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catalog

Post-War & Contemporary Art
Saturday, May 7, 2016
RAGO
5.7.16
Post-War & Contemporary Art 1:00 PM
View condition reports in the online catalogue where they are added and updated, as needed.
If you do not see the condition information required to inform your bidding on a lot, please let us know.
Condition reports are not listed in the print catalogue.
IMPORTANT NOTICE TO ALL BUYERS:
Previews:
The buyer’s premium for each lot purchased is 25% on the first $200,000 of the
hammer price, 20% on the value between $200,000 and $3 million.
April 30–May 5, 12 noon–5:00 pm
May 6, 12 noon–7:00 pm
By appointment
Doors open day of sale at 9:00 am
Preview online at www.ragoarts.com
For purchases made in the room or by phone or by absentee bid and paid for by
Visa, MasterCard, Discover or PayPal: A 2% surcharge will be added to the total
invoice (hammer price, buyer’s premium as above, any applicable taxes).
For purchases made through any online bidding platform, regardless of means of
payment: A buyer’s premium will be applied to the hammer price of each lot equal
to 28% on the first $200,000; 23% between $200,000 and $3 million.
IMPORTANT INFORMATION FOR PHONE BIDDERS:
Rago guarantees you a line and a phone agent for bidding until 4 PM on the day
prior to an auction. After that time, we will gladly accept your absentee bids, even
during the auction (up to 30 minutes before a lot goes on the block). Changes to
bid lists left with us prior to the deadline will always be accommodated as best we
can, as will follow-up phone bids for those who attend/must leave the auction and
other exceptional cases.
AUCTIONEER’S NOTES:
If you have questions on the condition of a work, we would be glad to provide
our opinion, but all works are sold according to our Terms of Sale. Please call the
Auction House for complete condition reports if you cannot view in person.
ONLINE BIDDING AVAILABLE:
At bidsquare.com and other aggregators
TEXT GLOSSARY:
Name of the artist (country of origin/date of birth-death)
Title of the work, date of creation
In italics-the actual title given to the work by the artist
Without italics-an untitled work with a description based on imagery/style
Medium and frame (if applicable)
Signature
Size: height x width; height x width x depth (for three-dimensional objects)
Paintings are measured by the size of the support
Sight: size of the visible work if obscured, framed or matted
Image: size of the image
Plate: size of the print impression
Sheet: size of the paper
Printer: name of master printer or workshop where a print is made
Publisher: publisher of the print
Literature: reference to the work of art in a book, exhibition catalogue or article
Exhibition: exhibition history
Provenance: ownership history
RAGO LECTURE SERIES:
The Devil’s Diary . . .
Art crime investigator Bob Wittman
discusses his new book, The Devil’s Diary:
Alfred Rosenberg and the Stolen Secrets of
the Third Reich
Tuesday, May 3 at 6 pm.
The auction house opens on May 3 at noon.
A reception begins at 5 pm.
RSVP to 609.397.9374 ext. 119
or [email protected]
If you are unable to RSVP in advance,
please join us if you can. All are welcome.
RAGO ARTS AND AUCTION CENTER
333 North Main Street
Lambertville, NJ 08530
CONTENTS
Post-War & Contemporary Art:
Lots 500–750, p. 1
Artist Listing, p. 164/165
Terms of Sale, page 166
Auction Staff, page 170
Shipping Information, page 171
Condition Report Form, page 173
Absentee Bid Form, page 174
INQUIRIES/INFORMATION
SPECIALIST IN CHARGE:
Meredith Hilferty 609.397.9374 ext. 249 or [email protected]
PARTNER IN CHARGE:
Miriam Tucker 609.566.7224 or [email protected]
ABSENTEE BIDS:
Eliane Talec 609.566.7225 or [email protected]
TELEPHONE BIDS:
Guy Benthin 609.397.9374, ext. 124 or [email protected]
CONDITION REPORTS:
Amy Hunt 609.397.9374, ext. 128 or [email protected]
Lauren Bradley 609.397.9374, ext. 129 or [email protected]
NEW BIDDER REGISTRATION:
Eliane Talec 609.566.7225 or [email protected]
PAYMENTS & SHIPPING:
Karen Davies 609.397.9374, ext. 145 or [email protected]
UP TO THE MINUTE AUCTION & EXHIBITION INFORMATION:
1.866.RAGOARTS (724.6278) or ragoarts.com
FAX LINE FOR BIDS & CONDITION REPORTS:
609.397.9377
E-MAIL FOR BID FORMS:
[email protected]
500
WILLIAM BAZIOTES (American, 1912-1963)
Untitled, 1940
Ink and watercolor on paper (framed)
Signed and dated
13 5/8” x 10 7/8” (sheet)
PROVENANCE
Private Collection, New York
$10,000–15,000
1
view all updated condition reports | ragoarts.com
503
JOHANNA ALEXANDRA “LOTTE”
JACOBI (German/American, 1896-1990)
Photogenic Drawing, ca. 1950
Gelatin silver print
Signed
9 7/8” x 7 7/8”
PROVENANCE
$1,500–2,500
501
502
WOLS (ALFRED OTTO WOLFGANG SCHULZE)
(German, 1913-1951)
NATHANIEL POUSETTE-DART
(American, 1886-1965)
Dessin (Drawing)
Ink on paper (framed)
4 1/2” x 3 1/8” (sight)
Untitled, 1954
Oil on canvas (framed)
Signed and dated
30” x 24”
PROVENANCE
Galerie Rive Droite, Paris (label on verso)
Dwan Gallery, New York (label on verso)
Dwan Gallery, Los Angeles (label on verso)
Private Collection, Princeton
PROVENANCE
Private Collection, New Jersey
$2,000–3,000
$2,000–3,000
504
JOHANNA ALEXANDRA “LOTTE”
JACOBI (German/American, 1896-1990)
Butterfly and Photogenic “Midsummer”, ca.
1950
Two gelatin silver prints printed on post
card stock
Both signed
5 1/2” x 3 1/2” (sheet, each)
PROVENANCE
$1,500–2,500
view all updated condition reports | ragoarts.com2
3
505
RALSTON CRAWFORD (American, 1906-1978)
Third Avenue Elevated #3, 1951
Lithograph in colors (framed)
Signed and numbered 25/26
15 3/8” x 10 7/8” (sight)
LITERATURE
Freeman L51.10
PROVENANCE
Private Collection, Washington, D.C.
$1,000–1,500
508
LUDWIG SANDER (American, 1906-1975)
Atakapa II, 1955
Signed
24” x 28 3/4”
PROVENANCE
Private Collection, Pennsylvania
$3,000–5,000
509
GEGO (GERTRUD LOUISE
GOLDSCHMIDT) (Venezuelan, 1912-1994)
506
507
LYNN CHADWICK (British, 1914-2003)
GINO SEVERINI (Italian, 1883-1966)
Group of Standing Figures, 1952
Lithograph in colors
Signed, dated and numbered 26/50
12 5/8” x 19 7/8” (sheet)
Le Cycliste, 1956
16 3/8” x 22 7/8” (sight)
PROVENANCE
PUBLISHER
$800–1,200
Untitled, 1963
Embossed multiple (framed)
Signed, dated and noted Artist’s Proof
7 1/4” x 7 1/2”
PROVENANCE
Private Collection, West Virginia
$3,000–5,000
L’Ouevre Gravée, Paris
LITERATURE
Meloni 31
PROVENANCE
Private Collection, Washington D.C.
$1,000–2,000
5
510
511
LUCIA STERN (American, 1895-1987)
GEORGE SEGAL (American, 1924-2000)
Untitled
Estate stamp
30” x 23 7/8”
Untitled
Pastel on paper (framed)
Signed
17 1/8” x 11 1/2” (sight)
PROVENANCE
PROVENANCE
Private Collection, Maryland
512
$3,000–5,000
$1,000–1,500
ESTEBAN VICENTE (American, 1903-2001)
Untitled (Bridgehampton), 1967
Signed and dated
28” x 32”
PROVENANCE
$15,000–25,000
7
513
GEORGE MORRISON (American, 1919-2000)
Two works of art:
Untitled (Blue Landscape,) 1957
Mixed media on paper
Signed and dated
25” x 38” (sheet)
Untitled (Yellow Landscape,) 1959
Signed and dated
17 1/2” x 23” (sheet)
PROVENANCE
$2,500–3,500
515
ESTEBAN VICENTE (American, 1903-2001)
514
CAMERON BOOTH (American, 1892-1980)
Untitled, 1958
Oil on linen (framed)
Initialed and dated
60 1/4” x 48”
Untitled, 1962
Collage on paper (framed)
Signed
15 1/2” x 20 1/4” (sheet)
PROVENANCE
$6,000–8,000
PROVENANCE
$2,000–3,000
9
516
THURLOE CONOLLY (Irish, b. 1918)
Painting XVIII, 1952
Oil on Masonite
Signed, dated and titled
24” x 31 7/8”
PROVENANCE
Willard Gallery, New York
$1,500–2,500
517
In the Forest, 1949
Oil on Masonite
28 3/8” x 36”
PROVENANCE
$1,500–2,500
519
520
KARL ZERBE (American, 1903-1972)
CARLO BATTAGLIA (Italian, 1933-2005)
Bride of Many Ancestors, 1961
Acrylic and collage on canvas (framed)
48” x 30”
Verdazzurro, 1966
55 7/8” x 36 5/8”
PROVENANCE
518
Nordess Gallery, New York (label on verso)
$2,000–4,000
PROVENANCE
Private Collection
$1,500–2,500
Painting XXII, 1952
Oil on Masonite
28” x 35 7/8”
PROVENANCE
$1,500–2,500
11
521
STEPHEN S. PACE (American, 1918-2010)
Untitled, 1958
Signed and dated
88” x 41”
PROVENANCE
$30,000–50,000
13
522
REX ASHLOCK (American, 1918-1999)
Two works of art:
Untitled
Gouache on paper
25 1/2”” x 19 7/8” (sheet)
Untitled, 1963
Gouache on paper
Dated
20 1/2” x 19 1/4” (sheet)
PROVENANCE
The Rex Ashlock Trust, New York
$1,000–1,500
523
REX ASHLOCK (American, 1918-1999)
Untitled
Two gouache on paper
Both signed
26” x 20” (sheet, each)
PROVENANCE
The Rex Ashlock Trust, New York
$1,000–1,500
524
ALBERT KOTIN (Russian/American, 1907-1980)
Untitled
Signed
40” x 35 7/8”
PROVENANCE
The Estate of Albert Kotin
$4,000–6,000
15
525
527
ALBERT KOTIN
(Russian/American, 1907-1980)
ALBERT KOTIN (American, 1907-1980)
Two works of art:
Untitled, 1953
Signed and dated
24” x 20”
Untitled
Mixed media on illustration board
(framed)
22 1/8” x 12 1/2” (sheet)
Samurai, 1966
14” x 10”
PROVENANCE
$800–1,200
PROVENANCE
$2,500–3,500
526
528
ALBERT KOTIN
(Russian/American, 1907-1980)
DAVID HARE (American, 1917-1992)
Two works of art:
Untitled, 1967
Oil on board (framed)
Signed and dated
5” x 6”
Untitled
Oil on canvas mounted to board (framed)
Signed
2 3/8” x 5 3/4”
Mountain Spring, 1969
Oil on Masonite (framed)
48 1/8” x 52”
PROVENANCE
Staempfli Gallery, New York (label on
verso)
$1,500–2,500
PROVENANCE
$2,000–3,000
17
529
JIM DINE (American, b. 1935)
Oscar Wilde, The Picture of Dorian Gray (Edition A), 1968
Twelve lithographs in color with text (bound in red
velvet)
17 3/8” x 12 1/8” (sheet) each
PROVENANCE
Private Collection
$1,200–1,800
529A
530
Hamantashen & Rainbow, 1965
Etching with watercolor remarque (framed)
Signed, dated, titled and numbered 5/50
21 3/4” x 16 1/2” (plate)
29 7/8” x 22 1/4” (sheet)
Heart in a Landscape, 1968
Oil and paper collage on canvas
Signed, dated and inscribed 12” x 8”
LITERATURE
Galerie Mikro 34
PROVENANCE
$800–1,000
PROVENANCE
Private Collection (gift of the artist)
By descent to the present owner
Note: The inscription for BEANS is a reference to Jim
Dine’s friend Sergio Emidi, an Italian actor from the
1960’s and 1970’s, who was nicknamed “Fagiolo” after
his favorite food, beans.
$15,000–25,000
19
531
GANDY BRODIE (American, 1925-1975)
Still Life with Coffee Pot
Oil on board
Initialed
21 3/8” x 25 1/2”
PROVENANCE
$2,000–3,000
532
GANDY BRODIE (American, 1925-1975)
This Flower Will Never Die
Signed, titled and illegibly dated
16” x 12”
PROVENANCE
$1,000–1,500
533
MICHAEL GOLDBERG (American, 1924–2007)
Still Life with Tiffany Lamp, 1964
Oil on canvas with collage
78” x 78”
PROVENANCE
Vanderwoude Tananbaum Gallery, New York (label on verso)
Knoedler & Company Gallery, New York (label on verso)
$30,000–50,000
21
534
535
536
537
ROBERT MOTHERWELL (American, 1915-1991)
AD REINHARDT (American, 1913-1967)
JOSEF ALBERS (American/German, 1888-1976)
ELLSWORTH KELLY (American, 1923-2015)
Untitled from New York International, 1966
Lithograph (framed)
22” x 17” (sheet)
Untitled from New York International, 1966
Screenprint on Plexiglas
Initialed and numbered 194/225
12” x 12” (Plexiglas)
Interaction of Color, 1963
Eighty screenprints in colors in folio
Signed book
Untitled (Red Blue) from Ten Works x Ten Painters, 1964
Screenprint in colors on paper
Signed
From an edition of 500
24” x 19 7/8” (sheet)
PRINTER
Irwin Hollander, New York
PUBLISHER
PUBLISHER
Tanglewood Press, New York
PROVENANCE
PUBLISHER
Josef Albers and Yale University Press, Rhode Island
PROVENANCE
LITERATURE
$1,500–2,500
Additional images online
Belknap 28
PROVENANCE
$1,500–2,500
$2,000–3,000
PRINTER
Ives-Sillman, Inc., Connecticut
PUBLISHER
Wadsworth Atheneum, Connecticut
LITERATURE
Axsom 2
PROVENANCE
Private Collection
$1,500–2,000
23
538
ED RUSCHA (American, b. 1937)
Twentysix Gasoline Stations, 1962
26 photolithographs in bound book with glassine dust jacket
(first edition)
Signed, dated (1963), inscribed and numbered 56
7” x 5 1/2” (closed book)
PRINTER
The Cunningham Press, Alhambra, California
PUBLISHER
Artist, A National Excelsior Publication
LITERATURE
Engberg B1
PROVENANCE
Gene Fenn, New York and Paris
Dolores J. Fenn Estate, New York
$3,000–5,000
539
540
JOSEPH BEUYS (German, 1921–1986)
ANDY WARHOL (American, 1928-1987)
Intuition, 1968
Wooden box (multiple)
11 7/8” x 8 1/4” x 2 1/4”
Birmingham Race Riot from Ten Works by Ten Painters, 1964
Screenprint on paper (in original folder)
19 7/8” x 23 7/8” (sheet)
PROVENANCE
PRINTER
Private Collection, Austria
$700–900
Ives-Sillman, Inc., New Haven
PUBLISHER
Wadsworth Atheneum, Hartford
LITERATURE
Feldman & Schellmann II. 3
PROVENANCE
Private Collection
$5,000–7,000
25
541
Empire, 1965
Offset flyer for the premiere of Andy Warhol’s film
Empire
Signed by Jonas Mekas
8 1/2” x 11” (sheet)
PROVENANCE
Private Collection
$1,500–2,000
544
TOM WESSELMANN
(American, 1931-2004)
Seascape (Tit), 1967
Screenprint in colors on museum board
(framed)
28 1/2” x 23 1/2” (sheet)
PROVENANCE
$3,000–5,000
545
ROY LICHTENSTEIN
(American, 1923–1997)
Foot Medication Poster, 1963
Offset lithograph mounted to board (framed)
Signed
From an edition of unknown size (there were
100 numbered impressions)
16 1/8” x 16 1/8” (sheet)
542
543
Flowers, 1964
Offset lithograph in colors (mailer)
21 3/4” x 21 7/8” (sheet)
S & H Green Stamps, 1965
Offset lithograph in colors (folded)
From the edition of 6000 invitations
22 3/4” x 22 5/8” (sheet)
Leo Castelli Gallery, New York
PRINTER
Private Collection, Connecticut
PUBLISHER
Leo Castelli, New York
PROVENANCE
Private Collection
$800–1,000
Eugene Feldman, Philadelphia
PUBLISHER
PUBLISHER
LITERATURE
C. App. 3
PROVENANCE
$2,500–3,500
Institute of Contemporary Art, Philadelphia
LITERATURE
Feldman-Schellmann 11.9
PROVENANCE
Private Collection
$800–1,000
27
546
S.M.S. (SHIT MUST STOP)
Two works of art:
ROY LICHTENSTEIN (American, 1923-1997)
Folded Hat from S.M.S. No. 4, 1968
Photolithograph in colors in a shadow box
7 1/4” x 13” (hat)
11” x 17 3/4” x 3 1/2” (box)
YOKO ONO (Japanese, b. 1933)
Mend Piece for John from S.M.S. No. 5, 1968
Cardboard, paper, plastic bag, and ribbon in a
shadow box
10 5/8” x 18 5/8” x 2 1/2” (shadow box)
PUBLISHER
William Copley and Dmitri Petrov’s Letter Edged in
Black Press
PROVENANCE
$1,000–1,500
547
Crying Girl, 1963
Offset lithograph in colors (mailer)
17” x 22 7/8” (sheet)
PUBLISHER
Leo Castelli Gallery, New York
LITERATURE
Corlett ll.1
548
548A
PROVENANCE
Note: This mailer was published to announce
Lichtenstein”s exhibition at Leo Castelli Gallery,
September 28th - October 24th, 1963
Modern Sculpture with Apertures, 1967
Screenprint on Plexiglas and mirrored Mylar multiple
16 1/2” x 6” x 7 1/2”
Salute to Airmail, 1968
Chromium plated copper mounted to Plexiglas base
4 1/2” high; 5 7/8” (with base)
Private Collection
$800–1,000
PUBLISHER
International Collectors Society, New York
LITERATURE
LITERATURE
Corlett 46
PROVENANCE
PUBLISHER
The artist
Corlett 27
PROVENANCE
$4,000–6,000
$4,000–6,000
29
549
Mao, 1972
Screenprint in colors (framed)
36” x 36” (sheet)
PRINTER
Styria Studio, Inc., New York
PUBLISHER
Castelli Graphics and Multiples, Inc., New York
LITERATURE
Feldman-Schellmann II-95
PROVENANCE
Private Collection, Arizona
$30,000–50,000
31
550
MEL RAMOS (American, b. 1935)
Untitled, 1969
Three lithographs on paper
Each signed, dated and numbered
24” x 31 7/8” (sheet, each)
PROVENANCE
$1,500–2,500
551
552
553
TOM WESSELMANN (American, 1931-2004)
INGE MORATH (Austrian/American, 1923-2002)
INGE MORATH (Austrian/American, 1923-2002)
Great American Nude from Seven Objects in A Box Portfolio, 1966
3-color spray painted, vacuum formed plastic
Aside from the numbered and signed edition
7 1/2” x 7 3/4”
Saul Steinberg Mask Series
Signed and titled
13 1/8” x 8 5/8” (image)
13 7/8” x 11” (sheet)
Encounter with Llama on Times Square
Signed and titled
13 1/8” x 8 3/4” (image)
13 7/8” x 10 7/8” (sheet)
PUBLISHER
PROVENANCE
Private Collection, Princeton
PROVENANCE
PROVENANCE
Private Collection, Florida
$1,200–1,800
$1,200–1,800
Note: This example is unnumbered and unsigned. It is not part of
the accepted tirage of the edition.
$2,000–3,000
33
554
555
MAN RAY (American, 1890-1976)
Électricité la Ville from Électricité, 1931
Photogravure
10 1/4” x 8” (sheet)
Électricité le Monde from Électricité, 1931
Photogravure
10 1/4” x 8” (sheet)
PROVENANCE
PROVENANCE
Private Collection
Private Collection
$800–1,200
$800–1,200
556
557
Électricité Lingerie from Électricité, 1931
Photogravure
10 1/4” x 8” (sheet)
MELVIN SOKOLSKY (American, b. 1933)
PROVENANCE
Private Collection
$800–1,200
Untitled from the Bubble Series, 1963
Gelatin silver print (printed 1999)
13 3/8” x 13 3/8” (image)
19 3/4” x 15 7/8” (sheet)
PROVENANCE
$4,000–6,000
35
558
ROGER MAYNE (British, 1929-2014)
Portrait Artist Outside National Portrait
Gallery, 1965
Gelatin silver print (framed, printed 1989)
Signed and dated
8” x 12 1/8” (sight)
PROVENANCE
$1,000–1,500
561
ALLEN GINSBERG (American, 1926-1997)
Untitled (Beat Poets in Tangier), 1961
Gelatin silver print (framed)
Inscribed and signed
8 1/2” x 12 3/8” (image)
9 1/2” x 13 1/2” (sight)
PROVENANCE
$2,000–3,000
562
ANSEL ADAMS (American, 1902-1984)
Sierra Nevada, Winter Evening
from the Owens Valley, 1963
Gelatin silver print dry-mounted to board
(framed)
Signed
19 5/8” x 15 1/4” (image)
20 1/4” x 15 7/8” (sight)
PUBLISHER
Sierra Club, San Francisco
LITERATURE
559
560
YUL BRYNNER (Russian/American, 1920-1985)
DUANE MICHALS (American, b. 1932)
Ingrid Bergman
Artist stamp
17” x 14” (image)
19 7/8” x 15 7/8” (sheet)
Untitled (Fashion Ad)
13 1/2” x 9 1/8” (image)
13 7/8” x 11” (sheet)
PROVENANCE
$1,000–1,500
PROVENANCE
Szarkowski, The Portfolios of Ansel Adams,
Brown and Co., Boston, 1977, p. 75
Yosemite and the Range of Light, Little,
Brown and Co., Boston, 1979, pl. 42
(variant)
Alinder and Szarkowski, Ansel Adams:
Classic Images, Little, Brown and Co.,
Boston, 1985, pl. 73 (variant)
PROVENANCE
Sotheby’s New York, Photograph from the
Polaroid Collection, June 21-22, 2010, lot
260
Private Collection
$3,000–5,000
$1,000–1,500
37
563
Cadeau, 1921/1974
Iron and brass nails
Signed, titled and numbered 3907/5000
6 1/2” x 4” x 3 1/4”
FOUNDRY
Mirano Foundry, Venice, Italy
PUBLISHER
Luciano Anselmino, Turin, Italy
PROVENANCE
Private Collection
Note: Accompanied by signed card and original
packing.
$1,200–1,800
565
Two works of art:
Les Treize Cliches Vierges, 1969
Book with thirteen illustrations
8 1/2” x 6” (closed)
564
PUBLISHER
MAY RAY (American, 1890-1976)
Sergio Tosi, Milano
Self Portrait, 1916/1970, 1970
Screenprint in colors on Plexiglas (framed in Plexiglas)
21 1/2” x 15”
Self Portrait
Photograph
Signed and noted e.a.
9” x 7”
PRINTER
PROVENANCE
Atelier Marquet, Paris
Private Collection
PROVENANCE
$2,500–3,500
Private Collection
$1,200–1,800
39
566
FRANCIS BACON (British, 1909-1992)
Study for Bullfight No. 1, 1971
49 3/4” x 45 1/4” (image)
62 3/4” x 46 7/8” (sight)
PUBLISHER
Musee de Grand Palais, Paris
LITERATURE
Sabatier 10
PROVENANCE
$30,000–50,000
41
567
FRANCIS BACON (British, 1909-1992)
Metropolitan Triptych (left plate), 1981
Etching and aquatint in colors (framed)
15 1/4” x 11 1/2” (plate)
17 1/2” x 12 1/4” (sight)
PUBLISHER
Polígrafa, Barcelona
LITERATURE
Sabatier 4
PROVENANCE
$2,000–3,000
568
WILLEM DE KOONING (Dutch/American, 1904-1997)
Thelonious Monk-Devil at the Keyboard, 1976
30 1/4” x 24 1/2” (sight)
PROVENANCE
$2,000–4,000
569
APRIL GORNIK (American, b. 1953)
Untitled (Nova Scotia, Railing and Rain), 1979
Signed and dated
54” x 42 1/2”
PROVENANCE
Edward Thorpe Gallery, New York (label on verso)
$5,000–7,000
43
571
PATRICK HERON
(British, 1920-1999)
Six in Vermilion with Red in Red, 1970
Screenprint in colors
27 7/8” x 39” (sheet)
PROVENANCE
Private Collection
$1,800–2,400
572
ELLSWORTH KELLY
(American, 1923-2015)
Untitled (Blue/Yellow/Red), 1970-73
25 5/8” x 25 1/2” (sheet)
PUBLISHER
Harry N. Abrams, Inc., New York
LITERATURE
Axsom 91
PROVENANCE
570
VARIOUS ARTISTS: RICHARD ANUSZKIEWICZ, OYVIND FAHLSTROM,
MARISOL, CLAES OLDENBURG, JAMES ROSENQUIST, ROBERT WHITMAN
AND JACK YOUNGERMAN
The Eliane Horwitch Galleries, Santa Fe
(label on verso)
$2,000–3,000
Peace Portfolio, 1972
Seven screenprints on wove paper Artists: .
Each signed and numbered from an edition 150
Largest: 40” x 29 1/2”, Smallest: 28 3/4” x 21 3/4” (sheet)
PUBLISHERS
AKW, New York or Styria Studio, New York
PROVENANCE
$2,500–3,500
45
573
SOL L e WITT (American, 1928-2007)
Black and White Lines, Vertical, Not
Touching from Conspiracy: The Artist as
Witness, 1971
Lithograph on paper
17” x 23 1/2” (sheet)
PRINTER
Bank Street Studio, New York
PUBLISHER
Chicago 7, Chicago
LITERATURE
Krakow 1970.07
PROVENANCE
$1,200–1,800
576
Josef Albers at the Metropolitan Museum of Art, 1971
Four screenprints on paper (framed separately)
Each signed, dated, titled and numbered 19/50
28 3/8” x 20 7/8” (sheet)
LITERATURE
Danilowitz 212.1-212.4
PROVENANCE
All pictured online
$2,000–4,000
577
574
575
FRANK STELLA (American, b. 1936)
Arcs from Corners & Sides, Circles & Grids, 1972
Screenprint on paper (framed)
Signed
26 1/4” x 26 1/4” (sight)
Angriff from Conspiracy: The Artist as Witness portfolio, 1971
Screenprint on Fabriano paper
18” x 24” (sheet)
LITERATURE
PRINTER
Krakow 1972.09
PROVENANCE
Styria Studio, New York
PROVENANCE
$1,000–1,500
$1,500–2,500
SK-ED from Homage to the Square, 1972
20” x 20” (sheet)
PUBLISHER
Ives-Sillman, Inc., New Haven
LITERATURE
Danilowitz 214
PROVENANCE
$1,500–2,500
47
578
THEODOROS STAMOS (American/Greek, 1922–1997)
Infinity Field, Lefkada Series, 1973
Acrylic on canvas (framed)
79” x 56”
EXHIBITION
Theodoros Stamos: Paintings, Edwin A. Ulrich Museum of Art, Wichita State
University, Kansas, February 28 - April 1, 1979
Theodoros Stamos: A Communion with Nature, Hollis Taggart Galleries, New
York, May 13–June 19, 2010 (illustrated plate 24)
Pulling at Polarities, Hollis Taggart Galleries, New York, Pay 10–June 16, 2012
PROVENANCE
Marlborough Gallery, New York (label on verso)
Louis K. Meisel Gallery, New York (label on verso)
M. Knoedler Zürich (label on verso)
Turske and Turske Gallery, Zürich (label on verso)
Metcalfe Klopfer Gallery, Florida (label on verso)
$30,000–50,000
49
579
580
581
582
TONY ROSENTHAL (American, 1914-2009)
VOLKMAR HAASE (German, 1930-2012)
WALTER DARBY BANNARD (American, b. 1934)
JOHN SEERY (American, b. 1941)
Untitled
Bronze
Signed
12” high
Relief VI
Welded and patinated steel
Signed
22” x 8 1/2”
Vanda’s Opal, 1976
55 1/2” x 27 1/2”
Untitled, 1977
Signed and dated
30” x 28 1/8”
PROVENANCE
PROVENANCE
$1,800–2,400
$800–1,200
PROVENANCE
Watson/de Nagy & Company Gallery, Texas (label on verso)
Douglas Drake Gallery, Kansas (label on verso)
$2,500–3,500
PROVENANCE
Andre Emmerich Gallery, New York (label on verso)
$1,000–1,500
51
583
LOUISE NEVELSON (American, 1899-1988)
End of Day, No. 27. 1972
Painted wood wall hanging
34 3/8” x 18 3/4” x 1 3/4”
PROVENANCE
Pace Gallery, New York (label on verso)
$20,000–40,000
53
586
LEONID LAMM (Russian, b. 1928)
Red Angel, 1973
Oil on canvas
35” x 71 1/2”
PROVENANCE
$4,000–6,000
584
585
HELEN FRANKENTHALER (American, 1928-2011)
ALEXANDER CALDER (American, 1898-1976)
What Red Lines Can Do (One Plate), 1970
Signed, dated and numbered SS 19/75
38 1/2” x 26 1/8” (sheet)
Boomerang
Signed and noted A. P.
44” x 30” (sheet)
LITERATURE
PROVENANCE
Harrison 24
PROVENANCE
$1,500–2,500
Private Collection, Ohio
$1,000–1,500
587
AUGUSTO (GUS) ALBOR (Filipino, b.1948)
Two works of art:
Woman, 1973
Mixed media on aluminum sheet wrapped
around board (framed)
26 1/2” x 27 1/2”
Light
Mixed media on aluminum sheet wrapped
around board (framed)
Signed and titled
12” x 12”
PROVENANCE
$2,000–3,000
55
588
RICHARD LINDNER (American/German, 1901-1978)
Shoot, 1971
Two screenprints in colors on paper
Each signed, dated and numbered 32/100 and 79/100
40 1/4” x 29 1/8” (sheet)
41 1/8” x 29 1/4” (sheet)
PROVENANCE
Private Collection
$800–1,000
589
LARRY RIVERS (American, 1923-2002)
Untitled from Homage to Picasso, 1974
Signed and inscribed
22” x 30”
PRINTER
Styria Studio, New York
PROVENANCE
$800–1,000
590
ROBERT RAUSCHENBERG (American, 1925-2008)
Peanuts from CROPS, 1973
Silkscreened gesso and solvent transfer on paper
Signed, numbered and dated P.P. 1/2 73
59 7/8” x 37 7/8” (sheet)
PUBLISHER
Graphicstudio, University of South Florida, Tampa
PROVENANCE
$10,000–15,000
57
591
592
594
ERNEST TINO TROVA (American, 1927-2009)
ERNEST TINO TROVA (American, 1927-2009)
MARK
Untitled
Mixed media on board (framed)
Estate stamp on verso
17 3/8” x 13 3/8”
Untitled
Mixed media on board (framed)
Estate stamp on verso
17 3/8” x 13 3/8”
Tetrahedron in Toronto (261 & 281)
One pencil and one marker on paper with drawing of artist’s studio on verso
Largest: 25” x 18 7/8” (sheet)
Smallest: 16” x 13” (sheet)
PROVENANCE
PROVENANCE
di
SUVERO (American, b. 1933)
PROVENANCE
Estate of Joe and Patsy LoGuidice, Chicago
$1,000–1,500
$1,000–1,500
$2,000–3,000
593
MARK
di
Chicago’s Jupiter (2800)
Pencil on paper
Signed
17 7/8” x 23 7/8” (sheet)
PROVENANCE
Estate of Joe and Patsy LoGuidice,
Chicago
$1,000–1,500
595
MARK
di
Untitled (305, 307 and 309)
Three mixed media on paper (sheet, each)
13 7/8” x 16 3/4”
PROVENANCE
Estate of Joe and Patsy LoGuidice, Chicago
$2,000–3,000
59
596
GRACE HARTIGAN (American, 1922-2008)
Fire and Water, 1969
Oil on canvas
78” x 100’”
PROVENANCE
Martha Jackson Gallery, New York (label on verso)
Gertrude Kasle Gallery, Michigan (label on verso)
ACA Galleries, New York (label on verso)
$30,000–50,000
61
598
WOLF KAHN (American, b. 1927)
Untitled
Pastel on paper (frame)
Signed
13” x 16” (sight)
PROVENANCE
$1,200–1,800
597
Two works of art:
Untitled, 1958
Signed and dated
16 1/2” x 21 3/4” (sheet)
Untitled
Signed
16 1/2” x 21 7/8” (sheet)
PROVENANCE
$1,500–2,000
599
Rachel Cohen’s Flag, State II, 1979
Drypoint with handcoloring on six sheets of Rives BFK paper (framed)
17 3/4” x 132 1/2” (sheet)
PRINTER
Putney Fine Arts
PUBLISHER
Pace Editions, New York
LITERATURE
D’Oench-Feinberg 90
PROVENANCE
University of Hartford, CT (label on verso)
$7,000–9,000
63
600
RICHARD ESTES (American, b. 1932)
Oriental Cuisine from Urban Landscapes, 1972
Screenprint in colors on wove paper
Signed and noted N/A-Y
19 5/8” x 27 3/8” (sheet)
PUBLISHER
Parasol Press, Ltd., New York
PROVENANCE
Private Collection
$1,200–1,800
602
603
RICHARD SERRA (American, b. 1939)
ROBERT MOTHERWELL (American, 1915–1991)
Eight by Eight, 1972
Lithograph on Arjomari paper (framed)
50 1/4” x 30 1/4” (sheet)
Untitled (London Series I), 1971
Screenprint on J. B. Green mould-made Double Elephant paper
41” x 28 1/8” (sheet)
PUBLISHER
PRINTER
LITERATURE
PUBLISHER
Gemini G. E. L., Los Angeles
Berswordt-Wallrabe 7
PROVENANCE
Kelpra Studio, London
Marlborough Graphics, Inc., New York
PROVENANCE
Private Collection
$2,000–3,000
$1,500–2,500
601
Untitled, 1969
Two lithographs in colors
Both signed, dated and numbered 84/98 and VIL/L
22 1/8” x 29 3/4” (sheet, each)
PROVENANCE
$1,000–1,500
65
604
606
ELLIOTT ERWITT (American, b. 1928)
ANNIE LEIBOVITZ (American, b. 1949)
New York City, 1974
Signed and titled
11 5/8” x 17 3/8” (image)
15 7/8” x 19 7/8” (sheet)
Jerry Garcia, New York, 1973
Signed, dated, titled and numbered A.P. 3
11 1/2” x 17” (image)
13” x 18 1/2” (sight)
PROVENANCE
$2,000–3,000
$1,500–2,500
605
607
ELLIOTT ERWITT (American, b. 1928)
Untitled (Afghan Hound), 1999
Signed and dated
17 3/8” x 11 3/4” (image)
20” x 16” (sheet)
Arnold Schwarzenegger, Malibu, California,
1988
Signed, dated, titled and numbered A.P. 3
16” x 19 7/8” (image)
18 7/8” x 22 1/2” (sight)
PROVENANCE
$2,000–3,000
PROVENANCE
PROVENANCE
$1,500–2,500
67
611
LEE FRIEDLANDER (American, b. 1934)
608
609
LUCIEN CLERGUE (French, b. 1934)
Marilyn Leibovitz, Ellenville, New York, 1974
Signed, dated, titled, inscribed and numbered
A.P. 3
9” x 6 1/4” (image)
11 1/8” x 8 1/4” (sight)
Untitled (Nude)
21 1/4” x 14 3/4” (sight)
PROVENANCE
The American Monument: Father Duffy, Times Square, New York City, 1974
Signed and numbered XLI/L
6 1/4” x 9 5/8” (sight)
PROVENANCE
$5,000–7,000
PROVENANCE
$1,000–1,500
$800–1,200
610
LUCIEN CLERGUE (French, b. 1934)
Untitled (Nudes)
Two gelatin silver prints (framed separately)
Each signed and numbered 50/50
14 3/4” x 21 1/4” (sight)
21 1/4” x 14 3/4” (sight)
PROVENANCE
$2,000–3,000
612
LEE FRIEDLANDER (American, b. 1934)
The American Monument: To the Men and Women Who Settled in Newbury,
Massachusetts, 1976
Signed and numbered XLI/L
6 3/8” x 9 5/8” (sight)
PROVENANCE
$1,200–1,800
69
613
615
STEPHEN SHORE (American, b. 1947)
View from Hampshire County, Romney,
West Virginia, 1978
C-print (framed)
13 1/2” x 17 1/8” (sight)
Greene County Courthouse, Eutaw,
Alabama, 1978
C-print (framed)
13 1/2” x 17 1/8” (sight)
PROVENANCE
$1,500–2,500
$1,500–2,500
614
616
Greene County Courthouse, Greensboro,
Georgia, 1978
C-print (framed)
17 1/8” x 13 1/2” (sight)
Wakulla County Courthouse, Crawfordville,
Florida, 1978
C-print (framed)
13 1/2” x 17 1/8” (sight)
PROVENANCE
PROVENANCE
PROVENANCE
$1,500–2,500
$1,500–2,500
71
617
SALIBA DOUAIHY (Lebanese, 1912-1994)
Untitled
Acrylic on canvas
Signed
27 5/8” x 27 1/2”
PROVENANCE
Private Collection, Canada
$30,000–40,000
73
618
619
ABBOTT PATTISON (American, 1916-1999)
ABBOTT PATTISON (American, 1916-1999)
Warrior
Bronze on stone
Signed
15” high
15 3/4” (with base)
Untitled
Bronze plaque mounted on board (framed)
Signed
9 1/2” x 8”
PROVENANCE
$1,000–1,500
PROVENANCE
$800–1,000
621
ROBERT GOODNOUGH (American, 1917-2010)
Upward Lift, 1984
44 1/8” x 64”
PROVENANCE
Watson/de Nagy & Company, Texas (label on verso)
$3,000–5,000
620
RAFAEL FERRER (Puerto Rican, b. 1933)
Untitled
Mixed media and collage on paper (framed)
Typed signature
45 3/4” x 17 1/4” (sight)
PROVENANCE
$800–1,200
622
ROBERT GOODNOUGH (American, 1917-2010)
JN, 1987
Oil on aluminum with nuts and bolts
26” x 118”
PROVENANCE
$2,000–3,000
75
623
623A
Plankton
22 3/4” x 30 3/8” (sheet)
Flies of the Spider Web
19 3/4” x 25 1/2” (sheet)
PROVENANCE
Peterson Fine Art, Minnesota (label on verso)
$1,000–1,500
PROVENANCE
$1,000–1,500
624
623B
623C
LEE JAFFE (American, b. 1950)
LEE JAFFE (American, b. 1950)
Untitled (Jean-Michel Basquiat Contact Sheet), 1984
31” x 27 3/4” (image)
33” x 29” (sight)
Untitled (Jean-Michel Basquiat green shirt), 1983
C-print (framed)
36” x 23 7/8” (image)
38” x 23 7/8” (sight)
PROVENANCE
PROVENANCE
$2,000–3,000
$2,000–3,000
The Couple from Expressionist Woodcut Series, 1980
Woodcut with embossing in colors on Arches Cover paper (framed)
33 1/2” x 29 3/8” (plate)
40” x 36” (sheet)
PRINTER
Gemini G.E.L., Los Angeles
LITERATURE
Corlett 175
PROVENANCE
$15,000–25,000
77
625
JEAN-MICHEL BASQUIAT (American, 1960–1988)
Pure At Heart
Signed and titled
12” x 10 5/8” (sheet)
PROVENANCE
Collection Jed Johnson (gifted by the artist)
Private Collection, New York. (acquired through the above)
Private Collection
Note: Jed Johnson, former boyfriend of Andy Warhol, was
an American interior decorator and filmmaker who died in
a plane crash in 1977.
$30,000–50,000
79
625A
Corpus
Signed and titled
11” x 13 7/8” (sheet
PROVENANCE
Private Collection, Los Angeles (acquired directly from the artist during
the production of Downtown ‘81 by a contrubutor to the film)
Private Collection
$8,000–12,000
626
Crown Of Thorns
Two sided mixed media on paper (one side graphite, one side oil stick)
Signed and titled
14” x 11” (sheet)
12” x 10 5/8” (sheet)
PROVENANCE
Private Collection
$15,000–25,000
81
628
After the Party, 1979
Screenprint in colors on Arches 88 paper (framed)
21 1/2” x 30 3/8” (sheet)
PRINTER
Rupert Jasen Smith, New York
PUBLISHER
Grosset and Dunlap, Inc., New York
LITERATURE
Feldman-Schellmann II.183
PROVENANCE
$8,000–12,000
627
Jaw, 1981
14” x 11”
12” x 10 5/8” (sheet)
PROVENANCE
Private Collection
$8,000–12,000
83
629
631
NAN GOLDIN (American, b. 1953)
Brian on the Phone, NYC, 1981
C-print mounted to Sintra foam board
Signed, dated, noted AP III and inscribed
15 3/4” x 19 3/4”
Happy Birthday Honey (Pug), 1986
Ink marker on Andy Warhol Studio
stationary (framed)
11” x 8 1/2” (sheet)
PROVENANCE
Private Collection, Germany
$3,500–4,500
PROVENANCE
The artist
Brigid Berlin
$5,000–7,000
630
632
The Hug, NYC, 1980
C-print mounted to Sintra foam board
Signed, dated, noted AP II and inscribed
23 1/2” x 15 1/2”
Untitled (Gun) from the Guns and Knives
series
Polaroid
Estate stamped
3 1/2” x 5”
PROVENANCE
Private Collection, Germany
$3,500–4,500
PROVENANCE
Private Collection, Austria
$2,000–3,000
85
633
The Scream (after Munch), 1984
Screenprint in colors on cardstock (partial screen cleaning)
(framed)
Estate stamped
29 3/8” x 41 1/4” (sheet)
PRINTER
Rupert Jasen Smith, New York
LITERATURE
Feldman Schellmann III.A 58
PROVENANCE
Weber von Beeren (notations on verso)
Swann Galleries, November 20, 2008, lot 233
$4,000–6,000
634
RAYMOND PETTIBON (American, b. 1957)
Untitled (VAVOOM With the support of a formidable body of German philosophy.), 1987
Signed and dated
22 1/2” x 17 1/2” (sheet)
PROVENANCE
Private Collection
$15,000–25,000
87
635
636
Untitled (A question could climb to the seat of the highest seer.), 1987
Signed and dated
23 5/8” x 18” (sheet)
Untitled (Not money. Not glory. Love.), 1987
Signed and dated
23” x 13 5/8” (sheet)
PROVENANCE
PROVENANCE
Private Collection
Private Collection
$7,500–10,000
$10,000–15,000
89
637
Plots on Loan
72 page artist book of lithographs in color
Numbered 8/250
19 1/2” x 14 1/2” (closed)
PUBLISHERS
The artist, Brooke Alexander Edition, Inc. and David Zwirner, New York
PROVENANCE
Private Collection
$1,500–2,500
638
Untitled (They hesitate before they are plunged into the abyss.), 1987
Signed and dated
23” x 13” (sheet)
PROVENANCE
Private Collection
$5,000–7,000
91
641
TOM WESSELMANN
(American, 1931-2004)
Cynthia Nude, 1981
28 7/8” x 38 1/2” (sheet)
PUBLISHER
Multiples Inc., New York
PROVENANCE
$4,000–6,000
639
JAMES ROSENQUIST (American, b. 1933)
Two works of art:
Caught One, Lost One, for the Fast Student, 1989
Lithograph in colors with collage (framed)
54 1/2” x 38” (sheet)
Katonah Muse, 1993
27 1/2” x 21 1/4” (sheet)
PRINTER/PUBLISHER
PRINTER/PUBLISHER
Tyler Graphics, Ltd., New York
Tyler Graphics, Ltd., New York
PROVENANCE
$3,000–5,000
642
MARK KOSTABI
(American, b. 1960)
Figures Descending a Staircase, 1982
48” x 36”
640
DAVID HOCKNEY (British, b. 1937)
Parade Poster for the Metropolitan Opera, New York, 1981
80 3/4” x 40 3/4” (sight)
PROVENANCE
$3,000–5,000
PUBLISHER
Petersburg Press, New York
PROVENANCE
Private Collection
$1,200–1,800
93
643
AARON SISKIND
(American, 1903-1991)
Rome 2, Homage to F. K., 1973
14 3/8” x 14 3/8” (image)
19 7/8” x 15 7/8” (sheet)
PROVENANCE
$1,500–2,500
644
ROBERT MOTHERWELL
(American, 1915-1991)
Octavio Paz Suite: A Throw of the Dice,
1988
Lithograph on chine appliqué (framed)
16 1/4” x 12 1/2” (sight)
LITERATURE
Engberg and Banach 434
PUBLISHER
The Limited Editions Club, New York
PROVENANCE
$1,500–2,500
645
JASPER JOHNS (American, b. 1930)
Cicada, 1981
35” x 26” (sheet)
PRINTER/PUBLISHER
LITERATURE
ULAE 213
PROVENANCE
$15,000–25,000
95
646
JEREMY GILBERT-ROLFE
(British, b. 1945)
Broken Cross, 1983
Mixed media on paper (framed)
Initialed, dated and titled
19 1/4” x 22 1/4” (sight)
PROVENANCE
$1,000–1,500
647
648
EMILY MASON
(American, b. 1932)
THOMAS NOZKOWSKI (American, b. 1944)
As Sounding, 1982
Signed and dated
26” x 19 7/8” (sight)
PROVENANCE
$1,500–2,500
Untitled (TNP 83-59), 1983
Oil on linen
Signed and dated
16 1/4” x 20 1/4”
PROVENANCE
$5,000–7,000
97
649
RICHARD DIEBENKORN (American, 1922–1993)
Folsom Street Variations III, 1986
Etching and aquatint in colors on Rives paper (framed)
Initialed, dated and numbered 2/60
11 7/8” x 25 7/8” (plate)
26 3/8” x 40” (sheet)
PUBLISHER
Crown Point Press
PROVENANCE
Lizardi/Harp Gallery, California (label on verso)
Private Collection
$22,000–28,000
99
650
RICHARD DIEBENKORN (American, 1922-1993)
Untitled, 1991
Lithograph on Arches paper (framed)
Initialed, dated and numbered 5/75
17 3/4” x 15” (sheet)
PUBLISHER
PROVENANCE
Private Collection
$1,200–1,800
651
Forms Derived From a Cube, 1982
Two etching and aquatints (framed separately)
17 5/8” x 17 5/8” (plate, each)
20 1/2” x 20 1/2” (sheet, each)
652
653
ISAAC WITKIN (American, 1936-2006)
RICHARD ERDMANN (American, 1894-1965)
Untitled, 1982
Cast bronze
Signed and dated
24 3/4” high
Sonata I, 1985
Bronze on stone base
28” high
31” high (with base)
PROVENANCE
$2,000–3,000
PROVENANCE
$2,000–3,000
PRINTER
Watanabe Studio Ltd., Brooklyn
PUBLISHER
Multiples, Inc., New York
LITERATURE
Krakow 1982.04
PROVENANCE
$2,000–3,000
101
654
656
MITCH EPSTEIN (American, b. 1952)
RICHARD MISRACH (American, b. 1949)
Martinique, 1986
C-print (framed)
14 3/8” x 21 1/2” (sight)
Salton Sea Overview (Pink), 1983
C-print (framed)
27 3/8” x 34 1/2” (sight)
PROVENANCE
$1,200–1,800
$5,000–7,000
655
657
MITCH EPSTEIN (American, b. 1952)
RICHARD MISRACH (American, b. 1949)
Port of Span, Trinidad, 1987
C-print (framed)
21 1/2” x 14 3/8” (sight)
Tracks, Black Rock Desert, 1985
C-print (framed)
27 5/8” x 35” (image)
38 3/4” x 36” (sight)
PROVENANCE
$1,200–1,800
PROVENANCE
PROVENANCE
$5,000–7,000
103
658
660
WILLIAM WEGMAN (American, b. 1943)
KAREN KNORR (German, b. 1954)
Office Worker, 1982
Color Polaroid (framed)
Signed and dated
24 7/8” x 20 3/8” (sight)
The Work of Art in the Age of Mechanical
Reproduction, 1990
Cibachrome (framed)
34 5/8” x 34 1/2” (sight)
PROVENANCE
PROVENANCE
$2,000–3,000
$2,000–3,000
659
660A
JAVIER VALLHONRAT (Spanish, b. 1953)
KAREN KNORR (German, b. 1954)
Objetos Precarios #28, 1995
C-print mounted to aluminum
49 1/4” x 49 1/4”
Looking at Great Works of Art, 1990
Cibachrome (framed)
Edition 4/5
34 3/8” x 34 1/2” (sight)
PROVENANCE
Galería Helga de Alvear, Madrid (label on
verso)
PROVENANCE
$2,000–3,000
$1,500–2,500
105
661
GEORG BASELITZ (German, b. 1958)
Untitled (Kopf 15.VI.1983), 1983
Gouache on paper (framed)
Signed and dated
24” x 16-7/8” (sheet)
PROVENANCE
Private Collection
$15,000–25,000
107
662
ALEXANDER CALDER
(American, 1898-1976)
Trees
31” x 22 1/4” (sheet)
PROVENANCE
$1,000–1,500
663
664
ALEXANDER CALDER
(American, 1898-1976)
ARMAN
(American/French, 1928-2005)
Peace
Signed and noted épreuve d’artiste
22 3/4” x 30 3/4” (sight)
Untitled
Bronze
Signed and numbered 1/8 “Arman 1/8”
with foundry mark “bocquel”
16 1/2” x 14” x 8”
PROVENANCE
$1,000–1,500
PROVENANCE
$8,000–12,000
109
665
DONALD SULTAN (American, b. 1951)
Peppers, 1989
Mixed media with tar, spackle and latex on linoleum tiles laid
on wood panel (four parts)
96” x 96” x 5” (overall)
PROVENANCE
Blum Helman Gallery, New York
Private Collection, California
Jonathan Novak Contemporary Art, Los Angeles
Acquired by the present owner from the above
$20,000–30,000
111
666
ROBERT RAUSCHENBERG (American, 1925-2008)
LA Uncovered #4, 1998
Screenprint in colors on paper (framed)
22 1/8” x 20 1/8” (sheet)
PUBLISHER
LITERATURE
Gemini G.E.L. 1732
PROVENANCE
Private Collection
$1,500–2,500
667
ROBERT RAUSCHENBERG (American, 1925–2008)
New York Philharmonic 150th Anniversary, Dec. 7,
1992, 1991
44 5/8” x 35 1/8” (sheet)
PROVENANCE
$800–1,200
668
JOSEPH STASHKEVETCH (American, born 1958)
Untitled
Charcoal and conté crayon on rag paper (framed)
60” x 50” (sheet)
PROVENANCE
$4,000–6,000
113
669
671
RED GROOMS (American, b. 1937)
MARK KOSTABI (American, b. 1960)
Two works of art:
Conversation Pieces (Classic Decision),
1997
Oil on canvas
24” x 18”
Derain and Vlaminck Meet During the Train
Derailment, 1997
Watercolor and collage on paper (framed)
Signed and dated
12 1/2” x 17 3/4” (irregular sheet)
EXHIBITION
The Human Comedy/Portraits by Red Grooms,
The Katonah Museum of Art, New York,
January 19-April 6, 2013
PROVENANCE
$3,000–5,000
PROVENANCE
Marlborough Gallery, New York (label on verso)
Pollock’s Model A, 1998
13 1/2” x 19 7/8” (sheet)
PROVENANCE
$1,500–2,500
670
672
BURTON MORRIS (American, b. 1964)
PETER MAX (American, b. 1937)
Taxi, 2000
Painted wood relief
23 3/4”x 31 1/4” x 3 3/4”
Untitled, 1992
Acrylic on canvas
Signed and dated
11” x 14”
PROVENANCE
PROVENANCE
Private Collection, Oregon
$1,000–1,500
$1,000–1,500
115
673
GEORGE RODRIGUE (American, 1944-2013)
Two works of art:
Blue Dog On The River
Signed and noted Artist Proof 94/100
28” x 20” (sight)
Bear with Me
22 1/4” x 32” (sight)
PROVENANCE
$2,000–3,000
674
675
GEORGE RODRIGUE (American, 1944-2013)
ALLAN CAPRON (HAOZOUS) HOUSER
(American, 1914-1994)
Party Animal
Signed and noted Artist Proof
32 3/8” x 20 3/4” (sight)
PROVENANCE
$1,200–1,800
Untitled, 1992
Bronze
36 1/2” high; 37” high (with base)
PROVENANCE
$5,000–7,000
117
676
JULES OLITSKI (American, 1922-2007)
Cypress Caprice, 1996
Monoprint in colors on paper (framed)
Signed, dated, titled and noted II
27 1/2” x 21” (sight)
PROVENANCE
Private Collection, Illinois
$2,000–5,000
677
678
LEONARD L. NELSON (American, 1912-1993)
Untitled, 2004
30 1/4” x 35” (sheet)
Untitled, 1990
Oil and acrylic on canvas (framed)
Signed and dated
25” x 30”
PROVENANCE
PROVENANCE
Private Collection
$800–1,000
$6,000–8,000
119
680
ROXY PAINE (American, b. 1966)
Scumak, 1999
Low density polyethylene
Signed and dated
12 1/4” x 15” x 8”
PROVENANCE
$3,000–5,000
679
681
SHARON LOUDEN (American, b. 1964)
PHILIP TAAFFE (American, b. 1955)
Untitled
Six graphite and gel medium on Mylar (framed separately)
24 3/4” x 19 7/8” (sheet, each)
Great Performers at Lincoln Center, 1999
Signed, dated and inscribed
35 3/4” x 37” (sheet)
PROVENANCE
Private Collection, California
$3,000–5,000
PROVENANCE
$800–1,000
121
682
ROBERT MANGOLD (American, b. 1937)
Semi-Circle I and II, 1995
Two lithographs in colors (framed separately)
Both signed and numbered 2/47
PUBLISHER
Brooke Alexander, Inc., New York
LITERATURE
Sandback 52.03, 52.04
PROVENANCE
$2,500–3,500
684
Complex Forms: A Set of Three Prints - B, 1990
Three line etchings (framed together)
PRINTER
Watanabe Studio, Ltd., Brooklyn
683
LOUISE BOURGEOIS (American/French, 1911-2010)
Le Père et les 3 Fils (Version II, State II), 1999
Lithograph and embossing in colors (unique variant)
24” x 13” (sheet)
LITERATURE
PUBLISHER
Multiples, Inc., New York
LITERATURE
Krakow 1990.06
PROVENANCE
$9,000–12,000
Louise Bourgeois: The Complete Books and Prints,
Museum of Modern Art, New York (no. 518.2)
PROVENANCE
Private Collection
$2,500–3,500
123
685
CARL ANDRE (American, b. 1935)
Third Aluminum Quartile , 1992
Four aluminum rectangles
5” x 3” x 3/16” (each)
10” x 6” x 3/16” (overall)
EXHIBITION
Julian Pretto, New York, 1992
PROVENANCE
Julian Pretto, New York
Private Collection
Note: Accompanied by Certificate of Authenticity
$30,000–50,000
125
686
KOMAR AND MELAMID
(Russian, b. 1943 and b. 1945)
Two works of art:
Scenes from the Future: Guggenheim, 1990
Etching and drypoint (framed)
30” x 22” (sheet)
Scenes from the Future: MoMA, 1990
Etching and drypoint (framed)
30” x 22” (sheet)
PROVENANCE
Private Collection
$1,500–2,500
687
ROBERT COTTINGHAM
(American, b. 1935)
Two works of art:
Rolling Stock for Mark, 1992
Etching and aquatint in colors (framed)
8 1/4” x 18 7/8” (plate)
22 5/8” x 31” (sheet)
PUBLISHER
Creative Works Editions, Kyoto, Japan
Roxy Arcade
26 1/4” x 19 1/2” (sheet)
PROVENANCE
688
FRANK STELLA (American, b. 1936)
Riallaro (Black and White) from Imaginary Places series, 1994
Intaglio, relief color etching, aquatint, relief and collagraph (framed)
46” x 32 1/4” (sheet)
PUBLISHER
Tyler Graphics Ltd., New York
PROVENANCE
$1,200–1,800
$4,000–6,000
127
689
JOEL-PETER WITKIN (American, b. 1939)
Man Without a Head, 1993
18 3/8” x 15 1/8” (sight)
PROVENANCE
Pace MacGill Gallery, New York (label on
verso)
$3,000–5,000
690
HUANG YAN (Chinese, b. 1966)
Chinese Landscape: Tattoo No. 2, 1999
Chromogenic print (framed)
32 1/8” x 42 1/2” (sight)
PROVENANCE
$2,000–3,000
691
VIK MUNIZ (Brazilian, b. 1961)
Charlton Heston from Pictures of Chocolate, 1999
Cibachrome (framed)
Signed, dated, titled and numbered AP 1/3 on label on verso
58” x 45” (sight)
PROVENANCE
Brent Sikkema Fine Art, New York (label on verso)
$12,000–18,000
129
692
VICTOR SKREBNESKI
(American, b. 1929)
Iman and David, 1991
13 7/8” x 11” (image)
22 1/4” x 19 5/8” (sheet)
PROVENANCE
$1,000–2,000
693
VICTOR SKREBNESKI
(American, b. 1929)
Dennis Hopper, 1990
Signed and dated
11 1/4” x 16 7/8” (image)
20” x 23 3/4” (sheet)
PROVENANCE
$2,000–3,000
694
PATRICK DEMARCHELIER (French, b. 1942)
Princess Diana, London, 1990
21 7/8” x 16” (image)
23 3/4” x 19 7/8” (sheet)
PROVENANCE
$6,000–8,000
131
695
PATRICK DEMARCHELIER (French, b. 1942)
697
Two works of art:
VICTOR SKREBNESKI (American, b. 1929)
Giraffes, Tanzania, 1993
17 7/8” x 17 7/8” (image)
21 5/8” x 19 7/8” (sheet):
Two works of art:
Bette Davis, 1971
Signed and dated
13 5/8” x 12” (image)
23 3/4” x 20” (sheet)
Tree, Tanzania, African, 1993
17 5/8” x 17 1/2” (image)
23 3/4” x 19 7/8” (sheet)
Audrey Hepburn, 1967
Signed and dated
14” x 11 7/8” (image)
19 5/8” x 15 7/8” (sheet)
PROVENANCE
$2,000–3,000
PROVENANCE
$1,500–2,500
696
698
ROBERT MAPPLETHORPE (American, 1946–1989)
A Season in Hell by Arthur Rimbaud, 1986 (English translation by
Paul Schmidt)
Eight photogravures
Signed by Mapplethorpe and Paul Schmidt and numbered 533 of
1000
4 7/8” x 4 7/8” (largest)
Mercury Gown, 1994
Signed and dated
22 5/8” x 10” (sheet)
PUBLISHER
The Limited Editions Club
PROVENANCE
$1,000–2,000
PROVENANCE
Private Collection
$800–1,000
133
699
Painted Body Series, 1982
Two gelatin silver prints
Both signed and dated
Woman: 4 1/4” x 3” (image)
13 7/8” x 10 7/8” (sheet)
Man: 4 1/4” x 4 1/4” (image)
13 1/4” x 10 7/8” (sheet)
PROVENANCE
$1,000–2,000
700
Four works of art:
Candice Bergen, 1971
13 7/8” x 11 3/4” (image)
19 7/8” x 16” (sheet)
Marcus Schenkenberg, 1991
Signed and dated
10” x 8” (image)
19 7/8” x 16” (sheet)
Raquel Welch, 1980
Signed and dated
13 3/4” x 11 5/8” (image)
20” x 15 7/8” (sheet)
Sharon Stone
Gelatin silver print (work print)
Artist stamp
8 3/4” x 6 1/8” (image)
10” x 7 7/8” (sheet)
PROVENANCE
$3,000–5,000
701
MATTHEW BARNEY (American, b. 1967)
The Executioner’s Song from Cremaster 2, 1998
Laminated C-print in an acrylic frame
Signed and dated
Edition 23” x 18 3/4” (sight)
27 1/4” x 23” (frame)
PROVENANCE
Barbara Gladstone Gallery, New York (label on verso)
Skarstedt Fine Art, New York (label on verso)
$6,000–8,000
135
702
Two works of art:
The Devil’s Playground, 2003
Signed copy with 343 color photographs
12 1/8” x 9 1/8” x 2” (closed)
PUBLISHER
Phaidon Press
Untitled
Three c-prints
Each signed and noted A.P.
704
PROVENANCE
Production Still, Forest Gathering #1 from
Beneath the Roses, 2003
Digital c-print (framed)
Signed and dated
12” x 16” (image)
14” x 18” (sheet)
Private Collection
All pictured online
$1,200–1,800
GREGORY CREWDSON
(American, b. 1962)
PROVENANCE
Private Collection
$2,500–3,500
705
GREGORY CREWDSON
(American, b. 1962)
703
VIK MUNIZ (Brazilian, b. 1961)
Two works of art:
After Motherwell (Pictures of Ink) IV, 2002
Iris print with silkscreen varnish (framed)
19” x 21 7/8” (sheet):
Untitled from Natural Wonder, 1992
Color coupler print (framed)
35 1/2” x 27 1/2” (sight)
PROVENANCE
$3,000–5,000
Key from Earthworks, 2006
C-print (framed)
7 7/8” x 10” (sheet)
PROVENANCE
$1,800–2,400
137
707
JAMES SIENA
(American, b. 1957)
Shaded Connected Hooks, 2007
Etching in colors with chine collé on paper
(framed)
13 7/8” x 10 3/4” (plate)
22 7/8” x 17 7/8” (sheet)
PROVENANCE
$2,000–3,000
706
708
VARIOUS ARTISTS: DAVID ARMSTRONG, DAWOUD BEY,
TINA BARNEY, BILL BURKE, ALEJANDRO CESARCO, WILLIAM
EGGLESTON, MARINA KARELLA, STEVEN KLEIN, JESSICA CRAIG
MARTIN, KEMBRA PFAHLER, JACK PIERSON, SAM TAYLOR-WOOD
CLAES OLDENBURG
(Swedish/American, b. 1929)
amfAR Photography Portfolio (12 works in original box, incomplete set), 2004
C-print, silver print, digital print, and platinum print
Some signed, dated and numbered, Edition 9/25
PROVENANCE
Icons in a Smoke-filled Room, 1996
20 1/4” x 24 1/4” (sheet)
PROVENANCE
Private Collection
$1,000–1,500
$2,000–4,000
139
709
NEIL WELLIVER
(American, 1929-2005)
White Birches
39” x 32” (sight)
PROVENANCE
$1,500–2,500
710
711
FAIRFIELD PORTER
(American, 1907-1975)
ALEX KATZ (American, b. 1927)
The Ocean (I), 1973
22 1/4” x 30” (sheet)
LITERATURE
Ludman 26
Springtime, 2006
Signed and dated
9” x 11 3/4”
PROVENANCE
$15,000–25,000
PROVENANCE
$1,000–1,500
141
712
ALEX KANEVSKY (Russian, b. 1963)
Two works of art:
Lawyer F., Philadelphia, 2000
Signed, dated, titled and inscribed
12” x 12”
Bonfire, 2004
Photographic print (framed)
17 1/4” x 17” (sheet)
PROVENANCE
Rosenfeld Gallery, Philadelphia
Both pictured online
$1,800–2,400
714
ELIZABETH PEYTON (American, b. 1965)
Five works of art:
713
713A
LISA YUSKAVAGE (American, b. 1962)
MICHAEL PHELAN (American, b. 1968)
Untitled, 2002
Lithograph
36” x 28” (sheet)
The Best Way Out is Through, Part III, 2005
Tie dye on linen
80” x 68”
PROVENANCE
$1,000–1,500
PROVENANCE
Daniel Reich Gallery, New York (label on verso)
$3,000–5,000
Jackie and John, 2000
24” x 19” (sheet)
Prince William, 2000
24” x 18” (sheet)
John (John F. Kennedy Jr. on Horseback), 2000
24” x 19” (sheet)
Kiss, 2000
24” x 19” (sheet)
Prince William and Prince Henry at Uncle’s
Wedding, 2000
24” x 19” (sheet)
PUBLISHER
Public Art Fund, New York
PROVENANCE
Private Collection
$10,000–15,000
143
715
ADAM FUSS (British, b. 1961)
Untitled from My Ghost, 2000
Gelatin silver print (after a photogram)
(framed)
19 1/4” x 22 7/8” (sight)
PROVENANCE
$2,000–3,000
716
SEAN MELLYN (American, b. 1965)
Two works of art:
Lone Ranger, 1998
Signed and dated
12 1/4” x 11 3/8” x 1”
PROVENANCE
Ambrosino Gallery, Miami
Stomped, 1996
20” x 15” (sheet)
PROVENANCE
717
JEFF KOONS (American, b. 1955)
Balloon Dog, 2002
Metalized porcelain (with original box and stand)
Numbered 1812/2300
10 1/8” diameter
PUBLISHER
Museum of Contemporary Arts, Los Angeles
PROVENANCE
$6,000–8,000
$1,200–1,800
145
720
DAMIEN HIRST (British, b. 1965)
718
JEFF KOONS (American, b. 1955)
Play-doh Plate, 2014
Screenprint in colors on porcelain plate (in
original box)
Printed signature, date, title and numbered
120/2500
12 1/2” diameter
MANUFACTURER
Bernardaud
PROVENANCE
Butterfly Spin Painting (Created at Damien
Hirst Spin Workshop), 2009
Acrylic on paper
Bears Hirst blindstamp and stamped with
signature and inscription ìThis painting
was made by / to celebrate the opening
/ of Damien Hirst, Requiem, / at the
PinchukArtCentre / on / Damien Hirst
[stamped signature] / (c)Damien Hirst” on
verso
21 1/4” x 27” (irregular)
PROVENANCE
Private Collection
Private Collection
$500–700
719
Note: Created with public collaboration
at the Damien Hirst Spin Workshop to
celebrate the opening of Requiem at the
Pinchuk Art Center, Ukraine.
MIKE KELLEY (American, 1954-2012)
$3,000–5,000
Untitled (Bowling Ball, Stand and Catalogue), 1991
Bowling Ball is printed with signature and number
33/50
Catalogue is signed and dated 1992
PUBLISHER
A.R.T. Press, Los Angeles
PROVENANCE
Private Collection
$1,200–1,800
721
Skull Spin Painting (Created at Damien
Acrylic on paper
[stamped signature] / (c) Damien Hirst” on
verso
28” x 20” (irregular)
PROVENANCE
Private Collection
$3,000–5,000
147
722
Heart Spin Painting (Created at Damien
Acrylic on paper
signature and inscription “This painting
[stamped signature] / (c) Damien Hirst”
21” x 20 1/4” (irregular)
PROVENANCE
Private Collection
$3,000–5,000
723
724
RICHARD SERRA (American, b. 1939)
Shark Spin Painting (Created at Damien
Acrylic on paper (framed)
signature and inscription “This painting
verso
26” x 19 1/4” (irregular)
Path and Edges #11 (RS07-3423), 2007
Etching on Mohachi paper (framed)
23 1/2” x 29 3/8” (sheet)
PROVENANCE
PUBLISHER
PROVENANCE
$4,000–6,000
Private Collection
725
Pinchuk Art Center, Ukraine
JAMES BEARDEN (American, b. 1964)
$3,000–5,000
Roar
Patinated steel with fused bronze
Signed
30 1/2” high
PROVENANCE
Private Collection
$1,200–1,800
149
726
ADAM HELMS (American, b. 1974)
729
Standing NFA Irregular # 2, 2005
Gouache on paper (framed)
40” x 33” (sheet)
BANKSY (British, b. 1974)
PROVENANCE
Morons (Sepia), 2007
22” x 30” (sheet)
$1,000–1,500
PRINTER
Pictures on Walls
PROVENANCE
$4,000–6,000
730
KEHINDE WILEY (American, b. 1977)
Passing/Posing, 2003
Pigment print in colors (artist selected
frame)
23 5/8” x 23 5/8” (sight)
PUBLISHER
Michael Steinberg and Downtown Arts
Projects, New York
PROVENANCE
$2,000–3,000
727
728
CARTER KUSTERA (Canadian/American, 20th C.)
CARTER KUSTERA (Canadian/American, 20th C.)
America’s Most Wanting #12 (Rich),1995
Artist’s stamp
29 1/2” x 21 1/2” (sight)
America’s Most Wanting #13 (Maryanne), 1995
Artist’s stamp
29 1/2” x 21 1/2” (sight)
PROVENANCE
PROVENANCE
Chassie Post Gallery, New York (label on verso)
Private Collection
Chassie Post Gallery, New York (label on verso)
Private Collection
$800–1,000
$800–1,000
151
731
732
MR. BRAINWASH (French, b. 1966)
MR. BRAINWASH (French, b. 1966)
Angelina Jolie, 2009
Signed and dated
30” x 22 1/2” (sheet)
Dreamboats, 2011
Collage on paper
Signed and dated
44” x 36”
PROVENANCE
PROVENANCE
$6,000–8,000
$6,000–8,000
153
733
JR (French, b. 1983)
Untitled, 2008
Giclée on watercolor paper (framed)
13” x 35 3/4” (sheet)
PROVENANCE
$1,500–2,000
735
736
SHEPARD FAIREY (American, b. 1970)
SHEPARD FAIREY (American, b. 1970)
Obey ‘99 (Gallery Edition), 2006
41” x 28 1/2” (sheet)
Hope, 2008
36” x 24” (sheet)
PROVENANCE
PROVENANCE
The artist
$1,500–2,500
$2,500–3,500
734
Clinchy, 2006
Giclée on watercolor paper (framed)
17 7/8” x 23 7/8” (sheet)
PROVENANCE
$800–1,000
155
739
Skull Spin Painting (Created at Damien
Acrylic on paper
verso
28” x 20” (irregular)
PROVENANCE
737
Private Collection
TAKASHI MURAKAMI (Japanese, b. 1962)
Three works of art:
Jellyfish Eyes Black 1, 2004/2012
Offset lithograph in colors (framed)
19 1/4” x 19 1/4” (sight)
$3,000–5,000
Jellyfish Eyes White 1, 2006
19 1/2” x 19 1/2” (sheet)
Jellyfish Eyes, 2004/2012
19 1/4” x 19 1/4” (sight)
PUBLISHERS
The artist and Kaikai Kiki Co., Ltd., Tokyo and New York
PROVENANCE
$3,000–5,000
738
Butterfly Spin Painting (Created at Damien Hirst
Spin Workshop), 2009
Acrylic on paper (framed)
signature and inscription “This painting was
made by / to celebrate the opening / of Damien
Hirst, Requiem, / at the PinchukArtCentre / on /
Damien Hirst [stamped signature] / (c)Damien
Hirst” on verso
21 1/4” x 27” (irregular)
PROVENANCE
Private Collection
Note: Created with public collaboration at the
Damien Hirst Spin Workshop to celebrate the
opening of Requiem at the Pinchuk Art Center,
Ukraine.
740
Circle Spin Painting (Created at Damien
Acrylic on paper
verso
20 1/2” diameter
PROVENANCE
Private Collection
$3,000–5,000
$3,000–5,000
157
741
742
743
FANG LIJUN (Chinese, b. 1963)
FANG LIJUN (Chinese, b. 1963)
ZENG FANZHI (Chinese, b. 1964)
Untitled
Woodcut in colors
48” x 32” (sheet)
Untitled, 2000
Woodcut in colors
48” x 32” (sheet)
Untitled, 2008
39 1/4” x 46 1/2” (sheet)
PROVENANCE
PROVENANCE
PROVENANCE
$1,500–2,500
$1,500–2,500
$5,000–7,000
159
744
YUE MINJUN (Chinese, b. 1962)
Untitled (Smile-ism No. 10), 2006
43 1/4” x 35 1/2” (sheet)
PROVENANCE
$3,000–5,000
745
746
43 1/4” x 35 1/2” (sheet)
35 1/2” x 43 1/4” (sheet)
PROVENANCE
PROVENANCE
$3,000–5,000
$3,000–5,000
161
747
749
WANG GUANGYI (Chinese, b. 1957)
Coca Cola (Green), 2006
32 1/4” x 30 3/8” (sheet)
Gilette
35 1/2” x 27” (sheet)
PROVENANCE
$2,000–3,000
$1,500–2,500+
748
750
ZHANG XIAOGANG (Chinese, b. 1958)
Great Criticism: WTO, 2006
32 1/4” x 30 3/8” (sheet)
Fantasy, 2002
30 7/8” x 25 1/8” (sheet)
PROVENANCE
PROVENANCE
PROVENANCE
$1,500–2,500
$800–1,000
163
ARTIST LISTING
Adams, Ansel (American, 1902-1984)
562
Albers, Josef (American/German, 1888-1976)
536, 576, 577
Albor, Augusto (Gus) (Filipino, b.1948)
587
Andre, Carl (American, b. 1935)
685
Arman (American/French, 1928-2005)
664
Ashlock, Rex (American, 1918-1999)
522, 523
Bacon, Francis (British, 1909-1992)
566, 567
Banksy (British, b. 1974)
729
Bannard, (American, b. 1934)
581
Barney, Matthew (American, b. 1967)
701
Battaglia, Carlo (Italian, 1933-2005)
520
Baselitz, Georg (German, b. 1958)
661
Basquiat, Jean-Michel (American, 1960–1988) 625, 625a, 626, 627
Baziotes, William (American, 1912-1963) 500
Bearden, James (American, b. 1964)
725
Beuys, Joseph (German, 1921–1986)
539
Booth, Cameron (American, 1892-1980)
514
Bourgeois, Louise (American/French, 1911-2010)
683
Brodie, Gandy (American, 1925-1975)
531, 532
Brynner, Yul (Russian/American, 1920-1985)
Calder, Alexander (American, 1898-1976)
559
585, 623, 623a, 662, 663
Chadwick, Lynn (British, 1914-2003)
506
Clergue, Lucien (French, b. 1934)
609, 610
Conolly, Thurloe (Irish, b. 1918)
516, 517, 518
Cottingham, Robert (American, b. 1935) 687
Crawford, Ralston (American, 1906-1978)
505
Crewdson, Gregory (American, b. 1962) 704, 705
de Kooning, Willem (Dutch/American, 1904-1997)
Demarchelier, Patrick (French, b. 1942)
di Suvero, Mark (American, b. 1933)
Diebenkorn, Richard (American, 1922-1993)
Dine, Jim (American, b. 1935)
Douaihy, Saliba (Lebanese, 1912-1994)
Epstein, Mitch (American, b. 1952)
Erdmann, Richard (American, 1894-1965) Erwitt, Elliott (American, b. 1928)
Estes, Richard (American, b. 1932) Fairey, Shepard (American, b. 1970)
Fanzhi, Zeng (Chinese, b. 1964)
568
694, 695
593, 594, 595
649, 650
529, 529a, 530, 599
617
654, 655
653
604, 605
600
735, 736
743
Ferrer, Rafael (Puerto Rican, b. 1933)
620
Frankenthaler, Helen (American, 1928-2011)
584
Friedlander, Lee (American, b. 1934)
611, 612
Fuss, Adam (British, b. 1961)
715
Gego (Gertrud Louise Goldschmidt) (Venezuelan, 1912-1994) Gilbert-Rolfe, Jeremy (British, b. 1945)
561
Goldberg, Michael (American, 1924–2007)
533
Goldin, Nan (American, b. 1953)
629, 630, 702
Goodnough, Robert (American, 1917-2010)
621, 622
Gornik, April (American, b. 1953)
569
Grooms, Red (American, b. 1937)
669
Guangyi, Wang (Chinese, b. 1957)
747, 748, 749
Haase, Volkmar (German, 1930-2012) 580
Hare, David (American, 1917-1992) 528
Hartigan, Grace (American, 1922-2008)
596
Helms, Adam (American, b. 1974)
726
Heron, Patrick (British, 1920-1999)
Hirst, Damien (British, b. 1965)
509
646
Ginsberg, Allen (American, 1926-1997)
571
720, 721, 722, 723, 738, 739, 740
Hockney, David (British, b. 1937)
640
Houser, Allan Capron (Haozous) (American, 1914-1994)
675
Johns, Jasper (American, b. 1930)
Kahn, Wolf (American, b. 1927)
Lijun, Fang (Chinese, b. 1963)
741, 742
Lindner, Richard (American/German, 1901-1978)
588
Louden, Sharon (American, b. 1964)
679
Man Ray (American, 1890-1976)
554, 555, 556, 563, 564, 565
Mangold, Robert (American, b. 1937)
682
Mapplethorpe, Robert (American, 1946–1989)
696
Mason, Emily (American, b. 1932)
647
Max, Peter (American, 1937)
672
Mayne, Roger (British, 1929-2014) 558
Mellyn, Sean (American, b. 1965)
716
Michals, Duane (American, b. 1932)
Minjun, Yue (Chinese, b. 1962)
Misrach, Richard (American, b. 1949)
656, 657
Morath, Inge (Austrian/American, 1923-2002)
552, 553
Morris, Burton (American, b. 1964)
670
Morrison, George (American, 1919-2000) 513
Motherwell, Robert (American, 1915-1991)
534, 603, 644
Mr. Brainwash (French, b. 1966)
S.M.S. (Shit Must Stop)
546
Sander, Ludwig (American, 1906-1975) 508
Seery, John (American, b. 1941)
582
Segal, George (American, 1924-2000)
511
Serra, Richard (American, b. 1939)
602, 724
Severini, Gino (Italian, 1883-1966)
507
Shore, Stephen (American, b. 1947)
613, 614, 615, 616
Siena, James (American, b. 1957)
707
Siskind, Aaron (American, 1903-1991)
643
Skrebneski, Victor (American, b. 1929) 692, 693, 697, 698, 699, 700
Sokolsky, Melvin (American, b. 1933)
557
Stamos, Theodoros (American/Greek, 1922–1997) 578
Stashkevetch, Joseph (American, born 1958)
668
Stella, Frank (American, b. 1936)
575, 688
Stern, Lucia (American, 1895-1987) 510
Sultan, Donald (American, b. 1951)
665
Taaffe, Philip (American, b. 1955)
681
648
Oldenburg, Claes (Swedish/American, b. 1929) 708
Olitski, Jules (American, 1922-2007)
676
546
Wegman, William (American, b. 1943)
658
521
Welliver, Neil (American, 1929-2005) 709
Kelley, Mike (American, 1954-2012)
719
Paine, Roxy (American, b. 1966)
Leibovitz, Annie (American, b. 1949)
538
Nozkowski, Thomas (American, b. 1944)
Pace, Stephen S. (American, 1918-2010) Lamm, Leonid (Russian, b. 1928)
Ruscha, Ed (American, b. 1937)
645
711
Kustera, Carter (Canadian/American, 20th C.)
579
583
Katz, Alex (American, b. 1927)
Kotin, Albert (Russian/American, 1907-1980)
Rosenthal, Tony (American, 1914-2009)
Nevelson, Louise (American, 1899-1988)
Ono, Yoko (Japanese, b. 1933)
Kostabi, Mark (American, b. 1960)
691, 703
639
623b, 623c
712
Koons, Jeff (American, b. 1955)
731, 732
Muniz, Vik (Brazilian, b. 1961)
Kanevsky, Alex (Russian, b. 1963)
537, 572
660, 660A
Komar and Melamid (Russian, b. 1943 and b. 1945)
744, 745, 746
Rosenquist, James (American, b. 1933)
678
597, 598, 601, 677
Knorr, Karen (German, b. 1954)
560
673, 674
Nelson, Leonard L. (American, 1912-1993)
733, 734
Kelly, Ellsworth (American, 1923-2015)
Rodrigue, George (American, 1944-2013)
545, 546, 547, 548, 548A, 624
737
503, 504
Jaffe, Lee (American, b. 1950)
Lichtenstein, Roy (American, 1923-1997)
Murakami, Takashi (Japanese, b. 1962)
Jacobi, Johanna Alexandra “Lotte” (German/American, 1896-1990)
LeWitt, Sol (American, 1928-2007)
ARTIST LISTING
686
717, 718
642, 671
524, 525, 526, 527
727, 728
586
606, 607, 608
573, 574, 684, 651
680
Pattison, Abbott (American, 1916-1999) Pettibon, Raymond (American, b. 1957)
618, 619
634, 635, 636, 637, 638
Peyton, Elizabeth (American, b. 1965)
Phelan, Michael (American, b. 1968)
714
713a
Trova, Ernest Tino (American, 1927-2009) 591, 592
Vallhonrat, Javier (Spanish, b. 1953)
659
Various Artists
570, 706
Vicente, Esteban (American, 1903-2001) Warhol, Andy (American, 1928-1987)
512, 515
540, 541, 542, 543,
549, 628, 631, 632, 633
Wesselmann, Tom (American, 1931-2004)
544, 551, 641
Wiley, Kehinde (American, b. 1977) 730
Witkin, Isaac (American, 1936-2006)
652
Witkin, Joel-Peter (American, b. 1939)
689
Wols (Alfred Otto Wolfgang Schulze) German, 1913-1951
501
Porter, Fairfield (American, 1907-1975)
710
Xiaogang, Zhang (Chinese, b. 1958)
750
Pousette-Dart, Nathaniel (American, 1886-1965) 502
Yan, Huang (Chinese, b. 1966)
690
Ramos, Mel (American, b. 1935)
550
Yuskavage, Lisa (American, b. 1962)
713
Zerbe, Karl (American, 1903-1972)
519
Rauschenberg, Robert (American, 1925-2008)
590, 666, 667
Reinhardt, Ad (American, 1913-1967)
535
Rivers, Larry (American, 1923-2002)
589
165
Terms of Sale
1. GENERAL
Questions?
Contact Miriam Tucker, Managing Partner
[email protected]
Each lot in this catalogue is offered for sale
subject to the terms set out below, as changed
or supplemented by provisions a) written in other
places within these Terms of Sale, b) in written
supplements to this Catalogue or other materials
prepared by us and c) as stated by the auctioneer
or posted in writing at the auction, prior to a bid
being accepted for a lot. No other communications
by any employee of the Auction House is intended
to be binding, and such communications are
made for informational purposes only. By bidding
at the auction the buyer and all bidders agree to
be bound by these terms or those changed and
supplemented, whether bidding in person, through
a representative, by phone, by internet, or other
absentee bid.
Rago Arts and Auction Center (Hereafter referred to
as “the Auction House”).
609-397-9374 (p) / 609-397-9377 (f)
All bidders are responsible for reading and
understanding these Terms of Sale, as well as any
supplemental notices. If you have any questions
after having read the Terms of Sale, please contact
the C.E.O., Miriam Tucker, at [email protected]
or 609.397.9374, extension 141.
All items in our Unreserved Auctions are “As-Is,
Where-Is.”
Upon the fall of the auctioneer’s hammer, the
successful bidder becomes the buyer and owner of
the property and is responsible for the property, the
amount of the successful bid, the buyer’s premium,
applicable taxes, and other charges provided
for in the Terms of Sale in U.S. Dollars, payable
immediately.
The thirty (30) day warranty shall commence on
the date of sale and continue to run without any
tolling even if the Buyer within that thirty (30) day
period 1) fails to inspect or pay, 2) requests delay in
shipment, 3) provides incorrect shipping address or
information or 4) is unavailable to receive shipment.
Sales Results: Preliminary results will be available
online shortly after each sale at www.ragoarts.com.
Final sales results will be available as soon as the
Auction House has audited and verified all sales,
usually within one day of the auction.
The Auction House retains all rights to photographs
and other intellectual property contained in this
catalogue.
2. AUCTIONEER’S DETERMINATION FINAL
A lot will be sold to the highest bidder as
determined in the sole and exclusive judgment
of the auctioneer. The auctioneer will also have
the sole and exclusive power and authority to a)
resolve any disputes between bidders, b) determine
whether to pass or re-offer a lot for sale, c) reject
or challenge any bid or advance in the bidding,
d) exclude any bidder from the premises and e)
otherwise regulate the bidders, the bidding and its
increments.
3. BUYER’S PREMIUM, PURCHASE PRICE, TAXES,
AND BILLING
For purchases made in the room or by phone or by
absentee bid and paid for by check, cash, money
order or wire transfer: A buyer’s premium will be
applied to the hammer price of each lot equal to
25% on the first $200,000; 20% between $200,000
and $3 million.
For purchases made in the room or by phone or
by absentee bid and paid for by Visa, MasterCard,
Discover or PayPal: A 2% surcharge will be added to
the total invoice (hammer price, buyer’s premium as
above, any applicable taxes).
For purchases made through any online bidding
platform, regardless of means of payment: A buyer’s
premium will be applied to the hammer price of
each lot equal to 28% on the first $200,000; 23%
between $200,000 and $3 million.
Taxes: If you are shipping to a New Jersey address
or if you pick up the lots you have won at our New
Jersey location, you must pay the State’s 7% sales
tax. The only exception is for those who hold a
valid resale license and file the completed New
Jersey State Sales Tax Form (New Jersey Seller’s
Certificate Form ST3 or Non New Jersey Seller’s
Certificate Form ST-3NR) with Rago at time of
payment. No New Jersey sales tax is charged for
purchases shipped out of state.
Billing: All successful bidders will be sent invoices
by e-mail or mail (if we do not have an email
address on file) within the two business days that
follow the auction.
4. METHODS OF PAYMENT AND FEES
Cash. Check. Wire Transfers. Money Order. Visa.
MasterCard. Discover. PayPal. (NOTE: A 2%
surcharge will be added for payments made by Visa,
MasterCard, Discover or PayPal. See Terms of Sale
paragraph 3.)
All payments are due immediately upon receipt of
invoice. We reserve the right to hold all goods paid
for by check until payment has cleared.
If payment is not received within fifteen (15) days,
the Auction House reserves the right to impose
from the date of sale a late charge of 1 1/2% a
month of the total purchase price.
5. PAYMENT, COLLECTION, AND SHIPPING
RESPONSIBILITIES OF BUYER
Buyer Obligations: On the fall of the auctioneer’s
hammer, title to the property immediately
transfers to the successful bidder who, in turn,
becomes the buyer of the Property. The buyer
immediately assumes full risk and responsibility
for the purchased Property, including all costs and
expenses of handling, shipping, insurance, taxes,
export, and otherwise, and is liable for the full
purchase price, plus the buyer’s premium, applicable
taxes, and any other associated expenses.
Collection of Property and Storage Charges:
The buyer will pay for the purchased Property
immediately and remove it from the premises of the
Auction House within fourteen (14) days of the sale.
We are not responsible for any damage or loss on
property purchased but not removed from premises.
If the purchased Property is not removed within
thirty (30) days of the sale, the buyer will thereafter
be assessed a $10 per lot storage charge per day.
The Auction House may, at its discretion, remove
the purchased Property to public storage at the
buyer’s risk and expense. All associated charges will
be added to the total invoice and must be paid in
full before the Property will be released.
Those who choose to pick up their property from
the Auction House following the sale must call
24 hours in advance to arrange pick-up. Regular
hours for pick up are Monday – Friday, from 9:00
a.m. – 11:30 a.m. and from 1:30 p.m. to 5:00 p.m.
Please bring your own packing materials. The
Auction House is closed on Federal holidays and on
Mondays following full auction weekends. Weekend
pick-ups are made by special arrangement and/or
by appointment only. Note: New Jersey sales tax of
7% must be added to your invoice when picking up
merchandise unless you have a valid resale number
on file.
The buyer is responsible for the shipment of
all purchased property. We will work with any
shipper of your choosing. If you have any shipping
preference for any reason, please make sure your
shipper carries insurance. We are not responsible
for any damage or loss that occurs while your
objects are in another’s care. We will also not be
responsible for any damage or loss that occurs
if you choose a shipping method that we have
advised against and we will require a waiver from
you acknowledging this.
As a convenience to the buyer, the Auction House
will, if requested, give your property to a third party
shipper. This company will pack and ship or arrange
shipment for you via UPS, FedEx or other carrier,
fully insured, for a fee payable in advance by credit
card. Shipments are made within a few days after
payment has been received.
All international customs, duties, and other tariffs
are the responsibility of the Buyer. The Auction
House and all third party shippers will declare the
selling price as the value in all cases.
Shipping larger items: Larger items are objects
such as furniture, andirons, floor vases, or any other
item whose safe packing will exceed the limits of
common carriers. The Auction House can arrange
delivery by freight almost anywhere in the United
States, fully insured, for a fee. The delivery of large,
heavy, or expensive objects is not an inexpensive
proposition and we urge you to consider this before
bidding.
Firearms: Rago sells only antique firearms as
defined by the U.S. Bureau of Alcohol, Tobacco and
Firearms. Due to New Jersey firearms regulations,
all handguns, pistols, and revolvers will only be
shipped via Federal Express and will only be
delivered to a person who holds a Federal Firearms
License or a Curios and Relics License. Handguns,
pistols, and revolvers can only be picked up at
Auction House by a person who holds a Federal
Firearms License or the proper New Jersey handgun
permits, which must be shown and logged. There
are no exceptions. No firearms will be sold or
shipped internationally.
Property purchased and left at the auction house
for 90 days will be sold or donated for you.
6. BUYER DEFAULT
Remedies: If any of the Terms of Sale are not fully
complied with by the buyer, the buyer will be in
default without need of notice by the Auction
House. The buyer shall be liable to the Auction
House and the consignor for the total purchase
price, including all premiums, charges, and expenses
specified in the Terms of Sale. Interest shall accrue
at the rate of 18% per annum commencing with the
date of the auction. In addition to other remedies
available to the Auction House by law, the Auction
House may, at its option, a) cancel the sale of the
lot(s) on which the buyer defaulted and of any
other lots sold to the defaulting buyer at the same
or any other auction(s) and retain as liquidated
damages all payments made by the buyer, b) resell
the purchased Property, whether at public auction
or private sale, or c) pursue any combination of
a) and b) above. In event of default, the buyer
will be responsible to the Auction House and the
consignor for any deficiency, any and all costs and
expenses, including reasonable attorneys’ fees,
collection fees and expenses, late charges, and
other damages. The Auction House may, at its
discretion, apply any proceeds of sale otherwise
due to the buyer or monies of the buyer in the
Auction House’s possession to reduce or satisfy the
buyer’s obligations.
Security Interest: As security for full payment to the
Auction House and the consignor of all amounts
due, the buyer grants the Auction House the
right to retain a security interest in the Property
purchased at auction and in any other property or
money of buyer in the Auction House’s possession
or coming the Auction House’s possession
(collectively, ’collateral’). The Auction House shall
have the rights of a secured creditor as provided by
the Uniform Commercial Code and other applicable
law. Such security interest in the Property or other
collateral will cease when the Property is physically
delivered to the buyer or the buyer’s agent.
No warranty is made that any watch is in working
condition or without defects, restorations, or
working parts.
7. WARRANTIES AND GUARANTEES
All items are served “As-Is, Where-Is,” except
as expressly stated otherwise in the following
paragraph:
Buyers are advised to check watch works prior to
auction.
All information in the catalogue concerning
authenticity is guaranteed for a period of thirty
(30) days from the date of sale. In that time, prior to
payment to the consignor of the work, the Auction
House will allow the buyer to submit, at his own
expense, an opinion in writing from a recognized
expert, pre-approved by the Auction House and
the purchaser, regarding authenticity. In the event
the work is judged inauthentic by the expert, the
work may be returned in the same condition as
at time of sale and the buyer’s full purchase price
will be refunded. Refunds shall not include costs
of transportation, insurance, or other expenses
that may have been incurred by the buyer. It is the
buyer’s responsibility to make payment in a timely
fashion such that the property can be released and
inspected within this thirty (30) day time frame.
Should the buyer not do so, or should the buyer
request the auction house to delay shipment,
should he give an incorrect shipping address, or be
unavailable to receive shipment, the thirty (30) day
warranty shall still apply. If the Auction House has
paid the consignor the amounts due consignor as a
result of the sale, the Auction House will (i) refund
to the buyer the amount of the buyer’s premium
and applicable taxes received from the buyer, and
(ii) make written demand upon the consignor for
the payment of the balance of the purchase price.
If the consignor fails to honor the written demand
for a refund of the balance of the purchase price,
the Auction House will furnish buyer the name
and address of the consignor, and assign to buyer
all of the Auction House’s rights for the return of
the balance of the purchase price of the affected
lot. Upon this disclosure and assignment, the
Auction House will have no further liability to buyer
or responsibility to pursue the buyer’s claim. The
Auction House will extend reasonable cooperation
to buyer, provided that such cooperation does
not require out-of-pocket expenditures by the
Auction House. This limited right of rescission is
available only to the original buyer and may not be
relied upon by any heir, agent, transferee, assign,
or other third party or assigned to any subsequent
transferee of the Property which gives rise to the
claim.
This Warranty does not cover any description that
states there is a conflict of specialist opinion; any
description that states (or is bracketed in a section
described as) “as-is“ or “not guaranteed.”
This Warranty does not cover any typographical
errors. This Warranty does not cover wear on
furniture. This Warranty does not cover flakes,
surface scratches, or manufacturing flaws in glass
or ceramics.
The description of clocks and lighting devices,
whether in catalogues or condition reports, may
be incomplete and not identify every mechanical
replacement, repair, or defect. The absence of
reference to the condition of a clock or lighting
device does not imply it to be in working condition
or without defects, repairs, restorations, or
replacement parts.
The description of jewelry, whether in catalogues,
condition reports, or any other form, is rendered
as opinion, including, but not limited to, specialist
opinion as to authenticity, the enhancement or
treatment of gemstones, the weight of gemstones,
167
the country of origin, the authorship or origin
(manufacture) of an item, its period (or c.) or the
authenticity of its marks.
All measurements are approximate.
This disclaimer of liability on our part applies
whether the information is included in the
catalogue, advertisements, announcements, or
communicated through our representatives, bills of
sale, or elsewhere, and whether written or oral.
No Warranty of Reproduction: Neither the
consignor nor we make any warranty or
representation, express or implied, as to whether
a buyer will acquire any reproduction rights,
copyrights or other intellectual property rights in, or
with respect to, the Property.
The Auction House makes no warranties, express
or implied, as to the merchantability or fitness for
purpose except as otherwise expressly stated in
these Terms of Sale.
8. QUALIFYING TO BID
As a security measure for our consignors and our
company, all bidders must establish credit. You will
be asked to furnish identification and a valid credit
card number, credit references and/or (for absentee,
phone and online bidders) an initial deposit in the
form of a pre-authorization hold equal to 10% of the
low estimate of the total number of lots on which
you are bidding. First time and international buyers
bidding on Asian lots with a total low estimate of
$5,000 or greater will be asked to a) furnish an
initial deposit in the form of a pre-authorization
hold equal to 30% and b) grant the Auction House
the right to charge your credit card 30% of the
selling price on the day of sale. If you are acting as
another’s agent or principal, we may request a letter
of authorization. If you are successful and do not
remit payment as specified, the amount owed will
be charged to your credit card together with such
charges set forth in these terms of sale. If you have
any questions, contact Eliane Talec, ext. 118.
Bidding Numbers: All bidders must register and
receive a bidding number from the Auction House
prior to bidding at the auction.
9. BIDDING INCREMENTS
All unreserved bidding starts at 50% of the low
estimate unless there are two or more competing
absentee bids in excess of this figure. The
auctioneer has the sole and exclusive power,
discretion, and authority to regulate the bidding
and its increments.
Increments
• $10 until $100 is reached
• $25 until $500 is reached
• $50 until $1,000 is reached
• $1,000 until $30,000 is reached
• $10,000 over $100,000
10. ABSENTEE BIDS
Absentee bids are requested by no later than
6:00 p.m. on the business day before the auction.
We accept absentee bids by phone, by mail, in
person, or by fax. Absentee bidders are emailed
bid confirmations – If you do not receive a
bid confirmation by the afternoon prior to the
auction, please call us. When you do receive a bid
confirmation, please double check for accuracy.
All absentee bidding is handled as though you are
in attendance. We buy all designated lots for you
one bidding increment above where competition
stops. Please check and comply with these
increments. In case of failure to comply, we will
reduce each off-increment bid to the next lower
figure.
“Plus” bids: Because of our structured bidding
increments, it is more likely that several people will
leave identical bids. Since an earlier bid left with
the auction house wins in the event of a tie, a later
bid with an added “plus” bid to the next increment
would win the piece.
Absentee bids left with third party online bidding
platforms are sent to the auction house as the lot
comes up for auction and not before. There is no
time advantage to absentee bids left with third
party online bidding platforms.
All absentee bidder names and bids are held in
strictest confidence, disclosed only in the event of
a question after the sale.
Absentee bidding is a convenience offered to our
customers and, while we will make every effort to
execute your instructions, the Auction House is
not liable or responsible for any errors or failure
to do so. If you place absentee bids with the
Auction House, then choose to attend in person,
bid by phone or any other means, it is solely your
responsibility to cancel any or all absentee bids
prior to the start of the auction.
11. TELEPHONE BIDS
Rago guarantees you a line and a phone agent for
bidding until 4 PM on the day prior to an auction.
After that time, we will gladly accept your absentee
bids, even during the auction (up to 30 minutes
before a lot goes on the block). Changes to bid
lists left with us prior to the deadline will always
be accommodated as best we can, as will follow-up
phone bids for those who attend/must leave the
auction and other exceptional cases.
If you need condition reports, please request and
review them prior to reserving phone lines.
Telephone bidders are emailed bid confirmations
– If you do not receive a bid confirmation by the
afternoon prior to the auction, please call us. When
you do receive a bid confirmation, please double
check for accuracy.
We can call you at two phone numbers ONLY during
the auction. If you are unsure of where you or your
agent will be during the sale, we recommend you
leave absentee bids.
Please do not change your phone number after
your phone lines have been confirmed; if you do,
the Auction House will not be responsible for any
breakdown in communications. Overseas phone
numbers only will be confirmed the day before the
auction.
We do not have the capacity to assign phone
agents to clients who want to listen only or who will
not bid the minimum selling price. Therefore, if you
bid by phone, you must be willing to open bidding
and bid to within 2/3 of the low estimate should
the bidding go that far. You may, however, leave
absentee bids for any amount.
Bids are placed on the telephone at the discretion
of the Auction House and at the caller’s risk.
Telephone bidding is a convenience offered to our
customers and, while we will make every effort to
execute your instructions, the Auction House is
not liable or responsible for any errors or failure to
do so.
If you place absentee bids with the Auction House
or Live Auctioneers and also bid in person, by phone
or any other means, it is solely your responsibility
to cancel any or all absentee bids prior to the start
of the auction. If you do not or cannot, regardless
of reason, you will be held responsible for the
property’s purchase.
12. INTERNET BIDS
The Auction House has also engaged the services
of third party online bidding platforms called
Bidsquare and Live Auctioneers. Please proceed
to these sites for all necessary information on how
to bid and buy online using this system. The user
of Bidsquare and/or Live Auctioneers indemnifies
and holds the Auction House and its consignors
harmless against any claim arising out of or
resulting from your use of the Bidsquare and/or Live
Auctioneers sites, including all losses, damages,
liabilities, and all fees (including attorney’s fees),
costs, and expenses incurred in connection with
any claim. Under no circumstances, including, but
not limited to, negligence, shall the Auction House
and its consignors be liable for lost profits or any
special, incidental, or consequential damages that
result from the use of, or the inability to use, this
site.
If you place absentee bids with the Auction House
and/or a third party site and also bid in person,
by phone or any other means, it is solely your
responsibility to cancel these absentee bids prior
to the start of the auction. If you do not or cannot,
regardless of reason, you will be held responsible for
the property’s purchase.
Absentee bids left with third party online bidding
platforms are released to the Auction House when
a lot comes up for sale. The Auction House cannot
distinguish these from bids made in real time. They
have no timed advantage.
13. CONDITION REPORTS
Condition reports are rendered as specialist
opinion by the staff of the Auction House and/or
independent consultants and not as statements of
fact. We do not guarantee the content of written or
verbal condition reports.
Up-to-date condition reports can be accessed
online at ragoarts.com. If you would like additional
information, please call (609) 397-9374, fax
condition report requests to (609) 397-9377 or
e-mail them to [email protected]. Our specialists
will respond to requests as quickly as possible.
Please be patient. We get many requests and we
make every effort to respond to all of them in a
timely fashion. The Auction House is not liable or
responsible for any errors or failure to do so.
14. RESERVES
A reserve is the confidential minimum price
established by the Auction House and the
consignor. The reserve will never exceed the low
estimate of the lot. The Auction House prohibits
consignors from bidding on their own property, but
may implement the reserve by bidding on behalf of
the consignor at the auction up to the reserve.
15. ESTIMATES
20. LIMITATIONS OF LIABILITY
The estimates provided in this catalogue are our
opinion of the price that a willing buyer would
pay for the property at auction, based, where
possible, on prices paid for comparable items sold
in the past. They are neither a representation nor
a prediction of the actual selling price that will
be realized at auction, post-auction sale, or upon
resale, which may be substantially different from
these estimates. We shall not be liable in any way
for such a difference.
The Auction House acts only as the agent for the
consignor and in no event will be liable for any
breach or default by the consignor.
16. WITHDRAWAL OF PROPERTY FROM SALE
The Auction House reserves the right to withdraw
property from the sale for any reason and with no
liability whatsoever for such withdrawal.
21. SEVERABILITY AND WAIVER
If any provision of portion of these Terms of Sale
shall be deemed unlawful, void, or unenforceable
under applicable law, that provision or portion
shall be stricken and severed from the remaining
provisions, which shall remain in full force and
effect. Failure to enforce any of the provisions in
these Terms of Sale shall not be deemed a waiver
of the right to enforce any other provisions of these
Terms of Sale.
22. NO ASSIGNMENT
17. RESCISSION BY BUYER
All items are served “As-Is, Where-Is,” except as
expressly stated otherwise in Paragraph 7. Buyer
acknowledges and expressly agrees that the
provisions of this Paragraph state the sole and
exclusive remedy available to a buyer in the event
of non-conformity in Property purchased. The
buyer understands and agrees that the exclusive
remedy for any breach of the warranty shall be a
rescission of the sale and a refund of the original
purchase price (bid plus buyer’s premium), as well
as any applicable taxes paid. Neither the Auction
House nor its Consignor shall be liable for damages
beyond the remedy expressly provided for herein,
such as, but not limited to, direct, indirect, special,
incidental, punitive, or consequential, including
the loss of profit or revenue, cost of obtaining
alternative property, claims of customers of the
buyer or otherwise.
18. RESCISSION BY THE AUCTION HOUSE
In the event the Auction House receives notice
of an adverse claim with respect to purchased
Property, the Auction House shall have the right
(but not the obligation), in its sole and absolute
discretion, to rescind the sale to the buyer, upon
written notice to the buyer. Upon such notice, the
buyer will promptly return the purchased property
to the Auction House’s premises in the same
condition as when purchased.
The Auction House will then promptly refund the
purchase price, including the buyer’s premium
and applicable taxes paid. Buyer will have no
further recourse against the Auction House or
the consignor, and the Auction House and the
consignor shall not be liable for any damages of any
nature suffered by the buyer.
19. GOVERNING LAW AND FORUM FOR DISPUTES
The laws of New Jersey shall govern the auctions
of the Auction House. Any disputes that may arise
in connection with the auction and/or any auction
purchase, and all of the terms and conditions
set forth herein above, shall be governed by and
construed in accordance with New Jersey law.
Anyone who participates in the auction and/or
makes auction purchases agrees to submit to the
jurisdiction of the courts of the State of New Jersey
with respect to any dispute arising in connection
with the auction and/or any auction purchases. In
the event that the Auction House needs to bring
an action to enforce the terms and conditions
herein and/or to collect any sum due and owing to
it the Auction House shall be entitled in addition
to collect its reasonable attorney’s fees, collection
agency fees, and cost of suit.
Unless the Auction House consents in writing,
buyers may not assign their rights or any of their
obligations related to an auction or other sale by
the Auction House.
23. NO MODIFICATIONS
These Terms of Sale may not be changed unless the
Auction House and buyer have agreed to do so in a
written agreement signed by both parties.
bids and refuse to ship.
Addendum to Terms of Sale: Coins and Currency
25. FIREARMS
Rago sells only antique firearms as defined by the
U.S. Bureau of Alcohol, Tobacco and Firearms. All
Firearms will be sold in accordance with State of
New Jersey and Federal firearms laws and any
relevant State of New Jersey and Federal laws. It
is the sole responsibility of buyers to familiarize
themselves with their local laws and requirements
for the possession of firearms; to identify and
obtain any necessary license or permit prior to
bidding; and to abide by all Federal, State and local
laws and requirements. The Auction House and the
Consignor make no representations or warranties
as to whether any lot is or is not subject to such
restrictions and will have no responsibility with
regard to these matters. Rago sells only antique
firearms as defined by the U.S. Bureau of Alcohol,
Tobacco and Firearms. Due to New Jersey firearms
regulations, all handguns, pistols, and revolvers will
only be shipped via Federal Express and will only be
delivered to a person who holds a Federal Firearms
License or a Curios and Relics License. Handguns,
pistols, and revolvers can only be picked up at
Auction House by a person who holds a Federal
Firearms License or the proper New Jersey handgun
permits, which must be shown and logged. There
are no exceptions. No firearms will be sold or
shipped internationally.
24. EXPORT OR IMPORT - ENDANGERED/
THREATENED/PROHIBITED SPECIES
The State of New Jersey prohibits the import,
sale, purchase, barter, or possession with intent
to sell of any ivory, ivory product, rhinoceros
horn, or rhinoceros horn product with exceptions
that are irrelevant to commercial sale. As used
in this act “Ivory” means tooth or tusk from any
animal, including, but not limited to an elephant,
hippopotamus, mammoth, narwhal, walrus, or
whale, or any piece thereof, whether raw ivory
or worked ivory, or made into, or part of, an ivory
product. As concerns worked products made
of species legal to sell under current Federal
guidelines, it is the sole responsibility of buyers
to familiarize themselves with International and
U.S. state laws or requirements for import and
export; to identify and obtain any necessary export,
import, endangered species or other permit prior
to bidding; and to abide by International and U.S.
laws and requirements. The Auction House and the
Consignor make no representations or warranties
as to whether any lot is or is not subject to export
or import restrictions or any embargoes and will
have no responsibility with regard to these matters.
a) International: Several countries do not allow
the importation of lots containing materials made
from endangered species. This includes, but is not
limited to coral and tortoiseshell. An export license
may be required for the export of certain materials,
as well. b) State of California: California Penal Code
sections 653o - 653r make it illegal to import into
California for commercial purposes, to possess with
intent to sell, or to sell within the state, the dead
body, or any part or product thereof, of any polar
bear, leopard, ocelot, tiger, cheetah, jaguar, sable
antelope, wolf (Canis lupus), zebra, whale, cobra,
python, sea turtle, colobus monkey, kangaroo,
vicuna, sea otter, free-roaming feral horse, dolphin
or porpoise (Delphinidae), Spanish lynx, or elephant.
Starting in 2015, it will be unlawful to import into
this state for commercial purposes, to possess
with intent to sell, or to sell within the state, the
dead body, or any part or product thereof, of any
crocodile or alligator. Should a buyer in California
state an intent to sell the certain animal parts
named in California Penal Code sections 653o 653r, the Auction House reserves the right to reject
Grading is a not an exact science. It is a matter
of opinion as to condition and other attributes.
Because of this, grading can and will differ
among third party grading services (even
though consensus grading is employed by most),
independent experts, dealers, collectors and
auction houses, including our own. Due to the
subjectivity of coin and currency grading, a given
piece evaluated twice by the same expert may be
assigned a different grade each time. Opinion as
to the grading, condition or other attributes of any
property may have a material effect on value.
Therefore all coins and currency are served “As-Is,
Where-Is,” by the Auction House except as to
authenticity, as expressly stated in the Terms of
Sale. They are sold without any additional express
or implied warranty, including, but not limited
to, grade. This includes all coins and currency,
including, but not limited to, those:
• Referencing the opinion of a third-party
grading service;
• With no reference to the opinion of a thirdparty grading service;
• With reference to the opinion of Auction
House as to grading;
• Subsequently submitted to a third-party
grading service for determination or certification;
• Encapsulated and therefore unable to be
physically examined.
26. MISCELLANEOUS
Private Sales: These Terms of Sale shall apply to
both auction and private sales of property.
Paragraph Headings: Paragraph and subheadings
are included in these Terms of Sale for ease of
reference and should not be used to interpret the
meaning of the substantive provisions.
Addendum to Terms of Sale: Jewelry
For centuries, natural gemstones have been
enhanced in a variety of ways, including heating,
oiling and other methods. These treatments
are accepted by the international jewelry and
gemstone trade. The Auction House makes no
representations or warranties, express or implied,
as to whether natural stones have been treated or
enhanced, whether specifically referenced or not.
All stones have been identified by standard
gemological field tests as the mounting permits
and the Auction House will make available to
prospective buyers any gemological certificates
in its possession. It will not always be feasible to
obtain a qualified lab report on every stone offered
through the Auction House. Buyers wishing to
have a grading or gemological report from an
independent recognized laboratory such as the
Gemological Institute of America, the European
Gemological Laboratories or the American
Gemological Institute may request one at their own
expense or hire an independent adviser of their
choosing.
Weights given are based solely on measurements
and known gemological formulae; they are
approximate, not exact. Weight may differ once
a stone is removed from its setting. Buyers are
advised to verify weight estimates prior to auction
169
The Auction House reserves the right to differ with
the grades assigned to property, by certificate or
otherwise, regardless of the grading service and will
not be bound by any prior or subsequent opinion,
determination or certification by third-party grading
services including, but not limited to, National
Guaranty Company (NGC), Professional Coin
Grading Service (PCGS), Paper Money Guaranty
(PMG) and Currency Grading and Authentication
(CGA) or any other any grading service, third party
organization or dealer. There is no guarantee or
warranty implied or expressed that the grading
standards utilized by the Auction House will meet
the standards of any grading service at any time in
the future.
The Auction House has graded uncertified coins
and currency with reference to the current
interpretation of the American Numismatic
Association’s standards at the time of grading.
The Auction House reserves the right to re-grade
property re-consigned for any reasons, including,
but not limited to a change of grading standards,
differences in opinion, mishandling over time.
The Auction House will not be liable for any patent
or latent defect or controversy pertaining to or
arising from any encapsulated coins or currency. In
any such instance, purchaser’s remedy, if any, shall
be solely against the service certifying.
Please note:
• Certain types of plastic may react with a
coin’s metal or transfer plasticizer to notes, causing
damage. Avoid storage in materials that are not
inert.
• Catalog illustrations may not be to scale or
reflect the depicted property’s actual size.
RAGO FINE ART DEPARTMENT
Auction Management: Meredith Hilferty, Miriam Tucker
Specialist-in-Charge: Meredith Hilferty
Senior Fine Art Cataloguer: Amy Hunt
Specialist: Lauren Bradley
Client Relations Specialist: Mick Byers
RAGO ARTS AND AUCTION CENTER
Partners-in-Charge:
David Rago, Suzanne Perrault, Miriam Tucker
Chief Operating Officer: Michael Ingham
Chief Administrative Officer: Eliane Talec
Director, Estate Services: Sebastian Clarke
Director, Appraisal Services: Laurel Porcelli
SHIPPING/RECEIPT OF PURCHASED PROPERTY
A bid is a contract to buy. So on the fall of the auctioneer’s hammer, the successful bidder
becomes the owner and assumes full responsibility for the purchased property. This includes all
costs and the expenses of any handling, shipping, insurance, taxes, or export.
When the Auction Center receives and processes your payment, your property is released for
shipping, delivery by freight, or pick-up. Please allow up to three weeks.
NOTE: Some property in this sale may require specialized shipping. Please call us for our
recommendations.
SHIPPING SMALL ITEMS BY COMMON CARRIER (UPS, FEDEX, DHL OR USPS):
We have engaged shippers to pick up several times a week from the auction house. Our
recommended shippers for small items are Masterpiece Shipping and The Flemington UPS Store.
Once we receive your payment and the completed shipping form authorizing the release of your
property to the shipper, we will add your lot(s) to the list for the next pick up. You will receive a
shipping quote for your approval within 48 hours after the shipper has picked up your lot(s). If for
any reason the quote is not acceptable to you, your property will be returned to the auction house
so that you can make alternate arrangements.
Masterpiece Shipping
David and Vicki Child, Owners-Operators
Buckingham Green
4950-C Old York Road
Buckingham, PA 18912-2000
Art Director: Anthony Barnes
Photography Studio Director: Lynnette Mager Wynn
T: 215-794-1199 | F: 215-794-1177
The UPS Store #1752
203 Main Street
Photographer: Jared Kramer
Flemington, NJ 08822
T: 908-806-4842 | F: 908-806-4843
Photography Intern: Breanna Sokoloff
Client Services Manager: Karen Davies
Client Services: Martine Webber
Foreman of Operations: Croix Leadem
Art Handlers and Movers: Casey Kochis (crew chief),
Charles Chamberlin, Jason Kwon, Sean Leslie,
Richard Palleschi, Justin Thomas
Display by: Arlen Sam Brown
Controller: Lisa Kolva
Marketing Associate: Adrienne Lieberman
Digital Content Creator: Nicholas Fonteix
Public Relations/Marketing Assistant: Robin Harris
SHIPPING LARGER ITEMS BY FREIGHT:
Some furniture, bulky or odd shaped items may exceed the allowable dimensions or weight
restrictions of UPS, Fed Ex and similar carriers. The auction house can provide assistance in
arranging for delivery by freight. Depending on the location, we can recommend a variety of third
party shippers. We are also happy to work with the freight company of your choosing. Please keep
in mind that delivery of these types of items can be an expensive proposition and we urge you to
consider this before bidding. Please remember that it is your responsibility to pay for all deliveries.
PICK UP AT RAGO:
Hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30 a.m. and from 1:30 p.m. to 5:00
p.m. The shipping department closes each day from 11:30 – 1:30. The Auction House is closed
on Federal holidays and on Mondays following two and three day auctions. We require 24 hours’
notice in advance of pick up. Please bring your own packing materials.
IMPORTANT NOTES:
Weekend pick ups are made by special arrangement and/or by appointment only.
New Jersey sales tax of 7% must be added to your invoice when picking up merchandise unless
you have a valid resale number on file.
All property must be paid for and removed from Rago Arts & Auction Center within 15 business
days of the auction. Unless special arrangements are agreed upon in writing before the sale.
Storage fees are charged beginning on day 16. For more details see our Terms of Sale.
Auction Administration: Rebecca Schild
Administrative Staff: Kathy Buscavage, Guy Benthin
Our thanks to the entire auction staff.
171
CONDITION REPORT FORM
phone: 609.397.9374
fax: 609.397.9377
We are happy to provide you with condition reports on all lots as requested. We are neither professional restorers nor conservators
and specialist opinions are subjective and not a statement of fact. Therefore, we do not guarantee the content of the written or verbal
condition report. Not withstanding this report, all lots are offered and sold in accordance with the Terms of Sale listed in print and online
at ragoarts.com.
Lot#
Description
Specific Questions
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A new online bidding site with real goods you won’t find anywhere else.
Where what you see is what you get, from leading auctioneers you know and trust.
Live and timed auctions. New property added daily. Easy to navigate. Reliable. Private. Secure.
Telephone ___________________________________________________________________________________________________________________
E-mail ________________________________________________________________________________________________________________________
INTERNAL USE ONLY
Bid live online for all Rago Auctions. Register Today.
Check Condition Online
Print Initials: ___________________________
Add to/confirm in AuctionFlex
Date __________________________________________________________________________
BIDDING FORM
Buyer Number
phone: 609.397.9374
fax: 609.397.9377
e-mail: [email protected]
ABSENTEE BID
PHONE BID
Name ___________________________________________________________________________________
Business Name ____________________________________________________________
Address ______________________________________________________________________________________________________________________
City __________________________________________________________
State _____________________________________________________
Zip Code ____________________________________________________
E-mail _____________________________________________________
Telephone __________________________________________________
Fax ________________________________________________________
CC # (Visa/MC/Disc.) _______________________________________________________
If using Resale ID, a copy must accompany this form.
Exp. Date _________________
Country ________________________
CSV code (from back) __________________
Resale ID Number ____________________________________________
Lot#
Description
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State _____________________
Absentee/Contigency Phone
PLEASE ADHERE TO THE
BIDDING INCREMENTS
$10 until $100 is reached
$25 until $500 is reached
$50 until $1,000 is reached
$1,000 until $30,000 is reached
$10,000 over $100,000
Rago’s guarantees you a line and
a phone agent for bidding until 4
PM on the day prior to an auction.
After that time, we will gladly
accept your absentee bids, even
during the auction and will do our
best to accomodate before the lot
goes on the block.
TELEPHONE BID PHONE NUMBER – DAY OF SALE:
1).
_____________________________________________________________________________________
2).
_____________________________________________________________________________________
CHECK, SIGN AND DATE BELOW OR BIDS WILL NOT BE EXECUTED
I am bound by Terms of Sale
I have read the condition report(s) online / requested all needed information
I am responsible to contact Rago if bid confirmation is not received by 5pm on the day prior to the auction
I am responsible for canceling Absentee Bid if I choose to bid in person/by phone
I understand the buyer’s premium (see below)
The buyer’s premium for each lot purchased is 25% on the first $200,000 of the hammer price,
20% on the portion from 200,000 through $3,000,000.
Signature _____________________________________________________________________________
Date ________________________________________________________________________
INTERNAL USE ONLY
Check Boxes Above
Absentee/Plus
Print Initials: ___________________________
New/Hold
AF: confirm contact info/check notes
Date/Time ___________________________________________________________________
Addendum
Increments

catalog

Transcription

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