Publication - Arts Council England

CONTENTS
ARTS COU
NCIL LIBRARY
14 G REAT PETER
STREET
LONDON SW I P 3NQ
TEL 0171-973 651
7
4
As Lord P,141111110 atmplelCS his tics--ca r
tenure as Chairman of the Arts COL11161 ,
he argues that it is more nccessan- tha n
ever that the "arm's length" principIc h e
prCSCr\ c d .
6
r
The Secretary-Cwncral rcilects on a yea r
of change and calls for a I-C instawnwill o f
the Government ' s planned nvo per cen t
cut in arts ffinding .
. . . c 'HE YEA R
,Major achievements in the arts ove r
the Ycar .
'.".19 Wr
f= inancial findings in the year .
AUdience figures have held up during th e
recession .
Arts Council dcpartnicnts and unit s
highlight the 1c .ir's achieNclilents .
30/31
THE A(,Z7 ;
~:: .
FVNMMG 5YWY 0
I
. :
;
The Arts Council's role in the art s
Ming "vmn ,
A list of the ten Regional Arts Board s
in England .
35 scumsm aNn wvm
A&Ts
mm m
REPORT S
`7
CASE STUDIF S
Three arts organisations discuss ho% y
Gwernmum gmminvid in the Arts
Council has enabled them to develop .
. :
-lo -
42/43
AOL
;~'.RSHIP OF COUNCIL ANO 5FA F
STRUCTUR E
424
SP0NS(jR 1,'Vt P
41
ANNUAL ACCOUNTS
CHAIRMAN'S INTRODUCTIO N
nlakc~ my circle just, An d
' me end when: I bcganne" - th e
,,iakcs
Tconcluding
lines of John Donne' s
A Valediction Forhiddinfl Mournitirf,
provide an injunction and a reflection as
I prepare to vacate the Chair of this mos t
British, splendid and ncccssan- nationa l
institution . Whatever the presen t
difficulties, whatever the criticisms tha t
have been made of the Arts Council an d
its decisions, nothing ~hakes my,
conviction that the arts in this countn•
are best served in the dispensation of
Government funding by a bod y
independent of Government, ready t o
fight tier the one individual upon +yho m
our artistic life depends - the artist .
When "1 beganne " , almost five year s
ago, there was as much turmoi l
surrounding the Arts Council as there i s
now . Five years, and five Ministers fo r
the Arts on, we have a Secretary of State
for National Heritage . The famou s
"arm's length " principle is as robusr an d
as essential as ever, and it has been re affirmed recently by the Secrctar<• o f
State in the Commons . Funding for the
arts has steadily increased over the pas t
five years but it is now threatened by a n
attack of traditional Treasury pecksniffery
which affccts understanding of the art s
but ignores the crucial tact that artisti c
talent is a resource so precious that it i s
not easily subject to regulation b y
parsimony . `I'hcre is all the differenc e
bcnvicen the prudent disposition an d
management of scarce resources and th e
denial of rltcni as an article of dogmati c
trLlgaliry_ as a necessary antidote to th e
proven success of the arts in this countryover the past fcw years .
There is more than a +vhif Of, a
suggestion that the arts have don
: so
well that they must be put in thei r
financial place . -fhe point was eloquentl y
put by a correspondent to -17je Times
recent]\, : "When, oh "lien, arc we going;
to learn that cultural platters transcen d
balanced hooks ." The arts in this cOUIltn '
generate a twvo-fold return for ever y
pound of tax payers' money in vested i n
them . 'ncc arts not only give vita l
spiritual uplift in our bewildered times ;
they define +yh„ie ar :as Csf Ax :r nationa l
life ; the\- give pride of place and mak e
Grcat Britain a great tourist attraction ;
they create jobs and revenue and boos t
invisible earnings . This is not the time t o
penny pinch when the arts have been s o
abundantly succcssful . This is not th e
time - is there ever anv time? - in whic h
to penalise success .
It is more necessan , than ever that th e
Arts Council be fiercely independent of ,
while responsible to, Government . Neve r
must the "arm's length" be destroyed b y
a mailed fist at its cx[remity . The Art s
Council of Great Britain must be free to
pursue its chartered aims, spreading the
knokdedge, understanding an d
enjoyment of the arts to all our people .
The. Chairman and Chicf Exccutivc o f
the South Bank Centre in a recent lette r
to the lndepeudertt, said with splendi d
clarity : "The arts are the key to the life o f
the mind . They invigorate, feed and
stimulate the intellect and the emotion s
. . . for what is an extremely modest su m
for the Treasury, the arts offer hope ,
debate, escape, a commentan . on our
times and a horne for our deepes t
emotions . " I wholeheartedly agree, fo r
that is the heart of the matter .
Whatever debates and disagreement s
there may be, I have no doubt that the
quality of the arts is crucial to th e
creation arid maintenance of a civilise d
society .
I am not surprised at the attacks upo n
the Arts Council of Great Britain, and w• e
are and should always be, ready to repe l
them because ,%-c live in times o f
wholesale denigration of the great forma l
instirutions of State, the Crown, th e
Church, p arliament and the La+v ,
exacerbated by the rigorous cutbacks i n
public expenditure .
The Arts Council of Great Britain, fo r
all its frailties, is still a national centre o f
excellence . Its raison d'etre is the artis t
and the c1[sscinination of knowledge an d
understanding of the artistic impulse an d
its creations . 1 am immensely proud t o
have been Chairman for this past fiv e
years and 1 salute the thousands of me n
and women who make up our flourishing
arts io11111t1.tI11t1 - tike artist abo%e all ,
with the adminis nr a[o r,. and all those %du l
work in a fashion so dedicated as t o
demonstrate beyond doubt how vital th e
arts are to our national life . I have bee n
greatly blessed by supportive fello w
members of the Arts Council, by the skul l
and commitment of the staffat the Art s
Council, led by its doughty Secretary General, Anthony Everitt, and by th e
many friends that 1 haxc made in th e
regions throughout the country . We hav e
achieved, together, a great deal in th e
past five years . With continued firnines s
of intent, the Arts Council will protec t
and enable our matchless artisti c
capability - so I end where "I hcgannc" ,
in the sure and certain knowledge tha t
the arts will he best ser ved by the Art s
Council as it is currently chartered .
LORD PALUMBO
CHAIR v}AfJ AR T S COUNCIL Or GREAT BRITAIN
40M
fak
4
SECRETARY-GENERAL'S REPORT
T
ht past year saWW- a number oC histori c
Cllanges in the system of arts funding ,
The respontibilit for funding, an d
assessing the remaining building-base d
regional theatres which had not bee n
devolved under the terms ofthe Art s
Counci l 's I984 strategy doc1.1111CIlt, I7i e
Glorv t f the Garden, will be handed ove r
to the Regional Arts Boards from Apri l
1994 . The Goycrnmcnr has decided tha t
from the samc date the Scottish an d
~Velsll Arts Councils, currently sub committees of the Arts Council OF Great
Britain, will become independent bodie s
with Royal Charters and will be finldc d
by the Scottish and Welsh Offices . It als o
decided to establish a National lottery :
according to the proposed legislatio n
now before Parliament, the nt proceeds
will be divided five ways and the arts ,
film and crafts share will be distribute d
by the Arts C OL11161 .
But, most important of all, a ne w
department of state, headed by a ministe r
ofcahinct rank, was established wit h
responsibilit firr the national heritage .
Its remit covers the territon- usuall y
described in other countries as cultura l
affairs . This marks a warcr•shed in th e
state's acknoWyiccigcment of th e
importance of tlne quality of life, and was
unequivocally welcomed by the Arts
CullnCil .
The Council and its staff have spen t
much time and energy Working th!•oug h
a series of charrgcs to the arts fundin g
svsrcm . A good deal of the last year wa s
cnnsurllcd bV the Ccunsultations which le d
to our strategic policy document, A
{ :reatirt , Future. This, in turn, fed the
more recent dchate during \% hich tile
Arts COUncil decided, within constraine d
financial resources, its key priorities fi r
rile next few \-cars .
An important task, in co-operatio n
with the Regional Arts Boards, was ro se t
in place robust, but flexible ,
arrangements for planning an d
accountability . The aim is to establish a
stronger and more strategiC sn-le o f
management and to enable us to giv e
Govcrn111erit reliable evidence of th e
fruits of our labours, while
demonstrating prog,res, 1, ti~% .lydi th e
realisation of our Corporate plan' s
primary objcctiycs - that is, access ,
excellence, the growth of the art s
cconlnry and Improvement to ou r
efficiency and qualit\ . cif senice .
The balance between excellence an d
access has been debated since the Art s
Council's filttndation after the Secon d
World War .
A ten• decades ago it was stnnnned LIP
by the catch phrase "raise or spread" . Of '
course, these principles are tlyin aspect s
cif a single enterprise . BUt from ting e t o
time the emphasis has shifted to and fro .
During the 1980s many saw the .Arr s
Council as being primarily Concerne d
with access to the arts, partly through it s
encouragement of earnings an d
improved bcrx-Office results and part h
through its commitment to equa l
opportunities . The Arts Council feels th e
rinse is ripe to rc-crnphasizc til e
importance ofartistic quality {variousl y
defined according to CirCUrllstu)ce) . It i s
short-tcrnlism to suppose that tile pub[i c
will be satisfied with the second-rate . '1 li e
most dcsen'c only the best .
As tier grcnyth of the arts economy ,
earned income has contink.]Cd to rise i n
real terms, although attendances hav e
been variable - largel\ , as a result of th e
impact of the recession on lclStlre
spending . Many obsencrs now believ e
that prices have reached a ceiling an d
that business sponsorship and patronag e
are now, reflecting the financial crisi s
during recent years in the private sector .
Local authority support for the arts i s
also showing signs of sn-ain ; thankin ly ,
Ilan, COLlIlCilS ColltII1LIC to place a hig h
priorit v
, on cncouragcmcnt of the arts .
Filial]-, in the wake of the C'itizcns '
Charter, the Arts Council illStitutea a
carefulh v-researclied quality of service
programme Wv ith a view to ensuring that
its "customers" receive a prompt ,
efficient and courteous ser vice . Th e
results arc being monitored and a
fav'onral.le trend is already becomin g
apparent .
In retrospect, 1992/1993 was the las t
year of a series of generous annual
uicrcascs to the Arts COLInCil ' s grant ii t
aid . These enabled the Arts Council try
stabilise the tunding of the porttirhO 41t '
arts organisations which it support s
across the country . Despite th e
deepening recesS!Otl, tile arts conrinuc d
to tlourish .
Now we enter a collier climate . Th e
{rclatiyeh•1 fat tears arc to be followed b y
[can ones . A two per cent cash cut to th e
grant-in-aid has been announced . Ou r
primary task "ill be to pcrsuadc th e
Government to change its mind on th e
grounds that the subsidised arts are on e
of Britain's glories . Thcy iced the huma n
spirit . Research repeatedly demonstrate s
the high ya1LIC which the puhlit p€aces o n
them . Our aim will be to protect th e
achievements ofthc thOLISands ofar'tist s
and arts groups Which are tile lifChIoOd
of Britain's cultural life, and to ensure
that they emerge front the impendin g
term of financial trial \\nth confidence ,
flair and vigour .
ANTHONY EVERITT
SECRETARY GFNERAL .
ARTS C'C(jN(' II C~F GREAT RRITAEN
HIGHLIGHTS OF THE YEA R
i
i
rorrn ,
SIXMOS LIKE BIRMINGHAM
SUOCESSFULLY LAUNCHED
THE ARTS COUNCIL'S ARTS
2000 INITIATIVE . W'H .
CELEBRATES A DIFFERENT CIT Y
OR REGION EACH YEAR .
NEARLY 3.000 EVENTS WERE
ATTENDED BY MORE THAN
ONE MILLION PEOPLE- THE
YEAR LEFT A RICH LEGACY IN
BIRMINGHAM . INCLUDING A
CLEAR POLICY OF SUPPORT
ADOPTED BY THE CITY
COUNCIL . FOR NON-WESTERN
MUSIC AND EARLY MUSIC .
(ABOVE) A WUTAI SHAN MONK
FROM THE REPUBLIC OF
I THE SPIR R
CHINA. PLAYING N
OFTHE EARTH FESTIVAL . .AS
PART OF SOUNDS LIKE
BIRMINGHAM .
/' • y
I
VSNAIPAULABO~E eL(Ar„i L
THE FIRST WINNER OF IH E
NEWLY ESTABLISHED OAli G
COHEN BRITISH LITERATUR E
PRIZE . PRESENTED BY THE
ARTS COUNCIL . SPON50RE D
BY COUTTS & CO . HE WA S
AWARDED £30 .000 PROVIDE D
BY THE DAVID COHEN FAMIL Y
CHARITABLE TRUST . THE ART S
COUNCIL CONTRIBUTED AN
ADDITIONAL 110,000 T O
ENABLE THE WINNER TO
COMMISSION NEW WORK .
THIS IS THE MOST VALUABLE
LITERATURE PRIZE AT
PRESENT . AND IS AWARDE D
IN RECOGNITION OF A
uTETIME'S ACHIEVEMENT IN
WRITING ,
doop
z
v'-
MATTHEW BOURNE' S
CONTEMPORARY DANCE
VERSION OF THE
NVTCR.ACXERIRIGHT}
PERFORMED BY ADVENTURES
IN MOTION PICTURES ,
ATTRACTED FULL HOUSES I N
A 1,500 CAPACITY THEATR E
OVER THREE NIGHTS AT THE
EDINBURGH FESTIVAL. AS
PART OF A DOUBLE BILL
COMMISSIONED BY OPERA
NORTH, IT HELPED TO
INTRODUCE OPER A
AUDIENCES TO
CONTEMPORARY DANCE .
!t-fln~- -
r
Nbl
-_
mil
'A
A;
ii-ii- I I 1,TIVAL AWARD ,.,
i 4Y('21`4 DURING THE
IT
THROUGH TH E
JQl lCtL T-IE t
I Af J3 E LlME THIS,
A ..
r.
A
D 5E u MSCO PME
i) -.)ANSE 1997 ; AND
-'D GI :CttnnS FUNDE D
I-< ANIMATIO N
'~'H0,$i . NAMELY
SPIRITO F
%MID QwRDE D
-!*ICAfE OF'
IT
VE 2993 OPERA
''HK VII- IM f-Fl';TIVAL :
A :i[m 1,
1AULL1'I
UAVVIiOY5 .
PIECES, FUNDO UNDER TH E
ARTS COUNCIL'S. LIVE ART
COMMISSIONS c;"EME.
THIS WAS THE FIR H
CONSECUTIVE YEAR. THA T
THE SERPENTINE GALLERY
SHOWED I 'I'S COMMITMEN T
TO UVE ART . THIS POPULA R
EVENT ATTRACTED 2 .000 -
UN THE BEST SHORT
R M aMM M M E
Kii i.i
i ILM FESTIVAL .
,ALA
' .4TIONAL
A PAR T I :.LLAHL
AH I
L
l :'f
ID
E SF'j I
11" 11
V.iTI' THE NF'iV
PIMMUMA M nwTMRA
CF ."' IN
NXIMM OFIEW MA R
I' y LARG,-, $CALIE
T0} ~ i 7!N P i i a ~I
1 I
D 51 Rom.
NATIONk TIif_A7PE TC)L-RS Of
714L A 14 0 e.L S S OF 6 1 : 0P G
-Eli}v ArvD AV dh, PE, 70i:
cw .s
_-, (
mcwm
CO I'k- ; :I IIJIONS BETWEE N
"50% OWE COMPANIES
SIX 0 S MA MI AN D
81 .1 1 L ',i . 8ASE0 THEATR E
COMP ~ To LIKE TH E
T~<. ,T,
q(JYAL, STRATFOR D
AL;',IL
I- FOP 11INOVAEVE
vv(4Fi- '-,t ROYAL NA70toL
TKe
KINTIRE BE
CO%t ;
'E cOLPIZODuCIRO N
r r .-' -.TaEFT O F
CROCK
. : S ACME I
ADN
:.i N T EIJNAYMNA L
ACC'. : .'.' AS ONE OF TH E
o
mus" -vqN(."
A(iili .WEMSOF TH E
UP
- 1~ 1 T_
S
M EWA% E
APPUCADON O F
XF -"ECTuR E
A~ E . NO I LOWON A w
F,:)STEi; 1,
, My "01CMMIG
MI MEMBERS .
FINANCIAL SUMMARY
1992/93 GRANT SIZE BY NUMBER/VALU E
NUMBER OF
GRANTS
Of the grants issued by the Council only
2$ were in excess ofX1 million but th e
value of these grants was .061 million or
77% of all grant expenditure .
1992/93 EXPENDITURE BY ART FOR M
The chart shows holy the Council
divided the money available to art forms .
LITERATURE 1%
COMBINED ARTS 12%_
VALUE OF GRANT S
1400 5
AKIS SECIUK INCOME S
ARTS COUNCIL SUBSW •.
LOCAL AUTHORITY & OTHER PUBLIC FUNDIN ,
SPONSORSM
EARNED INCOME
'rhe figures in this section are those o f
the National Companies and Arts
Council Revenue Clients .
"C""
IM/K
im/si
im
N
TOTALS
DANC E
DRAM A
'rhe earned income and ACGB gran t
figures show a rise of 8% to L120nT, and
.CS7m respectively . Both sponsorship an d
local authority incomes show a decline .
A sharp increase in carved income thanks
to the performances of the Royal Ballet
and Birmingham Royal Ballet .
Large increases in earned income by 10
and RN'r (20% on average), and a n
increase of 7 .5% by other drama
companies meant that earned incom e
overall rose by 14% .
4.991
isso/n
MUSI C
An increase in Council funding (up 13% )
was reflected by only a small increase i n
earned income and falls in sponsorshi p
and local authority funding .
im/n
VISUAL ARTS
A sharp increase in subsidy (up 13%) w'a
accompanied by sharp falls in earned
income and local authority filnding.
OMOLNU ATTENDING ARTS EVENTS
1988/87
1887/88
1888/88
1889/90
106 .7
103.9
104 .?
1990/81
1891/92
1982/93
105 . 9
fOQ
101 - 5
PLAYS
ln<~
118- 8
OPERA
BALLE T
JAZZ
:LASSICAL MUSIC
103 .8
100
102 .9
102.4
103 .6
107. 0
ART GALLERIES
NY OF THE 7
98 .9
105 . 6
100
102.1
101 4
NUMBERS
%OF ALL ADULTS
10.2M
22.6%
2.SM
6 .2%
2.7M
5.9%
2 .6M
5 .7%
1.5M
3.3%
5.2M
11 .5%
9.2M
20,4%
16.3M
36.0%
The growth in the 11Lln1bcr of peopl c
attending opera has continued (19 %
more tlian in 1986/87) . Tllose
attending ballet have increased by 5`%
over the same period . The numbers
attending plays, classical illusic
coricc.rts, and art galleries have hel d
up well during the recession . The
total number of contcmporal"v danc e
attenders stabilised in 1992/93 . Th e
16 .3 million people Nvho attend on e
or more of these seven art form s
represented 36% of adults in Great
Britain . More than half of thes e
(8 .4 million) attended one art for m
or more at least twice a Near.
Thou figures come from the Targe t
Group Index (TGI), conducted by th e
British Market Research Bureau . TG I
collects information each year fro m
25,000 adults in England, Scotland an d
Wales.
The figures for jazz do not necessaril y
indicate a decrease since the addition t o
the Target Group Index of Pop/Rock i n
the 1991/92 sur vey may have influence d
the jazz figures . In earlier years Peopl e
may have classified as `Jazz' events which ,
when given a choice between `Jazz' an d
`Pop/Rock' in the 1991/92 survey, the y
classified instead as `Pop/Rork' .
10/1:
DEPARTMENTAL REPORT S
ANDER . MARKETING/PLANNING DIRECTION .
~ EINKANSE N
j j .% j~, COUNCIL FUNDS MADE AN ESSENTIAL CONTRIBUTIO N
_ • THE CREATION, PRODUCTION AND PRESE=NTATION O f
.1%1L REQUIEM . THE PROJECT MOBILISED EUROPEAN AN D
, IOERCIAL FINANCE . PROMOTED QUALITY INNOVATIO N
i? UE vfLOPED NEW AUDIENCES_ IT ALSO WON A DANCE
LLA ; TIME OUT LONDON DANCE AND PERFORMANC E
i%'V, % kf l I OP BEST SITE-SPECIFIC PERFORMANCE OF 1993 .11
COMBINED ARTS
nc\~ and cscitin- ra iigc Of work i s
Eking produced through collaboration
henvecn art firms .
The tremendous interest shown b y
artists working with others in their ov y t l
held and those in diflcl-cm disciplines ha s
resulted in well over 200 application s
received this year for New Collaboratio n
awards . ~Ve were able to filnd 42 nev v
commissions plus a further tel l
organisations promoting live art .
Audil'mccs have been quick to Support
both collaborative and live art projects
and among; the highlights of the year wa s
the Quirk Lira A7-t lFeekend at the Sout h
hank which attracted andiences of 2,50 0
People Plus thonsandS Ot•visitOI-S to th e
foycr events during; the weekend . Th e
London Philharmonic Orchestra als o
took up a SuccCSSfUl residency at th e
South hank .
The live art production ,
Abducritm, by Hilan,
Westlake and 1-unlicrc
& Sun and commi s
sioned by the Institut e
of Contcnlporary Arts
proved a great success .
Response to th e
exhilarating pcrfiormanccs was monitore d
during the r111'ce-week run with on tic-spot market research . Findings confirme d
that ne+v audiences had been reache d
ti%hich was one (If the aims of, til e
commissiam .
From France, we .vcrc delighted t o
%vclcomc the Paris-based Theatre d u
Solc'il vv hich made its first appearance i n
the UK in almost 20 \-cars . The visit %%- .i s
made possihlc through the httcrnatio11,11
Initiatives tilnd which, through the year ,
suppcn•ted artists from all disciplines fro m
40 countries visiting 59 cities, tOWIIS an d
tillagcs in the UK . -1 - hc trc du Soled' s
production of Les AtI'ides, staged in a
specially converted carpet warehouse i n
y
Bradt-Ord, was sold out fi)r ever
pert6miancc .
Crowds of well Oyer a million peopl e
turned up for the annual rotting ; Hil l
Carnival . The organisariorl and hard
work durint; the year produced a
sil l, , I .a IC +Chich in 11,1&d around 10 0
~tarnac hands supported by grants fro m
ncc Arts Council .
OUr Building Fcasibilin' Srudv grants
ha%c helped a number of venues t o
Improve their facilities and to upgrad e
premises . Even• Sntdv also looks a t
improving access tor disabled peopl e
inCILlding front of house• Facilities an d
backstage .
Finally, we continued our support o f
15 national youth arts umbrell a
organisations which create opportunitie s
filr young PCOPIC to work wit h
professionals and develop their skills .
DANC E
l he flow of iniaginative and exhilaratin g
new. d111CC work tliroughout the 1'Car ha s
not only delighted regular dance
andiCnCCS bUt has also %von nCVr IriCIWS ,
lnuang tllr highlights Of tile CalClIdal '
wcrc Matthew Bourne 's contcnlpora n
dance version of llm isf-t-nickr r
commissioned by opera North and
perfOrmcd by Adventures in Motio n
PiitLII -Cl, which packed hill houses in a
1,-500 capaory theatre over three night s
at the Edinburgh Festival . The Roya l
Ballet is attracting; increasing ; houses Lia r
its triple bills including; .such radical work s
as William FOrsvilic 's lit the widdle ,
swnrwhat elrratrd, while Christophe r
Cable's thc.ttrical new ballet prodtWOO11 s
continue to prove popular whereve r
No rthcrn Ballet Theatre tours . Shoban a
Jevasingll ' s inncn'atiye urban SOUth Asia n
dance theatre has seen its audiences grow
from 42 per cent capacity in 1991%92 11 )
72 per cent in spring ; 1993 . An d
Koknnla ' s enrltemporan' interpretatio n
of African and Caribbean dance Harms i n
L
its production 1l1stm-1, at'thc Pr'um played
to packed and cnthusiasric hoLlses . Th e
stream ofexccllent wort: continued t o
flow throLlgh 199 ; when the Eas t
Midlands g as designated the UK Regio n
of Dance in the series of arts COLL1161 inspired annual arts festivals leading t o
the year 2000 .
Along with funding; new work, vv c
have been giving careful attention to th e
gLrali1atiVC aSSC 1iSn1C11t of performance w
Combined arts The Magritt e
C\Iliktio
the HaNivard Gallery
~>> alt
J
attractcd (-)ti r er- 1X5,000 visitors in th e
space of 74 days . Mare than 2,50 0
people attciidc d 'I7je Qilck Live• Ar t
; Clld at Lt-)ndon's
Ban k
~ ,,11,
SOLIth
4
2
SHOBANA JEYASIti M
ii I FEEL FORTUNATE TO HAVE HAD A SUCCESS$GN OF DANC E
OFFICERS WHO HAVE, IN VARIOUS STAGES OF M Y
DEVELOPMENT AS DANCER AND CHOREOGRAPHER, OFFERE D
ME A LISTENING EAR AND CONSTRUCTIVE SUPPORT WHICH 1 5
]UST AS VITAL AS APPROPRIATE FUNDING . THE ROLE THAT
THE ARTS COUNCIL HAS PLAYED IN MY WORMS IN THE PAS T
DECADE HAS BEEN AN INVALUABLE ONE ."
and a ,
• , ~n the 'LII)Icit was hel d
in Scl , tc :i i , , r 1992 . Taking part were th e
Arts Council's Dance panel, its
development advisers, Regional Arts
Boards' dance officers and the umbrell a
organisation Dance UK . In addition, th e
national nct.work of performance
assessors has been extended and th e
quality of show reports (written by arts
Council representatives and independen t
experts I has improved . These reports ar e
now available to artists to help them il l
ftiture work.
( g ear strides have been made in ou r
programme of establishing ; nationa l
dance agencies - a network of centres fo r
protessional and amateur dancers fo r
training„ classes and performance, Thcrc
arc now agencies in Swindon, Newcastle ,
London, the East ,Midlands, Sutfiilk ,
Birmingham and Leeds . Alrcadv thei r
achievements have been considerable i n
both artistic and strategic terms Newcastle's Dance Cite for example ha s
attracted 0200,000 in funding; from the
Henry Smith ' s Charin- and has torge d
close tics with many of the city ' s youn g
uncinploved people .
All ten Regional Arts Board areas no w
]lire either an agency in place or a
recipient of an agcncy development grant .
Despite the economic recession we ar e
delighted to report that our clients har t
been successful in boosting ; Belt-gencrtte d
income . For example English Nationa l
Ballet increased its audience by 30,00 0
and its box office income by 19 per cen t
in 1992/93 while The Royal Balle t
increased its paid attendances by , fire pe r
cent .u The Royal Opcra House, achievin g
an in pressive 87 per cent capacity .
DRAM A
Among the \-car ' s highlights was a serie s
of successful collaborations and a surg e
of new writing; which have combined t o
attract new audiences .
Among the initiatives launched wa s
the Be Bald scheme . Sewell building based theatre cornparlics each wo n
funding o - up to C2 5 .000 to stag e
challenging work that would otherwise
haws been impossible . The Balton
r
DEP-%R-M R :k P . ;. ;"' : ;
Octagon was among the recipients of th e
awards and, as a direct result of th e
scheme, was able to stage its landmar k
production of Titers Androuicus with a n
integrated deaf and hearing cast . We ar e
also pleased to note that all building based companies nobs- offcr at least on e
signed pertbrinance of each productio n
for deaf people . Many touring companie s
are following this example .
To help develop a wide range o f
theatre work by people with disabilitie s
we helped organise, with support fron t
the TSB Foundation, a major Theatr e
and Disabilirv Conference . The successfu l
event, staged in ,Manchester in Jun e
1992, resulted in the gcncra6on of a
blueprint tier the future .
Among the many exciting
collaborations was that of the Royal
National Theatre with the Th6trc d e
Complicitc which produced The Strerr o f
Crocodiles. This dynamic work attracte d
fill] houses and excellent reviews . Furthe r
partnerships forged berwecn building based and guest companies include d
those of tllc Theatre Rolal, Stratfor d
Fast, and Tara Arts ; Salisbun' PlaVhous e
and Paines Plough ; and the L)ric ,
Hammersmith, and Odvsse} "Theatr e
Conlpam' .
These co-prodLIC6011s increase d
dramatically the sire and broad base o f
audiences fir innovative work an d
highlighted the continued vitality o f
building-hascd theatre . It is of particula r
significance that innovative artists, wh o
firC t11 tell years ago ran small companie s
arc now taking their rightful places at th e
helm of these major companies . Amon g
those to have made the transition is lod e
belly formerly of Battersea Arts Centr e
and now at the West Yorkshire Playhouse .
'I'hc year has seen a return of ne w
writing to 1970 levels both in building based and touring companies . Art s
COULIcil funding was trade available t -o r
95 drama projects and 36 new texts .
Ncw writin g, now represents some 12 pe r
cent of the regional main sTaAc repertoire
compared to six per cent in the late 1980s .
f= inally, the Arts Council launched an d
circulated 45,000 copies of its Dram a
♦
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r
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0UOO ~u-id
_t lncreasc d
b'\7
at the
-r a. House, achieving
87% capac t<T.
iNT
ttendanc.es a
alt_
regional prod--'
titres in England
' ;~ p
:o 4 .1 million in 1992~~ ~ w3 .
,U_ICCS
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DEFIGRAH PAIGE SALISBURY PLAYHOUS E
MARTS COUNCIL FUNDING HAS ENABLED US TO DEVELOP OU R
EDUCATION WORK . OUR EDUCATION POLICY IS INTEGRAL T O
ALL THAT WE DO . H
in .SchoidspubhCatlon . This scr\'rs u+ otte r
not just a practical programme of stud y
but also to encourage the imaginativ e
teaching of drama to voting people .
FILM, VIDEO &
BROADCASTIN G
1>n+aclca,mg
n pla\ a major role in th e
economic and Cultural context of th e
arts . And \ve \yelcc+me the oppominity t o
work \\ith tclc\-ision in addressing ne\y
and larger audiences .
Valuable partnerships Continue to h e
tomcd with the television net-works . Ove r
40 new joint commissions during th e
Year have resulted in innoyamt : work Cha r
is diverse in content, and presentation .
Among the new work is Dance tur th e
Camera, a m o-rear joint project wit h
131102 . The eight I,; minute programme s
\will be original dancc tier televisio n
collabrrratkch made by directors an d
choreographers, Sound on Film, als o
commissioned with 1311C :2, is an
cgUi\alellt collaboration betwee n
composers and directors .
Currently in production is
Jf9fa17L1iat9't, a Series of animated arias.
using ]Carling edge :o1llpUtCr ICChllitlnCS .
This project was given life by our cas h
input (if L50,000 \chich primed th e
pullip of illternatlonal finance totallin g
LS00,000 from sources includin g;
S\veden, Germany, Spain and Nort h
America .
It is significant to note here that i n
1988, the total audience for artists ' fil m
,end Video \cos probabh• a ti :\y thousan d
people . However, in 1992, as a result o f
joint commissioning; with Channel -I and
BBC2, the audience was. some 5- 2
million . Included in the first round o f
Animation Awards, financed wit h
Channel 4, the film Wjo .Squiirr
demonstrated the Usc 01 ' 110% technologr
in combining live action with compute r
recolouring and compositing, to mak e
painterly mo\ing; inlag;cs .
]n all, films co-funded by the Art s
Council and transmitted on televisio n
\\crc watched by an audience in excess o f
1 71 million, then attracted muc11 Critica l
attention in the press and earned over
w
0/hra
y
C1Jtati++tlalan d
other Talcs .
In keeping \vilh our policies of acces s
and cultural diversity, we have teamed u p
\with Carlton Television to jointl y
commission Synchro, a series ofeigh t
five-minute programmes by nc\\' African ,
Caribbean, South Asian and Chinese
directors which will explore arts, musi c
and cultural issues .
The importance we attach t o
broadcasting as a \%ay of creating an d
promoting art, found full expression i n
The Odd C'FU,ph'' , our first broadcasting;
and the arts contercncc which \vas hel d
in Brighton in October 1992 . Some 60{ 1
delegates and speakers from cycn spher e
of arts broadcasting, the arts and arts
administration came together in a livel y
and spirited debate .
f:ti0 .1111cI, .t ; : . :
J1I
LITERATURE
arils tier excellence have an importan t
role to play, not just in acknowlccigin g
c\isting; talent but also in the encouragement of nc\y readers . Established in
recognition of a living British author' s
lifetime ' s achhe+'clll m, this year \\'c sa w
the inception thf the David Cohen Britis h
Literature Prize . Its first recipient ,
announced in \larch 1993, was VS NaipaUl .
The \'attic of the prize, .00,000, is the
highest for a literaturc award in Britai n
and is provided by the David Colie n
f amity Charitable Trust . To the stun I S
added C,10,000 by the Arts Counci l
\which enables the winner to commissio n
lie\% work to encourage younger writer s
nr readers . VS NaipaUl requested that th e
monc\• should be given to the Society o f
Authors which selected the biographe r
Rc+senlan Hill as the hencficiarv .
Sponsc+rship of the presentation an d
promotion of the prize was by C .outt s
c prize \rill be given even° n\c r
Co
a'I'll
.
years and nc are plcascd to announc e
that both sponsors have pledged thei r
Continued support .
Also new this \ ,car was the Writers i n
Prison scheme which has alread y
SCCUrcd, by arrangement with the Honl c
()1}ice and Regional Arts Boards, 1 1
r
professional writers ' residencies in
ANN
Fihn, Video & Broadcasting
s It - cre traw
r
j I
?'11:.1t l
I i m11 i of i . Literature
the Mccption of th e
Da\-I(
1
Literature Prize .
The 1:40,()00 a Ard is the highes t
value fc~r a litcratUrc prize in B n' tam .
{}
o
1
DAVID PRINGLE EDITOR . INTERZON E
fL THE WAY TO ENCOURAGE AND DEVELOP NEW WRITERS IS T O
FUND A MAGAZINE THAT WILL PUBLISH THEIR ARTICLES . OURS
IS THE ONLY MAGAZINE IN THIS COUNTRY TO PUBLIS H
SCIENCE FICTION AND FANTASY . AND . THEREFORE . IS TH E
ONLY MAGAZINE TO ENABLE NEW WRITING IN THiS AREA O F
THE ARTS . 17
prisons nationwide . It k cl , ` , r-, ing r o
note that our initial fitndin ;', tit L40,000
has attracted an extra £-56,000 front
other sources .
The Arts Council I .ircratUrc
Development Worker initiative has take n
off- and 30 writers are now in plac e
nationally, usually based in civic centre s
or libraries . This scheme, co-funded wit h
the Regional Arts Boards and loca l
authorities, has been devised t o
encourage nwre literature-based events ,
tram local writing workshops to reading s
giwcn by established authors .
The successful Public Librarian s
Conference, organised by the Art s
Council and held in fork in March 1992 .
vyas followed this \-car by the publicatio n
of the important Readiuq the Future
report . A fiend has been established to
encourage the promotion of literature i n
libraries by estcrtcting the range o! book s
available to lenders and Iii. invitin g
authors to give readings and talks .
We are delighted to welcome hack th e
Arvon Foundation as a client . Its Cundin g
+was devolv ed between three regions i n
1984 . The Foundation, which operates a
t'ull calendar of - workshops and seminar s
for writers, also announced the openin g
ofits third centre in Inverness-shire .
The department ' s touring wor k
included teams of Canadian, Chinese an d
Indian +writers visiting arts Venues up an d
down the countn- . The programme ca t
writers' residencies allowed Gloria Naylo r
USA 1, Donau Brathvwaite (Barbados) ,
Iran Goytisolo (Spain) and rMen•y n
Morris (Jamaica) to spend several weeks
each on regional attachments .
MUSIC
1 res xrr7dlnt sra]T ++as made to the Art s
2000 initiative \+ith Birmingham' s
hugCh' Successful year in 1992 as the U K
('ity of 4tusic .
te nder the banner "Sound ,, Lik e
Birmingltant", a wide: variety of musica l
events attracted audiences totalling well.
over one million people . Concerts an d
+workshops in Venues throughouT the cir y
offered a chance not lust to listen to
music but also to sing in a group or play
an ir] .truntc•nt, perhaps for the first time .
More than 10,000 local school childre n
++ere involved in educational projects .
Sounds Like Birtningharn comprise d
almost 3,000 events From a fusion o f
dance and music specially conceived Fo r
the abandoned t+Te plant, Fort 1XII11 rp ,
to the UK outdoor prcmicrc o f
Stockhausen ' s Strrnklattg. Sounds T .ik e
Birmingham established a model t -or
other cities to tirllow in this ambitiou s
series of arts Council-inspired year-long ,
festivals leading to the year 2000 .
Birtninghant was also chosen for th e
launch of Sound Inheritance, the Art s
Council-initiated touring scheme fo r
large scale period ensembles . Thre e
national tours, starting in Birmingha m
Town Hall, took place during 1992 an d
dre++ enthusiastic audiences .
Sonic 40,000 schoolchildre n
nationwide took part in an imaginativ e
project inspired by a new work, 1he Toni
of'fhe Tide, by Sir Peter Maxwell Da\ies .
The commission ofthe piece vwas jointl y
supported by the arts Councils o f
a
Scotland, WValcs ,
Northern Irelan d
and Great Britain .
t
The project ,
which wa s
organised by th e
Association o f
British Orchestras ,
encouraged th e
children t o
compose, perfor m
and listen to nitrsic in an informed wa y_ a s
part oftheir ++ork in the newl y
introduced National Curriculum ti, r
music .
77x' Turn of the Tide demonstrated jus t
how much can be achieved whe n
connnltted teachers, skilled professiona l
pertitrnters and enthusiastic pupils work
together, However, the quality and Scop e
of instrumental teaching in school s
remains a source of concern to mare •
involved in music . Representatives fro m
the Association of British Orchestras, th e
C:otntnittee of Heads of \Music Colleges ,
the Incorporated Society of Niusicians ,
the Music Advisers ' National association, -w
Music Arts 2000 was launched in
1992 m Birmingham, the UK City of
Music . The hugely successful "Sound s
like Birmingham", covered some
3 . 000 events ranging from concerts to
workshops . More than one millio n
people attended the year-long
programme .
)
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Ais
4~
J
.~,4,,Ai AC . UAr Fr.
Ak
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A' "' i
'Yx : r .~r .ti :r
zic -
OOALINE OE LA MARTINEZ MUSICAL DIRECTOR . LONTAN O
&d THANKS TO ARTS COUNCIL GRANTS, LONTANO WAS ABLE NO T
ONLY TO COMMISSION WORKS FROM PAUL BARKER AN D
JOHN METCALF, BUT ALSO TO COMMISSION AND PRODUCE
JENNI RODITI'S OPERA INANNA . WE WERE ALSO ABLE TO
RELEASE THE SECOND VOLUME OF THE BRITISH WOMEN
COMPOSERS SERIES THROUGH THE LORELT RECORDIN G
LABEL 1f
the Music industries Association, Musi c
for Youth, the Schools ' Music
Association and nct, l'K Colmcil fo r
Music Education and Training tilrmed :I
Common Purpose Group during th e
year which nlct at the Arts Council t o
discuss ways of maintaining and
improving instrumental teaching .
As a result a major research project o n
instrumental teaching is underway .
WOTk was undertaken by our departmen t
to create two small-scale oper a
companies - Meckler[burgh Opera an d
Pimlico Opera - as franchise clients .
Among their most startling Work for th e
sear was Pimlico ' s production of dd•'rst
Side Srwy staged at Wandsworth Priso n
starring; inmates and prison stair togcthc r
with professional pertirrmers .
Further highlights oi'the year inc€udcd
the London Symphony Orchestra' s
Sibelius CyClc under Sir Colin Davi s
which formed part of the Barbican' s
"Tender is the North" festival and th e
outstanding: Opera North season whic h
included the British stage prcmiire o f
Roberta Gerhard's 1_a Ditenow, a tin e
new production ot- Don Carlosand th e
Widely acclaimed revival of Britten's Bill 'v
Rudd. It was also a great pleasure during,
the year to welcome ]Cent Nagtano a s
music director of the Halli Orchestra .
TOURIN G
I he dcparmwnt ' s aim is to otter regiona l
,1LldienCCS ill I'.nglancl performing art s
work of the greatest possible quality and
diversity . A particular teanure cif the yea r
%vas an increase in the use of non conventional spaces ,u,:h as disused
IalCtories a lxd
warehouses, leisur e
cntres and openalr 5 C[1LIC', thLr s
1- cadling all Cy cl l
s,idcr audience .
There was a
notably hig h
~itlaliry range o f
international wor k
including tours by
the ,\dab• The .urc ol'st Petersburg, Nad a
Thcatrc from I ranee and the Wim
Vandekel'bUS Dance Theatre fro m
Belgium . Wclsh National Opera had a
particular]%, suCCCY ful seaso n
characterised by a superb new productio n
of Tristan and Isvldc (a co-Production
with Scottish Opera) . Some othe r
highlights included the Ronal Nationa l
Thcatrc tours of Ac dladue•ss vj'Clt•nrsl e
111 and An Irespretor• Calls, the Oper a
\urth/Ady cmtires in \lotion PiCtUrc S
co-production of Rje 'x-utcracker, Rohcr t
Sturtia ' s Harrrlet (starring Ala n
Rickman 1, Northern Broadsides '
Richard Ill and Duhlin ' S Gate T11C,10•c
production of ]emu and the• 1'arenck .
Among the year ' s four tours of Africa n
and Caribbean theatre and d.ulcc vya s
The p osse's production Of Ar mcd an d
Danacrwes Which played a six , ycek tout'
to cnthusiastii audiences including th e
Adcxandra'I'hcaire, Birmingham, an d
I-vrcunl, Sheffield .
'I'hc first Rill year Of our Venu e
Development Fund offered 20 venue s
the opportunity to develop thei r
audiences through adyenrlruu s
programming . And during; the vicar thre e
important venues opened or re-opciled :
the refurbished Thcatrc R(11-al in Norwich ,
the new Susan Theatre in High Wycomb c
and the New Victoria at Woking .
The department is continuall y
researching; and developing nevv audiences,
particularly through its expanding;
natianvyide network Of Marketing;
Resource Centres and we made a major
contribution, together with th e
Marketing Unit and the Arts Marketin g
Association, towards the staging ofthc
conterence <<Talk to Me >> . Devised t o
promote the use ufprint aS a rllaL-ketin g
tool, the contercnc Was attended b y
around 2{0 representatives of arts
organisatiOns nationwidc .
ViSUAL ART S
I his year ha " bc~:n )11~: of outstandin g
achicycnrclu lilt indiyidLlals an d
organisations supported by ou r
department . Peter ienkinson and hi s
team at Walsall Muscurn and Art s
Gallery, recipients of regional venu e
development hinds, and annual clien t
Touring
C t I l l 4 , HL (AA
IL I
in 1992/1) ,
_)pcra sold 40,00 C,
:done .
Y
PF 1
Z
O
O,
`
f
f;
N
S
Si;M <GUPTA. CURATOR, INSTITUTE OF NE W
INTERNATIONAL VISUAL ART S
46INIVA LETS US EXPLORE THE WORK OF ARTISTS WHEREVE R
THEY ARE IN THE WORLD, AND WHATEVER THEIR CULTURA L
OR[GTN . THIS PROJECT 1S ALREADY WIDELY KNOWN AN D
APPRECIATED INTERNATIONALLY- 11
Richard Padwick and his team at A N
publications . Newcastle, were iN o of the
five winners of the National Ar t
Collections Fund Award 1993 .
The xinncr of the Prudential Art
Awards 1993 was Chisenhale Gallcrv ,
London, a major project recipient, an d
CornerhOLISC Pnblll3ti0nti waS hlght y
commended in the Sundav Times
Publisher of the Year Award 1992 .
The year has also, been one o f
broadening horizons . The departmen t
focused its policy on Support fo r
educational initiatives, particularlN' in th e
fields of photography and archittcturc .
The Arclli[CCU :-C unit eras founded to
enhance the public's understanding an d
appreciation of the held . It is the firs t
time that architecture 11aS featured in th e
arts funding system . A conference o n
architecture centres, Derigniun Cities,
was a sell-out and has led to the creatio n
of 'l number of feasibility studies i n
partnership with English Estates . Th e
research iS being helped through a tiln d
worth :50,000, half of which was raised
from commercial sources . The financial
leverage fi-om the first arcllitccturc •rant s
scheme, which offered 1:150,000 ,
amounts to a probable 0350,000 ,
In 1992 the department signalled it s
Support for new electronic technolop , b y
publishing l'cr-v Sprtflbrtti - a guide t o
interactive media and its uses in art
galleries . The first of a series of ne w
tcchnolo_q- training initiatives fo r
curators and artists began with th e
London-based mulrimedia project Arte c
and the Liverpool Design Initiati~c . As
part of the Arts Council 's Arts 2000
.
initiative, the year 1998 has bee n
designated the fear of Photography an d
the Electronic Image .
Our work to make the Visual art s
accessible to all took a major leap wit h
the publication of Jiync Earnscliffe ' s
book In Through the Front Door . I t
addresses access to vettucs by disable d
people together with employmen t
opportuilltics .
As part of the Arts C01.111JI'S
encouragement of culturally divers e
visual arts, we of1crecd franchises ro thre e
curators and editors to produc e
exhibitions and publications as part of a
new project - the Institute of Ne w
International Visual Arts . To t61ward thi s
groundbreaking international initiative, a
new travel grant xyas established t o
promote the work Ot Visual artists fro m
overseas in England and to profile Britis h
artists internationally
t
Visual A-t•ts s - h\VhItcchapcI Gallen,
attractcd a t otal of sonic 110,00 0
\,isit(_)I'S 1.11 1992/93 . The Musetim of
Modern Art, in Oxford, had ove r
183,000 visitors . Arts Council fancied
i IICIItS NVO11 f(l_tl- nlajor awards: Th e
Smiday 'fin-i s Ptiblisher of the Yea r
Axvard ; The Prudential Art Awards ;
lld m r o of the National Art
C_,()lleetiollS l=and ANvards .
CROSS-DEPARTMENTAL REPORTS
BOBBY BAKE R
A I'VE SEEN THE THIRST THAT THERE tS IN BRITAIN FO R
INNOVATIVE, EXPERIMENTAL WORK AND I APPRECIATE TH E
ARTS COUNCIL'S CONCERN TO FOSTER AND DEVELOP THI S
WORK WITH SUCH COMMITMENT . 1f
I hL: cross-departmental urtit~ p:de Art s
t uutcil policy and practice { m istiuCS tha t
_01oot the work ofall department% .
TRAINING UNI T
I hli \C .11 . I1ati hCCll One of firsts, o f
ti )r_ing international links and o f
increased demand for training .
The first new scheme to be pilote d
was the Regional Arts Board f=ranchise
Fund . This three-rear project has bee n
devised to otter march Funding t o
Regional Arts Boards to Cniourage the m
tO ol'gallise new training opportunities ,
The scheme was met with instan t
approval as all ten Regional Arts Board s
applied to take part .
Training in the regions was given a n
additional boost with the httlndtng of th e
South Nest Arts ' braining Unit . Whil e
this unit will fulfill the samC role as th e
existing toter regional training centres i n
Newcastie, Liverpool, Leicester an d
Sussex, it differs front them in not bcin~g
attached to an academic cstablI"17mellt .
Meanwhile, the centl -Cs have formed a
National :Association of Regiona l
'Draining Centres/Units . The association
has among its first racks the drafting of a
pro p-rancho of arts management training,
rhat will lead to national accreditation .
The development of standards ha s
continued apace with the Arts an d
Entertainment Training Council, th e
industl-\' lead boGJ for the arts, issuing it s
first draft standards for Nationa l
Vocational QualifiCatictns . OUr wore: wit h
AETC. ; has also included plans to creat e
an cxtcnsi~c darabase o1 training intitrntation plus the publiCation of career packs ,
This year has seen US join our firs t
international network . Organised by Til e
Council of EurctpC, it is the FUropea n
Network of Cultural ,Administratio n
TraininK Centres. We have alread y
henchted from visits by EUropca n
CollCagucs and have received informatio n
about trainina, and placements availabl e
to British students and artists .
EDUCATION UNI T
Education and the anti have undergon e
major clean r <1cn ink; the past vear . The
etleclti Of 110 lei€Sl .rti4) ;l lt,;tr 'hrin tclt i n
cwn phase and SCCror of Ci€ucalic~rt .
Changes introduCCd bN- tlaC ]cgislatio n
ha% ,e meant that arts organisations hav e
had to adapt their work to positio n
thcrttselves within the competitive marke t
place by making greater effort tc_t publicis e
their work and making contact wit h
individual schools, The most SigrTifican t
impact on arts education has bee n
wrought by restructuring in areas SuCh a s
local education authorities aced hea l
managcntcrtt of Schools .
As part of our response to the changes ,
and in collaboration xvith thecorresponding art firm department, vve
have helped produCC two publication s
1 Jra ma
in .Schools and Darer in Shoals.
The aim of these documents is to ser ou r
poiic 'v and a framework for teaching th e
subjects within the National (arriCUILIF11 .
.bo hc1P place arts education i n
England within an internationa l
frame\l'ork, Ise honied the Britis h
American Arts :Association to researc h
and exchange information ore good
practice, as part of their five-year arts-ineducation Initiative .
To highlight the importance otart s
tcaChing in schools %ve haNc helpe d
establish a national programme of schoo l
governor training . This has bee n
achicrcd in associario n with the te n
Ice-ional Arts Boards, and major nationa l
training bodies . Some 2,000 governor s
front 20 local Cducation authoritieS too k
part in the first series of artist-le d
workshops and discussions .
'I'hc unit ganc a grant to the National
Foundation C01- Education & Research to
undertake research in votrth arts activitie s
in partnership with the ClUlbcnkia n
Foundation and the Baring Foundation .
ass-c1cpartmemal LIMILS guide
marts CouHICil ~~olicv t1zd practice on
ICS that affm the -wort: of al l
Education Ovcr 45 1 00 0
'
The airn of the research is to provide a
national Picture of rc>uth Ar t s
Participation to inlnrnl fi,turc Plannirl g
and decision making .
The Policy Studies Institute Adult Art s
and Crafts research %% as lwgun i n
partnership ttith the ('rafts (council ,
Scottish Arts Council, Arts Colltliil o f
Northern Ireland, Southern Arts Board ,
South West Arts Board and th e
Gulbenkian Foundation With SuPPort
from the National Intititutc of Adul t
Continuing; hducatinn . The project wil l
suney provisitm in the L T K and record
rile impact of recent changes on the rol e
of professional arti ,,ts in adult education .
he
CI-
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Artsr and Disab' 'ty Th c R po rt ( m
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ARTS AND DISABILITY UNI T
l he sea change needed to ensure tha t
disabled people achio to access to the art s
at all levels can only happen 'when what
arc perceived as the interests of a
minority become the concern of th e
majority . The :arts C .otlncil ' s
commitment to disability arts and th e
employment of disabled People i s
reflectid in the rangc ofactititics whic h
are funded across the ( ;ouncil . These mr
ill 5L
3
ROGER TAYLOR CHIEF EXECUTIVE, BIRMINGHAM CITY COUNCI L
All BiRMINGHAM'S CULTURAL LANDSCAPE HAS DEVELOPED A T
UNPRECEDENTED SPEED IN THE LAST FIVE YEARS, AND TH E
CITY'S CLOSE AND INTEGRATED PARTNERSHIP WITH THE ART S
COUNCIL HAS PLAYED A KEY ROLE IN THAT DEVELOPMENT .
FOR OUR ARTISTS AND AUDIENCES ALIKE THAT RELATIONSHI P
CONTINUES TO HOLD A VITAL KEY TO ALL THE MOST EXCITIN G
DEVELOPMENTS WE ARE PLANNING FOR THE FUTURE F9
include the work of deaf practitioners b y
the Drama Department, the work o f
mental health survivors by the Literatur e
Department and research on art
education for disabled practitioners b y
the Visual Arts Department .
During the year we saw th e
Completion of phase ont of the Initiative
to Increase the Fmployment of Disable d
People in the Arts . The resulting Repor t
was successfully launched at the House o f
Lords and the Arts Council took th e
occasion to announce the allocation o f
.C 100,000 to establish an apprenticeshi p
scheme . The scheme will provid e
disabled people with the opportunity t o
acquire skills while working in major art s
organisations .
The unit increased its support to th e
National Disability Arts Forum which has
now cstahiishcd an office and state . Th e
fi)ntnl has loon funding from the Visua l
Arts Department for its first majo r
project - a series of billboards promotin g
challenging images of disability . The Art s
Council-funded Disabilitv Arts Mctgazin c
has gone from strength to strength . It s
LIcsign and content have radically improve d
and, most satisfying, is the range o f
disabled practitioners from all arts areas i t
now involves . The joint Arts Council of
Great Britain/British Film Institut e
disability group has been active an d
eflective - work is clue to start on a medi a
reader, aimed at the education market .
The continued growth of the disability
rights movement and the need fo r
legislation means that our unit continue s
to have a high political profile .
Particularly notable is the pressure t o
make physical access to arts Venues a
condition of grant aid . It is hoped that a
proportion of the money raised by th e
proposed national lottery will be used t o
improve access to Venues and will help i n
the establishment of national standards .
Indeed, we have already started this wor k
through our Access to Venues Project .
WOMEN IN ART S
Thc major eyem e)f tour year was ril e
Woolen in :Arts i~ ntp+>sium : x'06 rIS of
E=quality . Held in Birmingham in March
1993, the event was attended by som e
350 delegates and 60 speakers and wa s
staged to develop ways of furthering th e
position of woolen in the arts . It ha s
informed the development of an actio n
plan . Together with providing an
important for-urn for networking, th e
s}'mposium lei{ to a number of women' s
organisations and woolen working in th e
arts making their first contact with th e
arts funding system . AS a result of th e
syrllposiunl, the Arts Council of
Norrhern Ireland established a women i n
arts project and scoured 150,000 fro m
the European Commission .
The synlposiun) follou'Cd on from th e
publication in November 1992 of ou r
diSCUSSion document Women in Arts :
Nnrhms a f'E-qua1ity .
The ', -Car 110ti also included work
updating and expanding the Women i n
Arts International Databasc . The databas e
has assisted a number of artists and art s
groups including the Pan-European
Women ' s Network for Internationa l
Action and Exchange which secure d
30,000 ECUs from the Europea n
Commission . Work continues on the
completion of the first phase of th e
National Women in Arts Forum whic h
has as its objective to advance the positio n
of woolen working in Al areas of the arts .
CULTURAL DIVERSITY UNI T
I he majurin ofthc unit's \cork over th e
past year has involved strengthenin g
cultural links and nerworks, regionall y
and nationally, in collaboration with th e
Regional .Arts Boards .
Arnong the great progress made thi s
year, one of the most useful ne-w
additions to our unit has been th e
compilation ofa cultural contact s
database and directory which contain s
sonic 1,000 UK mid internationa l
entries . Contacts are listed by region ,
discipline, cultural illtlLlencc and gender .
This invaluable directory is availabl e
both in printed form and on disc fro m
our unit .
This year also saw that increased core
funding of the Minority Arts Advisor y
Service from (:59,5011 to £96,000 . A
lurthcr L4,W was granted to enable th e
purchase of a computer and databas e
sofnsarc which has placed MAAS in a
much stronger position to act as co ordinator arid facilitator of the sector .
The embn^onic British Chinese Art s
Association, which received soni c
-Cl .--,,1;00 from this unit, has now engaged
a part time worker and has also bouc;h t
in a computer .
We are also delighted to report that
sonic 72 artists received our assistance t o
travel and make internationa l
connections . The bursaries helped i n
Many ways inClUd]tlg scnding fSVC .11'ti5ts
to an international contcrencc in th e
USA, vwo black arts administrators
represented the UK at a stratcgi C
international networking seminar in th e
LISA, and three black British artist s
attended Panfest 92 - a global festival o f
African arts held in Ghana .
SERVICE DEPARTMENTS
EXTERNAL . RELATION S
aiII1 I t~r-1oki': n an t
the
arts
audience i\-as furtherc d
i~! .ri,tst
iilr- illg the year with the launch of tw o
major marketing initiatives .
For the visual arts, ti\-hrrc attcndaricc i s
growing and events are now enjoyed by
some 21 per cent of the population i n
Britain, we produced a practica l
marketing manual . Results of research
condnctcd during the preparation of thi s
publication were presented in a series o f
seminars nationwide which wer e
attended by representatives of more tha n
200 galleries . Well over 200 manual s
have now beryl sold .
The second initiative to dcselo p
further access to the arts is th e
publication of a market research }lack all
sl .\ digests covering visual alts, Jazz ,
opera, classical nltlsiC and iuntemporan dallCl, Which Sllilli11,16SC the ]hail ]
findings from market research conducte d
since 1980 into the characteristics ,
hehayiom and attitudes ofaudirnces an d
potential audiences . Almost 100 digest s
have been scold .
The first coalplcte Board Membe r
Develop=p ent Programme has been
devised and tested by our Development
Unit, The schcille, which involve ., a twoday seminar and workshop programm e
covering arras such as advocacy an d
planning, has provided more than 50 arts
organisations with better prepared, mor e
experienced and highly motivated hoard
menhbers .
Throughout the year your advice ha s
been sought on a spcctrutll Of issues . For
example, the unit has helped Th e
Foundation for Spurt and the arts i n
mane of its major decisions channelling a
total ot' over JC20 million into the arts .
To further our work as a source o f
ads ice to arts organisations tourin g
outside Britain we have helped wit h
matters such as copyright and VA T
which have remained unresolved since
the creation of the European singl e
market . Increased resources have bee n
,even to the Inrernational Affairs Uni t
lshich mn+ publishes a monthly EC ;
update tier the Regional Arts Boards . The
;II1uIII
the uIIIt•~ %~,,ri . 11 AN resnl[ed i n
lm, riumticr cut L 1, ipplic at ions t o
IJ ttlndS and all here a ,,ml ; awareness of
funding; opportunities and Contacts .
Our department has also launche d
Ans C; nit it Nrevs - a monthl y
publication which aims to update the art s
community on Arts Council initiative s
and to give accurate iniOrnmtion o n
issues affecting the art s
t 1)f
POLICY & PLANNIN G
Much of the past year's research an d
policy deyclopnlcnt work has bee n
concentrated on issues relaring to loca l
wwernment and the arts .
The role of local authorities in art s
funditlg %%-as examined in our nationa l
surv ey of local authority spending, . Thi s
research was prompted by anxiety ove r
likely reductions in arts expenditure an d
will he followed by regular monitoring .
('hanger arising from local go\-crnmcn t
rcorganisaticon also led the unit to hold a
seminar tier Regional Arts boards '
representatiycs ter formulate response. I o
the work of the Local Governmen t
C :onlmissiiin . The gUCS6011 whethe r
support f6r the arts Should he a statmori dun of local authorities seas explored in a
discussion paper which will lie publishe d
shortly .
Further significant areas of ssor k
during the past 12 months have include d
work on the Arts Council/BBC join t
review of orchestral provision, the co
drafting of a response to th e
Governrnent ' s Green paper on the future
of the BBC in collaboration Nyith th e
External Relations and Fihn Video an d
Broadcasting Departments and initial an d
tllllow-tap work on discretionar y grants,
tier dance and drama studcros . A Counci l
"orking pang has noNk commissione d
further research into the training
employment prospects ['Or dance an d
drama students .
Finally, considerable progress wa s
made in 1992/93 in developing th e
planning, process . By the end of the \ -car ,
plans fi-iom all ten Regional Arts Board s
and the COLHIcil ' S own plan had bee n
received, discussed, amended and agreed .
FINANCE & RESOURCE S
I'he Fift,uicc I)Chartnlent " , input
increasingly teen as being of centra l
importance to the arts Council's clien t
appraisal system under which in dept h
reviews of regularly funded clients arc
undertaken evert fist• years . Durin g
1992/93 we made a financial an d
business input into some 35 appraisals .
In the continuing development of '
reporting box office statistics, the yea r
has seen a number of software
improvements to provide the foundatio n
for establishing an upgraded system i n
1993/94 .
Together with engaging and retainin g
staff directly employed by the Art s
Council, during the past year th e
Personnel Department has develope d
and increased its work as an advisor y
sen`ice to arts Council clients . We are
able to offer hell] with personnel an d
training issues which range from brie f
telephone queries to assisting with th e
introduction of'personnel policies such a s
statl" appraisal systems, equa l
Opportunities programmes and th e
drafting ofemploycc contracts .
A further major achievement durin g
the year was the Arts Council ' s adoptio n
of our Fqual Opportunities Action Plan .
This sets a number of targets, for exampl e
in tern7s of disability, and race awarenes s
training, for the next two scars, togethe r
with positive plans through appropriat e
advertising and contact tivith appropriat e
agencies to encourage disabled people ,
people from ethnic minorities and more
women to join the Arts Council's staff .
?arrangements are in place to promot e
effective communication with all staff,
including regular departmental staf
f
rnectings and briefings . The join t
negotiating committee meets regularly t o
discuss matters relating to terms and
conditions of employment, and there ar e
frequent informal management/Unio n
meetings .
The need to collect and disseminat e
information efficiently both within an d
outside the Arts Council is key to th e
Information Department' s work .
Information requirements range from
is
straightionkard ittcadance data t o
information on other countries' cultura l
policies .
We have seen a significant increase i n
external enquiries during the past yea r
which have risen from around 25 pe r
week in 1991 to between 80 and 120 pe r
week in 1992/93 . The largest increase
has been in enquiries and informatio n
requests frorn artists and art s
organisations . We are pleased to add tha t
niany users have congratulated us fo r
providing quick responses and the speed y
despatch of relevant information .
Great progress has also been made, i n
partnership with other arts fundin g
bodies, in developing a nationa l
information systems infrastructure . A
national standard was established an d
workshops were held to help fundin g
bodies with their technical plans t o
iniplcnncnt the standard . To help fundin g
bodies achieve the hest value whe n
having hardware we published a usefu l
booklet - Guidelines fo g • Cbiwi) q a PC
Workstation . Initial research was als o
conducted into electronic conterencing .
Indications are that set-up Costs are
reasonable and that the benefits of suc h
technology arc likely it) be great .
THE ARTS COUNCIL AND THE ARTS FUNDING SYSTE M
I r(mi April 1994 the Scottish and 1Vcls h
l ; t, Councils - currently sub-co mnlitree s
the Arts Council - will becom e
.riitonomous and be directly accountabl e
to their respective Sccrctan of State .
Thcrc
be a new Arts Council o f
England with a new Charter to continu e
work ofthc current CnLlncil i n
England .
The main provisions of the Art s
C'ouncil's current Charter, granted i n
1967, arc set out on the front cover o f
this report . The ( :ouncil supports th e
creative artist, 1-Ir<11110rCS CUltU l-al diversity ,
encourages Innovation, promotes the 'art s
of the }last and enables the population o f
Go-cat Britain to enjoy and participate i n
the arts . It also acts as a police-maker anti
athrlcate rim the arts . It is involved i n
strengthening cvcr\ area ofart s
management, otlcring advice, trainin g
and rcgular appraisals of the arts
organisations which it funds . And it help s
the arts to earls more income an d
increase audiences through its politics o n
and practical support for education ,
outreach, sponsorship and marketing .
The key word to describe the Arts
Council's operation is partrrcrship.
advice, tundiit, and partnership . Arts
Council and RAB officers work ch5sel y
together on a wide range of matter s
throughout the s~'stCnl to ensure a
consistency of approach .
Will
flit
ARTISTICALLY
' I he Arts t f i incil depends oil a network
of expert and unpaid art4orm advisers ,
both formally appointed to panels atl d
boards and iniorwally providing reports
on artistic trends and dey elOplllents . The
network of advisers plays a partiCUlarl y
Crucial rule in the appraisal of art s
organisations .
f
F
REGIONALL Y
The ten Entglish Rcgional Arts Board s
I l A 11sj established in 1991 to replac e
the earlier Regional arts Associations are
tilt main partners of the arts Council a t
regional level . They are autonomou s
regional arts tiinding and developmen t
agencies and themselves exemplifi- fil e
partnerships of local government, th e
national funding and developmen t
system and the Cultural, voluntary an d
private sectors . Each W-0 exists to
promote and de+clop the arts throug h
strategic initiatives, protcssional sen-ices,
LOCALLY
The local authorities in Great Britai n
Icast as much fill th e
together spend
arts as the tfual Arts Council grant fro m
government . The Arts COLInCil' s
relationship with local governmen t
ranges from day-To-da'v contacts oil
m :uters of specific practical concern, t o
formal meetings with the local authorit y
associations . ']'his is an area of the art s
C'ouncil's work which has develope d
considcrabhy over the years .
At
NATIONALL Y
It is a key part of file Arts Council's rul e
to develop a nyo-w-ay° relationship l y lt h
central C ;overnment . It places a hig h
priority on presenting the best interest s
of the arts it) Government, and th e
creation in 1992 of the Department o f
National Heritage produced a range o f
new opportunities . One of the mos t
significant ofthesc is the chance t o
strengthen links with other publiC bodie s
sponsored by the Department such is th e
Sports Council, English Heritage and th e
Muscunls and Galleries Commission .
' ] ' lie forthcoming National Lotter y
strengthens both the value of and th e
nerd sill• such links .
The creation of the RA13s was, part or a
process of rchum of the arts fundin g
system which began several years ago an d
still Continues . One of its aspects is ril e
dcychfpnlcnt ofan integrated plannin g
and advisory system cncompassing bot h
arts Council and RABs . This will have
the crucial advanta~gc ofallowint suppor t
to he given to regional initiatives whic h
may be beyond the means of all y
individual FLAB . 1 or this purl-tose, a Ite w
system ofplanning is being piloted in th e
current year which ultimately will enabl e
"central" funds to be used vvhercver the y
are most needed, vvhcnccr the work is t o
be directly funded and monitored by
RABs or by arts Council departments .
DEPARTMENT OF NATIONAL HERITAGE
HERITAGE & TOURISM
CRAFTS COUNCIL
BROADCASTING.
FILM & SPORT
ARTS & CRAFTS
,
ii?ir lit
I
' liI ,`, .I I; :~II
i.1
IN 1[ 0~
BRITISH FILM INSTITUTE
%J"!
SCOTTISH AND WELS H
ARTS COUNCILS ,
REGIONAL ARTS BO A- r
'Front April 1994, the Scottish an d
Welsh Arts Councils will hcomi c
auronomuus and he directh• accountabl e
to their respective Secrctary nt .State .
REGIONAL ARTS BOARDS
1 ca91,
th e
tctl Regional _1 ; i, ht ,,lids arc ~liargc d
with fundin„ detcloping and promotin g
the arts in the English regions- I hcy
reteix-e their finding from the .art s
( ouncil, the British Film Institute, th e
Crafts Council, local authorities an d
private subscription .
A fuller description of the relationshi p
betxx-een the Arts Council and th e
Rcgional Arts Boards is given o n
page 30 .
Each Regional Arts Board produces it s
oxen annual report which details til e
activities and achievements dUl'ill "
1992/93, Plcasc contacr the Board s
direct if you would like a copy of thei r
rcperrt .
EASTERN ARTS BOAR D
Own- % Hinton Hal l
C,hcrn' Hinton Road ,
Cambridge (.'III 4DW
Tel : 0223-21535 5
Fax : 0223-24807 5
Arca covered : Bedfordshire ,
Camhridg;eshire, Essex, Hertfordshire ,
Norti)Ik, Suf}nik, Lincolnshir e
ChiefExecutivc : {creme NeNNToi l
Chair : I'rnte.ssor David Hargrcati c s
EAST MIDLANDS ARTS BOAR D
NIc)unti-WIds Fic)us c
Forest Road, LOUL-Tlhborclugh ,
Leicestershire LEI 13H U
Tel : 0509-21829 2
Fas : 0 ;09-26221 4
Area cCrxcrcd : Derbvshirc, lexiltldin g
High Peak District), Leicestershire ,
Northamptonshire, hottin~ghamslrir c
Chief EsecUTi% -C : John Bosto n
Chair : Maw-cll Hutchinso n
LONDON ARTS BOAR D
F.Ime House, 133 Long Acr e
Cm-cot Carden, London M -2E 9AF
Tel : 071 . 2 €0 13 1 3
Fav 071-240 458 0
Area coxcrcd : 32 London Boroughs an d
the On, of Londo n
Chief Executive : Timoth\' Nbso n
Chair : Clive Pricstlev
NORTHERN ARTS BOARD
9-10 ( )sbc irm: Tcrrac c
Ne"LCastlc upon Tvnc \E2 1 \ Z
Tel: 091-251 633 4
Fax : 091-281 327 6
Area covered : Cleveland, Cuulbria ,
Durham, Northumberland, Metropolita n
District~ of Nevvcasdc, Gateshead, Nort h
'Ixrlcside, Sunderland and Sout h
Tyncsidc
Chief Executive : Peter Hexvitt
Chair : Cllr Stella Robinso n
NORTH WEST ARTS BOAR D
12 Harter Strcct, Manchcstcr MI 6H Y
TO : 061-228 3062
Fax : 061-236 536 1
Area cmercd : Lancashire ,
Cheshire, 14ersevsidc, Greate r
Nlanchester- and High Peak Districts o f
Derbyshir e
Chic] Executive : Brian Matcha m
Acting Chair : Cllr Allan Richardso n
SOUTHERN ARTS BOAR D
13 St C:lenlent S11-Ce t
NVinchestcr S023 9D L
Tel : 0962-8509 9
Fax : 0962 861 18 6
Area covered : Berkshire ,
Buckinghamshire, Hampshire, Isle o f
Wight, 0xf0rdsllirc, Wiltshirc an d
East Dorse t
EXCCUtlve Director : Susan Robertso n
Chair : David Reid
SOUTH EAST ARTS BOARD
10 1lotim I:phrain i
Tunbridge Wells, Kent - 1- \4 8A S
Tel : 0892-51521 0
Fax : 0892-,;4938 3
Area cn,'crcd : Kent, SUmv, East an d
West Snsse x
C:hicf Executive : Chrisrophcr Coope r
Chair : Brian Nicholso n
ARTS BOARD SOUTH WES T
Bradninch Place, Ciandy Stree t
Exeter E\4 31 S
Tel : 0392 -2 1 8 18 8
Fax : 0392-41 ;75 4
Area cm creel : Avon, Cornwall, Devon ,
Dorset, (except Districts o f
BOnrnemouth, Christchurch and Poolc) ,
Gloucestershire and Somerse t
Chief Executi ve : Christopher Batc s
Chair : Maggie C;L1illCbaLJLi
WEST MIDLANDS ARTS BOAR D
tit (,iramille ~tree [
Birmingham Bl 21 .1 1
, rcl : 021-631 312 1
Fax : 021-613 723 9
Area coNcred : Counnv of Hcrcti)r d
Worcester, Shropshirc, Staffordshire ,
Wan ickshirc, Alctropolitart Districts o f
Birminghami, Coventn•, Dudlcv ,
Sand cell, Solihull, Walsall ,
Wolv erhampto n
Chic[ l accutis•e : Michael Ellio t
Chair : Bob Southgate
YORKSHIRE & HUMBERSIDE ARTS BOAR D
21 k0ild titR 7 0
Dru sburt, West Yorkshire WF1 3 l A.\
Tel : 0924-455 55 5
Fax : 0924-466 52 2
Area co\ered : ,'Metropolitan Districts of
Barnsley, Bradford, Caldcrdalc ,
Doncaster, Kirklecs, Leeds, Rotherha m
Shetlicld, Wakefield, Humberside, \ori
Yorkshir e
Executive Director : Roger Lancaste r
Chair : Sir Ernest Hall
.r gmlYn
SCOTTISH ARTS COUNCIL
1992/93 has liccn a momentous year fo r
the Scottish Arts C .ounC11 .
The beginning of 1993 saw th e
publication of the C Carter fir the A7-ts i n
Scotland, widely welcomed h%' the art s
community- tier its refreshinglN' no n
bureaucratic prose style {thanks t o
author, Joyce W .Millan ) and for th e
challenges to current thinking it oficrs .
In February, the Sccreran- of Stare tie r
ticotland announced that he was makin g
.{'300,000 availabic ro support the crab s
in SCotland and that SAC would take th e
lead in dishttrsing the funds i n
association \%ith the Crafts ('10LIFICil il l
Londun .
In :larch, we learned that from Apri l
1994 kve N%'f lllld tic funded directly by the
Scottish Odice rattier than by th e
Department of National Heritage
through the :arts C,ULIt7Cil of Grea t
Britain . Grateful to AC ;GB colleagues fo r
their understanding of the needs o f
Scotland in the past, we also loo k
fonvard to our new relationship n ith th e
Scottish (}dice, whose Ministers and civi l
sen ants have shown a strong awarenes s
of the ma ;or role the arts play i n
Scotland .
1992/93 s.nt a growing level of co operation between the Scottish Art s
Council and other agencies . We worked
with Highlands and Islands Enterprise T o
produce an arts su atgj, - and to appoin t
an art ,, development officer for the loca l
enterprise company netn-ork, W e
participated ill an Arts and Tourism Cas k
Fork with the Scottish Tourist Boar d
and others, and our manv partnership s
with local authorities across the lengt h
and breadth of Scotland continued m
,,rrcngthen . It would tic sad indeed if tlu '
planned re-organisation of local
government resulted in any reduction i n
the current impressive level of loca l
authorin- support for the arts .
Despite a hard year tit many art s
organisations with the recession makin g
itself felt at the box office, in saics and i n
sponsorship, we still celebrated th e
opening of the new Traverse Theatrc ; th e
start of work on the 1000 sca t
Edinburgh Festival Theatre ; th e
upgrading ofthe Fruit Market Gallen ;
and new prert1i5e5 for the Collectiv e
Gallery and the ( :ranhill Arts Project ,
Brian Ivon' (Vice Glair), Petc r
Lineoln, IMN-Cr Lacome, 0011gl .t s
McArthur and Douglas SinClair all rctirc d
ti-om the Council in 1992/93 . Thei r
knowledge and expertise in a +vide rang e
of fields will be missed . We Wc)corTte ou r
tic"- 'ice Chair, Fiona Walker, Sheil a
Brack and Peter Hamilton who all joine d
Council during the scar .
A special tribune is paid to Deirdre
Keanev, Glair of the Literatur e
Committee rho was tragically killed in a
rand accident . Her warmth, wit and
unstinting scnice to SAC . and to Scottis h
literature will ahvays be rcurcmbered .
SEONA REiD
DIRECTO R
SCOTTISH ARTS COUNCIL
WELSH ARTS COUNCIL
{ )tic of the maior tasks lacing the Wels h
1n5 Council in 1992/93 was th e
publication o ► llic Arts in 11'ales: n
strntcrTV• W thr 1990s, a doeumCnt Whic h
sets the sragc for the arts in Wales for th e
remainder ol'the decade .
The Council's main organisationa i
task daring the year -was planning th e
merger ofWA(' and the three Regiona l
Arts Associations to harm a single•
integrated organisation, to he known a s
Cvngor Celfiddydau Cyniru/- The Arts
Council of Wale% . This task has bee n
made more complex by th e
announcement, early in 1993, that the
.w
Arts ( :nuncil u1 Great Britain is t o
devolve into thrce separate furldin g
bodies liw Wales, Scotland and England .
Huth these processes arc to he complete d
by I April 1994, a date which becomes a
significant landmark in the histon! of - th e
arts in Wales .
The aim of tltese major changes is to
improve further the arts fundin g
structt T to the bcnetit of ottr clients an d
of the arts econonn• generally .
During the rear, the Internationa l
Pavilion at Llangollen a as opened by th e
C)ueen, and building the 1,500-sea t
North Wales Theatre at Llandudno ha s
proceeded apace, In Nest Wales, Orie l
Myrddin, a ('raft Centre and Regiona l
Art Gallon , , was established and, i n
South Wales, the \, car sac the realisatio n
of the ambitious Valleys Developmen t
Scheme, in partnership between th e
IUA, the Welsh Office, local aurhoritie s
and local Colllmllrlities acid art s
organisations . The Valleys Live festiva l
in v olved 45 major co1111111.1111ts° project s
,uid 500 arts events .
Major appraisals ofTheatr Onyd a t
;Vold and oh Chapter Arts Ccntre i n
( :ardttl- undcrlined 01e Couneil' s
commitment to quality, a fcaturc \yhic h
the tic"- Arts Council of\Vales will b e
striving to maintain in the taco of futur e
funding uncertainty .
The year also saw the retirement o(m %
predecessor, Tom Chien . We thank hi m
for ]its sterling work on behall of the art s
in %Vales and ryish him a long and happ y
retirement .
EMYR JENKIN S
DIRECTO R
WELSH ARTS COUNCIL
CASE STUDIES
ARVON FOUNDATIO N
"I ., be trank, kcithuut the Arts C'otmcil ' s
THEATRE DE COMPLICIT E
~ l ililtrLlt a dl~Ubt, l1Llr nurvi a%%JN tt0n I
support the Anon Foundation simpl y
«ouldn ' t exist . Or it it did, it would no t
be accessible in the way that it is t o
asn one with a serious interest in ~~ citing .
']"he Arts Council has remained central t o
Arvon ' s dexelopment since its inceptio n
25 years alto when the foundation wa s
helped into life with a one-off grant . B Y
the mid-I9 %Os support «as cira4n fro m
three Regi~.onal Arts Associations, use d
largely to help students attend ou r
CCnurSes, and fi-om the Arts C .;utancii, t o
pity the tCes ofsvritcrs working as tutors .
In the mid-1980s, the Arts Council gran t
was devol v ed To the Regional Art s
Associations, and while wo: alway s
received the best treatment from them ,
we suggested that it would be simpler fo r
all concerned ifwe could deal with jus t
one body . We are delighted to have see n
that happen in 1992 when Anon becam e
a rrycnur client recriying nx>ney directl y
tram the Arts Council Mf Grcat ]3ritain .
One of the most hclptill schemes w e
have taken part in was IIICCntn e
Funding . In 1985 the f6lindation wa s
the first recipient of the grant . Th e
schcnlc \yoi-kcd oil the basis of matche d
fielding . We drew up a busincss plan an d
all increased income was matched b y
gloyernntcnt money - for even .f:2 w e
raised, we received L:] . This provided no t
just an enarn10LIN inCentiye to impruv c
turnover brit also to sharpen up ou1 business planning . It also provided Til e
stability needed to allow more time fo r
raising money front the private sector ,
An ern ncow owns the freehold of it s
centre in Yorkshire with suppoort entirel y
Frimi companies, trusts and individuals .
In 1992/93 we received from the Art s
Council ncarly X91,000, just less than a
third of tour total tur•noyer, 1y h1Ch ha s
enabled over 1,000 students to atten d
writing courses at our m o centres . We
now look fonyard to the coming yea r
which, with help from the Scottish Art s
Council, sees the opening of our third
centre in Imcntcss-shire . "
l rl jcet funding to become an annua l
client of the Arts Council has helped t o
improve the quality and diversity of ou r
%mr•k . The success of the past }'car ha s
really borne that out, particularly wit h
projects such as the Royal Nationa l
Thcatre co-prod uCtion - The Street of .
C'rurndiles- which received excellen t
national and international press reviews ,
brought in 110% audiences and many sa y_
was our best work yet .
The group was formed ten \ ,cans ago
and we first received arts Counci l
filnding in 1984 for a small-scale tourin g
project . We have since rcceivcd grants fo r
specific projects each year until 198 9
wltcn "c applied for, and secured, a thre e
lr•]r
~} . hisc filndin- . This none- wa s
DAVID PEAS E
NATIONAL DIRECTOR
used to coyer core costs and regio n .t l
touring . In 1992/93 we becaLlie a n
annual client and received som e
L;l 13,000 in f - XICltise funding plus a
further x'20,000 towards tile C0116111.]C d
artistic development of tile c ompanv .
This increased financial stabilirv is, a fin e
bonus . It ha ,, enabled us to break out o f
the six-monthly cycle we used to operat e
within and allows us to look lonyard an d
plan as tar as three %•cars ahead, th e
tremendous pressure to tour se a
extensiyel- has been relieved and we fin d
we have more freedom and time t o
develop artistic collaborations and idea~ . "
CATHERINE REISER ,
PRODKER
_
ARTE C
"It V, Carly days yet in the dc%clopmen t
of cl XVI-MiC multimedia, and so we ar e
delighted to have secured the support o f
the Arts Council in exploring; its creative
poterlti .ll .
Our project bos;an early in 1990 as a n
initiative of the London Borough o f
Islington ' her1 OUr fu- S1 «ork indlLdc d
running; a Computer training; project for
the urnnlployed . We then approached
the Arts COLInCil to explain what 1~,e
could otter to artists as there wa s
nowhere in Britain where ircatis c
professionals from a range of discipline s
Could explore the new creative media . B y
the summer of 1990 a meeting was
arranged at the Col111.61 'Xith musicians ,
painters and film makers . As a result o f
the discussions, and coinciding with th e
Council's Voy Spfatjhetti report into nC W
digital mcdia, \t-e rcceivcd Arts COUnci l
funding; to run tsso courses in 1992 an d
151 93 . The training, which explained th e
opportunities offered by computerise d
media to galleries and nntscums, \ta s
devised for curators and Cdl1C .3tiOn :tl Staf f
nationwidc . To further promote
understanding, and the creative potentia l
of the media %w also took part in the Art s
Council's successful 175e Odd Cvmpli ; art s
and broadcasting 4011ference . Ou r
contribution was to show new work b ~
artists using; electronic media, to stag e
hands-on xorkshops and to gke talk s
and demonstrations .
By the end of 1992 we were able t o
open a multimedia workshop and hav e
subsequently rcccived Arts Colmci l
finding for a hill-tune mct11ber of staff -.
1Vc are delighted that the Arts Counci l
has recognised and SUpprn-tcd th e
revolution that's taking place . "
FRANK BOY ©
DIRECTOR
C
h
-1
THE COUNCIL
%,
rwn theatre
a crlr;c - ..
untcr and a hmadca%tcr .
rla, and
m, lion s
Pin vicchnic, she ihm,
he was educated a t
1a,rd Palumlr) hecam c
I-ecanac an eCILI-I
Rcpt oil Schnol an d
;ui+la,u , : ;, br,rh he n
hairman of the An ,
( oijmil in 1989 . He Is
.umstrltant whsle lecturin g
( :hurchill 0)llcgc ,
and ahn,a,i and regularl y
I'r .,I-i
part-time at SCanyick
Uln%crsity She has
Cambridge Iwhcrc h e
scudied histon. at RA an d
lectures around th e
( aldcrdalc Collcg c
lsorld . He holds a
Enterprise Carnpus. Sir
I)Ircctur,Ar
worked an br„adca+tin g
Pill) Iclcl,r Alte r
number of non cmxutiyc
Ernrst Hall connnucs hi s
Rccremnii kr r
ti,r Earth Lilt RR( : and
o nlpleting his docioratc ,
Thamcsdow it Rornugh
Council from 1974 -
independent television .
he lectured at Beier and
posilione while rtedttde
the Dindon board ofth c
career as 3 nrtls)eaan an d
appear% as snloim wit h
Mn Ander- m has sat o n
Rath l. ' nnersnic+. an d
Halifax hualding Society ,
several orchestras .
1992 . Fie %k a, I„arn i n
a nUnIfICr of nationa l
the National Healt h
I.
A- ('haimlan d ' thc
appeal cormnit[cc tor the
restoration of Painshil l
Park, fie has twen a
tnluce of the Tatc
Gallen . Chan-nun of the
Taic Gallery Foundatio n
and a trustee of ill y
117oncchapr1 Art Galicry
Foundation ,
d IC tlas educated at Eton
and Worccster College.
Oxford, where he read
lase . Alicr [corking t6 r
('IuttollS and Hambro s
flank . he jt,lncd the fancil y
company w hi<h own s
propcm in tic ('iry
xl Derv i[ has promote d
4ilnc substantial
dcxclopments - notabl y
the Mansion House
Square scheme . Oye r
many year, Ile has
collected Europum anti
Aniencan contcniproran
)cry+ Fig - .I,, ~r.
-n, :
ob i
1928 and .tudicd a t
committccs and i s
Serv ice policy Board, C=I A
MICHAEL HOLROYO CB E
currently a member of nce
M
' uscorn In 1979 h e
Group and is Chairman o f
Alichad Holroyd was
'I'mur- (nllcgc, ON16rd ,
Seri p h Rank guard and a
l ulnded the Ucparintmi .
the Understanding
Fo€lowing a career i n
crmncil member ofthc
of(Lilt tlral History and
Indusin Trim . His mai n
hum in lAmdon, .mcrided
Eton Collegc, and read
iornnlcrcc and industry
rluocianon fix Rllsinex 5
faculty of Humanities a t
Iclsurc actrritics arc opera ,
literature at th e
he wax appointed firs t
Sponsorship of the Arts .
file R(A . I Ic was . 1
music, rughy and cricket .
A€aidcnhc'ad Publi c
SIR ERNEST HALL CBE O L
biographer and ha s
Controilcr of Arty and
Recreation fOr Swindon
Mirough Council . He is a
governor off tic Britis h
WILLIAM BROWN CBE ,
HC D .LINI V
firmer ( 'hairman of th e
Council of Regional Art s
Asslxiatdons and o f
Southern Arts, and has
been a board member o f
the British Film Insrirrrt c
fie is a former director o f
the Oxfiord .Stage
(ontparcy and Vic e
Chairman of tli c
Voluntan. Arts Network
%Villiam Brown lives i n
Glasgow, Fie is presently
('hainnan o1 Scottish
Television and of Scottis h
Amicable Lili Assurance
Slxicty, a dirccu,r' of
Good Morning 7 deli+ion
ONHV) arid of IUdi o
1% dc . Flc has worke d
well as antique tiamirt[rr
IIc is a patron of
corlicruI )m m
architccntrc and owns
h0nsc5
designed hr tMics
van dcr Rohe, Fran k
1-loyal Wright and I v
( orbusicr In addition to
his arts Interests, Lord
Palumbo is a nentbcr O f
dic Worshipful ( ;rampan t
of Salicrs, a
Churchwardrii of [h c
('.hurch o1 ,I Stephen
BEVERLY ANDERSO N
8cycdv Anderson is ('hicf
Executive o(ilic Roo k
Trtist Rorn and brough t
up in lamalca .+h e
auoi,icd Wdleslev
College in the US A
N%
here she read Itiston
and polilin . Also lini r
)cars in Tile larnaila n
Film lnstittnc and a
Libras Iic iv a
is ritlen If yes 14- 1 VIT, I n
Siradlct', Augu,tll, l/rh n
member tit the (raft s
(cloned from 19;11 86 ,
Independent tclclmo n
opera, ballet and theatre .
and the
Marlhorough ( :ollege and
wldclr w ithll l
car+ . Ile goes rggularly t o
1)~• :_n llimul+ion
l'crame a film archivist .n
the Imperial War
paintings and wulpnlrc as
and yctrran and vintage
-- ._, .v ; li q)sl Itnllamc s
and has sened on th e
hoards of both I h\ an d
C'hannd Four . He ha s
also sa:rH cd on the hoards
of rile tiiolfish Opera .
ThcaLre Royal an d
Scottish National
Orchestra .
and Chairman of
Frcehlrm Arts Trust fro m
1 1182-8$ . He is a tmstc e
of Lhc Vicaona and .A1I)cr i
Musctnn, C€rainllan o f
Life C,rahi 5nrdv Centr e
in Rath, and a rcgula t
broadcaster - on radi o
and rclcxision - alvrnit th e
hoc and Icm fine arts .
of [-)Can (tough, the
cnicifinw, arcs an d
educational centre i n
Ilalilax, Wcst Yorkshirc ,
studied piano ind
cUmpa„smon at [lie Royal
Nbiwhcucr Colkyw o f
Music in the 19511. I n
1961 he launched hi s
(m it
PETER GLIMME R
Peter Glimmer is
Chairman .old Chic' 1
Executive of 5handwick ,
one of the largest publi c
relations grumps in th e
world . Peter vumntcrwa s
educated it ><hlx n
College, Cambridge and ,
atier a 1,crioN1 of workin g
li,rcign scmice she cam e
PROFESSOR
CHRISTOPHER FRAYLIN O
rt . FFngland to train as a
Chnstophcr Fraylileg is
,l Slumber ol'pobh c
tin local newspapers, hel d
primary ,hool teacher i n
Profissc.ir of Cultura l
relations lwsts bcfnrc
1966 . Formerly head -if j
primary wb .,ol in (%bard
Histos and head of the
funning .Sltandwick in
tacult'v „I Humanities m
Itic Ro)al (ollcgc of Art -
Nir Emc+f Hall, kwndc r
textile compan y
Nh,untain Milis, and in
file laic l9'ns th e
es rn)pany changed ti'r nn
textiles to property . Aftc r
retiring Ifmm thi s
company in 1983 he
;xgan turning Mail
Clough, kirmcrly a
Victonan carpet lacto n
and by then der list and
empty, into a 'practica l
utopia ' . It now hnllSC s
and Bernard Shaw . Th e
monumental interval s
between thew hooks i s
part€) attributable to his
having been Chairman (if
the Sr cic[y of Authors
(197374 i, Chairman o f
nce National Ron k
League i n,ny R,iok Tnm ,
1976781, a mcmlxr of
the Royal Society of
ircranf-c's Counci l
i 1977 871, Presidcnz of
English PEN 11985 88 )
and currently Chaimta n
nl Lhc Strachey l rust, I n
[lie carlt 1980s he wrtc d
on the Ans Cuuned ' +
Adtiarn Panel on
l .ircranire and was
appointed its Chairma n
ill 1992 .
BRYAN MAGE E
arolmd 200 companies ,
NIr Magee is a 1 ' isizing
over .3,0011 workers, an
Fcllow in Philosophy a t
art gapers . the Hen n
W-olfstin L ullegc .IWord .
'd,-rcSrulp%Ilrc Irnsl
I le has Icetuted st&c %
rylf CO1 :N[tL
atxlut music and Written
cxlcrtsivdv life th e
national press and music
joutnals . I'ic has JISIJ
written the rllur h
acclaimed Arprrrr qs '
liuRnrr, which has Lie n
translated into Italian and
Dutch ,
Furincr XI P. fir Mage e
presented the first reguia r
arts series on I ' JV 771ir
Werk ire rbrArteand is a
Iccqucnt broadca%tcr o n
BB( : [Litho .
For marry years he i% as a
judge for the annua l
Evening Standard Oper a
A%yard . He is currently
Chairman of the panel o f
judges iiw tire Rova l
p hilharmonic Socien,'s
Opcra Anard _
CLARE MULHOLI AN D
Clare Mulholland I S
Director of Pragrarnmcs
x the Independen t
relevi,ioll Commission ,
She wa, horn in Jlasgo%%
in 1939 and studie d
French and German a t
Glasgou Lr nnersnr- Mira
of lice career has bee n
spent in independen t
7dc%mon, tint in VIA '
companies, then with
the IIiA in Rn%tol .
Birntingham and Londo n
She is a fellow of th e
Racal TCleyision Society
MATHEW PRICHARD CB E
Mathew Prichard is th e
grandson of detectiv e
%vriter Agatha (hmtic .
and k limmian of Barker
Entcnatnmcm . He wa s
burn in 1943 an d
eJucatcd at Vton an d
Ncw Catlcge, Oi ford . He
has a number of artisn e
inicrests in Wales,
centering on the \Vcls h
Arts ( :otulcil, th e
National Museum of
Wales and Cardiif Ha v
Development Corporation .
CLIME PRIESTLEY C B
Clive Pncstlca' is a
fmclance managemen t
consultant . He wa s
Cdtlcatcd at Noningharn
L'niycrsirv [history) an d
Hanand I. gny cmulcn[ I .
.ks a civil scram [ 1961 1
83} ( livc Pricsde y
tcnrkcd latterly in the
Prime Miniaer's OtTtcc ,
as chief of sloth io Si r
Dcrck Rayner and [hen v%
head o['thc Eflicicnc_v
Unit I le carried Out fo r
the Go%crilnlcnl in 198 3
the special financral
Serut11lies of the Kova l
Olwra I°lowsr and th e
Royal Shakesgscarc
('ompany . He was invite d
ro join British TuIccom as
a director [ 1983 88) . Il e
is a member of th e
Ad%isnn1 Council of th e
Buxton Festival, a
governor of the KS(' an d
Vice President of the
Ctluneil of St
Bartholonim'N I [ospita l
Medical College- H e
rcvic%vcd arts funding i n
Northern Ireland far the
Gmernntcni in 1992 .
LORD RIX . CBE, DL
]acrd Rix Is the C'haimta n
of MFNCAP I Royal
Scw[en for Mentall y
F€andicappcd (11 ldrea
uid AduhsI l lr was an
.actor manag u from 1948
to 1980, tvsi known tiff
prc%rnting and appearing
in far: ar the 1i ilteladi
and Garrick Theatres an d
not television . lie wa s
Chairman of the
,Slnninirial; ( :nnlmiuc c
on Ans and Disable d
People and is Chaimian
of I,iherta,, a group of
durnics dedicated t o
making; audio sours
availahlc for polplc wit h
disabilities io an galkne% .
mUsL lrris, C%Et[h1nn134 ,
and ln%foric :hl building{' ,
He is the Vice Lord
LWILIC'nant of Grease r
1 .0311,11011 and the auihoro f
several Lxxrk,, the lates t
being the hiss my of
theatrical touring, Your tie
Fa err.
STELLA ROBINSON
Bom in Leeds in 1935 ,
Stella Ruhiunon area
educated at Aireboroug h
Grammar School and
Lccds University, where
she took a degree in
English . She worked i n
housing in Turk an d
Rotherham . In the1960s
she was a warden o f
Lugging%t6r King' s
( illcgc . Nc%a'castlc ulxltt
1 'vnc . It %vas during this
period that she joined the
newly tonged Regiona l
Arts Association . later to
ltecnmc Northcni Arls ,
which she has chaired
S 11CC l99(1 .
Stella has turn a Labou r
C.ourlctltor in Darlington
and then in ('ounn'
Durham sane '' 1972 She
chair, the Arts, Libraries ,
and Museums ('otnnntw e
ofl)urham ( :utlT1ty
( :omncii and is Vic e
Chairman of the North o f
England Open Ai r
NIUSCU111 at Bcanllfh .
Stella senrs on the
Cuunei] of the Museums
Scmicc, Durham City
Arts and Durham "]healre
Company. She is a
registered disabled pcno n
,with partial sight .
PRUDENCE SMENE
Prudence Skenc has bee n
in ans administration tie r
ncariy 20 years, working
with Baller Ramben fro m
t y 75 1986_ tirArl%' a s
Adminwrator and then a s
E%CCLItRC Dirccror- Fro m
1987 to 1990, and aga i n
hl 19Q, she wa s
-
-
-
the Dancm' 8rsettlemen t
1"rust and Fund .
application in 1991 . I €e is
alw a chairman of Lxn h
. Midlands Art ,
Board and the C :it% of
Rimlinghanh Tourin g
Opera, and a directr w o f
(121 Tctc,l%ion Ltd an d
Meridian Rroath:asting Ltd .
W01
ANTHONY SMITH CB E
Anthony Smith is th e
president of Magdalen
( olicgc, Oxtixd . 13 y
training, a idirvi%io n
producer, llc was €6r ten
scars in BBC TV Curren t
Allairs and is author of a
number of I-cooks dealin g
uirh the evolution of tll c
media . tic was for inam'
Years invol ved in nc c
national debate which icd
to the fifundatian o f
Channel Fuurof whic h
he vvas for finer year, a
board direc[or . Bct%%ec n
1979 and 1988 lie wa s
Director ref the Bntish
Mi ni Insritmtcdurin g
which rinx the nC%%'
Museum of the 1MoYin g
brag' on London 's
South Rank was conceived
and eunstr]ctcd .
ROBERT SOUTHGATE
Exc,umc Director of the
English Shakespear e
U,inlpam She ha s
worked as a Ircclancc ar k
administrator lirr clients
including the Rovai
Nannnal Thcatre and i n
:p ia%' 1993 she becam e
Director of the Art s
Fnundanon . Until her
appointment to the Art s
Council she was President
Rolwrt Southgate k th e
i)cpun Managing
Dire for of ( :cntral
Iiruadcasting Ltd . His
career in lournalis m
indudcs executive post s
on national nc%%spaper %
before he joined fl'N ac a
reporter and rlewscasicr i n
1969 . He was a founde r
member of the successfu l
T VS franchise applicatio n
of the Theatrica l
Management ki;sociario n
group kvr South an d
South East England i n
1982 and played a majo r
role in C,cntra l's franchise
and Chaimlan and Vice
Chairman respe,:dvcly of
-
PROFESSOR C011 N
(SANDY) 5T JOH N
WILSO N
Pri tic ssr fr ('ohn r. Sand% 1
Si John Wil,on R .A .
FRIBA, (born 1922), i s
Inamcd TO architect M I
[- ing and was educated a t
Fc]stcd ; Corpus Christ i
College, ( :anlbndge ; and
the CniYCf]in of Londo n
tic was. appointed as
Iecturcr 1956) and i n
1975 as protessor o f
Architecture at
Cambridge, retiring a1
hmcrirus professor in
1 tt89 and w ;ts Bemi s
Professor at th e
Massachuxcits Ins0rutc o f
Tcchnolo&Y 1970 71 .
tic is the senior par, irc r
of Colin St lohn Wilso n
K partners, architce-ts o f
the new British Ijbrar% at .
St Pancras. A hook of his
architectural essays, title d
Arihirecno•al RrfJrerina r
has reccriTi%' bee n
published . I to N% as a
rrusTec nl' lhc "fate Galle n
1973-8111, ref th e
National Gallen. 1 197 7
80 i and a mcrnb%r of the
Svndics of the Fitz%vilha m
Muscum ( 1985 94) IIc
is a patron of Art and
Architecturc and ha s
recent]%' been made a
C :onimandcr of the ijon
of Finland
4
MEMBERSHIP OF COUNCIL AND STAFF
FILM VIDEO AN D
BROADCASTING
ARTS COUNCIL O F
GREAT BRITAI N
VISUAL ARTS
111thurpc
dcpartmcm,
tif
f
i „ oI
n
Cu,n or heads ,
.'nt . -nn;r ,
-, lm d w
m ar unit: of goin g
;,r rte . i
lul l
SECRETARYGENERAL ' S OFFIC E
11nh,na F ., im t
SECRET4R1 ;F .r p
4L
Brenda Whit, hea d
AFITS DEVELOPMENT
DIVISION
KLId t
I'. . ;il Y. .>Ilalcnntr a
:Mare Ellcm+
! tin lirrrtlL•
fens Lcg h
f(~rn [ ,><lna n
Anne \lane Encrnak u
Whit e
Alicia \tatihc w
Eileen D'Fle
Rod Fishe r
Sara h Jane MCUC,ht h
Hannah Dazes
Sarih Gwxlcrson
('aria Mitchel l
Laura thlan
Rona Gallagher
Arms Sinclai r
Sam' Lan e
Man' McDonagh •
Icrcmc Grmisrnit h
lane I'lacca •
Vivienne Rej- '
Vanc .sa lu' lings
IaCks,r n
.11-~ , ua Nn'c n
flR CTO R
Mark Stem arl -
stle f(osc
Andrlas Who r le y
Jean steverls•
\nnc Bcn.ial l
fcrtlm l'hcophrln . •
sltc Sinymin
' Ca(ir lr
Anne 11auC} •
lIIIIC
11115' 1'a4 el' •
\loniia Lr,l<+
b . Shap.I,t l
CROSS-DEPARTMENTAL
UNITS
lain Stcsr:nT •
ARTS AND nISABlunY
MUSIC
Wends Harps
HEAD OF UNI T
I'clCr Icr~ .r•.
FINANCE AND RESOURCES
DIVISIO N
Ali,oll sjulth
COMBINED ARTS
Kennett( Bair d
OIRECTDR
SAIh Stnt C
('0ia 1-fil l
CULTURAL DIVERSITY
HEAD OF UNI T
Bajall fi,lnpc r
Danicla Karste n
('arohnc I ccc h
Oh11a 1 .oµ'm m
I'cter Blackman
HEAD OF UNI T
I„ ti, .Inlan
Sarah haft s
LITERATURE
DFRI .( FOR
1r, rl,l [ .ouk
I::
Zelda Bavcv%Iswk •
Da,iJ Curtis
lkicharJ Gewdcric k
(,arn 1 honla .
1 .1111
1 ` n,in .t Lin n .
pIRFL'TOR
J„ li .rldu
11311
kI
; . ;rlmcnt/uan ar c
'. Yta}t .~nlr n
STAFF
EXTERNAL, RELATIONS
DIRECTO R
( ;ands Morrison
\tarprct Shacklcm n
FINANCE
I'CILr
GTCI g
FINANCIAL CONTROLLER
Kathnn RtCD0%%d I
EDUCATIO N
Julia AI-AJ%N amC"hns Au;d n
JrRf.-CTDR
MaCgic 1Cmhl e
HEAD OF UNi r
hIM ( Arruthcr s
titephamv Kerner'
Alex licar d
DANC E
Andreu p innoc k
Detxinh Smith
! :'~ :~.1 F[acuar d
TOURING
Andrea Krl e
I ;n ndan Keane Y
DIRECTOR
Icancnc Siddal l
Judilh Ackril l
1111 "t„kes
Mci Chapman
ILt1111 I ruern.l n
Alatichn Cohe n
Jackie Raptisr c
Ian Blatchford
TRAININ G
Pal Shimmo n
HEAD OF UNI T
Helm Fnrlfnl L
I inn .( I'r,,r .e l
)nn FcIdT»1n11 •
Monica Chc anoxilch
Oaths l hin g
Andrea Di\ id,- -i t
land Das
Snma lhrsscki c
Len Ciithcrcnl r
DRAMA
Derlaph liaaota
Lan It[, - n
Sirkka Kirkliv
POLICY AND EXTERNAL
RELATIONS DIVISION
Ana Lange r
\5 .11-.
Clams MWelleto n
DEPUT I' SECRETARY .
\iniennc Ahx)r c
GENERA L
Shirlcx larb i
Delxlralt Kee, -
Alex Ankrah
Itllscmarie 1 .CUis -
Dorothy Wngln
fie Shanno n
Iennikr Claklc e
OIRFC TO R
I'aul Barnard
Sue Bradfor d
VIckc (Al'Id ,le
Junior• DnuLClas
VICn t
tiian lade +
I .aurclic Cii6,rd
Camilla llaughnm •
Flgrina I .:tiiadic
Fuller O ' Sullka n
i.ann Gartik c
POLICY AND PLANNING
land Robiso n
h uihlccn Flanliltrln
1i1itaheth Sel l
, hA11Cn Har r
11~maid Webbe r
%1AN1l r;FR
I
bins I miard
Carol Sion e
Nicola ThomI d
ltrenda I'arrurhers -Inncs
i)onna (-pe r
\'ancssa 'Frtlss
LM
I iasckln +
John Johnsto n
l"mm 1 xlhsl
\San Ling,
('.I'sim Templeton
111(1 .( ( .rookcndc n
Gill Di x
INFORMATIO N
Annie lh .lckeray
:Inds Fc3, t
HEAD OF
l .atcrcmc "-iackinlmll
pore+ .I Bca n
Fran cKibhi n
Stci+hcn Chappell
I'at S»ell
Jon Fcldrnann -
DEPARTMEN T
Nigel Wilkie
OFFICE SERVICES
S.1 iI!
WELSH APT<
I .I[' :1( :'
HE-lb of
GFi lAPTWENT
( .unlclml
I )c,nll,ltd
DIRECTOR'S OFFIC E
,Nlikc 1: rrara,rc
I .nnr Jenkins
171R£C rOR
Kathlccls Ilans(em
Gu'cnith \iorgau
P .tmch Fiursl•
iichacl •fi<kc
r 1
FILM
MUSH :
l I',lnslc'rrcd tO Wald 1 :11M
1,ttncil ILlk}' 194,;
LITERATURE
i•m• [ ;I,ulchi
D,P CTCR
\1 .rt lhcl% Rex,ke
DIRECTOR
DIRECTOR'S OFFICE
l lclrn ]anTlcson
nl,l Kr 1, :
UiF~('rito
11.1i'd
S1,
ILIRM
Alunica Rei d
Luon .t 1, 1, . "
src•vcn (i„uld
(ins cricth P.s'am
Eric Pickcr,Kili
N .m Grillith,
FINANCE AND
:1ugcla I-lusrclls
ADMINISTRATION
O!RECTO R
Andres( \Ia€in
NUTIcnc Powell
Graham licrrn
DIRECTOR
:1nnc Bar],,"
DIRECTOR
1{m)r lii illiams
Sc ls ia Adams
]-:ilec•n ( -.osspcr
."laggic Hu h
Frank Qumn
]udnh IL•in
11'ilLans Ruachc
Icln Stevens•
Alan wIlcadcl .
Gicnfi
l 11 ' illiam,4
Rol WIK,d
WalterWol -dlcA
PERSONNEL
Man Wraimi
DIRECTOR
Marion Hrowii
Amanda Hunuings
ilaijonc James
I .owsc Nunn
FINANCE AND
ADMINISTRATIM
Janet ISoclc
ART
Ircite CamI+Ix) l
Amanda ('onl y
01RECrOR
F]OTla (illlcbpic
Susan Christie
lnna l•sasu
loan Elulland
klona Grirrsnn
heather Sinclair
hcnh Cirillin
Lie. Lain R
Sait .lbcth Flutchillp
(:hrmim Towndrim
lbi'ltrtc Ma'Beast
kmt [!msdalc
1G,Ivrt l.nliigston
\lichicl Nlas„n
ORIEL
1 ' .1b6h ASiddlcmas
1)errcen I'n'dc
GALLERY
Philip Reilly
Lcslcl' A1ackZi r
Irlllu Spcnccrf)as'ie,
Iran S.uldiimh
Nora Park
MDfIC
l6
6 " 11%
11 %
]t<n ltohana
Wcndv €-find
Sharnil j .unc,
I)axid Woodlillc
ART
ct' ll,tles
OF
GALLERY
Moira Sinclai r
01RECTDR
HE 4D
Rhian Hasten
1'rta Grimshare
Robert Frain
Prlcr liuglcr
"laurcm Flolland
1)c,1 Rtbbs'
I "ugh ('hiIcutt
Fla/rl I-Islghcs
Ncil I)asid
.1lcr%l "ones
Gina Wallac e
I-lilan_ W-ki
Iucllth Lamm Smith
I eti9:1 li .lrt"g
Janet Rowland s
\cT1 a 1Coolca
ROOKSNOP
1 alma) Ward
Parr I Inch
HEAD OF g00FSHOP
AND
( limmlc Hamihotl
DIRECTOR
tin+ .lll Gallo s v
Nick Marie•
1)enneGibtslln>
Al .nldv Rlrbcnsurl
1{ar GI,rd1m
I'ar do 1•cstri
Julie l).rcic,
CRAFT
PLANNING
DEVELOPMEN T
Linda Shakespeare
Dami 1Vildc
ii:resi I rfn-r c
nia.C :iw
Rhisn I€1,gg
>.uni :a iSnsanciuet
( .athenne Imw,
COMMUNICATIONS
( 'ic'1T1'1
M.lrg .u'ct Klk-, u r
Jones
DANCE
•"lair I .eu is
( - hris \1,IC .11 1
Nlalclls\Il Pate
1)al'ld 1 .insellvEl
1 ir!zwic Romp, !
O1RECr0R
Diane lied+h
LITERATURE
Owni Waltrn
\` .dirt i .lirn l
OiI7E(:70 F
DRAMA
\h,h,wl ltakcr
DIkcc i,OR
( aTl'.Ct1T;C
_•dlall
Shlmath Inin c
lads' Purdy
COMBINED ART S
rtre Vaughan
1 . Ines
I„bn Murph }
OiFECTOR
11
I
t
rl
I"ckha n
DRAMA AND DANC E
•
n]CFTlllc'r oI rhC ticnt{Tr
Aril, St .:l,l~l„ ,
.'TIRE(.. rtl k
\ianagcincm Team
( harlv5 l+cl l
part lime
.Man' (-h .lrlct„11
k'Atncia I' .ckrnk s
NH All mcmhm of
,tatl on tiscd-tams
Ivan Hanna h
Carole Ross
cc,ntr.tc(s of vie months
(.,CrlllilllC 11'1141 In
or more arc listed
ab1 w
A,maid Rame r
Syd Frlscr
€ lilarv Carr
kabet I litchman
t
1u iress Nairn e
Nors VacDunal d
ADVISORY STRUCTUR E
11,
nn Mattnm vv l, ;.._ ; , ;, . .
;I,l h3ic
♦] ,CLIAIIM% In cash art,
THEATRE WRITING AND
DANCE
BURSARIES COMMITTE E
% :: : n Drus! r
vntsa; I
ti ;; •,Ion I-MI d
,eking artists, anti
admnnatramm, scholars ant . ;. T ..- I hr} ldv I1c and
Dr Pctcr Bnns. m
a,,,,1 the ( .none{] and Il, ,)thcct%
Karen Donovan
&I, .~,~ .:, , .
the tllrrsrulauon an d
mil !c :nclaanon „t p ,liv1 ] ,ICd
l .,u,n ,,,n5nsntec+ „1 the -\m (
s,
I
I, l
ARTISTS' FILM S, VIDE O
COMMITTEE
. 41cu1!ur, _
vcan, are gcncr3 :.S i
whro sere vole+ntanl
ADVISORY PANEL ON
[
rm Rnun
,rr mcrrtbus o f
Katc Flats
mcil and the
Faroe Faste r
ni .l', anti %1' cksh Coundis r thenswitc, :,,nrntinccs of
t ;ec f~,Iun~ a
~
'rr
fall : l :1 .1I1 1,1 %Iw
Nigel Hind s
Crahatnc Mort7 ,
( l ouncd
RC , British ( ' ,fund
Crates f ouncil
\101,,1 Wil<nt
Rita WI I t
Ton%- Warcu s
Nlanger W"511c%
OBSERVER
Neil Rathmel l
Profissur Peter Rcnsha a
Jcnm• Anal a
OBSERVE R
PROJECTS COMMITTEE
Tim Bclrclurd . W
STELLA hALL';TO MARC H
1993 1
RAH Obscnrr
HILARY HAMMOND
DANCE DEVELOPMEN T
ADVISORY TEAM
RALA, RLikj it tl AI'rs kma ciaunn I wake )
John Ashlord 1993 1
RAR, Regional Arts Bo r d
nI
%larch
Theresa Beattie
Rmcc Gil l
Geraldine Hur l
Michael Mariand fu r
.March 1993 )
I'iali l(ac
ut Snclal SCeuntV
I IM1, Her Stalest}' 's Impcew r
Ss-Is9a Denman 11o Marc h
1993 1
Simon [anz(m
OBSERVERS
RI 1, Bnu,h Filrn Institut e
DSS, L)Cpt
Dr \lanocl AN irad, I T o
Starch 1914 3,
Prolcsvw Eric Bohan ( : B
Parnck KcdJer I m Marc h
1993 1
A13na Ridic v
Ashlcv Page
Al--'CC stand% fur Am anti Entcrtairimcm I rainin g
M, Ina Haroum m , March
1992 r
Chrtsste Iles
v= .,S ~^DSON CB E
Tina Kcanc
%%~c'rl r n ii 3&[ I .III 111ari11
I U9 .;
Prot7s,vvSrcphamc Ilrrdan
Capn .th Indicate chair or vice-chair .
1
EDUCATION COMMITTE E
Nargrs 1(ashid h1B E
l0n) 1 nlca) r
ADVISORY PANEL O N
LITERATUR E
%'ikki HcvuoW
Fleur Adc(x k
ADVISORY BOARD O N
TOURING
HEVERLV ANDERSO N
C-arolrn Luca,%
A4%mi Blair L ndrncrxxl
STEPHEN PHILLIPS
Pcnm- Mare s
Pr4cmor Manl)n Ruder
Stephen Brimmin g
Pcnm Wl'Whill
Nona Shrpphm l
John CuWstmant
I Marv ( ;arty Ito Marc h
1993 )
'111CHAEL HOLROYD
SA( Sr)tlllll Artsf :ourlci l
Siohhan Dav'ic s
Charles Wk%hutguolr
Par (AAcma n
Ferdinand Deni m
SBII Scuds Rank Cour c
Enttna (Aadswri c
Suni1,1 64,1\41 .1 Ito MArc h
1993 1
Dante Wong
David G+xta'i n
Ruth Mackenzi e
Sunlti Nantjush i
Brian McAlaste r
ADVISORY PANEL O N
FILM, VIDEO &
BROADCASTIN G
lames Rltrui c
Liss% Nea l
Marina Warne r
David Paimore
CLA RL MOLHOLLAND
OBSERVERS
Andre Ptaszvnski III ,
March 1993 1
K.trerl ltruu n
John Hartrich . []\I t
11avld Carol (To Surd{
1993 )
lan Christi e
Dr Harner Hanc• v
W,wd, BC.
fan Rcckle
RAR rohsme r
Judi Richard s
WAt Welsh Arts Counci l
5C( I . Welsh Ollie '
sarah Fill [
ADVISORY PANEL ON AR T
pRolESSOR
ARCHITECTURE ADVISOR Y
GROUP
CHRISTOPHER FRAYLING
RROrI . SSOi+ ( .( .,I ,'-:
1n!111,rrv Pc1'I+sat e
D .n Id .-Aston i to Marc h
1992 1
I ),n i,l A Bailey 1 to M arc h
91 7
Icar lohnson lonc s
k(I :h .uJ lion„% :
)Hanna Drcvv [Il i
DANCE EDUCATION AN D
OUTREACH COMMrr EEE
Eldred Fca17 ,
1 i .'Irn ( ' lladvv left
PwliAsk,r Lien 1-arrnor
rv_A,NE FOSTE R
I)n Id kiliott
Michael Hopkins C M
K.lll' Castle
David l-e a
Saujce -cm Mimi
I_nt Parrs '
Iinda Jaspe r
Hugh Pcarma n
X 'Crnni : .t Tnhbnts
Wilham Furlon g
1,n5 .uhan Han'cv
uI March 199x 1
I c„ laraV
R :II-I
Keega n
loom Loma x
tiara{ \lallar.71
\tatlrccn Vale,, Its, parc h
1493 1
)Ilia
1 10lon lonc s
Kim F ail s
])avid Harg eavcc Ito
March 19113 ,
Michael Jackson (to
Starch 1993 1
Rei d
Nigel \h' arrac k
Andrew Sain t
( .fill, shcplcv '
PHOTOGRAPHY ADVISOR Y
GROUP
She,hana levasingh it, r
March 1993 1
C rIesta Norris
OBSERVERS
('dilian Rnrkc, H\i l
BA I ; ( )h,cr\ c r
\laggic ticntpl r
/ .Iruta lihimjs f to :\lard ,
Helm Rcc v
Paid [ oAc v
.\lick sake
\ILkv
\'iclona Thurnout
`
Dr lanct Wr moan
1)r Rnhart Saxton In ,
Sias' 1993 {
Pltdippa Goodal l
LORD RIX CBE DL (TO
john Bradshaw, RA B
BEVERLY ANDERSON (T O
Andrea Box•, R( .
Amanda Hopkinso n
Amanda Rv'an, IUB
land ]hhots ' M
MARCH 1943 1
%' al l1wd
ART PROJECTS COMMITTEE
DAVID A BAILEY :TO MARC H
1993 1
Fannomt A1c('ahc
Llarrh 1993 1
I
m
JULIA PEYTON JONES
Davc Richards tlo \larc h
199 .3 1
Frmv Arso n
Mark SI alv
Louisa Buck
)vil l 'VIn111 .1n1
Michael (,orri s
Dr Scan M i_cvri, . B (
{lirccl(^ nl tiA( and WA (
are invited as+,hunrrs
Paul Alle n
Eileen Atkins (us Marc h
1993 ,
ARTS FILMS PRODUCTION
COMMITTE$
Roger Chapma n
MICK L,SAK Y
Rush llartsh<.on l
Sara Daslcs Ito \arc h
199 .3
Hugh I°[Uds(m hav'icslt o
\larch 1993 1
lohn I'Ili s
John Gal e
Kin) Fvatl s
Kim \\;elde r
14elli Hall Ito ,\larc h
1993 1
Mick Guld uI NIJIL1 1
1993 1
tiaclta Craddoc k
i to March 1993 1
OBSERVERS
Hilan Hammon d
;Maureen \1c(uc
Andrew Nairnc . SA C
Vikkl I I cvsv,IUd
X %LgC%h W111 a
Emma Dcxter
AI=titan Hamcs, RXB
Plnlhda IJim d
)anc N Cllcsic v
Francis Comil a
I'ctcr #ones. L\'A( '
pcilin . Maye s
OBSERVE R
R„hert hoppe r
lircit R .,Lc'r,, I[ (
Dc!,,,rah Paigc
Anti% Stamp, R. A B
Icmly foppc r
Ben 66m-n . BF]
V,Ing Pha(Iphanil (n I
March 1993 1
E.M T-n Glcnnic
john %\ 'vee r
OBSERVERS
David Iicvcv
DrGrahim Diuln
ITT lane Mannin g
OBSERVER S
Andrew Natrnc, SAC .
Conrad Cork In, March
1993 1
Dr loon I-]arm-in
ADVISORY PANEL ON
DRAMA
1993
Prnlc,s„r Margaret lien s
lt:chard Bcma s
tidlull Rernrlld s
Andrea Wonli n
Andrevv 1levVdnl:y
Niel- Ines, LVAC
BRYAN MAGE E
\tichac•I CYPrav
Asian) Be%Hoskin
JUNE
ADVISORY PANEL ON
MUSIC
Priti Pai»tal
Ituger Chapman .
Drama I'anc l
Gralranic ,\turns ,
J)ancc 1`a11cl
ARTS 8 DISABILITY
MONITORING COMMITTE E
STELLA RoFiNSO's
AUdres Barker
Chris Deric• v
Roger Williams . 101 1
Rill Klrh v
Paddy Masctteld
CONTEMPORARY MUSIC
NETWORK
onvlD f AT MOR E
)olio (a <_kcu Ito March
`1993 1
Bruce Cole
Richard Co(,k I u, ,\larc h
IL.A)3 1
Derck 1)rc,cherIt o
March 1W13 1
T,my Dudlev Evan +
Sall% (ir-oc s
PRnFESSOR CHRISTOPHE R
FRAY LIN G
Brian Morto n
Paul Allc a
OBSERVER S
OBSERVER S
Mark Mrrlvlunenl . RXIi
Tim Itutchard, IS( '
Graharn Sliohcli, S1 .(
Roger Williams, I l :\il
REPRESENTA FIVES
\larv Hollan d
Bu,hv Kellc
Truscc Waa I u, Marc h
1993 }
Clare \1tllhlrilan d
Pnicicnce Skcnc
1,V ma Reid, SA C
Kvvahcna A Gve .l u
Isai'd %'asscur
Ananah Lwas, RAI3
J„ht) Bu+ton, R,-% B
.%like Raker, WA C
Hark Monument, R.A B
l ;1vnrrr Stackhou c . R (
I .inda l lirsl I To Marc h
1993 1
Rnun ,\'lave s
OBSERVERS
OBSERVE R
Tirr5hcrlak c
Wertenhaker Ito Marc h
199.1 r
\ttdsael Holrrn'd
Peter Wilson. ( to March
1 1193 1
Mart Dovlc I to ,\larch
199 3
launch % 'Can a
Bcecrh' Andmo n
Bob Bti Ttdhani c
jam, Sus,kind
Bail "I'F,nlnpson
COMBINED ARTS
COMMITTEE
Kcith Pipe r
Graham Dcvlilt
Adam RCVE1011i. I W
March 1993 )
Pain Rober•r s
Sarah Som Ito Matc h
194 3
Katherine Wals h
Paul Whittaker
OBSERVER
Ruth 5icrnaszko, Dss
TRAINING COMMITTE E
SCOTTMH ARTS COUNCI L
EXHIBITIONS PANE L
BOOK AWARDS PANEL
WELSH ARTS COUNCIL
DRAMA
CGUIICR
DEIRDRE CHAPMAN (T C
MARCH 1993 1
MATHEW PRICHARD
CHAIRMAN
MEIRION EDWARDS
Rathct .l Aracen (to
March 1993 1
I-Iclen ( rackricil
Fergus F.orl c
SHEILA BROCK (TO MARC H
1 .993 1
tihcila Brock (frrnm April
1993 1
Peter ( :ochran e
Paul Dowd %
Douj;~as Dunn
the Finn Mrs F.Iixabcrf t
Fairhairn
Gordon Hallowel l
Pcrcr Fl3nliltnn i horn
April 1 993 i
Keith Ingha m
Deirdre Kcanes (li t
March 1993 )
Andrew Kerr
Mvcr 1at0171C I lu ,'larch
1493 1
Peter linculn Ito Marc h
1993 )
leant ( :,alde r
John 1 .111idne r
('atltciinc L(wkcrhi c
i trom Apnl 199)3 1
DAVID LEWI S
VICE-CKAIRMAN
Malcrdm Kcrrcll
Stuart 1 wing,
Linda Ludwin I to Marc h
19931
David lici t
Edward Gage
Margaret M .wk m
('saran &I"nagha n
Paul Burton
Nicola Wut c
"JiHWO SMITH CB E
(ictusra McIntosh
David I ' cax
KClrh Pickard Ito Marc h
1993 1
lane[ It itcrman
Lola Youn g
OBSERVER S
Ncil Blun t
Chn%iophcr Gnrdr.rn, RAIB
Christine Hamilton, SA (
Andreu Malin, 'VA( .
( :li%c Rav%Non
1)svid 1Vatr
I(
Rick WrIton- :IF
L
BUDGET COMMITTEE
DENYS HODSON CBE
Peter (iumnlcr
Mathcu Prich .w d
Prudence skene
DR WILLIAM BROWN
CHAIRMAN
BONA WALKER. VICE CHAI R
Rita McAlliste r
Douglas WArthur
Colin \lacka v
lohn Angus Mackav
Mark Marllal l
I .inda Ormi .sio n
I)ougla, Sinclair {t o
March 1993 1
I .eslcs Thori%tin
Frances Walker
N1ararc t \l .lclca n
l
St )f.1) Amc,%or
,
T-,m %Vilsrtt )
COMBINED ART S
JOHN AYIGI;S MACKA Y
Mar,Carcr ltrmtet t
Angela Dobbte
Alistair McCallu m
Bridge[ McConnel l
.\line Alancic k
tail P.ItLhi c
Douglas Sinclair f n t
March 1993 1
David Taylo r
IcnnY Wilsor
DANCE AND MIM E
FI E rE:R LINCOLN (TO MARCH
1993 1
PETER HAMILTON [APRIL
1993 1
MYLR LALD.ML IT0 MARC H
1993 1
DRAMA
Fiona W acke r
Pcrcr Cotchranc
The Flom . Alrs Elizabet h
Fairhair n
Andrew Ker r
scona Rei d
SHEILA BROCK (FROM APRI L
1993 )
Sarn Ainslev Ito Marc h
3943 1
fhmnas ft,shua C :oxrpc r
rut March 1993 1
Paid Dnwd s
Edward Gage
Martin Hopkinuln
Keith Ingha m
Rill .Scot t
Frances 1Valke r
AWARDS PANEL
BILL SCOTT
Doug Aubrc y
Lucy Ryat t
Ouria Chal Boer
Thornas Itishua C(x)ltc r
r to \ larch 1993 )
Alan Cowie
Matthctr Dalzicl I Irorsl
April 1993 ,
Andreu Giles[
lain I°inward
Trans McKenna
PETER COCHRANE
Caroline Mc('rcar h
Ion McGowa n
Dr Rt ,hvn Marwac k
( ldul Milto n
WRITERS' BURSARIES PANEL
l tint Adai r
Hera Alexande r
Jenin Iirosvn from Apri l
1993 (
Douglas Dun n
Lin hiarDonal d
1
VISUAL ARTS COMMITTE E
OR WILLIAM BROWN
GRANTS TO PUBLISHERS
PANEL
DEIRDRE KEANE Y
Peter Oerke I Ht March
1993 )
( arolinc Dochcrrv
Joan Flcadcnon (fron t
April 193 1
ti,Irall Hil l
Andrew Howiti Itrom
.11,11[ 1993 1
Rai nlond Kaye front
April 1 1,143 1
l'aulcrlc Lakcri v
Martin \lilac
Sheridan Nicol Ito Mand l
1993 )
Pcrcr Rkw%io t
l c•slev T hornswi
Sheila Whct c
Nlatinj 5Ada k
PLANNING AND
RESOURCES COMMITTEE
Arian McCab e
Haine Porte I Tram Apri l
1 993 1
Dor(nllx' Porter r to
Alarch 1993 1
David Rabb ifrum April
1993 1
Shcrilvn Bankc s
lane Davidso n
Hugh Hudson Davies
NIcirion Edwards
I,c)yd Elis-111oma s
Peter Griffith s
Caroline Inlan d
R Geralli Jones
Rrtben Maskre v
CiodfrcvMc IT Ita
\larch 1993 1
Dr Ann Robinson It ,
\lac 1993 )
P " dcssor Gwyn Thomas
Julia White I to Mac 1993 1
I)ayid William s
Hugh Tregcllcs 1Villia m
t
Stephen Marvin, W( )
Rok James, 1 t,\I l
DO-, tILAS
NICARTHU R
Pcrcr I.Icrkc i front Apri l
1993 1
kathic Fin n
Gordon Hallcwei l
Jov Hendry
Pat id Mc Kai) -from
April 1993 1
Michael Mackenri c
,Ilan Mar.lai S
Aileen Ritchi e
( - athcmic Robin s
PAilxrt Robso n
Edwin Stivc n
Sheila lhom[wIll
111TElIATUR E
DEIRDRE KEANEY'
Tnn1 Adair
lcnnv Caldc r
DouglaS Dun n
Frcelcric lindsav
Ishbcl MAC I cal l
ran McGowan
Anti Matheson I hvh m
April 1993 }
Dorothy Porter (tu
March 14931
music
R? l McALLISTE R
IIhrd ( hcslcr
I hihdi I lallgnnuw q
Colin Alackav
Can-1 Alai n
Linda Ornlisut n
Michael Su(Ilnw
\VIIIIa111 Sucenc y
Shccna Wellington
R11
ART
PETER GRIFFITHS
Shenh'n Ranks
Rownlan Rude r
Richard 0 % from \•la)'
1993 1
Gareth Davies
Itohcrt Grectham
Ivor lanes, HM I
Marv Umd Jones
Godfrey Meggitt It o
March 1 993 1
Iboard Morgan
Sian Olke n
fohn Rogers
Ron Stanlci,
.Michael [ 'rickey, R.10 i to
Mai• 1993 1
Mond lVils()n, RC Ito
1993 1
\hIL11
CRAFT
ROBERT MASKREY
( :6.n Burl:ccs
David Colwcl l
Richard C1L\A
Gareth F.yan s
I1nhY Ford . (x :
Mikc Franci s
Peter Griflil[i s
Stuart Ncil c
Rarcllt Pocc . ( C
lhvra 1 'utccntclli
DANCE
JULIA WHITE ITO MAY 1993)
DAVID LEWIS SFROM JUL Y
1993 1
David Ambrose Ito
March 19193'1
\IArgarct Arncs
Richard Bolton . R C
11r 1 \ C,tmpbcil Mo(rrc
lc~sica
,
Cohe n
Marilyn G(xifres, tic .
('arniine Irelan d
lulic Mcchan
I' cnuk Nicholas . HM f
1'n•du•cn E.Ifed (hxcns
1111 Picrc c
Sue Porte r
John Prior, IL\A
Roth Prnvu r
Kiran Rant .:
Schil Crouch
lane Davidwil
Hazel Wal ford Davics
Roger Fo x
Vrginia L:ralta m
Hugh Hudson Davies
Gronw At, W v' n
Rhiannon Lloyd, HM I
Inlin Prior, RAA
( :hristinc Pritchar d
Judi Richards
Htsw RohcrtS
Canvya Rogers, 1L\A
David Rowe
( :cri Sherl(xk
( ;arys 'Fudor William s
Lhun William., IL\,\
Itichard !Bolton, 11 (
"LMT
R GERALLT JONE S
Richard Koltun, R( :
Sybil ('ouc h
( :atria Davies
Nigel Emcn, ILA-41,
Geraint Stanicv lanes
1 C, Mill .
Michas Price
loanna Quain
Irene l1'10chcad, I M
Kevin lvithartts, 14M I
LITERATURE
ORWYNTHOMAS
Sandra .Iw o
liedd all F:nlhYa
Anne ( :luvwnaa r
lames A Davies
I[yucl Tciii 1?dward s
Lon[ Flis Lhomas
Phil George
(iweri}I Pierce Ionc_%,V% 7RC
John Cliffrtrd ]ones, ItkA
Malnscn Prvs Tunes
1) 11 slkcl F Ralxrts
lk' iliarn 0%c t Rubctic
Ned ' I [it ana~
I - ,na Thomas . I INI I
MUSIC
q AV] D WILLIAM S
I adv Crickhowc1l
Niccl Enicry . RA.-1
Fdinund Fitc v
Caroline Irelan d
lcrn'lalne ,
]can staulcr lone ,
(icraint Lewis
David schgntan
Robot I Swain, H\1 1
1Vvn Thomas
1 Iuu Trcgclln 1Villurn s
Antlh<nn Woodcir k
REGIONAL
DAVID LEWIS
Isran Ashy [ to ILine 1993 v
Frank Fkan s
G(Afrcv Evans
Ghn Tegai Hughes
Rohcrt Maskre v
Dai Richard s
Aloiti-n R(nccrt s
F.urig Thortta s
4 .2 d 3
SPONSORSHI P
the Arts ( :ouncil would like a, thallh ri r
t0lkm ing companics and crusts for tid e
gcnerous support
COUTTS & CO .
in,r,r of the David Cohen Britis h
I itcr-,tturc ['rice .
THE BODY SHOP AND OSCAR PRES S
UNU M
,hom,nr of the Arts & Disabili n
l )ircciory .
THE CANADIAN GOVERNMEN T
THE ARCHITECTURAL REVIE W
, h ( m,)r
Sponsor of DC', Initl► ( :itics Conference .
The ta,llosving 1br their support of th e
ONTARIO GOVERNMEN T
sponsor
ODD COUPLE? BROADCASTING AN D
THE ARTS CONFERENCE :
,ponso 1 . of Elie ( :anadian Womcn 1Vriters .
TOUr .
WHSMITH GROUP PL C
REPUBLIC OF CHINA (TAIWAN )
GOVERNMENT
,pon%or of the Arts ( ouncil Childres s
Literature Summer School, Oxtord ,
August 199 , .
of the Canadian lVomen Writers '
for thcii' supp„rt
NfAtilm
ut illy ~~,
It1C11
ill
ATI ,
e3fT= qua11 .- i ti%Ertl>osium .
1 ou r .
BIRMINGHAM CITY COUNCI L
Major Sponsors : BIW Television ,
Brighton Borough Council .
11ursar-1 , Sponsors : Carlton ' hclo ision ,
London Arts Board, Scottish Art s
Col :neil, B l -itiSll Film Ins[itllte, 1 larye y
6oldsmith, 'I ' hcatrc Roya l
Stratford Fast .
Itcecptions_ ( :11,tnncl -I Tcleyision i n
associmion with East SIISSe\ ( :aunty
( " 0111161, 1Vest Sussex (,ounT Council ,
South Fast Arts Board, Carlton
Tclevkion', London Weekend Television .
The Video Cate : Central Ielcy :sum .
Sessions : Uranada ' 1 T clcyision, Sony
Broadcast Cominuniiarions Limited an d
Creative ' Fcehnolop. .
tier Dcsig :l : The BBC : Design (,"rotrp .
Nicholas Craig Naked Vidco Show :
H .ial cn - Dazs .
\'idea Title Scyucnee : 'ncc Franlcstorc .
Video I{diting : The Palacc .
Mobile Phoncs : Mcl-Ctt n Communications .
Newspapers and Handbook : th e
Guardian newspaper .
THE TSB FOUNDATION FOR ENGLAN D
& WALE S
supporto :rol' the Iit :St 11 .10011,1 1
conference on theatre and disability ,
,Nlanchester, Jttnc 1992 .
THE DAVID COHEN FAMILY
CHARITABLE TRUST
[),I\
,p. m,or o1 the
id Calico Britis h
Litcr•attire Priie .
.h on,, .r of
(if Dcsigning
Citics C :onterence .
the Chinese Writers ' Tour .
BRITISH GAS PLC
ENGLISH ESTATES
sponsor of Arts Cflllniil YOL11l k
Conductors and sponsor ofArchitccturc
( ;r ants Scheme and Architecture ( :cntre s
Feasibility• StUdics .
BAKER TILLY
,lion, 11 ,
1)[
the Busrnc•s} 137111etiu .
BRITISH TELECO M
Spun SOrofa I)C%Clol)ment T1'ainecs1ip ,
PRUDENTIAL CORPORATION PLC
sponsor of the arts ('ouncil award
presented in association with th e
Prudential Awards Firr the Arts .
THE PAUL HAMLYN FOUNDATIO N
supporter of Visual Arts Administration :
Curating, & Commissionin g
Contemporary Art tyro-rear NIA ,
oqtanise1.1 tx- the Visual Arts Dcpartttten t
in partnership with the Royal Collr l e o f
An .
THE ESMEE FAIRSAIR N
CHARITABLE TRUST
Supporter of Visual .-arts Administration :
Curating 8, Commissionin g
Contcntporary Art tw(,-ycar NIA ,
organised by the Visua Arts Departmen t
in partnership with the Royal Collc u c o f
Art .
sponsor of the arts Council/British Ga s
Awards lVurkitert ./rrr Citics, organised b y
the External Relations Department .
ANNUAL ACCOUNTS
FOR THE YEAR ENDED 31 MARCH 1993
46
FINANCE DIRECTOR'S NOTES
47
ARTS COUNCIL OF GREAT BRITAIN ACCOUNT S
78
SCOTTISH ARTS COUNCIL ACCOUNT S
98
WELSH ARTS COUNCIL ACCOUNTS
114
ARTS COUNCIL SPENDING BY REGION
115
ARTS COUNCIL COLLECTION PURCHASES
44/45
FINANCE DIRECTORS NOTE S
1. ACCUMULATED SURPLUS AT THE YEAR END .
5. FUTURE ORGANISATION AND STAFFING O F
The accumulated surplus at 31 March 1993 wa s
£2 .860m . Of this figure £1 .819m represent s
THE COUNCI L
underspending in 1992/93 and the Council ha s
Price Waterhouse were commissioned by th e
Secretary of State for National Heritage to report
agreed that this figure can be carried forward i n
into the staffing and structure of the Arts
1993/94 .
Council . This report was published in June 1993 .
The Council are considering th e
2. SURPLUS FOR THE YEA R
recommendations in the report and it is likel y
The accounts show that the Council made a
that changes to the Council's staffing and
structure will be made in 1993/94 . A provisio n
surplus of£1 .120m in the year. After allowing fo r
carry forward differences between 1991/92 an d
1992/93 this represented an underspend o f
of £350,000 for restructuring costs is included i n
c£0 .495m . The Scottish Arts Council showed a
in 1991/92 to cover any restructuring cost s
surplus of £ .134m and the Welsh arts Council a
resulting from the proposed delegation of Art s
Council clients to Regional Arts Boards ,
surplus of .£0 .110m .
the accounts . This provision was originally mad e
originally scheduled for March 1992 .
3. THE ARTS FUNDING STRUCTURE
From 1 April 1994 it is intended that three ne w
6. MANAGEMENT AND SERVICES COST S
bodies incorporated by Royal Charter ar e
REDUCTION .
established to take over the curren t
The Council had previously reorganised it s
responsibilities of the Arts Council of Great
staffing and structure in 1991 with the intention
Britain . The bodies will comprise separat e
of making significant reductions in overhea d
organisations for England, Scotland, and Wale s
expenditure . The planned saving of £588,00 0
and will be funded via the Department for
against the original 1992/93 budget figure has
National Heritage, the Scottish Office and th e
been achieved, although this is not reflected in
Welsh office respectively.
the accounts because the Council has decided t o
make a full accrual of£1,038,000 for its VAT
4. REGIONAL ARTS BOARDS
liability on the assumption that the disputed case
Following the re-organisation in 1991 of the arts
with HM Customs and Excise may be lost . (se e
funding structure and the replacement o f
note 6) .
Regional Arts Boards, the Council now has a
more direct responsibility for the Regional Arts
Boards and formally approves their plans an d
budgets .
The Council made operating grants ofG43 .441 m
to Regional Arts Boards in 1992/93, as detaile d
in Schedule 2 to the accounts . In addition th e
Council made further grants of £0.555m to
Regional Arts Boards for a wide variety of projec t
and other activity. The grants are itemised in th e
relevant section of Schedule 1 .
ARTS COUNCIL OF GREAT BRITAIN
INCOME AND EXPENDITURE ACCOUN T
FOR THE YEAR ENDED 31 MARCH 199 3
1993
£OOOs
INCOME
EXPENDITURE
Parliamentary grant in aid : Note 2
Other income : Note 3
Incentive Funding Scheme :Note 1 5
Grants and guarantees - England : Note 7
Grants to Regional Arts Board s
Grants to Scottish Arts Council
Grants to Welsh Arts Council
Direct promotions - net costs : Note 8
Other activities : Note 9
General expenditure on the arts in Britai n
Management and Services : Note 4
1992
£OOOs
LOWS
C000s
221,200
84 2
205,00 0
59 4
222,042
205,59 4
1,605
129,508
43,441
22,691
12,708
1,658
1,826
3,172
126,260
37,03 0
19,69 3
11,03 0
1,492
1 .070
213,43 7
8,32 1
199,74 7
913 4
221 .758
L VO,00 1
Operating (Deficit)/Surplu s
Interest Receivable
~w r
27 2
(3,287 )
55 8
Surplus (Deficit) for the Year
Transfer (to)/from reserves & provisions :
Redundancy & early retirement costs : Note 1 4
Incentive Funding Scheme Reserve : Note 1 5
Capital Reserve : Note 22
556
k4 1 /47 )
62 5
(61 )
15 0
1,872
(115 )
Net Surplus/(Deficit): Note 1 0
Accumulated Surplus brought forwar d
1,120
1.740
Accumulated Surplus carried forward
A,00V
46/47
BALANCE SHEET
FOR THE YEAR ENDED 31 MARCH 1993
1993
L0008
FIXED ASSETS
Tangible assets - Note 11
Inv estments - Note 12
199 2
L0006
.C000s
3,701
3,78 7
3
3
3,704
CURRENT ASSETS
Stocks - Note 13
£OOO s
3,790
44
40
Debtors and prepayments :
Grant in aid receivable - Note 2
11,87 4
11,87 4
Other
1,70 0
1,53 7
Grants and guarantees paid in advance
2,87 0
16,488
CURRENT LIABILITIES
Grants and guarantees outstanding
Creditors : amounts falling due within one year
12,03 5
13,36 1
2,553
1,41 7
Scottish Arts Council
500
Bank overdraft
133
15,221
FINANCED BY
14,58 2
Net current assets
1,267
62 5
Total assets less current liabilities
4,971
4,41 5
Redundancy & early retirement costs : Note 1 4
Income and expenditure account
Reserves :
Incentive Funding Reserve : Note 1 5
350
35 0
2,860
1,74 0
-
62 5
4,971
4,41 5
Capital Reserve : Note 22
Lord Palumb o
Chairma n
Anthony Everitt
Secretary-General
5 October 199 3
ARTS COUNCIL OF GREAT BRITAIN
CASH FLOW STATEMENT
FOR THE YEAR ENDED 31 MARCH 1993
1993
£OOOs
Net cash inflow/(outflow) from
operating activities : Note 25
Returns on investments and servicin g
of finance :
Interest received on short ter m
cash deposits
Investing activities :
Fixed assets purchased
Fixed assets sold
Net cash outflow from investin g
activities
Financing :
Contnbutions towards purchases
of fixed assets
Increase/(decrease) in cash and
cash equivalents
Cash and cash equivalents a t
beginning of period
Cash and cash equivalents at end of period
199 2
£OOOs
£OOOs
£OOO s
(443)
(207 )
314
60 1
(205 )
5
(465 )
9
(200 )
(456 )
-
70
(329)
8
196
18 8
(133)
196
48/49
NOTES TO THE ACCOUNTS
AS AT 31 MARCH 199 3
1 ACCOUNTING POLICIES
E) CONSOLIDATIO N
A) The financial statements are prepared unde r
The .-Arts Council of Great Britain is legall y
the historical cost convention . The accounts mee t
responsible for the affairs of the Scottish Arts
the requirements of the Companies Acts, and o f
Council and the Welsh Arts Council, which ar e
the Statements of Standard .-Accounting Practic e
by constitution committees of the Council .
issued and adopted by the Accounting Standards
However, in view of the powers delegated t o
Board, so far as those requirements ar e
those committees they present separate accounts
appropriate .
which are not consolidated with those of the Art s
Significant departures from Statements of
Council .
Standard Accounting Practice are disclosed in th e
notes to these accounts and the financial effect i s
F) LEASE S
quantified where it is practicable to do so .
Costs in respect of operating leases are charge d
to the Income and Expenditure Account on a
B) ACCRUALS CONVENTIO N
straight line basis over the life of the lease .
(i) All income and expenditure is taken int o
account in the financial year to which it relates .
G) TAXATIO N
(ii) Subsidy expenditure is incurred in the form of
grants and guarantees which are formally offere d
The Arts Council of Great Britain as a registere d
to and accepted by the Council's clients .
tax under the Income and Corporation Taxes Ac t
Grants and guarantees are charged to the Incom e
1970 and accordingly no provision for any suc h
and Expenditure Account in the year in which
liability is made.
charity (No 313039) is exempt from corporatio n
funded activities take place ; if this is not
determinable they are charged in the year in
H) PENSION S
which activities begin . Any amounts unpaid from
The total pension cost arising in 1992/93 ,
grants and guarantees at the year end are show n
including the Welsh and Scottish Arts Councils ,
as creditors in the Balance Sheet and any advanc e
was £413,625 (1992 £437,527) .
payments to the client in anticipation of grant s
The Arts Council provides a defined benefi t
and guarantees to be charged in the followin g
pension scheme for its employees . The Schem e
financial year are shown in the Balance Sheet a s
is funded by payments by the Council and
assets .
employees to a Trustee-administered fund
independent of the Council's finances . Thes e
C) DEPRECIATION AND FIXED ASSETS
contributions are invested in a managed fund ru n
Depreciation is provided on all tangible fixed
by a leading insurance company. Contribution s
assets at rates calculated to write off the cost les s
payable in the financial year 1992/93 are base d
estimated residual value of each asse t
on an actuarial valuation of the scheme as a t
systematically over its expected useful life a s
1 April 1990, carried out using the Projecte d
follows :
Unit Method, and are charged against th e
Freehold buildings
over 50 years
Income and Expenditure Account. The Counci l
Leasehold buildings
over the life of
the lease
currently contributes to the costs of the schem e
at a rate of 9 .4 % of pensionable salary.
Equipment, Fixtures
and fittings
over 4 year s
The actuarial valuation revealed that, assumin g
Motor vehicles
over 4 year s
a long-term investment return of 9%, pensionable
Freehold land is not depreciated .
Works of Art are shown at historical cost, an d
salary increases of 7 .5% per annum and pension
increases of 5 .5%, the net market value of the
an amount equal to the value of the net purchase s
scheme assets amounting to £13,149,94 0
each year is transferred out of the Income an d
represented 104% of accrued benefits . This resul t
Expenditure Account to a separate capital reserv e
enabled the employers to accept the Trustees'
(Note 22) . This policy reflects the fact that works
recommendation that the following contribution
of art are not assets which have a finite useful
rates should apply from 1 April 1991 : Arts
economic life .
Council 9 .4% (previously 15 .9%), South Ban k
Centre 8 .8% (previously 15 .3%) . The employers
D) STOCKS
also agreed to allow male members at 6 Apri l
Stocks are stated at the lower of cost and ne t
1978 to retire at age 60 without actuaria l
realisable value .
reduction, thus bringing them into line wit h
female members with the same service .
ARTS COUNCIL OF GREAT BRITAIN NOTES TO THE ACCOUNTS
2 GRANT IN AID
Parliamentary Grant in Aid is voted to meet the Council's cash payments falling due during the financial year . The
Council accounts for its expenditure on an accruals basis, and incurs liabilities during a financial year which will not nee d
to be satisfied by cash payments until future financial years . The Grant in Aid figure shown in the Income and
Expenditure Account includes a sum to finance these unmatured liabilities, which will be met from cash Grant in Ai d
receivable in future financial years .
The Parliamentary Grant in Aid as shown in the Income and Expenditure Account reconciles with the cash sum voted b y
Parliament in 1992/93 as follows:
Cash Grant in Aid voted by Parliament and paid in
full in 1992/93 as published in the Parliamentary
Supply Estimates Class XII Vote 2
Less debtor for Grant in Aid accrued at 1 April 1992
LOWS
221,200
11,874
209,326
Plus debtor for accrued Grant in Aid outstandin g
at 31 March 199 3
11,874
Grant in Aid shown in Income and Expenditure Account
221,200
1993
3 OTHER INCOME
Grants, Sponsorship & Donations Received
Joint funding for Traineeships
Conference Fees
Publications & Royalties
Profit oii sale of fixed assets : Note 11
Grants and guarantees accrued in past years,
not now required
Attributable to London Arts Board : Note 23
Sundry income
1992
£0009
LOWS
193
11 9
32
26
17 1
62
1
9
27 4
11 5
17 1
41
222
842
594
-
In prior years grants and guarantees committed in previous years and not now required were shown as a separat e
item in the accounts
The Grants, Sponsorship and Donations ar e
analysed as follows :
Birmingham City Council
The British Council
British Telecom
David Cohen Trust
Department of Employment
English Estates
Esmee Fairburn Charitable Trust
Gulbenkian Foundation
Mercer's Company
Trustee Savings Bank
Other
6
9
17
30
10
22
9
27
5
13
54
ZV Z
Less Income relating to 1993/94
9
193
4 MANAGEMENT AND
SERVICES
Staff Costs : Note 5
Operational Costs : Note 6
Depreciation : Note 11
Redundancy and early retirement costs : Note 14
£OOOS
.£000 s
3,488
-
3,97 5
4,55 1
25 3
35 5
8,321
9,134
4,564
269
50/51
1992
1993
5 STAFF COSTS
£0009
£OOOs
3,026
3,07 4
Employer's National Insurance
241
24 4
A .C .G .B . Retirement Plan (1975 I
221
26 6
3,488
3,58 4
Salaries and Wages
-
35 0
Employer's National Insurance
-
32
Employer's pension contributions
-
9
Subtotal
-
39 1
3,488
3,97 5
Salaries and Wages
Subtotal
Attributable to London Arts Board : Note 23
Total
Salaries and wages costs have been restated : staff training and advertising costs, shown in 1992 as salaries, are now show n
as office and sundry costs in Note 6 .
The Chairman, Council and Panel Members are not paid for their services .
Pension Fund contributions are based on the actuarial valuation of 1 April 1990 . This assumed a long term investment
return of 9%, pensionable salary increases of 7 .5% per annum and pension increases of 5 .5%, and showed a net marke t
value of the scheme assets amounting to £13,149,940, representing 104% of accrued benefits .The Council contributed at
9 .4% of Pensionable salaries in 1992/93 .
The South Bank Centre, previously an associated employer in the Council's Retirement Plan, set up an independen t
scheme as at 1 April 1993 . An appropriate amount will be transferred from the Council's scheme to the South Bank's
scheme .
The average weekly number of employees durin g
the year was made up as follows :
No
No
Admin . of subsidies and services
151
165
10
10
161
175
-
33
161
20 8
Direct promotions
Subtotal
London Arts Board : Note 23
Admin . of subsidies and services
Total
£ 46,339 (1992 £47,790) of administrative staff costs have been allocated to direct promotions as detailed in Note 8 .
In 1992 a further £22,709 was allocated to Incentive Funding : Note 15.
199 2
1993
E000S
6 OPERATIONAL COSTS
Travelling, subsistence & entertainment
Rent and rates
Fuel, light and house expenses
LOW S
394
30 8
1,833
1,80 6
251
17 3
Publicity & Promotions
92
13 4
Postage and telephone
157
15 2
Agency Staff Costs
57
85
Stationery and printing
12
21 7
131
19 3
Professional fees
Accrued Value Added Tax
National Arts & Media Strategy
Office and sundry
Loss on reclassification of fixed assets : Note 11
Costs attributable to London Arts Board : Note 23
1,038
-
97
24 0
502
71 8
-
493
4,564
4,55 1
32
£111,662 (1992 £98,570) of operational costs have been allocated to direct promotions detailed in Note 8 . In 199 2
£36,322 was also allocated to Incentive Funding : Note 15.
The Council is in dispute with Customs & Excise regarding the amounts of Value Added Tax it is entitled to recover . It is
anticipated that the case will be settled during 1993/94 . The accrued amount of .0,038,000 represents an estimate o f
the outcome were the case to be lost .
The costs of the Council's in house print operation have been charged out in 1993, consequently reducing the stationery
and printing costs .
ARTS COUNCIL OF GREAT BRITAIN NOTES TO THE ACCOUNT S
7 GRANTS BY ART FORM
1993
1993
1993
Grants to
Clients
Project
Grants
Total
Grants
£OOOs
£OOOs
£OOOs
199 2
Total
Grants
.£000s
Architecture Unit
Combined Arts
New Collaborations
13,957
-
150
746
385
150
14,703
385
13,17 1
-
"Cities of Culture"
Cross Disciplinary Initiatives
Dance
Drama & Mime
External Relations
Film, Video & Broadcasting
International Initiatives Fund
Literature
Music
Touring
Training
Visual Arts
London Arts Board : Note 23
250
96
18,772
37,253
13
650
34,428
8,030
170
2,304
-
260
1,587
2,453
390
25 0
32 0
18,23 6
36,02 2
1
19 2
279
823
1,599
2,787
475
1,432
-
250
356
20,359
39,706
403
498
1,473
36,027
10,817
645
3,736
-
115,923
13,585
129,508
126,26 0
498
1,15 4
43,23 4
8,84 4
64 0
3,56 6
35 1
In 1991/92 Music grants and guarantees included a special grant of .£10,800,000 to enable English National Opera to
purchase the freehold of the Coliseum Theatre .
1993
1992
1993D
Contemporary
Music Network
1
1992
1993
Film Production
1992 - ~
Tota l
£OOOs
£000s
£OOOs
£OOOs
LOWS
Z000 s
197
220
462
329
659
549
70
7
7
91
7
9
216
20
22
213
15
19
286
27
29
30 4
22
28
84
841
5
107
634
5
258
1,119
10
247
1,038
10
342
11;4
Operational costs
Depreciation Costs
1,960
15
1,67 2
Total Costs
930
746
1,387
1,295
2,317
Net Costs
733
526
925
966
1,658
8 DIRECT PROMOTIONS
Income
Staff Costs
Salaries and wage s
Employers N .I .
Retirement Plan
,ff
1,49 2
Staff and operational costs include a proportion of administrative overheads as detailed in Notes 5 and 6
52/53
199 2
1993
9 OTHER FUNDED ACTIVITIES
Architecture Unit
Combined Arts
v~ee:
LOGO S
23
56
Cross Disciplinary Initiatives
45
303
11 2
Dance
102
42
Drama and Mime
70
15
External Relations
639
22 1
Literature
191
11 7
22
177
Touring
224
99
Training
75
56
132
175
1,826
1,070
Music
Visual Arts
Other funded activities include a very wide range of different initiatives including research, feasibilih , studies, consultancy,
publications and conferences . Income from conferences and seminars organised by the Council (£171,144) has been
included in other income : Note 3.
10 (DEFICIT)/SURPLU S
FOR THE YEAR
LOGOS
C000 S
1,120
(822 )
Stated after chargin g
(a) Auditors remuneration
(b) Operating Leases
(c) Employees receiving remuneration over £30,000
51
50
1,825
1,879
No
No
£30,001 - .C35,000
4
5
£35,001 - .C40,000
8
5
£40,001 -L45,000
2
3
£45,001 - £50,000
-
I
£50,001 - £55,000
1
1
-
£55,001 - £60,000
(d) The Chief Executive's total annual remuneration, including taxable benefits and contributions to the Council' s
pension scheme, was £63,519 .
11 TANGIBLE FIXED ASSETS
Cost at 1 April 1992
Additions
Land and
Buildings
Equipment
Fixtures
8: Fittings
Vehicles
Work s
of Art
Total
LOGOS
LOGOS
LOOOs
LOGOS
LOGOS
1,940
1,028
11
1,700
4,67 9
51
87
-
63
20 1
-
-
(77 )
(2 )
Less : Disposals
-
(77)
Less : Works of Ar t
written off
-
-
-
(2)
Cost at
31 March 1993
1,991
1,038
11
1,761
4,801
Depreciation a t
1 April 1992
251
632
a
-
891
68
213
3
-
284
(75)
-
-
(75 )
Provided 1992/93
Less : Depreciation
on disposals 1992/90
Depreciation a t
31 March 1993
-
319
770
11
-
1,100
NBV a t
1 April 1992
1,689
396
2
1,700
3,787
NBV at
31 March 1993
1,672
268
-
1,761
3,701
ARTS COUNCIL OF GREAT BRITAIN NOTES TO THE ACCOUNT S
1993
1992
£OOO S
Depreciation is allocated to
Subsidies and services : Note 4
Direct promotions : Note 8
Incentive Funding
£OOOs
25 3
15
7
.1 1
The net book value of land and buildings comprise s
Freehold
Short leasehold improvements
289
1,383
29 0
1 299
The net book value as at 31 March 1993 includes assets with an historical cost of Z287,051 which have been full y
depreciated .
Profit on assets sold during the year has been included in other income : Note 3
The value of the Council's art collection at 31 March 1990, in the opinion of the Secretary-General, was approximatel y
£22 million . Because of subsequent reductions in market values the collection's curator has valued the collection a t
£17,823,000 at 31 March 1993 .
The purpose of the collection is to increase the understanding and appreciation of contemporary art and to widen it s
audience through loans to other galleries, public institutions and exhibitions . It is not held for investment or resale .
12 INVESTMENTS
13 STOCK
Equities Investment Fund for Charitie s
5,870 units market value £36,224
Films
Stationery
Publications
Bar
£0005
£OOO s
3
3
20
17
6
1
21
19
-
14 PROVISION FOR
REDUNDANCY AND
RESTRUCTURING COSTS
The Council made a provision in previous years to cover the costs of any future redundancy or restructuring. Following a
report by Price Waterhouse to the Secretary of State for National Heritage making recommendations as to the futur e
staffing and structure of the Council, it is likely that material costs of this nature will arise in 1993/94 .
The Council believes that the existing provision of L350,000 at 31 March 1993 will be sufficient to cover future
restructuring costs .
£OOOS
£OOOs
15 RESERVE FOR
INCENTIVE FUNDING
1992/3 Grant-in-aid Allocation
Expenditure :
Annual Grants
Extension scheme
Extension scheme - grants to other funding bodies
Scheme operating costs
Total Expenditure
980
1,30 0
1,605
-
3,03 7
-
-
13 5
1,605
3,17 2
Transfer to/(from) reserve
Reserve at 1 April 1992
(625)
625
Reserve at 31 March 1993
-
(1,872 )
2,49 7
62 5
In previous years the Incentive Funding scheme was administered by a separate unit . Following the restructuring of th e
Council the Scheme has been administered as part of the normal workload of the Finance department . As a result n o
costs have been allocated to it . The balance of the Council's forward commitments for the Incentive Funding Scheme i s
shown in Note 16 .
54/55
199 2
1993
16 GRANT COMMITMENTS
£OOOs
£OOO s
1,533
4,57 0
161
-
1,694
4,57 0
Incentive Funding :
Total Commitments at 1 April 1992
Commitments made in 1992/93
Commitments withdrawn
(90)
Less Committed fro m
1992/3 Grant-in-aid Allocation
-
1,604
3,03 7
-
1,53 3
203,245
1,130
155,79 8
1994/95
1995/96
33
-
204,408
156,56 1
Total Commitments at 31 March 1993
Forward Funding :
1993/94
76 3
These figures represent the total value of the Grants committed for the years indicated at 31 March 1993 .
17 LEASES
At 31 March 1993 the Council had
annual commitments under noncancellable operating leases as se t
out below.
Buildings
Land &
Other
Buildings
Land &
Othe r
£0008
£OOOs
£OOOs
C000 s
-
-
-
-
Operating Leases which expire :
within one year
in the second to fifth year s
inclusive
over five years
5
75
-
66
1,749
-
1,749
-
1,754
75
1,749
66
After the end of the financial year, the Council disposed, at a premium, of its interest in 1/4 Yarmouth Place, reducing it s
future lease commitments to £1,200,000 p .a .
18 CAPITAL COMMITMENTS
Authorised but not Contracted
-
-
Contracted
-
-
91
19 TAX AND SOCIAL
SECURITY CREDITORS
The amounts owing were as follows :
20 SOUTH BANK CENTRE
LEASE
The Council owns the National Film Theatre, the Museum of the Moving Image, the Hay-,vard Gallery, the Quee n
10 5
Elizabeth Hall, the Purcell Room and the Royal Festival Hall, which are leased to the South Bank Centre . In the ligh t
of the terms of the lease, no value has been placed on these assets in these accounts .
On 31 March 1992 the Council acquired the freehold of certain land on the South Bank, for a nominal consideration .
On 1 April, 1992 the Council gave a long lease of the land to the South Bank Board, also for a nominal consideration .
21 ROYAL NATIONAL THEATRE
The Council owns the freehold of the Royal National Theatre site, which is leased to the South Bank Theatre Boar d
Limited and occupied by the Royal National Theatre Board Limited under licence . In the light of the terms of these leas e
and licence arrangements, no value has been placed on these assets in these accounts .
LOWS
22 CAPITAL RESERVE
Balance at 1 April 1992
Appropriations in 1992/93
Balance at 31 March 1993
As stated in Note 11, the Council's art collection is not held for the purposes of investment or resale . Accordingly ,
although the asset is not depreciated, the Council sets aside a Capital Reserve equal to the cost of additions to th e
collection, net of disposals and write-offs .
ARTS COUNCIL OF GREAT BRITAIN NOTES TO THE ACCOUNT S
1,69 9
62
1 9 76 1
23 LONDON ARTS BOARD
The comparative figures 1991/92 in these accounts identify the results of the London Arts Board for the 6 month s
ended 31 March 1992 during which period it operated as a special committee of the Arts Council . The assets and
liabilities relating to the Board were transferred to them on 1 April 1992 .
24 ENHANCEMENT FUNDING
In November 1990 the then Minister for the Arts announced that a sum of --'22 .5 million would be made available over a
period of three years from 1 April 1991 for the establishment of an Enhancement Fund with the following objectives : to
strengthen leading arts organisations across the country and further enhance their current high standards ; to improv e
business and financial planning ; and to provide a challenge, where appropriate, for matching funds . In 1991/92 (the first
year of operation of the Fund) the Council committed £7 .318m of this fund . In 1992/93 this figure was absorbed into
the baseline grants for those organisations in receipt of funding . The equivalent commitment for 1992/93 is £7 .907m .
The balance of the .£22 .5m (£7 .275m) will be appropriately spent in 1993/94 .
1993
199 2
SOOOs
25 CASH FLOW
RECONCILIATION
Reconciliation of operating surplus/(deficit )
to net cash outflow from operating activitie s
Operating surplus/(deficit )
before Interest receivable
Grants and guarantees made in previous years
not now required
Depreciation charges
Loss on reclassification of fixed assets(Profit)/loss on disposal of fixed assets
(Increase)/decrease in stocks
(Increase)/decrease in debtors and prepayments
(Increase)/decrease in grants and guarantee s
paid in advance
Increase /(Decrease) in grants an d
guarantees outstanding
Increase/(decrease) in creditors
Increase/(decrease) in amounts due to SAC
Net cash outflow from operating activities
£OOO s
284
(3,287 )
(274)
(171 )
27 5
32
(9 )
(9 )
1,29 7
284
(1)
(4)
(205)
(1,114)
86 1
(1,052)
S00
1,30 3
(314 )
(185 )
(443)
(207 )
1,139
Comptroller and Auditor General's Certificat e
I have examined the financial statements on pages 47 to 57 in accordance wit h
the National Audit Office auditing standards . In my opinion the financial
statements give a true and fair view of the state of affairs of the Arts Council o f
Great Britain at 31 March 1993 and of the surplus and cash flows for the yea r
then ended and have been properly prepared in accordance with the directions
made by the Secretary of State for National Heritage .
N .Gale
Associate Directo r
for the Comptroller and Auditor Genera l
National Audit Offic e
8 October 1993
56/57
SCHEDULE 1 TO THE ACCOUNTS
FOR THE YEAR ENDED 31 MARCH 1993
£
Brought Forward
5o ' 91 0
Red Ladder Theatre Compam
1,500
Soho Theatre Compam
3,000
Upper Campfield Market Steering Committe
2,500
Village Arts
1,500
£
59,410
LIVE ART
Black Arts Alliance
Forced Entertainment Theatre Co-Operative
ARCHITECTURE UNIT
£
£
PROJECTS
1,000
418
Hull Time Based Arts
6,600
London International Festival Ot Theatre
2,000
Paines Plough
4,000
The Architecture Foundation
16,000
Prema Arts Centre
1,000
Arts For Health
10,000
The Quarter Club
Building Experiences Trust
20,000
Serpentine Gallery
2,200
89 000
The Building Of Bath Museum
10,000
Sheffield Media ShoNv 1993
59 000
The Chippindale Venture
6,000
Theatre Royal Plymouth
4,000
Docomomo - UK
5,000
Tullie House
Downing County Primary School
5,875
Tyne International
The Georgian Group
6,12 7
Institute Of Contemporary Arts
5,500
The Living Paintings Trust
8,000
1,000
10,000
45,218
MULTI AND INTER-DISCIPLINARY FUN D
Norfolk Art In Architecture Group
775
Artangel Trust
32,00 0
Northamptonshire Society Of Architects
830
Fine Rats International
20,00 0
Hull Time Based Arts
20,00 0
Royal Academy Of Arts
Royal Institute Of British Architects
5,000
29,620
Picture This Independent Film And Video
23,00 0
Serif
Dennis Sharp
2,500
Second Stride
85,00 0
1,000
Shinkansen
20,00 0
The South Bank Group
7,500
Tyne International
2,500
Voluntary Arts Network
Women As Role Models
5,000
NOTTING HILL CARNIVAL BAND S
3,000
Academicos De Madureira
200,000
150,227
Afro Caribbean Cultural Association
Total Project Grants
Total Architecture Unit
150,227
COMBINED ARTS
REVENUE CLIENTS
Notting Hill Carnival Enterprise
64,000
Institute Of Contemporary Arts
758,000
South Bank Board
1,35 0
Balisaye Carnival Club
1,82 5
Bayie Busuofo
1,85 0
Burrokeets Cultural Club
85 0
Camden Black Parents & Teachers Group
85 0
Caribbean Sunset Club
85 0
Chats Palace
13,891,200
Children & Parents Carnival Association
Cocoyea
ANNUAL CLIENTS
South Asian Arts Forum
20,000
Colombian Carnival Group
Live Art Listings/Hybrid
46,000
Commission For Filipino Migrant Workers
66,000
13,957,200
Total Client Grants
BUILDING FOR THE ARTS
85 0
Bahia Radar Projects
Chaconia
13,069,200
52 5
85 0
1,05 0
85 0
4,92 5
85 0
1,35 0
Dallaway Masquerade Band &
Cultural Association
Dalston Children's Centre
Dem Grove Mas Band
2,35 0
85 0
85 0
Alnwick District Playhouse Trust
1,500
Design In Mind
2,84 0
Barrow Borough Council
1,500
Ebony Steelband Trust
4,02 5
Bristol Old Vic Trust
6,000
Elimu Mas
3,52 0
Community Music
3,000
Emashi African Arts & Entertainment
Cultural Industries In Kirklees
3,000
Emergency Exit Arts
Double Edge Theatre Company
1,250
Fantasia International
East Street
Flamboyan Carnival Club
3,94 0
English Bridge Workshop
4,900
1,500
Flamingo Carnival Club
3,50 0
Friends Of The Storey Institute
2,000
Flyover Carnival & Social Club
1,15 0
Holborn Centre For The Performing Arts
3,660
6,000
Genesis Carnival Group
Hackney United Carnival Club
4,62 5
London Borough Of Bromley
4,000
2,000
Hibiscus Carnival Group
Hippos Mas Band
1,09 0
The Pakistan Welfare Association (Nelson)
2,500
Lion Youth Carnival Band
3,22 5
Pegasus Theatre
5,000
Mahogany Carnival Club
2,39 0
The Photographers' Gallcrv
3,100
Mangrove Steel Band
Carried Forward
50,910
Carried Forward
Ikon Gallery
Laing Art Gallery
SCHEDULE 1 ENGLAND
85 0
85 0
85 0
2,95 0
85 0
68 0
60,210
304,62 8
Brought Forward
Mas-O-Rama Arts
Masquerade 2000
Nostalgia Carnival Club
Pagans Carnival Group
Peoples War Carnival Band
Perpetual Beauty Carnival Club
Phoenix Carnival Costume Band
Pioneers Anti Their Offspring
South Connections
Splash Promotions
St Clement & St James Community Project
St Mary Of The Angels
Stamford Hill Carnival Club
Stamford Hill Harambee Carnival Club
Stardust Mas
Streetheat Carnival Samba Band
Sugumugu Sunday
Trinidad & Tobago Carnival Club
Tucano Productions
Twelfth Century Carnival Designs
West Indian Development Organisation
Yaa Asantewaa Arts Centre
E
60,210
1,850
1,850
850
850
1,890
3,525
850
850
2,800
850
2,590
2,340
1,350
850
2,250
850
890
2,050
850
49 625
850
2 9 130
£
304,628
£
Brought Forward
GREAT BRITAIN TOURING FUND :
LIVE ART COMMISSION S
GREAT BRITAIN TOURING FUN D
989000
- LIVE ART TRAVEL AND RESEARCH FUN D
Costume Designers Club
Sally Dawson
The Green Room
Simon Herbert
Institute Of Contemporary Arts
Inter Artes
Rob Le Frenais
David Leister
Gill Lloyd
Roland Miller
Paul Miskin
Michael Morris
Ivan Pope
Monica Ross & Anne Tallentire
Rivca Rubin
Shinkansen
Jane Turner
Mole Wetherell
Alexa Wright
Fiona Wright
72 6
50 0
450
750
1,350
500
687
480
500
500
750
500
700
755
600
572
300
500
750
500
MULTI-DISCIPLINARY UNALLOCATED
Brighton Festival Society
Ludus Dance Company
Routledge
12,370
12,000
4,000
3,000
GREAT BRITAIN TOURING FUND :
SMALL SCALE TOURIN G
19,000
YOUTH ARTS FUND
Aditi
British Federation Of Young Choirs
British Youth Opera
National Association Of Youth Theatres
National Youth Brass Band Of Great Britain
National Youth Choir
National Youth Dance Company
National Youth Music Theatre
National Youth Orchestra
National Youth Theatre Of Great Britain
National Youth Wind Orchestra
World Student Drama Trust
Young Persons Concert Foundation
Youth Clubs U .K.
21,000
14,000
20,000
24,000
159000
89000
10,000
15,000
20,000
20,000
12,000
20,000
18,000
22,000
14,702,86 3
NEW COLLABORATIONS FUN D
10,000
10,000
GREAT BRITAIN TOURING FUND :
OTHER PROJECTS
10,000
700
665
11,365
GREAT BRITAIN TOURING FUND :
LIVE ART COMMISSIONS
11,000
109000
5,000
49000
3,000
33,000
Carried Forward
745,66 3
Total Combined Arts
LIVE ART LISTINGS
Arnolfini G:dlery
Bluecoat Arts Centre
Contemporary Archives
Serpentine Gallery
Zap Art
49000
49300
5,000
5,000
18930 0
GREAT BRITAIN TOURING FUND :
Second Stride
SuAndi
Esther White
Blast Theory
The Green Room
Institute Of Contemporary Arts
PIP
Total Project Grants
239,000
Live Art Listings/Hybrid
£
714,993
714,993
`3 or 4 Composers'
Artangel Trust
Artists' Agency
Auditorium
Robin Blackledge
Blast Theory
Bobby Baker
The Blackie
Brindlyplace Arts Working Group
Choi Theatre
The Cholmondeleys
The Common Players
Costume Designers Club
Dogs of Heaven
The Drake Research Project
Edge Biennale Trust
Ferens Art Gallery, Hull
Frank Chickens
Housewatch
Ikon Gallery
Illuminations Interactive
Inter Artes
Intermediate Technology
David Leister
Locus +
Map Productions UK
Mayhew and Edmunds
Julian Maynard Smith & Patrick Keill
Alan Mclean & Nicholas Lowe
Carried Forward
5 9 00 0
10 9 50 0
3,37 0
17,50 0
3,21 0
8,30 0
30,00 0
2,897
18,500
2,040
20,000
8,000
30,000
13,500
22,625
199500
10,000
12,600
149100
5,000
4,785
5,000
2,500
49855
59000
59000
5,000
5,000
5,000
298,782
58/59
Brought Forward
298,-82
Jo Pearso n
Brought Forward
3,15 0
Platfor m
National Black Caucu s
25,000
Bisharka Sarker & \like Stubb s
4,000
Steve Shill & Phillip Mackenzi e
5,000
Trevor Stuar t
4,990
Windsor Fellowship
15,000
ARTS & DISABILITY - STRATEGIC INITIATIVE S
24,500
British Film Institut e
5,000
4,600
Bushv Kell v
385,422
750
The Disability Arts Magazin e
50,000
East Nlidlands Arts Board
CITIES OF CULTURE/ARTS 200 0
Dance 4
57,23 3
Cultural Diversity - Total Project Grants
Those Environmental Artists
Total New Collaboration s
£
44,12 8
13,10 5
Theatre Centre
Urban Strawberrv Lunc h
£
8,905
2,000
2,200
5,000
National Disability Arts Foru m
250,000
20,000
North West Arts Boar d
250,000
Katherine Walsh
400
-
420
Arts & Disability- Total Project Grants
81,170
CROSS DISCIPLINARY INITIATIVES
CULTURAL DIVERSITY - REVENUE CLIEN T
EDUCATION - STRATEGICAL INITIATIVE S
Minorities Arts Advisory Service
96,000
Bath College Of Higher Educatio n
British American Arts Association
5,00 0
20,000
Cultural Diversity - Project Grants
Charlotte Mason College
7,500
Cultural Diversity - American Connection s
De Montfort University
7,500
Design Dimensio n
2,000
Morenga Bambaat a
70 0
Black Voices
1,50 0
David Bryan
1,20 0
National Foundation For Educational
Research
4,000
Eddie Chambers
60 2
Makeda Coaston
1,27 0
Continuing Educatio n
Prakash Daswani
520
Paul Hamlyn Foundatio n
10,000
5,000
Pam Fraser Solomo n
400
Policy Studies Institute
10,000
Errol John
500
Trentham Books
Jakesh Mahey
200
Education - Total Projects Grant s
Joan-Ann Maynard
600
Ibrahim Osi-Efi a
National Institute Of Adult
700
6,000
77,000
POLICY & PLANNING - WOMEN IN THE ART S
Panchayat Partnership
2,000
Akina Mama Wa Afrik a
Percussion Academy Internationa l
1,500
Women in the arts - Project Grant
550
550
Jacob Ross
12,442
CULTURAL DIVERSITY - CHINESE ART S
POLICY & PLANNING - GENERAL PROJECT S
The Drake Research Projec t
English Stage Compan y
British Chinese Artists Association
4,488
Chinese Artists Associatio n
7,512
Khan Naseem Khan
12,000
6,00 0
50 0
5,00 0
Policy Studies Institute
14,10 0
Voluntary Arts Network
18,000
Policy Planning - Total Project Grant s
CULTURAL DIVERSITY - CONSOLIDATING BLACK ARTS
British Chinese Artists Association
3,580
Minorities Arts Advisory Service
4,48 0
Seed Publications
2,00 0
- Total Client Grant s
CULTURAL DIVERSITY - EUROPEAN CONNECTION S
Autograph
96,00 0
Total Cross Disciplinary Initiatives -
355,55 3
DANCE
1,01 1
NATIONAL CLIENT S
88 0
Black Women In Europe
Godfrey Brandt
1,53 0
Cultural Co-Operation
3,000
Royal Opera House
10,621,050
10,621,05 0
86 5
REVENUE CLIENTS
Barry Ford
560
Adzido Pan African Dance Ensembl e
Valerie Mason-John
480
Contemporary Dance Trus t
Bob Ramdhanie
259,553
Cross Disciplinary Initiatives
10,060
Anglo Chinese Arts Council
43,600
Cross Disciplinary Initiatives
- Total Project Gran t
1,300
English National Balle t
9,626
493,544
942,569
3,532,300
Northern Ballet Theatr e
822,258
Rambert Dance Company
906,514
CULTURAL DIVERSITY - STRATEGIC INITIATIVE S
Black Voices
Double Edge Theatre Company
Formation Film s
Rajan Hooper
George Matheso n
6,697,185
3,415
990
Aditi
600
Adventures In Motion Pictures
300
The Cholmondeleys
Minorities Arts Advisory Service
1,500
Carried Forward
8,905
SCHEDULE 1 ENGLAND
ANNUAL AND FRANCHISE CLIENT S
2,100
44,128
70,00 0
75,00 0
100,00 0
Community Dance And Mime Foundation
56,400
Carried Forward
301,400
17,318,23 5
Brought Forward
Creative Dance Artists Trust
E
£
301,400
17,318,235
15,111
£
£
Brought Forward
183,500
213,05 0
Aletta Collins
10,00 0
30,00 0
Dance Umbrella
141,546
DV8 Physical Theatre
105,000
Company Hamilton
Dance 4
82,625
Green Candle
50 0
Dance Productions
10,00 0
Kokuma
124,101
Dance Quorum
40,00 0
'The Kosh
164,267
Dance U .K.
Shobana Jeyasingh Dance Company
115,102
East Midlands Arts Board
10,00 0
The Featherstonehaughs
Fishpool
40,200
Siobhan Davies Dance Company
75,000
1,124,152
Glasshouses
NATIONAL DANCE AGENCIES
Greeu Candle
5,95 0
7,000
7,500
6,000
Birmingham National Dance Agency
40,000
Karen Greenhough
10,000
Dance 4
50,000
53,100
Suraya Hilal
Imlata
20,000
Dance City
The Place Theatre
59,000
Ine Dance Company
30,000
Thamesdown Dance Studio
78,000
26,500
Yorkshire. Dance Centre
50,000
Jonathan Burrows Group
Krakcel
Kumar Saswat
35,000
330,100
Total Client Grants
18,772,487
humari Nina
Maclennan I>anee And Company
NATIONAL DANCE AGENCIES' DEVELOPMENT
Arts Board South West
David Massingham
15,000
Motionhouse
Bi Ma Dance Company
5,000
Gregor v Nash
Brighton Dance Agency
10,000
Chisenhale Dance Space
10,000
Dance At Surrey
Dance U .K.
Newcastle Dance '92
Nightshift Dance Theatre
5,600
Asavari Pawar
16,000
10,000
6,700
4,500
30,000
3,50 0
40,00 0
2,50 0
15,00 0
5,00 0
5,000
Peter Badejo Dance Company
15,000
Essex Regional Dance Council
3,000
The Place "Theatre
25,200
Humberside Dance Agency
9,000
Pushkala Gopal And Unnikrishnan
42,000
London Borough Of Greenwich
8,000
Ricochet Dance Company
10,000
North West Arts Board
32,000
Rosemary Lee Projects
20,000
Salongo
10,000
Sakoba
15,000
Suffolk Dance
9,750
Shinkansen
133,350
Shobana Jeyasingh Dance Company
Nahid Siddiqui
AWARDS TO COMPOSERS
Siobhan Davies Dance Company
7,000
3,000
25,000
7,000
Glasshouses
8,000
Nikky Smedley
10,000
Sue Maclennan
8,500
Spectrum Project
10,000
The Place Theatre
7,600
Touchdown Dance
Rosemarv Lee Projects
12,000
Union Dance Company
5,500
18,00 0
Serious 8c Speakout
8,100
Ellen Van Schuylenburch
Trish Winter
2,500
V-T01
20,00 0
Vidusaka
40,00 0
Voltaire Chamber Ballet
15,00 0
5,00 0
46,700
BLACK DANCE DEVELOPMENT
Adzido Pan African Dance Ensemble
Badejo Arts
Peter Badejo
Wise Thoughts Dance Company
3,200
Prakash Yadagudde
18,000
Yorkshire Dance Centre
800
The Blackie
6,000
Kokuma
5,000
Zoots And Spangles
East Midlands Arts Board
Amici
20,000
London Arts Board
Arc Dance Company
38,000
Northern Arts Board
Artslab Too
15,500
The Place Theatre
5,000
5,000
Laurie Booth
34,00 0
Rosemary Butcher
14,000
Candoco
6,000
Carousel
15,000
Nigel Charnock
10,000
Emilyn Claid
60 0
30,00 0
MANAGEMENT PLACEMENT SCHEM E
Chisenhale Dance Space
INDEPENDENT DANCE PROJECTS
Bima Dance Company
5,50 0
928,150
33,000
Mira Balchandran-Gokul
5,00 0
Wcst Midlands Arts Board
500
8,380
11,500
8,500
13,193
6,110
48,183
NEW WRITERS FOR DANC E
Rosina Bonsu
3,00 0
Paul Wong
1,00 0
4,00 0
8,50 0
Michael Clark
12,500
Carried Forward
183,500
213,050
Carried Forward
1,193,383
60/61
E
Brought Forward
£
£
Brought Forward
20,200
1,465,693
Cormyall Regional Dance Council
1,500
5,000
£
1,193,383
EDUCATION AND OUTREACH PROJECTS
Aditi
7,000
Association Of British Orchestras
1,500
Dance 4
Dance At Surrey
Community Dance And Mime Foundation
1,500
Dance Cite
8,800
Contemporarv Dance Trust
2,500
Dance U .K.
5,000
English National Ballet
2,500
5,990
Phoenix Dance Company
6,000
Dance Umbrella
Dartington International Summer School
Yorkshire And Humberside Arts Board
1,000
Essex Regional Dance Council
3,500
Greenwich Dance Agency
2,000
Humberside Dance Agency
5,500
TRAINING PROJECTS AND PROMOTERS'
Kokuma
3,000
RESEARCH AND DEVELOPMENT
Midlands Arts Centre
3,000
2,50 0
22,000
Academy Of Indian Dance
3,000
Norfolk And Norwich Community Dance
Denise Armstrong
2,000
North West Arts Board
Birmingham National Dance Agency
10,000
The Place Theatre
Lynne Bristow
3,000
Neville Campbell
2,500
Thamesdown Dance Studio
Community Dance And Mime Foundation
4,500
Dance City
3,500
GREAT BRITAIN TOURING FUN D
Paul Douglas
3,000
- INDEPENDENT PROJECT S
460
Chitraleka And Company
George Dzikunu
500
The Cholmondeleys
1,750
Irie Dance Company
Nigel Hinds
600
Michael Hulls
2,000
International Workshop Festival
Judi McCartney
9,000
Maureen Mcgough
Jane Mooney
1,50 0
2,500
Catherine Nunes
Small Axe
V-Tol
15,00 0
2,00 0
3,00 0
10,00 0
5,00 0
1,586,833
20,359,320
Total Dance
DRAM A
Keyna Paul
400
Royal National Theatre Board
Claire Russ
1,500
Total Project Grants
300
500
The Place Theatre
Lauren Potter
3,80 0
11,85 0
35,000
750
Albie Ollivierre
Physical State International
1,500
86,140
Simon Dove
Carolene Hinds
1,500
NATIONAL COMPANIES
Royal Shakespeare Theatre
8,600
10,895,00 0
8,263,50 0
200
19,158,500
3,00 0
1,000
1,000
REVENUE CLIENT S
Salongo
Birmingham Repertory Theatre
650,00 0
Kumar Saswat
1,300
Bolton : Octagon Theatre Trust
248,50 0
Bristol Old Vic Trust
545,00 0
420,00 0
Shinkansen
500
Siobhan Davies Dance Company
Suffolk Dance
1,200
Coventry: Belgrade Theatre Trust
3,000
Exeter : Northcott Devon Theatre
Emmanuel Tagoe
1,000
Thamesdown Dance Studio
Fin Walker
5,000
Ipswich : Wolsey Theatre Company
280,00 0
2,000
Leeds Theatre Trust
768,00 0
Leicester Theatre Trust
798,00 0
Liverpool Repertory Theatre
520,80 0
Diana Warden
And Arts Centre
750
80,310
300,00 0
Liverpool : Merseyside Everyma n
Theatre Company
GREAT BRITAIN TOURING FUND
- CLIENTS
319,20 0
London International Festival Of Theatre
226,50 0
Adventures In Motion Pictures
The Kosh
35,000
London : Alternative Theatre Company
201,57 8
25,000
Northern Ballet Theatre
35,000
London : Caryl Jenner Production s
(Unicorn Theatre)
300,000
Rambert Dance Company
40,000
Siobhan Davies Dance Company
35,000
170,000
GREAT BRITAIN TOURING FUND
- INFRASTRUCTURE GRANTS
London : English Stage Company
London : Greenwich Theatre
840,000
London : Hampstead Theatre
199,500
London : Polka Children's Theatre
213,92 2
London : Talawa Theatre Company
250,000
London : Young Vic Company
473,000
186,500
Adzido Pan African Dance Ensemble
3,000
Manchester Young People' s
Arnolfini Gallery
Barbican Theatre
3,000
3,000
Manchester: Royal Exchange
Birmingham Dance Centre
2,500
Brewhouse Theatre and Arts Centre
1,200
Nottingham Theatre Trust
657,500
Bristol Community Dance Centre
Oldham Coliseum Theatre
2197000
Chisenhale Dance Space
4,500
3,000
Plymouth : Theatre Royal
493,000
Carried Forward
20,200
SCHEDULES ENGLAND
Theatre Company
Theatre Company
1,465,693
Carried Forward
415,000
1,300,000
10,825,000
19,158,500
Brought Forward
Salisbury Arts Theatre
Sheffield : Crucible Theatre Trust
Southampton Nuffield Theatre Trust
Stoke-On-Trent & North Staffodshir e
Theatre Trust
Tyne Theatre Trust (Northern Stage)
Watford Civic Theatre Trust
York Citizens' Theatre Trust
£
10,825,000
237,000
687,500
320,000
£
19,158,500
Brought Forward
Julie Ward
Maggie Warren
£
11,65 0
1,47 5
1,31 5
£
14,440
364,000
190,448
180,000
382,500
DRAMA DISABILITY PROJECT S
13,186,448
East Midlands Shape
Basic Theatre Company
Women's Theatre Group (Sphinx)
Carole Tweedy
3,00 0
1,10 0
1,00 0
5,500
10,600
THREE YEAR FRANCHISE COMPANIES (TOURING )
Actors Cabal
(Compass Theatre Company)
Actors Touring Company
Bath Arts Workshop
(Natural Theatre Company)
Black Mime Theatre
Black Theatre Co-operative
Century Theatre (Touring)
Cheek By Jowl Theatre Company
Double Edge Theatre Company
Forkbeard Fantasy Theatre Company
Gay Sweatshop
Gloria Theatre
IOU
Kaboodle Productions
Monstrous Regiment
Paines Plough
Pop Up Theatre
Red Ladder Theatre Company
Red Shift Theatre Company
Shared Experience
Tara Arts Group
Theatre de Complicite
Theatre Of Thelema
Trestle Theatre Company
DRAMA AND MIME PROJECT S
Gill Bond
Joff Chafer
Stuart Hawkes
Sarah Kemp
Mike Layward
Lesley Mills & Andrew Shimmin
Jon Palmer
Jo Verrent
1,240
1,250
1,225
1,405
1,305
2,000
1,575
1,650
3D Collaborative Theatre
Act Theatre Company
Action Transport Theatre Company
Altered States Theatre Company
Alison Andrews
Badejo Dance Company
Big Brum TIE Company
Breakout Theatre Company
Carib Theatre Productions
Centre For Performance Research
Chadwick & Hughes
Cindy Oswin
Clean Break Theatre Company
Collar And TIE
Compagnie Philippe Gaulier
David Glass Mime
Dodgy Clutch Theatre Company
Doo Cot
Emergency Exit Arts
Faulty Optic, Theatre Of Animation
Forced Entertainment Theatre
Co-Operative
Freakshow
Gambolling Guizers
Gate Theatre Touring
The Glee Club Performance Company
Gog Theatre Company
Graeae. Theatre Company
Simon Henderson
Hijinx Theatre Co-Operative
Alison Hodge
Inner City Theatre Company
Insomniac
International Arts
The Sally Jacobs Company
Keith Khan
Lambeth Children's Theatre Company
Little Angel Marionette Theatre
London Actors Theatre Company
London International Mime Festival
London Mime/Theatre
Mersevside Young People's
Theatre Company
Graeme Miller
Mime Action Group
Mind The Gap
Mockbeggar Theatre Company
Moving Stage Marionette Company
Mu-Lan Arts
Neti-Nett Theatre Company
New Breed Theatre
Norwich Puppet Theatre
Open Door Theatre
Carried Forward
11,650
Carried Forward
101,000
128,000
101,500
100,000
134,000
387,000
94,500
120,000
70,000
116,000
87,000
103,000
84,500
92,500
143,500
83,500
129,500
92,500
130,000
170,500
113,000
112,000
124,000
2,817,500
ANNUAL CLIENTS
Black Theatre Forum
Cambridge Theatre Company
Galactic Smallholdings
(Welfare State International)
International Workshop Festival
London : Lvric Theatre
Hammersmith Trust
London : Soho Theatre Company
Oily Cart Company
Oxford Stage Company
People Show
Theatre Centre
Women's Theatre Group
(Sphinx)
20,000
464,000
157,500
31,000
300,000
97,000
82,500
472,500
86,000
270,500
110,000
2,091,000
Total Client Grants
37,253,448
DRAMA EDUCATION PROJECTS
9,22 0
9,052
16,650
25,26 0
25,55 5
5,52 0
16,00 0
23,00 0
20,70 0
5,750
3,650
4,540
17,350
12,37 0
27,00 0
19,800
18,07 0
18,200
11,600
8,510
869,109
43,650
16,450
3,600
30,500
15,600
3,900
39,035
2,500
5,416
8,520
12,260
19,900
15,700
14,220
6,020
28,000
5,000
3,000
66,920
17,400
15,000
45,000
27,000
7,400
36,239
5,000
10,143
28,000
23,202
5,930
10,807
25,040
62/63
£
£
100,-05
1,841,68 8
L
£
Brought Forward
869,109
25,040
Open Hand Theatre Company
22,220
The Moving Picture Mime Show
7,00 0
Peta Lily Mime Theatre
14,000
New Perspectives Theatre Company
4,50 0
Pilot Theatre
20,800
Public Parts Theatre Company
6,445
Plain Clothes Productions
36,463
TNT (The New Theatre)
9,763
Y Touring
5,90 0
Pocket Theatre Cumbria
7,680
Proper Job Theatre Companv
22,500
Public Parts Theatre Companv
14,000
The Puppet Centre Trust
19,320
Puppetcrah
Brought Forward
134,31 3
THEATRE WRITIN G
5,816
PLAYWRIGHTS' ORGANISATION S
Right Size
31,500
New Playwrights' Trust
Show Of Hands Theatre Company
25,290
North West Playwrights ' Workshops
Smart Arts
1,000
Northern Playwrights Society
7,500
10,000
79500
Snarling Beasties Theatre Company
20,016
Theatre Writers' Union(West Midlands)
1,150
Station House Opera
399020
Yorkshire Playwrights
6,000
Steve Shill
Gary Stevens
Dorothv Talk
5,000
32,150
25,100
7,800
WORKING WITH A WRITE R
Talking Pictures
30,200
Altered States Theatre
Tamasha Theatre Company
37,020
Kneehigh Theatre Trust
Theatre Company Blab Blah Blah!
28,080
Theatre Of The Heart
15,530
Third Theatre
26,627
RESIDENT DRAMATIST ATTACHMENT
Token Gestures
11,700
Action Transport Theatre Company
8,000
Bristol Old Vic Trust
4,000
Tottering Bipeds
9,650
10,000
19,650
4,300
Umoja Theatre Company
Simon Vicenzi
35,000
Caryl Jenner Productions
4,000
35,000
Live Theatre Company
8,000
Volcano Theatre Company
10 9 270
Liverpool Repertory Theatre
8,000
Walk The Plank
48,970
Man in the Moon Theatre
8,000
Walks On Water
7,980
Merseyside Everyman Theatre Company
4,000
Watermans Arts Centre
3,937
6,000
Northcott Devon Theatre & Arts Centre
4,000
Paines Plough
4,000
Working Parts Theatre Company
Wrestling School
34,910
Pit Prop Theatre
4,000
Yorick Theatre Company
Yorkshire Theatre Company
29,220
Rent-a-Role Drama Service
8,000
19,780
Second Wave
4,000
Soho Theatre Company
4,000
Sphinx
4,000
Theatre Centre
4,000
4,000
1,571,158
BE BOLD SCHEME
Bolton : Octagon Theatre Trust
Bristol Old Vic Trust
25,000
Warehouse Theatre
Ipswich : Wolsey Theatre Company
25,00 0
Leicester Theatre Trust
20,000
BURSARIE S
London : Lyric Theatre Hammersmith Trust
20,000
Jane Beeson
3,000
Salisbury Arts Theatre
20,000
3,000
Watford Civic Theatre Trust
25,000
Michele Celeste
Len Collin
Rose English
Julian Garner
3,000
3,000
Paul Godfrey
3,000
Steve Gooch
3,000
Stewart Harcourt
3,000
Ray Herman
4,000
20,000
Daniel Holtom
3,000
Independent Theatre Council
2,000
Bryony Lavery
4,000
Insight Arts Trust
4 9 000
Gregory Motton
3,000
John Faulkner
4,000
Edward Moore
3,000
Johnnie Quarrell
3,00 0
Cheryl Robson
3,00 0
Peter Tegel
3,00 0
Sheila Yeger
3,00 0
Zindika
3,00 0
25,000
84,000
160,000
SPECIAL INITIATIVES
Coventry : Belgrade Theatre Trust
Double Edge Theatre Company
Galactic Smallholdings
(Welfare State International)
Northern Arts Board
20,000
490
35,000
85,490
SMALL SCALE TOURING
Durham Theatre Company
4,065
Half Moon Young People's Theatre
8 9 500
Lip Service
5 9 60 0
3,000
56,00 0
16,760
20,850
COMMISSION OR OPTION AWARD S
Breakout Theatre Company
1,78 4
The Medieval Players
Meeting Ground Theatre Company
31,860
Bruvvers Theatre Company
1,92 5
Carried Forward
100,705
Carried Forward
3,709
Louder Than Words Theatre Company
The Magnificent Theatre Company
SCHEDULE 1 ENGLAND
13,07 0
1,841,688
2,167,801
Brought Forward
£
3,709
£
2,167,801
Aletta Collins
2,00 0
Eastern Angles Theatre Company
4,050
Gay Sweatshop
2,500
GREAT BRITAIN TOURING FUN D
Graeae Theatre Company
1,921
- MIDDLE SCALE TOURIN G
Inner City Theatre Company
2,000
Cambridge Theatre Company
Interplay Theatre Company
Live Theatre Company
2,100
Lyric Theatre Hammersmith Trust
Louder Than Words Theatre Company
1,92 5
Liverpool Lunchtime Theatre
2,000
GREAT BRITAIN TOURING FUND NEW WRITIN G
M6 Theatre Company
1,996
Oxford Stage Company
Mockbeggar Theatre Company
1,250
Wrestling School
Molecule Theatre Company
Neti-Neti Theatre Company
2,400
Northumberland Theatre Company
Plain Clothes Productions
4,149
GREAT BRITAIN TOURING FUN D
2,023
-VENUE MANAGER DEVELOPMENT
Pop Up Theatre
Red Rag Women's Theatre
2,000
Arts Board South West
1,924
Rebecca Barker-Wyatt
Rent-a-Role Drama Service
2,500
Caryl Jenner Productions
1,60 0
Second Stride
2,000
Dorothy Talk
2,000
1,925
Ted Craig
East Midlands Arts Board
35 0
Second Wave
Eastern Arts Board
74 5
Theatre Alibi
1,925
Michael Lynas
24 7
Theatre of Thelema
1,750
Ruth Mackenzie
50 0
Trestle Theatre
2,000
Christine Mathews-Sheen
Vauxy Theatre
2,250
Penny McPhillips
50 0
50 0
Brought Forward
£
20,725
20,725
60,00 0
5,000
4,000
65,000
55,50 0
6,00 0
61 S00
2,50 0
60,797
SECOND PRODUCTION AWARDS
1,50 0
16 8
95 7
Jodi Myers
1,17 5
Derek Nicholls
Oxford Playhouse
1,00 0
2,50 0
47 8
Bristol Old Vic Trust
3,000
Patrick Sandford
Gloucestershire Everyman Theatre
3,000
Graham Sawyer
Half Moon Young People's Theatre
3,000
South East Arts Board
Live Theatre Company
3,000
Alistair Spalding
10 0
SAisbury Arts Theatre
3,000
Lou Stein
Wolsey Theatre Company
3,000
75 0
67 5
Women's Theatre Workshop
3,000
Sue Storr
Neil Wallace
21,000
WRITERS' WORKSHOPS
1,190
Liverpool Repertory Theatre
2,000
New Playwrights' Trust
North West Playwrights' Workshops
11,20 0
2,00 0
Dorothy Wilson & Maggie Saxon
1,00 0
50 0
30s445
2,452,91 7
Total Project Grants
50 0
Drama Total
1,000
930
38,706,36 5
RLM, VIDEO AND BROADCASTIN G
Paines Plough
2,885
ANNUAL CLIENTS
Theatre Centre
1,000
London Video Access
Warehouse Theatre
1,000
Total Client Grants
Women's Theatre Workshop
50 0
1,50 0
William Weston
Yorkshire And Humberside Arts Board
Black Theatre Co-operative
London New Play Festival
• 12,420
12,42 0
898
11,403
THEATRE TRANSLATORS' SCHEME
SMALL AWARDS
Sogand Bahram
2,80 0
Peter Collis
2,70 0
Free Fall Productions
1,500
Ian Cross
2,150
Gate Theatre Company
4,400
Tacita Dean
3,30 0
Parallel Existence
1,000
Susan Derges
2,00 0
Helena Goldwater
2,750
6,900
David Johnstone
JOHN WHITING AWARD
Rod Wooden
6,024
6,024
70 0
Sharon Morris
1,61 9
Monika Oechsler
4,000
George Saxon
4,711
Steven Scott
3,268
OTHER
Independent Theatre Council
£
2,275,247
29,99 8
1,322
1,322
GREAT BRITAIN TOURING FUND - LARGER CASTS
Century Theatre
20,725
Carried Forward
20,725
2,275,247
LARGE AWARDS
Noski Deville
5,539
Vivienne Dick
6,900
Nicole Hewitt
1,000
Carried Forward
13,439
29,998
64/65
E
£
£
Brought Forward
13,439
29,998
245,480
Sandra Lahire
9,000
Milch Foundation
Sarah Miles
3,617
Mostvn Gallen
William Raban
8,942
New Moves Across Europe
10,000
Lis Rhodes
6,774
Newcastle Dance '92
12,000
Kathleen Rogers
8,244
Nottingham Theatre Trust
15,000
Pan ProjewKaliwat)
10,000
The Place Theatre
35,000
8,000
50,016
ARTISTS' FILM & VIDEO INITIATIVES FUND
Brought Forward
Portfolio Gallen
Bristol Cite Council
3,500
Rekonstruktsiya Trust
Broadgate Estates
6,000
Riverside Studios
Cornerhouse
Institute Of Contemporary Arts
London Filmmakers Co-Operative
15,000
Royal National Theatre
4,920
Scottish Music Information Centre
7,500
5,000
5,000
10,000
40,000
5,000
10,000
The Showroom
6,000
14,500
John Storr
2,00 0
Pix
6,500
Surdhwani
Prema Arts Centre
1,500
Tara Arts Group
5,00 0
Pullit
3,013
Thamesdown Dance Studio
4,00 0
Cordelia Swann
3,850
The Prince's Trust
8,00 0
London Video Access
66,283
ARTISTS' FILM & VIDEO TOURING INITIATIVES
Thelma Holt
50 0
7,00 0
Tramway
25,00 0
Wise Taylor Partnership
15,00 0
Cinenova
5,644
World Circuit Arts
15,00 0
Film & Video Umbrella
4,900
International Initiatives
Ikon Gallery
8,000
- Total Project Grants
Institute Of Contemporary Arts
Kettle's Yard Gallery
London Video Access
Merseyside Moviola
Museum Of Modern Art
497,980
10,00 0
LITERATUR E
4,750
32,000
37,480
REVENUE CLIENT S
Arvon Foundation
82,34 3
10,000
Anvil Press Poetry
60,37 5
The Showroom
5,000
Book Trust
60,37 5
Weave
4,000
Carcanet Press
Password Books
659 200
Poetry Book Society
Poetry Society
46,000
121,774
GREAT BRITAIN TOURING FUND
Film & Video Umbrella
Merseyside Moviola
71,250
144,900
47,300
530,44 3
75,000
122,300
ANNUAL CLIENTS
Total Project Grants
390,371
Agenda & Editions Charitable Trust
Ambit
13,450
Total Film, Video & Broadcasting
402,781
Carcanet Press/PN Review
16,900
Federation Of Worker Writers
21,000
INTERNATIONAL INITIATIVES FUND
Accademia Italiana
Alhambra Theatre
Brighton Festival Society
8,000
35,000
6,000
British American Arts Association
129000
Centre For Performance Research
12,000
Circus UK
Como No!
10,000
Cornerhouse
Cultural Co-Operation
Dance Umbrella
De Montfort University
The London Magazine
London Review Of Books
Wasafiri
4,200
22,400
26,550
6,725
119,625
Total Client Grants
5,000
LITERATURE AND BROADCASTIN G
2,500
British Broadcasting Corporation
25,000
Peter Cutts
3,000
Sara Davies
15,000
European Stage Company
10,000
Folk-works
Interzone
8,400
650,068
10,000
Drill Hall Arts Centre
Expressions For Black Art Development
2,000
11,230
Green Shoots Productions
Heavy Entertainment
Trevor Mbatha
Sarah Pickthall and Pippa Marriott
105,000
4,995
3,710
11,300
6,050
14,000
2,000
Fruitmarket Gallery
5,000
Gay Sweatshop
Hull Time Based Arts
750
5,000
BURSARIES
International Theatre Link
8,000
Nadeem Aslam
6,000
Kala Chethcna Kathkali Troupe
10,000
Frances Gapper
6,000
Laing Art Gallen
15,000
Selma Hill
6,000
Latin American Arts Association
10,000
15,000
Mark Hudson
6,000
6 9 000
10,000
Firdaus Kanga
Jackie Kay
245,480
Carried Forward
36,000
London Theatre Ensemble
Lux Europae
Carried Forward
SCHEDULE 1 ENGLAND
£
147,055
6 9 000
147,055
Brought Forward
36,000
Sarah Maguir e
6,000
147,055
LITERATURE DEVELOPMENT WORKER S
Katrina Porteou s
6,000
Arts Board South Wes t
Kate Pullinge r
6,000
East Midlands Arts Board
12,000
Lawrence Sai l
6,000
Eastern Arts Boar d
12,000
Manny Shiraz i
Roy Watkin s
6,000
London Arts Board
7,000
6,000
North West Arts Board
7,000
Northern Arts Board
7,000
South East Arts Board
7,000
Southern Arts Boar d
7,000
72,000
CULTURAL DIVERSIT Y
Brought Forward
Africa Centr e
3,000
West Midlands Arts Board
Borough Of Luto n
3,000
Yorkshire And Humberside Arts Boar d
Commonwealth Institute
7,500
Culture Waves
4,000
Dangaroo Pres s
6,450
University Of Kent At Canterbur y
Dedalus
Forest Books
Littlewood Arc
Mantra Publishing
29,450
Norvik Pres s
Peepal Tree Press
CLIENT DEVELOPMEN T
8,500
Password Books
8,000
7,000
12.000
SMALL PRESS SCHEM E
5,000
500
Arvon Foundatio n
7,000
85,00 0
Fund To Acquire Royal Commonwealth
Librar y
404,455
Stride Publications
10,000
8,000
5,000
18,000
5,500
14,000
5,000
65,500
16,500
TRANSLATION FUN D
Absolute Press (Publishers )
DISABILITY PROJECTS
Atlas Press
13,221
800
Artshare Avo n
5,890
Bloodaxe Books
Clearvision Project
2,000
British Centre For Literary Translatio n
Royal National Institute For The Blin d
6,000
Dedalus
Snowball Arts
5,380
5 .730
Forest Books
7,095
Fowler Wright Books
1,100
University Of Bristol
25,000
EDUCATIO N
National Assoc . for the Teaching of English
22,30 0
6,580
50,000
6,645
Index On Censorship
7,500
International Sacred Literature Trust
1,000
Jonathan Cap e
2,500
Katabasis
1,140
National Association Of Writers In Education
9,00 0
King's Colleg e
13,475
Open University
1,60 0
Making Waves
1,200
Westminster College
2,00 0
Peter Owen
2,500
Poetry Society
2,000
Portsmouth City Counci l
1,800
34,900
GRANTS TO WRITERS
Readers International
Quartos Magazine
1,50 0
Society Of Authors
15,00 0
Writers Forum
Serpent's Tail
3,00 0
19,500
4,610
14,000
Stand Magazine
2,500
Sunk Island Publishing
1,785
The Translators Association
4 .000
145,451
LIBRARIE S
Birmingham City Counci l
4,000
WRITERS AND PRISON S
Bradford Libraries And Information Servic e
6,100
H . M . Prison Bristo l
5,000
Buckinghamshire County Counci l
4,000
H . M . Prison Norwich
5,00 0
City Of Coventry
3,000
H . M . Prison Risley
5,00 0
H . M . Prison Shepton Malle t
5,00 0
Hereford And Worcester County Counci l
10,000
Knowsley Metropolitan Borough Counci l
3,000
H . M . Prison The Mount
5,00 0
5,000
H . M . Prison Wellingborough
5,00 0
Liverpool City Council
3,800
Southern Arts Board
5,00 0
Royal County Of Berkshir e
4,00 0
Somerset County Council
5,650
Leicestershire Libraries & Information Servic e
35,000
GENERAL PROJECT FUN D
48,550
LIBRETTI FUN D
Aldeburgh Foundation
5,000
Cheltenham Arts Festivals
5,000
Richard Drain
1,500
11,500
The Association Of Little Presses
5,00 0
Michael Horovit z
5,00 0
The National Life Story Collection
5,00 0
Outposts Poetry Quarterly
2,00 0
Password Books
2,60 0
Reading University
2,50 0
South Bank Board
15.000
37,10 0
Carried Forward
404,455
Carried Forward
772,50 6
66/67
Brought Forma rd
%-2,506
COMPOSERS IN ASSOCIATIO N
GREAT BRITAIN TOURING FUND
Apples & Snakes
Arts Board South West
East Midlands Arts Board
49,96 4
Brought Forward
15,000
11,350
Halle Concerts Society
Young Concert Artists Trust
10,00 0
8,000
2,800
18,000
Eastern Touring Agency
2,750
COMPOSER'S BURSARIE S
Northern Arts Board
5,000
5,000
Steve Arguelles
1,950
Poetry Societe
Michael Gorodecki
1,750
Southern Arts Board
3,500
Gabriel Jackson
2,000
The Write Thing
5,000
John Kefala-Kerr
2,000
Roger Marsh
3,500
Roger Redgate
4,000
Paul Robinson
1,800
Jane R'ells
3,000
50,400
Total Project Grants
822,806
Total Literature
1,472,974
MU81C
20,00 0
NATIONAL CLIENTS
English National Opera
Royal Opera House
MUSIC & DISABILITY
11,371,207
The Ark
8,330,660
Genie Cosmas
19,701,867
REVENUE CLIENTS
The Drake Research Project
10,500
214,289
Huddersfield Contemporary Music Festival
194,616
Mind The Gap
Early Music Centre
Eastern Orchestral Board
Halle Concerts Society
Jazz Services
4,000
469550
50,50 0
1,388,398
ELECTRO-ACOUSTIC BURSARIE S
City Of Birmingham Symphony
Orchestra
7,500
12,500
Asian Music Circuit
Bournemouth Orchestras
69000
Heart And Soul
African & Caribbean Music Circuit
Bath Festival Society
10,000
1,126,250
73,140
326,180
1,226,918
127,409
David Benke
3,000
Peter Bowcott
39000
Joe Cutler
2,000
Martin Hickey
19500
Tim Howle
2,200
Michele McCormack
2,200
London Philharmonic Orchestra
1,062,000
Sarah Rodgers
1,500
London Symphony Orchestra
1,110,880
David Sheppard
Tom Williams
2,300
2,500
Northern Sinfonia ConcertSociety
Opera North
The Philharmonia
Royal Liverpool Philharmonic Society
613,535
3,721,478
400,000
Sonic Arts Network
100,000
Sinfonietta Productions
EARLY MUSIC PROJECT S
1,386,460
Royal Philharmonic Orchestra
Society For The Promotion Of New Music
20,200
700,000
Academy Of Ancient Music
Malcolm Bruno
50,000
401,316
14,269,439
ANNUAL CLIENTS
1,000
400
Collegium Musicum 90
2,000
The Consort Of Musickc
3 9 000
Early English Opera Society
2,500
Early Music Centre
5,500
Florilegium
2,000
British Music Information Centre Trust
37,500
Fretwork
2,500
National Federation Of Music Societies
20,000
7 9 600
His Majesties Sagbutts & Cornetts
1 9 000
London Bach Society
3,000
National Youth Jazz Orchestra
Opera Factory
120,000
Musica Secreta
2,000
Westminster City Council
2239 510
Musical Offering
2,00 0
Orchestra Of The Golden Age
4 9 00 0
Orlando Consort
1,00 0
Purcell Quartet
2 9 00 0
Redbyrd
4,00 0
Rose Consort Of Viols
1 9 00 0
Sinfonye
4,00 0
Tallis Scholars Trust
2,00 0
Tragicomedia
1,00 0
Youth And Music
489 030
456,640
Total Client Grants
34,427,946
ANIMATEURS/EDUCATION
Access To Music
9,394
Bhavan Centre
Folk South West
2 + 400
Halle Concerts Society
3,700
National Federation Of Music Societies
Northern Arts Board
3,170
Northern Sinfonia Concert Society
2,500
2,500
Performing Right Society
1 9 500
Sinfonictta Productions
1,500
Sound Sense
South West jazz
Yorkshire And Humberside Arts Board
45,900
800
EASTERN REGION DEVELOPMENTS
Eastern Arts Board
66,000
IMPROVISED MUSIC TOURING
15,000
3,500
4,000
49,964
Carried Forward
SCHEDULE 1 ENGLAN D
66 9 00 0
49,964
Arc
Bevan/:Noble/Rogers Trio
2,13 6
Birdyak
1,15 5
Conspiracy
2 9 40 6
Carried Forward
7,184
1,48 7
270,564
Brought Forward
7,184
Double Whamm y
2,256
Embers
Fourie r
270,564
Brought Forward
66,50 0
1,500
1,924
Christopher Hyde-Smith & Jane Dod d
I Fagiolin i
3,100
JDM Artists' Managemen t
6,62 5
Jenkins/Noble/Bellatall a
1,848
Eleftheria Kotzia
Klang!
1,050
Kumar Saswat
4,00 0
Minton/Butcher/Hirt
2,045
London Festival Orchestr a
1,500
Rive t
1,896
Moving Forward
2,87 5
Those Who Celebrat e
Tomlinson/Turner/Tucke r
1,679
New Mozart Ensembl e
2,00 0
2.502
No Strings Attache d
25,484
JAZZ BURSARIES
1,650
60 0
650
Northern Sinfonia Concert Societ y
3,500
Nottingham Theatre Trus t
5,000
Peter O'Hagan
1,800
Steve Arguelles
1,800
The Philharmonia
Christopher Biscoe
Karen Boswall
1,440
Piano Circus
1,500
Pimlico Opera
4,000
Gary Boyle
2,000
The Rehearsal Orchestr a
2,500
Jon Corbett
1,700
Sclfmade Music Theatre
2,000
Patrick J . Crumly
1,000
Serious & Speakou t
7,000
Ben Davis
Shobana Jeyasing h
3,000
Elton Dea n
1,000
1,200
6,250
Michele Dree s
1,200
Sinfonietta Production s
Sirinu
Antonio Forcion e
1,000
South Bank Boar d
5,000
500
10,250
2,300
Adrian Ingram
Billy Jenkin s
150
Angel Stankov
3,500
500
Trio Of London
2,500
Alex Maguire
900
Robert van Sice
John Wallac e
3,000
3,500
Philip P. Mille r
1,000
Phil Minto n
800
Westminster City Counci l
1,500
Mary Oliver
250
Women In Musi c
Roger Woodwar d
2,000
Michael Ormisto n
1,500
Michael J . Pyn e
750
George Ricc i
360
Mary Schwarz
2,000
160,000
250
NON-WESTERN MUSI C
Nicky Scott-Francis
1,000
Apna Art s
Nick Stephen s
1,000
Arts Administration
Andrea Vicari
1,000
Tim Wells
1
700
5,000
4,000
Association Of British Calypsonian s
Bana Ok
5,000
3,000
Veryan Weston
1,000
Black Music Industry Association
2,000
Adrian York
1,000
Black Survivors Promotion s
2,000
Cultural Co-Operation
1,500
De London Production s
2,500
East West Arts
Ebony Steelband Trus t
1,500
2,200
Eve Of Shiva
4,000
Gaspar Lawal And The Oro Ban d
5,000
Half The Sky
2,500
Juwon Ogungbe Ensemble
2,000
25,000
LONDON BASED CHAMBER ORCHESTRA S
City Of London Sinfoni a
49,761
Orchestra Of St . John's Smith Square
38.025
87,786
MUSIC COMMISSION S
Aldeburgh Foundatio n
10,000
Sara Krish
5,000
Association Of British Orchestras
5,000
Landon Chinese Orchestra
4,000
Athelas Ensemble
2,000
Teddy Ose i
1,250
Australian Chamber Orchestra
4,000
P.A.A .M .A .
2,500
BASBWE Education Trus t
2,000
Barbara Pukwan a
3,000
Bath Festival Society
3,000
Nitin Sawhney
2,500
Timothy Bon d
1,200
Serious & Speakou t
2,250
Bournemouth Orchestra s
18,000
Abdul Rahman Tejan-Jallo h
2,600
Uk Circuit For Indian Classical Music
4,500
Tim Brady
1,500
Brindisi Quartet
1,000
Umkhambathi
3,000
Britten String Quartet
3,000
WOMAD Foundatio n
4,000
Chameleon
1,750
World Circuit Arts
2.000
Michael Chanc e
1,800
City Of London Sinfoni a
3,500
Philip Crozier & Sylvie Poirie r
1,000
Georgina Dobre e
408,83 4
78,800
OPERA COMMISSIONS/DEVELOPMENT/PROJECT S
750
Blackheath Concert Halls
4,000
Duo Contemporai n
1,500
Buxton Festival Opera
Groupe De Musique Experimentale De Marse
3,000
Buxton International Festival
Judith Hall
2,500
Cavatina
8,000
Carried Forward
66,500
Carried Forward
32,000
408,834
5,000
15,000
647,674
68/69
Brought For ward
£
32,000
£
647,674
Brought Forward
£
145,124
Circus Space
2,500
Unicorn Kanchana Records
11,00 0
Cultural Industry
5,000
4,000
Unknown Public
4,000
10,52 0
English Bach Festival Trust
13,360
Wondrous Music
2,680
English National Opera
69,000
World Circuit Records
7,500
Directors
Huddersfield Contemporary Music Festival
4,500
Jane's Minstrels
5,000
Matrix Ensemble
The Wire Magazine
1W,824
6,500
MUSIC FOR SMALL GROUP S
Mecklenburgh Opera
41,160
Julian Arguelles
Modern Music Theatre Troupe
12,500
Balanescu String Quartet /
5,000
National Youth Music Theatre
7,500
Steve Buckley
19235
Opera Circus
7,000
Combattimento
4,500
Pimlico Opera
6,500
Concert Royal
Ra-Ra Zoo
2,500
The Dufay Collective
Theatre Centre
Womens Playhouse Trust
Robinson/Bashorun
250
Music Theatre Wales
Royal Opera House
25,000
Phil Durrant
900
Ensemble Tromboncino
25,000
Peter Fairclough
274 9 920
Grand Union
Charlie Griffiths
PERIOD INSTRUMENT ENSEMBLES
3,000
500
4,300
500
1,350
625
4,000
500
Guildhall String Ensemble
5,000
Birmingham City Council
20,000
Andy Harewood
1,000
Corn Exchange, Cambridge
10,600
Harmonic Band
3,000
Derby City Council
5,800
George Haslam
1,000
Early Music Centre
5,000
Hodgkinson/Hyder Duo
4,500
The English Concert
8,020
I Fagiolini
2,500
Gabrieli Consort And Players
13,000
Jazz Expo
Hanover Band
10 9 000
2,000
Jazz Services
1,500
Ed Jones
1,500
5,000
Tommy Jones
10,000
Jan Kopinski
750
1,000
Les Vents Devienne
2,100
King's College
The King's Consort
London Classical Players
New London Consort
Orchestra Of The Age Of Enlightenment
39 000
55,000
120
500
8,000
Ignacio Lozano
Alex Maguire
Salisbury Festival
11,150
Matrix Ensemble
2,750
St Edmundsbury Borough Council
11,500
The Music Group Of Manchester
3,000
St James' Baroque Players
11,700
Musica Secreta
2 9000
4,370
Raglan Baroque Players
189,770
Orbestra
Jeremy Phillips
Sue Plain
RECORDINGS
800
250
450
Academy Sound And Vision
5,000
Eddie Prevost
1 9500
Bitter And Twisted Records
2,115
Joe Robinson
Black Voices
4,000
Pete Rosser
120
750
Bridge Records
12,000
Richard Scott
Smith Quartet
600
2 9365
Tapestry
David Taylor
2,100
4,500
2,000
Theo Travis
1,000
Marcus Vergette
Tim Whitehead
1,000
Chandos Records
6,500
Chinese Cultural Centre
1,226
Clarinet Classics
Claudio Records
Collins Classics
20,000
Continuum
14,000
300
750
ECM Records
4,000
Etcetera Records
5,000
Folk Roots Magazine
3,000
AWARDS TO TRAINEE CONDUCTOR S
Intakt Records
5,000
Mark Forkgen
10,000
Leo Records
2,200
London Philharmonic Orchestra
10,000
Lontano
7,420
Mrs Casey Records
2,400
Nubian Records
5,000
GENERAL PROJECT S
Ovatones
7,500
Stephanie Antoine
Pig's Whisker Music
3,000
Association Of British Orchestras
20,000
Jonathan Poku
4,000
Bournemouth Orchestras
50,000
Riverboat Records
7,000
Ben Brako
Nitin Sawhnev
7,500
British Arts Festivals Association
Slam Productions
4,763
English National Opera
Nana Tsiboe
6,000
Fountain Theatre
100
Carried Forward
78,120
Carried For ward
SCHEDULE 1 ENGLAND
145,124
£
1,112,32 4
69,335
20,000
1,112,324
2,000
520
2,000
3,500
1,382,483
Brought Forward
Jazz North West
E
78,120
£
1,382,483
990
£
Brought Forward
DRAMA PROJECTS
Musicians' Union
8,650
Birmingham Repertory Theatre
National Folk
2,500
Bradford Theatres
20,00 0
1,000
Channel Theatre Company
15,00 0
Communicado Theatre Company
30,00 0
Edinburgh International Festival
80,00 0
Millstream Touring
30,00 0
New Shakespeare Company
99,00 0
The National Music Council
Northern Sinfonia Concert Society
Mark Ringwood
Royal Philharmonic Society
Sinfonietta Productions
10,000
600
5,000
600
5,00 0
Welsh National Opera
15,000
Northern Broadsides
17,000
Westminster City Council
15,000
Odyssey Theatre
53,650
The Posse
48,50 0
Women In Music
150
137,610
GREAT BRITAIN TOURING FUND
Royal Exchange Theatre Company
9,70 5
Royal National Theatre
15,144
Royal Shakespeare Company
26,500
The Beaujolais Band
2,000
Shared Experience
13,50 0
Como No
3,000
Talawa Theatre Company
13,30 0
Thelma Holt
30,00 0
Early Music Centre
Grupo Palante
Jazz Services
16,000
3,500
The Touring Partnership
20,195
7,50 0
Tramway
28,00 0
Negrocan
2,205
Trestle Theatre Company
35,00 0
Reasonable Management
5,000
Watershed Productions
13,30 0
Dominique Roome
7,100
Samadhi Music
Serious & Speakout
S90,099
10,00 0
10,000
MARKETING
79,000
Arts About Manchester
51 5
Arts Centre
4,40 0
Arts Marketing Company (HMCo) .
5,05 5
Arts Marketing Hampshire
2,735
TOURING
Birmingham Arts Marketing
2,51 5
REVENUE CLIENTS
700,000
Canterbury City Council
Eastern Touring Agency
540,000
English Shakespeare Company
1,599,093
Total Project Grants
Total Music
Opera North
Royal Shakespeare Company
Welsh National Opera
36,027,039
3,600,000
4,840,000
ANNUAL CLIENTS
City Of Birmingham Touring Opera
English National Ballet
2,40 0
MAX - Marketing The Arts In Oxfordshire
2,01 5
Midlands Arts Marketing
5,51 5
Rona Fineman
90,000
50 0
Hull New Theatre
Pam Jarvis
157,500
5,00 0
16,56 5
70 5
15 0
5,750
English Shakespeare Company
400,000
New Century Theatre
Rambert Dance Company
Glyndebourne Productions
834,000
Royal Exchange Theatre Company
London City Ballet Trust
250,000
Royal Lyceum Theatre Edinburgh
Royal Exchange Theatre Company
100,000
Sussex Arts Marketing
5,50 0
Talawa Theatre Company .
The TEAM
2,00 0
Millstream Touring
58,000
Royal National Theatre
200,000
English Touring Opera
620,000
Scottish Ballet
116,00 0
Scottish Opera
364,440
1,50 0
55 0
97 5
3,01 5
67,360
OPERA PROJECTS
3,189,940
Total Client Grants
£
126,400
8,029,940
English Touring Opera
5,00 0
Sheffield Lyceum Theatre
4,000
9,00 0
DANCE PROJECTS
Adventures In Motion Pictures
The Cholmondeleys
15,000
VISITING ARTS
6,000
Dance Umbrella
10,400
Voltaire Chamber Ballet
10,000
Visiting Arts
170,00 0
41,400
INTERNATIONAL PROJECTS
Dual Control Theatre Company
40,000
Tramway
45,000
170,00 0
VENUE DEVELOPMEN T
The Green Room
5,50 0
Theatre Royal (Norwich) Trust
5,00 0
Watford Civic Theatre Trust
7,40 0
17,70 0
85,000
GREAT BRITAIN TOURING FUN D
- DANCE CLIENTS/PROJECT S
Adzido Dance Company
Carried Forward
126,400
37,00 0
The Cholmondeleys
67 30 0
Carried Forward
43,300
980,559
70/71
£
I
£
Brought Forward
43,300
980 .559
Dance 4
10,100
GREAT BRITAIN TOURING FUN D
Dance L"mbrella
33,500
- VENUE DEVELOPMEN T
English National Ballet
30,000
Arts Centre
18,740
Janet Smith
15,000
Barrow Borough Council
12,500
The KOSH
25,000
Brighton Theatre Royal
London Arts Board
Steven Patmore
Phoenix Dance Compant
The Place Theatre
150,000
4,800
26,000
3,000
10,00 0
Cre-,ye Lyceum
15,00 0
30,00 0
Second Stride
10,000
Shobana Jeyasingh
12,500
The Green Room
Vidusaka
6,000
Leicester Arts Centre
369,200
- DRAMA CLIENTS/PROJECTS
7,00 0
7,00 0
25 9 00 0
Merseyside Everyman Theatr e
Company
GREAT BRITAIN TOURING FUND
5,000
Chichester Festival Theatr e
- Minerva Studio
Crucible Theatre Trust
Dance City
Newcastle Theatre Royal
20,000
25,000
The Nia Centre
25,000
Bill Kenwright
10,000
Nottingham Theatre Trust
309000
Carnival Theatre
66,000
Oxford Playhouse
139000
English Shakespeare Company
Watershed Productions
200,000
26,700
Theatre Royal, Bury St . Edmunds
8,000
Worthing Connaught Theatre
5,000
302,700
2 9 7869639
Total Touring
- INTERNATIONAL PROJECTS
Centre For Performance Research
256,240
Total Project Grants
GREAT BRITAIN TOURING FUN D
13,400
10,816,579
TRAINING
London International Mime Festival
5,000
ANNUAL CLIENT S
Theatre Centre
Thelma Holt
2,500
Fooltime Centre For Circus Skills
26,600
National Opera Studio
Vidusaka
24,000
Arts Training South
71,500
40,000
110,000
20,000
Total Client Grants
170,000
GREAT BRITAIN TOURING FUND
INDIVIDUAL BURSARIE S
- OPERA CLIENTS/PROJECTS
Ajaykumar
2,77 5
Crystal Clear Opera
15,000
Lorna Anders
3,00 0
D'Oyly Carte Opera Company
30,000
Jillian Barker
1,00 0
Janet Blake
2,50 0
Pamela Bone
5,00 0
Sue Broadway
3,00 0
Cris Cheek
2,00 0
English Touring Opera
150,000
Music Theatre London
20,000
Opera North
130,000
Pimlico Opera
59 800
Scottish Opera
22,200
Moss Cooper
5,000
110,000
Mark Courtice
1 9 500
Susan Derges
1 9 000
Allan deSouza
2,250
GREAT BRITAIN TOURING FUND
Rachel Feldberg
1,940
- PROMOTER DEVELOPMENT
John Harris
Welsh National Opera
483,000
Bush Hartshorn/The Green Room
500
750
Guy Holland
1 9 500
Crucible Theatre Trust
750
Brian Jones
2,660
Simon Dove
500
Joanna Jones
1,750
Charles Easmon
480
Stephen Littman
29300
George Matheson
Oxford Playhouse
300
Dick McCaw
69000
440
Kamaljit Nandra
1,500
Sheffield City Council
4,600
Ingrid Pollard
1,500
Sheffield Lyceum Theatre
1,900
Steven Richardson
2,000
Alan Stanbridge
250
Edward Sayer
3,500
Theatre Royal Bath
500
Gottfried Schmidt
1,500
Folake Shoga
3,000
Yinka Shonibare
2,000
GREAT BRITAIN TOURING FUND
Anthony Warcus
2,500
- ORCHESTRAL TOURING
Julie Ward
2,600
10,470
London Philharmonic Orchestra
1669209
Tim Webb
1,940
London Symphony Orchestra
124,146
Yasmin Whitehouse
1,900
Royal Philharmonic Orchestra
22,615
Josephine Maria Wilson
3,000
312,970
Carried Forward
SCHEDULE1 ENGLAND
£
2,530,39 9
Brought Forward
2,530,399
72,615
Carried Forward
72,615
72,615
Brought Forward
RAB DEVELOPMENT
Arts Board South West
25,000
Brought Forward
142,540
Rebecca Oliver
12,000
Garfaith Pang
8,000
8,000
Arts Training South
5,000
East Midlands Arts Board
4,100
Mary Peate
Donald Rodney
Eastern Arts Board
5,000
Indhu Rubasingham
London Arts Board
5,000
Rachel Shaw
Newcastle Upon Tyne Polytechnic
5,000
Justine Simons
8,000
North West Arts Board
5,000
Helen Soo
8,00 0
West Midlands Arts Board
5,000
Joe Sumsion
8,00 0
Yorkshire And Humberside Arts Board
5,000
258,21 5
1,750
8,000
12,750
217,04 0
64,100
RESEARCH AND MANAGEMEN T
Total Project Grants
475,25 5
Total Training
645,25 5
DEVELOPMENT PROJECT S
Administration Research Training Servic e
3,50 0
VISUAL ARTS
Centre For Arts Managemen t
4,00 0
REVENUE CLIENT S
De Montfort University
1,50 0
Arnolfini Gallery
Independent Theatre Council
The Management Centre
14,00 0
Free Form Arts Trus t
2,00 0
25,000
SPECIAL INITIATIVE S
Aditi
Black Mime Theatre
Centre For The Expressive Art s
10,000
220,000
60,000
Ikon Gallery
263,500
Museum Of Modern Art
321,500
The Photographers ' Galler y
299,500
Serpentine Gallery
218,000
Whitechapel Art Galler y
426,250
500
1,808,750
City University
3,000
2,500
ANNUAL CLIENT S
De Montfort University
7,500
African And Asian Visual Artists Archive
35,000
Deaffivorks
2,000
Attic Producers Publishing Co
20,000
Kevin Finna n
4,500
Autograp h
50,000
Kneehigh Theatre Trus t
3,000
Axi s
30,000
Pamela Maragh
4,500
5,000
Creative Camer a
52,100
Edge Biennale Trust
94,650
Merseyside Moviola
Newcastle Upon Tyne Polytechni c
Francesca Penzan i
10,000
4,500
Edward Philpot t
4,500
Physical State International
1,500
Pioneer Theatre s
10,000
Southern Arts Board
50 0
Theatrical Management Associatio n
Them Wifies
70,000
Ten .8
46,000
397,750
ARTS DEVELOPMENT STRATEGY CLIENT S
8,000
Royal College Of Art
Royal College Of Ar t
10,00 0
5.00 0
Contemporary Art Society
30,000
Stoke City Museum And Art Gallery
22,000
Walsall Art Gallery
30,00 0
Wolverhampton Art Gallery
15,000
97,00 0
96,500
2,303,50 0
Total Client Grants
TRAINEESHIP S
INIVA FRANCHISE S
Jeanette-Rose Akua En o
Mohammed Barri e
11,90 0
2,000
Rasheed Araee n
6,00 0
Rosemary Birtwel l
Tim Brow n
12,000
Black Umbrella
54,00 0
8,000
Eddie Chambers
6,00 0
Valerie Brow n
1,750
Eddie Chambers
54,000
Helen Cadwallader
8,000
Sunil Gupt a
Jacqueline Caine s
8,000
The Organisation For Visual Art s
Gemma Clarke
8,000
Venu Dhupa
Emma Donova n
8,000
8,000
BLACK VISUAL ARTS EXHIBITIONS FRANCHISE S
Tony Ge e
3,500
ACFF (Assoc . Of Caribbean Families
Penelope Goate r
Daniel Hadle y
8,000
Rachel Harlan d
Richard Hylton
10,000
Rahme Ibrahim
8,000
Rehana Kapadia
8,00 0
Abigail Leec h
8,00 0
Jacob Lushingto n
8,00 0
EXHIBITIONS AND EVENT S
Jakesh Mahe y
1,50 0
Artangel Trust
15,000
Martin Oate s
3,500
Bluecoat Gallery
12,250
Carried Forward
27,250
Carried Forward
6,000
54,000
180,000
& Friends)
9,500
8,000
9,500
ENVIRONMENTAL PROJECT S
390
142,540
Projects Environment
2,000
2,000
258,215
191,50 0
72/73
Brought Forward
Camden Arts Centre
Camerawork
L
£
27,250
191,500
31000
5,000
Eddie Chambers
9,725
Chisenhale Gallery
17,000
Common Ground
7,000
15,000
Cornerhouse
Hoye Museum And Art Gallery_
In-Valid
6,000
6,000
James Hockey Gallery
3,000
Look
3,430
Metro Cinema
4,500
Middlesbrough Art Gallery
2,000
The New Contemporaries (1988)
10,00 0
Virginia Nimarkoh
10,000
:Norfolk Institute Of Art & Design
Norwich Gallery
October Gallery Trust
Rochdale City Art Gallery
Naomi Salaman
The Showroom
South London Art Gallery
UK Artnet
Women Artists Slide Library
18,000
Manuel Cardenas
Brought For ward
£
£
24,500
666,632
3,000
3,500
31,000
DISABILITY PROJECT S
National Society For Education In Art
& Design
3,000
3,000
STRATEGIC INITIATIVE S
- INTERACTIVE MULTIMEDI A
Open E e Gallery
y
Stephen Willats
3,00 0
2,00 0
5,000
STRATEGIC INITIATIVE S
- PHOTOGRAPHY EDUCATIO N
Birmingham Institute Of Art & Design
4,000
16,500
6,000
Bretton Hall
7,000
14,000
8,565
3,500
206,470
99 2
Media Education Magazine
2,000
Monocrone
1,69 3
Northumberland County Council
8,000
Signs Of The Times
3,000
The Art Of Change
3,000
Wakefield District Council
4,410
Watershed Trust
MAGAZINES
12,00 0
500
Art Monthly
24,000
West Sussex County Council
4,000
Audio Arts
11,000
Yorkshire And Humberside Arts Board
2,000
Durian Publications
18,000
Feminist Art News
19,000
Kala Press
47,000
Women Artists Slide Library
20,000
41,59 5
STRATEGIC INITIATIVES
- PHOTOGRAPHY GENERA L
Festival Of Women's Photography
139,000
Panchayat Partnership
Watershed Trust
10,000
2,000
38,000
PHOTOGRAPHY PUBLICATIONS
50,000
Cornerhouse
15,300
Devon Books
5,580
STRATEGIC INITIATIVES
Grey Editions
8,894
- PUBLIC ART POST S
Jonathan Cape
10,000
Mind's Eye Publications
Rivers Oram Press
Serpent's Tail
Lancashire County Council
8,930
Northumberland County Council
5,000
Sheffield City Council
5,000
10,000
8,000
15,891
Watershed Trust
4,524
Geoff Weston
7,543
23,000
STRATEGIC INITIATIVE S
- PRODUCTION AND STUDIO S
81 ' 662
Design And Artists Copyright Society
5,00 0
5,000
VISUAL ARTS PUBLICATIONS
Acme Housing Association
4,160
Art And Society
5,000
STRATEGIC INITIATIVE S
- VISUAL ARTS GENERAL
9,809
Arts About Manchester
Attic Producers Publishing Co
Book Works London
10,237
Public Art Forum
Cambridge Darkroom
6,000
Visual Arts And Galleries Association
Edition Hansjorg Mayer
2,000
Working Press
Estamp
4,00 0
Newlyn Orion
3,000
18,00 0
4,42 0
10,000
5,000
37,42 0
Riverside Studios
2,000
STRATEGIC INITIATIVE S
Working Press
1,794
- VISUAL ARTS EDUCATIO N
48 ,000
Greenwich Mural Workshop
1,000
Manchester Metropolitan University
1,000
National Association For Fine Art Education
RESEARCH AND CONFERENCES
5,000
Attic Producers Publishing Co
5,000
National Association For Gallery Education
Book Works London
3,000
British Health Care Arts Centre
2,500
National Society For Education In Art & Design 1,000
Organisation And Imagination
750
Frontiers
5,000
Stephen Willats
1,500
Photo Call
5,000
Working Press
2,000
Public Arts
4,000
Carried Forward
24,500
SCHEDULE 1 ENGLAND
10,500
22,750
666,632
Carried Forward
885,397
885,397
Brought Forward
GREAT BRITAIN TOURING FUN D
Brought Forward
- GALLERY IMPROVEMEN T
- PHOTOGRAPHY EXHIBITION S
Arnolfini Gallery
20,00 0
Camerawork
Camden Arts Centre
22,10 0
Impressions Gallery
Camerawork
17,71 0
Laing Art Gallery
Chinese Arts Centre
1,254,136
GREAT BRITAIN TOURING FUN D
5,00 0
Light House Media Centre
Network Photographers
20,800
4,000
6,600
11,900
The City Gallery, Leicester
Cornerhouse
26,00 0
7,64 5
The Side Gallery
4,500
7,83 0
F-Stop Photography, Gallery & Darkrooms
28,00 0
Watershed Trust
Institute Of Contemporary Arts
10,00 0
Rhonda Wilson
21,40 0
3,500
James Hockey Gallery
10,00 0
Ycrckshire And Humberside Arts Board
16,700
Kettle's Yard Gallery
15,00 0
Zone Gallery
Leeds Metropolitan University
20,00 0
Matt's Gallery
25,00 0
Mead Gallery
28,00 0
GREAT BRITAIN TOURING FUN D
Museum Of Modern Art
10,00 0
- EXHIBITION DEVELOPMENT
Norwich Gallery
17,60 0
Arnolfini Gallery
4,210
The Photographers' Gallery
20,00 0
Birmingham Library Services
4,00 0
Untitled Gallery
12,00 0
Black Arts Alliance
1,00 0
Zone Gallery
18,000
I%vona Blazwick
4,71 0
Book Works London
4,00 0
Calabash For The Arts Of Africa
3,00 0
GREAT BRITAIN TOURING FUN D
Documentary Photography Archive
3,50 0
- TRAVEL GRANT S
Focal Point Gallery
4,00 0
4,000
101,23 0
312,055
Artists' Agency
1,37 4
Huddersfield Art Galleries
2,74 6
Saleem Arif
1,500
Ikon Gallery
2,50 0
Joanne Bernstein
1,500
James Hockey Gallery
1,30 0
Jon Bewley
1,500
Gavin Jantjes
5,00 0
B ashy Kelly
4,00 0
Lung Art Gallery
3,00 0
Chisenhale Gallery
1,500
3,000
Lambeth Chinese Community Association
3,40 0
City Racing
1,368
Off Centre Gallery
1,69 7
Jane Connarty
1,330
Olu Oguibe
3,00 0
Panchayat Partnership
3,00 0
Sutapa Biswas
Black Art Gallery
F-Stop Photography, Gallery & Darkrooms
600
507
Sunil Gupta
1,468
Pomeroy Purdy Gallery
1,40 0
Anna Harding
1,500
S76
Russell Roberts
3,00 0
Shape Islington
2,68 8
Institute Of Contemporary Arts
Interim Art
300
Kathryn Standing
3,86 0
James Hockey Gallery
800
Samantha Warrington
3,00 0
Trisha Ziff
5,000
Kettle's Yard Gallery
1,500
Larcaa
1,500
Light House Media Centre
1,000
Manchester City Art Gallery
256
Mario Flecha Gallery
800
Museum Of Modern Art
500
Norwich Gallery
920
Off Centre Gallery
370
Total Visual Arts
3,735,877
720
Oxford Printmakers Co-Op
1,440
Kirsten Reynolds
1,065
The Showroom
300
Stephen Snoddy
1,000
Kathryn Standing
900
Sustrans
850
Walsall Museum & Art Gallery
1,432,377
1,340
Northumberland County Council
Oldham Museum And Art Gallery
77,011
Total Project Grants
400
Tracey Warr
1,500
Wise Taylor Partnership
1,500
36,684
GREAT BRITAIN TOURING FUN D
- NATIONAL COLLECTIONS
National Museum Of Photography,
Film & Television
20,000
20,000
Carried Forward
1,254,136
74/75
SCHEDULE 2 TO THE ACCOUNT S
FOR THE YEAR ENDED 31 MARCH 199 3
REGIONAL ARTS BOARDS
MAIN GRANTS
Eastern Arts Board
East Midlands Arts Board
London Arts Board
4,020,000
2,671,556
10,304,000
Northern Arts Board
5,105,000
North West Arts Board
4,977,110
Southern Arts Board
2,782,444
South East Arts Board
2,584,000
Arts Board South West
29826,373
West Midlands Arts Board
3,631,000
Yorkshire And Humberside Arts Board
4,579,487
43,480,970
REFORM IMPLEMENTATION COST S
Eastern Arts Board
26,00 0
London Arts Board
25,00 0
North West Arts Board
27,00 0
Northern Arts Board
65,06 8
Regional Arts Bureau
West Midlands Arts Board
Redpction in Restructuring Costs Provision
6,00 0
78,60 0
(318,000)
(90,332 )
SUPPLEMENTARY GRANTS
North West Arts Board
50,000
50,000
Total Regional Arts Boards
SCHEDULE 2 ENGLAN D
43,440,63 8
SCHEDULE 3 TO THE ACCOUNT S
FOR THE YEAR ENDED 31 MARCH 1993
F
Brought Forward
504,300
Contemporary Art Society
24,000
Contemporary Dance Trust
60,000
30,000
Cultural Partnerships
Cywaith Cymru
6,160
English National Ballet
90,000
English Touring Opera
24,000
Fiori Musicali
Gardner Arts Centre
10,500
17,000
Hackney Empire
44,000
Halle Concerts Society
64,000
INCENTIVE FUNDING
Horse And Bamboo Theatre
SCHEME 1- ANNUAL GRANTS
Impressions Gallery
26,000
Index On Censorship
18,000
Inkworks Project
10,000
Interzone
17,000
Kettle's Yard Gallery
20,000
King's Consort
18,500
Institute of Contemporary Arts
15,000
Poetry Book Society
500
Northern Arts Board
5,000
20,500
SCHEME 2 - ANNUAL GRANTS
Lambeth Children's Theatre Company
9,360
5,000
Poole Arts Centre
10,000
Light House Media Centre
20,000
Public Art Commissions Agency
17,000
London Print Workshop
18,000
Hull Truck Theatre
29,500
Lontano
10,000
Monteverdi Choir And Orchestra
30,000
56,500
SCHEME 3 - ANNUAL GRANTS
New Perspectives Theatre Company
8,000
Northern Sinfonia Concert Society
35,000
Aberystwyth Arts Centre
22,500
Oily Cart Company
Adventures In Motion Pictures
11,500
The Old Dairy Studios
Adzido Dance Company
15,000
Oldham Coliseum Theatre
33,50 0
Almeida Theatre Company
45,000
Photofusion
12,96 0
An Lanntair
14,000
The Photographers' Gallery
41,00 0
Public Arts
18,00 0
The Art of Change
7,200
8,000
8,00 0
Artswork
14,500
Public Arts Development Trust
23,50 0
Beaumont Street Recording Studios
11,000
Queens Hall Edinburgh
30,00 0
Belgrade Theatre Trust (Coventry)
56,000
Royal Lyceum Theatre (Edinburgh)
Birmingham Royal Ballet
80,000
Sherman Theatre
50,00 0
35,00 0
St Donats Arts Centre
19,20 0
Blackfriars Arts Centre
Brewery Arts Centre
British American Arts Association
8,000
59,000
Take Art!
9,000
Tron Theatre
4,90 0
30,00 0
Camerata (Manchester)
30,000
Valley And Vale Community Arts
Chapter Arts Centre
24,000
Watermans Arts Centre
City Of Birmingham Symphony Orchestra
92,000
Windows
33,000
2,400
Wolsey Theatre
50,000
Clonter Farm Music Trust
5,600
77,00 0
8,750
1,527,03 0
Carried Forward
504,300
77,000
Total Annual Grants
1,604,030
76/7 7
SCOTTISH ARTS COUNCI L
INCOME AND EXPENDITURE ACCOUN T
FOR THE YEAR ENDED 31 MARCH 1993
1992
1993
SOOOs
INCOME
Grant from Arts Council of Great
Britain : Note 2
£OOOs
.£000s
L000s
19,69 3
78
22,691
Other Operating Income : Notc 3
19,77 1
Grants and Guarantees accrued i n
previous years, now not required
EXPENDITURE
Administration of subsidies and service s
Staff costs : Note 4
Depreciation : Note 9
Operational costs : Note 5
74 8
873
65
54
796
63 0
1,734
Grants and Guarantees : Note 6
Other activities : Note 6
1,43 2
20,769
18,08 6
129
178
Direct promotions : net costs : Note 7
General expenditure o n
the Arts in Scotland : Note 6
18,40 4
22,787
19,83 6
Operating surplus/(deficit )
68
(22 )
Interest receivable
98
86
188
64
Surplus for the financial yea r
Transfer from reserves : Note 1 0
-
30
Transfer from capital reserves : Note 1 4
(31)
(29 )
Net surplus : Note 8
135
65
Accumulated surplus brought forward
Accumulated surplus carried forwar d
SCOTTISH ARTS COUNCIL
21,053
BALANCE SHEET
AS AT 31 MARCH 1993
199 3
EMS
FIXED ASSETS
Tangible assets : Note 9
CURRENT ASSETS
Debtors and Prepayments :
Othe r
Grants & Guarantees paid in advance
Cash at bank and in hand : Note 1 5
CURRENT LIABILITIES
Grants & Guarantees outstanding :
Creditors : amount falling du e
within one year
199 2
£0005
L000s
L000 s
63 6
772
78
12 5
1,320
1,51 6
659
41 7
2,05 7
2,058
1,313
1,397
176
12 1
1,518
570
Sa n
Total assets less current liabilitie s
FINANCED BY
Income and Expenditure Account
Capital Reserve : Note 1 4
Dr William Brown CBE
Chairman, Scottish Arts Council
Anthony Everitt
Secretary General
5 October 1993
78/79
CASH FLOW STATEMENT
FOR THE YEAR ENDED 31 MARCH 199 3
1992
1993
£OOOs £0008
Net Cash Flow from operatin g
activities : Note 1 6
.£000s
C000 s
350
(601 )
100
83
Return on Imesttments :
Interest received on short term
cash deposits
Investing Activities :
Fixed Assets Purchase d
Fixed Assets Sol d
Increase in Cash and Cash
equivalents : Note 17
SCOTTISH ARTS COUNCIL
(96 )
(209 )
1
(208 )
242
(2)
(94 )
(612 )
NOTES TO THE ACCOUNTS
AS AT 31 MARCH 199 3
1 ACCOUNTING POLICIES
A) The financial statements are prepared unde r
the historical cost convention . Without limiting
the information given, the accounts meet th e
requirements of the Companies Act 1985, and o f
the Statements of Standard Accounting Practic e
issued by the Accounting Standards Board so far
as those requirements are appropriate. Significant
departures from Statements of Standard
Accounting Practice are disclosed in the notes t o
these accounts and the financial effect i s
quantified where practicable to do so .
B) ACCRUALS CONVENTIO N
(i) All income and expenditure is taken into
account in the financial year to which it relates .
Setting up costs incurred on an exhibition
promoted by the Council are charged to the yea r
in which that exhibition is officially opened to th e
public . Setting up costs incurred in a year prior t o
that opening are treated as pre-payments .
(ii) Subsidy expenditure is incurred in the form o f
grants and guarantees which are formally offere d
to and accepted by the Council's clients . Grants
and guarantees are charged to the Income an d
Expenditure Account in the year in which funded
activities take place : if this is not determinable
they are charged in the year in which activities
begin . Any amounts unpaid from grants an d
guarantees at the year end are shown as liabilitie s
in the Balance Sheet and any advance payment s
to the client in anticipation of grants an d
guarantees to be charged in the followin g
financial year are shown in the Balance Sheet as
assets .
C) DEPRECIATION AND FIXED ASSET S
Depreciation is provided on all tangible fixe d
assets at rates calculated to write off the cost les s
estimated residual value of each asse t
systematically over its expected useful life a s
follows :
Freehold buildings
over 50 years
Leasehold buildings
over the life of the leas e
over 4 years
Fixtures & fittings
over 4 years
Motor vehicles
Freehold land is not depreciated . Works of Ar t
are shown at historical cost, and an amount equa l
to the value of the net purchases each year is
transferred out of the Income and Expenditur e
Account to a separate Capital reserve (Note 14) .
This reflects the fact that works of art are no t
assets which have a finite useful economic life an d
are unlikely to diminish in value .
0)LEASES
The Council holds no material finance leases .
Costs in respect of operating leases are charged to
the Income and Expenditure Account on a
straight line basis over the life of the lease .
E) PENSIONS
The total pension cost arising in 1992/93 wa s
£69,420 (1992 £56,126) .
The Arts Council provides a defined benefi t
pension scheme for its employees . The scheme i s
funded by payemnts by the Council an d
employees to a Trustee-administered fund
independent of the Council's finances . Thes e
contributions are invested in a managed fund th y
a leading insurance company.
Contributions payable in the financial yea r
1992/93 are based on an actuarial valuation o f
the scheme as at 1 April 1991, carried out usin g
the Projected Unit Method, and are charge d
against the Income and Expenditure Account .
The actuarial valuation revealed that, assuming a
long-term investment return of 9%, pensionabl e
salary increases of 7 .5% per annum and pensio n
increases of 5 .5%, the net market value of th e
scheme assets amounting to £13,149,94 0
represented 104% of accrued benefits . This resul t
enabled the employers to accept the Trustees '
recommendation that the following contributio n
rates should apply from 1 April 1991 : Art s
Council 9 .4% .
The South Bank Centre, previously an associate d
employer in the Council's Retirement Plan set u p
an independent scheme as at 1 April 1993 . An
appropriate amount will be transferred from the
Council 's scheme to the South Bank's scheme .
80/81
199 2
1993
£OOOs
C000 s
2 GRANTS FROM THE ARTS
COUNCIL OF GREAT SWAI N
Revenue Grant
3 OTHER OPERATING INCOME
Sundry income
12
32
Rental Income
42
45
1
1
55
78
Profit on sale of fixed assets
4 ADMINISTRATION OF
SUBSIDIES & SERVICES
STAFF COSTS
22,691
753
65 5
Employers National Insurance
57
41
Arts Council of Great Britain
Retirement Plan (1975)
63
r1)
Salaries and Wages
873
The Chairman, Council an d
Committee Members are not pai d
for their services .
The average weekly number o f
employees during the year was mad e
up as follows :
No
Administration of subsidies and services
Direct promotions
51
6
57
Employees receiving remuneration
within the range £30,000 £39,999
2
The total actual remuneration of the
Director of the Scottish Arts Counci l
including taxable benefits was
£37,599 . The Director is an ordinar y
member of the Arts Council Pensio n
Scheme .
5 ADMINISTRATION OF
SUBSIDIES & SERVICES
67
83
126
12 7
Fuel, light and house expenses
70
42
Publicity and entertainment
63
45
Postage and telephone
50
52
165
11 7
Travelling and subsistence
Rent and rates
Stationery and printing
28
54
163
55
Agency staff
24
35
Staff recruitment costs
20
20
Loss on Reclassification of Fixed Assets : Note 9
10
Contributions to ACGB Information Strategy
10
Professional fees
Office and sundry
SCOTTISH ARTS COUNCIL NOTES TO THE ACCOUNTS
1993
E000S
6 EXPENDITURE BY
ART FORM
199 2
E000S
Z000s
£OOO s
Musi c
Grants and Guarantees
7,858
6,97 1
2,213
1,91 7
21S
21 5
3,879
3,39 0
Dance and Mime
Grants and Guarantees
Touring
Grants and Guarantees
Drama
Grants and Guarantees
Art
Grants and Guarantees
Net cost of exhibitions : Note 7
Provision of studio - Amsterda m
Operating Surplus from collection : Note 7
Lecture schem e
Artists in Schools
1,524
168
3
(13 )
21
3
1,706
1,36 7
15 0
4
(10 )
20
-
1,53 1
Fil m
Grants and Guarantee s
34
36
Literature
Grants and Guarantee s
Poetry readings
Writers in Schools and in Public
Other activitie s
Scottish/Canadian Writers Fellowshi p
Magazines to libraries scheme
Readers fees and book purchases
613
6
103
1
5
5
688
6
77
1
3
8
790
74 1
935
784
1,425
1,226
17
26
Festivals
Grants and Guarantee s
Combined Arts
Grants and Guarantee s
Reports, surveys and seminar s
Development Fund s
Grants and Guarantee s
176
Central Funds
Grants and Guarantee s
910
1,460
Enhancement Fun d
Grants and Guarantees
790
Housing the Arts
Grants
General expenditure on the arts in Scotlan d
103
109
21,053
18,404
20,769
18,08 6
178
Summary
Grants and Guarantees
Other activities
Direct promotions : Note 7
129
Included in the figure of£1,424,605 (1992 : £1,226,283) for Combined Arts Grants and Guarantees, is a sum o f
£258,095 which is the amount spent in supporting activities at the Centre for Contemporary Arts in Glasgow between th e
dates 1 April and 30 November 1992, the date on which a new company was formed to undertake activities at the Centre .
82/83
199 2
1993
£0006
7 DIRECT PROMOTIONS
SOOOs
£OOOs
£OOO s
1
Incom e
Exhibitions
Staff costs :
Employers National Insurance
(7)
(70 )
(6 )
Arts Council of Great Britai n
Retirement Plan (1975 )
(7)
(4 )
(98)
(80 )
(73)
(69 )
(2)
Salaries
(84)
Operational Cost s
Depreciatio n
(150 )
(168 )
collection
Income
15
19
Operational Cost
6
13
Net Deficit
10
(140 )
(155 )
8 SURPLUS FOR THE YEAR
Stated after charging or (crediting )
(a) Auditors remuneratio n
135
65
25
19
133
13 2
(b) Leases in this financial year:
Land and Buildings
Other s
37
(44 )
34
(c) Rental Income
(42 )
Land and
Buildings
£000s
Fixtures
& Fittings
£OOOs
Vehicles
£0009
Works
of Art
£0008
Total
£0008
Cost at 1 April 1992
229
244
116
370
959
Additions
104
82
-
31
21 7
-
-
9 TANGIBLE FIXED ASSETS
Disposals at
31 March 1993
Depreciation as
at 1 April 1992
-
(65)(a)
(65 )
333
261
116
401
1,11 1
81
175
67
-
Provided 1992/93
8
46
17
-
32 3
71
Less : depreciation o n
disposals in 1992/93
-
-
-
(55 )
(55)(a)
89
166
84
-
339
Net book value a t
1 April 1992
148
69
49
370
636
Net book valu e
at 31 March 1993
244
95
32
401
772
(a) In 1992/93 the council introduced a capitalisation limit of .£500 (previously nil) . All existing assets with a capital cost
of less than £500 have been written off and their written down value charged to operating expenses : Note 5.
Depreciation is allocated t o
Subsidies and services
Direct promotions : Note 7
65
6
54
2
71
56
205
109
39
39
244
14 8
The net book value of land and
building comprises :
Freehold
Short leasehold improvements
Freehold land and buildings are occupied by third parties under the term of an operating lease .
The Council's art collection was valued on 31 March 1991 by Aitken Dott Plc at X1 .9 Million . In the opinion of the
Council, the value of the Collection on the 31 March 1993 is not less than this figure .
The purpose of the Council 's art collection is to increase the understanding and appreciation of contemporary art and t o
widen its audience through loans to organisations and installations and for exhibitions . It is not held for investment or resale .
SCOTTISH ARTS COUNCIL
NOTES TO THE ACCOUNTS
1993
10 RESERVES
11 LEASES
1992
Balance at April 1992
Transfer from reserves
-
30
(30 )
Balance at 1 April 1993
-
-
At 31 March 1993 the Council had annual commitments under non-cancellable operating leases as set out below :
Land and
Buildings
Other
Land and
Buildings
Othe r
£OOOs
LOWS
£ooos
£000s
-
9
-
-
1
-
133
24
132
9
24
133
34
132
33
Operating leases which expire :
within one year
in the second to fifth year inclusive
over five years
£OOOs
L000S
12 CAPITAL COMMITMENTS
Contracte d
Authorised but not contracted
13 GRANT COMMITMENTS
Forward funding 1993/94
18,526
10,064
14 CAPITAL RESERVE
Balance at 1 April 1992
Appropriations in 1992/93
370
3,11
31
29
Balance at 31 March 1993
401
37 0
Cash in transit (balance due from
Arts Council of Great Britain)
Other Cash
500
159
40 0
17
659
41 7
68
(22 )
71
56
(1)
(1 )
41
15 CASH AT BANK, IN HAND
AND IN TRANSIT
16 NET CASH FLOW
FROM OPERATING
ACTIVITIES
17 INCREASE IN CASH
AND CASH EQUIVALENTS
Operating Surplus/(Deficit)
Depreciation charges
Profit on sale of fixed assets
Decrease in Debtors & Prepayments
(Increase)/Decrease in Grants & Guarantee s
paid in advance
Increase in Creditors
Increase/(Decrease) in Grants &
Guarantees outstanding
Loss on Reclassification of Fixed Assets
Analysis of the balance of cas h
and cash equivalents
Cash at bank, in hand and in transit
45
(803 )
9
196
45
10
11 9
-
350
(601 )
(84)
1992
1993
LOWS
C000s
Change in Yea r
£OOOs
659
419
242
Comptroller and Auditor General's Certificat e
I have examined the financial statements on pages 79 to 87 in accordance with the National Audit Office auditin g
standards . In my opinion the financial statements give a true and fair view of the state of affairs of the Scottish Art s
Council at 31 March 1993 and of its surplus and cash flows for the year then ended and have been properly prepared i n
accordance with the directions made by the Secretary of State for National Heritage .
N Gale
Associate Director
for the Comptroller and Auditor Genera l
National Audit Offic e
8 October 1993
84/85
SCHEDULE 1 TO THE ACCOUNTS
FOR THE YEAR ENDED 31 MARCH 1993
£
£
2,022,363
Brought Forward
BORDER S
Borders Dance Festival
Borders Regional Council
6,943
325
7,26 8
CENTRAL
Clackmannan District Council
40 0
Denny Community Dance Group
25 0
Stirling Youth Dance Group
500
1,150
DANCE & MIM E
EDINBURGH
DUMFRIES & GALLOWAY
Assembly Theatre
10,000
Castle Douglas Dance Group
Benchtours
13,000
Dumfries & Galloway Arts Association
Alex Crai g
Drumalban Folk Ensembl e
Christine Devaney
440
4,800
100
5,240
1,00 0
FI F E
70
Emma Dingwal l
2,000
Edinburgh Indian Assoc .
2,000
Fife Regional Council
3,000
3,000
Edinburgh Chinese Dance & Cultural
Youth Grou p
GRAMPIAN
300
(Dance Base )
8,000
Asian Social & Cultural Assoc .
Banff & Buchan District Council
Fight or Flight
1,500
Crathes 1992
Edinburgh District Counci l
Jenny Frase r
Ben Grant
Jock Tamson's Bairns
Les Anges
1,400
Katrina McPherson
National Youth Jazz Dance Festiva l
Offshoot Dance Grou p
Janice Parke r
Scottish Youth Dance Festival
State Theta
HIGHLAND S
Ross & Cromarty District Council
6,000
2,255
LOTHIAN
370
West Lothian District Council
900
3,000
900
400
450
STRATHCLYD E
15,000
Cunninghame District Council
7,000
10,000
The Traverse Theatre (Scotland )
5,000
Theatre Du Pi f
1,000
5,000
National Youth Jazz Dance Festiva l
6,000
140
Susan Hay Administrations/Danc e
Initiatives
500
10,100
328
1,000
The Mime Foru m
8,000
190
100
Koshi Hip Theatre Company
Brigid McCarthy
1,600
1,000
Jacqueline Anderson
500
Mid-Argyll Community Dancers
40 0
Paisley Arts Centre
Strathclyde Regional Council
800
1,00 0
3,70 0
90,603
TAYSID E
Asian Cultural Association (Taysid e
and Fife)
GLASGO W
Asian Artistes Association (Glasgow )
Bangla Centr e
Centre for Contemporary Arts
Dance Aliv e
Dance Constructio n
Glasgow School of Ar t
Jane Jewel
Joint Actio n
Mayfest
Nikki Millica n
Randomoptic Pick Up Compan y
The Scottish Balle t
Tramway Theatre
TAG Theatre Compan y
Marisa Zanotti
4,000
Dundee College of Further Education
100
Dundee Repertory Theatre
21 9 000
Plan B
Grace Mangan
4,000
4,00 0
250
103,500
26,000
1,000
134,750
800
600
ISLAND AUTHORITIE S
1,000
3,000
Shetland Arts Trust
20,000
360
4,000
2,000
2,000
OTHER S
1,860,900
1,000
10,000
1,000
1,931,760
Arts Council of Great Britain
1,500
Commotion
1,500
Conran Roche
8,438
London City Ballet
1,500
Trestle Theatre Company
1,000
Talking Pictures
2,500
16,438
Total Per Note 6
Carried Forward
SCHEDULE 1 SCOTLAND
2,022,363
2,212,909
Brought Forward
DEVELOPMENT
EDINBURGH Book Trust Scotland
Edinburgh Sculpture Workshop Group
19,800
2,00 0
Scottish National Assoc of Youth Theatre
5,00 0
Phyllis Steel
5,000
841,588
Scottish Drama
Ian Turbitt's Puppet Theatre
20 0
30 0
Photography Workshop (Edinburgh)
15,000
Tron Theatre
211,839
Royal Lyceum Theatre Co
14,500
TAG Theatre Company
151,334
The Scottish Chamber Orchestra
15,000
Visible Fictions
Scottish Poetry Library Association
5,000
Woodside Area Arts Project
Scottish International Festival of
Winged Horse Touring Productions
Photography/Fotofeis
Glasgow -
25,000
Street Level Gallery
10,000
Association of Scottish Literary Studies
15,00 0
1,00 0
18,00 0
1,246p261
BORDER S
The Scottish Music Information
Centre
1,151,389
Jane Houston Green
20 0
5,000
20 0
4,000
Business in the Arts
5,000
CENTRAL
Feisean Nan Gaiedheil
4,000
Federation of Scottish Theatres
National Gaelic Arts Project
25,000
Perth Repertory Theatre
10,000
MacRobert Arts Centre
18,000
1,900
19P 90 0
OTHE R
Sundry Expenditure
13,707
FIFE
176,007
Byre Theatre of St Andrews
129,920
129,920
DRAMA
EDINBURGH
Benchtours
Communicado Theatre Company
GRAMPIA N
3,500
Aberdeen Art Gallery/City of Aberdeen
156,873
11,000
Banff & Buchan District Council
1,500
Celtech Events
1,000
Crathes 1992
1,500
Edinburgh Puppet & Animation Festival
3,000
The Invisible Bouncers
6,000
Edinburgh Puppet Company
9,000
North East of Scotland Touring Arts
Edinburgh Touring Circuit
Fifth Estate
Grassmarket Project
Hullaballoo Childrens Theatre
Pat Keysell
Duncan Low
Jo McNamara
Muirhouse Festival Activities Centre
Boilerhouse Theatre Company
3,000
Co-Ordinating Assoc .
25,000
1,50 0
30,000
HIGHLAN D
1,255
Eden Court Theatre
300
3,000
900
13,997
Royal Lyceum Theatre Company
530,271
Streets Ahead Theatre Company
1,50 0
The Traverse Theatre (Scotland)
Theatre Scotland
Theatre Workshop Edinburgh
22,000
National Gaelic Arts Project
18,000
Clown Jewels
22,000
LOTHIA N
20,000
East Lothian District Council
57,541
3,000
11,500
STRATHCLYD E
GLASGOW
Citizens Theatre
Clanjamfrie
57,541
323,793
Black Box Puppet Theatre Trust
Borderline Theatre Company
Birds of Paradise Theatre Company
1,000
64,000
1,151,389
Annexe Theatre Company
1,000
Grey Coast Theatre Company
Ross & Cromarty District Council
Scottish International Children's
Festival
5,000
34,000
MacMyth Project
3,000
Cumbernauld Theatre Trust
4,000
Edward Jackson
514,786
Wildcat Stage Productions
14,62 8
160,47 6
3,00 0
36,50 0
50 0
190,02 1
7,500
Clyde Unity Theatre
41,000
Fablevision
20,000
405,12 5
TAYSID E
Govan Initiative
2,100
Dundee Repertory Theatre
Jane Jewel
1,000
Tayside Regional Council
650
200
Pitlochry Festival Society
227,193
Music Theatre Lab
5,000
Perth Repertory Theatre
266,98 7
Media Theatre Company
3,000
Flloyd Kennedy
Pen-name Theatre
Scottish Mask & Puppet Centre
Jo Smith
7 :84 Theatre Company (Scotland)
266,486
76131q
40,000
3,000
ISLAND AUTHORITIE S
300
Alan Watters
175,702
Scottish Youth Theatre
21,000
Carried Forward
841,588
3,000
3,000
1,151,389
Carried Forward
3,863,652
86/87
3,863,652
Brought Forward
Brought Forward
Northlight Poetry Review
OTHERS
-1,820
Scottish Book Collector
2,82 0
Half Moon Young Peoples Theatre
3,000
Tocher
International Workshop Festival
2,500
Nerse
1, 800
2,01 0
Medieval Players Company
4,000
West Coast Magazine
3,7x̀0
Northern Stage Company
1,000
Oily Carte Theatre Company
2,00 0
Ra Ra Zoo
2,000
Assitej G .B .
500
83,160
LITERARY EVENT S
15,000
Asian Artistes Association
1,000
Angus District Council
500
500
ENHANCEMENT
Edinburgh Book Festival
Edinburgh Children's Book Group
Edinburgh -
University of Edinburgh
1,500
1,000
Total Per Note 6
3,878,652
550
Art in Partnership (Scotland)
10,000
Lothian Racial Equality Council
Collective Gallerv
15,000
Netherbow Arts Centre
900
Edinburgh International Festival Society
75,000
Walter Petrie
Romantic Novelists Association - Scotland
230
Edinburgh Book Festival
The Scottish Chamber Orchestra
5,000
100,000
Scottish Poetry Library Association
15,000
The Traverse Theatre (Scotland)
75,000
75,000
TAG Theatre Company
15,000
Cranhill Arts Project
100 9000
The Scottish Ballet
175,000
Scottish Opera
100,000
Street Level Gallery
1,000
University of Strathclyde
The Scottish Storytelling Festival/Forum
4,400
750
600
13,130
15,000
Royal Scottish Orchestra Society
200
Ross & Cormarty District Council
Stirling District Council
Glasgow Citizens' Theatre
254,85 0
960
GRANTS TO PUBLISHER S
AK Press "The Art of Catching a Bus and othe r
poems" by Jim Ferguson
15,000
500
Argyll Publishing 790,000
"Achanult" by George McLennan
1,000
"A real Glasgow Archipelago" by Jac k
Withers
HOUSING THE ARTS
Dundee Repertory Theatre
7,500
750
Balnain Books "Mortimer's Deep" by Simon Taylor
1,500
Collective Gallery
10,000
"Fine White Stoor" by James Miller
1,000
The Empire Theatre Project
25,000
"Aphra Behn" by Ross Laidlaw
1,000
Edinburgh -
Greyfriars Outreach
"Thoughts of Murdo" by Iain Crichto n
2,500
Morrison Developments
15,000
Smith
1,250
Royal Lyceum Theatre Co
10,000
"The Small Dark Man" by Maurice Walsh
1,000
Black Ace Books -
Glasgow Scottish Mask & Puppet Centre
Tron Theatre
5,000
"Natana" by Mercedes Claraso
18,500
"Wild Mushrooms" by Kate Armstrong
Haddo House Choral & Operatic
Society
Lamp of Lothian Collegiate Trust
1,250
Blind Serpent Press -
8,000
37 5
British Film Institute "Bill Douglas : A Lanternist's Account "
29 000
103,500
edited by Eddie Dick, Andrew Noble an d
Duncan Petrie
1,50 0
B & W Publishing -
LITERATURE
Association of Scottish Literary Studies
16,250
"The Antiquary" by Sir Walter Scott
Book Trust (Scotland)
Edinburgh Book Festival
40,500
(reprint)
18,750
"The Fair Maid of Perth" by Sir Walte r
Gaelic Books Council
87 9 500
Scottish Poetry Library Association
20,850
Scottish Publishers Association
71,000
Scott (reprint)
750
750
Canongate Publishing -
254,850
"Electric Brae" by Andrew Greig
"Fallen Angels" by Robin Lloyd Jones
"Move Up John" by Fionn McColla
1,250
600
1,250
"Sydney Goodsir Smith : Drawings" b y
MAGAZINES
Books in Scotland
13,200
Ian Begg
Cencrastus
12,420
"New School Blues" by Theresa Breslin
600
Chapman
12,480
"Glasgow Girls" by Jude Burkhauser (reprint)
1 9250
Edinburgh Review
6,500
Gairm Publications
14,500
"Quest for a Queen : The Lark "
Gairfish
2,000
by Frances Hendry
Lallans
2,220
"The Tragedy of Man" by Imre Madac h
Lines Review
8,500
Translated & adapted by Iain Macleod
Carried Forward
71,820
SCHEDULE 1 SCOTLAN D
1,500
254,850
Carried Forward
1,250
1,000
21,325
351,140
£
21,325
Brought Forward
"Part seen : Part imagined by Timothy Neat 3,000
"From the Allegehenies to the Hebrides"
by Margaret Fay Shaw
1,000
Irish Anthology"
1,900
Jonathan Cape "Places of the Mind" by Tom Leonard
2,000
Chapman "Gold of Kildonan/Songs of the Grey Coast
by George Gunn
500
"Meeting at Colonus by Joy Pitman
500
"The Blasphemer/Carlucco" by George Rosie 1,000
Cellos from Hell" by Jim C Wilson
700
"The Collected Shorter Poems of Tom
Scott" by Tom Scott
1,500
"The Mud is Quiet" by Colin Kerr
400
"A Therapy of Camels by William Oliphant 1,000
John Donald Publishers "Andrew Fletcher & The Treaty of
the Union" by Paul H Scott
1,000
Edinburgh University Press "Country Bairns : Growing Up
1900-1930" by Lynn Jamieson
& Claire Toynbee
1,000
"The History of BBC Broadcasting in
Scotland 1923-83" by William B McDowell
1,000
"This Delightful Colony : A History
of New Lanark" Edited by Ian Donnachie
1,000
& George Hewitt
"Weir of Hermiston" edited by
Catherine Kerrigan
750
"Glasgow : The Forming of the City"
2,500
by Peter Reid
"Virtue, Learning and the Enlightened
Historian" by David Allan
1,500
"Edwin Muir : Poet, Critic and Novelist"
by Margery McCulloch
1,000
"The Scottish Novel since 1970" edited
by Gavin Wallace and Randall Stevenson
1,250
"Scotland and the Age of the Disruption"
17000
edited by S .J . Brown and M . Fry
"Identifying Poets : Self and Territory
in Twentieth Century Poetry" by
1,250
Robert Crawford
"An Anthology of Scottish Verse" by
5,000
Roderick Watson
Galliard Publishers "Aline-Nadine Gossip : Poems" by
650
Hugh Ouston
Robert Hale "On the face of It" by Maurice Lindsay
750
Harper Collins Publishers Short Story Volume 1993 "Three Kinds of
Kissing"
4,860
Luath Press "The Bothy Brew and Other Stories by
Hamish Brown
1,000
Hugh MacDiarmid Centenary Committee "MacDiarmid in Shetland" edited by
750
Lawrence Graham & Brian Smith
Ian MacDonald "Scottish/Irish Poets" Anthology
350
Mainstream Publishing
"Dreams of Exile : A Biography of
Robert Louis Stevenson" by Ian Bell
2,000
"
£
351,140
"
"
"
"
"
"
63,435 .
351,14 0
"
"
Carried Forward
£
£
Brought Forward
63,435
"Skating Round the Poppy "
by M S Power"
1,250
"Burns : A Biography of Scotland's
Poet by James MacKay
2,500
"The Hidden History of Glasgow's Women "
by Elspeth King
1,00 0
"Giraffes : a Glasgow Novel" by John McGill 1,25 0
"The Mainstream Companion to Scottis h
Literature" by Trevor Royle
3,00 0
Mariscat Press "The Stone Sleeping Bag" by Douglas Lipton
60 0
Mercat Press "Musick Fyne : Robert Carver & The Ar t
of Music in Sixteenth Century Scotland"
2,00 0
by D James Ross
(1,000 )
Less : Music Department Allocation
"The collected Poems of Alexander Scott"
edited by David S Robb
2,00 0
Morning Star Publications 650
Folios Nos . 3/2, 3/3, 3/4,4/1
Graeme Murray Edinburgh "Kate Whiteford : Sitelines" edited by
1,000
Graeme Murray
Polygon 1,000
"Hidden Daughters" by Sian Hayton
"Imelda & Other Stories" by John Herdman 1,250
800
"Heroes" by Chris Hurford
"Poem Purpose and Place : Shaping Identity
1,250
in Contemporary Scottish Literature"
"The Thirtieth Year" by Ingeborg Bachman n
1,000
(reprint)
"Tormentil and Bleached Bones" by To m
750
Clark
1,000
"Life on a Dead Planet" by Frank Kuppner
"Stained Radiance" by James Leslie Mitche l
1,000
(reprint)
"Knights of the Lower Floors" by
500
Graham Fulton
1,400
"Willie Hogg by Robin Jenkins
1,000
Special Award
Ramsay Head Press "Slightly Mad and Full of Dangers" b y
750
H . Forsyth Hardy
Reaktion Books "Ian Hamilton Finlay: A Visual Primer"
2,00 0
by Yves Abrioux
Sa' t Andrew Press Sacred Stones, Sacred Places" by
Marianna Lines
2,00 0
Saltire Society "Thomas Carlyle" by Ian Campbel l
(reprint)
1,25 0
"Trial of Patrick Sellar" by Ian
Grimble (reprint)
75 0
Schiltron Publishing (Cassettes) "Mr Carnegie's Lantern Lecture" b y
W. Gordon Smith, narrated by Russel l
25 0
Hunter
"Hunting Shadows by Tom Gallacher ,
35 0
narrated by Robert Trotter
"Short Stories of Robert Louis Stevenson ,
50 0
Volume 3" by Robert Louis Stevenson
"Travels with a Donkey" by Robert
Louis Stevenson
30 0
Scotsoun (Cassettes) -
"
351,140
Carried Forward
96,785
351,140
pp
OD
/89
Brought Forward
"Poems of Alistair Mackie "
"Poems of Douglas Young "
Strathchde Communitv Relations Council -Strathclyde Roots"
£
£
96, 785
351,140
Brought Forward
134,315
750
Edinburgh Chamber Music Trus t
10,000
400
The Hebrides Ensembl e
15,000
The Leda Trust
1,750
Paragon Ensembl e
Stride Publications -
5,000
31,500
The Royal Scottish Orchestra
"Coming Home the Long Way Round th e
Mountain" by Rosalind Brackenbur y_
Taranis Books -
Society
500
"Wild Fire" by Janet Paislev
1,00 0
"The Elementary Particles" by Gerry Loos e
50 0
"Triptych" by J .N . Reill y
75 0
1,821,750
Scottish Baroque Ensembl e
112,350
Scottish Chamber Orchestr a
800,000
Scottish Ear k, Music Association
15 .000
2,944,925
"Transit Visa (N .W. Africa)" by
CONCERT PROMOTERS - Others
Bobby Christi e
35 0
Aberdeen Chamber Music Clu b
3,75 0
"Kicking Back" by Magi Gibson
600
Aberdeen Jazz Society
3,00 0
Isle of Arran Music Society
1,40 0
Asian Artistes Associatio n
7,00 0
Ayr Arts Guil d
3,750
Ayr Music Clu b
1,500
Banffshire Arts Guild
1,500
Basement Jazz Clu b
3,000
Beith Arts Clu b
1,500
Whigmaleerie Cassettes "The Desperate Journey" by
Kathleen Fiddle r
750
"Hill of the Red Fox" b y
Allan Campbell McLean
750
Gordon Wright Publishing "Collected Poems & Short Stories" by
Peter Buchan
1,500
Berneray Community Associatio n
"Collected Short Stories" David Toulmi n
1,7SO
Biggar Music Clu b
108,135
WRITING FELLOWSHIP S
Bute Arts Society
850
4,000
750
Carnoustie Music Clu b
1,050
Cowal Music Club
2,000
Artlink (Edinburgh & Lothians )
5,500
Culzean Arts Guil d
Biggar Museum Trus t
5,500
Cumnock Music Club
Banff & Buchan District Council
2,750
Dalkeith & District Arts Guil d
City of Aberdeen District Council
5,500
Dollar Music Society
Duncan of Jordanstone College of Ar t
5,50 0
Dumfries Music Clu b
1,600
Dumfries and Galloway Arts Associatio n
Dundee Universit y
2,750
Dunblane Cathedral Arts Guil d
4,000
5,50 0
Dundee Chamber Music Club
3,600
Glasgow City Counci l
5,50 0
Dunfermline Arts Guil d
Midlothian District Counci l
5,50 0
East Kilbride Music Clu b
1,00 0
Perth & Kinross District Counci l
Renfrew District Counci l
5,50 0
Ettrick & Lauderdale District Counci l
2,30 0
5,50 0
Forfar Arts Guil d
Renfrew District Counci l
5,500
Galashields Arts Association
650
1,000
400
450
950
S0 0
1,25 0
University of Strathclyd e
3,666
Gatehouse Music Society
1,000
Stirling District Counci l
5,500
Georgian Concert Society
10,000
University of Edinburg h
4,000
Glenkens & District Music Clu b
2,000
University of Aberdee n
5,500
Gordonstoun Concert Societ y
3,250
79,166
Haddington Music Clu b
3,150
13,000
Haddo House Choral & Operatic Society
2,500
84,181
Hamilton District Arts Guild
Book Awards
Bursaries & Travel Grants
Children's Book Groups
2,850
General Devcopment Reserv e
Scottish Paperbacks
Translation Fun d
1,500
Invergordon Arts Society
2,000
26,673
Irvine Burns Clu b
1,200
Kelso Music Societ y
4,500
Kilmardinny Music Circl e
3,150
Kintyre Music Clu b
4,250
Kirkcaldv Music Society
2,750
Lanark Arts Guild Music Clu b
1,050
Lewis & Harris Piping Societ
y
800
104
Total Per Note 6
687,849
MUSI C
OPER A
Amateur Opera (NFMS)
1,550
Helensburgh Music Society
5,500
Sundry Expenditure
500
Hawick Music Clu b
16,500
600
Meet The Autho r
Scottish Opera
4,360,000
Lewis & Harris Traditional Musi c
Societ y
6,300
4,366,300
950
Linlithgow Arts Guil d
3,00 0
Lochaber Music Socierv
1,72 5
CONCERT PROMOTERS - Performing Companie s
Assembly Direct
67,82 5
Lockerbie Musical Society
Melrose Music Societ y
Cappella Nova
35 0
1,100
4,250
13,92 5
10,00 0
Miingavie Music Clu b
Chamber Group of Scotland
Moffat & District Musical Societ y
700
The John Currie Singers
20,00 0
Motherwell & District Music Societ y
850
ECAT
22,575
Music in Blair Athol l
Carried Forward
134,315
SCHEDULE 1 SCOTLAN D
4,366,300
4,366,300
Carried Forward
1,250
112,075
7,311,225
Brought Forward
L
112,075
Nairn Performing Arts Guild
800
New Town Concerts Society
5,500
Newton Stewart & District Music Club
1,900
Music in Peebles
2,250
£
7,311,225
Oban Music Society
1,400
350
Pakistan Social and Cultural Society
800
4,000
Pan African Arts Scotland
Perth Chamber Music Club
Platform Inverness
The Pleasure of Music Trust
Prestwick Arts Guild
St Andrews Music Club
Skerrey Village Hall Committee
Centre
60,000
Assembly Direct
3,000
Cappella Nova
6,000
Continuum Compact Discs
2,500
Greentrax Records
5,000
John Kitchen
1,000
Linn Records
15,000
300
32,500
3,000
TRADITIONAL MUSIC - PROJECTS
50 0
Adult Learning Project/Scots Music
300
Group
2,200
Comunn Na Clarsaich
500
7,000
800
Skye Arts Guild
3,250
Glasgow Folk & Traditional Arts Trust
Stonehaven Music Club
1,850
Highland Regional Council
600
Stranraer Music Association
3,500
Inform
500
Strathearn Music Society
2,500
Lochaber Music School
Thurso Live Music Association
2,500
Ewan McVicar
Troon Arts Guild
Josephine Millar
300
10,000
500
3,500
200
Westbourne Music
5,250
National Gaelic Arts Project
West Kilbride Music Club
1,150
North East of Scotland Heritage Trust
5,000
West Linton Music Society
1,200
Ross & Cromarty District Council
1,600
203,300
Bell Baxter High School
Border Regional Council
100
75
Dunbar Primary School
80
Golspie High School
75
Langholm Academy
SO
Lochaber High School
75
Orkney Islands Council
Urras an Eilein
5,000
200
45,000
7,858,366
Total Per Note 6
REPORTS, SURVEYS AND SEMINARS
Edinburgh Assembly Direct
100
Robert Adam
75
830
EDUCATION & TRAINING
Arsimevu
An Tuireann Arts Centre
100
150
Breadalbane Academy
Morrison's Academy
Scotland
50
10,000
Traditional Music & Song Associatio n
(Glasgow)
Traditional Music & Song Association of
CONCERTS IN SCHOOLS
Belhaven Hill School
500
250
The Celtic Congress (Scotland)
2,00 0
Tom Eccles
European Community Cultura l
25 0
Cooperation Committee (EC4)
3,00 0
1,000
J Kenny
25 0
1,000
Aonghas MacNeacail
25 0
25 0
Dumfries & Galloway Regional Council
150
Graeme Murray
Fellowship of Churches
Glasgow 1990 Steel Band
200
Scottish National Portrait Gallery
2,400
Scottish Federation of Theatres
50 0
Hillhead String Orchestra
1,000
Salvo/Eric Robinson
75 0
Lochaber Music School
1,000
Strathclyde Opera Theatre Trust
4,00 0
Glasgow -
National Federation of Music
Societies
350
2,100
9,200
OTHER ACTIVITIES
M R Baxter
35 0
Carl MacDougall
250
David McMillan
25 0
Scottish Trades Union Congress
250
Variant Magazine
50 0
Graeme Woolaston
250
Stephen Skyrna
250
Commissions
40,950
Composers Bursaries
20,000
Early Music
30,000
Conference
60 0
Jazz Projects
22,025
Nathan Coley
250
Local Authority Developments
18,600
Dundee Rep Dance Company
50 0
Eden Court Theatre
500
250
71S
Music Awards
Aberdeen Art Gallery/City of Aberdee n
5,500
Other Applications
25,500
Bob McGilvray
Performing Materials
13,736
Sundry Expenditure
The Queen's Hall (Edinburgh)
10,000
Total Per Note 6
Scotland's Music
10,00 0
16,915
TOURING STAGE
The Scottish Music Information
Carried Forward
£
7,524,555
RECORDING S
45,925
Paisley International Organ Festival
£
196,311
256,311
National Federation of Music
Societies
Brought Forward
196,311
7,524,555
90/91
Brought Forward
EDINBURGH
Fang's Theatre
Graeme Todd
40,000
1-7niversity of Edinburgh
40,000
Theatre Roval
Western General Hospital
67,000
Michael Dale
3,000
Tramway Theatre
5,000
Donald White
FIFE
5,497
5,497
GRAMPIAN
85,000
85,000
Oladele Bamgboye
2,500
Christine Borland
1,800
Breathe Group
2,000
Katrina Brown
1,250
OTHERS
99500
9,500
Total Per Note 6
214,997
5,00 0
Collins Gallery
3,00 0
Marion Courts
40 0
219000
Eventspace
3,000
Patricia Fleming
1,000
Alan Frame
Glasgow Print Studio
Glasgow University
ART
Douglas Gordon
EDINBURGH
Glasgow Arts Centre
Art in Partnership : Scotland
16,065
Glasgow City Council
Artlink (Edinburgh & Lothians)
6,000
16,572
Glasgow District Council
Alba Magazine
150
Centre for Contemporary Arts
Cranhill Arts Project
Visiting ACGB & Northern Ireland
88
2,500
GLASGO W
Fiona Byrne-Sutton
His Majesty's Theatre
1,500
635,252
75,000
Adam Smith Theatre
27 5
3,500
Visual Art & Galleries Associatio n
(Scotland)
GLASGOW
5917,38 9
Glasgow Sculpture Studios
300
80,000
3,822
400
775
6,000
7,200
27,000
Adult Learning Project
368
Glasgow Film & Video Workshups/Eventspace
1,40 0
Kenneth Bean
300
Glasgow Art Galleries & Museums
8,80 0
Jane Brettle
2,050
Clare Higney
City Art Centre
3,500
Stephen Hurrell
15,000
Michael Lindley
Collective Gallery
Brian Donlevy
45 0
5,00 0
400
Peter Lundh Von Leithner/Aquarium
Tom Eccles
300
2,000
Edinburgh Fringe Film and Video Festival
2,000
Peter McKay
400
Edinburgh Sculpture Workshop Group
15,150
Needleworks
7,500
Edinburgh Printmakers Workshop
57,000
2,160
Project Ability
6,000
Craig Richardson
1,800
Eastern General Hospital
Janice McNab
Alec Finlay
600
Alan Robertson
Karen Forbes
500
Springburn Museum Trust
Rose Frain
Fruitmarket Gallery
James Gibson
Kevin Henderson
Stephen Hunter
Callum Innes
Henry Kondracki
Lux Europae Trust
Matilda Mitchell
5,000
273,000
300
12,000
910
10,000
400
10,000
3,000
Helen Morrison
300
Marcel O'Connor
400
Photography Workshop (Edinburgh)
Michael Pinsky
Philip Power
Donald Provan
700
7,543
22,250
University of Strathclyde
6,00 0
Strathkelvip District Council
1,70 0
Sustrans, Scotland
Transmission Gallery
Sean Taylor
Variant Magazine
Visual Arts Library & Arts Plan (VALIP)
1,00 0
15,00 0
40 0
23,250
750
Workshop and Artists Studio Provisio n
(Scotland)
Workshop La Victoria
62 000
x200
340,745
80 0
5,000
270
2,020
Scottish International Festival of
Photography
25,000
Slide Workshop
5,000
Alison Sneddon
450
400
Ian Stewart
200
43,68 2
The Royal Incorporation of Architects in
Scotland
Street Level Gallery
1,405
BORDER S
Ettrick & Lauderdale Museums Service
250
Ettrick & Lauderdale District Council
Allan Lennie
1,349
Tweeddale District Council
1,81 5
17 5
3,589
CENTRA L
Andrew Guest
400
Stills Gallery
59,892
Scottish Sculpture Trust
15,000
Talbot Rice Art Centre
30,000
Stirling District Council
4,652
Carried Forward
597,389
Carried Forward
15,400
SCHEDULE 1 SCOTLAND
979,58 6
E
£
Brought Forward
15,400
979,586
The Smith Museum & Art Gallery
2,600
Brought Forward
Summerlea Heritage Trust
£
£
50,320
1,254,63 0
7,425
22,652
DUMFRIES & GALLOWAY
Gracefield Art Centre
59,745
TAYSID E
1,131
Angus District Council
Stewartry District Council
775
British Health Care Arts Centre
Linda Taylor
500
City of Dundee District Council
2,406
FIFE
Arts in Fife
Crawford Arts Centre (St Andrews)
Paul Dignan
4,194
37,000
3,875
Dundee Printmakers Workshop
75,000
Dundee Public Arts
10,500
Duncan of Jordanstone College of Art
8,000
Mhairi Killin & John Cairns
2,300
Meadowmill Artists
300
8,000
16,400
Malcolm Miles
800
300
Dunfermline District Council
2,165
Perth Partnership
3,000
Fife Health Board
2,000
Royal Dundee Liff Hospital
5,000
Fife Regional Council
300
Kirkcaldy District Council
84 5
West Fife District General Hospital
133,17 5
1,000
ISLAND AUTHORITIE S
47,804
GRAMPIAN
An Lanntair
2,000
Cuimhneachain Nan Gaisgeach
2,000
Aberdeen Art Gallery/City of Aberdeen
1,308
Sylvia Hays
Aberdeen District Council
2,150
Pier Arts Centre
Aberlour House Summer School
275
Banff &. Buchan District Council
3 9 850
Western Isles Health Board
Ruth Beardsworth
1,411
Frances Pelly
Grampian Regional Council
3,850
Grampian Hospitals Art Project
6,00 0
Grampian Hospitals Arts Trust
Peacock Printmakers (Aberdeen)
Keith Rand
Scottish Sculpture Workshop
30,000
Erland Brown & Colleagues
Shetland Arts Trust
30 0
26 9 909
5,22 5
850
3,00 0
70,284
2,000
OTHER S
78,900
Moviola
6,00 0
380
6,00 0
36,580
Total Per Note 6
1,523,83 4
136,704
FILM
HIGHLAND
Scottish Film Production Fund
An Tuireann Arts Centre
3,275
Scottish Film Training Trust
British Artists Blacksmith Association
2,000
Total Per Note 6
Highland Regional Council
EDINBURG H
Artlink (Edinburgh and Lothians)
The Elements
LOTHIAN
East Lothian District Council
West Lothian District Council
Kenny Munro
St : John's Hospital
36,00 0
COMBINED ARTS
24,350
56,213
Matthew Inglis
8,00 0
26,58 8
Highland Printmakers Workshop &
Gallery
28,00 0
5,750
665
1,200
250
3,00 0
Lung-Ha's Theatre Company
3,00 0
Pilton Arts
3,90 5
Solas
7,65 0
Theatre Workshop (Edinburgh)
9,265
50 0
Edinburgh District Council
The Traverse/Gulbenkian Multi-Media Arts
1,400
12,00 0
W.H .A.L .E .
2,00 0
105,29 0
5,260
142,60 5
STRATHCLYD E
Clydesdale District Council
GLASGOW
2,500
Asian Ensemble
2,75 0
The Dick Institute
5,900
Bearsden & Miingavie Arts Guild
Glasgow Group
1,000
Bengali Performing Arts
84 1
1,50 0
Inverclyde District Council
6,000
Centre for Contemporary Arts
Irvine Development Corporation
4,750
Easterhouse Arts Project
East Kilbride Arts Council
1,300
Glasgow Arts Centre
East Kilbride Development Corporation
7,575
Glasgow District Council
Kilmarnock and Loudon District Council
4,616
Glasgow Folk & Trad . Arts Trust
7,08 2
Kyle and Carrick District Council
9,000
Glasgow Fair
2,50 0
M8 Art Project
5,000
Glasgow Mela
8,00 0
McLean Museum
1,704
New Beginnings (Strathclyde &
Cunninghame District Council
Daniel Reeves
175
S00
Andrew Sneddon
2,000
Carried Forward
50,320
Glasgow)
NVA (Formerly Test Department)
1,254,630
Carried Forward
62,91 0
6,00 0
4,33 6
165,00 0
5,00 0
10,00 0
265,919
142,605
92/93
Brought Forward
L
265,919
Project Abilitv
12,000
Scottish Music Information Centre
Scottish Trades Union Congress
£
142,605
2,500
Shotts Arts Guild
1,466
Srrathhaven Arts Guild
1,18 9
129,480
6,000
Dundee Arts Centre
Glenfarg Folk Feast
4,00 0
27 3
Traditional Music & Song Assoc . o f
CENTRAL
MacRobert Arts Centre
£
1,013,964
TAYSID E
317,119
Artlink Central
£
110,810
20,700
The «'oodlands Community
Development Trust
Brought Forward
2,500
Scotland (Angus Branch)
25 0
161,645
4,523
164,145
ISLAND AUTHORITIE S
DUMFRIES & GALLOWAY
Dumfries & Galloway Arts Association
Wigtown District Council
32,170
6,352
An Comunn Gaidhealach
6,80 0
An Lanntair
6,94 9
4,79 4
Orkney Arts Society
18,543
38,522
OTHE R
FIFE
Arts in Fife
Dunfermline District Arts Council
13,105
SAC administration of Centre fo r
526
Contemporary Arts
13,631
258,094
1,424,604
To be Per Note 6
FESTIVAL S
GRAMPIAN
Aberdeen Arts Centre Association
4,700
EDINBURG H
Banff & Buchan District Council
1,000
Craigmillar Festival Society
Crathes 1992
1,000
Edinburgh International Festival
North East of Scotland Heritage Trust
5,000
Edinburgh Festival Fringe Society
The Lemon Tree Trust
6,000
Edinburgh Harp Festival
1,54 5
Edinburgh International Folk Festival
5,28 4
17,700
Stockbridge Festival
20,59 0
651,84 0
23,56 2
20 0
HIGHLAND
An Tuireann Arts Centre
703,021
2,50 0
Ballachulish Community Arts Society
315
GLASGOW
Comann Nam Parant
500
Arts is Magic Festival
Comunn Na Gaidhlig
500
205,340
Eden Court Theatre
Invergordon Community Arts Project
Inverness Folksong Club
Lyth Arts Centre
National Gaelic Arts Project
Festival
731
Glasgow International Folk Festival Soc .
Glasgow International Jazz Festival
9,230
45,005
3,500
SEALL
1,500
7,50 0
50 0
Glasgow International Early Music
2,421
Isobel Rhind Resource Centre
Skerrav Community Hall Committee
Beltane Fire Festival
10,00 0
1,68 9
6,31 5
Mayfest
76,00 0
Northlands Festival
10,00 0
112,004
50 0
Strathpeffer Pavilion Arts
6,000
BORDER S
Torry Youth Project
Melrose Music Festival
Ullapool Entertainments
500
2,804
West Coast Arts
2,140
30 0
H00
283,486
DUMFRIES & GALLOWAY
Dumfries & Galloway Arts Festiva l
Socieq
LOTHIAN
East Lothian Community History & Arts
Trust
12,15 0
12,150
Lamp of Lothian Collegiate Trust
9,000
7 9 431
Traditional Music & Song Assoc of
Scotland (Penicuik Branch)
20,325
FIFE
St Andrews Festival Society
4,735
4 t 735
36,756
GRAMPIA N
STRATHCLYDE
Clvdesdale District Council
Cumbernauld Theatre Trust
1,772
101 9 571
Aberdeen Alternative Festival
7,03 9
Aberdeen Arts Carnival
Gordonstoun Festival
2,52 6
East Kilbride Arts Council
Greenock Arts Guild
1,000
Harbour Arts Centre (Irvine)
2,857
HIGHLAN D
Mid Argyll Arts Association
Renfrew District Council
2,368
Feis Nan Garbh-Chriochan
16,015
Carried Forward
110,810
SCHEDULE 1 SCOTLAND
50 0
10,065
1,242
Feis Rois
1,013,964
Carried Forward
26 3
4,50 0
263
842,275
Brought Forward
Feis Spe
£
263
£
842,275
1,000
Edinburgh 300
The Scottish Chamber Orchestra
6,063
STRATHCLYDE
15,000
Speakeasy Theatre Company
7,600
Wordsdance Workshop
5,000
Glasgow -
Arran Festival of Folk
1,000
Randomoptic Pick of Company
3,300
Ayrshire Arts Festival
3,157
NVA (Formerly Test Department)
6,000
Clydesdale Arts Festival
3,000
Dundee Arts Centre - Plan B
4,500
Dunoon Jazz Festival
750
Isle of Bute Jazz Festival
1,000
Isle of Bute Folk Festival
750
Monklands Festival
52 6
Paisley International Organ Festival
£
CROSS MEDI A
Highland Traditional Music Festival,
Dingwall
£
Lothian The Lemon Tree Trust
2,500
43,900
2,500
ART & TOURISM
12,683
Edinburgh
Scottish Tourist Board
30,000
TAYSID E
Dundee Jazz Festival
526
STRATEGIC INITIATIVES
Dunkeld and Birnam Arts Festival Society
500
Arts Council of Great Britain
2,300
The Drake Research Project
10,000
Perth Festival of the Arts
17,785
18,811
Edinburgh Association for Business Sponsorshi p
ISLAND AUTHORITIES
of the Arts (ABSA)
5,000
Feis Bharraidh
2,469
Lux Europae Trust
10,000
Feis Eilean Na Fhraoich
1,050
Enterprise Music Scotland
10,000
Feis Eilean Na Hearadh
1,000
Scottish International Festiva l
Orkney Traditional Folk Festival
Shetland Arts Trust
Shetland Folk Festival Society
St Magnus Festival Orkney Islands
1,489
of Photography/Fotofeis
29,785
Glasgow District Council
1,323
18,530
55,646
Total Per Note 6
935,478
33,000
5,00 0
Highlands & Islands Enterprise
20,00 0
M8 Art Project
10,00 0
The Scottish Chamber Orchestra
2,50 0
Sundry Expenditure
3,435
111,23 5
CENTRAL FUNDS
RESEARCH AND CONSULTANCY
LOCAL AUTHORITY DEVELOPMEN T
Edinburgh -
Central Regional Council
European Economic Development
Services
Dumbarton District Council
8,813
East Kilbride District Council
Scottish International Children's
Festival
Moray District Council
7,50 0
5,00 0
10,00 0
4,00 0
1,000
26,500
Glasgow TOURING ACG B
Drumchapel Community Organisations
Council
4,125
The Scottish Ballet
Scottish Theatre Marketing
6,000
Assembly Theatre
20,00 0
7,000
Assembly Direct
50,60 0
TAG Theatre Company
5,000
The China Connection
4,80 0
Crathes 1992
2,000
Collective Gallery
3,933
The Drake Research Project
5,000
Communicado Theatre Company
East Kilbride District Council
4,600
Dance Productions
Fields & Frames
6,750
Edinburgh Arts Outreach Team
Independent Theatre Council
EDINBURG H
200
5,000
25,000
70 0
Edinburgh Book Festival
15,595
11,035
Leisure Unlimited/Mary Ann Gordon
3,000
Graeme Murray Gallery
National Gaelic Arts Project
7,000
Heart Beat World Music
Pier Arts Centre
4,000
The Independent Theatre Counci l
Policy Studies Institute
8,600
(Scotland)
Scottish Sculpture Trust
5,000
Photography Workshop (Edinburgh)
Phillida Shaw
3,000
Royal Lyceum Theatre Company
2,000
University of Stirling
3,000
The Scottish Chamber Orchestra
56,000
West Lothian District Council
2,000
Scottish Publishers Association
6,000
Sundry Expenditure
2,829
Scottish Poetry Library Association
2,500
88,917
4,800
7,000
11,000
Susan Hay Administrations/Danc e
Initiatives
10,000
Stills Gallery
12,910
Talbot Rice Art Centre
9,000
257,873
Carried Forward
257,873
94/95
Brought Forward
257,83
GLASGOW
Birds of Paradise Theatre Company
TRAININ G
15,000
EDINBURG H
GlasgoN% Print Studio
4,000
Ardink (Edinburgh & Lothians)
Gaelic Books Council
2,500
AMTIS
Pan African Arts Scotland
2,800
4,280
Martin Ayres
Raindog
Roval Scottish Orchestra Society
250
20,000
250
Benchtours
S8
25,000
Collective Gallery
80
Scottish Ballet
25,000
Edinburgh Sculpture Workshop Group
Scottish Opera
25,000
Edinburgh Printmakers Workshop Group
Scottish Early Music Association
10,000
First Base Theatre
Tron Theatre
Tramway Theatre
Winged Horse Touring Productions
(Edinburgh)
Mamta Yadav
3,000
15,000
2,000
153,568
DUMFRIES & GALLOWAY
Dumfries & Galloway Arts Assoc .
Susan Hay Administrations/Dance Init .
165
65
The Queen's Hall (Edinburgh)
480
Stills Gallery
135
Elizabeth Summerfield
250
Alan Tweedie
250
Lucy Harriet Toulmin Vaughan
250
22,635
FIFE
19,388
19,388
GRAMPIAN
Aberdeen Alternative Festival
112
9,500
9,500
Bonnar Keenlyside
95
Hullaballoo Childrens Theatre
Poor Fools Theatre Company
19,988
90
105
2,800
GLASGO W
Cappella Nova
11 2
Morag Anne Davidson
25 0
Susan Hillman
25 0
Stephen Thomas Kelly
25 0
Project Ability
250
Libby Ward
250
Richard Ian Weeks
250
1,612
2,800
BORDER S
HIGHLAND
Eden Court Theatre
Highland Regional Council
Lyth Arts Centre
National Gaelic Arts Project
Rideout Theatre Company
25
10,000
25
6,000
CENTRA L
400
MacRobert Arts Centre
470
20,000
47 0
36,400
TAYSIDE
Asian Cultural Assoc . (Tayside & Fife)
651
Bengali Cultural Assoc . (East of Scotland)
956
Dundee Repertory Theatre
20,000
Fields & Frames
16,400
Shetland Arts Trust
6,534
185
Jonathan Rickard
185
37 0
Scottish Sculpture Workshop
90
90
ISLANDS AUTHORITIES
5,000
Byre Theatre of St Andrews
GRAMPIAN
38,007
An Lanntair
FIFE
HIGHLAND S
Eden Court Theatre
120
Grantown Museum & Heritage Trust
100
220
STRATHCLYD E
11,534
Denis Clifford
250
250
OTHERS
Arts Council of Great Britain
TAYSIDE
2,000
2,000
Sundry Expenditure
Total Touring ACGB
Dundee Rep Dance Co .
12 0
Pitlochry Festival Society
12 0
240
9,450
540,520
Sundry Expenditure
5,674
31,586
National Arts Strategy
Total Central Funds as Per Note 6
SCHEDULE 1 SCOTLAN D
37,507
910,165
SCHEMES AND AWARDS
YEAR ENDED 31 MARCH 1993
ART
BURSARIES/AWARD S
Richard Hough
Photograph y
Bursar y
Oladele Ajiboy e
Bamgboy e
Amsterdam Studio
Karen Forbe s
Matthew Inglis
Ruth Beardswort h
Christine Borlan d
Stephen Hunter
Frances Pelly
Craig Richardson
Andrew Sneddon
& se Frain
Stephen Hurrel l
Philip Powe r
Calum Inne s
TRAVEL GRANTS
Andrew Gues t
Stills Gallery
Lindsay Lewis
Malcolm Miles
Glasgow Film & Video
Workshop
David Moore
Fiona Byrne-Sutton
Stills Gallery
Colin Covers
Portfolio Galler y
Marl;aret Ritchie
SMALL ASSISTANC E
GRANTS
Janice McNa b
Henry Kondracki
Douglas Gordon
Peter Mackay
Marcel O' Connor
Linda Taylor
Sean Taylor
Paul Dignan
James Gibson
Michael Lindle y
Marion Court s
Helen Morrison
Kenneth Bean
Alson Sneddon
Sylvia flays
Clare. Higney
Iain Stewar t
Brian Donlev y
Donald N Provan
Alan Fram e
Allan Lennie
Graeme Todd
Keith Ran d
DRAM A
BURSARIES/TRAININ G
Assitej G B
Celltech Events :
Masterclass
Govan Institute
Jane Houston Green
International Workshop
Festival
Edward Jackson
Flloyd Kennedy
Pat Keysell
Duncan Low
Gerard Mulgre w
Northern Stage
Company
Scottish Mask &
Puppet Centre
Scottish Dram a
Jo Smith
Phyllis Stee l
Ian Turbitt
DANC E
TRAINING BURSARIE S
Jacqueline Anderson
Centre for
Contemporary Arts
Alex Craig
Christine Devaney
Dundee Repertory
Theatre
Ben Grant
Joint Action
Brigid McCarth y
Katrina McI'hereson
Nikki Mdican
Janice. Parke r
Tramwa y
MIM E
TRAINING BURSARIES
Emma Dinhnval l
Jenny Frase r
The Minne Forum
LITERATURE
BURSARIES/TRAVEL
GRANTS
Frances Hendr y
Roger Leitch
Ian MacDougal l
Duncan & Lind a
Williamson
Sian Hayton
Tom Hubbard
Robert Alan Jamieso n
Main MacDonald
Carl MacDougal l
Aonghas MacNeaca d
Bess Ros s
Ruth Thomas
Freddy Anderson
Iam Crichton Smith
Gillian Nelso n
Michael "Turnbul l
William Kay
Alec Finlay
Harvey Holto n
E Main McArthu r
Ronald MacColl
Jatnes William Bel l
Tom Brya n
Martin Goodman
Jackie Hodgman
Billy Kay
Mark Leech
Duncan McLean
Frank Questing
Maureen Sangster
I Iugh Scott
Scottish PEN
Ian McDougall
BOOK AWARD S
Prof D Thomson
Stewart Conn
Jetf Torringto n
Kathleen Jami e
Shena MacKa y
Iain Crichton -Smith
George MacKay Brown
Ian Bamforth
David Toulm m
Ian Bell
Ian Finlayso n
Duncan MacMillan
MUSI C
AWARDS
Tom Bancroft
William Conway
Katnn Eickhorst-Square
Mysie Ann Ferguson
Roger Foxwel l
Dick Lee
Louise M MacDonald
Jane MacFarlan e
Savourna Stevenso n
COMMISSION S
Peter Argondtzza
Sally Beamis h
Arts in Fife
Richard Michae l
Assembly Direct
Tommy Smith
Association of ' British
Orchestras
Sir Peter Maxwell
Davies
Bearsden Burgh Choir
Jennifer Barker
BBC Scottish Bras s
Ensembl e
John Maxwell Gedde s
Cappella Nov a
Martin Dalb y
ECAT
Rebecca Saunders
ECAT
Edward Harpe r
Edinburgh University
Chamber Orchestra
Kenneth Dempste r
Edinburgh Youth
Orchestr a
Society
Magnus Robb
Glasgow Wind Band
Edward McGuire
Glasgow International
Jazz Festival
Carla Bley
Helensburgh Music
Society
Gordon McPherso n
Hep Records
Jimmy Deucha r
John Kenn y
L.yell Creswell
The Lemon Tree Trust
Dick Le e
The Lorca Du o
GP. Cnbari
The Lorca Du o
Edward McGurre
Mayfest Ltd
William Sweeney
Ian "uirliead
John Maxwell Geddes
Out to flay
Peter Inne s
RSCI Junior Choru s
John Byron
St Magnus Festival
Simon Hol t
The Scottish Chamber
Orchestr a
James MacMillan
The Scottish Chamber
Orchestr a
Sir Peter Maxwell
Davies
Sinf ma of'Scotlan d
Martin Dalby
Stirling Orchestra
David Paul Jone s
Storiehaven & Distric t
Choral Society
Shaun Dillo n
Tapestry
H .tflidi Hallgrimsso n
Phillip Thorn e
Thomas Wilso n
PROVISION O F
PERFORMIN G
MATERIA L
Sally Beamish
G .P. Criban
Jane Gardner
John Maxwell Gedde s
Eoin Hamilton
Nicky Hind
Peter Inness
David Paul Jone s
Stephen Kin g
Dick Le e
Chick Lyal l
Edward McGuir e
Peter Nelso n
Tommy Smith
William Sweeney
96/97 .
WELSH ARTS COUNCI L
INCOME AND EXPENDITURE
FOR THE YEAR ENDED 31 MARCH 199 3
1992
1883
£0008
INCOME
Grant from Arts Council of
Great Britain : Note 2
Grant from Crafts Counci l
Grant from British Film Institut e
Other operating income : Note 3
£0008
L000s
L000s
12,708
11,03 0
86
90
58
as
67
78
11,26 5
Grants and guarantees accrued i n
previous years, not now required
30
26
12,83 2
11,29 1
Administration of subsidie s
and service s
Staff costs : Note 4
67 7
63 0
Operational costs : Note 5
400
37 1
46
47
1,123
1,04 8
10,600
9,45 5
210
772
20 6
11,782
10,339
Depreciation : Note 9
Grants and guarantees : Note 6
Other activities : Note 6
Direct promotions : net deficit : Note 7
General expenditure on the
arts in Wales : Note 6
67 8
12,805
Operating surplus/(deficit )
27
~' -
Interest receivabl e
65
60
Surplus/(deficit) for the financial year : Note 8
Transfer (to) capital reserve
Accumulated surplus brought forwar d
Accumulated surplus carried forward
WELSH ARTS COUNCIL
112
(1 )
111
36
Be
102
177
66
BALANCE SHEE T
FOR THE YEAR ENDED 31 MARCH 1993
1993
£0009
FIXED ASSETS
Tangible assets : Note 9
CURRENT ASSETS
Stocks : Note 1 0
Grants and guarantees paid in advanc e
Other debtors and prepayments : Note 1 1
Cash at bank and in hand : Note 12
CURRENT LIABILITIES
Grants and guarantees outstanding
Creditors : amounts falling due
within one year : Note 1 3
Net current liabilitie s
Total assets less current liabilities
FINANCED BY
Income and expenditure account
Deferred capital grant account : Note 1 4
Capital reserve : Note 1 5
1992
£0009
£OOOs
1,192
1,21 6
134
214
342
69
13 1
17 5
38 7
22 2
759
91 5
590
86 6
252
25 0
842
1,11 6
(83 )
C000s
(201 )
1,109
1,01 5
177
789
143
66
807
142
1,109
1,01 5
Mathew Prichard
Chairman of the Welsh Arts Council
Anthony Everitt
Secretary-General
5 October 1993
98/99
CASH FLOW STATEMENT
FOR THE YEAR ENDED 31 MARCH 1993
199 2
1893
£OOOs
Net cash inflow from operating
activities : Note 16a
£OOOs
£OOOs
LOOO s
172
(181)
Return on investments and servicin g
of financ e
Interest received on short term
cash deposit s
59
89
Net cash inflow from returns o n
investments and servicing of financ e
59
86
Investing activities
Fixed assets purchased
Net cash outflow from
investing activitie s
(Decrease)/increase in cas h
and cash equivalents : Note 16c
WELSH ARTS COUNCIL
(44 )
(58)
(58 )
(M)
(44 )
18 7
NOTES TO THE ACCOUNT S
AS AT 31 MARCH 199 3
1 ACCOUNTING POLICIE S
A) The financial statements are prepared under
D) CAPITAL GRANTS
the historical cost convention . Without limiting
the information given, the accounts meet th e
requirements of the Companies Act 1985 and o f
the statement sof Standard Accounting Practic e
issued by the Accounting Standards Board so fa r
as those requirements are appropriate . Significan t
departures from Statements of Standard
Accounting Practice are disclosed in the notes t o
these accounts and the financial effect is .
quantified where practicable to do so .
Grants received towards the cost of fixed asset s
are taken to the Income and Expenditur e
Account over the useful life of the asset
concerned. The amount of such grants still to b e
taken to the Income and Expenditure Account i s
shown on the Balance Sheet as a deferred capital
grant account .
E) STOCKS
Stocks are stated at the lower of cost and ne t
realisable value .
B) ACCRUALS CONVENTIO N
(i) All income and expenditure is taken into
account in the financial year to which it relates .
Setting up costs incurred on any event promote d
by the Council are charged to the year in whic h
that event takes place . Setting up costs incurre d
in a year prior to that opening are treated as a
prepayment .
(ii) Subsidy expenditure is incurred in the form o f
grants and guarantees which are formally offere d
to and accepted by the Council's clients . Grant s
and guarantees are charged to the Income an d
Expenditure Account in the year in which funde d
activities take place; if this is not determinabl e
they are charged in the year in which activities
begin . Any amounts unpaid from grants and
guarantees at the year end are shown as creditor s
in the Balance Sheet and an}' advance payments
to clients in anticipation of grants and guarantee s
to be charged in the following financial year a t
shown in the Balance Sheet as debtors .
C) DEPRECIATION AND FIXED ASSET S
F) LEASES
Operating leases are taken into the Income an d
Expenditure Account on a straight line basis ove r
the life of the lease .
G) PENSION S
The total pension cost for the period was
£93,664 (1992 £76,388) .
The Arts Council provides a defined benefi t
pension scheme for its employees . The Scheme is
funded by payments by the Council an d
employees to a Trustee-administered fun d
independent of the Council's finances . These
contributions are invested in a managed fund run
by a leading insurance company. Contributions
payable in the financial year 1992/93 are base d
on an actuarial valuation of the scheme as at
1 April 1990, carried out using the Projecte d
Unit Method, and are charged against th e
Income and Expenditure Account .
The Council currently contributes to the cost of
the scheme at a rate of 9 .4% of pensionable salary.
Depreciation is provided on all tangible fixe d
assets at rates calculated to write off the cost less
estimated residual value of each asse t
systematically over its expected useful life a s
follows :
Freehold buildings
over 50 years
Leasehold buildings
over the life of the lease
Fixtures and fittings
over 4 years
Motor vehicles
over 4 year s
Freehold land is not depreciated .
Works of Art are shown at historical cost, and an
amount equal to the value of the net purchase s
each year is transferred out of the Income an d
Expenditure Account to a separate capital reserve
(Note 15) . This policy reflects the fact that works
of art are not assets which have a finite useful
economic life .
100/101
1992
1983
2 GRANTS FROM THE ARTS
COUNCIL OF GREAT BRITAIN
Revenue gran t
3 OTHER OPERATING INCOME
Contributions towards special projects
£0006
£OOOs
12,706
11,03 0
39
Grant administration charge s
7
Collectorplan charges
10
4
Sundry- income
Transfer from deferred capita l
grant account : Note 14
18
78
4 ADMINISTRATION OF
SUBSIDIES & SERVICES
STAFF COSTS
Salaries and wage s
Employers National Insurance
44
534
42
Arts Council of Grea t
Britain Retirement Plan (1975 )
65
54
Redundancy payment
56 7
1
677
The Chairman, Council and Committee Members are not paid for their services . The average weekly number o f
employees during the year was made up as follows :
1993
1992
No
No
Administration of subsidies and services
42
42
Direct promotions
21
21
63
63
£103,319 (1992 .C92,88 1) of administrative staff costs have been allocated to direct promotions detailed in Note 7 .
£0006
5 ADMINISTRATION OF
SUBSIDIES A SERVICES
OPERATIONAL COSTS
Agency staff costs
2
3
Contract hire charges - cars
17
19
Travelling and subsistence
92
68
Rent and rates
77
68
Fuel, light and house expenses
14
19
Public relations and hospitality
22
15
Postage and telephone
28
28
Stationery and printing
20
16
Professional fees
40
54
Bad debts provided for
-
10
Office and sundry
36
40
Strategy and restructuring costs
51
19
1
12
400
37 1
Uninsured losses
£22,446 (1992 .C22,843) of operational costs have been allocated to direct promotions detailed in Note 7 .
WELSH ARTS COUNCIL NOTES TO THE ACCOUNTS
L000 s
1993
£0009
6 EXPENDITURE BY
ART FORM
Music
Grants and Guarantee s
Scheme expenses
Young Welsh Singer Competitio n
Concert programme : Note 7
Festivals
Grants and guarantee s
Danc e
Grants and guarantee s
Scheme expense s
Feasibility study (National Dance an d
Choreography Centre )
199 2
Z000s
3,399
2
249
L000s
3,163
3
9
18 5
3,650
3,36 0
188
15 6
495
1
43 5
-
-
2
496
Drama
Grants and guarantees
Research Projects
Scheme expenses
2,714
12
-
43 7
2,46 1
6
2,726
Art
Grants and guarantee s
Exhibition services : Note 7
"ArtNews"
Collectorplan, Artists Register ,
Slide Library and other activities
Scheme expense s
2,46 7
681
153
-
61 1
13 7
11
24
-
21
2
860
Film
Grants and guarantee s
Other activitie s
Scheme expense s
Contribution to Film Archive Projec t
International Fellowship
193
25
10
3
78 2
119
21
6
11
36
231
Literatur e
Grants and guarantees
Scheme expenses
Competitions and events
Other activitie s
Marketing development projec t
913
3
12
12
9
19 3
804
2
5
12
22
949
Regional
Grants and guarantee s
Other activitie s
1,618
12
Inter Arts
Grants and guarantee s
Craft
Grants and guarantees
Showcase network and exhibitions
" Crefft" and craftsmen's registe r
Depreciation
Carried Forward
.£000s
84 5
1,19 9
1
1,630
1,20 0
439
403
93
3
16
73
6
14
2
112
95
11,281
9,938
102/10 3
1992
1993
Brought Forward
6 EXPENDITURE BY
ART FORM
(CONTINUED)
£0008
£OOOs
11,281
9,938
Special projects
Grants and guarantees
67
30
-
1
Earnings research project
Feasibility studie s
Cardiff Opera House
-
14
Old Library
27
-
Nfask and Puppetry Centre
17
-
National Dance and Choreography Centre
20
-
Oriel Bookshop and Gallery : Note 7
General expenditure on the arts in Wales
131
45
370
35 6
11,782
10,33 9
10,800
9,45 5
210
772
20 6
11,782
10,33 9
Summary
Grants and guarantees
Other activities
Direct promotions : Note 7
General expenditure on the arts in Wales
1993
1992
1993
1992
Exhibition
services
7 DIRECT PROMOTIONS
Income
678
1993
Concerts
1992
1993
Oriel Bookshop
and Gallery
1992
Total
£0009
£OOOs
£OOOs
£OOOs
£OOOs
£OOOs
£0009
£OOO s
4
3
65
147
417
428
486
578
83
76
10
11
237
235
330
32 2
6
6
1
1
16
16
23
23
8
7
1
1
19
14
28
22
Staff costs
Salaries and wages
Employers National Insurance
Arts Council of Great Britain
Retirement Plan (1975)
97
89
12
13
272
46
302
319
486
265
492
381
841
367
53
7
5
-
-
29
27
36
32
Total costs
157
140
314
332
787
784
1,258
1,256
Net deficit
(153)
(137)
(249)
(185)
(370)
(356)
Operational costs
Depreciation
(772)
85 7
(678 )
Staff and operational costs include a proportion of indirect overheads as detailed in notes 4 and 5 .
1993
199 2
£0008
6 SURPLUS/(DEFICIT)
FOR THE YEAR
Per Income and Expenditure Account
111
(36 )
Stated after charging or (crediting )
18
15
(b) Operating leases
210
20 3
(c) Rental income
(62)
(62 )
(d) Employees receiving remuneration over £30,000
(a) Auditors remuneration
No
No
£30,000 £39,999
5
3
£40,000 £49,999
1
1
The Chief Executive's total actual remuneration including taxable benefits was £46,062 (1992 : L44,148) .
The Chief Executive is an ordinary member of the Council's pension scheme .
WELSH ARTS COUNCIL NOTES TO THE ACCOUNTS
L000 s
9 TANGIBLE FIXED ASSETS
Land and
Buildings
Fixtures
8: Fittings
Vehicles
Works
of Art
Total
£OOOs
£OOOs
£0008
£OOOs
E000S
1,108
368
71
142
1,689
12
7
38
1
58
1,120
375
109
143
1,747
Depreciation as at
1 April 1992
132
297
44
-
47 3
Provided 1992/93
30
41
11
-
82
162
338
55
-
55 5
Net book value a t
1 April 1992
976
71
27
142
1,21 6
Net book value a t
31 March 1993
958
37
54
143
1,19 2
Cost at 1 April 1992
Additions
Cost at
31 March 1993
£0008
L000s
Depreciation is allocated to Subsidies and services
46
47
Direct promotions : Note 7
36
32
-
1
82
80
797
81 6
Art departments
The net book value of land and building comprises:
Freehold
Long leasehold improvements
-
-
Short leasehold improvements
161
16 0
958
976
The freehold land and buildings are occupied by third-parties under the terms of operating leases .
The Welsh Arts Council intends to transfer to the National Museum of Wales the Council's art collection. Parliamentary
approval has not yet been granted and negotiations with the Treasury are continuing . The value of the Council's ar t
collection of some 1300 works at 31 March, 1992 in the opinion of its Art Director, was approximately £2 .9m .
10 STOCKS
Trading stocks
Other
11 OTHER DEBTORS
AND PREPAYMENTS
12 CASH AT BANK
AND IN HAND
Collectorplan loans
Other
Cash in transit (balance due fro m
Arts Council of Great Britain)
Other cash
13 CREDITORS
128
120
6
11
134
13 1
99
93
243
294
342
38 7
-
200
69
22
69
22 2
Amounts falling due within one year comprise :
Taxation and social security
Other creditors
23
24
229
22 6
252
25 0
104/105
1993
14 DEFERRED CAPITA L
GRANT ACCOUN T
15 CAPITAL RESERVE
i
199 2
FOODS
£OOOs
807
82 5
18
18
Balance at 31 March 1993
789
80 7
Balance at 1 April 1992
142
14 2
1
-
143
14 2
Balance at 1 April 1992
Transfer to income and expenditure account
\"ore 3
Transfer from income and expenditure account
Balance at 31 March 1993
Transfers to and from the capital reserve reflect additions to or disposals from the Council's art collection (see note lc) .
16 NOTES TO CASH FLOW
STATEMENT
a)
Reconciliation of operating deficit to net cash inflow from operating activitie s
Operating surplus/(deficit)
27
(96 )
Transfer from deferred capital grant account
(18)
(18 )
Depreciation charges
82
80
Decrease in debtors and prepayments
44
148
Increase in stocks
(3)
(21 )
(39)
(32 )
-
18 5
(Increase) in grants an d
guarantees paid in advance
Decrease in amounts due
from Arts Council of Great Britain
(Decrease)/increase in grants and
guarantees outstanding
Increase/(decrease) in creditors
(276)
Net cash flow from operating activities
(181)
72
(146 )
2
172
b) Analysis of the balances of cash and cash equivalents
Cash in transit, at bank and in hand
17 INVESTMENTS
Unlisted investment
1993
1992
EOOOs
£OOOs
£OOOs
222
(153)
69
Change
In year
£
£
Nil
Nil
UAPT Infolink PL C
1,142 `A' Ordinary 25p shares
The Welsh Arts Council had been a member of the United Association for the Protection of Trade Limited in order t o
obtain credit references for loans made under its Collectorplan scheme . As a member of that Company, the Welsh Art s
Council was allotted, free of any cost, 1,142 `A' Ordinary Shares of 25p each, fully paid, at a premium of 75p, in UAP T
Infolink PLC under a Scheme of Arrangement which became effective on 27 March 1987 . Due to the nature of the
holding no market value has yet been ascribed to these shares .
18 LEASES
As at 31 March 1993 the Council had annual commitments under non-cancellable operating leases as set out belo w
Land and buildings
Land and building s
£0009
L000 s
Within one year
-
-
In the second to fifth vear inclusive
-
-
192
19 2
192
19 2
Operating leases which expire :
Over five vears
Motor vehicles
Motor vehicle s
Within one year
-
14
In the second to fifth vear inclusive
-
4
18
WELSH ARTS COUNCIL NOTES TO THE ACCOUNTS
1993
19 CAPITAL COMMITMENTS
As at 31 March, 1993 the Welsh Arts Council had no
contractual commitments for capital expenditure (1992 nil) .
20 GRANT COMMITMENTS
a) Grants
Forward funding 1993/9 4
grants formally offere d
1992
£OOO s
.C000 S
398
2,954
b) Other
The Welsh Arts Council has formally approved the use in 1993/94, for projects originally planned for 1992/93, o f
£62,100 of its accumulated surplus at 31 March 1993 .
21 WALES FILM COUNCIL
The grant from the Welsh Arts Council to the Wales Film Council is included in film department expenditure (Note 6 an d
Schedule 1) . In addition, the Welsh Arts Council continued to provide a bookkeeping service to the Wales Film Council i n
respect of the Wales Film and Television Archive . The transactions processed by the Welsh Arts Council on behalf of the
Wales Film Council are summarised below ; the balance at 31 March 1993 is included in debtors .
£OOOs
Income received
Expenditure
Balance due to Welsh Arts Council
59
(121 )
62
Since 1 April 1993 the Wales Film Council has taken on responsibility for all bookkeeping relating to the Archive .
Comptroller and Auditor General's Certificat e
I have examined the financial statements on pages 99 to 100 in accordance with the National Audit Office auditin g
standards. In my opinion the financial statements give a true and fair view of the state of affairs of the Welsh Arts Counci l
at 31 March 1993 and of its surplus and cash flows for the year then ended and have been properly prepared i n
accordance with the directions made by the Secretary of State for National Heritage .
N Gale
Associate Director
for the Comptroller and Auditor Genera l
National Audit Offic e
8 October 1993
106/107
SCHEDULE 1 TO THE ACCOUNTS
FOR THE YEAR ENDED 31 MARCH 199 3
E
Brought Forward
E
-1,595
Llantilio Crossenny Festiva l
5,270
of Music and Dram a
5,420
Lower Machen Festiva l
North Wales Music Festival
20,480
St David's Cathedral Festival
Cardiff Festival of Musi c
7,020
26,530
Swansea Festival of Music and the Art s
27,530
Vale of Glamorgan Festival
Total as Note 6
GRANTS AND GUARANTEES
(including subsidies offered but not paid at that date )
DANC E
PERFORMING COMPAN Y
Diversions Welsh Repertory Dance Compa m
MUSIC
OPER A
COMMUNITY DANC E
Welsh National Oper a
2,480,700
OTHER ORGANISATIONS
BBC Welsh Symphony Orchestra
509,10 0
Merlin Music Society, Monmouth
4,86 5
St David's Hall, Cardiff
University College of North Wales :
70,530
Archive of Welsh Traditional Music
Welsh Amateur Music Federation
Welsh Jazz Society
Clwyd Danc e
16,510
Dawns Dyfed
20,665
Dawns Gwynedd
1,865
3,515
31,090
Rhondda Community Arts
13,105
Valley and Val e
117,005
6,830
Powys Danc e
Islwyn Dance Projec t
6,380
Welsh Dance Theatre Trust
29,730
- Rubicon
Welsh Music Information Centre ,
University College, Cardiff
234,945
Welsh Folk Dance Society
39,430
44,975
5,015
West Glamorgan Dance Project
164,055
772,525
COMMISSIONS TO COMPOSER S
South Wales Intercultural Community Arts
COMMUNITY DANC E
2,515
CHOREOGRAPHIC COMMISSION S
Welsh National Opera
12,020
Amdance
510
Awards to individuals
34,155
Dawns Gwyned d
420
48,690
South Wales Intercultura l
Community Arts
AWARDS FOR ADVANCED STUD Y
West Glamorgan Dance Project
510
510
15,120
Awards to individuals
1,950
GB TOURING FUN D
TOURIN G
Mid Wales Opera
12,720
Cwmni Dawns Camre Cain
1,715
Music Theatre Wales
53,730
Earthfall Danc e
2,915
North Wales Philharmoni a
2,365
Emma Carlso n
St David's Hall, Cardiff
3,515
Powys Danc e
St Donats Arts Centr e
5,520
560
1,010
Welsh Independent Dancers
11,21 5
77,850
INDEPENDENT PROJECTS
PUBLICATION S
Taplas Folk Music Journa l
610
PROJECTS
Association of British Orchestra s
Welsh College of Musi c
and Drama, Cardiff
Women's Jazz Archive, Swanse a
1,515
Conscious Opera
10,020
Earthfall Danc e
20,020
Paradox Shuffle
11,520
Valleys Live '92
1,015
Yellow Label Dance Compan y
Awards to Individual s
510
2,015
Cwmni Dawns Camre Cain
2,015
28,110
74,71 5
3,540
Total as Note 6
3,399,035
Fishguard Music Festiva l
Gregynog Festival
Community Dance Wale s
8,020
24,680
2,865
Dance Compan y
Carried Forward
SCHEDULE 1 WALES
2,015
Welsh Independent Dancers
2,01 5
Awards to individual s
2,260
Llangollen Internationa l
Musical Eisteddfod
2,015
Diversions Welsh Repertor y
FESTIVAL S
Brecon Jazz Festival
TOURIN G
8,30 5
36,030
71,595
Carried Forward
495,18 5
Brought Forward
495,185
EDUCATIONAL DEVELOPMENT
Brought Forward
PROJECTS
TRAINING
310
Welsh Joint Education Committee
Total as Note 6
495,495
Arad Goch
1,51 5
Cwrs Drama Ieunctid Cymru
2,51 5
Dalier Sylw
1,19 5
DRAMA
Drama Association of Wales
MAINSTREAM PRODUCING COMPANIES
Fallen Angels
Sherman Theatre
Theatr Clwyd
312,890
444,810
Gwent Theatre
Theatr Gwynedd
163,804
Magdalena Project
Torch Theatre
151,540
National Youth Theatre of Wales
Is-Bwyllgor Gymraeg Assitej
1,073,044
Sherman Theatre
South Wales Intercultural Community Arts
WELSH LANGUAGE PRODUCING COMPANIES
Cwmni Hwyl a Fflag
Cwmni Theatr Cymru
Dalier Sylw
Theatr Bara Caws
103,883
11,040
80
26 0
20 5
1,01 0
46 0
6,52 0
44 5
15 5
Theatr Clwyd
2,230
Theatr Powys
230
University College of Wales, Aberystwyt h
85,692
-- Drama Department
117,363
Volcano Theatre Company
317,978
3,025
510
Wales Association for th e
Performing Arts
THEATRE IN EDUCATION AND
1,315
Welsh Language TIE Conference
COMMUNITY TOURING
Arad Goch
Gwmni'r Fran Wen
2,665,046
DEVELOPMENT SCHEME S
(1' Cynhadledd)
112,886
Awards to individuals
760
2,756
52,641
25,186
Cwmni Theatr Outreach
50,47 0
Gwent Theatre
47,281
THEATRE WRITIN G
Hijinx Theatre
94,637
Arad Goch
760
Spectacle Theatre
51,856
Dalier Sylw
1,010
Theatre West Glamorgan
82,912
Eisteddfod Genedlaethol Frenhino l
Theatr Iolo Morgannwg
48,341
Theatr Powys
88,185
Cymru : Aberystwyth
2,025
Hijinx'
1,010
Hwyl a Fflag
1,010
Sherman Theatre
2,015
DEVELOPMENT PRODUCTION
Spectacle Theatre
1,51 5
COMPANIES AND PROJECTS
Theatr Bara Caws
1,51 5
Theatre West Glamorgan
1,51 5
629,209
Brith Gof
Centre for Performance Research
Made in Wailes Stage Company
116,970
64,030
Theatr Gwynedd
125,155
Theatr Iolo
Magdalena Project
34,530
Torch Theatr
Volcano Theatre Company
38,226
University College of Wailes ,
378,911
Aberystwyth Drama Department
Valley and Vale Community Arts
PROJECTS
Wales Actors Company
Green Ginger
5,015
Moving Being
40,030
No Fit State Circus
Sherman Theatre
St Stephens Theatre Space
Theatre West Glamorgan
7,020
Awards to individuals
1,515
24,09 0
6,020
Total as Note 6
9,020
20,030
GRANTS TO GALLERIE S
Whare Teg
37,030
Ffotogallery Wales
WOT Theatre
10,020
Clwyd County Council : Wrexham
Y Cwmni
50,030
Library Arts Centre
5,015
Newport Museum and Art Gallery
Davies Memorial Gallery
2,517
Sculpture at Margam
3,517
14,020
14,020
,020
Whare Teg
14,020
Y Gymraes
2,015
44,330
38,480
125,240
Oriel 31, Newtown :
5,525
Theatr Clwyd
75,330
Newport Borough Council :
Oriel Mostyn
Sherman Theatre
2,714,32 2
ART
210,270
59,280
13,120
Swansea City Council:
Glynn Vivian Art Gallery
39,330
University College of Wales ,
Aberystwyth : Aberystwyth
2,665,046
50,880
445,990
55,634
Carried Forward
1,51 5
10,020
Wales Actors Company
Marine Theatre Contractors
Moving Being
51 0
1,51 5
1,010
3,01 5
11,020
TOURING FUND ENHANCEMENT (GB FUND)
Gwent Theatre
81 0
Welsh College of Music and Drama
Y Cwmni
Theatre Had
Y Gymraes
31 0
1,51 5
Carried Forward
445,990
108/109
£
Brought Forward
GRANTS FOR ARTISTS' EXHIBITING FEES
Cardiff City Council
Cardiff Institute of Higher Education
Ceredigion District Council
EDUCATIO N
Abergavenny Film Society
105
Chapter
510
785
Cwmni Whare Teg
510
Media Education Centre
Chapter
1,595
Theatre Mwldan
Clwyd County Council
1,315
Valleys Arts Marketing
Cowbridge Community Education College
Dyfed County Council
510
Wales Film Council
510
14,624
260
510
4,015
460
20,534
Festival of the Countryside
Fishguard Festival
380
130
ETHNIC MINORITY PROJECTS
Gwynedd County Council
135
Butetown History and Arts Project
6,320
Llanelli Borough Council
130
Award to individual
1,518
Llanover Hall Arts Centre
885
Llantarnam Grange Arts Centre
7,838
1,21 0
Lliw Valley Borough Council
510
EXHIBITION AND FESTIVALS
Machynlleth Tabernacle Trust
760
Aberystwyth Arts Centre
1,215
Chapter
1,515
510
St Donats Arts Centre
1,015
Polytechnic of Wales
510
Taliesin Arts Centre
1,215
Taff Ely Borough Council
135
Theatr Mwldan
1,215
University of Wales - Gregynog Festival
260
Valleys Arts Marketing
7,820
West Glamorgan County Council
885
Valleys Live '92
5,020
Mid Glamorgan County Council :
Rhondda Heritage Park
14 9 365
Welsh International
Film Festival
REVENUE GRANTS TO ART ORGANISATIONS
Wyeside Arts Centre
6,020
8,959
Association of Artists and
Designers in Wales
£
FILM
2,390
360
Carmarthenshire College of
Technology and Art
£
£
445,990
33,994
14,020
Cytgord (Yr Uned Gelf/The Art Unit)
12,020
SMALL SCALE PRODUCTION PROJECT S
Cywaith Cymru/Artworks Wales
77,630
Awards to individuals
Gweled
13,87 0
The Pioneers
16,220
6,055
TRAINING
133,760
Awards to individuals
398
INTERNATIONAL FILM BURSARIE S
ARTISTS IN RESIDENCE
North Wales Arts Association
Awards to individuals
South-East Wales Arts Association
10,020
West Wales Association for the Arts
8,520
REVENUE FUNDED ORGANISATION S
25,060
3,520
Sculpture at Margam
15,96 5
Filmworks
10,02 0
Red Flannel Films
15,16 0
Wales Film Council
Wrecsam Community Video
Oriel 31, Newtown,
Davies Memorial Gallery
Creu Cof
Valley and Vale Community Arts
GALLERY STAFFING DEVELOPMENTS
Clwyd County Council
7,045
6,520
7,12 0
60,03 0
8,62 0
9,020
116,915
13,020
Total as Note 6
192,77 9
25,560
LITERATUR E
PROJECTS
GRANTS TO ORGANISATION S
Art Station
3,015
Cymdeithas gerdd Dafod
University of Wales, Aberystwyth
7,020
Gwasg Gomer
10,035
TRAVEL, MASTERCLASS AND
INDUSTRIAL EXPERIENCE GRANTS
Gwasg Gregynog
44,070
7,44 0
13,140
Hay on Wye Festival of Literature
9,390
Seren Books (Poetry Wales Press)
64,240
Swansea University - Englis h
Awards to individuals
23,727
Department
The Taliesin Trust
LOANS TO ARTISTS
Loans made
36,970
Less amounts repaid
34,434
710
44,110
Welsh Books Council
185,435
Yr Academi Gymreig
90,930
459 46 S
2,536
Total as Note 6
681,033
Carried Forward
SCHEDULE 1 WALES
459,465
Brought Forward
459,46 5
REGIONA L
PRODUCTION GRANTS
Cyhoeddiadau Barddas
5,420
ARTS ASSOCIATION S
Gwasg Gee
7,030
North Wales Arts Association
305,450
Gwasg Gomer
21,300
South-East Wales Arts Association
455,250
Gwasg Prifysgol Cymru
20,755
West Wales Association for the Arts
282,950
Gwasg Taf
1,465
Honno
4,01 5
Swansea Poetry Workshop
1043 650
510
OTHER ORGANISATIONS
60,495
Drama Association of Wales
Visiting Arts
53,730
6,920
CHILDREN'S LITERATURE
Gwasg Gomer
Cyngor I,lyfrau Gymraeg
60,650
17,785
S10
JOINT TOURING SCHEM E
Pont Books
9,420
North Wales Arts Association
16,077
Awards to individuals
4,295
South-East Wales Arts Association
19,542
West Wales Association for the Arts
15,144
32 9 010
50,763
PERIODICAL S
"Barddas"
"Barn"
8,170
PROGRAMME SUPPORT SCHEM E
37,780
Aberystwyth Arts Centre
10,020
"Bay Voices"
580
Chapter
8,020
"Cambrensis"
820
Grand Theatre, Swansea
8,02 0
"Cardiff Poet"
"Y Casglwr"
"Golwg"
"Momentum"
55
Hay-on-Wye Festival of Literature
19895
New Theatre, Cardiff
61,300
New Pavilion Theatre, Rhyl
405
3,015
19,02 0
2 9 51 5
North Wales Arts Association
102,40 5
"The New Welsh Review"
28,530
South-East Wales Arts Association
118,08 9
"PLanet"
70,830
West Wales Association for the Arts
89,01 8
"Poetry Wales"
15,810
"Taliesin"
17,020
360,12 2
"Tu Chwith"
1,515
ARTS AND DISABILITY PROJECTS
"Y Traethodydd"
6,060
Arts for Disabled People in Wales
250,770
PRIZES
Awards to individuals
109 000
8,14 5
North Wales Arts Association
19,74 0
South-East Wales Arts Association
17,01 0
West Wales Association for the Arts
14,01 0
Wales Association for the Performing Arts
51 0
WRITERS ON TOUR
59,41 5
North Wales Arts Association
9,045
South-East Wales Arts Association
9,045
MARKETIN G
West Wales Association for the Arts
9,045
Aberystwyth Arts Centre
27,135
WRITERS' BURSARIES AND RESIDENCIES
North Wales Arts Association
8,620
Rhondda Community Arts
1,515
South-East Wales Arts Association
8,520
West Wales Association for the ARts
Awards to individuals
Arts Marketing in Dyfed
1951 5
7999 5
Cardiff Arts Marketing
16,745
Swansea Arts Marketing
11,715
Taf and Cleddau Communit y
Arts Council
Valleys Arts Marketing
89785
459870
20 5
5,015
43,190
Total as Note 6
1,6179 790
73,310
Total as Note 6
913,185
INTER-ARTS
Arts Education in a Multicultural Society
Cardiff Arts Marketing
Centre for Performance Research
Chapter
4,515
530
3,515
418,565
Made in Wales Stage Company
685
Music Theatre Wales
565
Oriel Mostyn
South Wales Intercultural Community Arts
Total as Note 6
125
10,020
438,520
E
£
CRAFT
RESIDENCIES AND REGIONAL ACTIVITIE S
North Wales Arts Association
5,745
South-East Wales Arts Association
8,370
West Wales Association for the Arts
5,945
20,060
EXHIBITION SUPPORT GRANTS
Aberystwyth Arts Centre
Bleddfa Trust
Clwyd County Council : Exhibition Services
4,165
310
760
Clwyd County Council : Ruthin Craft Centre
5,520
Llantarnam Grange Arts Centre
2,265
Model House Craft and Design Centre
3,015
Oriel Mostyn
1,010
Pembrokeshire Craft Markets
260
Valleys Live '92
510
17,81 5
SPECIAL PROJECTS AND AWARD S
Clwyd County Council : Ruthi n
710
Arts Centre
Garden Festival Wales, Ebbw Vale
2,51 5
Gwynedd County Council
1,01 0
Llantarnam Grange Arts Centre
Makers Guild in Wales
Model House Craft and Design Centre
62 5
41 0
1,11 5
North Wales Potters
20 5
Oriel 31, Newtown : Davies Memorial Gallery
46 5
Royal National Eisteddfod of Wales
31 0
St Donats Arts Centre
1,01 0
South Wales Potters
1,630
Valleys Live '92
2,01 5
Awards to individuals
4,62 5
16,645
SHOWCASES
Gwynedd County Council
1,265
Clwyd County Council
3,790
Dyfed County Council
1,265
6,320
REGIONAL CRAFT CENTRE S
Clwyd County Council :
Ruthin Craft Centre
3,513
Dyfed County Council
Gwasg Gregynog
14,825
Model House Craft and Design Centre
University College of Wales ,
Aberystwyth Arts Centre
5,015
1,477
2,390
University College of Wales :
Ceramics Archive
5.015
32,235
Total as Note 6
83,075
SPECIAL PROJECT S
Dyfed County Council
Garden Festival Wales, Ebbw Vale
Policy Studies Institute
8,020
42,530
1,51 5
Valleys Live '92
15,02 0
Total as Note 6
67,085
SCHEDULE 1 WALES
SCHEMES AND AWARDS
FOR THE YEAR ENDED 31 MARCH 199 3
MUSIC
DANCE
COMMISSIONS TO
COMPOSERS
INDEPENDENT PROJECTS
Tony Biggin
Valleys Live '9 2
Mervyn Burtch
SATB Choir an d
junior voices
Grodon Downie
University College ,
f
Cardif
Dilys Elwyn Edwards
Lower Machen
Festival
Paula Gardine r
[slwyn Borough
Counci l
Gareth Gly n
Como '9 2
David Harrie s
Llantilio Crossenn y
Festival
Pembrokeshire Yout h
Choir
Dalwyn Henshal l
Swansea Festiva l
Alun Hoddinot t
Lower Machcn
Festival
St David's H :d l
Brian Hughes
Cor Ysgc;l y Berwy n
Daniel ]one s
Siraiasea Festiva l
Jeffrey Lewis
Vale of Glamorga n
Festival
William Mathias
Criccieth Festival
Whidand Male Voice
Choi r
Ian Parrott
Royal Nationa l
Eisteddfod of Wale s
Avo Par t
Vale of Glamorgan
Festival
John Pickard
Department of Extra Mural Studies ,
Aberystwyt h
North Wales Festiva l
John Tavene r
Vale of Glamorgan
Festival
Pwyll ap Sio n
Anglesey Youth Choir
North Wales Festival
Roger Steptoe
Valleys Live '9 2
Gareth Woo d
Pembrokeshire
Schools Orchestra
AWARDS FO R
ADVANCED STUD Y
Gwyn Hughes Joens
Claire Lewi s
Jeremy Mannings
Roger Owen s
Judith Ree s
Carys Lloyd Roberts
Xiang-Sebastian
See-Schierenberg
David Gareth Small
Jeremy Huw Williams
Emma Carlso n
Sioned Huws
Caroline Lamb
Belinda Neave
Phillip Piggi n
Kiran Ratn a
Rachel Whitehead
TRAINING
Jenni Barbieri
Jane Bellamy
Miranda Knight
Kiran Ratn a
Juhe Turne r
DRAM A
TRAINING
Terry Chin n
Chris Fry
Sicv Hughe s
Heidi Jone s
Graham Lake r
Ian May
Nic Ross
Eilian Wyn
THEATRE WRITING
Sera Moore : William s
ART
TRAVEL, MASTERCLASS
AND INDUSTRIAL
EXPERIENCE GRANTS
Sarah Bradpiece
Brendan Burns
John Clinc h
Josephine Coy
Michael Cummins
Haydn Denman
Mohammed Hamza
Clyde Holmes
Sue Hun t
Karen Ingham
George Kilibarda
Emma Lawton
Sean O'Reilly
Chris Partridg e
Peter Prendergast
Sham Rhys Jame s
Stephen West
Ian Walke r
Loans to Artists
Charles Ait hi e
Julian Askins
Valerie Bal l
Jason Bethel l
Michael Bnmble
Terry Chinn
Androulla Cleovoulo u
Elaine Coope r
Sean Curley
Peter Edward s
Martina Galvin
Mark Lee Griffiths
Ysabel Gwynn
Bryan Hackett
Andrew Hampton
David Harding
Falcon D Hddred
Sarah Hopkins
Simon Howe
Barry Humphre y
Derek Tones
Robert Steven Jones
Angela Kingsto n
Emma Lawton
Colin Garth Livingston e
Paul Mitchel l
Rita Mitchel l
Brian Morga n
Keith Morri s
Dianne Murphy
Richard O'Connell
Edward Pari-Jone s
Adrian Phelp s
Tnm Pipe r
Peter Prendeergast
Gillian Richardson
James Riell y
Joyce Smyth
David 'Cress
Alex William s
Emrys Williams
FILM
ETHNIC MINORITY
PROJECTS
Terry Johnson
SMAi.L SCALE
DEVELOPMENT PROJECT S
PRIZE S
Emyr Humphreys
Christopher Meredit h
Catherine Merriman
Gerallt Lloyd Owe n
M Wynn Thoma s
Angharad Tomos
WRITER'S BURSARIES AN D
RESIDENCIE S
Leonora Brito
Jane Edwards
Merma Elfyn
Noreen Figgis
Delyth George
Robat Gruffud d
Christine Harrison
Wyn James
Peter Lord
Neal Mason
Dermot O'Neill
CRAFT
SPECIAL PROJECTS AN D
AWARDS
Billy Adams
Anne Belgrave
Michael Flyn n
Anna Hal e
Charlotte Hoski n
Gilbert Kilbride
Susan Walmsley Lloyd
Steve Mattiso n
Christine McCol e
Alison Morto n
Colin Paynton
Jules Tattersall
Nuria Cabestany
Margaret Constantas
Phil Croxall
Stuart Evan s
Jane Hubbard
Philip Joh n
Julian Richards
Penny Stempl e
Richard Urbanski
Christine Wilk s
DEVELOPMENT PROJECTS:
EDUCATION AND TRAINING
George Auchterloni e
Berwyn Rowlands
International Fil m
Bursarie s
Clive Flowers
Andy Freeman
Teresa Jayne Hanlon
K.iren Ingham
Richard Urbanski
LTERATUR E
CHILDREN'S LITERATUR E
Catherine Fisher
Eleri Elis Jones
Margaret Jone s
Eleri Llywelyn Morris
112/113
ARTS COUNCIL SPENDING BY REGIO N
IN ENGLAND 1992/9 3
The graph shoes rlrc ti,i .d
shrn1l1~11' Itflr
each region per head of popul .w0 ii l .ac h
column is divided into three arras %+hic h
show how the funding can be analyse d
into three main elements . First, direct
Iunding which is awarded by the Arts
('ouncil tier activities which take place
within specific regions . Second, the mai n
6
4. 5
grants made to the Regional Art's Boards
dtlrlnlg the year. Third, grants awarded b y
the Arts Council such as publishing and
research grants, which cannot b e
4
attributed to one or more specific regions
and which are regarded as benefiting al l
rc,giolas cyually .
The graph also shows the amoun t
allocated to the national companies per
head of population in England, Thi s
e\pCndi1ure Is not included in the per
capita analysis .
3
as s
2.5
2
1 3
I
in
'
z
v
P
D
~
z
m
~
ry
-
x
ui
~
O
z
m
N
D
y
4
y
N
1
s
1
n
Z
N
m
C
m
m
9
to
O
m
The table shows the spending of the Art s
Council throughout England in the for m
of grants tai regular clients and short term
projects within each elf the ten areas
covered by the Regional Arts Boards . Th e
total value of ,grants awarded during; th e
scar was L 174 .2 m .
Of this total the stun ofL•62 .6m (36'x, )
~cas a~rardcd to the foliowin,g companies :
The Royal Shakespeare Company, Roya l
Opera House, English National Opera ,
Royal National Theatre and the Sout h
Bank Board .
The regional total of L'1 11 .7m include s
the sun] elf L'43 .5m which was offere d
directly to the Regional Arts Boards i n
1991 /92 and _C62 .41n on client spending
by the ( ;onnuil .
Region
Total Grants
i000s
1991/92 1992/9 3
L Per
L Per
Capita
capita
1
L .tstcr n
7,237
1A1 .11
1 .26
2
Las( Midlands
7,083
1 .SH
2 .1 2
3
Londo n
27,929
3 .44
4 .1 1
4
Ni)rtlicrn
8,809
2 .45
2 .86
5
Nonh West
15,507
2 .02
2 .40
8
Souther 1
9,349
1 .76
2 .06
7
South Fas t
4,583
0 .96
1 .14
8
small Wcst
1 .90
2 .3 7
9
Wcsi Midland s
9,021
9,750
J .75
1 .86
12,422
2 .44
2 .51
111,694,1161
133
2 .00
62,5~0,617
1 30
1 .21
174,24S .47ti
; 63
3 .21
101-orkstnrc & Humbcrsidc
National Companies
Total
ARTS COUNCIL COLLECTIO N
The Arts Council Collection is the larges t
national loan collection of post-war
British art . It has no permanent gallery
but is widely seen in exhibitions and on
longer term loan to museums and
buildings to which the public has access .
The Collection is run by the South Bank
Centre on the Arts Council's behalf and i s
based at the Hayward Gallery and th e
Royal Festival Hall in London .
The exhibition Moving into View
comprising a changing selection of som e
50 works form the Collection (opene d
January 1993) marked the initiation of a
new programme for the embellishment o f
the South Bank complex, with works o f
contemporary art, craft and design . The
successful new series of Spotlights
highlighting individual paintings an d
sculptures from the Collection by Tony
Cragg, Richard Deacon, David Hockney ,
Anish Kapoor, Ben Nicholson and Kath y
Prendergast, has provided scope for close
collaboration with a number of regional
venues .
PURCHASES
October 1992 - March 199 3
Martin Constabl e
Christine Hatt
Jacqui Poncelet
Joao Penalva
Peter Josep h
Amikam Toren
Angela Bulloch
Susanna Hero n
Derek Jarman
Tim Alle n
Nicholas May
Keith Coventr y
Susan Derges
Untitled 199 2
Outside inside 199 1
There, not there 199 1
Untitled 199 2
Huckleberry 199 2
Bright Orange with Green 198 8
Of the Time 1992
Pink Chance Corner 199 0
Shima ; Island and Garde n
Morphine 1992
In the future 199 1
Guardians of Acheron 199 3
White Suprematist Painting 199 3
The Observer and the Observed 1992
1 CORNELIA PARKER FLEETING
MONUMENT
Z RICHARD DEACON KISS AND TELL
Purchasing committee September 199 0
to February 1992 :
Isobel Johnstone (curator), Barry Barker /
Caroline Collier, Noelle Goldman, Mel
Gooding, Susan Hiller.
Purchasing committee October 1992 to
March 1994 Isobel Johnstone (curator) ,
Marjorie Allthorpe-Guyton/Colin Grigg ,
Greg Hilty, Shirazeh Houshiary,
Vongphrachanh Phaophanit, Adrian
Searle .
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