Disney Training Program - The Art of Matte Painting

Disney Training Program - The Art of Matte Painting
by T.Lo
1. Brief Matte Painting History introduction
2. Matte Painting technic study : Traditional Matte Painting
Matte Painting in CG world
3. Matte Painting Show Cases : The Orphanage Inc, Environment Art (2004)
T.Lo Demo Reel (2005)
4. Matte Painting how to :Cloud Matte Painting exercise
Day to Night shot exercise
5. Final work critic
Scarlett runs out of Tara in
a live-action element from
Gone with the Wind ( 1939)
The Final composite incorporated a Jack Cosgrove
painting.
Peter Ellenshaw readies
Julie Andrews for the shot
that will put her up into
the clouds in Mary Poppins
( 1964 )
Planet of the Apes (1968)
Matte painter: Emil Kpsa Jr.
The Wizard of Oz ( 1939)
Matte painting were created in
the fanciful children’s book style
desired by the production.
The one of greatest “ Invisible Art” by
Matte Painter Micheal Pangrazio and
Cameraman Neil Krepele for Raiders of
the Ark ( 1981)
Clarence Slifer built a special optical printer that allowed matte paaintings to be
directly photographed as elements and added to previously shot footage.
Peter Ellenshaw’s son Harrison. Who
follows his father’s footsteps as a matte
painter, plays with Walt Disney. The
pioneering animator was a lifelong fan
of trains and railoading.
Ellenshaw Under GlassGoing to the Matte for
Disney
Peter Ellenshaw
Peter Ellenshaw’s works for Walt’s conception
of the theme park, as known as Disneyland
today. Ellenshaw’s paintings were the first
look at the propsed park at 1959.
Mary Poppins
( 1964 )
Dubai City: Desinger’s Bay_Architecture proposal - CG Render
Dubai City: Desinger’s Bay_Architecture proposal - Final Painting (day view)
Dubai City: Desinger’s Bay_Architecture proposal - CG Render
Dubai City: Desinger’s Bay_Architecture proposal - Final Painting (night view)
Brian Flora works on a grisly scene of Vlad the Impaler’s handiwork as cameraman
Richard Mckey lines up the rearprojection shot as matte World.
Micheal Pangrazio’s Matte Painting of Tibet.
The Partially constructed set would be reduced in size and completed with a Ralph
MacQuarrie matte painting.
A Ralph McQuarrie matte painting of Cloud
City’s interior set the stage for Darth Vader
and Luke Skywalker’s dramatic light-saber
duel in the blockbuster 1980 Star Wars
Sequel, the Empire Strikes Back.
Returen of the Jedi ( 1983)
Matte Painting artist Chris
Evans scrapes out his class
painting to match a rearprojection image of dancing
Ewoks.
Lord of the Rings: Barad Dur and Mount Doom
Artist: Dylan Cole
X-man 2000, skyline
The Phantom Menace, Paul Huston use miniature help CG environments.
Young Anakin Skywalker races seance.
Castaway 2000, shot rotates 360 degrees to establish the actor is alone on
a remote island. Matte Painting by Rob Stromberg.
Casino (1995), Morgan Trotter
Ambient occlusion pass
(Shadow)
Diffuse pass (multiplied
to keep color, texture)
CG geometry
Volumetric sunlight pass
Sky, horizon and illuminated windows
Sun Keylight pass
Foreground buildings
Foreground buildings
Star Wars Episode III
Revenge of the Sith
Digital Artist: Chris Stoski
Yanick Dusseault, Toshi
Meada and Jeremy Cook
North Pole Entrance Sequence, 2002
Stefen Dechant ( Story Board)
Young Duk Cho ( CG Models )
Mark Sullivan and Bill Mather
( Paintings )
Mark Sullivan and Bill Mather ( Paintings )
The Way West 1967, Albert Whitlock
Willow (1988) matte Paintings by paul Huston.
Bound of Glory, Albert Whitlock, 1976
Grinch, matte painter: Kevin Scott Mack
Tower of London Night shot- Dylan Cole
Matte Painting class- T.Lo
References
Matte Painting / published by Ballistic publishing
The Orphanage Inc, Enviroment/ Matte Painting Show case, 2004
The Invisible Art / by Mark Cotte Vaz & Craig Barron
The Art of Polar Express / published by Chronicle books San Francisco
www.Mattepainting.org