Edmar Castaneda Trio Rider

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Edmar Castaneda Trio Rider
EDMAR CASTAÑEDA
TECHNICALRIDER
All the requirements of this document are necessary for a professional performance. We
can be flexible to a certain extent while still trying to ensure a good production. In case
these requirements cannot be provided we would ask you please to contact us.
1. STAFF:
1.
2.
3.
4.
Harpist
Drummer
Trombonist
Audio Live Engineer
2. BACKLINE:
1. HARP (Edmar brings his own Colombian harp)
The harp has two outputs: Bass & Treble:
BASS-Output (just like an electric bass guitar):
• Epifani 4x10 speaker cabinet ( or Mark Bass or Aguillar 4X10)
• High quality 1/4" speaker cable
• One (1) microphone for the bass cabinet
• Edmar will bring the bass head
TREBLE-Output
• Two (2) Direct Boxes for the lines out from a pedal board that Edmar brings.
• Two (2) short 1/4 cable
• One (1) AC step-down converter to get 110V~60Hz AC, VERY IMPORTANT
(this will be only for Europe)
• One (1) vocal mic (Shure SM58 or equivalent) to talk to the audience
2. TROMBONE
• One (1) Clip-on microphone which needs one phantom-powered (48V) XLR line.
3. DRUMS SET
• One 18" (or 20") Bass Drum (w/front head open for muffling)
• One 13" (or 14") Snare Drum
• One 10" Rack Tom
• One 14" Floor Tom
• Cymbals - 20" Ride, 16" Paper Thin Crash, 14" Paper Thin Crash, 10" Splash,
• 14" Hi Hats
• Four Cymbal Boom Stands
• One Hi Hat Stand
• One Snare Drum Stand
3. STAGE
The size of the stage must be no less than 15 ft (4.5m) wide by 10 ft (3m) deep.
Professionally qualified technical staffs for all lighting and sound systems from load-in and
sound check through performance and load-out. A minimum of two stagehands are required
for helping during load-in and load-out. PURCHASER'S representative to be available onsite and must have the authority to act and make decisions on the PURCHASER'S behalf.
Needed four (4) separate bottles of non-carbonated water.
4. LIGHTING VISUAL EFFECTS
Professional quality Stage Lighting System with standard assortment of bright colored gels
on independently controlled instruments, to be set to a light wash under the sole direction
of ARTIST during sound check. Once the lighting is set, it is not to be altered during the
performance.
5. SOUND SYSTEM
We will require either the house system or a system provided by a professional third party.
It must be a concert sound system of sufficient size, sophistication and quality to deliver to
all members of the audience (including sound reinforcement to balcony if any) an amplified
blend of ARTIST’S music (including all instruments) free of distortion, feedback, and
extraneous noises to the satisfaction of the ARTIST or the ARTIST’S representative. Sound
system must be operable at least three hours prior to doors opening to audience. ARTIST
must have a successful sound check as late as possible prior to opening of venue to
audience
1. FRONT OF HOUSE CONSOLE
1 (One) professional digital or analog console with a minimum of 24 input channels and 8
output channels with 4-band parametric equalizer and compressor on each input and output
channel. It also must have effects processors (reverb and delay) and configurable (pre/post)
mix buses. Each main and auxiliar output should have a 1/3 octave graphic EQ.
2. MONITOR CONSOLE
• One (1) professional digital or analog console with a minimum of 24 input channels
and 8 output channels with 4-band parametric equalizer and compressor on each
input and output channel.
• Four (4) pre-fader auxiliary sends and two post-fader auxiliary sends
• One (1) reverb processor to be applied to Harp and Trombone in the monitor mix
• Each mix monitor output should have 1/3 octave graphic equalizers
• Four(4) monitor speakers are required
6. MONITOR MIXES
MIX
DESCRIPTION
MONITOR
GRAPHIC
EQ
1
TROMBONE
ONE (1) MONITOR
OK
2
HARP
TWO (2) MONITORS
OK
3
DRUMS
ONE (1) MONITOR
OK
7. INPUT LIST
CH
INSTRUMENT
MIC. CHOICE 1/2
STAND
1
KICK
AUDIX D6 / SHURE BETA 52
MINI BOOM
2
SNARE TOP
SHURE SM 57
BOOM/CLAMP
3
SNARE BOTTOM
SHURE SM 57
BOOM/CLAMP
4
HI HAT
BOOM
5
RACK TOM
BOOM/CLAMP
6
FLOOR TOM
SHURE SM 81 / AKG 451
SHURE SM 57 / SENNHEISER
MD 421
SHURE SM 57 / SENNHEISER
MD 421
7
OH L
SHURE SM 81 / AKG 451
BOOM
8
OH R
SHURE SM 81 / AKG 451
BOOM
11
TROMBONE
OWN MIC
12
HARP BASS MIC
AUDIX D6 / SHURE BETA 52
13
HARP TREBLE L
D.I.
14
HARP TREBLE R
D.I.
15
HARP VOCAL
SHURE SM 58 / BETA 58
BOOM/CLAMP
BOOM
BOOM
Edmar Castaneda Trio Stage plot
Bass Cabinet 4x4
Talk mic
DI Box
Power Strip
FRONT STAGE

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