Newsltr 10`15 Layout Working Print/Fin:Layout 1

Transcription

r
e
b
o 5
t
c
O 201
Our Next Meeting:
October 11, 2015, 2pm
From the October Guest President
So You Love to
Paint…
I am so happy
to be asked to fill
in this job for a
month. Some of
you may remember many years
ago it was necessary for me to
Debbie Fryer
leave a little before
the end of my third term. Now I get
the chance to finish up. EWCC will
always have a place in my heart
because it was here that I learned to
paint with watercolors. Not this room,
but these people. Liz Horowitz told me
about this wonderful organization when
I took a class with her many years ago
and I have been an excited member
ever since.
This is the place I watched demos
by artists that taught me so much about
this medium and this is the place that
encouraged me to paint and enter
exhibits and become a giver as well as
a taker. Liz has moved South now but
some of you may remember her wonderful paintings. I sat here and watching so many talented artist share their
work with me. That’s what EWCC
does the best of any art organization I
know of.
It took me a while to get brave
enough to apply for exhibiting membership. It was here that I learned the ins
and outs of this organization and what it
has to offer. When I became President I
had a board that was always willing to
take on any projects. We all shared the
fact that we love to paint and this organization gave us a place to show our
work.
Volunteering is what keeps this
organization going, so you need to think
about what you can do to help EWCC
stay on its feet. I remember thinking
“How am I going to do this” but in all
honesty it is a group activity, the President just starts the ball moving, or
maybe it is the paint brush, moving.
Things have changed a lot with the electronic newsletter and this whole new
projection screen which has added a
new way to view the painting activity.
Both of those are new and much needed.
Bigger and better demos and workshops
are the goal.
Next month is the time for prospective members to submit their work to
become exhibiting members. I urge you
to get some work together and enter.
Judging is done in private and
announcements will be made by mail.
We are eager to see new applicants.
Enjoy this wonderful weather we are
having and go paint!
e
Debbi
In this issue . . .
•
•
•
•
•
October Demonstrator - Sandra Jones
September Demo Review - Joel Popadics
Judy Ballance - Guest Columnist
Our Three-day Portrait Workshop
Upcoming EWCC Events:
• Our November Workshop with Chris Carter
• Our Fall Exhibit at MayoPAC
• November Review for Exhibiting Membership
• Member News, Video Library List, Workshops, Classes
Online at EWCClub.com
Our October Demonstrator
Sandra Jones
Sandra L. Jones is recognized for her
work in a diversity of themes in watercolor, pen and ink and an experimental
technique called tempera resist. In
addition to her whimsical still life and
sports themed paintings, she is also recognized for her interpretive portraits of
houses and buildings in both pen and
ink and watercolor.
Sandy graduated from the Fashion
Institute of Technology with a BFA in
Commercial Art. Illustration clients
include Equine Veterinary Journal,
Who’s Who in American Dining and
Pony Sportswear.
She currently exhibits in juried and outdoor shows, where she is a frequent
award winner. Her art organization
affiliations include the American, Garden State, New Jersey and the Phidelphia Watercolor Societies, among others. She is currently a Board Member of
the Rittenhouse Square Art Show in
Phidelphia, past President of both the
Burlington County Art Guild and the
Willingboro Art Alliance in NJ.
Her work is in collections across the
country and abroad. Sandra works out
of her home-based studio in Burlington
City, New Jersey.
More on Sandra Jones on p6
ESSEX ART NEWS
A publication of Essex Water Color Club,
New Jersey’s oldest watercolor club.
Founded 1932.
Allen Taylor, Editor
973-239-6074 • [email protected]
EWCC OFFICERS 2015-16
President - OPEN
Carol DeVisser, First VP, Exhibits
Jane Ballinger, Second VP, Programs
Donna Read, Treasurer
June Fisher-Markowitz, Rec. Secretary
Anita Adelman, Corresponding Secretary
EWCC COMMITTEES
Exhibitions Chair - Carol DeVisser
Exhibition Co-chairs
Jill Vondervor-Frank
Theresa Kubert
Exhibit Assistant - OPEN
Programs - Jane Ballinger
Workshop Co-chairs
Noreen Brunini
Pamela Summers
[email protected]
Member News
“Carpe Diem”, a painting by Isabella Pizzano, was accepted into the National
Watercolor Society’s 95th Annual International Exhibition in San Pedro, California.
The exhibit runs from October 24 to
December 20, 2015. We congratulate her,
but, unfortunately, Isabella didn’t provide
airline tickets • Jill Vondervor-Frank has
had acceptances in three major shows
recently: She has two paintings in the
American Artist Professional League show
in the Middletown NJ Art
Center, thru September
and another in the New
Jersey Watercolor Society’s 73rd Annual Open
Juried Exhibition. She was
also juried into the Garden
State Watercolor Society Open, her third
time, earning her Exhibiting Membership •
Last month we reported that a painting by
Allen Taylor was featured on the cover of
the September Bernardsville edition of
Connections Magazine. But wait: Now
we learn that a painting by Medy
Bozkurtian was also
featured in September
on the cover of the
Somerville edition of
Connections.
Show Your Colors
Marcia Mohl has been selected for a solo
exhibit at Congregation B'nai Jeshurun,
South Orange Avenue, Short Hills . The
show "Watercolor Expressions," runs from
October 6 to November 16, 2015. A reception will be held on Friday, October 9,
2015 at 6:30pm. Gallery hours are 9:30am
to 4:00pm, Monday thru Friday.
What? Forgot to pay your dues
in September…again?
We are sorry to inform you that we have once
again retained the services of Peter Pumpkin,
Punisher of Procrastinating Painters, who will visit
you on Halloween to help you find your checkbook, a SASE, stamp and pen and precipitate the
publication of your payment. We fear it will be neither a pleasant nor pleasurable pastime.
Publicity - James Powles
Membership - Herb Stanske
Memb. Asst. - Marlene Mason • 973-371-3376
Hospitality Chair - Carolyn Hartley
Hospitality Co-chair - Michele Kendler
Hospitality Assistants
Gail Benson
Ivone Martins
Newsletter Editor - Allen Taylor
Video Library - Margaret Najjar
Historian - Jill Vondervor-Frank
Awards - Anita Adelman
Web Mistress - Pamela Summers
[email protected]
Bus Trips - Roberta Tarnacki
Not sure whom to contact? E-mail to:
[email protected]
A Reminder For All
Members and Friends
Our first Exhibiting Member Show of
the new season is on display October 28
- December 7 at the Mayo Performing
Arts Center, Morristown, NJ.
MayoPAC Reception open to all:
Sunday, November 15, 3 - 5pm.
Don’t let this happen to you. Use the convenient renewal form on the back cover, today.
Appreciation from our Hospitality Team:
Many thanks to our members who brought refreshments
to the September meeting: Pat Partridge, Bev York,
Linda Glouer, Gail Benson, Roberta Tarnacki, Chris
Henrich, Janet Allen, Ivone Martins, Michele
Kendler, Vicki Augustine, Anna
Macaluso and Carolyn Hartley.
And thanks to our members who are
bringing refreshments in October: Linda
Galante, Jill Y. Crouch, Valerie Meier,
Christine Iorio, Grace Cardell, John
Wolff and Ann Piekarz.
—Carolyn Hartley, Hospitality Chair
And many thanks to our never-harried, hard-working Hospitality Team: Carolyn Hartley, Michele Kendler, Ivone
Martins and Gail Benson.
—Ed
2
“…realism is not about how well one can render the object,
but how well one can capture an effect in their work…”
—Joel Popadics, Our September Demonstrator.
aint effects, not things" That's what I built my career on. It's
“P
painting the light effect. I teach all levels from beginners to
very serious painters. The beginner or the novice to painting is
always interested in the object. They're also interested in the color
of the object, the lines, the form, the texture of it. They are not
interested in the light, which is probably the most important thing
about the object, All you ever see in this world is light and light
reflection and it's play on objects. It is the most important thing in
the study of art. It doesn't matter the medium. I am speaking, of
course from my own perspective. I am a realist in watercolor. And
realism is not about how well one can render
the object, but how well one can capture an
effect in their work. How light falls on it. Or
the lack of light that falls on it. Jane mentioned fog, and the lack of light. That's as
beautiful as a great sunny day. These are
the things that I am interested in and these
are the things that I teach. And that's what
my work is all about. The feeling of light,
weather and mood is the most part of all
good realism.
“I almost always start with what I'm doing
now, wetting down the paper. Of all my
materials that I use, brushes, paints, water,
the most important thing is the paper. I've
ended up working mostly on Arches paper. It's probably the best
paper out there, though I have some issues with it. I use 300-lb.
paper. I always give it a sponge bath, with a good natural sponge.
about a week before I use it. When you give it a sponge bath, you
kind of break down the sizing a bit and it allows the paint and the
fiber to become a little more receptive.
“I always start with the lightest thing in my painting. I like to
think of my watercolor painting as being like the dioramas I used
to make when I was a kid. Like a western scene with the sky in the back and
a distant mountain coming forward and
some cacti and then a prairie dog in the
foreground. So there were four levels.
So I like to think of my watercolor paintings in that way. I work light to dark. I
started painting in oils and we had to
start from dark to light. But in watercolors, we work from light to dark and the very last colors added are
the darkest, such as shadows.
“I use all the cadmiums. I set up my colors prismatically. They
are from the colors of the spectrum. They go from yellow, to
orange, to red, to blue violet, to violet, to green. I work a lot of color in
and I roll the paper around and it
kind of gives the effect of an air
brush technique.
“There are three stages of wetness to a sheet of paper in watercolor. Right now it is saturated.
When you look at it from the side
you can see a shine on it, that enables me to do this kind of
affect. When I throw color in it I have
little control of what shapes appear in
it. And that's good. In a few minutes,
when this paper dries, it will be in the
second stage of wetness which I call
‘moist’ when that shine just begins to
disappear. Now I'm going to add
clouds, with cobalt ivory black and
some red. The paint just spreads and
I have no control of the shapes. It will also lighten up as it begins to
dry. This is the stage that interests me most. What is frustrating
about this technique is that it begins to dry at
the top but remains wet in the center—and
what's not frustrating about watercolors?
“So what I'll do is start at the edge, not in
the middle, where it is still saturated. The next
stage of wetness is ‘damp’. It's cool to thetouch
and the shine is gone. I rarely use damp".
When I introduce paint onto a damp wash, it
gives off hairs at the edges, a kind of texture.
Picture a grassy field on a sunny day. Among
the reasons that I use 300-lb. paper is it
absorbs a lot of water, and it stays moist longer
than the 140
does.
“When you're working on
damp paper, you want to get rid of
the excess water in the brush by
(dabbing) it into a paper towel. And
you will get immense softening of
the edges, which I prefer when
doing clouds. If I don't get rid of the
excess water I will get a bloom.
“In the center of the painting we
have the morning mist, which I have
to half-tone the edge of. And finally, as I get to the foreground of my
painting, my green can get a little richer, a little darker in value, not
effected by the moisture in the air as much. And I can add a couple
of really dark darks in the foreground.
“One of my theories about what makes watercolor seem transparent: A lot of artists go to the Windsor Newton Chart and they only
select the colors and have a ‘T’next to them, which means Transparent. And they think that's what makes a transparent painting. But
they wind up with just as many, ‘paint/ pictures as anyone else does,
because it has very little to do with the pigment. Did you notice earlier, when I did my wash, how clean it
looked? It progressed from the blue
to the orange very nicely. That's what
makes it look transparent and clean
and fresh. Because there's this little
bit of transition in the mix. There's a
little variation in its color. All facets of
art understand this… There's nothing
worse in painting than a wash that's
the same color top to bottom. There's
nothing more visually exciting than a wash that has a subtle transition from one color to the next.
Readers Please Note: This page does not do justice to the wealth of instruction Joel shared in his
demonstration. If you missed his talk, do visit the EWCClub.com web site and select Joel’s demo at
“Demonstration Videos”. —Ed
93
Classes… Workshops… Demos… Classes… Workshops… Demos… Classes…
l
l
a
C
t
L aJoinsOur
Color and Design
Workshop with Chris Carter
Choosing Shapes, Value, Temperature and Color
to create strong composition and design
Sponsored By The Essex Water Color Club
Location: Livingston Senior Community Center
204 Hillside Ave., Livingston, NJ
Saturday, November 7, 2015 – 11am. to 3:30pm
Visited her website at www.ChrisCarterart.com to view
the range of her work.
To register complete the form below.
Name_______________________________
Address____________________________________________
Phone_____________Email____________________________
Enclose check payable to EWCC: Members $60, Nonmembers $70.
Mail to: Noreen Brunini, 96 South Terrace, short Hills, NJ 07078
Questions? Call Noreen 973-912-0424 or [email protected]
Gallery Happenings
Workshops
Mel Stabin - Watercolor Expressions - Sat. Oct 3, 9:30am - 4:30pm
Donna Read - Victorian House & Foliage - Acrylic
Wed. Oct 14, 10am - 4pm
Laurie Harden - Drawing Fundamentals - Sun. Nov 15, 11am- 4pm
Classes *Still room to sign up
*Donna Read - Watercolor - Thurs. Mornings - Sept 17 - Nov 5
*Marilyn Rose - Joy of Watercolor Thurs. Afternoons - Sept 17 - Nov 12
Open Studio Life Drawing
Wed - Oct 7, Oct 21, Nov 18, 10am - 1pm
Open Salon Every Thurs. Evening, 7 - 9pm
Gallery Events
October - Gina Petrecca Photography Reception Sun - Oct 4, 5 - 7pm
4
For more information and to register
call (201) 747-5969 or e-mail [email protected]
Visit [email protected] or artists’ website’s for more
about their workshops.
ART @ 1275 Studio & Gallery
1275 Bloomfield Ave, Building 1, Unit 3, Fairfield NJ
Paul McCormack’s Portrait Workshop
“Just completed our first multi-day workshop with
Paul McCormack! All did a wonderful job and learned
so much from him....a very generous instructor!
Had 14 participants and one came from as far as
Delaware!”
—John Wolff
How I spent my summer (art) vacation
A week of en plein air and laughter with Tony Van Hasselt
from our Roving Reporter, June Fisher-Markowitz
Tony is a master teacher. Through demos, his famous “fix-it”
technique and sharing sessions,
we learned so much about composition, light and shadows and of
course, VALUES !
We joined him as part of our fiveday workshop in Greenville NY,
attended by Anna Macaluso, Kim
and Bill Ekstrom and me from
Tony Van Hasselt doing a demo in August 9 - 15.
Athens NY.
Tony is so generous sharing his
lifetime of learning and skills, even showing us his very early
work from 1955, which was priced at $7.50. Alas, it did NOT sell!
Our subjects included a local farm, Athens NY, and architecture
on the grounds of the host B&B, the Greenville Arms 1889 Inn.
One rainy day provided an opportunity to paint from photos
indoors. Each day ended with Tony using his acetate and paint to
show us how to improve our paintings during sharing (not critique!) time. Tony’s comments were always positive, humorous
and provided us with additional learning opportunities.
Tony Van Hasselt is a master painter who has studied with the
great Edgar Whiney. He understands watercolor as the fluid medium it is. It was a fabulous and memorable week.
—June
Back to School Sale!
Great Discounts on Top Brands!
Winsor Newton Watercolors and Oils, M. Graham Paints, Princeton,
Raphael, Loew Cornell, Liquitex Acrylics,Grumbacher, Canson,
Strathmore, Prismacolor, Copic, Montana, Arches and much more!
Products include paints, markers, brushes, papers, furniture,
boards, canvas, pencils, sets, inks, books, etc! Custom Picture
Framing available too!
Visit the store in Dover or on the web www.kubertartstore.com.
The Joe Kubert School offers evening classes in Basic, Intermediate
and Life Drawing beginning in late September and Saturday Watercolor and Drawing classes for adults and Cartooning for children.
Please visit www.kubertschool.edu for more information.
Open House: Saturday, October 17, 1 - 4pm
37 Myrtle Ave., Dover, NJ 07801 • 973-328-3266
A Workshop in Montclair
by Malcom Schwartz
Recently, I took a week-long intensive watercolor workshop, a fivehours-daily, five-day session, at the Yard School of Art at the Montclair Art Museum (MAM).
The teacher was Sharon Pitts, and the
focus was still-life subjects.
There were 12 of us in the workshop,
and several have been on workshop
excursions with Sharon—one trip
recently in Tuscany. Sharon does interesting work, and is a good
workshop leader in my view, because she encourages each to try
new things in his/her own style and does not impose her style on the
group.
I encourage those interested to explore what she offers, as well as
the available programs at MAM.
—Mal
A Reminder for Associate Members…
November Review for Exhibiting Membership
All adult watercolor artists are invited to submit work for
election to Exhibiting Member status in the EWCC. Our
annual review for acceptance is held at our November meeting and at other times approved by the EWCC Board. Current Associate Members and nonmembers may submit paintings for review.
Guidelines for Presenting Art Work
To be considered, candidates must adhere to all rules.
• Candidates should notify Membership Chairman Herb
Stanske, at 973-729-6697, of their intention to submit, or to
request information or a membership form (also attached
here).
• Submit three (3) watercolor paintings done on half-sheets
of watercolor paper. Art display area (mat window) must be
no smaller than 13”x 20”.
• All work must be matted, with white or off-white mats, in a
professional manner and properly identified. While framing is
not required, it is recommended for best presentation.
• Only original work of the artist may be submitted. No
classroom or workshop work.
• Works must be delivered to Membership Chair, Herb
Stanske, by 1:00pm on review day at the Livingston Senior/Community Center.
• A completed exhibiting membership application (see
form) and a check–$20 for current Associate Members, $50
for nonmembers–must accompany submissions.
• Artwork is reviewed by a panel of jurors for proficiency
in handling water media and other criteria.
• Candidates are notified of jury decision by mail. Checks
from applicants not accepted for Exhibiting Membership,
will be returned.
• All work must be retrieved on review day, after the
meeting.
Good Luck to all.
5
Blog of the Month. “Traveling Art Supplies” by Judy Ballance
Save this article for your next art trip.
Artists have to be very careful when traveling,
especially when flying. Art supplies are expensive
and to lose them to airport security would be terrible. There are a few things that can be done to
ensure that your art supplies reach your destination. I have listed nine below.
1. Refer to your paints as “artist colors” and make sure anyone who
asks, knows they are made from vegetable oils. You can get a
materials safety data sheet (MSDS) from the manufacturer of
your products to make sure they meet safety standards.
2. Make sure you know the flash point of all your mediums or sol
vents when traveling by air. According to Wikipedia, the flash
point of a volatile material is the lowest temperature at which it
can vaporize to form an ignitable mixture in air. If you are going
via land, don’t have them in a hot vehicle or car trunk.
3. Carry a Material Safety Data Sheet (MSDS) with you on a plane,
and place a second sheet with your art supplies. Also, include a
note clearly typed and in big letters, referring any security personnel to the MSDS. Get the sheet from the manufacturer of the
paints and mediums you plan to carry.
4. You can purchase your mediums and solvents at your destination,
or ship them ahead of you by ground transportation. Make sure
you insure any materials you ship. Check with the…
• US Post Office - www.usps.com/,
• Federal Express - www.fedex.com/us/, or
• PS,www.apps.ups.com/tradeability?loc=en_US&WT.svl=PNROL1f
for instructions on how to ship dangerous goods.
5. Put any palette knives and brushes in your check-in luggage.
They might be considered dangerous and better not to take the
chance of losing them, if they are in your carry-on.
6. Use a limited palette and take only as much as you need. Put
your paints in a ziplock bag, you won’t have paint all over everything if they leak.
7. The viscosity of paint is lower when it gets hot, and the oil could
actually separate from the pigment. If that happens, don’t try to
mix the oil back in, instead, blot the oil up and use a medium to
moisten the paint.
8. If you pack all your supplies on top of your other items, you will
keep security from going through your clothing.
9. Paint on small canvas sheets or watercolor paper that will fit in
your luggage. If you are an oil painter, stop painting a day or
two early so your work has time to dry.
Save the Date!
Our 2016 bus excursion to the 149th American Watercolor Exhibit and NYC Museums is scheduled for
Saturday April 9, 2016.
Details to follow. Questions?
Contact: Roberta Tarnacki, Bus Trip Chair
Sandra Jones
What is Tempera Resist?
Tempera Resist is an experimental mixed media technique. It is
painted on watercolor paper, using either gouache or tempera paint.
The painting is covered with waterproof India ink, left to dry, and then
washed off under running water to reveal the painting. The technique
is a little complicated, and time consuming, but it’s a lot of fun to do,
and the results are totally unique, which make it worth it, in my opinion! Further information (including info on materials, etc.) can be
seen on my website, www.sandraljones.com.
—Sandy
Big Brother Herb
is Watching You
Search www.gamblincolors.com for more information on solvent free
art supplies and how to travel with them. Watercolor painters don’t
have many problems with traveling with paints unless they are using
some kind of flammable medium. In which case, follow the above
suggestions. Oil painters can consider using water-soluble oils and
avoid the problem of mediums and solvents.
—Judy
www.judyballance.com
Time to
renew!
Please use the membership form on the newsletter back cover and send in
your check today to Herb
Stanske, Membership
Chair, or bring it to our
meeting…
so you can continue to
enjoy all membership
benefits.
Do you have other hints for artists traveling with art equipment? Please let us know. —Ed [email protected]
…and waiting
for your check!
6
continued from p1
Note: Dues must be
up to date to
participatein all
2015-16 exhibitions.
Essex Watercolor Club Member Video Library
The EWCC library of watercolor demonstration lessons now totals 140 VHS tapes and CDs. Thanks to John Wolff and his recorder, we continue to add new
CDs of recent meeting demos and members have donated tapes. Demos added since the publication of our previous list are shown in bold type below in the
full library list. Members of the EWCC may borrow from the library under the following conditions:
• If no meeting is held in the following month, or you cannot
• Recordings may be borrowed, free of charge, at monthly
attend, mail in the tape or CD after one month, or sooner.
meetings, to be returned within one month.
• Tapes should be rewound and returned in good condition.
• Limit: One, per member, at a time.
• If damaged, the borrower will be charged a fee of $5.
• Fill out the card in the tape box and leave it with the chair person.
22B
43B
49B
19B
82D
15B
33B
70B
127D
104D
125D
109D
102D
35B
37B
120D
25D
63B
83D
96D
97D
85D
86D
107D
134D
138D
139D
84D
112D
5B
4B
116D
117D
6B
105D
66B
52B
90D
128D
94D
118D
81D
130D
101D
121D
110D
108D
115D
14B
17B
78B
89D
74B
114D
126D
24B
98D
99D
18B
34B
54B
39B
129D
47B
124D
7B
67B
137D
36D
Alto
Mat Cutting
Andrews, Don
Making Watercolor Glow
Beam, Mary Todd
An Acrylic Journey
Bohler, Joe Still life in Watercolor
Brandenburg, Chas
EWCC Demo Nov. 8, 2009
Brommer, Gerald
Watercolor & Collage
Brommer, Gerald
Creating Abstract Art
Budd, Lisa EWCC Dem Nov. 9, 2008 o
Budd, Lisa EWCC Demo, Dec., 2014
Burger, Carl
EWCC Mar. 11, 2012 Demo
Burger, Carl
EWCC Demo, Oct., 2014
Carter, Chris
EWCC Mar. 10, 2013 Demo
Chavooshian, M.
EWCC Demo
Clark, Roberta C
Portrait Demo at EWCC 11/95
Clark, Roberta C
Portrait in Watercolor
Carr, Betty Capturing Limited Light
w/Expressive Brushwork
Couch, Tony
Elements of Design
Couch, Tony
Painting Streams, Rocks & Trees
Couch, Tony
Painting Rocks, Puddles & Weeds
Couch, Tony
Controlling Watercolor C-1
Couch, Tony
Winter's Soft Mantle C-4
Crawsheu, Alwyn
Learning to paint Watercolor (part 1)
Crawsheu, Alwyn
Learn to painting Watercolor (part II)
Dalio, Carl
Sketching in Perspective
Davies, Bob
Drawing for Painting
Davies, Bob
Watercolor Secrets, Vol. I
Davies, Bob
Watercolor Secrets, Vol. II
DeMos, Mark
EWCC Demo Mar. 14, 2010
DeMos, Mark
EWCC Demo 2013
Dobie, Jean
Paint Escape 12 Shapes
Dobie, Jeanne
Paint Escape
Edwards, Sterling
Expressive Watercolor
Edwards, Sterling
Spring Landscape
Engle, Nita
Wilderness Palette
Ganeck, Dorothy
EWCC Demo Oct. 14, 2012
Garcia Joe
The Artist Workshop Watercolor II
Getz, Don
Goat Island
Getz, Don
WC on Gesso- Negatives and Positives
Gianchiglia, Andrea EWCC Demo, March, 2015
Golembeski, Bev.
EWCC December 2010 Demo
Grastof, Jean
Pouring Transparent Watercolor
Grodsky, Shelia
EWCC October 11, 2009 Dem
Haines, Jean
Amazing Ways with Watercolour
Hamilton, Ken
EWCC Demo
Harriington, Charles Acrylics-Watercolor Alternative
Heidel, Theresa
EWCC April, 14, 2013 Demo
Heyer, Bob
EWCC Sep 9, 2012 Demo
Holman, Karlyn
Watercolor-Spirit of Spontaneity
Homer, Winslow
Nature of the Artist
Hulings, Clark
Edges in Oi
James, George
Yupo Techniques for Syn.Paper
Jones, Sandra
EWCC Demo Sep. 12, 2010
Jones, Tom
Simplified Watercolor Techniques
Kemp, Linda
Painting Outside the Lines
Kullaf, Anne
EWCC Demo, Nov., 2014
Kunz, Jan
Painting Roses in Crystal
Kunz, Jan
Painting WC Portraits: Photo to finish
Kunz, Jan
Watercolor Portrait Painting
Labadie, George
Painting Figure in Watercolor
Lawrence, Skip
Understanding Watercolor
Lawrence, Skip
Bringing light to Your Landscape
Liu Chang, Katherine Gallery Walk Art Critique
Lew, DougPainting Motion in Watercolor
Lovett, Robert
The Art of Designing Watercolor
Lux, Jane
EWCC Demo, Nov. 1013
Lynch, Tom
Intro To Watercolor Techniques
MacKenzie, Gordon The Watercolorist's Essential Landscapes
MacKenzie, Gordon The Watercolorist’s Essential Landscapes
Masterfield, Maxine
Experimental Painting-6 methods in WC media
69B
113D
123D
73D
60B
79B
8B
61B
136D
56B
21B
80D
140D
91D
92D
119D
3B
1D
9B
26B
40D
53B
72D
28B
31B
59B
64B
65B
29B
76B
75B
106D
103D
44B
111D
95D
32B
13B
20B
100D
10B
11B
30B
87D
88D
71D
122D
62B
68B
135D
50B
16B
45B
51D
41B
46B
57D
58B
55B
93D
131D
12B
77B
38D
132D
133D
42B
48B
23B
May, Jinnie
EWCC Demo, Oct. 12, 2008 o
May, Jinnie
EWCC Demo, 2013
McCormack, Paul
EWCC Demo 2014
McKinney, Joan
EWCC Demo, April 19, 2009
Mehaffey, Mark
Painting A Dramatic Landscape in WC
Mehaffey, Mark
Build Design & Color using a Mouth Atomizer
Nechis, Barbara
Watercolor Artist
Pech, Arleta
Pure Color Glazing in Watercolor
Pekel, Herman
My Vision in Watercolor
Pember, Ann
Painting in WC on High Plate Illus. board
Pike, John Watercolor Demo
Popadics, Joel
EWCC Demo, Sep. 13, 2009
Popadics, Joel
EWCC Demo, Sep. 13, 2015
Brettell, Richard
Museum Masterpieces: The Louvre (Part 1)
Brettell, Richard
Museum Masterpieces: The Louvre (Part 2)
Quiller, Stephan
Landscapes in Living Color
Rankin, Don
Watercolor With Imagination
Ranson, Ron
Big Brush Watercolors
Ranson, Ron
Watercolor Pure & Simple
Ranson, Ron
Fast & Loose
Ranson, Ron
Skies
Ranson, Ron
Watercolor Landscapes from Photos
Read, Donna
EWCC Demo, Mar. 8, 2009 Demo
Reid, Charles
Portraits in Watercolor
Reid, Charles
The Figure In Watercolor
Reid, Charles
Watercolor Secrets
Reid, Charles
Painting Flowers in WC (Part1)
Reid, Charles
Painting Flowers in WC (Part 2)
Robinson, John
The Sea In Watercolor
Rogers, Janet
Expressive Watercolor Florals
Rogers, Steve
7 Secrets of Painting reflections in W
Rose, Marilyn
EWCC Demo, November 11, 2012
Rosenthal, Eli
EWCC Demo, Oct 2011
Roycraft, Roland
Splash of Color
Ryan, Tom
EWCC Demo, 2013
Senapoulos, Donna EWCC Demo, Mar. 2011
Shapiro, Irving
A Watercolor Demo-Gloucester Harbor
Shapiro, Irving & Williamson, J Demo
Stabin, Mel
Painting Watercolor on Location
Stabin, Mel
The figure in Watercolor Location
Szabo, Zoltan
Little falls
Szabo, Zoltan
Watercolor Lecture
Szabo, Zoltan
Watercolor Techniques
Szabo, Zoltan
Starting WC the right way #2
Szabo, Zoltan
Starting WC the right way #8
Taylor, Ann
EWCC Demo, Dec. 14, 2008
Taylor, Ann
EWCC Demo 2013
Taylor, David
Solving The Mystery of Watercolour
Toogood, James
Incredible Light & Texture in WC
Toogood, James
Incredible Light & Texture in Watercolor
Tustain, Susan
One on One WC Workshop
Van Hasselt, Tony
Mesaland Backdrop
Van Hasselt, Tony
How to Mix Greens & Paint Foliage
Van Hasselt, Tony
Watercolor Fun in Nature’s Studio
Wade, Robert A
Watercolor Wade's Way
Wade, Robert A
Watercolor Workshop
Wade, Robert A
Simply watercolor
Wade, Robert A
Wade's Watercolour Solutions
Wallake, Jan Fabian Watercolor Pour on Glowing Glazes
EWCC Demo, No. 2010
Warshaw, Alice
Weaver, Pat
Watercolor Simplified
Webb, Frank
Watercolor Energies
Webb, Frank
Painting Enjoyable Color
Wilcox, Michael
Successful Color Mixing
Wyland’s Art Studio Series I
Wyland’s Art Studio Series II
Yardley, John
Sunlight in Watercolor
Zbukvic, Joseph
Atmosphere & Mood in Watercolors
American Impressionists & Realists Show
Got Questions?
Library Chair - Margaret Najjar
7
Allen L. Taylor, Editor
146 Hillside Ave.
Verona, NJ 07044
Essex Water Color Club
New Membership/Renewal Form
Enjoy Our Demo Meetings, Events & Benefits in
2015 - 2016
(Please print or type.)
Name
EWCC Exhibition Schedule
Mayo Performing Arts Center, November 2015
Library of the Chathams, February 2016
Morris County Library, June 2016
Livingston Senior/Community Center, Fall 2016
Date
Address
City
Phone
State
ZIP
E-mail
Associate Member $30
Exhibiting Member $50*
*Exhibiting Member status requires approval at annual review.
My check includes:
Dues: $
Donation: $
Total Encl.: $
Make checks payable to Essex Water Color Club.
Please enclose a SASE for return of membership card and mail to:
Herbert Stanske, Membership Chair
32 Seneca Trail
Sparta, NJ 07871
I am interested in being a participating member and will serve on
Hospitality
Programs
Exhibits
Workshop
Newsletter
Bus Trip
Note: We may provide our membership mailing lists to third parties in return for club support. If you wish to “opt out” of such
lists please check box.
Please withhold my mailing address.
EWCC Meeting/Demo Schedule
September 13, 2015 Joel Popadics
October 11, 2015 Sandra Jones
November 8, 2015 Dorrie Rifkin
December 13, 2015 Judy Ballance
(January & February 2016 - No Meetings)
March 13, 2016 James Powles
April 10, 2016 Thomas Rutledge
EWCC All-day Workshops
November 7, 2015 Chris Carter
at the Livingston Senior/Community Center
April 3, 2016 Andrea Gianchiglia
at Art@1275 Gallery and Studio
EWCC Bus Excursion
Metropolitan Museum of Art &
American Watercolor Society Exhibit - April 2016
PLUS
Member Free Video Library - 140 Demos to choose from.
EWCC Web Site for News and Information: ewcclub.com
This wonderful newsletter, in color, online.

Newsltr 10`15 Layout Working Print/Fin:Layout 1

Transcription

Similar documents

Demographics - The Frederic Whitaker and Eileen Monaghan

Taking the Plunge in Watercolor!

Celebrate Watercolor Workshops 2011

November 2009 - Virginia Watercolor Society

Watercolor 101

THREE ARTISTS WORKSHOPS

2016 Winter Class Descriptions-nu photos

May 2011 - Richardson Civic Art Society