products guide

Products guide
SUMMER 2011
REDNET.............................................................................. 4
Liquid Saffire 56................................................................ 6
Saffire PRO 40 ................................................................... 8
Saffire PRO 24 ................................................................... 9
Saffire PRO 24 DSP...........................................................10
Dear Reader,
Thanks for taking an interest in Focusrite!
Our new Scarlett USB 2.0 and secondgeneration Saffire Audio Interfaces are truly
State-of-the-Art delivering on one simple
VRM Box ...........................................................................11
What is VRM .....................................................................12
Since 1985 Focusrite remains the go-to
promise – the best sound in their class.
Saffire PRO 14 ..................................................................13
brand for the best in analogue signal
The growing range includes products for
processing. But time moves on and we have
Saffire 6 USB ....................................................................14
all pockets and requirement levels, from
kept up with the changes in the recording
the Saffire 6 USB - our entry-level interface
industry with the move to Digital Audio
- to the Liquid Saffire 56, which combines
Interface Comparison Chart............................................15
Workstations (DAWs). Our product range
two channels of Liquid mic-pre emulation
now not only includes our “heritage” ISA
with six Focusrite Saffire mic pres, specially
Scarlett 18i6.....................................................................16
series, which has its roots in the 1980’s with
designed for the Saffire Range. RedNet
transformer-coupled microphone preamps
goes one step further, using innovative
Pro Tools 9 Now Focusrite Ready.....................................18
and the legendary Focusrite EQ, but also
networking technology and standard
hybrid analogue / digital signal processing
ethernet protocols to completely redefine
Midnight............................................................................19
found in the Liquid family.
how we see the modern recording studio.
Digital conversion is today as much our
So we are both Focusrite - the Heritage
expertise as is microphone pre-amplifier
Analogue Audio Company, and Focusrite -
Focusrite Artists . ........................................................... 22
design. The ISA One Digital features A/D
The Interface Company. Old School and
conversion that out-performs any other
New School. We aim to continue to be the
The Liquid Channel ......................................................... 24
product anywhere near its price bracket in
best of both. I hope you will join our family
terms of dynamic range, noise and jitter.
of satisfied customers.
Indeed, all our ISA A/D converter cards are
OctoPre MkII.................................................................... 20
OctoPre MkII Dynamic..................................................... 21
Liquid Mix HD .................................................................. 26
ISA430 MkII ..................................................................... 27
ISA428 MkII ..................................................................... 29
the best converter brands available, and
Which brings me to our fastest-growing
Saffire /Scarlett MixControl............................................17
ISA828 ............................................................................. 28
the equal of, and in some cases out-perform,
often at a fraction of the price.
Scarlett 8i6.......................................................................15
Phil Dudderidge
Digital Card Options . ...................................................... 29
Owner & Managing Director
ISA One ............................................................................ 30
business segment today: Audio Interfaces.
Focusrite would like to thank the Academy of Contemporary Music, Guildford and Simon Changer
2
at The Church Studios for allowing us to photograph their facilities.
The Components
RedNet is Focusrite’s powerful new scalable professional
digital audio networking system, delivering everything you
RedNet 1 and 2: 8 and 16 channel AD-DA Interfaces
RedNet 3: Digital I/O
RedNet 1 and 2 feature Focusrite’s precision 24-bit AD and DA conversion for superb audio
RedNet 3 interfaces existing digital audio systems and components up to a maximum of 32 inputs
performance, with 120dB dynamic range at sample rates up to 192kHz. RedNet 1 provides eight
and outputs. Sixteen ADAT optical ports provide a full 32 digital channels in and out at up to
channels; RedNet 2, 16 channels.
96kHz (S-MUX2). Support for AES, S/PDIF and ADAT digital audio formats and word clock.
need in a studio environment. Using standard, robust and
reliable Internet Protocol (IP) networking technology to
carry high resolution audio over a standard Ethernet
network, RedNet makes studio design, installation and
configuration easier than ever before.
RedNet 4: Eight Microphone preamps/line inputs
RedNet 4 provides eight specially-designed Focusrite mic preamps and line inputs with two
selectable DIs – plus Focusrite world-class precision AD conversion and specially-crafted mic
preamps. Front panel or remote control.
At its heart is the robust, tried-and-tested Dante™ digital
audio networking technology, from Audinate. Dante uses
standard Gigabit Ethernet networking components to carry
up to 128 inputs and 128 outputs over standard Ethernet.
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Get access all the latest updates and news
Dante has become a standard in live sound, frequently
relied on for major events.
Focusrite brings Dante into the heart of the studio with
versatile, superb-quality audio interfaces that will
www.focusrite.com/rednetnewsletter
The Range
revolutionise everything in your studio – from wiring to
RedNet initially comprises five products. Four high-quality,
Every analogue interface features 120dB dynamic range, 24-bit
workflow. And unlike other digital audio systems, RedNet
versatile interfaces deliver traditional Focusrite ethos and
resolution and sample rates up to 192kHz. Each embodies the
RedNet Low-Latency PCIe Card
is non-proprietary, working with any ASIO or Core Audio
performance, where sound is everything, with exceptional
most advanced conversion designs and components on the
Where low latency is critical, such as tracking, the RedNet PCIe card for Mac or Windows delivers sub-3mS
compliant DAW software including Pro Tools 9, Logic
value for money. Accompanying these is the optional RedNet
market. Each includes JetPLL™ for ultra-low-jitter clock
latency, 128 inputs and outputs, and sample rates from 44.1 to 192kHz. A standard Ethernet RJ45 connects to
and Nuendo.
PCIe card, delivering under 3mS latency at any sample rate*.
recovery. The result: quality that is, quite literally, second to none.
your network. Alternatively, use the Dante Virtual Soundcard (DVS) and your machine’s built-in Ethernet port,
for latency comparable to Focusrite FireWire interfaces.
4
*Latency under 3mS requires the RedNet PCIe card and a DAW buffer setting of 32 samples or less
5
Liquid Saffire 56
FEATURED EMULATIONS:
Professional Firewire Audio Interface featuring Liquid MIC PREAMPS
®
RED 1 H - Based on the Focusrite RED 1 Quad class A mic-pre
DUNK - Based on the Manley SLAM! Transformer / Valve mic-pre
Liquid Saffire 56 is Focusrite’s flagship 2U multi-channel
• Two Liquid mic preamps
CLASS A 2A - Based on the Neve 1073 mono mic-pre
NEW AGE 1 - Based on the Millenia HV-3D 8 channel mic-pre
FireWire audio interface. Liquid technology combines with
The marriage of a flexible analogue front end with TRANY H - Based on the API 3124+ discrete quad mic-pre
OLD TUBE - Based on the PULTEC MB-1 fixed gain valve mic-pre
Saffire PRO FireWire interfacing to deliver a host of authentic
cutting-edge Dynamic Convolution™ DSP. Each Liquid preamp
preamp flavours, seamless software integration, excellent
lets you choose from ten different classic preamp emulations.
SILVER 2 - Based on the Avalon VT-737SP Valve channel strip
DEUTSCH 72 - Based on the TELEFUNKEN V72 valve mic-pre
routing flexibility and future-proof, rock-solid driver stability.
• Six high quality award-winning Focusrite mic preamps
SAVILLEROW - Based on the HELIOS Console mic-pre / EQ module
STELLAR 1B - Based on the UNIVERSAL AUDIO M610 mono tube mic-pre
Six Saffire mic preamps complement two Liquid preamps. All eight preamps demonstrate the same wide bandwidth philosophy behind the early vintage Focusrite units.
Saffire MixControl
• High quality 24-bit/192kHz FireWire Interface
Professional digital conversion and JetPLL™ jitter reduction technology; pristine audio quality and reliable synchronisation are guaranteed.
• Total I/O count of 28 inputs and 28 outputs
A host of I/O options are provided, including a unique loop-back facility for routing audio between software applications via Saffire MixControl.
• Saffire MixControl ultra-low-latency DSP mixer/router
Provides an 18 x 16 DSP mixer with excellent routing Liquid preamp remote control
flexibility, intuitive one-click mixing configurations, and lower than 1.4ms latency (less than the time it takes
sound to travel two feet through air!). Focusrite VST/AU plug-in suite
6
FireWire and the FireWire symbol are trademarks of Apple Inc., registered in the U.S. and other countries.
The FireWire logo is a trademark od Apple Inc.
IMPORTANT INFORMATION: FOCUSRITE, the FF logo, LIQUID TECHNOLOGY and the LIQUID logo, and SAFFIRE are trademarks of Focusrite Audio Engineering Limited. DYNAMIC CONVOLUTION is a trade mark of Sintefex Ltd. All other
product names, trade marks, or trade names are the names of their respective owners, which are in no way associated, connected nor affiliated with Focusrite or its LIQUID SAFFIRE 56 product and which have not endorsed Focusrite’s
LIQUID SAFFIRE 56 product. These other product names, trade marks, and trade names are used solely to identify and describe the third party products the sonic behaviour of which was studied for the LIQUID SAFFIRE 56 product, and
to accurately describe the functionality of the LIQUID SAFFIRE 56 product. The LIQUID SAFFIRE 56 product is an independently engineered technology which utilises the patented process of Dynamic Convolution to actually measure
examples of the sonic impact of original analogue products upon an audio stream, so as to electronically emulate the performance of the original product studied. The result of this process is subjective and may not be perceived by a
user as producing the same effects as the original products studied.
7
Saffire PRO 40
Saffire PRO 24
Firewire Audio Interface featuring Eight Focusrite MIC Preamps
16 In / 8 Out FireWire audio interface featuring two Focusrite MIC preamps
The Focusrite Saffire PRO 40 represents the latest generation
• Total I/O count of 20 inputs and 20 outputs
• Saffire MixControl ultra-low-latency DSP mixer/router
The Focusrite Saffire PRO 24 is a 16 in /
• Two high quality award-winning
of Focusrite multi-channel FireWire audio interfaces. An
A host of I/O options are provided, including a unique
Provides an 18 x 16 DSP mixer with excellent routing 8 out FireWire audio interface designed
Focusrite mic pres
unparalleled preamp legacy forms the foundation, with
loop-back facility for routing audio between software flexibility, intuitive one-click mixing configurations, and for the modern home studio environment.
eight award-winning Focusrite preamps. Legendary sonic
lower than 1.4ms latency (less than the time it takes sound An unparalleled preamp legacy forms
• High Quality 24-bit/96kHz
applications via Saffire MixControl.
performance is combined with the very latest in FireWire
• Suite of Focusrite VST/AU plug-ins
to travel two feet through air!). the foundation, with two award-winning
interfacing technology to deliver seamless integration,
excellent routing flexibility and, rock-solid driver stability.
• Eight high quality award-winning Focusrite preamps
all-new Focusrite Compression, Reverb, Gating and EQ
VST/AU plug-ins.
Upholding Focusrite’s high bandwidth (20Hz to 200kHz!)
• Two separate headphone buses
philosophy, ensuring low noise and distortion whilst
Two artists can receive independent and fully customised
delivering clarity without unwanted artefacts.
monitor mixes. Each output has an independent level
• High quality 24-bit/96kHz FireWire interface
8
Upgrade your standard sequencer effects with
Focusrite preamps. Legendary sonic
performance and a host of I/O options
• Saffire MixControl ultra-low-latency
combine with the very latest in MixControl
DSP mixer/router
software to deliver seamless integration,
• Class-leading LED metering
excellent routing flexibility and rock-solid
driver stability.
control available on the front panel.
Features high quality A-D / D-A conversion and JetPLL™
• Two Hi-Z instrument inputs
jitter reduction technology; pristine audio quality No need for a separate DI. The first two channels feature
and reliable synchronisation are guaranteed.
instrument inputs with switchable Hi-Z.
FireWire interface
• Total I/O count of 16 inputs and 8 outputs
• Focusrite VST/AU plug-in suite, for use
in the mix
• Unmatched routing flexibility
ADDITIONAL FEATURES:
Dedicated front-panel headphone bus, Bus-powering, Two Hi-Z instrument inputs, Tactile
main monitor dial, Switchable phantom power, Software PFL
9
Saffire PRO 24 DSP
VRM Box
FIREWIRE AUDIO INTERFACE WITH REAL-TIME DSP-POWERED TRACKING AND MIXING SOLUTIONS
COMPACT HEADPHONES MONITORING SYSTEM WITH VIRTUAL REFERENCE MONITORING
The Focusrite Saffire PRO 24 DSP is a 16 in
• Virtual Reference Monitoring (VRM)
/ 8 out FireWire audio interface, featuring
• Two high quality award-winning
real-time DSP-powered tracking and mixing
solutions tailor-made for the modern home
studio environment. Alongside DSP-powered
Compression and EQ for ultra-low-latency
Focusrite preamps
• Onboard DSP-powered, tracking
and mixing tools
tracking and ‘comfort’ reverb, is VRM;
• High Quality 24-bit/96kHz
a Virtual Reference Monitoring technology
FireWire interface
that lets you hear your mix in different
• Total I/O count of 16 inputs and 8 outputs
environments, through different speakers
and from different positions, all just
using headphones.
Pocket sized and built to last, VRM Box
Boasting a dynamic range of 108dB, VRM
Monitoring (VRM) technology in a robust,
Box delivers a high-quality reproduction of
palm-sized audio interface. VRM Box
your sound, ensuring you hear everything.
• Saffire MixControl ultra-low-latency
functions as a high-quality 24-bit/48kHz USB
DSP mixer/router
audio playback interface, compatible with
• Focusrite VST/AU plug-in suite, for use
Pro Tools 9 or any other open DAW software.
in the mix
VRM Box also features a digital (S/PDIF)
• Two dedicated front-panel
headphone busses
• Bus-powered for mobile recording
• Hear Everything
places Focusrite’s Virtual Reference
input, which supports sample rates up to
192kHz, allowing you to run it in conjunction
with Pro Tools HD or any other interface with
an S/PDIF output.
• 24 Different Mix References
Virtual Reference Monitoring (VRM) from
Focusrite lets you audition your mix in
• Ultimate Playback Interface
Whether you’re mixing, creating music
or simply listening to tracks, VRM Box is
the perfect playback interface for your
digital audio software.
• Pro Tools Friendly
VRM Box features a digital input,
allowing you to run it alongside your
Pro Tools interface or any interface with
an S/PDIF output.
different environments, through different
speakers, just using headphones.
Listen to VRM in action here:
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www.focusrite.com/vrm_sampler
11
What is VRM?
Saffire PRO 14
Convenient though headphones may be, they’re simply not the same as listening on a pair
8 IN / 6 OUT FIREWIRE AUDIO INTERFACE FEATURING TWO FOCUSRITE MIC PREAMPS
of monitor loudspeakers. And yet… listening on one pair of monitor speakers isn’t enough
either. To tell how your music will sound in the real world, you need to listen in different
environments, with different speakers. Until now, you had to burn a CD or transfer a file and
play it back on real systems in actual environments to A/B your mixes in different places. But
now, there’s a better way.
Virtual Reference Monitoring
The answer is Focusrite’s unique and well-established VRM™ (Virtual Reference Monitoring)
technology – a room and loudspeaker simulation system for headphone monitoring. While
VRM GUI featured on the Saffire 24 DSP (part of Saffire MixControl)
The Saffire PRO 14 is an 8 in / 6 out audio
• Two award-winning Focusrite preamps
interface with legendary sonic performance
• High quality 24-bit/96kHz
listening on conventional monitoring headphones, VRM lets you select your listening
and unmatched flexibility at a truly
environment – pro studio, bedroom studio or living room – and choose from an extensive list of
affordable price. The latest in Focusrite’s
industry-standard studio monitors and loudspeaker systems to listen on.
new generation of FireWire audio interfaces,
VRM’s extensive selection of built-in loudspeakers and listening environments is based
the Saffire PRO 14 is designed to make home
• Two Hi-Z instrument inputs
on precise mathematical models derived from convolutions of actual impulse responses
studio recording and mixing easy without
• Saffire MixControl ultra-low-latency
measured using the original loudspeakers. The use of mathematical modelling provides
sacrificing audio quality. Twenty-five years
DSP mixer/router
maximum flexibility of combinations of loudspeakers and listening environments for the
of mic pre excellence form the foundation of
highest possible accuracy of the virtual monitoring simulation.
this new interface, with two award-winning
Focusrite preamps. Combined with a host
VRM allows you to choose between 10 pairs of industry-standard nearfield monitors in an
of additional I/O options, the Saffire PRO 14
acoustically-treated control room. In addition, two extra rooms are provided – a large living
room and a smaller bedroom – where you can choose between speakers such as quality hi-fi,
VRM GUI featured on the VRM Box
computer, cheap stereo and TV speakers.
FireWire interface
• Total I/O count of 8 inputs and 6 outputs
• Focusrite VST/AU plug-in suite, for use
in the mix
• Xcite+ software bundle
helps you get the tracks you want without
• Bus-powered for a tidy mobile
having to constantly re-patch your studio.
recording rig
CHOOSE FROM 15 INDUSTRY-STANDARD STUDIO MONITORS AND SPEAKERS
12
13
Sa
headphone output make it ideal for DJs too.
front panel
preamps. Combined with a host of additional
• Dedicated Mixer dial lets you blend
I/O options, the Scarlett 8i6 helps you get the
• Two Hi-Z instrument inputs
your monitor mix between what you’re
tracks you want without having to constantly
• Dedicated front-panel headphone bus
recording and the DAW audio, for true re-patch your studio.
• Two high quality award-winning
Focusrite preamps
• High-quality 24-bit/48kHz USB interface with super-low driver latency
14
zero-latency monitoring
for use in the mix
• Xcite+ Software Bundle
i6
18
8 i6
interface, with two award-winning Focusrite
et t
excellence form the foundation of this new
via headphones, all switchable from the
ar l
• Monitor either the main mix or cue mix
outputs and a professional high-level
Sc
B
in its class. Flexible monitoring, four phono
et t
• Scarlett VST/AU/RTAS Plug-in Suite,
US
DSP mixer/router
ar l
audio quality. Twenty-five years of mic pre
Sc
14
recording and mixing easy without sacrificing
e6
and EQ plug-in suite
• Scarlett MixControl ultra-low-latency
ffir
• Focusrite Compression, Reverb, Gating
8i6 is designed to make home studio
Sa
24
Saffire 6 USB the best sounding interface
range of USB audio interfaces, the Scarlett
RO
custom drivers with super-low latency, make
Novation’s Bass Station and 1 gig of loops
eP
preamps, professional digital conversion and
ffir
P
most of your sound. Two Focusrite mic
• Total I/O count of 8 inputs and 6 outputs
RO
affordable price. Part of Focusrite’s new
Sa
• Xcite+ pack, including Ableton Live Lite,
• High-quality 24-bit/96kHz USB interface
DS
or a laptop DJ, Saffire 6 USB will make the
Focusrite preamps
eP
performance and flexibility at a truly
ffir
interface with outstanding sonic
performing live
Sa
40
the ideal interface for the laptop DJs
a singer song-writer who wants to record,
24
one thing – quality of sound. Whether you’re
• Two high-quality award-winning
RO
6
e5
The Scarlett 8i6 is an 8 in / 6 out audio
RO
ffir
• 4 RCA outputs make Saffire 6 USB
eP
Sa
FW400
FW400
FW400
FW400
FW400
USB
USB 2.0 USB 2.0
Number of Analogue Ins
8
8
4
4
4
2
4
8
Number of Digital Ins
18
10
10
10
2
0
2
10
Number of Analogue Outs
10
10
6
6
4
4
4
4
Number of Digital Outs
18
10
2
2
2
0
2
2
ViRtual Loopback Ins
2
2
2
2
2
0
2
0
ADAT Optical Input
Yes
Yes
Yes
Yes
No
No
NO
YES
ADAT Optical Output
Yes
Yes
No
No
No
No
NO
NO
Stereo S/PDIF I/O
Yes
Yes
Yes
Yes
Yes
No
YES
YES
Connection / Protocol
The Focusrite Saffire 6 USB focuses on just
ffir
ui d
eP
8 In / 6 Out USB 2.0 audio interface featuring two Focusrite MIC preamps
ffir
2 In / 4 Out USB audio interface featuring two Focusrite MIC preamps
Sa
Scarlett 8i6
Liq
Saffire 6 USB
Headphone Output
2
2
2
1
1
1
1
1
Analogue Input Pads
2
2
2
2
2
2
2
0
Number of Mic Pres
8
8
2
2
2
2
2
2
Liquid Preamps
2
0
0
0
0
0
0
0
BNC WordClock I/O
Yes
No
No
No
No
No
NO
NO
NO
VRM
No
No
Yes
No
No
No
NO
DSP inputs processing
No
No
Yes
No
No
No
NO
NO
Maximum Sample Rate
192kHz
96kHz
96kHz
96kHz
96kHz
48kHz
96 kHz
96kHz
Standalone Operation
Yes
Yes
Yes
Yes
Yes
No
NO
NO
Mixing / Routing Software
Yes
Yes
Yes
Yes
Yes
No
YES
YES
Xcite+ Pack
No
Yes
Yes
Yes
Yes
Yes
YES
YES
Bus-powered
No
No
Yes
Yes
Yes
Yes
NO
NO
Rackmountable
Yes
Yes
No
No
No
No
NO
NO
15
Scarlett 18i6
Scarlett Plugin Suite
18 In / 6 Out USB 2.0 audio interface featuring EIGHT Focusrite Analogue inputs
Professional RTAS/VST/AU Plug-in Suite by Focusrite
Scarlett Plug-in Suite from Focusrite is a
professional set of tools for tracking and
mixing, including Compression, Gating , EQ,
and Reverb. Each powerful plug-in has a host
of fast and easy-to-use presets, providing
a great starting point for a huge number
of popular sound sources, from vocals
The Focusrite Scarlett 18i6 is an 18 in / 6
• Total I/O count of 18 inputs and 6 outputs
and guitars to synth bass and percussion.
out USB 2.0 audio interface designed to
• Two high-quality award-winning
In addition, every plug-in parameter can
make home multitrack recording a breeze.
Alongside two award-winning Focusrite
preamps, six high-quality analogue inputs
allow you to simultaneously record guitar,
bass, vocals and keys. You don’t need to stop
there either – pop in the ADAT optical cable
from an outboard eight-channel mic pre unit
such as the Focusrite OctoPre MkII and you
can track drums at the same time. Eighteen
high-quality inputs feed cutting-edge digital
Focusrite preamps
• High-quality 24-bit/96kHz
USB 2.0 interface
• Scarlett MixControl ultra-low-latency
DSP mixer/router
• Scarlett VST/AU/RTAS Plug-in Suite, for
sound you want, exactly the way you want
it. So whether you want a fast set-up or an
advanced set-up, Scarlett is destined to
• Unmatched sonic quality at an
incredible price
Saffire / Scarlett MixControl
to create several independent mixes and send each of them out to any interface output. Each
mix can be built up using a combination of input signals and DAW outputs. Intuitive one-click
• Two Hi-Z instrument inputs
• Dedicated front-panel headphone bus
1
3
4
configurations help you track, monitor and mix as quickly as possible.
• A faithful recreation of classic Focusrite
compressors and gates
• Stunning GUI with life-like classic
port-hole VU meters
5
• Multi-modes enable creative
6
gating techniques
• Classic Focusrite EQ curves and controls
7
• Professional reverb based on classic
studio designs
MixControl GUI
become your new 'go-to' plug-in. Scarlet
includes the most popular formats including
Saffire MixControl utilises a unique tab system for mixes, allowing you to send
VST/AU and RTAS (Pro Tools).
whatever you want, wherever you want!
1
Fully-featured mix window with clear input and output metering
2
Multiple independent mixes can be created, each accessible via their own tab
3
Solos, mutes, pans and PFL’s available on every channel
and a device status section:
4
Mixer output channels can be routed to any number of outputs
• The mixer section allows you to create independent mixes - each of which can be routed out
5
Routing section provides a clear indication of all audio routing
6
Monitor section lets you switch between different monitoring set-ups quickly
7
Clear device status section shows sample rate, sync source and more
• Xcite+ Software Bundle
in USB 2.0 interfacing technology, making
2
MixControl software is a powerful ultra-low-latency monitoring package that enables you
use in the mix
conversion combined with the very latest
Scarlett 18i6 the perfect tracking interface.
be finely tuned to bring out the optimum
SHIPS FREE WITH
EVERY SCARLETT
INTERFACE
The software window comprises of four main sections: a mixer, a router, a monitor section
to physical outputs for monitoring, headphone cues or external processing.
• The router section is used to send any combination of physical inputs, DAW outputs or usercreated mixes of these streams to any outputs.
• The monitor section provides control of Volume, Dim, Mute and independent left or right cut.
• The device set-up section shows the status of synchronisation and connection, as well as
allowing the user to change the sample rate and the synchronisation source for clocking.
16
The image above is for representation purposes. The configuration of MixControl changes depending on the interface in use.
17
Midnight
THE CLASSIC PLUG-IN SUITE By FOCUSRITE
Focusrite’s new Midnight plug-in suite takes two of the most iconic Focusrite modules of all
time – the ISA110 equaliser and ISA130 compressor; models their sound exactly with powerful
DSP technology; and gives them elegant, functional on-screen front panels that make them
simplicity itself to use.
The Midnight modules deliver incredible power and flexibility into your digital studio in VST,
AU and RTAS formats. Now you can take a massive step up and incorporate the pure, warm,
delicious sound and straightforward controllability of these classic analogue processors in
your own tracks - at a price you can actually afford.
Pro Tools 9
Now Focusrite Ready
In 2000, Digidesign chose Focusrite as their hardware partner to deliver what was to become the most
successful Pro Tools interface ever - the original Mbox.
Now, with the introduction of Pro Tools 9, Focusrite interfaces are once again the best choice for Pro Tools users.
18
All Focusrite audio interfaces are Pro Tools 9 compatible.
19
OctoPre MkII
OctoPre MkII Dynamic
EIGHT FOCUSRITE MIC PREAMPS WITH BUILT-IN 24-BIT / 96KHZ ADAT OUTPUT
EIGHT FOCUSRITE MIC PRES WITH COMPRESSION AND BUILT-IN 24-BIT / 96KHZ ADAT I/O
With eight channels of Focusrite pre-amplification and
• Eight high quality award-winning Focusrite preamps
• Direct outputs on every channel
With eight channels of Focusrite microphone pre-
• Compress transparently or with effect
• State-of-the-art clocking
a built-in 24-bit / 96kHz ADAT output, OctoPre MkII is
The best sounding multi-channel mic pre in its class.
For routing and flexibility, especially in the live
amplification, eight VCA-based Red 3-derived compressors
The classic soft-knee design achieves beautifully
OctoPre MkII Dynamic’s internal clock delivers a jitter
Focusrite’s powerful input upgrade for your Pro Tools system,
• Built-in eight channel 24-bit / 96 kHz digital output
environment. Each mic pre can be routed to the mixer’s and built-in 24-bit / 96 kHz digital inputs and outputs, OctoPre
transparent compression that caresses your sound.
performance of +/- 20 PPM. For external clocks, industry-
Make the most of your interface’s ADAT input. OctoPre
analogue channels, with two mirrored ADAT outputs
MkII Dynamic is Focusrite’s feature-rich expansion upgrade
Focusrite’s unique “More” switch doubles the ratio to
standard JetPLL™ jitter reduction technology is employed.
MkII connects via its built-in ADAT Optical output, with
(44.1 kHz) left free to send to digital recorders.
for any digital audio workstation. It’s equally an
deliver ‘compression with effect’.
• 48V phantom power available on every channel
ideal expansion for any analogue or digital console,
• Two high-quality instrument inputs
a ‘real world’ dynamic range performance of 110dB.
• Built-in eight channel 24-bit / 96 kHz digital outputs
OctoPre MkII Dynamic’s first two channels feature DI’s,
neglected ADAT inputs; ideal for expanding the number of
• Mic pres optimised for tracking drums
Switched in two groups (1-4 and 5-8) every channel is
Make the most of your interface’s ADAT input for tracking,
ready for you to plug in your guitars and bass.
mic preamp inputs on your interface. Connect OctoPre MkII
OctoPre MkII is designed not to clip, with 10dB pads and
capable of supplying phantom power, for use with most
with eight channels of analogue to digital conversion via
No expensive external DI required.
to your audio interface’s ADAT input to create a high quality,
preamps optimised to handle extreme levels from sound
condenser microphones.
multi-channel recording solution, ideal for tracking drums,
sources like kick drum and snare.
• State-of-the-art clocking
foundation of this device, with mic pres optimised to handle
vocals, guitars and more.
• Two quality Hi-Z instrument inputs
OctoPre MkII’s internal clock delivers a jitter performance
extreme levels from sound sources like acoustic drums.
OctoPre MkII’s first two channels feature DI’s, ready for
of less than 10 PPM. For external clocks, a BNC or any digital audio workstation. It’s also a great expansion
for any analogue or digital console, or hard disk recorder.
The digital output allows users to make the most of often
you to plug in your guitars and bass, instantly accessible
on the front fascia.
• 5 LED input metering on every channel
OctoPre MkII’s fast-acting 5-LED input meters provide
clear reference of input levels, helping you to avoid
connector is provided and industry-standard JetPLL™
jitter reduction technology is employed.
or hard disk recorder.
• Eight award-winning Focusrite preamps
Focusrite’s unparalleled preamp legacy forms the
• Eight ‘single-dial’ Focusrite compressors
A single dial gets you to the right amount of compression,
fast. These new VCA-based, feed-forward compressors
model the character of the celebrated Focusrite Red 3.
ADAT, boasting a ‘real world’ dynamic range performance
of 110dB.
OctoPre MkII Dynamic ‘More’ Function
• Built-in eight channel 24-bit / 96 kHz digital inputs
Each compressor on the OctoPre
Switchable from the front panel, digital to analogue
MkII Dynamic features a ‘More’
conversion via ADAT provides analogue monitoring of
button for an enhanced compression
any digital ADAT feed, as well as the ability to clock from effect. The More button doubles the
any ADAT device.
ratio from 2:1 to 4:1 and shifts the
threshold range, so you have more
sensitivity on control.
analogue or digital clipping.
Working together OctoPre MkII & Saffire PRO 40
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21
Focusrite Artists
Focusrite Artists
La Roux
Andreya Triana
La roux are singer-synth player Elly Jackson and co-writer/producer Ben Langmaid. There
From a young age, Andreya wanted to sing. She taught herself how to play guitar and was
self titled debut album has delivered some of the years biggest tracks in No.1 selling single
soon taking every opportunity she could to play. Her determination has brought her to the
Bulletproof and In for the Kill charting at No.2. The album has been nominated for the 2009
forefront of the electronic music fraternity, and is now signed to Ninja Tune, one of the most
Mercury Prize.
well-respected record labels in the field.
We caught up with Ben during a busy live touring schedule to chat about how La Roux have
Recent collaborations include Flying Lotus, Mr Scruff and Bonobo, with whom she toured the
utilised Focusrite products on the current and forthcoming albums.
US and Canada in 2010.
Your sound is very electro based… Did your routes begin in dance music?
Andreya uses the Focusrite Saffire 6 USB audio interface to record guitar and vocal demos.
I started as a DJ and moved into production after helping a friend of mine (Rollo) set up the
Its portability makes it perfect for use on the road, while its quality preamps and A-D
band Faithless. I went on to produce my own records under the guises of Huff & Puff and Huff
conversion let Andreya get professional results.
& Herb to name a few.
www.andreyatriana.com
How are you using the liquid channel in the studio?
I’m using the liquid channel Mainly for vocals and currently testing out all the combinations
of vintage compressors, eq’s and pre-amps to see how it performs!
What are your main reasons for going with Focusrite Hardware?
They’re a solid company with a very strong reputation. I used the Saffire Pro 26 and the
ISA430MKII to record all of Elly’s vocals on the first La Roux album and they produced some
quality results.
And the key features you love on the Liquid Channel?
Simon Changer
Matt Robertson
KWIZ
I’m into the different combinations of compression and pre-amps. The precise emulations
The ISA428 lets me get good,
I trust the sound, and I know
I can emulate any monitors
offer me a lot of variety and access to a vast array of classic units in the studio, which I’d
clean gain, to complement
it’s not going to let me down.
so I can have a familiar
otherwise spend a small fortune on! Being able to save my presets is a handy feature as well…
my vintage gear.
Recording engineer
sound just with my
What benefits have the liquid channel brought to your studio work?
Engineer - Credits include: headphones.
Quite simply its quick to setup and easy to use. You can tailor the kit to your vocalist’s sound
David Gray, Bjork
Beyoncé’s programmer
and tone whilst tapping into the vast bank of presets. I’m only just scratching the sides of its
full potential.
How have you found the linkup with the liquid channel to your DAW?
ISA 428 MkII
Octopre MkII Dynamic
Saffire 24 DSP
The seamless linkup with my mac made it quick and easy to setup. We had it plugged in straight
out the box and running in a few minutes. I’m also able to back up my presets.
www.laroux.co.uk
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23
Focusrite Artists
The Liquid Channel™
MIX
Any mic pre and compressor in history
Liquid Channel Perfects
Carl Cox’s Live Mix
“My Liquid Channels are transparent but warm and big in their sound and, as testament to
their quality, our FOH engineer said it was the first time in his career that he didn’t need to add
any EQ or processing!” remarks Carl Cox, one of the world’s premier DJs.
A pair of the hardware processors acts as the last stage in his chain, before the signal from the
stage hits the enormous PA system, whether he’s playing a beach party in Miami, a superclub
in Berlin, or a global music festival. “They fit the bill perfectly. They are the solid final link
in my audio chain for my live show, something that gives me a sonic edge. EQ, compression,
limiting: you just set it and forget it.”
The Liquid Channel™ is a revolutionary channel strip that
What is Dynamic Convolution?
can emulate any classic mic pre and compressor. Combining
Dynamic Convolution is a unique, patented technology that
radical new analogue mic preamp technology with Dynamic
emulates the sonic properties of original compressors, EQs
Convolution™ techniques, and augmented by fully digital
and the amplification element of mic preamps. Essentially,
controls and remote software, it provides the ultimate
it samples (as opposed to models), the effect a processor has
fluid vintage collection.
on the audio signal through the application of a unique, level-
• Loaded with 40 classic mic preamp and 40
compressor emulations
• 100 programme memories provide full recall of
dependant set of responses to that signal. These measured
responses, sampled at numerous levels and with a multitude
of setting combinations, are applied to the input stream on a
sample-by-sample basis for extremely convincing results.
every setting
• LiquidControl software allows comprehensive remote
operation via USB
• 192kHz internal processing and ADC/DAC as standard
“
Liquid Channels will be rocking
the Carl Cox Live Show for some
time to come!
Liquid Channel Remote Control Software (via USB)
”
Cox is no stranger to the DJ booth, and has picked up numerous accolades in his tremendous
career. He was the first ever winner of DJ Magazine’s Top 100 poll in 1997, and he still packs
venues worldwide. But he also has serious studio chops, with three albums, countless singles
and a glut of remixes to his name.
www.carlcox.com
• Focusrite digital EQ based on the Forte Suite software
• Adjustable harmonic distortion accounts for variance
in vintage originals
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25
Liquid Mix HD
MIX
ANY CLASSIC COMPRESSOR AND EQ IN HISTORY FOR THE PRICE OF A SINGLE PLUG-IN
Why pay for one plug-in, when you can have 60?
• Unrivalled variety of classic emulations
• Optimised for Pro Tools HD
Only Liquid technology gives you genuine emulations of
40 compressors and 20 EQs, sampled from vintage Over one hundred simultaneous mono instances can be run the most revered signal processors used on countless hits
originals with a free expanding library online.
at 44.1/48kHz on an HD3 system.
throughout recording history.
• Dynamic Convolution technology
• Ultra-low latency for recording
The unique patented Dynamic Convolution process
With the ultra-low latency of Liquid Mix HD (just 12 delivers unparalleled EQ and compression emulations.
samples), it can now be used for recording and live
and modern day classics. 40 compressors and 20 EQs are
• Unique Hybrid super EQ
sound applications.
available straight out of the box, with an expanding library
Create your own totally unique 7-band super EQ, built
• Full control surface mapping
online. Furthermore, a totally unique hybrid 7-band ‘super
out of separate classic EQ bands.
Pro Tools TDM format ensures full control mapping on all
Each Liquid Mix channel provides compressor and EQ
emulations selected from a huge pool of high-quality vintage
EQ’ can be built out of separate classic EQ sections in every
ISA430 MkII – Producer Pack
The pinnacle of Focusrite’s analogue channel strip technology
major Pro Tools control surfaces, including ICON and VENUE.
channel.
Each channel appears as a separate effect within the
sequencer. Liquid Mix HD seamlessly integrates Liquid
technology with the Pro Tools HD environment, potentially
providing over 60 simultaneous channels (dependent on
the HD system).
The ISA 430 MKII represents the pinnacle of Focusrite’s
• Classic Focusrite transformer-based mic
• Proprietary Focusrite discrete Class A VCA gate
analogue channel strip technology, bringing together all
preamp with variable impedance and ‘Air’ feature
and expander designs
the classic designs in one comprehensive production tool.
• Multi-format compressor; transparent VCA
• Optical de-esser featuring ‘De-esser Listen’ for
circuit and two vintage optical solutions
precise control over sibilance
• Classic Focusrite EQ design; an expanded
• Soft Limiter to avoid critical digital overload
version of the original ISA 110
(requires optional A-D converter)
• Post mic pre output for the shortest possible
• Optional stereo A-D converter with 120dB dynamic range
Augmented with additional features and flavours, alongside
unmatched internal routing and connectivity, the ISA 430
MKII confirms Focusrite’s iconic status as the leading
manufacturer of channel strips.
signal path
Multiple instances of
Liquid Mix running
simultaneously
26
Pro Tools HD is a trademark of Avid Technology Inc. All other product names, trademarks, or trade names are the names of their respective owners, which are in no way associated,
connected nor affiliated with Focusrite or its LIQUID MIX products and which have not endorsed Focusrite’s LIQUID MIX products.
27
ISA828
ISA428 MkII
EIGHT CLASSIC MIC PREAMPS ALONGSIDE A PREMIUM EIGHT-CHANNEL A-D CONVERTER OPTION
FOUR CLASSIC MIC PREAMPS WITH DI INPUTS AND A PREMIUM EIGHT-CHANNEL CONVERTER OPTION
Combining the best of yesterday with the best
• The classic Focusrite mic pre at its lowest
The ISA428 MkII provides four of Focusrite’s
• Four classic Focusrite transformer-
of tomorrow, Focusrite’s ISA828 eight channel
cost-per-channel to date
prestigious transformer based microphone preamps.
based preamps
mic preamp features exactly the same classic
• The best A-D performance on the market,
It features the same classic circuitry and renowned
• 8 channels of cutting-edge A-D conversion,
microphone preamplifier design as Focusrite’s
critically acclaimed Forté console. To partner
seamlessly with Pro Tools HD and other professional
DAW platforms, the ISA828 integrates with our
finest eight-channel A/D converter option.
bar none (requires optional ADC)
• Integrates quickly and seamlessly with
ProTools HD
audio quality found in the original at a new level of
affordability. With switchable input impedance, direct
instrument inputs and an optional eight channels
of high quality analogue to digital conversion, the
running at up to 192kHz (requires optional ADC)
Why go digital with Focusrite?
For 15 years now, we’ve been tirelessly perfecting our digital
conversion technology. By simply slotting into the back of the
analogue unit, audio signals travel the shortest possible distance
• Switchable impedance setting, ideal for mic
and remain free from extraneous clocks or other sources of
matching or extended microphone creativity
digital noise. Fine tuning the marriage between analogue and
• Switchable impedance to suit any microphone
ISA428 MkII creates the perfect front end for the
• Four front panel instrument inputs - no separate digital audio circuitry enables our A-D converters to achieve
• Multiple front panel instrument - No separate
discerning recording professional.
DI box required
superb dynamic range with extremely low noise and jitter.
DI box required
• Dedicated analogue insert points on
• High pass filter, phase reverse and phantom
every channel
power on every channel
• Classic high pass filters on every channel
ISA 8-channel ADC
ISA Stereo ADC
Eight channels of precision
Two channels of cutting-edge
Focusrite A-D conversion for
A-D conversion for ISA430 MkII
ISA428, ISA428 MkII and ISA828,
and ISA One, with 120dB dynamic
with 121.5dB dynamic range and
range and jitter below 300
jitter below 250 picoseconds.
picoseconds. Digital connections
Digital connections include AES/
include AES/EBU, ADAT Optical,
EBU, ADAT Optical and S/PDIF
and S/PDIF (coaxial and optical).
(coaxial and optical).
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29
Focusrite Artists
ISA One
Focusrite Preamps From
The Very Beginning
CLASSIC MICROPHONE PREAMP WITH INDEPENDENT DI AND PROFESSIONAL DIGITAL OUTPUT OPTION
Focusrite have been behind Amy Macdonald’s sound from the very first sessions in producer
The ISA One microphone preamplifier delivers Focusrite’s
• ISA Series transformer-based preamp
prestigious ISA transformer-based preamp in a rugged and
Encased in a rugged and portable chassis, offering the
Pete Wilkinson’s home studio, “we worked in a very lo-fi way where Amy came to my little
portable chassis, at a groundbreaking price. ISA One shares
classic Focusrite microphone preamp at its lowest
studio at home and put down her vocals. All of Amy’s original vocals were recorded through my
the same preamplifier topology as Focusrite’s classic ISA110,
cost to date.
Voicemaster Pro; it was the vocal that the mix engineer and mastering house ended up with.”
featuring the original Lundhal LL1538 transformer and
• Flexible independent DI channel
bespoke Zobel network.
More than a mic preamp
ISA One is ideal both for engineers and demanding
performers alike, featuring independent gain control,
an output for routing to an amp and an independent
XLR output on the rear.
• Switchable impedance
Choose one of four carefully selected input impedances,
including the original ISA 110 setting, to suit
The ISA One features an independent D.I. channel with its
any microphone.
own gain control, an output for routing to an amp, and an
• Class-leading stereo A-D conversion
Easily installed in any ISA One, this card embodies
This preamp topology formed the cornerstone of Focusrite’s
“
independent XLR output on the rear. Stereo cue mix inputs
and a dedicated insert point are also available.
The ISA One Digital gives the Focusrite sound
that I have on my ISA rackmount gear in a
preamp I can take on the road to extend my
system. As a clock source it’s rock solid, and
it’s great value for money. It’s an outstanding
little preamp.
”
cutting-edge conversion technology, incorporating
James Stone
Focusrite analogue circuitry to deliver the best A-D
Session Engineer, Amy Macdonald
performance in its class.
legendary Forté console and ISA Series preamplifiers have
• Dedicated insert point
been used on countless hit records over the last two decades.
Allowing you to place extra processing between the pre
With its robust construction, the ISA One has made the
amp or DI and the optional converter, such as an EQ
classic Focusrite signature sound more portable and more
or compressor.
affordable than ever before.
• Phantom power, phase reverse and high-pass filter
All available from the angled front fascia. The
high-pass filter operates at 75Hz, 18 dB/octave.
But it’s not just Amy’s vocal that gets the Focusrite treatment. Joe Fields, Pete’s engineer of
choice, continues: “When Pete brings the template in, we replace the instruments to try to get
it sounding how he had it in his studio. We start with drums then bass and guitars, then live
strings. We tracked the strings and most of the drums through Focusrite ISA428s.”
These days, Amy and her team use the ISA One Digital preamp on her vocals. To hear the
quality of the Focusrite mic pre, check out Amy’s second album, A Curious Thing, which is
available now.
www.amymacdonald.co.uk
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Model pictured has the optional ISA Stereo A-D Converter installed
31
It’s always nice to have something that you know gives good results. I was a
tape op when Focusrite came along, and whenever I got the chance to try Focusrite
equipment, it always sounded amazing. It’s something that I’ll always go for if
it’s in a room, because I trust it and I know it always comes through.
The Focusrite sound is always nice on anything you want a lot of high fidelity to. Drum overheads always sound great, and it’s the same with strings recordings.
It works really well on vocals; It helps me make the mix.
Adrian Bushby
Double GRAMMY Award-winning Recording Engineer
Muse, Foo Fighters, Band Of Skulls, Two Door Cinema Club
www.focusrite.com
FA0135-06