US_Fall_2010_final:US catalog - Schirmer

Transcription

SCHIRMER/MOSEL
US FALL 2010
NEW TITLES & COMPLETE CATALOG
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Yves Saint Laurent: Icons of Fashion Design
Anton Corbijn: The American
Magnum on Set
Cy Twombly: Catalogue Raisonné of Drawings
and Sketchbooks. Vol I
Joseph Beuys: Parallel Processes
Anselm Kiefer: Heavenly Palaces
Bernd & Hilla Becher: Coal Mines and Steel Mills
Bernd & Hilla Becher: Hannover Coal Mine
Candida Höfer: Philadelphia
Cy Twombly: Tulips. Fifteen Photographs
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Masterpieces of Art in the 20th Century
Jeff Wall: Transit
Martin Assig: Vases, Summits, Humans
Helmut Newton’s Illustrated No. 1–4
Paolo Roversi: Guinevere Van Seenus
August Sander: Face of Our Time
Helmut Newton: Private Property
Backlist
All prices are subject to change
due to variable exchange rates.
Your catalog has always been an inspiration to everyone
who is devoted to the best visual books ever published.
Ruth Ansel
Dear Schirmer/Moselites!
In times when global crisis requires international
cooperation in economics and politics, artists often
act as spearheads bridging continents and artforms.
Schirmer/Mosel’s fall 2010 program gives vivid
proof of it.
In his forthcoming publication, Dutch director and
photographer Anton Corbijn documents the making
of his suspense thriller The American starring Hollywood actor George Clooney. German photographer
Candida Höfer, known for her stunning pictures of
public interiors, introduces her first all-American
project, historic institutions in Philadelphia.
Cy Twombly, wandering between the two worlds of
Lexington, Virginia, and Italy since the 1950s, presents his long-awaited first volume of his fabulous
Catalogue Raisonné of Drawings and Sketchbooks.
Vol I featuring his early work. As a kind of cameo,
he adds a little book with his enthralling series of
tulip photographs.
Bernd and Hilla Becher explore architectural similarities and differences in Coal Mines and Steel Mills
across Europe and the US.
Thirty years after his legendary and much-disputed
solo exhibition at the New York Guggenheim and
almost 25 years after his death, the complex interrelations of Joseph Beuys’ creative practice, teachings, and ecologic activism are explored in a huge
retrospective volume Parallel processes.
I invite you to joyfully join our journey across
continents and the world of arts with our beautiful
and mind-stretching Schirmer/Mosel books.
Best regards,
Lothar Schirmer
Munich, May 2010
Yves Saint Laurent – Icons of Fashion Design,
acclaimed by the critics as an “intoxicating book”,
remains the most attractive homage to the uncrowned
king of haute couture. Pictures taken by the world’s
leading fashion photographers trace the success of
Saint Laurent’s designs, which, since conquering the
fashion world five decades ago, have caused sensation after sensation each year. The book also constitutes a high-quality review of fashion photography
over a period of forty years, collecting 135 YSL
dresses in images created by fashion photography’s
greatest 20th-century heroes.
Yves Saint Laurent was equipped with an infallible
instinct for reading the aesthetic signs of the times,
and this enabled him to have a profound effect on
fashion in the second half of the 20th century.
Text by
Marguerite Duras
Yves Saint Laurent,
born in Oran, Algeria,
in 1936, was the wunderkind of the fashion
business: at age nineteen Dior’s assistant
and at twenty-one his
successor, Saint Laurent
had become his own
master by the time he
was twenty-five. He
died in Paris in 2008.
Marguerite Duras
(1914–1996), like Yves
Saint Laurent a national
idol in France, achieved
fame in the 1960s with
the novel Moderato
Cantabile and the
screenplay Hiroshima
mon amour, becoming a
leading representative of
the “Nouveau Roman.”
Her bestselling novel
L’ Amant made her the
most widely read author
of the 1980s in France.
In the essay she wrote in
1987 for our book, she
describes the aura of
personal enchantment
that surrounded Yves
Saint Laurent and
permeated his creations.
July 2010, softcover w/flaps US $ 39.95 Can. $ 43.95
9 x 122⁄3 in. / 23 x 32.5 cm, 232 pages, 135 color and duotone plates
ISBN 978-3-8296-0471-0 / 3-8296-0471-8
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Evening cape embroidered
with a motif after Georges Braque
from the spring/summer collections of 1988,
Photo by Irving Penn
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Anton Corbijn: The American. A Thriller Starring George Clooney
Anton Corbijn’s new feature film is a suspense
thriller titled The American, starring George Clooney.
Its world-wide release is scheduled for fall 2010.
Based on Martin Booth’s 1992 novel A Very Private
Gentleman, the movie is set in Sweden and in the
Abruzze region of Italy. The protagonist is a gunsmith
and sometime hitman who tries to change his life,
only to find out the hard way that you can‘t undo
the past.
Not one to give up on his old life, director-cumphotographer Anton Corbijn took his still-camera to
the set every day, and this book is the proof of
that. Filled with candid on- and off-set photographs
accompanied by Corbijn’s diary-style writing, it
provides a unique insight into the making of The
American.
September 2010, hardcover US $ 49.95 Can. $ 54.95
121⁄2 x 81⁄4 in. / 32 x 21 cm, 160 pages, c. 100 color plates
ISBN 978-3-8296-0476-5 / 3-8296-0476-9
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Director, photographs
and text by
Anton Corbijn
Book design by
Warren Jackson
Anton Corbijn, born in
Holland in 1955, is an
internationally acclaimed
portrait photographer,
designer, and filmmaker.
George Clooney, born
in Lexington, Kentucky,
in 1961, had his breakthrough in the US television series ER. One of
the most popular Hollywood actors, he starred
in Ocean’s Eleven;
Syriana; O Brother, Where
Art Thou; Michael Clayton;
and, most recently, Up
in the Air and The Men
Who Stare at Goats.
On- and off-set photos from The American, 2009.
Photos by Anton Corbijn.
Magnum on Set: From Chaplin to Malkovich/From The Alamo to Zabriskie Point
The Magnum agency is famous for its photos and
reports from the war zones of the world. Thanks to
his friendship with John Huston and a love affair
with Ingrid Bergman, Magnum co-founder Robert
Capa opened for Magnum the doors to the film world
as well. Since the 1950s, Magnum photographers
have regularly accompanied movie productions,
sometimes exclusively.
Twelve productions were selected for this book, documented in pictures by such famous Magnum photographers as Henri Cartier-Bresson, Eve Arnold, Elliot
Erwitt, Erich Lessing, Inge Morath and Dennis Stock.
The introductory essay describes the development of
set photography and star portraits and provides a
short summary of the plot and background of every
movie.
Edited by Isabel Siben
and Andréa Holzherr
Texts by
Hans Helmut Prinzler
Isabel Siben is the
curator of Kunstfoyer at
Versicherungskammer
Bayern, Munich.
Andréa Holzherr is a
curator with Magnum
Photos, Paris.
Hans Helmut Prinzler,
born in Berlin in 1938,
is a film historian and
author of numerous
books. The former head
of the Retrospective
September 2010, hardcover US $ 39.95 Can. $ 43.95
9 x 11 in. / 23 x 28 cm, 140 pages, 128 color and duotone plates
ISBN 978-3-8296-0477-2 / 3-8296-0477-7
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section of the Berlinale
film festival, he is
director of the film
and media section of
the Berlin Akademie
der Künste.
List of films
Limelight
The Seven Year Itch
Rebel without a Cause
Moby Dick
Suddenly, Last Summer
The Alamo
The Misfits
Le Procès
Planet of the Apes
Zabriskie Point
L’important c’est d’aimer
Death of a Salesman
Top to bottom:
Set photo from Zabriskie Point, 1969.
Photo by Bruce Davidson.
Set photo from Planet of the Apes, 1967.
Photo by Dennis Stock.
Set photo with Elizabeth Taylor in
Suddenly, Last Summer, 1959.
Photo by Burt Glinn.
Set photo with Marilyn Monroe in
The Seven Year Itch, 1954.
Photo by Elliott Erwitt.
Cy Twombly: Catalogue Raisonné of Drawings and Sketchbooks. Vol I
Cy Twombly, born in Lexington, Virginia, in 1928,
entered the stage of contemporary art with his
drawings. His nervous line making distinguished
him from all his colleagues who in the 50s and 60s
were involved in Abstract Expressionism. His tumbling and nervous markings opened new psychological
spaces to a personal and very conceptual art. At first
mistaken for something between graffiti and écriture
automatique, Cy Twombly’s graphic notes eventually
transformed into huge canvases of paintings in which
he incorporated these notes as a maelstrom of emotional states. The Catalogue Raisonné of the Drawings
and Sketchbooks, edited by Nicola Del Roscio, will be
published in five volumes. The first volume contains
the drawings of the years 1951 to 1955.
October 2010, hardcover US $ 140.00 Can. $ 150.00
92⁄3 x 131⁄2 in. / 24.5 x 34 cm, 180 pages, 213 color plates
ISBN 978-3-8296-0485-7 / 3-8296-0485-8
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Volume I
1951–1955
Edited by
Nicola Del Roscio
Cy Twombly, born in
Lexington, Virginia, in
1928, has been living
in Italy since 1957. His
work includes paintings,
drawings, sculptures, and
photography.
Nicola Del Roscio, born
in Rome in 1944, is a
long-time collaborator
of the artist and the
editor of Cy Twombly:
Catalogue Raisonné of
Sculpture and Writings on
Cy Twombly.
clockwise: Cy Twombly, Untitled, Rome, 1953; Untitled, Augusta, Georgia, 1954;
Untitled, Augusta, Georgia, 1954; Untitled, Augusta, Georgia, 1954
Joseph Beuys: Parallel Processes
24 years after his death, artist, teacher, and activist
Joseph Beuys (1921–1986) is celebrated with an
all-inclusive exhibition organized in his hometown
Düsseldorf. A highly controversial artist during his
lifetime, for whom artistic practice, teaching, and
political activism were wedded to each other, he is
considered today one of the most important figures of
20th-century avant-garde art, mentioned in the same
breath as Marcel Duchamp and Andy Warhol.
He revolutionized sculpture by using new materials
such as felt, honey, and fat, which enabled him
to explore and represent psychological subjects of
unparalleled breadth and intensity. Making our notion
of sculpture flow and expand, he also dissolved it
by translating his vision into actions that oscillated
between happenings and mime and reminded many
viewers of shaman rituals.
In his early drawings based on abstract forms, Beuys
developed an idiosyncratic iconography palpitating
between fairy tale and fantasy.
9 x 111⁄2 in. / 23 x 29 cm, 432 pages, 230 color plates
ISBN 978-3-8296-0482-6 / 3-8296-0482-3
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Texts by
Johannes Stüttgen,
Marion Ackermann,
Maria Müller-Schareck,
and Gottfried Boehm
Joseph Beuys
(1921–1986) was
perhaps the most important and influential
artist of postwar visual
arts. His 40-year œuvre
covers drawings, watercolors, prints, multiples,
sculptures, objects,
installations, and actions
embedded in a larger,
spiritually and philosophically informed political practice.
Johannes Stüttgen, born
in 1945, German artist,
writer, and partner of
the action group Omnibus für direkte Demokratie, was a student and
long-time collaborator of
Joseph Beuys. He lives
in Düsseldorf.
Gottfried Boehm, born
in 1942, is a German
art historian and philosopher. A former faculty
member of the universities of Bochum and
Gießen, he holds a
tenured professorship at
the University of Basel.
Joseph Beuys, Queen bee I, 1947-52
Joseph Beuys, Musicbox, 1962-63
Anselm Kiefer: Heavenly Palaces
“Heavenly Palaces” is a series of sculptures—26
works in glass display cabinets and one separate
work—that Anselm Kiefer created and installed in
the late 1980s in a historic brick factory of the
German Odenwald region.
Poetic and extremely fragile works that seem to be
almost transparent in the changing, reflecting lights
of the space, these sculptures are made of photographs and fabric, glass fragments, clay, paper, bone,
delicate cardboard, and wooden structures. They
make up a world that is understood only through its
direct relations to cabbalistic representations, ancient myths, and Christian mysticism and gnosticism.
This volume presents the series for the first time in
color and black-and-white photographs taken by the
editor.
Edited and with
photographs and a
text by Heiner Bastian
Anselm Kiefer, born
in Donaueschingen,
Germany, in 1945,
studied law before
studying painting with
Joseph Beuys. History
and myth became the
central themes in his
freighted work including
paintings, sculptures,
installations, and artist’s
books. First catching
attention with his
controversial photo
series “Occupations”
in 1969, he is today
July 2010, hardcover US $ 75.00 Can. $ 85.00
81⁄4 x 114⁄5 in. / 21 x 30 cm, 116 pages, 109 color and duotone illustrations
ISBN 978-3-8296-0459-8 / 3-8296-0459-9
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considered one of the
most important German
artists alive. In 2008 he
received the Friedenspreis des Deutschen
Buchhandels.
Heiner Bastian, born in
Rantau by the Baltic Sea
in 1943, is a curator,
art historian, author,
book editor, and art
consultant. He lives in
Berlin.
Anselm Kiefer, The Argonauts, 1989-90
Bernd & Hilla Becher: Coal Mines and Steel Mills
The core themes of Bernd and Hilla Becher’s
extensive work from the early 1960s on were the
coal mines and steel mills in the German Ruhr region
and other iron smelting regions of the world, from
Lothringen to Pittsburgh.
The book centers on the “industrial landscapes,” as
the two artists called them. The Bechers did not seek
to depict these areas as individual architectural objects, but rather to contextualize them as complete
facilities and heavy industry complexes in their urban
and rural environment. Now that iron smelting as an
industry has almost completely disappeared from the
Ruhr region, and the European coal mining industry
is following hard on its heels, this collection of
impressive pictures—from the German Siegerland
region, Great Britain, France, and the USA—provides
an overview of a bygone era of industrial history.
As well as famous Becher icons, the volume also
features many previously unpublished photographs.
11 x 11 in. / 28 x 28 cm, 188 pages, 154 duotone plates
ISBN 978-3-8296-0474-1 / 3-8296-0474-2
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Text by Heinz Liesbrock
Bernd Becher (1931–
2007) and Hilla Becher,
born in 1934, have
collaborated since 1959.
Founders of the internationally acclaimed
Becher class at the
Düsseldorf Art Academy,
they have received
numerous awards, such
as the Golden Lion at
the 1990 Venice
Biennial, and the
2002 Erasmus Prize.
Bernd & Hilla Becher: Hannover Coal Mine
Heinz Liesbrock is an art
historian and director
of the Josef Albers
Museum, Bottrop,
Germany.
Bernd and Hilla Becher’s photographic documentation
of the abandoned and demolished Hannover Coal
Mine resurrects the colliery before the viewer’s eyes:
the three winding towers spanning a period of about
100 years; the power station with its cooling towers;
the adjacent coking plant; and the spectacular conveyor belts traversing the entire compound.
193 black-and-white photographs selected from a
total of 600 negatives taken between 1971 and 1974
present panoramic views of the plant and its
individual structures from several perspectives.
The photographic narrative of entire plants has previously been given little notice in the reception of
the Bechers’ work. Reminiscent of the documentation
of Hannibal Coal Mine published in 2000, the present
volume is another important contribution to the
interpretation of their œuvre.
Text by
Gabriele Conrath-Scholl
Bernd Becher (1931–
2007) and Hilla Becher,
born in 1934, have
collaborated since 1959.
Founders of the internationally acclaimed
Becher class at the
Düsseldorf Art Academy,
they have received
numerous awards, such
as the Golden Lion at
the 1990 Venice
Biennial, and the
2002 Erasmus Prize.
Gabriele Conrath-Scholl
is director of the
Photographische
Sammlung, SK Stiftung
Kultur in Cologne.
103⁄4 x 111⁄2 in. / 27 x 29 cm, 280 pages, 193 duotone plates
ISBN 978-3-8296-0468-0 / 3-8296-0468-8
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Candida Höfer: Philadelphia
Philadelphia, the largest city in Pennsylvania, is
also one of the country’s oldest cities and a place of
special historical and national significance: in 1776,
the American Declaration of Independence was proclaimed in Philadelphia and in 1787 the Constitution
was enacted there. Highly symbolic and venerable
institutions have a story to tell about the city’s 300year history. In 2007, Candida Höfer selected some of
them and explored them with her tried-and-tested
approach to photography. The interiors of the Fisher
Library, Girard College, the Pennsylvania Academy of
Fine Arts, and the Masonic Temple convey a genuine
dignity and representative splendor. Typically of the
artist, the photos depict the interiors in a
deserted state and an axis-symmetrical view. Among
the 13 large-scale color photographs of the “Philadelphia Series”, there is only one modern building,
the Beth Sholom Synagogue.
July 2010, softcover US $ 39.95 Can. $ 43.95
91⁄3 x 121⁄2 in. / 24.5 x 23.7 cm, 48 pages, 13 color plates
ISBN 978-3-8296-0440-6 / 3-8296-0440-8
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Cy Twombly: Tulips. Fifteen Photographs
Texts by Anna-Maria
Ehrmann-Schindlbeck,
Richard Torchia, and
Mari Shaw
Anna-Maria
Ehrmann-Schindlbeck,
born in Ravensburg,
Germany, is the director
of the City Gallery
Tuttlingen. She previously worked as cultural
manager of Jenoptik in
Jena and as a freelance
curator in the US.
sylvania. His artistic
practice employs sited
projections at venues
across the US and
Europe; his curatorial
work encompasses
numerous thematic
shows.
Cy Twombly’s photographs are a late blessing from
the hand of one of the most innovative American
artists. Along with peonies, tulips are his floral
passion.
This small book accompanies a show of his tulip
photographs at Schirmer/Mosel Showroom, Munich,
in June. They captivate the viewer by the subtle
irresistibility of sepia-toned dryprints. The prints will
be complemented by poetry selected by the artist.
Cy Twombly, born in
Lexington, Virginia, in
1928, has been living
in Italy since 1957. His
work includes paintings,
drawings, sculptures, and
photography.
Mari Shaw is a major
collector of contemporary art who initiated
and arranged Candida
Höfer’s Philadelphia
project.
Richard Torchia is an
artist and director of
Arcadia University Art
Gallery, Glenside, PennOctober 2010, hardcover US $ 35.00 Can. $ 39.00
81⁄4 x 113⁄4 in. / 21 x 29.7 cm, c. 40 pages, 15 color plates
ISBN 978-3-8296-0495-6 / 3-8296-0495-5
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Masterpieces of Art in the 20th Century
Jeff Wall: Transit
One of Europe’s most prolific museums of contemporary art, Kunstsammlung Nordrhein-Westfalen
presents the highlights of its collection in a comprehensive catalog published on the occasion of its
new annex, to be inaugurated in July 2010. The book
features 109 masterpieces of 20th-century art by
65 artists, from Marina Abramovic to Max Beckmann,
Salvador Dalí, Donald Judd, William Kentridge, Roy
Lichtenstein, René Magritte, Shirin Neshat, Nam June
Paik, Thomas Ruff, Richard Serra, Yves Tanguy, Bill
Viola, Andy Warhol, and Rachel Whiteread, to name
just a few.
A useful and aesthetically appealing collection, it
amounts to a visual history of 20th-century art.
Jeff Wall: Transit accompanies an exhibition of
26 unique works of this Canadian artist. Jeff Wall
made a name for himself with a special invention:
light boxes with huge color transparencies of carefully calculated photographic images oscillating
between painterly compositions and straight photography. His conceptual work brought him a special position in the art world and his images that also serve
as lit objects made him famous during the last three
decades.
The book accompanies an exhibition at Staatliche
Kunstsammlungen Dresden. It includes texts by art
historians Ulrich Bischoff, Mathias Wagner, Thomas
Weski, and Laszlo Glozer.
Texts by
Marion Ackermann,
Anette Kruszynski,
Maria Müller-Schareck,
and Julia Hagenberg
Marion Ackermann,
born in 1963, German
curator and art historian,
has been director of
Kunstsammlung Nordrhein-Westfalen since
2009.
Maria Müller-Schareck
and Anette Kruszynski
are curators at Kunstsammlung NordrheinWestfalen.
August 2010, hardcover US $ 39.95 Can. $ 43.95
91⁄2 x 111⁄4 in. / 24 x 28.5 cm, 160 pages, 109 color plates, 35 illustrations
ISBN 978-3-8296-0484-0 / 3-8296-0484-X
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Edited by Ulrich Bischoff
and Mathias Wagner
Texts by Thomas Weski,
Lazlo Glozer, and the
editors.
Jeff Wall, born in
Vancouver in 1946,
studied art at University
of British Columbia and
Courtauld Institute in
London. In 2002, he was
awarded the Hasselblad
Award in Photography.
Mathias Wagner works
as an art historian and
exhibition curator at
Staatliche Kunstsammlungen Dresden.
Ulrich Bischoff is the
director of Staatliche
Kunstsammlungen
Dresden. A member of
AICA, he has taught
at numerous German
art academies and has
established several
public and corporate
art collections.
Thomas Weski is
professor of curatorial
cultures at the Academy
of Graphics and Book
Art, Leipzig.
Laszlo Glozer is Germany’s
most prominent critic of
contemporary art.
August 2010, hardcover US $ 69.95 Can. $ 76.95
104⁄5 x 114⁄5 in. / 27.5 x 30 cm, 120 pages, 26 color and duotone plates, 18 illustrations
ISBN 978-3-8296-0478-9 / 3-8296-0478-5
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Available again
Martin Assig: Vases, Summits, Humans
Martin Assig, born in 1959, is a prominent proponent
of contemporary German painting. One of his passions
are thriftstore artworks, which he collects and uses as
canvases for his own paintings executed in the old
technique of encaustic. Leaving part of the original
artwork visible in his overpaintings, Assig combines a
trivial aesthetic with higly complex ondulating lines,
writings, and geometric patterns. He merges mundane
romanticism and pastose abstraction into a kind of
Art brut of the 21st century. Vases, Summits, Humans
is another testimony to Martin Assig’s sophisticated
and idiosyncratic approach to painting.
June 2010, hardcover US $ 39.95 Can. $ 43.95
61⁄2 x 9 in. / 16.5 x 23 cm, 208 pages, 152 color plates
ISBN 978-3-8296-0475-8 / 3-8296-0475-0
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Text by Mark Gisbourne
Martin Assig, born in
Schwelm, Germany, in
1959, lives and works
in Berlin.
Mark Gisbourne, art
historian, curator, and
the author of more than
one hundred art books,
has taught at the Courtauld Institute of Art,
Slade School of Fine Art,
and many other prestigious institutions. He
lives and works in Berlin.
Helmut Newton’s Illustrated No. 1–4: Complete Edition
For ten years—from 1984 until 1995—Newton
published his best photographs in his own magazine,
Helmut Newton’s Illustrated. During this period, four
editions appeared: No.1, “Sex and Power”, No.2,
“Pictures from an Exhibition”, No.3, “I was there”,
and No.4, “Dr. Phantasme”. Their titles were as
suggestive as they were thematic and all issues
quickly became sought-after collector’s items. With
their provocative mixture of nudes, journalistic
pictures, and sensationalist portraits, these four
editions of Helmut Newton’s Illustrated are considered
to be among the most powerful visual documents of
the 80s and 90s. Our complete edition brings all four
together in one volume and was published in spring,
2000. It is a real power pack—134 Newton photographs in rich duotone and color—charged with sex,
power and beauty.
Helmut Newton was
born in Berlin in 1920.
He died in an automobile accident in Hollywood in January 2004.
He began his career at
the age of 16, working
for famous Berlin photographer, Yva. As an 18year-old, he emigrated
to Australia, returning to
Europe in 1957 to settle
in Paris. As of the 1980s
he lived in both Monte
Carlo and Los Angeles.
The first of his countless
solo exhibitions took
place in Paris in 1975.
Awards for his photographic œuvre included
the German Große
Bundesverdienstkreuz,
the French Grand Prix
national de la photographie, and the World
Image Award.
October 2010, softcover US $ 24.95 Can. $ 27.95
21 x 26.5 cm, 136 pages, 134 duotone and color plates
ISBN 978-3-88814-613-8 / 3-88814-613-5
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AVAILABLE AGAIN
Available soon!
Paolo Roversi: Guinevere Van Seenus. Photographs
Paolo Roversi’s photographs of women are elegant,
dreamy, and playful. They are borne by a “grandezza
of the profession”, a great responsibility for the
beauty of all things handcrafted that doesn’t seem
to exist in this way outside Italy.
The first volume of the small Encyclopedia of Women
Paolo Roversi is planning is dedicated to his present
muse, the model Guinevere Van Seenus, with whom
he has taken many of his most beautiful fashion and
nude photographs in recent years.
In a loose series of selected pictures liberated from
the commercial purpose to which they owe their
very existence, we see a poetic double personality
profile, in which the famous photo model and the
equally famous photographer meet as though in a
photographic lens. A top-grade meeting of style,
beauty, and poetry.
Paolo Roversi, born in
Ravenna, Italy, in 1947,
started as a photo reporter covering Ezra Pound’s
funeral for AP in 1970.
In 1973 he moved to
Paris to pursue a career
as a commercial fashion
and portrait photographer. He has worked for
Elle, Harper’s Bazaar,
ID, L’uomo Vogue,
Interview, and Italian
Vogue; his commercial
clients include Armani,
Comme des Garçons, YSL,
and others.
114⁄5 x 13 in. / 30 x 33 cm, 48 pages, 30 color and duotone plates
ISBN 978-3-8296-0413-0 / 3-8296-0413-0
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Guinevere Van Seenus,
born in Washington,
D.C., in 1977, is an
American model of Dutch
descent. She worked with
photographers such as
Steven Meisel, Mario
Testino, Richard Avedon,
and Mario Sorrenti and
was in ads for such
brands as Dolce &
Gabbana, DKNY,
Jil Sander, Versace,
and Vidal Sassoon.
Nominated “Model of
the Year” in the Vogue
VH1 Fashion Awards of
1996, she appeared in
the 2006 Pirelli Calendar.
August Sander:
Face of Our Time
Helmut Newton:
Private Property
Compiled by August Sander himself, the book was
first published in 1929, with a foreword by German
writer Alfred Döblin. On its first publication, it was
advertised as follows: “The sixty shots of twentiethcentury Germans which the author includes in his
Face of Our Time represent only a small selection
drawn from August Sander’s major work, which he
began in 1910 and which he has spent twenty years
producing and adding fresh nuances to. The author
has not approached this immense self-imposed task
from an academic standpoint, nor with scientific aids,
and has received advice neither from racial theorists
nor from social researchers. He has approached his
task as a photographer from his own immediate observations of human nature and human appearances,
of the human environment, and with an infallible
instinct for what is genuine and essential.”
Through their inimitable mixture of eroticism,
subdued elegance and decadent luxury, Newton’s
pictures reflect in the highest aesthetic quality an
obsession with human vanity—from female exhibitionism to male voyeurism. With technical perfection
and a relentless directness, Newton staged the neverending psychodrama that contrasts glamour with the
need for admiration, self-confidence with the desire
for self-presentation, and Eros with Thanatos.
Private Property was originally a three-part portfolio
containing 45 black-and-white photographs. It
includes Newton’s best work from the period 19721983—an exquisite assortment of fashion shots,
portraits, and erotic motifs which are all based on
real locations and luxurious life styles. The entire sequence of pictures from the Private Property portfolio
is included in our book which first appeared in 1989.
Text by Alfred Döblin
Text by Marshall Blonsky
June 2010, softcover US $ 9.95 Can. $ 10.95
53⁄4 x 71⁄2 in. / 14.4 x 19.2 cm
144 pages, 60 duotone plates
ISBN 978-3-88814-292-5 / 3-88814-292-X
June 2010, softcover US $ 9.95 Can. $ 10.95
53⁄4 x 71⁄2 in. / 14.4 x 19.2 cm
ISBN 978-3-88814-391-5 / 3-88814-391-8
25
BACKLIST INCLUDING SPRING 2010 TITLES
Giovanni Chiaramonte
Berlin, the City of Eternal Becoming
140 pages, 66 color plates
91⁄4 x 121⁄5 in. / 29 x 29 cm, hardcover
ISBN 978-3-8296-0458-1 / 3-8296-0458-0
US $ 59.95 Can. $ 77.00
William Claxton
Young Chet
91⁄4 x 121⁄5 in. / 23.5 x 31 cm, softcover
ISBN 978-3-88814-860-6 / 3-88814-860-X
US $ 24.95 Can. $ 27.50
ANTON CORBIJN
Kishin Shinoyama
Balthus – The Painter’s House
101⁄4 x 71⁄2 in. / 13 x 19.5 cm, softcover
ISBN 978-3-8296-0320-1 / 3-8296-0320-7
US $ 19.95 Can. $ 21.95
Sabine Rewald
Balthus – Time Suspended
164 pages, 76 color plates and 96 ill.
101⁄4 x 121⁄2 in. / 26 x 31.5 cm, hardcover
ISBN 978-3-8296-0321-8 / 3-8296-0321-5
US $ 79.95 Can. $ 90.00
Anton Corbijn
In Control
113⁄4 x 91⁄2 in. / 32.5 x 21 cm, hardcover
ISBN 987-3-8296-0290-7 / 3-8296-0290-1
US $ 69.95 Can. $ 77.00
Emmanuelle Béart / Sylvie Lancrenon
Cuba Libre
9 x 131⁄3 in. / 23 x 34 cm, hardcover
ISBN 978-3-8296-0391-1 / 3-8296-0391-6
US $ 75.00 Can. $ 85.00
Anton Corbijn
Famouz
101⁄2 x 14 in. / 26.5 x 35.5 cm, hardcover
ISBN 978-3-8296-0182-5 / 3-8296-0182-4
US $ 69.95 Can. $ 77.00
<
Bernd & Hilla Becher
At Museo Morandi
48 pages, 14 duotone plates, 8 ill.
74⁄5 x 9 in. / 20 x 23 cm, softcover
ISBN 978-3-8296-0406-2 / 3-8296-0406-8
US $ 24.95 Can. $ 30.95
Karl Blossfeldt
Art Forms in Nature
276 pages, 240 plates
ISBN 978-3-88814-627-5 / 3-88814-627-5
US $ 29.95 Can. $ 32.95
26
Joseph Beuys / Caroline Tisdall
Coyote
93⁄4 x 62⁄3 in. / 25.5 x 17.5 cm, hardcover
ISBN 978-3-8296-0397-3 / 3-8296-0397-5
US $ 45.00 Can. $ 48.95
Karl Blossfeldt
The Alphabet of Plants
51⁄2 x 71⁄2 in. / 14.4 x 19.2 cm, softcover
ISBN 978-3-8296-0304-1 / 3-8296-0304-5
US $ 9.95 Can. $ 10.95
Joseph Beuys
The End of the 20th Century
390 pages, 250 ill.
ISBN 978-3-8296-0287-7 / 3-8296-0287-1
US $ 99.95 Can. $ 110.00
Anton Corbijn
Star Trak
144 pages, 113 color and duotone plates
ISBN 987-3-8296-0056-9 / 3-8296-0056-9
US $ 69.95 Can. $ 87.00
Anton Corbijn
U2&i
ISBN 978-3-8296-0174-0 / 3-8296-0174-3
US $ 120.00 Can. $ 130.00
Anton Corbijn
U2&i
ISBN 978-3-8296-0319-5 / 3-8296-0319-3
US $ 59.95 Can. $ 65.00
Maria Callas
Images of a Legend
9 x 122⁄3 in. / 23 x 32.5 cm, hardcover
ISBN 978-3-8296-0314-0 / 3-8296-0314-2
US $ 49.95 Can. $ 54.95
Thomas Demand
Phototrophy
ISBN 978-3-8296-0171-9 / 3-8296-0171-9
US $ 79.95 Can. $ 90.00
Sante D’Orazio
Pam: American Icon
ISBN 978-3-8296-0187-0 / 3-8296-0187-5
US $ 120.00 Can. $ 130.00
Sante D’Orazio
Pamela Anderson: American Icon
11 x 14 in. / 28.5 x 35.5 cm, hardcover
ISBN 978-3-8296-0224-2 / 3-8296-0224-3
US $ 49.95 Can. $ 54.95
27
CANDIDA HÖFER
Gerrit Engel
Berlin
ISBN 978-3-8296-0392-8 / 3-8296-0392-4
US $ 115.00 Can. $ 125.00
Gerrit Engel
Manhattan New York
ISBN 978-3-8296-0157-3 / 3-8296-0157-3
US $ 99.95 Can. $ 110.00
Elger Esser
Eigenzeit
ISBN 978-3-8296-0418-5 / 3-8296-0418-1
US $ 65.00 Can. $ 84.00
Adieu Audrey
Memories of Audrey Hepburn
ISBN 978-3-88814-566-7 / 3-88814-566-X
US $ 19.95 Can. $ 21.95
Elger Esser
Views
121⁄2 x 11 in. / 32 x 28 cm, hardcover
ISBN 978-3-8296-0357-7 / 3-8296-0357-6
US $ 90.00 Can. $ 100.00
Elger Esser
Vedutas and Landscapes
131⁄5 x 11 in. / 33.5 x 28 cm, hardcover
ISBN 978-3-88814-177-5 / 3-88814-177-X
US $ 90.00 Can. $ 100.00
Rainer Werner Fassbinder
Berlin Alexanderplatz
664 pages, 530 pages of filmstills in color
ISBN 978-3-8296-0310-2 / 3-8296-0310-X
US $ 90.00 Can. $ 100.00
Candida Höfer / Umberto Eco
Libraries
ISBN 978-3-8296-0186-3 / 3-8296-0186-7
US $ 99.95 Can. $ 124.00
Candida Höfer
In Portugal
ISBN 978-3-8296-0279-2 / 3-8296-0279-0
US $ 65.00 Can. $ 84.00
Candida Höfer
Louvre
ISBN 978-3-8296-0250-1 / 3-8296-0250-2
US $ 49.95 Can. $ 54.95
Candida Höfer
Napoli
ISBN 978-3-8296-0424-6 / 3-8296-0424-6
US $ 39.95 Can. $ 49.95
<
28
Dan Flavin
Icons
80 pages, 39 color plates, 28 ill.
ISBN 978-3-8296-0405-5 / 3-8296-0405-X
US $ 65.00 Can. $ 81.00
Gisèle Freund
Photographs & Memoirs
ISBN 978-3-8296-0399-7 / 3-8296-0399-1
US $ 69.95 Can. $ 77.00
Georg Gerster
Swissair Posters
ISBN 978-3-8296-0229-7 / 3-8296-0229-4
US $ 24.95 Can. $ 27.50
Candida Höfer
Opera de Paris
ISBN 978-3-8296-0230-3 / 3-8296-0230-8
US $ 49.95 Can. $ 54.95
Candida Höfer
Weimar
ISBN 978-3-8296-0346-1 / 3-8296-0346-0
US $ 49.95 Can. $ 54.95
Axel Hütte
After Midnight
14 x 11 in. / 35.3 x 28 cm, hardcover
ISBN 978-3-8296-0261-7 / 3-8296-0261-8
US $ 65.00 Can. $ 72.00
Peter Adam
Eileen Gray – Her Life and Work
ISBN 978-3-8296-0420-8 / 3-8296-0420-3
US $ 99.00 Can. $ 124.00
Horst Hamann
One Night on Broadway
ISBN 978-3-8296-0127-6 / 3-8296-0127-1
US $ 24.95 Can. $ 27.50
Eberhard Havekost
User Interface
ISBN 978-3-8296-0334-8 / 3-8296-0334-7
US $ 90.00 Can. $ 100.00
Peter Jonas / Zubin Mehta
The Bavarian State Opera
ISBN 978-3-8296-0254-9 / 3-8296-0254-5
US $ 90.00 Can. $ 100.00
Helga Prignitz-Poda
Frida Kahlo – The Painter and Her Work
264 pages, 121 color plates, 54 ill.
81⁄4 x 92⁄3 in. / 21 x 25 cm, softcover
ISBN 978-3-8296-0464-2 / 3-8296-0464-5
US $ 39.95 Can. $ 49.95
Nick Knight
Nicknight – The Blue Velvet Book
ISBN 978-3-88814-661-9 / 3-88814-661-5
US $ 120.00 Can. $ 150.00
29
HELMUT NEWTON
Brigitte Lacombe
Cinema / Theater
101⁄4 x 14 in. / 26 x 35.5 cm, softcover
ISBN 978-3-8296-0180-1 / 3-8296-0180-8
US $ 39.95 Can. $ 43.95
Peter Lindbergh
Untitled 116
ISBN 978-3-8296-0179-5 / 3-8296-0179-4
US $ 120.00 Can. $ 130.00
Herbert List
The Essential Herbert List
ISBN 978-3-8296-0349-2 / 3-8296-0349-5
US $ 34.95 Can. $ 38.95
Robert Longo
Men in the Cities – Photographs
ISBN 978-3-8296-0411-6 / 3-8296-0411-4
US $ 49.95 Can. $ 64.95
Robert Mapplethorpe
The Black Book
ISBN 978-3-8296-0460-4 / 3-8296-0460-2
US $ 39.95 Can. $ 49.95
Hellen van Meene
Tout va disparaître
ISBN 978-3-8296-0417-8 / 3-8296-0417-3
US $ 65.00 Can. $ 81.00
Helmut Newton
Private Property
ISBN 978-3-88814-391-5 / 3-88814-391-8
US $ 9.95 Can. $ 10.95
J.-B. MONDINO
Helmut Newton
Big Nudes
ISBN 978-3-8296-0139-9 / 3-8296-0139-5
US $ 39.95 Can. $ 43.95
Helmut Newton
Pola Woman
9 x 12 in. / 23 x 30.5 cm, softcover
ISBN 978-3-88814-749-4 / 3-88814-749-2
US $ 34.95 Can. $ 38.95
Helmut Newton
Portraits
ISBN 978-3-8296-0131-3 / 3-8296-0131-X
US $ 49.95 Can. $ 54.95
<
Jean-Baptiste Mondino
Two Much
ISBN 978-3-8296-0033-0 / 3-8296-0033-X
US $ 120.00 Can. $ 130.00
Jean-Baptiste Mondino
Guitar Eros
ISBN 978-3-8296-0234-1 / 3-8296-0234-0
US $ 59.95 Can. $ 65.00
MARILYN MONROE
Helmut Newton
Archives de nuit
ISBN 978-3-88814-664-0 / 3-88814-664-X
US $ 19.95 Can. $ 21.95
Helmut Newton
White Women
ISBN 978-3-8296-0442-0 / 3-8296-0442-4
US $ 49.95 Can. $ 64.95
Anders Petersen
Café Lehmitz
ISBN 978-3-8296-00072-9 / 3-8296-0072-0
US $ 39.95 Can. $ 49.95
Bettina Rheims
Can You Find Happiness
ISBN 978-3-8296-0364-5 / 3-8296-0364-9
US $ 34.95 Can. $ 38.95
Bettina Rheims
Chambre Close
ISBN 978-3-8296-0316-4 / 3-8296-0316-9
US $ 49.95 Can. $ 54.95
BETTINA RHEIMS
Bert Stern / Marilyn Monroe
The Complete Last Sitting
464 pages, 2,571 photographs, 375 in color
ISBN 978-3-88814-191-1 / 3-88814-191-5
US $ 120.00 Can. $ 130.00
30
The Best of
Helmut Newton
160 pages, 107 duotone and color plates
ISBN 978-3-88814-635-0 / 3-88814-635-6
US $ 34.95 Can. $ 42.95
Ed Feingersh
Marilyn in New York
ISBN 978-3-8296-0353-9 / 3-8296-0353-3
US $ 29.95 Can. $ 32.95
31
CY TWOMBLY
Bettina Rheims
Female Trouble
ISBN 978-3-8296-0022-4 / 3-8296-0022-4
US $ 34.95 Can. $ 38.95
Bettina Rheims
More Trouble
10 x 121⁄2 in. / 25.4 x 31.5 cm, hardcover
ISBN 978-3-8296-0106-1 / 3-8296-0106-9
US $ 90.00 Can. $ 100.00
Bettina Rheims
Héroïnes
ISBN 978-3-8296-0298-3 / 3-8296-0298-7
US $ 65.00 Can. $ 72.00
Mette Tronvoll
Photographs
ISBN 978-3-8296-0436-9 / 3-8296-0436-X
US $ 65.00 Can. $ 84.00
Paolo Roversi
Guinevere Van Seenus
ISBN 978-3-8296-0413-0 / 3-8296-0413-0
US $ 65.00 Can. $ 72.00
Cy Twombly
Photographs 1951–1999
ISBN 978-3-8296-0078-1 / 3-8296-0078-X
US $ 69.95 Can. $ 77.00
Cy Twombly
50 Years of Works on Paper
ISBN 978-3-8296-0181-8 / 3-8296-0181-6
US $ 90.00 Can. $ 100.00
<
Bettina Rheims
Retrospective
ISBN 978-3-8296-0061-3 / 3-8296-0061-5
US $ 49.95 Can. $ 54.95
Cy Twombly
The Paintings 1996–2007
240 pages, 88 color plates, plus 11 ill.
ISBN 978-3-8296-0366-9 / 3-8296-0366-5
US $ 298.00 Can. $ 328.00
Cy Twombly
Photographs 1951–2007
ISBN 978-3-8296-0368-3 / 3-8296-0368-1
US $ 120.00 Can. $ 150.00
<
32
August Sander
Face of Our Time
ISBN 978-3-88814-292-5 / 3-88814-292-X
US $ 9.95 Can. $ 10.95
August Sander
Seeing, Observing, Thinking
ISBN 978-3-8296-0443-7 / 3-8296-0443-2
US $ 65.00 Can. $ 84.00
Simone Sassen / Cees Nooteboom
Ultima Thule
ISBN 978-3-8296-0393-5 / 3-8296-0393-2
US $ 45.00 Can. $ 48.95
Cy Twombly
Sculptures 1992–2005
144 pages, 76 color illustrations
ISBN 978-3-8296-0245-7 / 3-8296-0245-6
US $ 90.00 Can. $ 100.00
Cy Twombly
States of Mind
324 pages, 278 color illustrations
ISBN 978-3-8296-0445-1 / 3-8296-0445-9
US $ 65.00 Can. $ 84.00
Amrita Sher-Gil
An Indian Family of Artists
ISBN 978-3-8296-0270-9 / 3-8296-0270-7
US $ 49.95 Can. $ 54.95
Thomas Struth
Museum of Cycladic Art Athens
ISBN 978-3-8296-0444-4 / 3-8296-0444-0
US $ 29.95 Can. $ 37.95
Thomas Struth
Family Life
ISBN 978-3-8296-0355-3 / 3-8296-0355-X
US $ 69.95 Can. $ 77.00
Véronique Vial
Paris Naked
ISBN 978-3-8296-0438-3 / 3-8296-0438-6
US $ 49.95 Can. $ 64.95
Ellen von Unwerth
Couples
ISBN 978-3-8296-0251-8 / 3-8296-0251-0
US $ 24.95 Can. $ 27.50
Albert Watson
The Vienna Album
ISBN 978-3-8296-0215-0 / 3-8296-0215-4
US $ 75.00 Can. $ 85.00
33
front cover: George Clooney on the set of The American, photo by Anton Corbijn;
taken from: Anton Corbijn: The American
back cover: Yves Saint Laurent, long evening dress of black velvet with gigantic
rose-colored satin bows from the fall/winter collection of 1983-84, back view.
Photo by Gilles Tapie; taken from: Yves Saint Laurent: Icons of Fashion Design
Wim Wenders
Pictures from the Surface of the Earth
ISBN 978-3-8296-0051-4 / 3-8296-0051-8
US $ 39.95 Can. $ 43.95
Wim Wenders
Pictures from the Surface of the Earth
81⁄2 x 81⁄4 in. / 21.7 x 21 cm, softcover
ISBN 978-3-8296-0238-9 / 3-8296-0238-9
US $ 39.95 Can. $ 43.95
Michael Wesely
Still Lifes 2001–2007
ISBN 978-3-8296-0305-8 / 3-8296-0305-3
US $ 49.95 Can. $ 54.95
Zhang Huan
Drawings
ISBN 978-3-8296-0308-9 / 3-8296-0308-8
US $ 49.95 Can. $ 54.95
Wim Wenders
Journey to Onomichi
ISBN 978-3-8296-0453-6 / 3-8296-0453-X
US $ 39.95 Can. $ 49.95
Schirmer/Mosel Books in North America
Customer Service,
Warehouse and
Fulfillment
Prestel Publishing
Innovative Logistics
575 Prospect Street
Lakewood, NJ 08701
Tel: (732) 363-5679
Fax: (732) 363-0338
toll-free for orders:
(888) 463-6110
toll-free fax for orders:
(877) 227-6564
Sales and Marketing
Office
Prestel Publishing
900 Broadway, Suite 603
New York, NY 10003
Tel: (212) 995-2720
Fax: (212) 995-2733
e-mail: [email protected]
34
Sales and Marketing
Director
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Marketing and Special
Sales Manager
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Publicity and
Promotion Associate
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Sales Representatives
Mid-Atlantic States
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Tel: (201) 825-6200
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US_Fall_2010_final:US catalog - Schirmer

Transcription

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