Corporia: New Hires - Dungeon Masters Guild

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PREFACE TO THE DIGITAL EXPANSION
Thank you for purchasing this digital edition of the very first Corporia expansion! To make your reading experience as comfortable as possible, please note
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| PREFACE
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corporia:
new hires
a character companion
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Mark Plemmons
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8
Archetypes
CONTENTS
Introductory Pages
4 | Stranger than Fiction
Chapter 7: New Hires
7 | What is Corporia?
7 | About this Expansion
8 | Archetypes
10 | Sample Characters
22 | Assets
23 | Club Invitation
23 | Substance Augments
24 | QUEST Bonus Feature
24 | Ranged Weapons
26 | Melee Weapon Augments
27 | Exosuit Armor
28 | Vehicles
36 | Vehicle Record Sheet
Weapons
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Copyright © 2014 Brabblemark Press
All rights reserved.
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First Digital Printing, March 2014
ISBN 978-0-9914897-2-5
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This is a work of fiction. Names, characters, places,
logos, businesses, institutions, organizations, corporations, products, incidents, and locales either are coincidental products of the author’s imagination or are
used fictitiously. Pop culture references are included
to help readers capture the look and feel of Corporia.
No violation of copyright or trademark ownership is
intended.
No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photo-copying, recording, or other electronic or
mechanical methods, without the prior written permission of the publisher, except in the case of vehicle record
sheets (page 36), brief quotations embodied in critical
reviews, and certain other non-commercial uses permitted by copyright law.
www.brabblemark.com
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Vehicles
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CREDITS
WRITING, DEVELOPMENT, AND GRAPHIC DESIGN: Mark Plemmons
ADDITIONAL DEVELOPMENT: Jim Davenport
CORPORIA RPG EDITORS AND CONSULTANTS: Rob Burke,
Stephanie Ewing, Mark Gallichio, Bret Hammitt,
Andy Miller, Elizabeth Plemmons, RPGPundit,
Christopher Stogdill, Ross Watson, Kira Williams
COVER: Flat-it (Bebas font), Dario Lo Presti
INTERIOR ART (INTRODUCTORY): Blackroom, Dario Lo
Presti, Digitalstormcinema, Marish, Photoeuphoria, Photographerlondon, Texturex
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INTERIOR ART (CHAPTER 7, ARCHETYPES): Adas Vasiliauskas, Curaphotography, Elisanth, Lynn
Woodward, Nejron, Pe3ak, Photoeuphoria, Syda
Productions
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INTERIOR ART (WEAPONS AND ARMOR): Andrii Deviatov, Kontur-vid, Photgrapherlondon
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INTERIOR ART (VEHICLES): Alexroz, Antal Török, Ba-mi, Dave Hansen (License Plate font),
Digitalstormcinema, Fckncg, Ninthsun9
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MISCELLANEOUS INTERIOR CLIP ART: Used with permission from Microsoft.
BETA PLAYTESTING: Brian Bollivar, Sam Bradley, James Califf, Alex and Amanda Fux, GBE,
Ryan Henthorn, Clarissa Leon, James Livingston, Jeramiah Poff, Jay Rutley, Gabe
Stephan
FOR
ZOË
DOCUMENT: STRANGER THAN FICTION
In Corporia products, sidebars like this indicate
that the next pages provide a first-person
glimpse into the setting, with advertisements,
tourist guides, and other documents. The pages
immediately following display a portion of an
unpublished novel by a Knightwatch employee.
Revealing these secrets is, of course, prohibited,
and this employee is rumored to have been terminated—with extreme prejudice.
CREDITS | 3
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I’m going about my daily routine when my world turns inside out. The world starts to
swim around me, my eyes squint as they’re overwhelmed by a blaze of colors, and my
ears hear only the rushing sound of a great wind. Blackness overtakes me.
I awake to find myself lying in a hospital bed, staring up through a holographic overlay
of my form, into the eyes of what seems to be a doctor in a white coat. I try to speak,
but my mouth and throat are parched and my brain so in a whirl that my responses are
vague and certainlyimmaterial.
She talks briefly of strange readings, inquires whether I have a history of epileptic
fits, murmurs some reassuring words, and leaves. I spend the rest of the day in bed.
When not slipping in and out of consciousness, I spend the time bored by the endless
hours of reality shows, survivor games, and advertisements blaring from the ultradefinition UD tv on the opposite wall. An antique remote control is mounted on my bedrail
just out of arm’s reach, even if I had control of my limbs. I feel the neck of a hospital
gown rub against my last-gen EyePhone’s nearly invisible throat patch, and the familiar
sensation of the implants in both ears, but voice activation fails, even though I speak as
loudly as my dry mouth will allow. Then I see it—an old HD screen on the far wall:
“SHIELDED ROOM. BREAK THE FEEDBACK WITH THE NEW EYEPHONE 2.0. YOUR LOVED ONES WILL
THANK YOU. THIS ADVERTISEMENT BROUGHT TO YOU BY LEOLINE.” No communication with the
outside world, then. It makes me wish I’d spent my last paycheck on that upgrade.
Unable to raise myself from the bio-bed, I stare at the tv until I fall asleep.
It’s the middle of the night when they appear—three silhouettes (or is it four?) lit by
the flickering tv screen—in a combination that can only be described as eclectic. A silent,
efficient woman dressed in black, who rapidly unhooks the machinery surrounding me,
tapping one-handed at the air as she somehow accesses her own augmented reality
apps even while inside the shielded room. A bulky, dark-skinned man in a hooded athletic
jacket and what surely can’t be a large sword handle jutting from a sheath at his waist.
And one other person—no, two—a man in an immaculately tailored suit speaking with
the medic I encountered earlier. His low, firm tones radiate power and control, and the
medic nods in silent agreement.
As the large man scoops me from the bed and bundles me over his shoulder, I feel
a rush of fear and adrenalin, recalling the latest rumors that the survivor games have
resorted to kidnapping contestants. What is indeed a large scabbard hangs from his
waist, the handle of its sword beckoning me to grasp it and cut down these intruders,
though I’ve never handled such a blade in my life. Yet, a glimmer of instinct tells me not
to resist. The doctor catches my eye as I’m hauled past, walking quickly away with a
guilty face and a shaking hand that slips a shiny black card into her coat pocket.
Their footsteps echo through the empty hallways and down the stairs into the
underground garage, where I’m stuffed into the backseat of a small, bright pink economy
car. It’s a mode of transport that seems a source of contention with the driver, a sullen
juvenile in a school uniform emblazoned with corporate logos. “Enough,” the black-clad
woman speaks, in a tone that brooks no opposition, and indeed gets none. “If you don’t
want to be conspicuous, you have to be conspicuous.” It’s a statement that fogs my
head even more than my current condition. “Drive,” she says.
“Hold on to your panties,” the driver calls back over his shoulder, waving a small
plastic rod at the dashboard like a conjurer at a party before pressing the accelerator to
the floor. Traffic and pedestrians blur past the windows as my stomach heaves and the
car hurtles through the streets at top speed, yet brushes past obstacles with a surprising
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tenderness and not a single collision. The digital readouts on the windscreen flip back
and forth as they try to readjust. “It’s my own spell!” the driver grins at me, blatantly
ignoring the car’s progress. Even in my befuddled state, I wonder what the traffic cameras
make of all this, as the driver turns back to spin the wheel and send the vehicle diving
down an underground ramp and into an empty parking spot with the grace of a
hummingbird. “Everybody out.”
I feel my strength returning during the trip up (or down?) the elevator and I
stumble less frequently as they drag me through the corridors with their multiple biometric
scanners, prominent cameras, and other security features, but it’s too late to resist now.
Whoever these people are, they’re still the ones in control.
Just as my lips start to form one of the many complaints and questions that swirl
through my head, my captors turn me to face a particular door. The only difference
between this one and the many others I passed is the readout on its silver-edged plaque,
a digital label transitioning seamlessly between the phrases: ‘VALYANT’ and ‘BRIEFING ROOM
1’ and ‘IN USE’.
Inside is a room much like every generic corporate meeting room I’ve ever seen or
imagined—an elegant, minimalist space with a central table (no doubt integrated with
augmented reality projectors tied into the company servers), comfortable chairs, and rich
energy-scavenging fiber carpet. At one end stand a trio of well-dressed individuals. In
the center, a stocky man with a stern face, graying hair, and an aura of command. Flanking him are a much younger woman with a severe face, eying me coldly through squareframed glasses, and a well-armed man dressed in the combat fatigues of Watchman
private security, so well known in The City. They could be a corporate executive with his
assistant and bodyguard.
“Good day,” says the older man, as I’m prodded forward. “I’m glad you could join
us. You’re one of us, after all. Your new abilities...” he pauses, seeing no comprehension
in my face. “I said nought,” my dark-skinned captor shrugs, before continuing in his oddly
inflected accent. “That’s your job.”
The man exhales softly, the only sign of irritation he gives, then sits carefully in what
I now see is a wheelchair. “As we don’t have much time, I must be brief.” A short pause,
then he continues. “You’ve been unconscious for weeks. Your condition was—is—neither
medical nor permanent, only a temporary weakness while your body acclimates to the
powers granted you by the Flux. And they are powers you will need, if you hope to survive,
and aid our new Order of the Round Table.”
“No,” he says, holding up a reassuring hand at the look on my face, “I am not
insane, nor am I your enemy. Our war is with those who would capture, control, and
dissect you merely to increase their power, or to improve their knowledge of the
ancient magics now returned to this world. And, yes, I know how that sounds, but it is
true. The old magics are back, along with monstrous creatures and persons infused with
arcane power. They’re out there now, in the streets and in the boardroom empires, and
only we can stop them from ushering in a new Dark Age of man.
You see, our best resources foresee a great darkness when the forces of Chaos will
gain power over the Earth, and magicians and monsters will rule over an enslaved human
population. Each manifestation of the Flux brings the world one step closer to the fall of
Order, and only the Knightwatch has any hope of stopping it.” He pauses, obviously
seeing the questions on my face, then speaks again.
“We are your allies. We are the Knightwatch. And you are one of us now.”
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NEW HIRES
7 | WHAT IS CORPORIA?
23 | SUBSTANCE AUGMENTS
YOUR MISSION DIRECTIVE.
DESIGNER DRUGS ON THE STREET
7 | ABOUT THIS EXPANSION
24 | WEAPONS AND ARMOR
WHAT IT IS AND HOW IT CAME TO BE.
POWERFUL NEW BLACK MARKET
WEAPONS, AUGMENTS, AND EXOSUIT
8 | ARCHETYPES
NEW ‘CLASSES’ OF PCS.
28 | VEHICLES
22 | ASSETS
AND SECURITY FORCES
MODES OF TRANSPORT FOR CIVILIANS
NEW CHARACTER-ENHANCING BONUSES.
6 | THE BASICS
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7.1 | WHAT IS
CORPORIA?
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If you’re reading this expansion, you probably already know what Corporia is. On the other
hand, maybe you ran across this expansion by accident, or downloaded it with a batch of
pirated files (which you really shouldn’t, but we won’t get into that now). So, just for you,
let’s recap what Corporia is. The rest of you can skip ahead.
Corporia is a tabletop role-playing game set in ‘The City’, a future metropolis ruled by
an alliance of powerful mega-corporations. Players take on the roles of members of the
Knightwatch, the elite supernaturally-powered special operations unit of the Watchman
private security company, under the auspices of its mega-corporate entity Valyant and
Chief Executive Officer Lance Martin—the reincarnated Sir Lancelot du Lac. The Knightwatch resolve extreme incidents involving manifestations of other-dimensional energies
(aka the Flux), including mutated humans, monsters from other dimensions, and corporate
experiments gone wrong.
Members of the Knightwatch have been hand-picked from individuals touched by the
Flux, ironically gaining their abilities from the very force that also transforms innocent
citizens into dangerous mutants and provides fascinating new resources for the mega-corps
to exploit. Exactly how an individual’s powers manifest depends on his or her personality,
social caste, and profession, among other factors.
For instance, soldiers often become stronger and faster, executives gain influence and
mettle, Hackers usually discover they can transfer their minds into computers to battle
Flux-infused virtual life, fantasy writers might find themselves able to cast magical spells,
and so on. An individual might even awake with memories and skills (and obligations!)
from a former life as a knight in King Arthur’s court.
Because public knowledge of your character’s abilities could lead to him or her being
hunted down by cryptids, criminals, and rival mega-corporate research teams, the Knightwatch is usually a character’s only family. Thus, how your characters interact with each
other is as much a part of the Corporia experience as combat, if not more so. For example,
not every character may agree on the correct action to take when a child insists on protecting her ‘imaginary friend’ or when a doctor starts stealing from the blood bank to support
his wife’s newly-acquired vampirism. Your characters’ decisions are as equally valid a way
to provide conflict as are the threats of monsters, rogue Virtual Intelligences, and greedy
mega-corporate overlords. It’s all about role-playing.
7.1.1 | ABOUT THIS EXPANSION
This first expansion of the Corporia tabletop role-playing game was initially created as
a reward for certain sponsors (i.e., Kickstarter backers) of the limited edition hardcover
rules. Thus, it contains a miscellany of Kickstarter ‘reach goal’ and ‘stretch goal’ items,
as well as additional material that can be used to supplement the material in the Corporia rulebook. As always, however, the Director has the final say on what rules apply, so
be sure to check and see whether this expansion is allowed in your game.
One of the first things you’ve surely noticed by now is that this expansion starts with
Chapter 7: New Hires. No, it’s not a mistake; it’s because the Corporia core rulebook
ended with Chapter 6: Game Mastery. Each expansion in the Corporia series will carry
on the numbering in sequence to make it as easy as possible to cross-reference between
books and variant digital editions. For example, section 1.1 will always be in the same
rulebook, and you won’t have to worry about whether it’s section 1.1 in the core rulebook
or section 1.1 in one of several expansions.
This numbering compatibility only applies between rulebooks, not other game resources (e.g., a character generation guide or book of adventures).
INTRODUCTION | 7
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7.2. | NEW ARCHETYPES
This section details six new character archetypes: the Drone, Juvie, Squire, and the Outcast, Risen, and Sym. Of these six, the latter three are special (i.e., rare or
unusual) archetypes that should be used with discretion. The Director may consider limiting the number of these archetypes in his or her campaign—such as only to a single archetype of each, or only to experienced players who can handle the challenge of the role.
The Risen is especially different from the other archetypes since—unless the Director
decrees otherwise—new characters cannot start the game with this archetype. Instead,
the Risen is a ‘layer’ or ‘add-on’ for an existing archetype. Only when a character dies can
he or she come back from the grave as a Risen.
7.2.1 | ARCHETYPE DETAILS
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This section returns from the core rules for ease of
7.1 | NEW ARCHETYPES
reference, explaining the items listed within each of
the following archetypes.
DRONE ...................................P10
BACKGROUND. Where is he from? How old is he?
JUVIE .......................................P12
How was his childhood? What was his career before
SQUIRE ...................................P18
being recruited by the Knightwatch? And so on.
The Knightwatch keeps an eye on hospitals and
NEW SPECIAL ARCHETYPES
news reports in order to locate potential recruits—
but why did your PC join? Is she afraid of being capOUTCAST ...............................P14
tured and dissected by another mega-corporation?
Does she have a family to support? Or does she just
RISEN ......................................P16
‘get off’ on the adrenalin rush?
SYM ........................................P20
SIGNS AND PERSONALITY TRAITS. Starting characters should have three public traits and one private
trait of your choosing. Traits define much about the
PC’s goals, motivations, personality, and how he reacts to new people and new challenges.
See Section 2.2: Select Personality Traits.
NAMES. A character’s name or alias usually reflects who he is. The name ‘Razor’ sounds
like a Radical with violent tendencies and talent with a blade, while Alain Winterbottom
the Fourth sounds like a Suit with high resources. Of course, you can also twist this
around. There are lots of big guys nicknamed ‘Tiny,’ after all.
LOOK. Your character’s ‘look’ is his style (e.g., business, metro, punk, etc.), but you
should also consider his appearance. How tall is he? What color are his eyes? What’s his
hair style and color? Is he slim, fat, or muscular? Is he dark or pale?
Knightwatch teams often need to move through the urban environment without drawing attention, and so aren’t required to wear the standard Watchman uniforms.
ROLE. A character’s role is his typical position within the group dynamic. Of course,
his level of enthusiasm can vary. Even Knights-Errant may despair of the cruelty of the
modern world, and follow their oaths as little as possible. Other PCs may be less interested
in justice than in the steady job and the money.
KEY CORE VALUES AND SKILLS. This section lists the most frequently used core
values and skills for a particular character concept. If you decide to combine multiple concepts for your character, like a Knight-Errant and Lister, you’ll need to decide what abilities your character focuses on mastering; see Sections 2.3 to 2.5 of the core rulebook.
ASSETS. A character’s assets include other unusual abilities, as well as funds,
resources, and networks. Each archetype has one asset that the PC can purchase more
cheaply than other characters can. See Chapter 3: Assets for more info.
8 | TABLE 7.1: NEW ARCHETYPES
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WEAPONS AND EQUIPMENT. Some archetypes are more suited to particular items.
Sneaky characters are more likely to favor light, camouflage equipment and silent
weapons, for instance, while street fighters might prefer heavy armor and loud but powerful firearms. See Chapter 4: Expenses of the core rules for more details.
AUGMENTS. The term ‘augments’ is short for ‘augmentations’, which are biological, mechanical, nanotechnological, and similar improvements or additions to the human body.
This section details some augments most common to a particular archetype. Review Section 2.4.11: Augments for further specifics.
INSPIRATION. Feel free to imitate characters from comics, novels, movies, or
television, within reason. This section provides examples you may know.
SAMPLE STATISTICS BLOCK. Each sample archetype includes a statistics block. The first
paragraph is a quick summary of general combat abilities for easy reference, while the
following paragraphs list abilities, assets, augments, traits, and sample names.
Corporia’s ‘stat block’ is much like those of other role-playing games, but with its own formatting. Don’t worry; using it will quickly become second nature!
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Here’s a detailed look at each item in the Quick Reference combat summary:
QR: INITIATIVE + [WIT + INSTINCT]; ATTACK + [STR + FISTICUFFS] UNARMED [DAMAGE FROM STR], + [STR +
GETTING MEDIEVAL] MELEE [MELEE WEAPON DAMAGE], + [DFT + FIREARMS] RANGED, [RANGED WEAPON DAMAGE]; DEFENSE
+ [DFT + ATHLETICS –ANY ARMOR/SHIELD MODIFIERS]; DAMAGE REDUCTION VS MELEE/VS HIGH VELOCITY (RANGED)/VS
ENERGY (ARMOR DESCRIPTION); MAXIMUM WOUND LEVEL [MTL X 2]
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And here’s that same summary again, but abbreviated with statistics:
QR: INIT +5; ATK +6 UNARMED [3 STR], +6 MELEE [3 + 1D8 COM/BAT], +7 RANGED [2D6 PISTOL]; DEF +3
(5 – 2 ARMOR); DR 6/12/7 (MED MOD, SILKSKIN); WD 6
Headhunters are always
on the lookout for new
‘archetypes.’
CHARACTER CREATION | 9
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I’m the
criminal you
deserve.
drone
7.2.2
“
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Persons convicted of a crime are pledged to a
mega-corporation for repayment, with the
Drones, convicted criminals
level of security (jail or e-monitoring) dependworking to pay off corporate
ing on the offense. Each DRONE receives minidebt, often focus on:
mum accommodations in a capsule hotel or
industry prison facility, clothing appropriate
Core Values: MTL, KNO
to the dress code, and daily travel and food
Skills: Crime, Fisticuffs, Getting
allowances (deducted from wages). Ironically,
citizens often commit worse crimes after
Medieval
becoming Drones. It begins in small ways,
Archetypal Asset: Syndicate
progressing until they are willing to sell body
Other Assets: Network
and soul to bring in extra unreported income
Weapons: Fisticuffs, Knives
on illegal ‘black cards.’ Once they work off the
Armor: Light body, Suit Weave
cost of the crime, they can leave or ask to be
hired as a paid employee.
Augments: Artificial Limb,
BACKGROUND. Your character was sent to
Eyephone+
prison or indentured to a mega-corp (select one
from section 5.8.22|Mega-Corporations). This
is usually because of debt, but other possibilities include shoplifting, damage to property,
fraud, and embezzlement. It is illegal for former drones to own weapons.
SIGNS AND PERSONALITY TRAITS. Cancer, Virgo, Libra, and Pisces are common. Many
Drones are arrogant and boastful, but can also be brave, daring, and proud.
NAMES. A Drone’s legal surname is that of his employer (e.g., Sam Globex). For example,
Alan Vidserve is initially indebted to Vidserve, a subsidiary of the Akihabara Group. When
transferred to Transmac, he becomes Alan Transmac. Persons with two jobs may hyphenate (e.g., Sam Globex-Government). Some businesses assign a single word or acronym, so
that John, employed by Are You Smarter Than a Trillionaire, Inc., is John Trillionaire.
LOOK. Drones wear what are referred to as ‘four-piece suits’, ranging from a brightly
colored prison uniform to a three-piece suit, with some form of electronic restraint—and
tracker—built into a locked ankle monitor. A Drone without this restraint can be punished
with a sizable fee, so few ever ‘lose’ it. Drones often have one or more artificial limbs.
ROLE. Drone PCs are indebted to another mega-corp (not Valyant) and serve as special
informants, providing access to information and locations not normally available. Drones
know how to contact black markets and criminal syndicates, either as a member or through
an intermediary. Drones are usually decent melee fighters with the stamina to survive,
though a few feel expendable and suicidal.
INSPIRATION. For male Drones, think of Lincoln Buroughs (Prison Break), Randall
‘Memphis’ Raines (Gone in 60 Seconds), Jean Valjean (Les Misérables), as well as various
characters from the Godfather or the Sopranos. For females, consider Galina "Red"
Reznikov and the variety of other inmates from Orange is the New Black.
SAMPLE DRONE
QR: INIT +5; ATK +7 unarmed [3 STR + 3], +7 melee [3 + 1D8 com/bat], +4 ranged [2D6 pistol];
DEF +5; DR 3/2/1 (Hardened, Suit Weave); WD 6
Abilities: STR 3, Fisticuffs 4, Getting Medieval 4; DFT 2, Athletics 3, Firearms 2; MTL 3, Valor 0;
KNO 2, Crime 3; WIT 3, Influence 2, Instinct 2+1; MGK 1
Assets: Bravado, Network 4, Prudent, Street Fighter; $6,500
Augments: EyePhone, EyePad, EyePhoto, Hardened
Traits: Creative, Greedy, Skeptical; Enjoys violence
Name: Jane Globex
ARCHETYPE: THE DRONE | 11