RS Exhibition_Price list_18.indd

Transcription

It’s Just A Shot Away:
The Rolling Stones
In Photographs
December 13 – January 31
David Bailey
Mick Jagger, 1964
Fur Hood
55 x 56.5 in (139.7 x 143.5 cm)
Archival Inkjet Print
Edition of 5
$80,000
David Bailey
Mick Jagger, 1964
Fur Hood
35 x 36.5 in (88.9 x 92.7 cm)
Edition of 10
$55,000
David Bailey
The Rolling Stones, 1968
Jumpin’ Jack Flash
55 x 56.5 in (139.7 x 143.5 cm)
Edition of 5
$80,000
David Bailey
Jumpin’ Jack Flash
35 x 36.5 in (88.9 x 92.7 cm)
Edition of 10
$55,000
Frames not included
8070 Beverly Blvd, Los Angeles, CA 90048
[email protected], 323 852-9098
David Bailey
Out of Our Heads
35 x 36.7 in (88.9 x 93.2 cm)
Edition of 10
$40,000
David Bailey
Mick Jagger, 1964
35 x 36.8 in (88.9 x 93.4 cm)
Edition of 10
$40,000
David Bailey
Mick Jagger, 1973
22.8 x 34 in (57.9 x 86.3 cm)
Edition of 10
$30,000
David Bailey
Mick Jagger, 1976
23.3 x 34 in (59.2 x 86.3 cm)
Edition of 10
$30,000
David Bailey
Goats Head Soup
53 x 37.8 in (134.6 x 96.1 cm)
Edition of 5
$60,000
David Bailey
Goats Head Soup
33 x 24.3 in (83.8 x 61.6 cm)
Edition of 10
$30,000
Frames not included
David Bailey
Mick Jagger, 1973
Goats Head Soup
33.9 x 50 in (86 x 127 cm)
Edition of 10
$60,000
David Bailey
Mick Jagger, 1973
Goats Head Soup
20.3 x 30 in (51.6 x 76.2 cm)
Edition of 20
$35,000
David Bailey
Keith Richards, 1973
Goats Head Soup
33.9 x 50 in (86 x 127 cm)
Edition of 10
$45,000
David Bailey
Keith Richards, 1973
Goats Head Soup
20.3 x 30 in (51.6 x 76.2 cm)
Edition of 20
$30,000
David Bailey
Goats Head Soup, 1973
Each 33.9 x 50 in (86 x 127 cm)
Overall 169.5 x 50 in (430 x 127 cm)
Archival Inkjet Prints
An Edition of 10 Sets
Each Set Contains 5 Photographs
$160,000
David Bailey
Goats Head Soup, 1973
20.3 x 30 in (51.6 x 76.2 cm)
Overall 101.5 x 30 in (258 x 76.2 cm)
Archival Inkjet Prints
An Edition of 20 Sets
Each Set Contains 5 Photographs
$85,000
Frames not included
Peter Beard
Mick Jagger, 1972
Montauk to Madison Square Garden (Exiles on Mainstreet)
16 x 23 in (40.6 x 58.4 cm)
Gelatin Silver Print with Blood and Ink
UNIQUE
Not for Sale
Peter Beard
Keith Richards, Texas, 1972/2003
24.8 x 16.6 in (62.9 x 42.2 cm)
Two Joined Gelatin Silver Prints with Color Print Collage,
Colored Inks
UNIQUE
Not for Sale
Willie Christie
Mick Jagger & Keith Richards, 1969
Stoned
16 x 20 in (40.5 x 50.8 cm)
Giclée Print
Edition of 25
$2,600
Willie Christie
Mick Jagger, 1969
16 x 20 in (40.5 x 50.8 cm)
Giclée Print
Edition of 25
$2,600
Anton Corbijn
Masks, Toronto
57.5 x 57.5 in (146 x 146 cm)
Archival Pigment Print
Edition 1 and 2 of 6: $21,000 Each
Anton Corbijn
Mick Jagger, Glasgow, 1996
57.5 x 57.5 in (146 x 146 cm)
Edition 4 of 6: $21,000
Edition 5 of 6: $27,500
Frames not included
Michael Joseph
Stones Into Camera, Beggars Banquet
36 x 24 in (91.4 x 68.6 cm)
Digital C-Type Print
Edition of 30
$5,000
Michael Joseph
Mick Jagger & Keith Richards, 1968
Keith & Pug with Mick at Sarum Chase, Beggars Banquet
24 x 36 in (68.6 x 91.4 cm)
Edition of 30
$5,000
Gered Mankowitz
Primrose Hill Beyond The Buttons
20 x 24 in (50.8 x 60.9 cm)
C-Type Print
Edition of 25
$3,500
Gered Mankowitz
Primrose Hill The Buttons
30 x 40 in (76.2 x 101.6 cm)
C-Type Print
Edition of 50
$6,000
Gered Mankowitz
Brian Jones, 1965
Brian Live Head
24 x 20 in (60.9 x 50.8 cm)
Silver Gelatin Print
Edition of 50
$2,600
Gered Mankowitz
Brian Jones, 1965
Brian the Spirit
20 x 24 in (50.8 x 60.9 cm)
Edition of 50
$2,600
Frames not included
Gered Mankowitz
Mick Jagger, 1966
Mick at Home
20 x 24 in (50.8 x 60.9 cm)
Edition of 50
$2,600
Gered Mankowitz
Mick Jagger, 1966
Mick Points
20 x 24 in (50.8 x 60.9 cm)
Edition of 50
$2,600
Gered Mankowitz
Mason’s Yard Contact Sheet
24 x 20 in (60.9 x 50.8 cm)
Edition of 50
$2,600
Gered Mankowitz
Mick and Aston Martin, 1966
20 x 24 in (50.8 x 60.9 cm)
Edition 48 of 50: $5,500
Edition 49 of 50: $6,000
Edition 50 of 50: $6,500
Gered Mankowitz
Mason’s Yard
20 x 24 in (50.8 x 60.9 cm)
Edition of 50
$3,000
Gered Mankowitz
December’s Children
20 x 24 in (50.8 x 60.9 cm)
Edition of 50
$3,000
Frames not included
Gered Mankowitz
Buttons Contact
40 x 30 in (101.6 x 76.2 cm)
Edition of 25
$5,200
Jean-Marie Périer
Keith Richards & Brian Jones, Los Angeles, 1967
23.6 x 15.7 in (60 x 40 cm)
Edition of 15
$4,000
Jean-Marie Périer
The Rolling Stones on the Train from Marseilles, 1966
23.6 x 15.7 in (60 x 40 cm)
Edition of 15
$5,200
Jean-Marie Périer
Keith Richards, Phoenix, 1965
47.2 x 31.5 in (120 x 80 cm)
Edition of 10
$10,000
Jean-Marie Périer
Mick Jagger, Paris, 1966
31.5 x 47.24 in (80 x 120 cm)
Edition of 10
$12,500
Jean-Marie Périer
Keith Richards, Los Angeles, 1965
15.7 x 23.6 in (40 x 60 cm)
Edition of 15
$4,000
Frames not included
Jean-Marie Périer
The Rolling Stones, Los Angeles, 1965
23.6 x 15.7 in (60 x 40 cm)
Edition of 15
$4,000
Bent Rej
Keith & Brian Backstage, Germany, 1965
23.6 x 15.7 in (60 x 40 cm)
Edition of 25
$2,500
Bent Rej
Brian Jones at Home, London, 1965
31.5 x 47.2 in (80 x 120 cm)
Edition of 12
$6,250
Bent Rej
Brian Jones at Home, London, 1965
17.5 x 23.6 in (40 x 60 cm)
Edition of 25
$2,500
Bent Rej
“The Drummer” Charlie Watts on Stage, Copenhagen, 1965
17.5 x 23.6 in (40 x 60 cm)
Edition of 25
$2,500
Bent Rej
Charlie Watts at Home, London, 1965
23.6 x 15.7 in (60 x 40 cm)
Edition of 25
$2,500
Frames not included
Bent Rej
Keith Richards at Home I, London, 1965
19.7 x 19.7 in (50 x 50 cm)
Edition of 25
$2,500
Bent Rej
Keith Richards at Home II, London, 1965
23.6 x 15.7 in (60 x 40 cm)
Edition of 25
$2,500
Bent Rej
“Keith Playing the Piano II” Keith Richards Backstage,
Copenhagen, 1965
48.1 x 22.6 in (122 x 57.5 cm)
Edition of 12
$6,000
Bent Rej
“Little Red Rooster” Keith Richards on Stage, Copenhagen, 1970
31.5 x 31.5 in (80 x 80 cm)
Edition of 12
$5,000
Bent Rej
“Little Red Rooster” Keith Richards on Stage, Copenhagen, 1970
19.7 x 19.7 in (50 x 50 cm)
Edition of 25
$2,500
Bent Rej
“Silhouette” Mick Jagger at Home, London, 1965
31.5 x 31.5 in (80 x 80 cm)
Edition of 12
$5,000
Frames not included
Bent Rej
“Silhouette” Mick Jagger at Home, London, 1965
19.7 x 19.7 in (50 x 50 cm)
Edition of 25
$2,500
Bent Rej
Mick Jagger on Stage, Copenhagen, 1970
31.5 x 31.5 in (80 x 80 cm)
Edition of 12
$5,000
Bent Rej
Mick Jagger on Stage, Copenhagen, 1970
19.7 x 19.7 in (50 x 50 cm)
Edition of 25
$2,500
Bent Rej
“Satisfaction” Rolling Stones on Stage, Sweden, 1965
59.1 x 39.4 (150 x 100 cm)
Edition of 12
$7,500
Bent Rej
“Satisfaction” Rolling Stones on Stage, Sweden, 1965
23.6 x 15.7 in (60 x 40 cm)
Edition of 25
$2,500
Bent Rej
“The Glimmer Twins” Rolling Stones on Stage, Copenhagen, 1970
31.5 x 31.5 in (80 x 80 cm)
Edition of 25
$5,000
Frames not included
Bent Rej
“The Glimmer Twins” Rolling Stones on Stage, Copenhagen, 1970
19.7 x 19.7 in (50 x 50 cm)
Edition of 25
$2,500
Terry Richardson
Rolling Stones, 2013
24 x 20 in (60.9 x 50.8 cm)
Edition of 5
$5,000
Ethan Russell
Charlie Watts & Keith Richards “Message Center”, 1972
20 x 24 in (50.8 x 60.9 cm)
Edition of 50
$2,350
Ethan Russell
Charlie Watts & Keith Richards “Message Center”, 1972
16 x 20 in (40.6 x 50.8 cm)
Edition of 75
$1,850
Ethan Russell
Keith Richards with Jack and Coors, 1972
35 x 24 in (88.9 x 60.9 cm)
Edition of 40
$4,500
Ethan Russell
Keith Richards with Jack and Coors, 1972
20 x 16 in (50.8 x 40.6 cm)
Edition of 100
$2,350
Frames not included
Ethan Russell
Keith Richards Exits “The Starship”, 1972
35 x 24 in (88.9 x 60.9 cm)
Edition of 40
$4,500
Ethan Russell
Keith Richards Exits “The Starship”, 1972
20 x 16 in (50.8 x 40.6 cm)
Edition of 75
$2,100
Ethan Russell
Keith Richards “Patience Please a Drug Free America Comes First”, 1972
48 x 60 in (121.9 x 152.4 cm)
Edition of 15
$13,000
Ethan Russell
Keith Richards “Patience Please a Drug Free America Comes First”, 1972
16 x 20 in (40.6 x 50.8 cm)
Edition of 250
$2,350
Ethan Russell
Mick Jagger On Stage at Altamont, December, 1969
24 x 20 in (60.9 x 50.8 cm)
Edition of 50
$2,550
Ethan Russell
Mick Jagger On Stage at Altamont, December, 1969
20 x 16 in (50.8 x 40.6 cm)
Edition of 105
$1,950
Frames not included
Ethan Russell
Mick Jagger “Cross”, 1972
20 x 24 in (50.8 x 60.9 cm)
Edition of 50
$2,200
Ethan Russell
Mick Jagger “Lips”, 1972
20 x 24 in (50.8 x 60.9 cm)
Edition of 50
$2,960
Ethan Russell
Mick Jagger “Lips”, 1972
16 x 20 in (40.6 x 50.8 cm)
Edition of 250
$1,950
Ethan Russell
The Rolling Stones Holding Hands, 1969
20 x 24 in (50.8 x 61 cm)
Edition of 50
$2,200
Ethan Russell
The Rolling Stones on Stage, 1972
40 x 30 in (101.6 x 76.2 cm)
Edition of 25
$4,000
Ethan Russell
The Rolling Stones on Stage, 1972
24 x 20 in (61 x 50.8 cm)
Edition of 50
$2,350
Frames not included
Jerry Schatzberg
High Tide Green Grass
20 x 24 in (50.8 x 60.9 cm)
C-Type Print
Edition 13 and 14 of 50
$8,000 Each
Jerry Schatzberg
In Drag
20 x 23 in (50.8 x 58.4 cm)
Edition 14 and 15 of 30
$12,500 Each
Dominique Tarlé
Charlie “Green”, 1971
31.5 x 23.6 in (80 x 60 cm)
Lambada Print
Edition of 25
$4,400
Dominique Tarlé
Keith “Happy”, 1971
39.4 x 39.4 in (100 x 100 cm)
Edition of 25
$5,600
Dominique Tarlé
Mick and Keith “Boxes”, 1971
31.5 x 47.2 in (80 x 120 cm)
Edition of 25
$5,600
Dominique Tarlé
Mick and Keith Dining, 1971
47.2 x 31.5 in (120 x 80 cm)
Edition of 25
$5,600
Frames not included
Dominique Tarlé
Mick with a Guitar, 1971
31.5 x 23.6 in (50 x 60 cm)
Edition of 50
$3,800
Dominique Tarlé
Keith with Closed Eyes, 1971
31.5 x 23.6 in (50 x 60 cm)
Edition of 50
$3,800
Albert Watson
Keith Richards, New York City, 1988
42 x 56 in (106.7 x 142.2 cm)
Archival Pigment Print One Artist Proof
$60,000
Albert Watson
Mick Jagger in Car with Leopard, Los Angeles, 1992
55 x 37.5 in (139.7 x 95.3 cm)
Archival Pigment Print Edition of 10
$14,000
Albert Watson
Mick Jagger, Los Angeles, 1992
42 x 56 in (106.7 x 142.2 cm)
Archival Pigment Print One Artist Proof
$80,000
Guy Webster
Aftermath
40 x 30 in (101.6 x 76.2 cm)
Giclée Print
Open Edition
$2,000
Frames not included
Guy Webster
Brian Entertaining the Boys
30 x 40 in (76.2 x 101.6 cm)
Giclée Print
Open Edition
$2,000
Guy Webster
By The Lake
40 x 30 in (101.6 x 76.2 cm)
Giclée Print
Open Edition
$2,000
Walton Ford
MCMLXII-MMXII, 2012
40 x 33.5 in (101.6 x 85.1 cm)
Hardground, Aquatint, Spit Bite Aquatint, Drypoint
Edition of 100
$7,500
Frames not included
David Bailey (b. 1938) Born in London, Bailey is widely acknowledged as one of the founding fathers of
contemporary photography, having shot some of the most iconic portraits of the last five decades. He has
continued to document leading figures of the cultural zeitgeist, including, among many others, the Rolling
Stones, the Beatles, Andy Warhol, gangsters Ronnie and Reggie Kray, Mickey Rourke and Kate Moss. Bailey’s
early work helped both define and capture the atmosphere of fashionable 1960s London, when he made
stars of a new generation of models, including Jean Shrimpton and Penelope Tree. Bailey channeled the
energy of London’s newly informal street culture into his work, and created a new style of casual coolness.
Drawing inspiration from Modernism, Bailey injected a sense of movement and immediacy into his work
by using a very direct, cropped perspective. Bailey’s interests are varied and extend beyond photography to
commercials, film, painting and sculpture.
Peter Beard (b. 1938) is a photographer, artist and writer best known for his expansive African-themed
art. In 1972, he was travelling with and shooting The Rolling Stones on their infamous American tour to
promote Exile on Main St. An intimate of the rich and famous, Beard was married to model Cheryl Tiegs and
a close friend of Jacqueline Kennedy Onassis, Truman Capote and Andy Warhol. He is the author and subject
of several books including The End of the Game (1965), Eyelids of Morning (1973), Peter Beard: Fifty Years
of Portraits (1999), Peter Beard (TASCHEN 2006) and the new edition Peter Beard (TASCHEN 2013).
Willie Christie (b. 1948) is a well-connected photographer and filmmaker from an aristocratic British
family. Prior to his photographic career, he worked aboard the yacht belonging to Richard Burton and
Elizabeth Taylor. In the early 1970s, he was married to Grace Coddington, a former model and influential
creative director of US Vogue. In 1969, in one of his first photographic assignments, Christie photographed
The Rolling Stones rehearsing for their famous concert in Hyde Park with new band member Mick Taylor.
Anton Corbijn (b. 1955) Dutch photographer, videographer and film director is perhaps best known for
his seminal work with rock bands, having created music videos, album covers and sleeve photography for
hundreds of artists including, amongst others, Joy Division, Depeche Mode, U2, Nirvana, and The Rolling
Stones. His photographs, usually black-and-white, often resemble stills from motion pictures. In 2010,
Corbijn’s portraits of people from the worlds of music, art, and fashion were assembled in an exhibition and
a book entitled Inwards and Outwards. Corbijn now lives in The Hague, but resided in London for 30 years.
Walton Ford (b. 1960) graduated in filmmaking from Rhode Island School of Design, but switched to
large-scale watercolor painting. His remarkable and monumental animal themed illustrations have been
widely exhibited, including shows at the Whitney and Brooklyn museums, and are highly sought after by
private collectors. He lives and works in New York City. TASCHEN has published three editions of his largeformat monograph Pancha Tantra. In 2012 he was commissioned by The Rolling Stones to create artwork
for their 50th anniversary greatest hits record Grrr.
Michael Joseph (b. 1941) grew up in South Africa, where his father was a leader in the Anti-Apartheid
Movement. While a student at the London College of Printing, he travelled to Vietnam to take photographs.
After college, Joseph became a successful advertising photographer and conducted the two-day shoot for
The Rolling Stones’ Beggars Banquet album in 1968. Shot at Sarum Chase and Swarkestone, those scenes
of gluttony featured a cat, three dogs, a sheep, and a goat, as well as the five band members.
Gered Mankowitz (b. 1946) Born in London, Mankowitz became the official photographer for The Rolling
Stones in the mid-1960s. During that time, Mankowitz documented not only the band’s rise to stardom, as
they performed and recorded, but also created covers for albums such as Out of Our Heads and the iconic
Between the Buttons. Mankowitz has published several books of photographs of The Rolling Stones, Jimi
Hendrix and other rock legends.
Jean-Marie Périer (b. 1940) is a French photographer and filmmaker. In 1956, he was hired as an
assistant to photographer Daniel Filipacchi who worked for Marie Claire, Paris Match and Jazz. He began
his career photographing jazz greats such as Miles Davis, Ella Fitzgerald and Dizzy Gillespie and later
photographed The Beatles, Bob Dylan and The Rolling Stones in the 1960s. His photographs were published
as My ’60s (1998) and Flash (2002).
Bent Rej (b. 1940) was working for the Danish tabloid Ekstra Bladet in 1965 when he was assigned to
chronicle the Scandinavian and German legs of The Rolling Stones’ European tour. He soon became part
of the Stones’ entourage and is credited with introducing model Anita Pallenberg, who became the lover
of both Brian Jones and Keith Richards, to the band. He also worked for the iconic 1960s music magazine
Fabulous. Three hundred pictures Rej took of the band in 1965–66 were published as The Rolling Stones:
In the Beginning (2006).
Terry Richardson (b. 1965) is now one of the world’s most recognized photographers. Richardson was
born in New York but grew up in Hollywood, the son of fashion photographer Bob Richardson. His clients
have included Marc Jacobs, Tom Ford, Yves Saint Laurent, and Diesel, along with leading publications such
as GQ, Vogue, Vanity Fair, and Harper’s Bazaar. Richardson’s photographs have been collected in a number of
books, including Terryworld (2008), published by TASCHEN, and Terry Richardson: Terrywood (2012). In 2013,
Richardson photographed the band for the cover of Rolling Stone magazine.
Ethan Russell (b. 1945) photographed The Rolling Stones’ 1969 American tour and the making of The
Beatles’ final album Let It Be the same year. Russell became interested in photography at the University of
California, Santa Cruz, but did not take it up professionally until he moved to London in 1968. He met Mick
Jagger in London and from 1968 to 1972 was the Stones’ main photographer. He also shot The Who, Janis
Joplin, Jim Morrison and Eric Clapton. Russell’s work has been published in several books including Dear Mr.
Fantasy: Diary of a Decade: Our Time and Rock and Roll (1985), Let It Bleed: The Rolling Stones, Altamont
and the End of the Sixties (2009).
Jerry Schatzberg (b. 1927) is a film director and stills photographer. Among the films he directed are
The Panic in Needle Park (1971), Scarecrow (1973), The Seduction of Joe Tynan (1979) and Street Smart
(1987). As a photographer he is best known for his photograph of Bob Dylan on the cover of the Blonde on
Blonde album. A fashion photographer who worked for Vogue, Esquire, and Glamour, Schatzberg photographed
The Rolling Stones dressed up as women for the cover of the 1966 single Have You Seen Your Mother, Baby,
Standing in the Shadow?
Dominique Tarlé (b. 1949) is best known for his intimate documentation of The Rolling Stones and their
entourage during the band’s escape from Britain’s tax regime in 1971 when they spent their time in the
south of France at Villa Nellcôte recording Exile on Main St. Tarlé’s photographs from the six-month period
are featured in the book Exile (2002). Tarle’s photography subjects in the late 1960s and early 1970s also
included Jimi Hendrix, Led Zeppelin, Eric Clapton, and The Kinks.
Albert Watson (b. 1942) born in Scotland, his striking images have appeared on more than a hundred
covers of Vogue and have been featured in countless other publications, including Rolling Stone and Time.
Watson has also created photography for hundreds of successful ad campaigns for companies such as
Prada, Revlon and Chanel. All the while, he has spent much of his time working on personal projects from
Marrakech to Las Vegas. His breakthrough came in 1973, with a shot he still considers the most important
of his career: Alfred Hitchcock holding a plucked goose.
Guy Webster (b. 1939) began his career by bluffing his way into teaching a photography class in the US
Army. He soon became one of the most in-demand rock’n’roll photographers, shooting most major acts of the
1960s when they came through Los Angeles, including Bob Dylan, The Doors, and The Beach Boys. Webster
shot the US cover for The Rolling Stones’ album Big Hits (High Tide and Green Grass) (1966) in Beverly Hills.

RS Exhibition_Price list_18.indd

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