐ֗ຏ‫̚ؽ׶צ‬ᔳӣ۞λ̂ሄ‫ޥ‬Ą
Talented Prokofiev, despite living under a totalitarian regime which imposed restrictions on
many aspects of life, managed to compose one work after another with enthusiasm and
passion. HisņLieutenant Kije SuiteŇ, composed for the movieņLieutenant KijeŇ, subtly
held up the aristocratic society at that time to ridicule with the suite's pleasant-sounding
music. The popularņPiano Concerto No.3Ňis another well-known classic by Prokofiev.
The concerto, which strives to maintain a balance between the soloist and the orchestra,
displays the dissonances and musical tension characteristic of Prokofiev.ņSymphony
No.12 in d minorŇby D. Shostakovich, dedicated to the memory of Vladimir Lenin, has
one single motive throughout the entire piece and is played without a break. The powerful
music serves as the composer's true revelation of his inspirations and feelings. Indeed,
in the turbulent 20th-century Russia, music became a way for composers to engage in a
dialogue with history and their time.
Taiwanese pianist Shih-Wei Chen and Japanese conductor Fusao Kajima will rediscover
the coldness and passion in Russia in 1917. Stories of everyday people in an unusual age,
troubled thoughts, and agitated minds will cross paths in this concert, which will surely
generate compelling momentum and evoke listeners' emotions.
p.88
Fusao Kajima
梶間聡夫
p.94
Shih-Wei Chen
ౘ͵ઈ
051
15/5/22
19:30
800
15/5/23
500
300
19:30
1000
800
500
300
Conductor: John Nelson
Piano: Steven Lin
H. Berlioz: Symphony Fantastique, Op.14
E
L. v. Beethoven: Piano Concerto No.5 in E-flat Major , Op.73 Emperor
7
052
+
56
800
Romanticism
Fantasies
ᅅճ͌ѐăࢰሄ̖̄Ă̂ᓙгͽგ‫ؽ‬ሄ۞ࢰᜩᗞफ़Ăहຍ
۞ຶߖдϹᜩ۞ᄅᄂ˯Ą‫઼ڱ‬үѡछϨ᏶̀۞Į͑ຐϹᜩ
ѡįĂߏ19͵ࡔ‫ܐ‬ለ߷ሄጪ˘ొឰˠមရ۞౰үĄϨ᏶̀
၆‫ٺ‬ေဩă̂ҋ൒ᄃ෹ҋ൒͵ࠧ۞‫ג‬൪Ă·႕౹ຍ۞‫׶‬ᓏ
ᄃგ‫ؽ‬ሄ੨ጡĂҌ̫̪ᇃ‫צ‬ଯૣĂՀࠎᇆᜩஎᅈ۞ߏ΁ԯ
Ķ‫ؠ׽‬ሄ‫ه‬ķĞidée fixeğ۞ໄ‫ྻه‬ϡ‫ٺ‬౹ү̚Ăឰࢰሄ
ᖣ඾જ̝፟௑ཱིᄲ΍જˠ۞߇ְĄ༊઼̫ᅫ̳ᄮϨ᏶̀ᝋ
‫޽۞ރ‬೭̂रࡗᎰąκႬ഑Ă૟ྚᛖ΁౵ो͘۞Ϩ᏶̀ѡ
ϫĂ֭தᅳ઼ᄂϹᄃ2014ѐጆᄼ೻‫؃‬᐀ൣ̂ᔈௐ˟ЩĂజ
᜖ࠎᄂ៉̝Ѝ۞᐀ൣछ‫ٽڒ‬Ăႊ΍ዂ໴ჟ૾۞֓к‫܆‬Į࠱
‫ޓ‬į᐀ൣ‫ݶם‬ѡĂ૲ᅳଋซˢ঎ႝࠁ۞͑ຐ̝ॠĄ
A young, daring music prodigy explored various
musical hues and boldly experimented with new
orchestral sounds on the music scene.ņSymphony
FantastiqueŇby French composer H. Berlioz stunned
the 19th-century European musical landscape. Berlioz's
portrayal of dream, nature, and the supernatural world,
and his creative harmony and orchestration still enjoy
widespread acclaim even today. His use of idée fixe,
a recurring theme that serves as a foundation for
narration, also leaves a long-lasting influence. Maestro
John Nelson, internationally recognized as a seminal
interpreter of Berlioz's music, is going to conduct
Berlioz, for which he is best known. The NTSO will also
presentņConcerto No.5 in E-flat Major, 'Emperor' Ňby
L. v. Beethoven with pianist Steven Lin, the pride of
Taiwan and winner of the Silver Medal at the 2014 Arthur
Rubinstein Piano Competition. Let the artists take you on
a journey of Romanticist fantasies in this concert.
p.90
John Nelson
ࡗᎰąκႬ഑
p.95
Steven Lin
‫ٽڒ‬
053
15/6/6Ğ̱ğ14:30
ᄂ‫ݑ‬ξϲᄂ‫͕̼͛̚ݑ‬āைᆊĖ1000Ą800Ą500Ą300
15/6/7Ğ͟ğ14:30
޽೭ĖܲᘲąΟᇇ໢ Conductor: Paul Goodwin
̈೩ൣĖѦӀщąٛᄿ‫ ڒ‬Violin: Julian Rachlin
‫؜‬ᇇႬ࿵ĖĮ‫܆‬ΐႬ‫߽ج‬įԔѡ
F. Mendelssohn:ņHebridesŇOverture, Op.26
‫؜‬ᇇႬ࿵Ėëአ̈೩ൣ‫ݶם‬ѡ
F. Mendelssohn: Violin Concerto in e minor, Op.64
‫؜‬ᇇႬ࿵ĖäአௐˬཱིϹᜩѡĮᛂॾᜋį
F. Mendelssohn: Symphony No.3 in a minor, Op.56ņScottishŇ
Ķ‫؜ק‬ᇇႬ࿵̝ሄĂሄ̚ѣ൪ć
៍‫؜‬ᇇႬ࿵̝൪Ă൪̚ѣሄĄķ
੼ᜠइை
054
ሤ኱̚
Musical Sketches
by Mendelssohn
16
e
When W orld-class Scenic Composer Mendelssohn
toured Scotland, he was deeply moved by the grand
ocean view. The Hebrides Overtur e was the resul t
of this emotional impression, depicting waves crashing
onto the rocky shor es and seabir ds flying high over
the ocean. Mendelssohn composed the 16-measur e
melody of his Symphony No.3 Scottish in front of
the crumbling Palace of Holyr oodhouse after visiting
the historical site. A decade later, the completed piece,
which retells a medieval legend, was presented as a gift
to Queen Victoria, the ninth generation granddaughter
of the original castle owner .
Tonight, master violinist Rachlin also performs the
elegant and pleasant Violin Concerto in e minor,
Op. 64 with his lush trademark style, an exquisite
presentation aimed to touch your soul. When talented
musicians meet a classical master's meticulous skill and
refinement, be prepar ed to be transported back to the
romantic 19th century .
p.90
Paul Goodwin
p.95
Julian Rachlin
055
‫̰ވ‬ሄ̝؆
Chamber Music
Night
NTSO Chamber Music Night
NTSO‫̰ވ‬ሄ̝؆ę
‫ ܪߌڒ‬Cosplay
Mozart Cho-Liang Lin:
Cosplaying Mozart
14/11/1Ğ̱ğ14:30
ॿ๩ᇃᘹࢰሄះāைᆊĖ1000Ą800Ą500Ą300
̈೩ൣĖ‫ ܪߌڒ‬Violin: Cho-Liang Lin
᐀ൣĖͳׂႱ Piano: Pei-Yao Wang
઼ϲᄂ៉Ϲᜩሄဥဥࣶ NTSO Members
ంϑপĖD̂አௐ˘ཱི‫ܜ‬௏αࢦ‫ݶ‬
W. A. Mozart: Flute Quartet No. 1 in D Major, KV.285
ంϑপĖĈአ‫ؽ‬ሄ̣ࢦ‫ݶ‬
W. A. Mozart: Strings Quintet in C Major, KV.515
ంϑপĖg̈አ᐀ൣαࢦ‫ݶ‬
W. A. Mozart: Piano Quartet in g minor, KV.478
ంϑপ΍‫ٺۍ‬1789ѐ۞Ĉአ‫ؽ‬ሄ̣ࢦ‫ݶ‬ĂՀజࢰሄጯ۰ຑЯ೻‫؃‬ĞAlfred Einsteinğ᜖
ࠎĈĶૣ੼ѣ඾ͳ۰ࢲቑĂ֭ᛃӣ඾૛‫۞׻‬ଐඕĄķ҃΁۞g̈አ᐀ൣαࢦ‫ݶ‬Հߏགྷ‫۞̚׏‬
གྷ‫׏‬Ą̈೩ൣ̂र‫ܪߌڒ‬ᄃ઼ᄂϹ۞ࢰሄछĂ૟ͽ౵ჟവᄃ௟Ꮅ۞௡ЪĂࢦன͇̖үѡछ۞
Ο‫̰ވ׏‬ሄགྷ‫׏‬Ą
Tonight's program will feature three of Mozart's classic works. HisņStrings Quintet in C
Major, KV. 515Ň, published in 1789, is applauded by music scholar Alfred Einstein as a
piece withņthe nobility of a monarch, and the resignation to fateŇ. HisņPiano Quartet in
g minor, KV. 478Ň is also a classic masterpiece.
In today's concert, master violinist Cho-Liang Lin will team up with the musicians of the
NTSO to present the classic chamber music of this genius composer with the utmost care
and precision.
p.88
Cho-Liang Lin
‫ܪߌڒ‬
p.92
Pei-Yao Wang
ͳׂႱ
057
NTSO
Ladies' Night
P i-Chin Chien:
15/1/28
19:30Ladies' Night
1000
800
500
300
Cello: Pi-Chin Chien
Piano: Hsing-Chwen Hsin
NTSO Members
C. Saint-Saëns: Septet for Trumpet, String Quintet and Piano, Op.65
D
Mel Bonis: Quatuor pour piano et cor des en ré opus 124
Fabian Müller:
-
Erde in Flammen
(2005) (for 4 Flutes, 4 Double Bass, Timpani, Xylophon)
A
N. Rimsky-Korsakov: Sextet in A Major for 2 Violins, 2 Viola and 2 Cellos
Mel Bonis
p.93
Pi-Chin Chien
p.93
Hsing-Chwen Hsin
This concert is dedicated to women who have played a pivotal role in the area of music
wives who are advocates of music, repr esented by cellist Pi-Chin Chien; mothers,
repr esented by the mother of the master composer Saint-Saëns; female composers,
repr esented by Melanie Helene Bonis, classmates with Debussy at the Conservatoir e
National Supérieur de Musique et de Danse de Paris; and supporting wives, represented
by Nadeshda, wife to Rimsky-Korsakov . Tonight, we invite you to come and honor these
four female roles represented through four different pieces of music.
058
NTSO‫̰ވ‬ሄ̝؆ę
The Fascinating
and Rachlin
15/6/10Ğˬğ19:30
઼ϲᄂ៉Ϲᜩሄဥᙳपႊ‫ݶ‬ះāைᆊĖ1000Ą800Ą500Ą300
̈೩ൣĖѦӀщąٛᄿ‫ ڒ‬Violin: Julian Rachlin
઼ϲᄂ៉Ϲᜩሄဥဥࣶ NTSO Members
ధκপҹĖௐ˘ཱི̈೩ൣᄃ‫ؽ‬ሄ̝‫ݶ‬ᆀѡ
A. Schnittke: Sonata No. 1 for Violin and Strings
Ղ೻পĖĮҭ˚į‫ݶ‬ᆀѡĞ‫ؽ‬ሄ‫ۍ‬ğ
F. Liszt: Après une Lecture de Dante: Fantasia quasi Sonata
Ͽॾ඿Ҙֲ೻ĖĮ૚ᐖ̝໚į
A. Iglesias:ņFactory of SilenceŇ
ϩֲҥٛĖοϿᏚ೻ғӀ೻۞α‫؞‬Ǖαࢵග̈೩ൣᄃ‫ؽ‬ሄ۞ଣ͖ᄅѡ
A. Piazzolla: The Four Seasons of Buenos Aires, Four Tangos for Violin and String Orchestra
Ͽॾ඿Ҙֲ೻Į૚ᐖ̝໚įĂѣт࿪ᇆ੨ሄਠ·႕எՕࣚ
ຐ۞ঈ‫ڤ‬Ąລ੨඾ଣ͖̂रϩֲҥٛ۞ĮοϿᏚ೻ғӀ೻
۞α‫؞‬įᄃధκপҹ۞ௐ˘ཱི‫ݶ‬ᆀѡĂΐ˯ីຏֽҋҭ˚
ৠѡ۞Ղ೻পĮҭ˚į‫ݶ‬ᆀѡ‫ؽ‬ሄ‫ۍ‬Ą‫ޔ‬ঈ̂रٛᄿ‫ڒ‬Ă
p.95
૟ГѨͽ̈೩ൣă̚೩ൣᄃ޽೭кࢦ֗ЊĂдᙳप઼ᄂϹ
ࢰሄះĂଡ੓˘ੱճሤ۞ࢰሄ୊ࢲĄ
Julian Rachlin
ѦӀщąٛᄿ‫ڒ‬
This concert will featureņFactory of SilenceŇby A. Iglesias, which has the profound
and meditative atmosphere of a film. Also featured in the program are A. Piazzolla's
ņThe Four Seasons of Buenos Aires, Four Tangos for Violin and String OrchestraŇ, A.
Schnittke'sņSonata No. 1 for Violin and StringsŇ, and F. Liszt'sņAprès une Lecture
de Dante: Fantasia quasi SonataŇ(adapted for strings), a composition inspired by the
Divine Comedy by Dante Alighieri. Once again, the charismatic Julian Rachlin will take on
multiple roles of violinist, violist, and conductor and whip up a musical wave at the NTSO
Concert Hall in Wufeng.
059
পҾЋထ
Special Project
NTSO Family Concert
NTSOᏐ̄ࢰሄົę
൑ࢨճຐ
maginationąoo
14/10/10Ğ̣ğ14:30ă19:30
޽೭Ėӓᕞц Conductor: Yao-Yu Wu
߇ְ̍ᇄĖStory Works
̙೷ჂĀ̙೷ჂĀ
̈‫̄׉‬ٛٛᖷ΍ֽ૲඾̈̃‫ޅ‬ᆘᆘ֕ซ؈͑͵ࠧĂ
ଂĶ‫ܑࢲލ‬ႊ঱ķθֈ΍۞Ķ߇ְ̍ᇄķĂ
౵ຑ‫ש‬๡‫ש‬๡ᄦౄ͇੺Җ۩۞ү‫ݡ‬Ă
఺˘а˫ࢋซҖ̦ᆃ݂ᐍॠ඀‫?׸‬
ԣֽĊԣֽĊГ୎ಶֽ̙̈́ٛ~~
p.103
p.87
Yao-Yu Wu
ӓᕞц
Story Works
߇ְ̍ᇄ
੼ᜠइை
ሤ኱̚
061
NTSO Anniversary Concert
NTSOဥᇉࢰሄົę
็௚ᄃ็ٚ
Traditions &
Transition
14/12/07Ğ͟ğ14:30
޽೭Ė梶間聡夫 Conductor: Fusao Kajima
ѡϫГҖ̳Ҷ
Program to be announced
ᖼજॡЍ۞λ዇Ă
̱˩˝ྶᇆည؋߹።።дϫĂ
അགྷ֕࿅۞Տ˘‫ג‬ĂৌྕăຏજăഇధϹᗔĂ
ण୕ϏֽॡЍĂϖ̙ͤ໏Ą
Ꮠຑ۞઼ᄂϹĂϠ͟ԣሄĊ
The great wheel of time rolls on,
showcasing 69 years of memories and experience,
and every single moment of faith, emotion,
and hope that we have shared.
Ceaselessly, it rolls onward,
leading NTSO into the future.
Dearest NTSO, happy anniversary!
And many happy returns!
p.88
Fusao Kajima
梶間聡夫
062
2014 End of Year Concert
2014໐ϐࢰሄົę
ճᝌᔙШ2015
Carnival Night:
14/12/26Ğ̣ğ19:30
Hello 2015!
޽೭Ė⮞甬剱͈ Conductor: Fusao Kajima
‫׶‬Ꮨᗕ᐀ൣĖDuo d'Accord
Ղؒ೻ૄǕߟᖠࡊ͈ĖĮԔ‫ݶ‬ᄃ૓ᖃซҖѡįᏴҋႇᆐĮ‫ܛ‬ᗗį
N. Rimsky-Korsakov:ņThe Golden CockerelŇIntroduction and Wedding March
੥͈‫̰ݣ‬೻ĖĮ˯‫ޓ‬౹ౄ˞λ̂۞ ౦į
A. Hovhaness:ņAnd God Created the Great WhalesŇOp.229, No.1
೼঎ҹĖd̈አᗕ᐀ൣ‫ݶם‬ѡ
F. Poulenc: Concerto for 2 Pianos in d minor, FP.61
ཐॹ೻ĖĮજ‫ۏ‬ճᝌ༼į
C. Saint-Saëns:ņCarnival of AnimalsŇ
ٛ‫ރ‬ႬĖĮ‫گ‬ᚊྮį
M. Ravel:ņBoleroŇ
2014ॡЍࣆᇴႍඍႍĂ
ࢰ௑ၬၬΣᜩາѐ਴ྕຐ୕Ą
ᗕˠα͘؋ᛡৡෲĂ
‫ܛ‬Ғ̂ះ߹ᕫᝌ೚ᖼજѐර໐͡Ą
Tick-tock goes the clock,
as we near the end of 2014.
Tonight prancing notes dance to our New Year
wishes,
And two people, four hands, bring forth multitudes
of greetings cascading through the Golden Hall
and into the coming year.
p.88
Fusao Kajima
梶間聡夫
p.92
Duo d'Accord
‫׶‬Ꮨᗕ᐀ൣ
063
NTSOᏐ̄ࢰሄົę
ဂ‫ᜲݱ‬௏͘
15/4/17Ğ̣ğ19:30
າѻᎩ߆‫̼͛ع‬ԊႊᘹះāைᆊĖ800Ą500Ą 300
15/4/19Ğ͟ğ14:30
ำ‫ڒ‬Ꭹ߆‫̼͛ع‬఍ࢰሄះāைᆊĖ800Ą500Ą300
Ĳә௏ˠĳ,ĲҁဂોᏐĳតјĉĊĊĊ
Įဂ‫ᜲݱ‬௏͘į
ֽҋආ኷͵ࠧ۞Ꮠ̄ࢰሄົ
જ൪ăᑚᆐăϹᜩሄဥMjwfႊ΍
ᆛĊ̫͇ࢋΝࣹ݂྆ᐍĉ
֗።‫׎‬ဩ۞̂̈‫̓ڈ‬Ă
ᑒѓຐ˘ຐтң̼ᐍࠎлબĊ
p.89
Paul Tien-Chi Lin Wei-Hsun Na
‫͇ڒ‬Р
֤ჯጙ
064
p.94
NTSO Family Concert
Pied Piper
in the City of Rats
Ꮠຑ۞̂̈‫̓ڈ‬ĂΝѐႊ΍̂‫צ‬рෞ۞જ൪߇ְĮဂ‫ᜲݱ‬௏
͘įĂࠎа㒝ᇃ̂Ꮠ̄ሄਜ਼̫ѐሤଐΐႊĄ
఺࣎ႊ΍ߏଂĲә௏ˠĳ‫׶‬ĲҁဂોᏐĳ۞߇ְ౹үĂѣ
ᘀ̂۞Ϲᜩሄဥனಞႊ‫ݶ‬ăѣ኷۞જ൪Ăγΐᄲ३ˠ߿ី
߿ன۞ᓏࢰႊ΍Ăԓ୕౅࿅Ο‫ࢰ׏‬ሄᄃкಫវᑚᆐăજ൪
̝Ϲ᏾ĂӔனк̮ᘹఙ۞࡚ຏĂ૲ᅳ̂छ֕ˢຐည˧൑ᙝ
۞؈͑͵ࠧĂ҃߇ְ྆۞͹֎Ă༊΁ࣇࢬ၆П፟ᄃ߄ጼ
ॡĂՀৌ၁็ᅍྕ၁ăయЇă̳πඈ८͕ᆊࣃĂ֗።‫׎‬ဩ
۞̂̈‫̓ڈ‬Ă˵Ξͽᑒѓຐ˘ຐтң̼ᐍࠎлĊĊ˘੓ֽ
࠻఺ѣ኷۞߇ְӐĄ
065
ࢰሄ౹үࢍ൪
Music Composition
Project
Voice of the New and Brilliant
᝘֍ᄂ៉۞ᓏࢰ
Īາሄąߐ᜙ī2014‫ܦ‬ѐ
ࢰሄ౹үᚮᔈՙᔈࢰሄົ
Final Concert of the
Composition Competition
2014
14/08/23Ğ̱ğ19:30
઼ϲᄂ៉Ϲᜩሄဥᙳपႊ‫ݶ‬ះĞ༊͇ᓝᏱ៍ிைᏴረԸைĂᝌ‫ܓ‬໤ॡ‫ז‬ಞણᄃğ
޽೭Ėၐፍࠠ Conductor: Lin Liao
઼ϲᄂ៉ϹᜩሄဥNational Taiwan Symphony Orchestra
ࢰሄົ̬௜Ėᇃᇈ઼̰16짒45໐̝‫ܦ‬ѐүѡछણᄃᚮԫĂགྷ‫ܐ‬ᆶ̈́ኑᆶล߱‫ޢ‬Ăͽࢰሄົ
ႊ΍ԛёĂซҖՙᔈĂࢰሄົனಞϤෞᆶ؎ࣶෞ‫ؠ‬ЩѨĂ֭Ϥனಞ៍ிைᏴ౵
ָү‫ݡ‬ĂВТ֍ᙋᄂ៉າᓏĄώᚮᔈనௐ˘Щăௐ˟ЩăௐˬЩăָүă៍ி
ைᏴረ̈́ဥࣶைᏴረඈረีĂ౵੼ረᐽ൴̟඾үᝋ଱ᝋ‫ܛ‬າᄂ။˟˩༱̮ፋĄ
ՙᔈү‫ݡ‬ĞֶಡЩԔཱིଵЕĂႊ΍ึԔኛྎ֍ώဥშ৭ğ
‫ָڒ‬ሪĈሀ༳̝ࠧ Chia-Ying Li: Occultra
Ղ̮࢐Ĉ̝‫ٺ‬ல૛̣ Yuan-Chen Li: On Aldebaran
ՂᖳѠĈĮ߹ߐᇠᑝįࠎგ௙ሄဥ Feng-Hsu Lee: Meteor Impacts for Orchestra
ችࣰٚĈ୚͇ Cheng-Che Tsai: Brahma
ችֶ᩹Ĉֶֶ Yi-Jin Tsai: Yi-Yi
Īˢಞ͞ёīҺ෱৶ைˢಞĂ૟‫ٺ‬ႊ΍‫׌‬ฉ݈‫ٺ‬ώဥฟ‫ٸ‬৶ைĂٕ‫ٺ‬ႊ΍༊͟˘̈ॡ݈ฟ‫ٸ‬
னಞ৶ைĄ
ྎ௟ࢰሄྤੈĂኛણዦώဥშ৭http://www.ntso.gov.tw/
߿જშࢱĖ
067
઼ ϲ ᄂ ៉ Ϲ ᜩ ሄ ဥ ࢰ ሄ ౹ ү ࢍ ൪
઼ᄂϹࢰሄ౹үࢍထ࠹ᙯ΍‫ݡۍ‬
̼͛‫ޙ‬నϲૄдĶ͙ॲπᏊĂ౹າฟ٤ķ۞͞Ш˯Ă઼ϲᄂ៉ϹᜩሄဥĞ˭Ⴭώဥğ።ѐֽခ
ᐽ઼̰̚Ϡ΃̈́າϠ΃үѡछ౹үĂ೩̿ᄂ៉ࢰሄࣧ౹ү‫۞ݡ‬ኳᄃณĂј‫מڍ‬඾Ă͍‫ܕ׎‬ೀѐ
Տѐ࠰Ᏹந̳ฟᇈѡ߿જĂҋ2008ѐҌ̫ј‫ڍ‬ᖳჇę؎੉౹ү30ొăခᐽࣧ౹ү‫ݡ‬27ొă̳
ฟᇈѡ20ొăሄᙉ΍‫ۍ‬25इĞӣ30ొү‫ݡ‬ğăᇆࢰЍჄ΍‫ݡۍ‬15इăࢰሄົ27ಞѨĂ̏јࠎᄂ
៉үѡछ‫ܕ‬ѐֽ൴ܑາү۞ࢦࢋπέĄώࢍ൪౵Ξෳ̝఍д‫ٺ‬૟ᇈ଀̝ү‫;ݡ‬ኜႊ΍၁ኹĂᏱ
நࢰሄົ֭΍‫ۍ‬൴ҖĂഇͽૈֈԧ઼ᐹսүѡˠ̖Ă೩̿ԧ઼ࢰሄ౹үͪ໤Ăฟ٤ࣧ౹ࢰሄ۞
ᘹఙّᄃкّ̮Ă‫ݓ‬ങ၁˧ĂࣕШ઼ᅫᄅᄂ൴ᓏĄ
068
઼ᄂϹࢰሄ౹үࢍ൪߿જ̈́࠹ᙯ΍‫ۍ‬
઼ϲᄂ៉ϹᜩሄဥĪ2015‫ܦ‬ѐࢰሄ౹үᚮᔈī
ࢍ൪‫؟‬ўĖ઼ϲᄂ៉ϹᜩሄဥĞ˭Ⴭώဥğ።ѐֽ၆‫๊ٺ‬Ϡώ઼ࣧ౹ࢰሄ౹үĂ֭‫ޙ‬ཉଂ౹
үă၁ኹă΍‫זۍ‬Җዚ۞ԆፋயዚπέĂ೩̿ᄂ៉үѡछࢰሄү‫۞ݡ‬ኳᄃณĂ̏ѣ
‫מ‬඾ј‫ڍ‬Ąࠎᚶᜈଯજᄂ៉ࢰሄ̝౹үĂ೩ֻ‫ܦ‬ѐүѡछᚮԫ̝πέĂ൴ଧᐹս̝
າ౹გ‫ؽ‬ሄү‫ݡ‬ĂপఢထેҖώࢍ൪Ą
ಡЩྤॾĖ‫̚׍‬රϔ઼઼ᚱĂѐ႕16໐Ҍ45໐۰Ğણΐͧᔈ۰΍Ϡ͟ᑕࠎ̚රϔ઼59ѐ1͡1͟
Ҍ̚රϔ઼88ѐ12͡31̝͟มğ
ќІ‫צ‬ந͟ഇĖ104ѐ6͡17͟Ğˬğ੓Ҍ7͡1͟Ğˬğͤ
ү‫ݡ‬͹ᗟĖ̙నЇң͹ᗟ
ү‫ޘܜݡ‬Ėࡗ10-15̶ᛗ
ણᔈІᇴĖՏˠҌкᘳϹ‫׌‬ІĂ઱ˢಛү‫˘ͽݡ‬ІࠎࢨĄ
ᇈᏴ඀ԔĖ̶Ķ‫ܐ‬ᆶęྤॾᆶߤķăĶኑᆶęෞᆶᏳᏴķᄃĶՙᔈęனಞႊ΍ķˬล߱Ăௐ
ˬล߱ϤώဥᏱநՙᔈࢰሄົĂ֭Ϥෞᆶ؎ࣶෞ‫ؠ‬ЩѨĞႊ΍͟ഇ̈́гᕇϤώဥΩ
Җ̳Әğ
ረีĖ
Įௐ˘Щį˙ЩĈረ‫৽˙ې‬ă඾үᝋ଱ᝋ‫ܛ‬າᄂ။˟˩༱̮ፋĞӣඁğ
Įௐ˟Щį˙ЩĈረ‫৽˙ې‬ă඾үᝋ଱ᝋ‫ܛ‬າᄂ။˩༱̮ፋĞӣඁğ
ĮௐˬЩį˙ЩĈረ‫৽˙ې‬ă඾үᝋ଱ᝋ‫ܛ‬າᄂ။̣༱̮ፋĞӣඁğ
Įָ үį˙ЩĈረ‫৽˙ې‬ă඾үᝋ଱ᝋ‫ܛ‬າᄂ။ˬ༱̮ፋĞӣඁğ
ĮဥࣶைᏴረį˙ЩĈረ‫৽˙ې‬ă඾үᝋ଱ᝋ‫ܛ‬າᄂ။ˬ༱̮ፋĞӣඁğ
Į៍ிைᏴረį˙ЩĈረ‫৽˙ې‬
ણᔈү‫ݭᙷݡ‬Ėგ‫ؽ‬ሄү‫ݡ‬Ă̙ӣ‫ݶם‬ѡĂሄဥበ‫݋ࣧࠎܑ˭ͽט‬Ă
౵̙̂Ξ෹࿅ͽ˭በ‫ט‬Ĉ
3 x Flute-incl. Piccolo(max. 1 Piccolo)
3 x Oboe-incl. English Horn(max. 1 English Horn)
3 x Clarinet-incl. Bass Clarinet (max. 1 Bass Clarinet)
3 x Bassoon-incl. Contrabassoon(max. 1 Contrabassoon)
4 x Horn
3 x Trumpet
2 x Trombone
1 x Bass Trombone
1 x Tuba
1 x Timpani
4 x Percussion Player
1 x Harp
1 x Piano/Celesta
Strings
ྎ௟Ᏹ‫̈́ڱ‬ಡЩԸІྤੈĂኛણዦώဥშ৭http://www.ntso.gov.tw/
2013ࢰሄ౹үᚮᔈՙᔈࢰሄົ
߿જშࢱĖ
069
15:30-18:15
15:30-16:00
16:00-16:30
16:30-17:00
17:00-18:15
Open House͗γ߿જ
16:00 ࢰሄົˢಞ
ࢰሄົ૾ଵ
ࢰሄፅέᔈ&͹ค߿જ
ᄅέ֘णϯ
౹ᘹξะ
ᅅࢴЃጵ
16:15-16:30 ጱ௮
070
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͹ᏱಏҜܲ঻߿જளજᝋӀNTSO reserves the right to futher change
тЯ̙Ξԩ١̝Я৵(тᅵࢲă͇խඈࢦ̂ຍγ)࡭߿જ‫ؼ‬ഇٕ൑‫ڱ‬ᏱநॡĂ
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༼ϫࠀྙĈ઼ϲᄂ៉Ϲᜩሄဥࡁտଯᇃ௡ www.ntso.gov.tw
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5
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ཀྵӀॾĈĮϩႬ‫ܛ‬į௡ѡௐ˘ཱིĂү‫ݡ‬46
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ұा೻‫ ؃‬/ ୥഑በѡĈĮҘ‫ְ߇ݱ‬įᏴო
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ॻࡊ͈೻ૄĈĲ๪ᄅѡĳĂᏴҋĮჂ࡚ˠį௡ѡ
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Ķ೼‫ݵ‬κĮՆᜋѧ̳͹į۞ཏிಞഀ࠹༊Ӵ៍Ăࢰሄ఍ந૞ຽĂࢰᜩᘕഝĂ఺
ֱౌࢋᕩΑ‫·ٺ‬႕߿˧۞઼࡚޽೭‫ރ‬Ⴌ഑Ă΁‫ܐ‬Ѩࣖ೶‫࠹ܪ‬ಶᒔ଀јΑĂனಞ
៍ிӮಡͽ౵ሤଐ۞ೠᓏĄķęࣖ೶Į៍၅छಡį
кӀщą‫ރ‬Ⴌ഑ࠎұा೻‫؃‬ᙯ‫ܝ‬ԙ̝̄˘Ă˟˩α໐ॡ‫̜ٺ‬౪੺Ⴌࡊ઼ᅫ޽
೭̂ᔈ၈ᜨᐝ֎Ğ1989ğ̝‫ޢ‬Ăд઼ᅫ޽೭̂ᔈٙ̚Ш٣ᙴĂВो˭˝ีረ
ळĂΒ߁Ѽপᘲ‫گ‬೻޽೭̂ᔈĞฮ‫׏‬Ă1996ğă͋ᇇٛ֙޽೭̂ᔈĞ‫ؒܠ‬೻
প̜Ă1994ğăћ೻Ικκ޽೭̂ᔈĞཌྷ̂ӀĂ1990Ă1992ğͽ̈́Ҙ֓߹̀
޽೭̂ᔈĞᄿႬ֙ૄĂ1995ğඈඈĄ
‫ރ‬Ⴌ഑അಶ᝝઼࡚ለߦ‫ࢰڒ‬ሄੰĞ͹࣒᐀ൣ‫׶‬ᘹఙΫğăОௐщৼ̂ጯă૜Ҙ
ॲ̂ጯăჯ˵ৼࢰሄੰĞ͹࣒޽೭ğĂҌ̫̏གྷ޽೭࿅͵ࠧЧг˘Ѻк࣎Ϲᜩ
ሄဥĄ
Conductor: Dorian Wilson
޽೭ĖкӀщą‫ރ‬Ⴌ഑
1963ѐϠ‫ٺ‬ѼᜋĂߟႬॅдѼᜋጯ௫᐀ൣă̈೩ൣ‫׶‬үѡĂдჯ˵ৼጯ௫޽
೭Ąѝѐ΁ͽ̈೩ൣछ̝‫ݻ‬д๸гӀᇴ࣎‫̰ވ‬ሄဥ̍үĂͽᓏሄ޽ጱ۞̶֗߿
᜙‫ٺ‬Δཌྷ̂ӀЧ࣎ႇᆐੰĄ
1986ѐĂߟႬॅ‫ٺ‬ཌྷ̂ӀϿࡠҘ‫ܐ‬ѨેഔႇᆐĮਮ‫̃܅‬įᇃ‫צ‬рෞĄ
1996ѐॡјࠎՆ๫྽͈඿਩ႇᆐੰዸੰ޽೭Ă2000ѐҌ2006ѐĂߟႬॅፉЇ
ᇇ઼‫ڱ‬ႬਲᆐੰࢰሄᓁႾĂ̝‫݋ޢ‬ତЇ੺ᇇಢຑሄࢰሄᓁႾćд੺ᇇಢຑሄ
Їᖚ۞αѐഇมĂߟႬॅ่̙޽೭ႇᆐ˵޽೭ధкࢰሄົĂႊ΍ѡϫஉᄏ˞ҋ
˩˛͵ࡔ‫۞ࡔ͵˝˩ז‬གྷ‫׏‬ϹᜩሄѡĄ
2007ѐҌ2013ѐĂߟႬॅፉЇᛂॾᜋႇᆐੰࢰሄᓁႾĂ‫ٺ‬ຑ˚ಢֲ༃ࢰሄះ
̈́ॾٛ೻࣯ξ߆ះ޽೭кಞᓛ‫ۉ‬ˠ˾۞ႇᆐ̈́ࢰሄົĂ಼̂೩̿˞ᛂॾᜋႇᆐ
ੰдࡻ઼۞ᓏ୕Ą
Conductor: Francesco Corti
޽೭Ė‫ڱ‬ᜋ̷೻ΞąߟႬॅ
ĶӓАϠд౵‫˘ޢ‬዇۞ܑன‫ܧ‬૱΍ҒĂ༊΁޽೭Ϋপٛ͛೻ૄ۞‫܁‬ᓡࢰሄĮͫ
౧įॡĂ΁֤ᐹฮăᓾտ۞͘๕ခᄅ˞ሄဥ۞ሤଐĄ ķęĮ෱ΐࠃॡಡį
Ϥ̏߇Щरष࿵̥ି଱ୁᄋĂ࿅ΝᇴѐมдЧ࣎̂र঱྆ᒔ଀˘࡭г‫ؠۺ‬Ă
тRodney Winther, Andreas Delfs, ӕ௜လ, Nicolas Pasquet, Dominique
RoitsĄ д2012ѐĂ‫צ‬ᔛણᄃ̣˩ˬ‫ރب‬ႳՂ೻পࢰሄጯੰ̂र঱Ă࢒ᾯ‫ރ‬Ⴓ
‫ٺିצ‬Nicolas PasquetĂ֭‫̂ٺ‬र঱ഇมଵቚࡠोຑሄĞJena Philharmonic
OrchestrağĄ
2013ѐĂӓᕞцᒔ଀̣˩ˬ‫ॹ֓ب‬࿵઼ᅫ‫ܦ‬ѐ޽೭̂ᔈࢵረă៍ிረă̈́
ሄဥረ‫ޢ‬Ă֭ᒔ଀͵ࠧЧгۢЩሄဥ̈́ᘹఙགྷࡔ۞ᔛࡗĂ2014ѐ5͡Ă‫צ‬
ᔛ‫ٺ‬Musical Olympus International Festival޽೭St. Petersburg Symphony
OrchestraĂੵѩ̝γՀ૟‫צ‬ᔛ޽೭Orchestre National de Lorraine, Orchestre
National de Bordeaux, Opera National de Bordeaux, L' Orchestre de Douai,
Conductor: Yao-Yu Wu
޽೭Ėӓᕞц
Vienna Chamber Orchestra, Polish National Radio Symphony Orchestra, ઼
छϹᜩሄဥăᄂΔξϲϹᜩሄဥͽ઼̈́ϲᄂ៉ϹᜩሄဥĄ
087
Musicians
޽೭छ⮞มഅдۢЩࢰሄᒉᑪॾ๵ĞTanglewood ğ̚ᐌұा೻‫؃‬ă̈፨‫ف‬Ⴌ
̈́Ϋٛপ‫ܛ‬ĞLeonard Slatkinğඈ̂रጯ௫Ăдࢰሄᘹఙ˯۞̖ਕ‫׶‬ᅳጱਕ˧
౯‫צ‬៘ϫĂಈᝌۡତᄃ៍ிϹ߹ĂӀϡιૻধ۞ຏߖ˧็྿၆ࢰሄ۞ຏજĄ
‫ۿ‬ΐ࣯ኢጪಡሄෞഅᄲĈĶ⮞ม۞ࢰሄዩፁ඾៍ி۞̰͕‫ី׶‬ᅿķĄ⮞甬剱
͈‫ٺ‬2010ѐ8͡짒2014ѐ7͡ѐፉЇ઼ϲᄂ៉Ϲᜩሄဥདϡ޽೭ĂഅЇҘฮဦ
Bellevueຑሄგ‫ؽ‬ሄဥăࡊᘲٛкFort CollinsϹᜩሄဥĂϿӀᏚFox ValleyϹ
ᜩሄဥࢰሄᓁႾĂ‫މ‬य޽೭࿅ཐ‫଀ك‬Ϲᜩሄဥă໢࣯රϹᜩሄဥă੺ᇇ֧ຑሄ
Ϲᜩሄဥă‫؜‬෴‫̰ވ‬ϹᜩሄဥඈĂ֖ྫ࿆ο͵ࠧЧгĄ
Conductor: Fusao Kajima
޽೭Ė⮞甬剱ᇂ
ֽҋᄂ៉۞࡚ᚱ̈೩ൣछ‫ܪߌڒ‬Ă߹Ӏ۞ႊ‫ݶ‬ԫμ̈́੼෹රᚊ۞ࢰሄ̖ਕд઼
ᅫֳѣૣ੼۞࡚᜖Ăੵ˞ᄃன̫͹ࢋ۞გ‫ؽ‬ሄဥЪүႊ΍Ă΁۞ൣᓏ˵ॡ૱΍
ன‫ٺ‬፾‫̰ވ׶ົݶ‬ሄࢰሄົ̚Ą2000ѐࢰሄ઼࡚ᗔᄫĞMusical Americağ޽
Щ‫ࠎܪߌڒ‬ѐ‫ޘ‬ጡሄႊ‫ݶ‬छ‫׏‬ቑĂ֗ࠎLa Jollaࢰሄ༼۞ࢰሄᓁႾĂࠃՉᒧॡ
ಡಡጱ‫ܪߌڒ‬ĶԯΩ˘ॎጬˠ͕‫߄׶‬ᇥ‫ו‬፬۞າຏ‫ء‬րЕ૲˞ซֽķĄ‫ܪߌڒ‬
അࠎາ˧Ο‫׏‬ăDeccaăOndineăNaxos‫׶‬BISᄦүᐂࢰĂࢰሄ૞Ꮽ˵അᒔ଀
‫ب׌‬ཀྵ඿࡚ረ೩ЩĄҋ1991ѐ੓΁јࠎ਱ఆֲࢰሄጯੰ۞૞Їି଱Ă˵ΐˢ
Rice University۞Shepherd School of MusicፉЇିᖚĄ
Conductor /Violin: Cho-Liang Lin
޽೭Ɵ̈೩ൣĖ‫ܪߌڒ‬
2011젡2014ѐ7͡Ї઼ϲᄂ៉Ϲᜩሄဥᘹఙᜪય۞ͪᖡĂ2007ତЇ࣯ώ‫ॲݣ‬ຑ
ሄࢵय޽೭Ă֭ଂ1997ѐฟؕಶߏາΐ‫؂‬ϹᜩሄဥࢰሄᓁႾĂᅳጱྍဥེត
ࠎ͵ࠧ৺ሄဥĂႊ‫ྫ֖ݶ‬ኼ࿆ለֲ࡚̈́߷Ă֭ᄃBISᘪ˭፾छᐂࢰЪࡗĄͪᖡ
ࠎBISᐂᄦ෹࿅20ૺCDĂᐂࢰူҡΒ߁‫̈́ܪߌڒ‬आ႔ĞGil ShahamğඈۢЩ፾
‫ݶ‬छĂ૞ᏭĮજၗįᒔ2008ѐཀྵ඿࡚ረ೩ЩĂ޽೭࣯ώ‫ॲݣ‬ຑሄ۞‫ݶם‬ѡ૞
Ꮽ˫ᒔ2012ѐཀྵ඿࡚ረ೩ЩĄ2011/12ሄ‫૲؞‬ᅳາΐ‫؂‬ϹᜩሄဥԆјٛᄿႳκ
Ꮪ͈ϹᜩѡБะᐂᄦĂ˵૲ᅳ࣯ώ‫ॲݣ‬ຑሄԆј֓к‫܆‬БะᐂᄦĂĮ઼࡚ભͯ
޽‫ݑ‬įჍ΁ߏĶ૲ᅳሄဥॢ̿ࠎ͵ࠧ৺۞޽೭̂रķĄͪᖡ˵ᒔ଀‫̀گ‬࿲̂ጯ
۞౰΍७̓ረ̈́າΐ‫۞؂‬ᓁ௚̼͛ረĂࢰሄјಶᇃ‫ؠۺࠧ͵צ‬Ą
Conductor: Lan Shui
޽೭Ėͪᖡ
088
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Introduction
഼Ⴓ೻ąᄏႬனЇο྿ׂ೻გ‫ؽ‬ሄဥĞBudapest Concert Orchestra MAVğࢰ
ሄᓁႾ̈́Ղ೻পࢰሄੰĞFerenc Liszt Academy of Musicğ޽೭ր૞Їି଱Ą
΁ି଱࿅۞ጯϠ༊̚Ăѣధк‫ֽޢ‬јࠎ઼ᅫ޽೭̂ᔈ۞଀ረ۰Ą
ᄏႬགྷ૱‫צ‬ᔛ‫މ‬य޽೭Ăႊ΍֖ྫ࿆̈́ለ߷͹ࢋ‫ݱ‬ξ઼࡚̈́Ą1990ѐ΁д࡚
઼̜Ң۞ࡊᘲٛкࢰሄ༼ፉЇ‫މ‬य޽೭Ăజෞኢࠎྍѐ౵јΑ۞ႊ΍̝˘Ą
1991ѐ΁‫צ‬ᔛፉЇο྿ׂ೻઼ᅫࢰሄ༼ࢵय޽೭Ą
ੵ˞Տѐ૲ᅳο྿ׂ೻გ‫ؽ‬ሄဥ֟ਫ਼ለ߷ႊ΍25Ҍ30ಞࢰሄົĂᄏႬ˵གྷ૱
ّ۞ፉЇߦ‫ڒ‬Ϲᜩሄဥ̈́ЛͰӀຑሄგ‫ؽ‬ሄဥ۞‫މ‬य޽೭Ą΁˵അ૲ᅳૄᅃϹ
ᜩሄဥ‫ٺ‬ఈᜋႊ΍Ğ1999ğĄ1999ѐҌ2000ѐ̝ม΁૲ᅳο྿ׂ೻გ‫ؽ‬ሄဥ
д઼࡚̈́ఈᜋࢦࢋ‫ݱ‬ξ֟ਫ਼ႊ΍෹࿅20ಞ۞ࢰሄົĂӮ‫זצ‬ሤধਫ਼ᜩĄ
1998ѐ3͡ЛͰӀ̼͛ొ࿴ᙑගᄏႬՂ೻পረౢĂՀΐ‫۞΁ؠۺ‬ᘹఙјಶĄ
Conductor: Tamás Gál
޽೭Ė഼Ⴓ೻ąᄏႬ
ĺ࠻‫ז‬ఄ‫۞ڔڌ‬ႊ΍Ăԧࣇϲӈ˞ྋࠎ̦ᆃ౤ы۞ሄဥᅮࢋ˘Ҝ޽೭ĄĻę
‫ڱ‬ᜋҹ჊๗ಡ
ĺఄ‫ڔڌ‬၆ࢰҒᄃߛၹមˠ۞ೠଠ˧Ă̈́ќ‫ٸ‬ҋт۞ଐຏܑனĂ૲ගԧࣇᖳಱ
۞ីຏĄĻę֣֓ॾ‫ڱ‬ᜋҹ͟ಡ
ᇇ઼੺ઙ̂ᔈᄃοΐઙ೻প޽೭̂ᔈ଀͹ఄ‫ڔڌ‬Ăࠎࣘ‫઼׍‬ᅫෛ౎̈́ᄅᄂ۞າ
Ϡ΃ᄂ៉޽೭छĂᒔረ‫઼̰ޢ‬γᔛࡗ̙ᕝĂ֖ྫ࿆Ҷለֲ࡚ˬ߷Ąഅᄃᇇ઼֣
֓ॾϹᜩሄဥăᇇ઼ο඿୥‫̰ވ‬ຑሄăᇇ઼‫ރ‬Ⴓႇᆐੰăᇇ઼ࡠोຑሄă࡚̈́
઼͐Ⴌ۞ᇝϹᜩሄဥඈဥЪүĂ‫ٺ‬ᄂ៉അᄃ઼छϹᜩሄဥăᄂΔξϲϹᜩሄဥ
ඈЪүĂ֭അፉЇ2011ѐ͉ጆᅦࢰሄ༼ᓁ޽೭Ą
2013ѐؕॠ‫ا‬ᇇ઼Ă6͡ϤБ஧60઼400ዶҜ޽೭̚௲᎖҃΍Ăဳ੺ઙ઼ᅫ
޽೭̂ᔈ˟ረĂӈᒔEdinburgh International Festivalຑ˚ಢ઼ᅫᘹఙ༼ᓁႾ
Jonathan MillsᏐҋᔛኛ‫ٺ‬8͡ซዸᘹఙ༼Ą
Conductor: Tung-Chieh Chuang
޽೭Ėఄ‫ڔڌ‬
ᄂΔຑሄனЇዸဥ޽೭‫͇ڒ‬РĂ‫آ‬ᜋᎩˠĂலຽ‫઼ٺ‬ϲᄂΔᘹఙ̂ጯࡁտٙĂ
̣໐ॡฟؕጯ௫̈೩ൣĂ‫͇ڒ‬Р၇Ѩд઼̰ࢰሄͧᔈ̚ᒔረĂ֭‫׍‬ѣᖳಱ۞઼
ᅫͧᔈགྷរĂੵ፾‫ݶ‬ă‫ݶם‬γĂ˵ሤਾ‫̰ވٺ‬ሄႊ΍Ăߏ઼̰ໂࠎ߿᜙۞̈೩
ൣႊ‫ݶ‬छ̈́޽೭छĄ
‫͇ڒ‬РѝഇдᄂΔ͵ࡔϹᜩሄဥፉЇሄဥࢵयॡĂ‫ܮ‬၆޽೭யϠᎸ኷Ăΐˢᄂ
Δຑሄ‫ޢ‬Ă΁۞ࢰሄ̖රϲ‫ג‬எ‫צ‬қӀą୥ࣰٙ፬ካĄ୥ࣰᄮࠎ‫͇ڒ‬Р̙Ϊߏ
дጡሄႊ‫ܑ˯ݶ‬ன΍ҒĂ၆ሄဥ۞ೠ೪ᄃ௡ᖐϺ࠹༊ୂዟĂ‫׍‬ѣјࠎ˘Щᐹս
޽೭۞ሕ˧Ą֗ࠎ୥ࣰˢ‫ވ‬ԙ̄Ă‫͇ڒ‬Рஎ଀̂र୻఼ᖎࢋ۞޽೭͘‫ڱ‬ᄃஎՔ
ଊᅈ۞ࢰሄৠលĄ΁่่̙ଂ୥ࣰ֗˯ጯ௫‫޽ז‬೭۞ԫμĂдࢰሄ̰உăᘹఙ
ඈඈЧ͞ࢬ۞৵ዳ˵ѣБࢬّ۞ᒃߖĄ
Conductor: Paul Tien-Chi Lin
޽೭Ė‫͇ڒ‬Р
089
ࢰ
ሄ
छ
̬
௜
Musicians
ጽ‫ྚܜ‬ᛖ঎ႝሄࠁ̂‫ݭ‬ү‫۞ݡ‬κႬ഑Ăጾѣᖳಱкត۞ѡϫĂ͍‫ߏ׎‬၆Ϩ᏶̀
ࡁտஎˢĂĮ঻ᓏ፟ᗔᄫįഅෞኢ΁Ķͽჟቁ‫׶‬Бࢬ۞ᄲ‫˧ڇ‬ዼ฿ࢰሄ೚ॆ۞
݈Җć΁۞ࢰሄቁ၁ᛈ̈́˞Ϩ᏶̀ٙЋ࠽۞ৠᙶă߿˧ࣘ‫۞׍‬ဩࠧĊķ΁޽೭
࿅ࣖ೶ă͐ጌă඿ͧᐁοથ̂ງă‫ۿ‬ΐ࣯ă෱‫ݱ‬ăҹ֧͈ᜋă৸ࡗຑሄඈ͵ࠧ
˘߹ሄဥĄ
૞ჟ‫ٺ‬ЪભཐሄᅳાĂ֭അдт৸ࡗ̂ౌົႇᆐੰă‫ۿ‬ΐ࣯Դଐႇᆐੰă͐ጌ
ႇᆐੰඈк͵ࠧ͹ࢋႇᆐ໒ૅႊ΍Ă޽೭֓к‫܆‬Įఄᚑᑓᇩįăঔ࿲Į౹͵
ࡔįă͐ᄿĮ੺͉‫צ‬ᙱѡįඈͽ၁‫ڶ‬ᐂᇆ൴ҖրЕDVDĂдDGભͯ൴Җ۞ᔹ
ᇇႬႇᆐĮ༃୥ᓡįᒔཀྵ඿࡚ረĂࠎEratoᐂᄦ۞Ϩ᏶̀ႇᆐĮ֓ჴකᄃώκ
࢚ҹį‫݋‬ᒔ‫˽ࢰܛ઼ڱ‬ረĄ
Conductor: John Nelson
޽೭ĖࡗᎰąκႬ഑
‫ڒ‬๔෹Ă1987ѐ΍Ϡ‫ٺ‬ᄂ៉έ‫ڌ‬ξĂϫ݈Їᖚ‫ٺ‬ᇇ઼ࡊοࣖਲ۞඿਩ຑሄ̝
ӄந޽೭˘ᖚĄ˩̱໐ॡᅈ࢒๸гӀཀྵٛਬጯ௫̈೩ൣĂᐌ‫ޢ‬҂‫פ‬ཀྵٛਬ઼ϲ
ࢰሄၱܑႊᘹఙ̂ጯ޽೭րĂरଂMartin SieghartĂ֭৔ּјࠎྍր༊ѐ౵ѐ
ᅅ۞ጯϠĄ2010ѐ˵അགྷፉЇ̂रGünther HerbigᄃNSO઼छϹᜩሄဥ̝΃
நӄந˘ᖚĄ
അགྷЪү࿅۞ሄဥѣĈᇇ઼MDR඿ͧᐁᇃᇫϹᜩሄဥăᇇ઼඿਩઼छຑሄă
ଥҹฮৼ౰ҹຑሄăΔଥҹຑሄඈ෹࿅˟˩࣎ለ߷ֲ̈́߷ሄဥĄ
‫ڒ‬๔෹അᒔ଀۞ረีѣĈ2014ᇇ઼඿ͧᐁᅅႇᆐ̂ᔈĶ៍ிረķć2011‫گ‬ᜋ
ௐ̣‫ب‬ጆћ೻͈ٛ೻ૄ઼ᅫ‫ܦ‬ѐ޽೭̂ᔈ̚ଂα˩ˬ઼࣎छ̚௲᎖҃΍Ăᒔ
଀ௐ3ЩĂТॡ଀‫ז‬Ķෞᆶረķᗝγረć2010д઼ϲᄂ៉ϹᜩሄဥٙᓝᏱ̝޽
೭̂ᔈ̚ो˭ௐ2Щͽ̈́ᗝγ۞Ķሄဥረķ‫׶‬Ķ౵઼ָˠү‫ྚݡ‬ᛖረķ‫̂׌‬ረ
ีĄ
Conductor: Chin-Chao Lin
޽೭Ė‫ڒ‬๔෹
ܲᘲąΟᇇ໢౵ࠎˠჍ྽۞ߏĂ΁၆ٙѣॡ΃۞ࢰሄጾѣ඗ָ۞நྋᄃྚᛖਕ
˧Ă΁۞ႊ΍ѡϫ࠹༊ᇃ‫ھ‬Ă҃ͷ၆༊΃ࢰሄᛝಱᎸ࡭Ą΁ሤຑ૟ॡ΃ࢲॾᏉ
ˢ็௚۞გ‫ؽ‬ሄĂ౹ౄ΍፾‫׍‬পҒ˫ᖳಱкត۞ܑႊ̰टĄ΁ϫ݈ፉЇΐэΙ
୥Ⴌ͐‫۞༼ݣ‬ᘹఙᓁႾᄃ޽೭Ą
ܲᘲႊ΍۞Ϲᜩሄѡϫᇃ‫ھ‬Ă΁അགྷ޽೭࿅ధк඾Щ۞ሄဥтĈBBCຑሄăұ
‫ځ‬ցξϲϹᜩሄဥă෱‫ݱ‬Ϲᜩሄဥͽ̈́͐ЂӀֲᇃᇫϹᜩሄဥඈඈĄ
ܲᘲᐂᄦ۞૞Ꮽ̚ѣˬૺᒔ଀઼࡚ཀྵ඿࡚ረᄃࡻ઼঻ᓏ፟̂ረ۞೩ЩĂ΁ࠎ
Harmonia Mundiભ̳ͯΦᐂᄦғႬΐ۞Į‫׊‬ႇ௡ѡįՀߏ̂‫צ‬рෞĄ
кѐֽ΁˵ፉЇοጆ๫Ⴌ۞Ͽᚊ௻Ϩ̃࠱̂ᔈ۞‫ؠ‬ഇ‫މ‬ळ޽೭ĄܲᘲąΟᇇ໢
д2007ᒔ଀ᇇ઼‫ݣ‬ઙ‫ݱ‬࿴൴۞ᔹᇇႬၷ᜖ረĂͽܑೳ΁၆ᔹᇇႬү‫מ۞ݡ‬෸
ႊ΍Ą
Conductor: Paul Goodwin
޽೭ĖܲᘲąΟᇇ໢
090
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Introduction
፫̂Ӏֲරཱྀ᐀ൣछ฾̂ჯĂ৵ͽᐹฮჟቜ۞ԫμ̈́எ‫ྐޘ‬ຍ۞ྚᛖჷЩሄ
ጪĄ΁അགྷдధк઼ᅫࢰሄ̂ᔈ̚ဳረĂΒ߁Ͽᚊ௻Ϩ̃࠱઼ᅫࢰሄ̂ᔈ
Ğ2013ğĂጆᄼ೻‫઼؃‬ᅫ᐀ൣ̂ᔈĞ2008Ăၷᒔ౵ָంϑপ‫ݶם‬ѡႊ‫ݶ‬ă౵
ָ‫̰ވ‬ሄႊ‫ݶ‬ᗕफ़ረีğĂ͔੓ሄጪᙯ‫ڦ‬Ą
৸ࡗॡಡሄෞჍ฾̂ჯ۞ႊ‫ݶ‬ĶҾ‫ॾࢲ׍‬ăܑ྿୻೽ķĂࠃՉᒧॡಡ‫݋‬៙᜖΁
ጾѣĶ൑૶ཉႷ۞͇ЊķĄ‫ܕ‬ѐֽĂ΁Ъү۞၆෪Ăੵ˞፫߷ώг۞͹ࢋሄ
ဥĂтግႬώă‫̀ٿ‬ᜋăౠ୨Ϲᜩሄဥ̝γĂϺ‫צ‬ᔛፉЇͽҒЕ‫̰ވ‬ሄဥăͽ
ҒЕຑሄăࠃՉᒧ‫̰ވ‬ሄဥăͧӀॡ઼छგ‫ؽ‬ሄဥăϞษκֲ࠱छ‫̰ވ‬ሄဥă
ཐгͰ࣯Ϲᜩăᖞ‫̋ܛ‬Ϲᜩඈሄဥ۞‫މ‬यࢰሄछĄ
฾̂ჯߏࠃՉᒧߟႬώࢰሄጯੰ۞ࢵҜ᐀ൣலຽϠĂனࠎΫ‫઼ރ؃‬ᅫᘹఙछĄ
Piano: David Fung
᐀ൣĖ฾̂ჯ
Ķ˘Ҝৌϒ۞ࢰሄछķę ғᖠҹąΫ‫؃‬
ώ͵ࡔ΍ᙷ٥ප۞෸‫ݑ‬᐀ൣछዒ঍̋Ăߏ1980ѐௐ˩‫ب‬රՒᏂ઼֣ᅫ᐀ൣ̂
ᔈࢵረ଀͹Ă˵ߏௐ˘Ҝᒔѩॳ݄অၷ۞ֲ߷᐀ൣछĄ
ҋᒔᏂ֣᐀ൣ̂ᔈࢵረ‫ޢ‬Ăዒ঍̋̏А‫צޢ‬ᔛҌ෹࿅α˩઼࣎छႊ΍ĂдۢЩ
۞৸ࡗ‫͕̚ۺڒ‬ă͐ጌ೼඿ࡠࢰሄះăჯ˵ৼຑሄ‫ܛົם‬Ғ̂ះă‫ؒܠ‬೻প̜
̂ົૅăౠ୨ႇᆐੰă‫଀ˬִڌ‬Ӏះඈгႊ΍Ąዒ঍̋Ϻͽ፾‫ݶ‬छ̶֗‫צ‬ᔛᄃ
ధк͵ࠧ৺ሄဥЪүĂтЕှॾઙຑሄăBBCຑሄăұ‫ځ‬ցξϲϹᜩሄဥăᇇ
ઙ೻൳ຑሄăߦ‫઼ڒ‬छႇᆐੰგ‫ؽ‬ሄဥăNHKϹᜩሄဥăඈЪүႊ΍Ą
ዒ঍̋۞ႊ‫ݶ‬૞ᏭĂϤᇇ઼ᇇຍԠ঻ᓏ̳፟ΦDeutsche Grammophone
ĞDGğă݈ᛂᓑ઼ѣભ̳ͯΦMelodiyaă‫گ‬ᜋ઼ᒉભ̳ͯΦPolskie
Nagraniaă͟ώCBS Sonyભ̳ͯΦăΐो̂ભ̳ͯΦAnalekta ̈́͟ώJVCભ
̳ͯΦඈᐂᄦ൴ҖĄ
Piano: Dang Thai Son
᐀ൣĖዒ঍̋
ᆒ‫ܫ‬ԈĂᒔ઼࡚ර஽࿲̂ጯࢰሄ౾̀Ăϫ݈‫ڇ‬ચ‫ٺ‬έ‫ݑ‬ৠጯੰ--ିົࢰሄրٙ
۞૞Їઘି଱ၱրٙ͹Їă֭ࣘЇି‫઼ٺ‬ϲᄂΔᘹఙ̂ጯă˵ፉЇᄂ៉ૄ༛
‫ܜ‬ҁିົᓁົ--ᖃᆇᄃିົࢰሄ؎ࣶົ؎ࣶăέ‫͐ܝڌݑ‬ҹᖃࡔ‫ࢰົିه‬ሄ͹
ЇĄТॡĂ΁˵ߏ઼࡚გࢲൣႊ‫ݶ‬छᓑ༖ĞAmerican Guild of Organistğ۞
ົࣶᄃᄂ៉გࢲൣ‫ົם‬நְĄ2002 ѐഅజΐो̂TriumphEnt Foundationෞኢ
ࠎ༊̫౵ᐹս۞‫ܦ‬ѐგࢲൣछ̝˘Ąҋ2009ѐ੓΁ፉЇ‫׌‬ះੰგࢲൣᏐ̄ࢰ
ሄົᜪયĂ݈͟΁˵ТॡፉЇ੼ฯ኎‫ڠ‬ᒉგࢲൣ؎ࣶົΡะˠĂ‫ڌލ‬Ꭹ߆‫͛ع‬
̼఍ႊᘹះᎸ‫̍ޙ‬඀გࢲൣ؎ࣶĄ
Electric Organ: Hsin-Hung Tony Liu
࿪̄გࢲൣĖᆒ‫ܫ‬Ԉ
091
ࢰ
ሄ
छ
̬
௜
Musicians
΍Ϡ‫ٺ‬ᄂΔĂ̈ጯலຽ‫ޢ‬ӈͽྤኬᐹள‫׊‬ආ֗Њ΍઼঻ጯĂͽБᗝረጯ‫׶ܛ‬ᐹ
ள۞ܑனலຽ‫઼࡚ٺ‬૗೩೻ࢰሄੰ‫ࡠ׶‬ጆ̂ጯࡁտٙĂдࡠጆ̂ጯॡՀᗕ࣒ࢰ
ሄ‫ޙ׶‬᎝ࡊրĄ
ႊ‫ྐͽࢬ͞ݶ‬ˠਠ۞፾পࢲॾ‫׶‬௟Ꮅ۞ྚᛖ඾ჍĂഅ‫צ‬ᔛ‫ࠧ͵ٺ‬Ч̂ࢰሄះ
ႊ΍Ă ֭‫׶‬Hilary Hahn,Nicola Benedetti, garner Quartet,Emerson Quartet,
Kiri Te KanawaඈࢰሄछЪүĄ2004짒07ѐ‫צ‬དࠎ‫ܜ͕̚ۺڒ‬ዸ‫̰ވ‬ሄ᐀ൣ
छĂߏᄂ៉઱˘ᒔѩঅၷ۞᐀ൣछĂЇ̰‫઼࡚ٺ‬Чгႊ΍˯Ѻಞ֭ି଱൑ᇴጯ
ϠĄ2006ѐ੓‫צ‬དࠎ৸ࡗ̂ౌົႇᆐੰᓏሄ޽ጱ‫׶‬ӄந޽೭ĂЪү࿅۞ۢЩ
ᓏሄछ‫޽׶‬೭छ̙ࢍ‫׎‬ᇴĂ˵ߏྍႇᆐੰΫ˯ௐ˘Ҝ‫צ‬ད۞රˠĄ
Piano: Pei-Yao Wang
᐀ൣĖͳׂႱ
͟ᚱ̈೩ൣछⷿώ̂ซĂ1979ѐ΍Ϡ‫ࣖٺ‬೶Ąˬ໐ॡጯൣĂ̱໐ॡொ‫ا‬৸
ࡗĂ࿣ѐᒔ଀ຑᇇරąࡗᎰąᏚ֓Ⴌૄ‫ົܛ‬ረጯ‫ܛ‬Ăјࠎ઼࡚਱ఆֲࢰሄੰА
࣒঱౵༴᛬ጯϠĄ˟˩໐Ăಶ᝝‫ٺ‬ᇇ઼τ඿ಢࢰሄੰĂܑனᐹளĂᛏ଀Ο೻๰
͈ąᔁҹረĄ
ⷿώ̂ซдధк઼ᅫ̈೩ൣ̂ᔈ̚ӘଥĂࠎௐ̱‫ب‬ત৸Я઼ᅫ‫͌ܦ‬ѐ̈೩ൣ̂
ᔈĞࡻ઼Ă1993ğăࡊษ઼ᅫ̈೩ൣ̂ᔈĞᇇ઼Ă1994ğăҹ඿೻ઙ઼ᅫ̈
೩ൣ̂ᔈĞჯ˵ৼĂ1996ğͽ̈́ษą೩౾̈೩ൣၱ᐀ൣ̂ᔈĞ͐ጌĂ1996ğ
ඈЧ̂ࢰሄᔈְࢵረ଀͹Ą
ҋ2007ѐ੓ĂፉЇ͟ώĶLe Pontķ઼ᅫ‫̰ވ‬ሄࢰሄ༼ࢰሄᓁႾć2010ѐĂၷ
ᓕߦ‫ڒ‬ຑሄௐ˘ሄဥࢵयĄ2012ѐĂⷿώ̂ซ˵ߏߦ‫ڒ‬ຑሄˣࢦ‫ࣶ˘۞ݶ‬Ą
ⷿώ̂ซֹϡ۞ሄጡࠎ1674ѐщᇇধ쟑ϝ؉֧ᄦү۞̈೩ൣĄ
Violin: Daishin Kashimoto
̈೩ൣĖⷿώ̂ซ
Ķଂᗕ͞ჟ໤‫ݵ‬ЪĂ˫ᐌ͕ٙ୬ăԆБҋϤ۞ႊ‫̚ݶ‬णᜨ΍ĺ‫׶‬Ꮨᗕ᐀ൣĻ۞
ᘹఙ࣒ዳķęᇇ઼Ο‫ࢰ׏‬ሄᗔᄫĮFono Forumį
Ķ఺‫׌‬Ҝઈ̂۞᐀ൣछĂ่̙ጾѣᅖࠍԫμĂᔘਕჟቁܑ྿எ‫̰ג‬உķę
Į‫ݑ‬ᇇ͟ಡįĄ
Ķĺ‫׶‬Ꮨᗕ᐀ൣĻᒉౄ΍˘჌ৠཐ࡚ᚊ۞‫ڤ‬ಛĂೀͼឰˠԞ˞ॡม۞х
дķĄęᇇຍԠᇃᇫ࿪έ
เፍሪᄃለϿઙߏᇍκโࢰሄੰ݈‫ޢ‬ഇ۞ТጯĂࠎ‫؜‬Ԉ͖ჯ೻ă⟫ఆฮপĞ˟
ˠࠎለ߷඾Щᗕ᐀ൣ௡Ъğ‫׌‬Ҝ̂र۞‫ܝ‬वĄ1999ѐ‫غ‬ĂĶ‫׶‬Ꮨᗕ᐀ൣķ̖
ࣣј࢕ĂѨѐಶ଀‫ז‬ᇍκโARDࢰሄ̂ᔈᗕ᐀ൣ௡ௐ˟ЩָᒻĂତ඾˫д͵
ࠧ౵ࢦࢋ۞ᗕ᐀ൣ̂ᔈĂ઼࡚ྜᏚ͈ĞMurray Dranoffğ̂ᔈ̚‫ࢵဳ݌‬ረĄϫ
݈Ă‫׌‬ˠ࠰ࠎ๸гӀЯ೻οጆҹ઼ϲࢰሄੰ۞᐀ൣି଱Ą
Duo d' Accord
‫׶‬Ꮨᗕ᐀ൣ
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Introduction
ౘ࠳⛥Ă1983ѐ΍Ϡ‫ٺ‬ᄂ̚Ϯ‫ت‬ડĂߏᄂ៉ௐ˘Ҝ‫̜ٺ‬౪Րጯͽ̈́‫۞اؠ‬χ
ᑝᘹఙछĂϫ݈߿᜙‫̜ٺ‬౪۞༊΃ᘹఙࠧĄ࠳⛥۞ࢰሄ̝ྮ·႕඾ម؈ͽ̈́
ा‫׏‬Ă˩˘໐ॡϤాฮ͛ҁरୁᄋĂ˩̣໐ॡЯࠎ˘࣎ຍγ۞፟ቡĂ҂ˢ࡚
઼ΐэғᇇරᘹఙ੼̚ĞIdyllwild Arts AcademyğĄ2002ѐсдࠃՉᒧࢰሄ
͕̚ᓝᏱ۞Spotlight Award ௲᎖҃΍ᒔ଀ௐ˟ЩĂ֭дТѐ‫ֲٺ‬೻ώࢰሄ
༼ĞAspen Music Festivalğᛏ଀ྍࢰሄ༼ᓝᏱ۞੺‫̂͐ڒ‬ᔈ݄࢕Ąсд2008
ѐͽ౵੼̶఼࿅̜౪࠱छࢰሄੰĞThe Royal Danish Academyğ۞Ⴧ̀லຽ
҂Ă֭‫ٺ‬2011ѐͽ˘ಞਫ਼ᜩࠤ̂۞፾‫ົݶ‬லຽ‫ྍٺ‬ጯੰ۞፾‫ݶ‬छ͛ጴĞSoloist
ClassğĄ
д2011ѐᛏ଀˞Δለүѡछ‫ݶם‬ѡͧᔈ۞݄࢕Ăᄃ̜౪࠱छࢰሄੰሄဥႊ‫ݶ‬
Anders Koppel ۞੺‫ݶם͐ڒ‬ѡĂϤ඾Щ޽೭छMichael Schønwandt ޽೭Ą
Percussion: Ying-Hsueh Chen
χᑝĖౘ࠳⛥
ᖎჅ‫ߏܦ‬༊̫߿ᚹ‫઼ٺ‬ᅫሄጪĂ౯‫צ‬Чࠧ៘ϫᄃಈຑ۞̂೩ൣ፾‫ݶ‬छĄсഅд
͵ࠧۢЩ۞ࢰሄះĂт઼࡚৸ࡗ۞Ι̰ૄࢰሄះͽ̈́ᇇ઼۞ߦ‫ࢰڒ‬ሄះඈĂᓝ
Ᏹ࿅кಞ̂೩ൣ፾‫ົݶ‬ᄃ‫̰ވ‬ሄࢰሄົĄ
ᖎჅ‫ߏܦ‬Įለ߷࡚ᘹ᐀ൣˬࢦ‫ݶ‬į۞јࣶ̝˘Ą఺ˬࢦ‫ݶ‬ဥࢵૺ൴Җ۞ĪᏂ֣
ᄃᇇοҘ᐀ൣˬࢦ‫ݶ‬ī૞ᏭĂӈၷᒔ۞ĶFryderykķ̂ረĄс˵ߏĮΫপٛ‫غ‬
Ϟ֧‫ؽ‬ሄဥį۞ࢵय̂೩ൣ͘Ą
ᖎჅ‫ܦ‬΍Ϡ‫ٺ‬ᄂ៉Ă‫ޅٺ‬೩ॡഇಶणᜨ‫׎‬࿅ˠ۞ࢰሄ͇Њ҃౯‫צ‬៘ϫĄགྷ̂೩
ൣ঍͜ Pierre Fournier ۞ଯᖧ࢒ለ߷঻ጯĂ֭ͽ౵ᐹள۞јᒻ‫଀פ‬ᛂጌ͵ࢰ
ሄੰႊ‫ݶ‬छ͛ጴ‫׶‬ল഑ࢰሄੰ፾‫ݶ‬छ͛ጴĄс۞ࢰሄϠ୾അкѨᒔረĈ‫̚׎‬Β
߁઼࡚ර஽࿲ Leonard Rose ઼ᅫ̂೩ൣͧᔈ۞পҾረă༄̀Kiwanis Prize ૄ
Ϟκ೻ረăKoecker ረᄃ Edwin Fischer ғᇇ໢෱ౠඈረีĄ
Cello: Pi-Chin Chien
̂೩ൣĖᖎჅ‫ܦ‬
᐀ൣछ֙‫ض‬৷ࠎ઼࡚৸ࡗэϲ̂ጯϮ໨̶७᐀ൣႊ‫ݶ‬౾̀ăࡻ઼࠱छࢰሄੰ౵
੼ၷ᜖Chappell Gold Medal଀͹ĂഅкѨᒔ઼ᅫ᐀ൣ̂ᔈ̝ረีĂனࠎϹ̂
ࢰሄࡁտٙ૞Їି଱Ă‫ٺ‬2004-2008ѐมፉЇٙ‫˘ܜ‬ᖚć‫ܕ‬ѐ֭‫צ‬ᔛ࢒ࡻ࡚ă
፫߷ăາΐ‫؂‬ႊ΍ᄃ‫މ‬ळିጯĂΒ߁Royal Northern College of Musicăາΐ
‫̂؂‬ጯ໅սॿࢰሄੰඈЩ७Ą
΍Ϡ‫ٺ‬ᄂ‫ݑ‬ĂϤૺ೿೿ҁरୁᄋĂ̝‫ٺޢ‬ᄂΔᄃ᐀ൣछ໅ׂ̈ᚶᜈጯ௫Ă֭
‫ˬ˩ٺ‬໐ॡᐌΈ‫̈ܜ‬೩ൣछ֙‫ځ‬प࢒ࡻĂซˢ୥৸Яࢰሄጯ७Ăତ‫צ‬Louis
KentnerඈЩर۞ᖤ౜ćੵ˞ᄃ֙‫ځ‬पລᑫͽγĂՀ‫˛˩ٺ‬໐ॡᄃ̂र୥৸Я
ώˠЪүĄ።གྷдለ࡚ᖳಱ۞ႊ΍གྷរĂ‫ޢ઼ܔ‬ᄃ઼̰Ч̂ሄဥႊ΍‫ݶם‬ѡĂ
၇Ѩᑕᔛ࢒઼࡚ă፫߷ăࢶപ઼̈́̂̚ౙႊ‫ݶ‬Ă፾‫ົݶ‬γ֭ᄃᇃэϹᜩሄဥͽ
઼࡚̈́Santa Barbara Symphonyඈሄဥႊ΍Ą
Piano: Hsing-Chwen Hsin
᐀ൣĖ֙‫ض‬৷
093
ࢰ
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Musicians
Ķ֗Մ੼߄۞̈೩ൣछⱡణ̰೿̄Ă‫ٺ‬ᄅᄂ˯˘ण̂૟̝ࢲĂঈ๕មˠĂ̕
ӈར‫ؽ‬ĂஎՕღരĈ‫غ‬ᛃൃ‫ݓ‬ă΄ˠ҅ϫ˘າĂ༼‫ݶ‬ԣՎ̙҃εᚑᖰĄķę
Įॡ΃ᗔᄫį
ⱡణ̰೿̄ࠎĶॻࡊ͈೻ૄ઼ᅫࢰሄͧᔈķᓝᏱ።ѐֽĂ౵ѐᅅ۞݄࢕ࢰሄ
छĂͽ૞ຽࢰሄछ̝‫ݻ‬Ăֳ࢑઼ᅫ஽ЩĂ૱‫ٺ‬ለ߷ăΔ࡚ăֲ߷Ч͹ࢋ‫ݱ‬ξ۞
ႊ‫ົݶ‬ᄃ፾‫˯ົݶ‬ႊ΍Ą
ⱡణ̰೿̄А‫ࢰڈॼٺ‬ሄጯ७ಶ᝝Ăତ඾А‫ޢ‬ซˢֲ࣯ࣖͧ̂ጯᄃ৸ࡗ਱ఆֲ
ࢰሄጯੰĂତ‫࢚צ‬ᓡĞDorothy DeLayğᄃ‫ࢰ۞ܪߌڒ‬ሄ੊ቚĂ֭‫ڒߦٺ‬ᘹఙ
ጯੰ޵रঔұॾĞUwe-Martin Haibergğ‫˭ܝ‬Ą
ⱡణ̰೿ֹ̄ϡ۞̈೩ൣࠎΫপٛௐϞ֧ĞAntonio Stradivariusğ۞1714ѐЩ
ൣĶঔభķĞDolphinğĂ̝݈ᛳ‫ۢٺ‬Щ̈೩ൣछঔࢳਬĞJascha Heifetzğٙ
ѣĂ‫ֽޢ‬ᖼ͘ᕩ‫͟ٺ‬ώࢰሄૄ‫ົܛ‬Ăྍૄ‫ົܛ‬পҾ΍ࣄගⱡణ̰೿ֹ̄ϡĄ
Violin: Akiko Suwanai
̈೩ൣĖⱡణ̰೿̄
к̖кᘹ‫ݭ‬ႊࣶĄ઼ϲᘹఙጯੰࢰሄրĂ͹࣒̈೩ൣĄܑႊϠ୾ҋ1994ႊ΍
࿪ᇆĮࢳ‫ܠܯ‬྿įؕĄ
ણᄃкొᄅᄂᆐႊ΍Ϻႊ΍кొ࿪ෛᆐĂ֭ѣࢰሄү‫ݡ‬Ĉ1997ѐࢳҖ‫ج‬Įͅ
ౄį૞ᏭભͯĄனࠎܑႊҁर̈́ᑚᆐ޽ጱĄ
ણᄃкొᄅᄂᆐႊ΍ĈĮᚗफ˘ՅįăĮՂႬͳįăĮ๽๽‫ݠ‬ಊįăĮำ੐഑
‫ڒ‬įăĮ๽дѯസįăĮѣ᏿՟‫܅׻‬įăĮາୖৡįăĮ͇ૅͳ઼įăĮᜲ௏
ճຐįăĀඈĄϺႊ΍кొ࿪ෛᆐĈĮԧࣇ˘छౌߏˠįăĮ᝘ঔįăĮઍଣ
‫ۏ‬ᄬįăĮ‫ࣇ̀݌‬įăĮͳ̄ត‫ܦ‬ාįăĮ੯‫̄͟۞ܪ‬įăĮֹ͇ଐˠįă
Įৌ͕ኛ޷‫׌‬Ѩ࿚įăĮᚰ஧ͫįăĮ‫ؠڦ̚׻‬ԧຑҰįăĮ൱̄ࡻฯăĮᓲ
ක̈ؓࢋ΍๹įăĮ௣ໂ˘঱įăĮ௣ໂ˘छįăĮ௣ໂˬ઼įăĮ௣ໂ˘঱
2įăĮ௣ໂ˘঱3įăĮࢳ෸ᐷ‫މܝ‬ഒįĀඈĄ
ࢰሄү‫ݡ‬Ĉ1997ѐࢳҖ‫ج‬Įͅౄį૞ᏭભͯĄனࠎܑႊҁर̈́ᑚᆐ޽ጱĄ
Storyteller: Wei-Hsun Na
ᄲ३ˠĖ֤ჯጙ
ĶĀֽҋᅈ‫۞ڌ‬᐀ൣฯ໽..ķęᇇ઼ĮSchwaebische Zeitung͟ಡįሄෞ
ĶĀౘ͵ઈͽঈ๕ቀᓠ۞ࢲॾႊ‫˞ݶ‬Ղ೻পௐ˘ཱི᐀ൣ‫ݶם‬ѡඕՁ˞̫୎۞ࢰ
ሄົĂ΁ߏ˘Ҝ‫׍‬ѣਕ˧౹ౄкᇹࢰሄّॾᄃࢰҒ۞ႊ‫ݶ‬छĂ֭ͷਕᇅ‫ͪ߹ݶ‬
ਠᅅߘ۞ࢰҒĂԧࣇ૟ົഇ‫۞΁ޞ‬૟ֽĀķę઼࡚Įഊᘌ៉Palm Beach Arts
Paperįሄෞ
ౘ͵ઈࠎᄂ៉ன̫౵‫צ‬៘ϫ۞າϠ΃‫ܦ‬ѐ᐀ൣछ̝˘Ă΁ˣ໐ฟؕጯ௫᐀ൣĂ
2003ѐĂᅈ࢒ᇇ઼҂‫פ‬႔Ꮪ‫ࢰރ‬ሄ̂ጯĞHochschule für Musik, Theater und
Medien HannoverğА࣒঱Ą˩˝໐ॡᄃֲ߷EMIભ̳ͯΦᘪࡗ൴Җ࣎ˠࢵૺ
፾‫ݶ‬૞ᏭĄ΁‫ٺ‬2013ѐᒔ଀႔Ꮪ‫ࢰރ‬ሄጯੰ౵੼፾‫ݶ‬छ͛ጴጯҜĄ
ౘ͵ઈкѨᒔ଀઼ᅫ᐀ൣ̂ᔈረีĈ2012ѐҘ঱Ͱ੺ᇇ֧Delia Steinberg
International Piano Competition઼ᅫ᐀ൣ̂ᔈࢵረĂ2006ѐᄂΔ‫ޙ‬රຑ
ሄΟ‫׏‬ჟࡻረࢵረĂ2005ѐཌྷ̂ӀՂ೻প઼ᅫ᐀ൣ̂ᔈPremio Franz Liszt
Piano: Shih-Wei Chen
᐀ൣĖౘ͵ઈ
International Piano CompetitionௐˬЩĞௐ˘Щଂ৿ğĄ
094
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Introduction
2012ѐ઼࡚ႊ‫ݶ‬छ‫ົם‬Ο‫ࢰ׏‬ሄᚮᔈࢵረ଀͹ę‫ٽڒ‬Ăࠎ༊̫౵ᚹீ۞ॠ࡚
ᄂ៉‫ܦ‬ѐ᐀ൣछĄ͐Ⴌ࢚ᇝ͉วಡ၆΁дᚮᔈ̚ᄃ͐Ⴌ࢚ᇝϹᜩሄဥЪүႊ‫ݶ‬
ĮٛᄿતκᏚ͈Ĉ‫ॾس‬κκ͹ᗟճຐѡįႊ΍៙ካĶჟቜ‫׏‬ฮķĂТॡĂ‫ٽڒ‬
д2013ࡰ쟑ҹ඿ώ઼ᅫ᐀ൣ̂ᔈ˯·႕߿˧۞ႊ‫ݶ‬Ăᒔ଀Ķၰԣ۞ࢰሄᄃܑ
ႊķָෞĂ֭ၷᒔෞᆶဥ͹यপҾረ۞‫ؠۺ‬Ą
‫۞ٽڒ‬ᘹఙ͇ኬдѝѐซˢ਱ఆֲࢰሄጯੰ࿰౯঱ጯ७ॡ‫ܮ‬णᜨ൑ႷĂд७ഇ
ม‫ޘ׌‬ᛏ଀਱ఆֲࢰሄጯੰ᐀ൣͧᔈĂՀд˩ˬ໐ॡᄃ৸ࡗຑሄЪүႊ΍Ă
ࢵ‫ޘ‬৭˯ۢЩ۞෱ౠះᄅᄂĄд਱ఆֲࢰሄጯੰ‫଀פ‬ጯ̀ᄃჇ̀ጯҜ̝‫ޢ‬Ă
2013ѐࡌ‫؞‬ซˢ઼࡚૗‫ޓ‬೻ࢰሄጯੰԽ᝝ႊ‫͛ݶ‬ጴĂरְ౻‫ݎ‬ą౪༊౻Ąย
ີ̝ዶ‫઼࡚ߏ˵ٽڒ‬ᖚᚰ۞ሤਾ۰Ą
Piano: Steven Lin
᐀ൣĖ‫ٽڒ‬
Ķٛᄿ‫۞ڒ‬ႊ‫ݶ‬΍ৠˢ̼˫૲າຍĂឰ᝘ி൑̙ሤধခೠĄķęĮ৸ࡗॡಡį
̈೩ൣछѦӀщąٛᄿ‫ڒ‬፾পᖳಱ۞ࢰҒă౤ы۞ࢰሄ̖ਕĂͽ̈́΍ி۞ሄѡ
ྚᛖਕ˧Ăឰ͵ࠧЧг۞᝘ிтᘡтዕćੵѩ̝γĂ΁۞̚೩ൣႊ‫˵ݶ‬ᅲ࢑஽
ЩĄனд΁ፉЇ޽೭छ۞֎ҒĂϺ౯‫צ‬ሄෞჍ៙Ăֹ΁ьϲ̙ອ۞ְຽՀΐᄐ
ᄐ͟˯Ą
2012/13ሄ‫؞‬Ă΁Ъү࿅۞ሄဥΒ߁ĈՆ‫ݑ‬ϿĞChristoph von Dohnányiğ
ᄃͽҒЕຑሄăཀྵᑻ͈ĞValery Gergievğᄃ੺‫ڒ‬೻ૄϹᜩሄဥă໅࿵೻
ĞMariss Jansonsğ̈́͐ЂӀֲᇃᇫϹᜩሄဥඈЪүĂ֭д‫ܛ‬Ғ̂ះࠎምᇇ༄
ਲૄĞKrzysztof PendereckiğШ‫࡭׎‬ະٙ౹ү۞ᗕ‫ݶם‬ѡซҖ͵ࠧࢵႊĄѩ
γĂϤ৶κΟ‫׏‬ભͯăරৼΟ‫׏‬ભͯĂᄃᇇຍԠ঻ᓏ̳፟Φ൴Җ۞ѦӀщąٛ
ᄿ‫۞ڒ‬ႊ‫ݶ‬૞ᏭĂ˵౯‫צ‬ሄጪ‫ؠۺ‬Ą
Violin: Julian Rachlin
̈೩ൣĖѦӀщąٛᄿ‫ڒ‬
༊̫౵‫צ‬಴ૣ۞͟ᚱࢰሄ̂र–ಟࣣАϠдႊ‫ݶ‬ᄃିֈ͞ࢬĂјಶ‫מ‬෸Ą˘Ҝ
ϖᅈ৯टΞ଴۞௠̀Ă֗ࣘ͟ώЩ७ॼ‫ࢰڈ‬ሄੰੰ‫ܜ‬ᄃ͵ࠧ˩̂ࢰሄះ‫ִڌ‬
Suntory HallĞˬ଀Ӏࢰሄះğᐡ‫ܜ‬Ăᓝͤ̚‫ݒ‬Ⴝߏᓽ՞Ąႊ‫ݶ‬ॡԆБᄃࢰሄ
Ъ҃ࠎ˘۞΁ٙ೸൴΍ֽ۞ჟৠՏՏ΄ˠຏજརஊĄ
ಟࣣϤͭᏐୁᄋĂ1950ѐˣ໐ᓝҖௐ˘Ѩ፾‫ົݶ‬Ă1957ѐᒔ͟ώࢰሄͧᔈௐ
˘ረ̈́পҾረĄ1963ѐฟؕፉЇΫ྿ҹି଱̝ӄିĂ‫צ֭ޢ׎‬དࠎྍ७௣֗
ି଱ĄТѐᒔ଀ЛͰӀο྿ׂ೻ΙᖠႬ೻઼ᅫࢰሄͧᔈௐ˘ЩĂᐌӈणฟዂ໴
۞ႊ‫ݶ‬Ϡ୾Ă֭അд͟ώ͇࠱଄݈ႊ΍֭‫צ‬࿴̼͛ረౢĂΞᏜ̝͟ώΟ‫ࢰ׏‬ሄ
઼̝ࠧᚗĄ
ᐂࢰѣ͐‫ݣ‬൑ҡ‫̂ݶ‬೩ൣ௡ѡĂБ̱ࢵᒔ1970ѐ‫ޘ‬ᘹఙᐹսረĄ֓к‫̂܆‬ൣ
‫ݶ‬ᆀѡБѡᒔભͯAkademiረ̈́ᘹఙᐹսረĄ
Cello: Tsuyoshi Tsutsumi
̂೩ൣĖಟࣣ
095
ࢰ
ሄ
छ
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Musicians
Ķ‫ࠠڒ‬ᇊ۞ኄኅ͈ˠĂѣॡአϩĂѣॡΞ֍ѝሢĂឰኄኅ͈ˠՀΐ߿௲Ă‫ࠠڒ‬
ᇊ֕۞̙ߏ৷ৌྮቢĂՀкߏ၆ԩ‫۞ྻ׻‬ೠଠĄс۞ႇᓏ̙ͽ࡚ࠎᐎ࿹ĂͽՀ
кৌ၁ଐຏĂኬ̟֎Ғҕ҇Ąс۞ႇᓏͽ޺ᜈ˧‫׶‬ᘦ‫ޘؠ‬Ăֹ଀Տࢵႇѡ‫ז‬྿
‫׎‬ᑕѣ۞ड़‫ڍ‬Ąķęܑႊᘹఙෞኢᄂ
2000ѐ঻ጯཌྷ̂Ӏ҂ˢο࿩आ઼ϲࢰሄੰĞConservatorio Nazionale di
Bresciağᓏሄ௡Ăซˢԧ઼ॠཌྷЩ̃੼ࢰѦࡾᚊି଱۞঱৺Ą
2004ѐͽ౵੼јᒻĶလረ႕̶ķலຽĄᐌ‫ޢ‬ᚶᜈдྍ७Խ᝝ᓏሄă‫̰ވ‬ሄᗕ
͹࣒ጯҜĞBiennio di Secondo LivelloğĂ2007ă2011ѐआ͇ГѨͽ౵੼јᒻ
Ķလረ႕̶ķ‫଀פ‬ᓏሄᄃ‫̰ވ‬ሄ౾̀͛ጴĄ
னЇ઼ϲᄂΔିֈ̂ጯࢰሄր૞Їӄநି଱Ą
Soprano: Ling-Hui Lin
̃੼ࢰĖ‫ࠠڒ‬ᇊ
‫ݑ‬ԸᎩˠĂᓏሄୁᄋ‫ٺ‬ӓၷॳҁरĂ‫ޢ‬रְࡰц͛ҁरĄ
1987ѐ࢑ᾯ๸гӀ઼ϲჯ˵ৼࢰሄၱܑႊᘹఙጯੰĂरְProf. Ralf Döring
ᄃ Prof. Frank FannigĄ1989ѐᑕᇇ઼KalsruheξϲϹᜩሄဥ̝ᔛĂႊભৠ
ᆐEliasĂፉЇ̃੼ࢰ፾ભ֭‫ٺ‬Ι‫̈́ݱ‬ঔᇇಢξႊ΍Ą1992ѐலຽĂᑕࢶപᘹ
ఙ͕̈́̚ჯ˵ৼਝ۩̳Φ̝ᔛĂ‫ࢶٺ‬പ̂ົૅᓝҖࢰሄົĄ1999ѐᒔ଀ཌྷ̂
Ӏ‫ܛ‬ഊ⅐ࢰሄ̂ᔈĂᓏሄ௡ௐˬЩĄ2001आ͇ᑕγϹొᔛኛᅈ࢒‫֟ܧݑ‬ਫ਼ႊ
΍Ą2007ѐјࠎ‫׌‬ះੰႇᆐ̍үӪௐ˘‫ب‬јࣶĂ‫׎‬ม֭ྚᛖк᛫ႇᆐᆐ̚֎
Ғᄃႊ΍Ăѣᜲᇅड͘ĞDer Freischützğ̝AgathaćЁ‫ܚ‬ҹĞWozzeckğ̝
marieć๸‫ܛ‬ą͍ঠ‫ܛ‬ĞEugeniusz OnieginğTatianaćਮ‫̃܅‬ĞLa Traviatağ
̝Violettać‫ܠ‬ٛ֓ٛĞArabellağ̝ArabellaĄ2012ᑕ઼छϹᜩሄဥᔛኛ‫ٺ‬೼
‫ݵ‬κ࡚р۞˘̚͟ፉჩႊભĄ2013ᑕ‫ܜ‬ၷϹᜩሄဥᔛኛĂፉჩາѐࢰሄົ̃
੼ࢰĄ
Soprano: Ching-Ju Lin
̃੼ࢰĖ‫ڒ‬ᐅт
1993 ‫ݑ଀פ‬ᔹ‫ێ‬๩̂ጯலຽ͛ጴĄ1997 ‫଀פ‬ཌྷ̂ӀѼᜋࢰሄጯੰႇભኝ඀ல
ຽ͛ጴĄ2002 ‫଀פ‬ᇇ઼ᘲ೻ћҹࢰሄጯੰலຽ͛ጴĄഅᑕᔛ‫ٺ‬ຑՒκֲă‫ݑ‬
ᔹă͟ώă༄̀ăᇇ઼ăཌྷ̂ӀăఈᜋăܲΐӀֲඈ઼൳έႊ΍Ą
ͧᔈ‫׶‬ረีĈ
1997/01-ཌྷ̂Ӏཐ࿩ంĂ1997ѐཐ࿩ం̂ᔈĂপҾረ
1997/10-ཌྷ̂Ӏ‫س‬Ⴌ੺Ă‫ރ‬Ⴌௐ઼ᅫႇᆐͧᔈĂֲ࢕
1998/01-Ҙ঱Ͱ͐๫ษৼĂτ६Ҙ೻Ιٛͧκֲ೻ႇભͧᔈĂՙᔈᏴ͘
1998/03-ᇇ઼ᇍκโĂᖡκғӀ̷೻๰ӀͧᔈĂ‫࢕؞‬
1998/05-ཌྷ̂ӀϩࡠপٛӀΟ࿩Ă઼ᅫࢰሄͧᔈĂ‫࢕؞‬
1998/09-ᇇ઼႔ಢĂᖡκғӀ̷೻๰ӀͧᔈĂֲ࢕
1998/11-ཌྷ̂ӀѼᜋĂཌྷ̂Ӏᔹ઼ࢰሄ‫ົם‬Ă98ѐ‫ޘ‬౵ָႇ͘
2008젡2009ѐഅགྷ‫ٺ‬ᄂΔ઼छᆐੰࢵႊ‫ܛ‬ԓ͛ႇᆐĮ჊ႬᇝՒ‫ܫ‬ᖎęโᝰ੺
Tenor: Choi Seung Jin
շ੼ࢰĖ૫౼ዩ
ઌį̚ፉЇᚑ୻ර֎ҒĂᒔ଀ໂ੼ෞᆊĄ
096
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Introduction
ਃࡶ঳‫ٺ‬2005ѐ‫ࡗ઼࡚଀פ‬Ꮀᐒ೼‫ܛ‬೻̂ጯൡൢའࢰሄੰჇ̀͛ጴĂТѐ10
͡Հᒔ଀ௐα‫ޙب‬රຑሄΟ‫׏‬යࡻᓏሄࢵረĄ2007ѐ5͡࢒͟ώፖืෲણΐௐ
˩˟‫ب‬າᓏႇભ̂ᔈĂၷᒔֲ߷ડᐹ౼Ąഅણᄃࢦࢋႊ΍Β߁੺೻Ικႇᆐ
ĮฏՅᗨ̀įć೼‫ݵ‬κႇᆐĮ࣒̃щሒఆΙįăĮૻκΫૄૄįăĮኄኅ͈
ˠįăĮႳᆋą࿩೻ߟįć႔೼˚ႇᆐĮᔹᔈᄃཀྵᚊপįćරॾৼႇᆐĮκ֓
ᐷॲ޽ᒖįćంϑপႇᆐĮᜲ௏įăĮ෱ΐࠃ૓ᖃįć̈ࡗᎰΫপ౻೻ႇᆐ
ĮኊኆįćᔹᇇႬৠᆐĮ൘̂੺ΐͧ೻įăĮᑓᔈֲįăĮٙᘲ‫ܝ‬įඈĂ֭‫ٺ‬
‫ܛ‬ԓ͛ႇᆐĮโᝰ੺ઌį̈́᏿‫ݑ‬ౢႇᆐĮ൪ᅿį͵ࠧࢵႊ̚ፉჩႊ΍Ą2012
ѐᒔ઼ϲᄂΔᘹఙ̂ጯ࿴൴౰΍७̓ረĄ
Mezzo-Soprano: Jo-Pei Weng
Ѩ̃੼ࢰĖਃࡶ঳
Ķ΁۞ᓏࢰ˘ۡౌ൑Ξ߄࣢Ă҃ѩѨ۞ႊԫ˫Г౹੼पķćFeature, Sep.
2008ĂTaipei TimesĞᄂΔॡಡğĄ
շ̚ࢰԒϨϜᘛ΍Ϡ‫ٺ‬ᄂ៉‫آ‬ᜋĂͭᏐֽҋ઼̚‫ݣ‬ႬᑺĂϓᏐߏᄂ៉঍ฮ୉ࣧ
ҝϔĂд఺ᇹ۞ҕ௚྆Ă൴ण΍۞ᓏࢰপኳࣘ‫˞׀‬Δ઼۞ᄹᔙᄃ੼̋۞፧ଐĄ
ˬ˩ѐᖳಱ۞ႊભགྷ።ᄃдᄅᄂ˯ጹજˠ͕۞ᑚᆐ͇ЊĂֹ΁јࠎᄂ៉౵‫׍‬Њ
ณᄃጃ˧۞շᓏሄछĂ઼छᑚᆐੰኬ̟Ķᄂ៉ࢵयշ̚ࢰķ̝‫ཱིދ‬Ą
1984ѐலຽ‫઼̂֨ٺ‬ጯࢰሄրĂ1993ѐЯ࣎ˠ૞ຽᅳાপঅјಶĂᒔ઼छপ
ࣞͽдᖚ֗Њ࢒ཌྷ̂ӀѼᜋஎౄ঻ጯĂ1996ѐึӀ‫଀פ‬ཌྷ̂Ӏ઼ϲѼᜋ‫ރ‬Ⴌ
ௐࢰሄੰႊભछ͛ጴĂͽᓏሄ˝̶Ăᄅᄂ႕̶̝ᐹளјᒻலຽ‫ྍٺ‬७ĄԒϨϜ
ᘛҁरϫ݈Їି‫ٺ‬၁ኹ̂ጯă઼֨̂ጯĄ
Baritone: Wu-Bai Yu-Hsi
շ̚ࢰĖԒϨϜᘛ
லຽ‫઼̼̂͛̚ٺ‬ጯ઼̈́ϲᎊ഑ಢࢰሄੰĂ1999ѐͽௐ˘Щјᒻ‫଀פ‬Chanẗ́
Art Lyricᎊ഑ಢࢰሄੰ‫ี׌‬౵੼ႊભ͛ጴĄ
1998ѐ7͡Ăͳ‫׏‬ᑕᑕ඾Щշ੼ࢰк‫࣯ځ‬ĞPlacido Domingoğ̝ᔛĂ‫΁ٺ‬
۞༱ˠᜨ͇ႊભົ̚ТέႊભVerdiĶMacbethķ̝˟ࢦભĂ࿹ભMalcolm˘
֎ĂDomingo‫݋‬࿹MacduffĄ
ͳ‫ࢰ׎׏‬Ғ̈́ࢰા̝ර࡚ᆵᇃϺࠎ͌ѣĄഅᒔ଀1996ѐཌྷ̂ӀSanta Margarita
International Vocal Competitionௐ˘ረĄͳ‫͍׏‬ጽ‫ܜ‬ཌྷ̂Ӏ࡚ᓏႇᆐĂͳ‫׏‬
᏶ᔮ‫ࢰ۞ܪځ‬Ғă·႕Ϡ‫۞˧׻‬ႊભĂֹ‫׎‬၆ࢦԴଐ֎ҒТᇹ౼Ї೚ԣĄдৠ
ᆐႊભ͞ࢬϺѣᚹீјᒻĂĮᑓᔈֲįĶMessiahķăĮͽӀֲįĶElijahķඈ
ү‫࠰ݡ‬Ӕன΍ᐹ࡚҃৷ϒ۞ࢲॾĂͷ΄ˠࠎ̝જटĄ
ͳ‫׏‬ॠ‫ا‬ᇇ઼˩ዶѐĂЇ‫ڱ‬ᜋҹ჊ႇᆐੰ૞ᖚဥࣶć‫ܕ‬ѐ‫اؠ઼ܔ‬Ăϫ݈Їି
‫઼̼̂͛̚ٺ‬ጯă઼ϲঔ߶̂ጯĄ
Tenor: Fernando Wang
շ੼ࢰĖͳ‫׏‬
097
ࢰ
ሄ
छ
̬
௜
Musicians
රཱྀշҲࢰၐᓐ͛Ϡ‫ֽ੺ٺ‬ҘֲĂ1989ѐ࢑ᾯᄂ៉Ăซˢर̂ࢰሄրĂर̂
லຽ‫࢒ޢ‬ᇇĂซˢߦ‫ڒ‬ᘹఙ̂ጯĂ2000ѐ7͡ͽপᐹĞAuszeichnungğјᒻ
லຽĂᒔ଀ᘹఙछ͛ጴ‫ޢ‬ĂТѐৼˢĶKosi Consultment Sozietaetķགྷࡔ̳
Φၮ˭Ăᘪ˭ˣಞ‫މ‬य፾ભ̝ЪࡗĄ2001ѐ଀‫ז‬ĶFranz-Josef-Weisweiler
Foederkreisķ̝ረีĂᄃߦ‫ڒ‬ᇇຍԠႇᆐੰᘪࡗĂ‫ٺ‬2001-2004ѐјࠎྍੰ̝
ዸੰ፾ભႇ͘ĂՏѐႊ΍෹࿅̣˩ಞĄ
ၐᓐ͛ࢰҒൃ‫ܪݓ‬ᚊ , ੵ˞ႇᆐܑႊγĂдᘹఙႇѡ‫ࢰି؟׶‬ሄ˵ѣ΍Ғ۞ܑ
னĄ2004ѐ7͡‫ܔ‬ᄂĂҌ̫̏‫઼̰׶‬α࣎ᖚຽሄဥĞNSO઼छϹᜩሄဥă‫ܜ‬ၷ
ϹᜩሄဥăᄂΔξϲϹᜩሄဥă઼ϲᄂ៉Ϲᜩሄဥğѣ૜̷ЪүĄ
ੵ˞᎕ໂፉЇႇ͘۞֎Ғ̝γăၐᓐ͛˵ણᄃႇભିֈ۞̍үĂϫ݈Їି‫ٺ‬ᄂ
៉रቑ̂ጯăᄂΔ၁ኹ̂ጯă઼̼͛̂̚ጯ̈́ᄂ̚ିֈ̂ጯĄ
Bass: Chong-Boon Liau
շҲࢰĖၐᓐ͛
‫ڌލ‬ξˠĄலຽ‫઼ٺ‬ϲᄂΔᘹఙ̂ጯࢰሄࡁտٙĂϫ݈ࠎᓏሄछ‫۞ࣶົົם‬Ϯ
‫ٽ‬μĂ‫ٺ‬2008ѐ10͡࢒ᇇ઼ጯ௫Ă̏Ԇј઼ϲপᘲ֙ॲࢰሄੰĞStaatlichen
Hochschule fuer Musik TrossingenğĂᘹఙछႊભ͛ጴă౵੼፾‫ݶ‬छ͛ጴͽ̈́
ߦ‫ڒ‬႔೻ąғ೻ઙࢰሄੰĞHanns Eislerğ‫̰ވ‬ሄᘹఙႇѡჇ̀঱Ą
Ϯ‫ٽ‬μ଀ረ൑ᇴĂഅᒔᄂ៉ડࢰሄͧᔈ̃̚ࢰ፾ભௐ˘ЩăБ͵ࠧරˠᓏሄ̂
ᔈ࡚̃̄ᓏ௡ᅙൕĄ2011ᒔ଀ᇇ઼ࢰሄੰ̂ᔈᘹఙႇѡ௡ĞLieder Duoğௐˬ
ЩĂ2011Հᒔ଀Paula-Salomon-LindenbergĶDas Lied ķͧᔈௐ˟ЩĄ
ҋ2012ѐฟؕĂϮ‫ٽ‬μᒔདࠎᇇ઼Ulmᆐੰሄ‫؞‬ዸੰ፾ભႇ͘Ă֭ͷкѨᄃ‫ݑ‬
ᇇϹᜩሄဥႊ΍‫؜‬ᇇႬ࿵ ৠᆐĶܲᘲķăᔹᇇႬ ৠᆐĶᑓᔈֲķͽ̈́੺ઙௐ
˟ཱིϹᜩѡĂ2013Հᑕᔛ‫ٺ‬Bayreuth޵ጆপႊભ‫ރ‬഑‫ڌ‬ҹ̝ႇĞWesendonck
LiederğĂ2014ᒔ଀රॾৼ޵ጆপࢰሄ༼ረጯ‫ܛ‬Ą
Mezzo-Soprano: I-Chiao Shih
Ѩ̃੼ࢰĖϮ‫ٽ‬μ
઼̰ሄጪ౵߿᜙۞Ѩ̃੼ࢰౘ঳൝Ăႊભགྷ።ᖳಱĂ͍‫ͽ׎‬ႊભරॾৼႇᆐ
Ķκ֓ᐷ޽ᒖķ̚۞Erda˘֎Ăஎᒔ઼ᅫሄෞ៙᜖Ąጽ‫̝ܜ‬ႊભѡϫк̮҃
ᆵᇃĂགྷ૱ᄃ઼̰γϹᜩሄဥЪүႊ΍Ą
லຽ‫ڌٺ‬ঔ̂ጯࢰሄࡁտٙĂഅᒔ଀ᄂ៉ડࢰሄͧᔈௐ˘ЩćĶ̋̚࠵ᓏሄͧ
ᔈķௐ˘Щć઼ϲ̚ϒ̼͕͛̚Ķሄጪາսķć ᓏሄछ‫ົם‬Ķᓏሄາսķć
ᄂΔຑሄ͛ିૄ‫̝ົܛ‬Ķᄂ៉ሄጪາսķĄ
གྷ૱‫צ‬ᔛ‫઼̰ٺ‬γࢰሄဥវĂፉЇৠᆐ̈́Чё̂‫ݭ‬ү‫̝ݡ‬፾ભछĄഅ‫צ‬ᔛາΐ
‫઼؂‬छϹᜩሄဥĂፉЇ໅ৼ౰ҹĶ೻͈ٛᑓᇩķ̝̃Ҳࢰ፾ભĂ‫צ‬ᔛࢶപཐሄ
ဥፉЇᘲҘκĶཐϓଔႇķ̝̃Ҳࢰ፾ભăᄃ઼ϲᄂ៉ϹᜩሄဥЪүৠᆐĶᑓ
ᔈֲķͽ̈́֓к‫܆‬ĶЪભϹᜩѡķĄ
Mezzo-Soprano: Pei-Chi Chen
Ѩ̃੼ࢰĖౘ঳൝
098
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Introduction
1998
2000
Hänssler Classics
(
)
We rgo
Tenor: Corby Welch
Neue Stimmen
2002
2011
Soprano: Mei-Lin Chen
2013
10
2014
BBC
BBC
3
3
BBC
Treble: Luke McWatters
099
Musicians
˩̱໐Ăனಶ᝝‫ࣖٺ‬೶ঔॾ੼̚Ăጯຽᄃࢰሄܑனࡎ΍Ąғቷऌ˩໐ॡĂӈࠎ
ࡻ઼઼छႇᆐੰ‫׊‬ආЪભဥ۞˘ࣶĂ‫ٺ‬ĮฏՅᗨ̀Ɵ̗֎įᗕᓑᆐ̚‫ܐ‬Ѩ൳
έĄ‫ޢ׎‬Ăણᄃࡻ઼઼छႇᆐੰᄦү۞Į‫گ‬ҘѼֲˠįăĮᖡᙿ̳̄ᒑ۞‫ݱ‬
ಢįăĮՆᜋѧ̳͹įăĮঙ̀ᇇ۞᜔͇įඈк᛫ႇᆐ۞Ъભႊ΍Ă֭дᔹᇇ
ႬĮᑓᔈֲį̚ፉЇ̃੼ࢰ፾ભĄ֗ࠎࡻ઼઼छ‫ܦ‬ѐЪભဥဥࣶĂғቷऌણΐ
࿅ధк‫ب‬BBC఻ᅌࢰሄ༼Ă‫࠱ٺ‬छ༼ᇉះ̈́࠱छғұপះ൳ᄂĄ
ғቷऌдĮჅᛀࣙᚖį̚࿹ႊ̈̃‫܀ޅ‬ឍٛĂсഅགྷд‫ރ‬κ೻ᆂખᆐੰĞ঍প
ᒑ̀޽೭ğăჯ˵ৼᆐੰĞΙႬ഑޽೭ğăࣖ೶઼ͳᐝᆐੰăՆ๫྽͈඿਩ႇ
ᆐੰĞᖎ͛૽޽೭ğඈгႊભ࿅఺࣎֎ҒĂс‫੼ޝ‬Ꮈ̫ѐਕᄃᖎ͛૽޽೭Г‫ޘ‬
ЪүĄ
Soprano: Eleanor Burke
̃੼ࢰĖғቷऌąߦҹ
ౘӽ౗Ă‫آ‬ᜋᎩˠĂ̼͛̂ጯăཌྷ̂Ӏ઼ϲѼᜋࢰሄੰலຽĄॠཌྷഇมഅरְ
Prof. B. AdeleăG. CignaĂ‫ޢ‬ᐌԧ઼ॠཌྷ̃੼ࢰѦࡾᚊ௫ભĂҌ̫ϏዄĄॠཌྷ
ഇมĂഅણΐཌྷ̂ӀStresa઼ᅫᓏሄ̂ᔈĞConcorso di StresağăTorrona઼ᅫ
ᓏሄ̂ᔈĞConcorso di TorronağĂӮซˢᓁՙᔈĂ֭ᒔᔛણΐ̳ฟႊભົ̝
অၷĄ1996ѐણΐCamerinoለ߷ࢰሄ༼ĞFestival Musicale di Camerino ğĂ
ᒔ࿴ᓏሄ௡౵੼ၷ᜖ረౢĞPremio d' OnoreğĄ
2000ѐᒔᏴࠎ઼ϲ̚ϒ̼͕͛̚ĶሄጪາսķĂ‫ٺ‬ᄂΔ઼छႊ‫ݶ‬ះᓝҖ࣎ˠ
ႊભົĄ֭ણᄃ઼̰к᛫ႇᆐ̈́ࢰሄົ̝ႊ΍Ĉ઼ϲᄂ៉ϹᜩሄဥႇᆐĮ‫گ‬Ҙ
ѼֲˠįęMimiĂᇇοҘęĮ‫צ‬͹ाᗿ۞͌̃įĂ֭кѨᑕᔛፉЇྍဥк
ಞࢰሄົ̝̃੼ࢰ፾ભĄ
ౘӽ౗ϫ݈ੵႊભγĂ֭Їି‫઼ٺ‬ϲᄂ៉ᘹఙ̂ጯă၁ኹ̂ጯć֭ࠎ̚රϔ઼
ᓏሄछ‫ࣶົົם‬Ą
Soprano: Yen-Lin Chen
̃੼ࢰĖౘӽ౗
ĶĀсጾѣ΄ˠຑᇍ۞ᓏࢰĈம࡚ă৷ஐ҃ৌ၁ĄсͽԆ࡚۞ԫμ̈́΄ˠមள
۞߽၅˧ֽભΫপ౻೻۞ү‫ݡ‬ĄՀ΄ˠមత۞ߏͽстѩѐᅅĂౣਕഫ˺ѣዶ
൴೭఺ొஎ‫ג‬ү‫۞ݡ‬кᇹᆸѨĄķę઼࡚Įཐ๰͐͐ٛ፾ϲ͟ಡįࢰሄෞኢ
छΙώপĄ
षͽ൞౾̀Ă΍Ϡ‫̚ٺ‬රϔ઼ᄂΔξĄҋρጯ௫᐀ൣăᓏሄ̈́ᄅᄂᘹఙĄ‫ܦ‬ѐ
ॡഇĂӈ࢒઼࡚૜Ҙॲ̂ጯᒔ଀Ⴧ̀ጯҜĂ̝‫ޢ‬Հ‫઼࡚଀פ‬ΐэ̂ጯᓏሄ౾̀
ጯҜĄ
ਕႊભᇇăཌྷă‫ڱ‬ăࡻăҘăܻăཬăٛ˚ă͟ă̚ඈ˩઼͛ф۞षͽ൞Ăႊ
ભ֖ྫ‫ז‬྿࡚ăΐăཌྷăఈăͧă‫ڱ‬ඈ˟˩ዶ઼Ąੵ˞ѓ‫ٺ‬ႊભĂषͽ൞Ϻߏ
˘Ҝିጯᚑᖰ۞ЩरĂഅЇ‫ڌ‬ঔ̂ጯࢰሄր͹Ї̈́ࡁտٙٙ‫ܜ‬Ăϫ݈ፉЇ‫ڌ‬ঔ
̂ጯࢰሄր૞Їି଱Ă̚රϔ઼ᓏሄछ‫ົם‬૱ચநְĄ
Soprano: Yi-Lin Hsu
̃੼ࢰĖषͽ൞
100
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Introduction
(
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Mezzo-Soprano: Susanne Resmark
UCSB
Vocal Institute
Lanza
E. Mannion
Excellence
W. Scheid t
E.
R. Döling
Baritone: Chung-Kuang Lin
Lorraine Nawa
Jones
Angelo Mar enzi
2010
g
5
9
Sparafucile
NSO
Bartolo
Frank
2012
Il Commisario
2014
2013
Pistola
Bass: Ming-Mou Hsieh
101
Musicians
‫ڌލ‬ˠĂ‫ڌ‬ӓ̂ጯࢰሄࡁտٙႊ‫ݶ‬௡Ăरଂ‫̚ڒ‬ЍăՂս‫׶܆‬ग୻РĄ2011
ѐᒔᏴࠎ̚රϔ઼ᓏሄछ‫ົם‬2012ᓏ‫ם‬າսĄ2011ᄂΔξ̂૞ࢰሄͧᔈշ੼
ࢰௐ˘ЩĄ2013ѐၷᒔ‫̂ث׌‬ጯ७๩ႇ̂͘ᔈ‫ܛ‬ረᅚൕĄ2013ѐ10͡ၷᒔᇇ
͛ᘹఙႇѡረጯ‫ͧܛ‬ᔈௐˬЩĄ
2012ᄂΔຑሄႇᆐӪĮ෱ΐࠃ۞૓ᖃį࿹ႊ‫ءڱ‬Ă2013ᄂΔຑሄႇᆐӪĮኊ
ኆį࿹ႊ‫ޠ‬रĂ2013ѐᄂΔႇᆐЪભဥႊ΍ĮΞຑ۞‫ێ‬ѿ̃į࿹ႊշ͹֎
BastienĂ2013ѐ‫ڌ‬ӓ̂ጯѐ‫̳ޘ‬ႊĮᘹఙछ۞Ϡ୾į࿹ႊጆ྽͈Ą
Tenor: Yin-Chi Chang
շ੼ࢰĖૺইᆅ
හ‫ޠ‬ᄼ̚δ̂ጯͰᗁրலຽĄд७ഇมӈႊ΍ᔛࡗ̙ᕝĂலຽ݈ႊ΍The
Blind Priestࢰሄᆐշ͹֎ć‫ޢ‬҂ˢහ‫ޠ‬ᄼ‫̰ވ‬ЪભဥĂᐌဥд2000ѐ઼ᅫЪ
ભࢰሄ༼ॡֽᄂ‫ٺ‬ᄂΔ઼छࢰሄះႊ΍Ą
2002ѐ҂ˢහ‫ޠ‬ᄼཐѼॾЪભဥĞБහ઱˘ᖚຽЪભဥğć2͡‫ٺ‬Bamboo
Organ FestivalĂࢵႊRyan Cayabyab̝າүĶThe Misa IIķć5͡‫צ‬ᔛ࢒ࢶപ
ႊ΍ࢰሄᆐIsaangć10͡‫צ‬ᔛ‫࢚̀ٺ‬κࢰሄົ̚ႊભCircle of LifeĄ
2003ѐ2͡‫ٺ‬හ‫ޠ‬ᄼ͇ЬLani MisaluchaЪભThe Prayerᇃ‫צ‬рෞć6͡੓ϒё
‫اؠ‬ᄂ៉Ă֭ΐˢέΔຑሄЪભဥ̈́έΔຑሄ‫ވ‬ЪભဥĄഅᐌဥ࢒̂ౙăപ
፫ă˿҅‫׎‬ăͽҒЕă઼࡚ඈгႊ΍ć2006ѐ7͡Ă‫ٺ‬ௐ̱‫ب‬ᄂΔ઼ᅫЪભࢰ
ሄ༼̚ፉЇշ੼ࢰ፾ભĂႊ΍ЛͰӀᒑ̀ү‫ݡ‬MagnificatĞᄂ៉ࢵႊğĂ҃‫ޢ‬
ϺᇃᒔЧࠧᔛኛĂ‫઼̰ٺ‬Ч̂ࢰሄົፉЇշ੼ࢰ፾ભĄ
അЇ઼֨გநጯੰЪભဥᓏሄ޽ጱҁरĂ୶ѯ̂ጯЪભဥರ੊ᓏሄ޽ጱҁरĄ
Tenor: Vicente Fortunato Moran
շ੼ࢰĖ᎗჊୳
னࠎέΔຑሄЪભဥၱ‫̰ވ‬Ъભဥշ੼ࢰĄ
‫ڌ‬ঔ̂ጯཐሄဥϤዑ଀щି଱౹ϲ‫ٺ‬1960ѐĂ‫ܐ‬ഇࠎጯ७ۤဥĂుѐ႙ซј
ࠎ૞ຽЪભဥĂགྷ૱ّг၆γႊ΍Ą่̙ࢰሄրώ֗۞ТጯĂБ७۞रϠౌ૟
ཐሄဥෛࠎᛳ‫ڌٺ‬ঔˠВТጾѣ۞ࢰሄ๩гĄཐሄဥ̙Ϊд७̰གྷ૱ّгႊ
΍Ăдཐኚࢰሄົ̚Ϻࠎ̙Ξٕ৿۞ႊ΍ဥវĄ‫ܕ‬ѐֽՀ̙ᕝᕖण֖ྫĂҖ࿆
Б࠷Чጯ७̈́ႊ΍ಞЪĄഅᄃᄂΔξϲϹᜩሄဥЪүႊ΍ంϑপĮщᅿѡįĂ
ᄃ઼ϲᄂ៉ϹᜩሄဥВТႊ΍઼छࢰሄះᔛࡗ۞Ң༄ĮщᅿѡįĂ˵അ‫̳צ‬В
࿪ෛ̝ᔛႊ΍ో̄տăో‫׌ࡿۿ‬Ҝүѡछ۞ү‫ݡ‬Ăͽ̈́ᔹᇇႬĶᑓᔈֲķ۞࿪
ෛᖼᇫĄ
็ٚ‫ڌ‬ঔ͙၁۞ᓏሄ็௚ăᚑᖰ੊ቚĂᖤ౜ͽк̮ͷᖳಱ۞ႊ΍གྷរĂ‫ڌ‬ঔཐ
ሄဥ̏јࠎૈֈ઼̰૞ຽࢰሄˠՄ۞ࢦࢋଯ͘ĄϏֽՀ૟ჟৈՐჟĂ็ᅍᘹ͛
̝࡚Ą
Tunghai University Choir
‫ڌ‬ঔ̂ጯཐሄဥ
102
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Introduction
ॲፂ2006ѐ۞ለ߷INTERKULTUR Foundation̳ٙҶ۞͵ࠧЪભဥଵЩ̚Ăٛ
ᓅˠշᓏЪભဥၷᒔ͵ࠧTOP 500Ъભဥ̝ௐ̱ЩĂՀд͵ࠧշᓏЪભဥଵЩ
̚ЩЕௐ˘Ą
ٛᓅˠշᓏЪભဥ۞݈֗ߏĶјΑ੼̚७̓ЪભဥķĂҋ1998ѐࢵಞࢰሄົ
̝‫ޢ‬ĂӈஎᒔЧ͞рෞ‫׶‬៙ధĂ2003ѐ੓ాᜈ˩ѐᒔᏴࠎҖ߆ੰ͛‫ົޙ‬Ğன
̿ॾࠎ̼͛ొğԬങႊᘹဥฤĄ
ٛᓅˠշᓏЪભဥણᔈ଀ረ൑ᇴĂΒ߁Ĉ2009ѐ7͡ણΐ͟ώĶௐ25‫ب‬ᚗ๯
઼ᅫЪભͧᔈķᒔ଀ᓁ݄࢕ć2010ѐ‫צ‬ᔛ‫˯ٺ‬ঔ‫͞ڌ‬ᘹఙ͕̚ႊ΍ă˯ঔ͵
ࠧ౾ᜓົĶᄂΔᐡķႊ΍Ą2011ѐ6͡ણΐᇇ઼Ķ೻ဦΐপΫ೩͈ਬିૅࢰሄ
༼ķႊ΍Ă֭‫ٺ‬Ķௐ̱‫ݣب‬ంκࢰሄ༼ķၷᒔĶ‫̰ވ‬շᓏЪભ௡ķ݄࢕ăĶ౵
ָ঎ႝॡഇү‫ݡ‬ႊᘯረķăĶ౵ָᘹఙ޽೭јಶረķˬี̂ረඈඈĄ
Taipei Male Choir
ٛᓅˠЪભဥ
έΔຑሄЪભဥ౹ϲ‫ٺ‬1972ѐĂഅᄋՂ‫ٱ‬Ԣăᑛ‫ߵܛ‬ăΒҹкĞRobert W.
Proctorğඈି଱ଉ͕޽ጱĂ1983ѐདኛՆโି଱ፉЇ޽೭̈́ᘹఙᓁႾҌ̫Ă
кѐֽᒔᔛણᄃ઼ᅫࢦࢋࢰሄ༼ᄃᘹఙ༼Ă֖ྫኼ࿆30ዶ઼छ‫ݱ‬ξĂ‫઼ٺ‬ᅫ
ֳѣໂ੼ۢЩ‫ޘ‬Ą2006ѐέΔຑሄЪભဥၷᒔᄂΔξ߆‫ع‬᜖ೳĂࢎ‫ؠ‬ଥྻ‫ڌ‬
ડг˭ූௐ˛ཱིᇃಞࠎĶᄂΔຑሄЪભᇃಞķĂᓝᏱ೬ൕ‫׏‬ᖃ֭үࠎϖ˳ܑ
ၓĂͽ‫ؠۺ‬έΔຑሄЪભဥ၆‫ٺ‬ᄂ៉ࢰሄࠧ۞‫מ‬෸੒ᚥĄ
έΔຑሄЪભဥ൴ܑ̝Įߍ෪઼̚į૞Ꮽഅᒔௐˣ‫ܛب‬ѡረĶ౵ָભͯᄦү
ˠķăĶ౵ָႊભˠķăĶ౵ָΟ‫ࢰ׏‬ሄભͯķˬี̂ረć૞ᏭĮ͵ࡔᕩ࿬į
ᒔௐ˩α‫ܛب‬ѡረĶ౵ָΟ‫ࢰ׏‬ሄ૞ᏭķăĶ౵ָႊભˠķăĶ౵ָүѡˠķ
ˬี̂ረĄ
έΔຑሄЪભဥ
д఺྆ĂԧࣇᄦౄຏજăᄦౄមಈăᄦౄѣϠ‫ְ߇۞׻‬Ă౹ϲ‫ٺ‬2013ѐ12͡
31͟Ą
ဥฤ८͕໚ҋ‫ܑࢲލ‬ႊ঱ᇶઃᒉྻ‫ޢ‬Ă˘ཏિ޺ᚶᜈᄲ߇ְ۞ˠĄ߇ְ̍ᇄͽ
ன΃ᑚᆐ౹үࠎ͹វĂ౅࿅Ķᄲ߇ְķ۞ԛёଯજ̼͛౹ຍயຽĂშᘲ઼̰ᐹ
սᆐಞనࢍˠ̖Ăགྷᒉࣧ౹నࢍགྷࡔĂјϲ‫ܐ‬ഇሕ͕Ըˢ̈̚‫ݭ‬ᆐಞĂഇధࠎ
ᄂ៉ૈങՀк૞ຽᆐಞ̍ү۰Ă֭ᖣϤ࿅‫ـ‬གྷរ᎕௢Ă޺ᜈ൴णᑚᆐିֈ‫׶‬ଯ
ᇃᘹ͛߿જĂԓጔ૟ᘹఙ૲ซᄂ៉Ч࣎֎རĂχౄ̢જё۞ᆐಞˠ͛ᒖဩĂ͔
જᄂ៉˿г۞ᘹఙ߿ͪĄ
።Ϋјᒻߏဥฤ۞ዳ̶Ăԧࣇ૟ͽѩࠎૄᖂĂۧ޺၆ᑚᆐ۞ሤଐᄃֹ‫׻‬Ă౅࿅
౹ຍᕇ̄۞൴ຐĂӔனϠ‫۞̚׻‬Տ࣎જˠॡ‫ג‬Ă೩‫چ‬Ϡ߿̚၆Ķ࡚ķᄃĶຑķ
۞ຏ‫צ‬Ą
Story Works
߇ְ̍ᇄ
103
ࢰ
ሄ
छ
̬
௜
Lectures
઼ᄂϹȼ‫ڱ‬ฮ‫މ‬ȼ๔࡚ྕ‫ݡ‬ā
ࢰ
ሄ
ᓾ
ૅ
ࢰሄᓾૅ
ŏ‫ڱ‬ฮ‫މ‬ᓾૅāߐഇ̱˭̾3:00‫ڱ‬ฮ‫މ‬āᄂ̚̚പ‫ظ‬ĞາЍˬ෸9Fğ
2014
2015
࡚р۞˘͟Ǖ
೼‫ݵ‬κĮኄኅ͈ˠį
1/17Ğ̱ğ
ӓߌ։
‫ރ‬ႬௐǕĮ઄ࢬᄅົį
߇ְ̍ᇄጱႊ
൑ࢨճຐᏐ̄ࢰሄົ
ǕषԈພ
2/28Ğ̱ğ
ᆒ‫۾‬Ҧ
‫۞ྻ׻‬ཙՎ
3/21Ğ̱ğ
षͽ൞
̫ѝԧ֕࿅ϣ౎
8/16Ğ̱ğ
9/20Ğ̱ğ
ౘ‫ޥ‬໰
ૺჁ߷
‫ܪߌڒ‬Ǖ
ԆБంϑপˬ
4/18Ğ̱ğ
ᗞරट
ܻᘲ೻ࢰሄλˠ
11/15Ğ̱ğ
ᔁׂই
൑֏ႇǕͪ
ᖡ۞Դଐሄౢ
5/16Ğ̱ğ
֘‫ۆ‬ѯ
੺ᜋؑऋ
12/20Ğ̱ğ
Ղ๔˘
Δለࢲଐ൪
6/20Ğ̱ğ
ՂѺָ
ғႬΐ̂೩ൣ‫ݶם‬ѡ
10/18Ğ̱ğ
ŏྕ‫ݡ‬ᓾૅā̙‫ؠ‬ഇᓝҖāᄂ̚๔࡚ྕ‫ݡ‬ქ๩྽3Fྕ‫ݡ‬३Ԋ
Ticket
package
2014/15‫ؠ‬ഇࢰሄົրЕइை
ώሄ‫؞‬পҾЋထĂ
7/21Бࢬୁ઴Ҍ9/12Ğ̣ğ17:00ͤĂᝌ‫ܓ‬Ꮸ᜙ࢎᔉĊ
2014
ᓏଐϹᜩ˘
09/12Ğ̣ğ
࡚р۞˘͟Ǖ ೼‫ݵ‬κĮኄኅ͈ˠįĞႇᆐࢰሄົğ
ᓏଐϹᜩ˟
10/24Ğ̣ğ
‫؝‬૚ᄃಈॆǕ ವଣοٛؒ೻ăරॾৼ۞ຑଐ
ᓏଐϹᜩˬ
11/21Ğ̣ğ
൑ࠦ۞ຑǕο༄࿲ĮჅᘁࣙᚖįĞႇᆐࢰሄົğ
ᓏଐϹᜩα
12/12Ğ̣ğ
൑֏ႇǕͪᖡ۞Դଐሄౢ
ᓏଐϹᜩ̣
1/23Ğ̣ğ
ෝભ߇ฏǕ‫ͧڱ‬щ۞ᄂ៉О෪
ᓏଐϹᜩ̱
3/13Ğ̣ğ
૛‫۞׻‬ຑǕ‫ރ‬ႬௐĮ઄ࢬᄅົįĞႇᆐࢰሄົğ
ᓏଐϹᜩ˛
4/10Ğ̣ğ
̫ѝԧ֕࿅ϣ౎Ǖ੺ઙ۞ˠᓏॠ඀
ᓏଐϹᜩˣ
5/8Ğ̣ğ
ଐບ̂ঔǕͪᖡ۞ˠϠ̝ႇ
ᓏଐϹᜩ˝
5/29Ğ̣ğ
̋‫߹ͪܜ‬ϖ̙ொǕ੺ᜋؑऋąາ͵ࠧ
ᓏଐϹᜩ˩
6/26Ğ̣ğ
঎ႝႇෝǕՕ਴۞ᓏଐϹᜩ
2015
104
Ticket
package
૞ᛳα̂ᐹ೎
ᐹ೎˘Ĉ˘इ10ಞ6Զ૞ᛳைᆊ
Տ˘इ10ಞĂՏ1ಞ1ૺை‫ד‬ĂΞᏴፄ300̮ă500̮ă800̮ă1000̮ඈ4჌ைડ
ை৺
ைડ
ࣧᆊ
इை઴ᆊ
A
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3,000̮
1,800̮
B
500̮
5,000̮
3,000̮
C
800̮
8,000̮
4,800̮
D
1,000̮
10,000̮
6,000̮
ᐹ೎˟Ĉࢰሄछࢬ၆ࢬ૞ᛳրЕᓾळ
19:00~20:30Ğ̣ğ@ ઼ϲᄂ៉࡚ఙᐡᘹఙᅙҖĞᄂ̚ξҘડҋϤྮ˘߱150ཱིğ
ฟ‫ٸ‬50Щᔉ෴इை۰ˢಞĂื˯‫ء‬შְАಡЩĂᗝ႕ࠎͤĄ
ᄃົလᄼྤੈኛ‫ٺ‬ᓾळ݈ࠀ‫ء‬შߤྙĄ
͟ഇ
2014
2015
ᓾळ͹ᗟ
09/05
࡚р۞˘͟Ǖ೼‫ݵ‬κĮኄኅ͈ˠį
10/17
‫؝‬૚ᄃಈॆǕοٛؒ೻ௐˬཱིϹᜩѡ
11/14
൑ࠦ۞ຑǕο༄࿲ĮჅᘁࣙᚖį
12/05
ͪᖡ۞ԴଐሄౢǕॻࡊ͈೻ૄௐཱི̱Ϲᜩѡ
01/16
ෝભ߇ฏǕ‫ͧڱ‬щą᎗ઙ۞ᄂ៉ଐቡ
03/06
૛‫۞׻‬ຑǕ‫ރ‬ႬௐĮ઄ࢬᄅົį
04/03
̫ѝԧ֕࿅ϣ౎Ǖ੺ઙௐ˘ཱིϹᜩѡ
05/01
ͪᖡ۞ˠϠ̝ႇǕοٛؒ೻ௐ˟ཱིϹᜩѡ
05/22
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06/19
঎ႝႇෝǕғႬΐ̂೩ൣ‫ݶם‬ѡ
ᄃኘˠ
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ະኛഇ‫ޞ‬
Чᄃົလᄼ
ᐹ೎ˬĈᒔᙑNTSOඊ੃३˙Њ
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‫ڦ‬ຍְีĈ
Řइைᔉ෴Тॡ૟ᒔ଀˘ૺĶNTSO 2014/15‫ؠ‬ഇࢰሄົրЕ ᔉ෴ᙋ‫ځ‬ķĂጴѩᙋ‫ځ‬ҸೱNTSOඊ੃३ă2014/15‫ؠ‬ഇࢰሄົրЕ
Ķ߿જᐹ೎ΙķĞᐹ೎˟αӮืጴĶ߿જᐹ೎ΙķણᄃֹϡğĄ
Řώइைт୬ੜைᅮፋइᏱநĂ़̙ତ‫צ‬ಏಞੜೱைĂ֭ኛ‫ٺ‬103ѐ9͡11݈͟Ᏹநੜைְ‫آ‬Ăᅮ੩ќைᆊ10%͘ᜈ෱Ą
Řώइை̙ᄃ‫΁׎‬ᐹ೎͞९Ъ‫ֹ׀‬ϡĄ
Ř࠹ᙯ‫ڦ‬ຍְีኛણዦሄ‫͘؞‬ΊĂ͹ᏱಏҜܲ঻ႊ΍ளજᝋӀĂࡶѣՀજĂͽ઼ϲᄂ៉Ϲᜩሄဥ̳Әࠎ໤Ą
105
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10ૺ500̮ͽ˯ĞӣğைᆊӈΞ༊ಞֳѣᔉை7Զᐹ೎Ă֭ᒔᙑĶVIP២ϮΙķĄ
2. 8ૺͽ˯ӈΞ༊ಞֳѣᔉை8Զᐹ೎Ă֭ᒔᙑĶVIP‫ܛ‬ΙķĄ
1.
3. VIPΙᅳ‫͞פ‬ёĖ
A. ᏐҋҌώဥᔉ෴Ξனಞᅳ‫פ‬VIPΙ
B. ଂ‫׌‬ះੰ઴ைր௚‫ה‬Ιٕଂ‫׌‬ះੰ၁វბᕇᔉ෴۰Ăኛฎ૙˭ЕྤੈҌώဥĂVIPΙͯ૟ͽ
ଭཱི૙൴Ą
a.ᔉைᙋ‫ځ‬
b.‫ؖ‬Щ
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d.࿪ྖ
e.࣎ˠ࿪̄‫ܫ‬ቐ
‫ڦ‬ຍְีĖͽώ͞९ᔉ෴̝ᐹ೎ை‫़̙ד‬ତ‫צ‬ಏಞĞૺğੜೱைĂт୬ੜைኛ౵Ᏽ‫ٺ‬ௐ˘ಞႊ΍
݈˘࣎̍ү͇ᏱநБᇴੜைĂ֭ᅮ੩ќைᆊ10%͘ᜈ෱Ą
ŏ NTSO VIP૞ֳ჊Ӏ
7
1. ޺ĶVIP២ϮΙķᔉைֳ Զᐹ೎Ğপ‫ؠ‬ಞѨੵγğĄ
8
2. ޺ĶVIP‫ܛ‬Ιķᔉைֳ Զᐹ೎Ğপ‫ؠ‬ಞѨੵγğĄ
3. ֳѣ˭ѐ‫ޘ‬ሄ‫؞‬ᐹАᔉை̝ᝋӀĄ
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5.ĶVIP២ϮΙķົࣶ‫ٺ‬ड़ഇ̰ΞҺ෱ᒔᙑĮሄᜓįᗔᄫ˘ώĄ
6. 2014/15ሄ‫؞‬ഇมΞֳ˯ࢗ჊ӀĄ
106
2014/15
103
8
1
9
NTSO
9
65
5
20
7
2
04-23330153
8
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15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
15
13
13
13
13
13
13
13
13
10ଵ
11ଵ
12ଵ
13ଵ
14ଵ
15ଵ
16ଵ
17ଵ
1ଵ
2ଵ
3ଵ
4ଵ
5ଵ
6ଵ
7ଵ
8ଵ
9ଵ
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
11
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
3
3
3
3
3
3
3
3
2
2
2
2
2
2
2
2
ᄅᄂ
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
4
4
4
4
4
4
4
4
4
4
4
4
4
4
̚δ֕྽
3
3
3
3
3
3
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2F
4
4
4
4
4
4
4
‫ޢ‬ડ֕྽
3
3
3
3
3
3
3
1
1
1
1
1
1
1
2
2
2
2
2
2
2
4
4
4
4
4
4
4
݈ડ֕྽
3
3
3
3
3
3
3
1
1
1
1
1
2
2
2
2
2
4
4
4
4
4
̚δ֕྽
3
3
3
3
3
1
2
4
‫ޢ‬ડ֕྽
3
8
8
8
8
8
8
10
10
10 12
10
16
16
16
16
16
16
16
16
18
18
18
18
18
18
18
18
18
18
18
18
18
18
18
18
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
22
22
22
22
22
22
22
22
22
22
22
22
22
22
24
24
24
24
24
24
24
24
24
24
24
24
26
26
26
26
26
26
28
28
28
28
28
28
28
28
28
28
28
28
28
28
30
30
30
30
30
30
30
30
30
30
30
30
30
26
26
26 28
26 28
26 28 30
26
32
32
32
32
32
32
32
32
32
32
32
32
8
8
12 14
12 14
12 14
12 14
12 14
12 14
14
12 14
16
16
16
16
16
16
16
26
26
26
26
26
26
26
26
10
10
10
10
1ଵ
2ଵ
3ଵ
4ଵ
5ଵ
6ଵ
7ଵ
8ଵ
9ଵ
14
14
14
14
14
14
14
24
24
24
24
24
24
24
24
24
24
24
24
24
24
24
24
6
6
6
6
6
6
6
6
10ଵ
11ଵ
12ଵ
13ଵ
14ଵ
15ଵ
16ଵ
17ଵ
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
24 26 28 30
24 26 28
24 26
24
12
12
12
12
12
12
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
20
22
22
22
22
22
10
10
10
10
10
10
18
18
18
18
18
18
18
18
18
18
18
18
18
18
18
18
20
20
20
20
20
8
8
8
8
8
8
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
18
18
18
18
18
6
6
6
6
6
6
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
16
16
16
16
16
32
32
32
32
32
32
32
32
18ଵ
19ଵ
20ଵ
21ଵ
22ଵ
23ଵ
24ଵ
25ଵ
3ଵ
4ଵ
5ଵ
6ଵ
7ଵ
8ଵ
9ଵ
14
14
14
14
14
12
12
12
12
12
12
12
12
12
12
12
12
12
12
10ଵ
11ଵ
12ଵ
13ଵ
14ଵ
10
10
10
10
10
10
10
10
10
10
10
10
10
10
12
12
12
12
12
14 16 18 20 22 24
8
8
8
8
8
8
8
8
8
8
8
8
8
8
10
10
10
10
10
15ଵ
30
30
30
30
30
30
30
30
6
6
6
6
6
6
6
8
8
8
8
8
10 12
28
28
28
28
28
28
28
28
6
6
6
6
6
8
26
26
26
26
26
26
26
26
6
6
6
6
6
6
6
6
2014/15ሄ‫ࢰ؞‬ሄົ ᄂ̚̚Ꮈૅ ळҜܑ
13
13
13
13
13
13
13
18ଵ
19ଵ
20ଵ
21ଵ
22ଵ
23ଵ
24ଵ
25ଵ
15ଵ
10ଵ
11ଵ
12ଵ
13ଵ
14ଵ
3ଵ
4ଵ
5ଵ
6ଵ
7ଵ
8ଵ
9ଵ
13
13
13
13
13
13
13
13
13
13
13
13
13
13
13
13
13
13
13
13
23 21 19 17 15 13
34
34
34
34
34
34
34
34
34
34
34
34
34
34
34
36
36
36
36
36
36
36
1ଵ
2ଵ
3ଵ
4ଵ
5ଵ
6ଵ
7ଵ
8ଵ
9ଵ
36
36
36
36
36
1000̮
800̮
500̮
300̮
38 40 42
38 40 42
38 40 42
38
2 0 1 4 / 1 5
S E A S O N
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