By-Laws, Long Beach Mystics, and Performance!
Transcription
By-Laws, Long Beach Mystics, and Performance!
Page 2 Scribbling From The Scribe of the Scroll Page 3 Thoughts from the President Page 4 Error-Rat-Uh Page 5 BeLieve Me But Cut The Cards. Page 6 Would You Believe? Page 7 “The Veep Speaks” Page 8 Lecture Information Page 10 Photos from Daryl Page 11 Gems from Diamond Jim By-Laws, Long Beach Mystics, and Performance! February Meeting Frank Seltzer was out of town, so Mark Jensen took the role of Acting Vice President. Our first order of business was to have our By-Laws ratified. They passed unanimously without any discussion. Two upcoming lectures were mentioned. April 19th we will have Peter McLanachan at 2:00 pm, who is a very talented Close up magician, and “disciple” of the great Scottish magician, Roy Walton. Martin Lewis’ lecture is on May 23rd at 6:30 pm. Martin Lewis will also be our entertainment for the Dallas Magic Club banquet. Both lectures will take place at Crosspointe. Please see http://www. thats-impossible.com/lectures.htm for more information. Mark Jensen shared something very cool with the club. The Jinx was a very influential publication edited by legendary mentalist Ted Annemann. They had as their mascot an iconic black cat. I’ve always liked this image so much, that I silk-screened some t-shirts using The Jinx logo and the black cat. Mark showed a rare postcard, which was a Jinx subscription renewal. You would rub the back of the black cat 3 times and send it in, without any message, and somehow your subscription would be renewed. Mark spoke to Harry Anderson about this ingenious renewal postcard. Anderson thinks that the run of The Jinx was so small that everyone got renewed. Those who didn’t want it would just not send in their renewal payment and Annemann would cancel their subscription. It’s a plausible theory. Harry Anderson isn’t a mentalist, but when I asked him at his lecture a few years ago, what his greatest influence was, he said without pause, Ted Annemann. DMC’s own Paul Siegel has been in contact with the great cartoonist, Dan Piraro, who has a syndicated strip called Bizarro. Piraro is graciously giving one of his cartoons to raise money for the Young Magician’s Club. We watched a really interesting documentary directed by Shelley Jenkins on the Long Beach Mystics. We would like to thank Shelley for giving us permission to screen the film. The Mystics were perhaps one of the most successful Young Magician Clubs in magic history. That club acted as a kind of hothouse growing future talent. Several young people came out that experience as full-on working professionals. The magicians and jugglers interviewed thought that their time in the club was incredibly influential on their future lives. Sadly, those interviewed said that based on changes on how magic is learned, etc that they think it is highly unlikely there will never be another club like that – although they would love to see it happen again. If you would like to purchase your own copy of the dvd, which includes several extras that were not shown at the club meeting please visit: http://mysticsdvd. com/ But that didn’t stop the DMC from having a discussion on how we as a club could get the Young Magician’s Club both revitalized and flourishing. Several ideas were brainstormed. Speaking for me, I think the “brand” needs to be changed, with an exciting logo and name. Some thought that we as magical mentors should embrace electronic media; others thought this a pale substitution for actual audience performance. We were treated to a performance by our very own DMC President, Derrell Allen. Was it a book test, or a card trick? Whatever it was, it was awesome. Next up was Magic Mike, Mike Williams. A very novel demonstration of pick pocking, unlike anything ever seen. Joe Rotio donated many items for our raffle, so we had a huge raffle with six winners. DMC Officers Derrel Allen President Frank Seltzer Vice President Reade Quinton Secretary/Treasurer Brad Ingle Sgt. At Arms Mark Jensen Past President Chuck Lehr Dean of The DMC Board Members: Mike McElroy Until July 2015 Jeff Hallberg Until Nov. 2014 David Knight Until Nov. 2014 T.A.O.M. Board Members Frank Seltzer S.A.M. Representative Until July 2014 Cameron Rivers I.B.M. Representative Until July 2014 Wizard’s Scroll Staff Brad Ingle Wizard’s Scroll Editor [email protected] Daryl Howard DMC Photographer Reade Quinton DMC Monthly Report Columnists: Mark Jensen Michael Smith Frank Seltzer Derrel Allen Brad Ingle There has been much discussion on how to renew and strengthen the Young Magician’s Club. It’s not just our local club, I’ve learned that every young magician club is floundering. I do think we as magicians are about to face a crisis in terms of passing the torch to a new generation. I worry that the craft of magic might become as obscure as Ragtime Music. We need to think about the pedagogy of magic, and our role as older magicians teaching the younger generations. I don’t have any strong answers, only personal observations. Today, the way magical knowledge is transferred is much less personal than in the past, and I think that has to be addressed. Ricky Jay described his own instruction as similar to the Student/ Sensei dynamic. He, and people like Bruce Cervon, would sit near the master, Dai Vernon, and absorb his knowledge. Ed Marlo had his own students that he taught directly like this. I doubt we see such a close instruction ever again. A notable exception being Jeff McBride’s Mystery School. Before VHS, the majority of instructions was by books. Personally, I think books are the best instruction, but I only think that now. It was VHS tapes of Michael Ammar and David Roth that jumpstarted me into competency. VHS lead to DVD and direct downloads. Today, kids are learning from YouTube. I know a teenage magician who is keen for my approval. I’m absolutely happy to help him in any way, but he is not getting his real training from me. YouTube is his go-to source. He has now started uploading his own performances and “tutorials.” I told him that many magicians might have a problem with these tutorials and call it “exposure.” He thought that a strange notion, and didn’t care. I then told him to ‘just make it perfect.’ I can’t really be mad. I personally subscribe to a few cardicians on YouTube that are phenomenal. If YouTube is anything to go by, young people don’t hold romantic notions of secrecy anymore. Teenagers are keen to photograph and film things that they’re interested in. This has created tension with older magicians. A young person will learn a Double Lift, do it for two days, and then make an instructional video. We can become angry, or we can become leaders. Let’s figure out a way to simultaneously not alienate a new generation, yet show the importance of secrecy with this craft. But we have to be honest that the performance of magic is not for everyone. Social media is a democratizing force, that removes boundaries. We need to show the value of these boundaries. (Secrecy). ♣♥♠♦ Thoughts from the President Recycling the classics I found a recycle of the famous square circle. It comes from Axtell Expressions Inc. I use the square circle in my kids’ show regularly, but this one added a message I haven’t been accustomed to doing: Recycling. I was slightly amused that it is recycling a classic magical effect and its message is about recycling. Of course, you can use it for different messages too. I plan on coming up with some new variations real soon. If you want to see this item, I’ll probably have it at the club meeting, or you can visit www.axtell.com and look at their Green Machine. The server that was hosting dallasmagic. org and our email listserv came to a tragic end recently. This came, of course, without a backup of our mailing list and website. The new iteration of dallasmagic.org and ensuing listserv (officially called Mailman,) is being hosted on one of my personal hosting sites. If you are interested in any of the technical specifications or of assisting in our ongoing online presence, I’d be happy to give you all the details, including perfunctory training in WordPress and Mailman. Speaking of online presence, if you are interested in discovering the wonderful world of online marketing, there are a lot of new things coming about in the search engine, social media and online marketing world. You should have an online presence if you are needing to get customers and leads. Notice I didn’t say you needed a webpage/ website, but online presence. That includes anything from listings on directory services up to and including Facebook, Twitter, Pinterest, Instagram and very importantly: Google+. Sometimes, the results of this kind of marketing can appear to be magical. At the March meeting of the Dallas Magic Clubs, we will be nominating officers for the 2014-15 term. If you have interest in serving the clubs, you must belong to both the S.A.M. and I.B.M. to serve as officer of our clubs. You will have until the election in April to get this done, if you are so inclined. The Dallas Magic Club Meets Monthly, Every Third Tuesday. We usually meet each month at CrossPointe Church. There is a large theater area where we meet and peform. 2425 West Parker RD Carrollton, TX 75010 We start at 7:00 pm, and meetings usually until a little before 9:00 pm. Error-Rat-Uh Brad Ingle I’ve been your hard-working editor for a couple of months now, and each issue I seem to collect more typos and errors. Here are a few of the more amusing ones from last month. I said I met “Debbie Becker”. There is no magician by that name. Well, there might be in the big wide world. I bet there’s plenty of knitters and cross-stitcher named Debbie Becker, but somehow I think few magicians. Debbie Becker sounds like the name of a certified realtor. Anyway, I meant to say I met Mrs. Bobbie Becker. Hopefully the Beckers don’t read this rag, so I won’t alienate them. Incidentally, all magicians are namedroppers, so that’s two months that I got to name drop. I think since my inception as editor about six months ago, I have said in giant type that this club meets every third Thursday. That’s not true. It’s every third Tuesday. I imagine some poor soul driving up to an empty building, looking through the glass doors. “Hmm.. nobody’s here. The Wizard’s Scroll, which I downloaded, said every third Thursday. “Surely, they wouldn’t get something so fundamentally basic wrong? Oh well, I guess I’ll go home. What’s this? A liquor store right here. Since I’ve been sober for a few years I won’t need that. Who zones a liquor store next to a church? I’m leaving. But what if... what if I just bought one of those small bottles of whiskey? Just one more drink and I’ll be done forever. I work hard and I listen to a lot of crap all day long at the office. Why shouldn’t I have a reward “I have an interest in “It said, third Thursday... just this once? I’ll buy one bottle of Jack magic. This should be the It said third...Thursday.” Daniels and a few beers, and be done perfect hobby.” with it. Everyone thinks I’m practicing card tricks with a bunch of middle-aged men. What they don’t know won’t hurt them. I’ll just buy some Jack Daniels, Thunderbird, a case of beer, and maybe go to a few massage parlors on Harry Hines Blvd., just one more time.” A few days later he is found in the drunk tank in Sante Fe, New Mexico, his life completely ruined. “Things got a little out of control since I read that newsletter. It said every third Thursday.” BEFORE AFTER BeLIEve Me, But Cut the Cards: A psychology of Deception For Magicians Part 20 This month we conclude our three-part interview with Lawrence Hass, PhD, magician, mentalist, philosopher, author, publisher, and Associate Dean of the McBride Magic and Mystery School. MS- Thanks again for being willing to be interviewed for my monthly column. My last questions are these: “How did you first introduce your magic into your academic world? Magic is often seen as “adolescent” (interest in puzzles, oddities, and anomalies) by much of society. Did you experience this attitude when introduced your magic program into an academic setting? While you are still in that world at Austin College you have become a full time magician, author, publisher and teacher of magic. What has that transition been like for you?” LH- In 1997 I took the big plunge: I went to the Dean at Muhlenburg (my college at the time) and proposed a whole campus-wide program that would bring great stars of magic to college to perform and teach about the special art form they create. In addition, I would teach magic performance classes to educate interested, talented students in how to create credible, effective performances of magic. That was a scary day! The Dean could have shut me down or laughed me out of his office- and I was terrified to come out of the “magic closet,” believe me. Instead, he loved the idea, embraced the idea, and went right out to secure me a generous budget to hire my artists and create my new magic course. And so in the fall of 1999 I launched my first season of the Theory and Art of Magic Program at Muhlenberg College. Between 1999 and 2009 I produced a Magic Program nearly every year and featured many of the greatest stars of magic, including people such as Juan Tamariz, Rene Lavand, Teller, Max Maven (twice), David Blaine, Jim Steinmeyer, Jeff McBride, and of course Eugene Burger. In 2009 my wife Marjorie Hass became the 15th President of Austin College in Sherman, Texas. Because my performing career had taken off in an extraordinary way (starting in 2007), I was in no position to take on all the work of producing a major program. But I do produce a show at Austin College now and then. For example, this past year I produced Max Howard and Diane Bray’s rather extraordinary show, The War Wizard: A Tale of Magic and the Civil War. Beyond my work as the “First Gentleman” of Austin College, my performing career, my work as the Associate Dean of the McBride Magic and Mystery School, and my travelling all over to teach magicians, I am also publisher of Theory and Art of Magic Press, which publishes one or two top-flight magic books each year. In 2012 I published Jeff McBride’s The Show Doctor and this year I published the first in a trilogy of important books by Bob Neale, The Magic of Celebrating Illusion. In 2014 I will have out the second book in Bob’s trilogy, and I think we will finally see the sequel to my own international bestseller for magicians. The new book will be titled Transformation 2: Performing Magic with Excellence. A final thought to circle back to your question. I have found that most everyone wants to “play magic” when it is talked about in an intelligent way and performed with excellence and integrity. People love magic; they love to be astonished and delighted by impossible things. However, magicians must beware: laypeople are not much interested in things that feel like “tricks” or those poorly performed because the words and actions haven’t been crafted through practice and rehearsal. But in the hands of a performer who has worked hard at his craft, who realizes that magic can be about more than gags and blather, I have found nearly everyone comes along for the ride. Because who does not want to be reminded that the world is a surprising, delightful, and magical place? Thank you again, Mike, for your interest in my ideas and for sharing them with your readers. MS- Thank you Larry for your work and your friendship. Until next month, remember to “cut the cards.” Would You Believe? “Would you believe?” Commentary by Geoff Grimes Sometimes, I’ll overhear a comment from a colleague in magic saying that they want their audiences to believe they really do have magical powers. Really! What a set up for laughter and disappointment. Virtually no one in our First-World culture would ever confess to really believing in our magic, and that’s perhaps why some of us couch so many of our magical pieces in the mantel of humor or buffoonery or veil it with music to avoid patter that might sound officious (like “officious.”) To appear to take ourselves seriously is to risk exposure and ridicule. More like it, “That’s pretty good, but who does he think he’s fooling?” Did you ever hear that from a spectator? It wasn’t stated just so boldly as that, but that was clearly the implication of a comment I overheard from some visitors at the magic store a couple of weeks ago, and it got me thinking about how we must be perceived by our audiences. The “Demonizers” We don’t run into them very often, and when we do, it’s usually in a public place where magicians aren’t expected—people sitting in a restaurant, standing in a line, lounging in a reception—and all of a sudden, this simpy-looking dude whips out a deck of cards or something weird from a pocket. If the target is someone from another country where magical entertainment may be suspect, the reaction sometimes can be disarming to the performer, ranging from abject fear to disgust. Rarely, but occasionally at the “Corral,” I’ll get something like, “Oh, no! We don’t do magic!” and I just step aside politely, thanking them for coming to “our restaurant.” The “WOW!-ers” On the other hand, some of our audiences clearly enjoy being fooled. “That was great! But don’t tell me how it was done! I don’t want to know!” And that’s what they go for—the shock and surprise. Now, they know we did something! Nevertheless, they clearly appreciate being faked! Don’t we wish all our audiences were so moved! They fully expect to be astonished and enjoy the rush they get at the experience of the unexpected. The “Esthetics” As a magical entertainer, I have to confess this is where I fall. I am blown away by really good card Geoff Grimes technicians and other manipulators who have elevated the mechanics of handling to an art form. Everybody knows that birds come out of sleeves tucked up jackets, hanging from under armpits, or from slits in the pants—at best, a good bird production is a thing of surprise and beauty. But where in the world do all those cards come from, one card fan after another, exploding at the fingertips and cascading in trails to the floor. I own at least two books and twelve DVDs on manipulation, but I would have to have left Jeff McBride’s first 35 years to perfect what I see him do on the computer screen or live in concert, and at the cusp of 70 years old myself, I’m just too damn late in line. You go! Michael Dimsdle! The “Chucklers” They clearly aren’t blown away as are the “Wow”-ers. They always smile and look aside at their friends to see if the effect merited a complementary response from them as well. At the same time, most of these, I suspect, would be just as delighted watching someone pull the cap off an “exploding” pen, react in shock from fake dog poop, or a razz in the palm of the hand from a buzzer. But the “chucklers” still appreciate a good magical effect when they see it, and you’ll catch them smile politely. The “By-Standers” Then there are those who traipse into the shop in the role I call the “by-standers.” They might be the moms and dads or friends who tag-along, usually behind the kids who have pestered them into submission into coming to the magic store. They take more delight in the reactions of their kids than they do the presentation of the demonstrators, but if the kids are amused, then they reap some level of satisfaction. The “‘Can’t-Get-Away’ Faster-ers” This is the last group. These are those audiences who get trapped into seeing our magic. They didn’t like magic when they were kids ‘cause it always made them feel foolish in front of their friends, and they don’t like it any better now for the same reason or for any other convenient reason as an adult. You can always spot them. If they can flee, they will. They’re the moms in the restaurant who know damn good and well it isn’t at all about the scarf that just vanished up the kid’s sleeve, but, in a carryover continued on page 8 The Veep Speaks Frank Seltzer Being the day after St. Paddy’s day I figured it was time to emphasize green…so we’re going to showcase money tricks. And what goes well with Money? Mentalism. I mean who doesn’t like M&Ms? Speaking of the banquet, we are going to be back at Brookhaven Country Club for this year’s banquet on May 20th. So mark your calendars now. The cost for members is still the same, only $35 and you can bring one guest at that price. Non members and We also will be having a short lecture from Cinde other guests will cost $45. If you want to use paypal, and current SAM president Dal Sanders on how to it will be a touch more to cover the paypal fees. But book those summer shows. that cost includes the food and entertainment. It will also be the chance to register for next month’s Magician of the Year contest. You do an act for parlor or close-up (stage too) and make your act no more than 10 minutes. 7-8 is better. We will use the rules from the TAOM contest to judge the acts. The winner will be announced at our annual banquet in May. Here are the TAOM rules: STAGE SETTING – 0 to 10 points. General appearance, eye appeal, attractiveness and appropriateness of dress, props, tables and equipment. STAGE PRESENCE – 0 to 15 points. Poise and confidence, intelligible speech, direct and understandable theme. Now what about the act for the banquet? Well we have Martin Lewis! If you haven’t seen Martin it is probably because he has been very busy on the cruise circuit lately. Martin is a third generation magician originally from Britian. His father Eric Lewis was a magician and quite a writer of magic books and wrote Martin’s Miracles for his son. Martin started in San Francisco in 1972 as resident magician at Earthquake McGoons. From there he got regular spots on television and toured the world. I remember Martin working the comedy club circuit in the 80s playing a little club over on Greenvile Avenue where he killed the audience with his approach and magic. Martin is known for creating Sidewalk Shuffle and the now classic Cardiographic where you draw a card on a pad to show the person the card selected, ENTERTAINMENT VALUE – 0 to 30 points. but when it turns out to be wrong, a card rises out Indicated by audience reaction, appreciation and of what you make into a drawn deck and the rising overall card is the chosen one. You then rip off the sheet enjoyment. and hand it to the spectator. Martin taught how to make it in the Martins Miracles book but he also PRESENTATION AND OVERALL PERFORMANCE – sells the already made. (Stretching the Truth which 0 to 30 points was done by Fred Becker a couple of years ago is Personality, projection, routining and continuity, a take off of Martin’s principle.) His latest effect is professional presentation and technical ability. the Rosepad…another baffler for the crowds and I am certain he will perform it during his show. Martin ORIGINALITY – 0 to 15 points. also was named Visiting Magician of the year and Original material, inventive presentation or routining Parlor Magician of the year at the Magic Castle. to include new presentations of standard effects – “something different” And then remember that the next evening, Martin will be lecturing up at Theater 166 where he will give lots of tips. He has two DVDs out on Making Magic, another on the Senor Mardo Egg Bag. His lecture will not be one you want to miss. Cost for the lecture will be $20 for members, $25 for non members. ♣♥♠♦ continued from page 6 of some haughty, junior high school-era hubris, as former junior varsity cheerleaders, they feel you’re there at their table for one and only one lascivious end: you’re there “checking them out.” So every time, if they can, they get up and strut over to the broccoli pan and begin poking at it as if they had just discovered an amazing, new delicacy. Or, having watched you across the dining room, their boyfriend has invited you over to the table, and trapped in the booth, they look away in an affected boredom and disgust, tapping their feet or glancing at their watches, or retreating to the convenience and anonymity they find in texting on their cell phone. So, I would ask again, “Just who do you think we’re really fooling, anyway?” I’m just sayin’ . . . Geoff Grimes Upcoming Lectures! Peter McLanachen Lecture Date: Saturday, Apr 19th Time: 2:00 pm (Doors open at 1:40 pm) Cost: $20 for DMC members, $10 for DYMC members and $25 for non-members. (Cash or Check at the door) Location: Crosspointe - the DMC monthly meeting place - The City Room 2425 West Parker RD Carrollton, TX 75010 Martin Lewis Lecture Date: Wednesday, May 21st Time: 6:30 pm (Doors open at 6:00 pm) Cost: $20 for DMC members, $10 for DYMC members and $25 for non-members. (Cash or Check at the door) Location: Crosspointe - the DMC monthly meeting place – Theater 166 2425 West Parker RD Carrollton, TX 75010 You can find out more about our lectures at: http://www.thats-impossible.com/lectures.htm Photos from Daryl Howard Gems From Diamond Jim Tyler Fortune Cookie Surprise GAG: Someone opens a fortune cookie to reveal a weird or spooky personal message. Imagine opening a fortune cookie that was addressed to you and accompanied by a personal message. You would think you were in the TV series the Twilight Zone. This can be done with a little preparation. The next time you dine in a Chinese restaurant or get take-out, ask for some extra fortune cookies. Arranging this gag is best done in the privacy of your own home. You could put funny messages inside like “The chef spit in your food.”, or “That wasn’t chicken.” Remember that it is a small piece of paper so you are limited on words and space. Imagine reading one that was personalized to a friend named Adam that said, “Adam, she is cheating on you.”, or “Adam- congrats on the new job; unfortunately it will not last long.” If you are a magician, it could reveal, “Your card is the Ace of Clubs.”; a real dollar bill, or whatever. One could use this to make someone laugh, scare the crap out of them, to propose, break-up, etc. Most fortune cookies are heat-sealed in a clear wrapper and have a plastic flap that runs down the middle of one side. This seal helps to keep the cookie fresh and makes it easier to open by grabbing ahold of it. Pull that plastic flap up so it remains upright. Use a sharp blade like an Often fortunes in cookies will simply imbrue Exacto® knife to cut underneath that flap the you with some wisdom like: “The truth will set length of the plastic wrapper (Fig. 1). you free… unless you’ve killed someone.” Remove the cookie being careful to not rip the plastic wrapper. Place the fortune cookie into a microwave for ten seconds. Once the timer goes off quickly remove the temporarily soft cookie. Careful not to burn yourself pry open one end of the cookie. Remove the fortune inside and replace it with your own homemade message printed on the same size strip of paper. Place the cookie back into the microwave for ten seconds. Once again remove it quickly so that you may squeeze the open end back together. Once your surprise message is in the cookie carefully put the cut-open wrapper back around it. Then use super-glue to adhere the flap back onto the wrapper to seal it shut. Now when dining on Chinese be sure that your friend gets your special cookie. Their reaction, upon reading the fortune, should exceed the trouble you went to when preparing it. Fig. 1 w ut The Ne O k c e h C Please oozlers 3 b m a B k o Bo d-jim.com n o m a i d t a available