BA Jewellery Design Degree Show Catalogue

CENTRAL SAINT MARTINS
BA Jewellery DESIGN 2014
B A J e w eller y D E S I G N
D egree S h o w
1 7 t h – 2 2 nd J u n e 2 0 1 4
Central Saint Martins
University of the Arts London
Granary Building
1 Granary Square
London
N1C 4AA
csm.arts.ac.uk
csmbajewellery.wordpress.com
INTRODUCTION
We have forty four students graduating from BA (Hons) Jewellery
Design this year and each has researched, tested and developed their
own interpretation of the subject of jewellery. The final year is an
exciting and demanding year which involves exercising the imagination,
committing to an idea, developing thoughts into materials, risk
taking, persistence when things go wrong and keen observational and
evaluative skills.
The course aims to support students in finding a creative identity in
this way and also to provide them with opportunities to present and
communicate their ideas and approach to high-level professionals
from outside the university. These collaborations take the form of live
projects, scholarships, awards, studio visits and reviews of work and
allow students invaluable experience and an understanding of current
standards and expectations. Throughout three years of study, students
work with an impressive list of external partners.
We are very proud to work with such eminent companies and institutions
and I would like to take the opportunity to thank our current partners
– Annoushka, ASIC, Auerbach and Steele, Avakian, Solange AzaguryPartridge, Boodles, Cartier, Chow Tai Fook, Freedom for Topshop,
Margarita Wood, Swarovski, Theo Fennell, The Worshipful Company
Of Tin Plate Workers Alias Wire Workers of The City of London, The
Worshipful Company of Leathersellers, V&A, Winterson and Zeebags,
Zimbabwe – for their highly valued contribution to the course.
On behalf of all the staff, I warmly congratulate this year’s graduates
and wish them all the very best in their future careers.
Caroline Broadhead
Romana A M A T O
[email protected]
Tiffan y B A E H L E R
F o r t u na B it o n - Wee k s
Photo: Dennis Moya
+ 44 (0) 7792 034 807 (UK)
+ 41 (0) 79 318 51 81 (CH)
www.tiffanybaehler.ch
Recipient of an Avakian Scholarship
+ 44 (0) 7881 944 878
[email protected]
A is h a B R A T HW A I T E
+ 44 (0) 7825 394 559
[email protected]
G ianna C H A N
My Hair is my Crown and Glory
+ 44 (0) 7871 500 845
[email protected]
N ico l a C H A N
+ 44 (0) 7446 836 967
[email protected]
Edi e C H A R L E S
www.ediecharles.com
S h in Y u e C H E N
L e onid D E M E N T I E V
Photo: Elena Ageyeva
+ 44 (0) 7742 126 669
[email protected]
A sense of playfulness and nostalgia
for childhood.
I am playing with the contrast of light
and shadow, transparency and lightness
of structure.
+ 44 (0) 7983 510 069
[email protected]
E l e ano r a D ’ O T T A V I
Emma D U C K E R S
Photo: Tom Buck
[email protected]
Self-portrait
The translation of myself into
a collection of jewels.
Lines of Life
+ 44 (0) 7783 195 936
[email protected]
N ad y a F E D O T O V A
+ 44 (0) 7429 392 283
[email protected]
C h a r l o t t e E M I LY F I S H E R
+ 44 (0) 7816 092 277
[email protected]
Rob y n A s h l e y HO L E
+ 44 (0) 7854 325 676
[email protected]
J oann HO N G
[email protected]
S a r a h HOW S O N
+ 44 (0) 7791 153 259
[email protected]
Woo S e ok J E O N
[email protected]
Y e r in J E O N
[email protected]
C h r is t i e J OY
The Sound of Silence
+ 44 (0) 07984 656 105
[email protected]
J oo H y e K I M
[email protected]
J u nko K U R I H A R A
Do sights that people have been seeing
catch real information? An object might
have different meanings or appearances by
different people. My jewellery could be tools
for the realisation of ‘normal sight’.
[email protected]
E l izab e t h L E E
Q ing L E I
Photo: Sam Sissen
www.elizabethleelondon.com
One inspiration for my collection is a
famous diamond called The Hope or The
French Blue, which was stolen in 1792. The
diamonds are gone, but I imagine they still
have a presence.
[email protected]
V ick y L E W
www.vickylew.com
Shirley LI
Flight
Capturing a transient moment
of the bird in flight.
[email protected]
Tresy LIAUNARDY
+ 44 (0) 7795 558 876
[email protected]
R u i y in L I N
This collection commemorates my time in
England, and I am paying tribute to the
English rose. I have used the rose as a
material, and this retains the perfume.
www.ruiyinlin.com
Lo l a L O U
ChLOe J MELLEN
Photo: Norbert Pietraszek
+ 44 (0) 7453 313 733 (UK)
+ 86 156 2211 0138 (China)
[email protected]
I capture memories by drawing people and
things. The idea of the collection is to turn
these drawings into jewellery.
Perceptions of Time
www.chloejmellen.com
M a l i h e h M O S H TA G H I
+ 44 (0) 7545 705 412
[email protected]
PAT C H A R AV I PA
www.patcharavipa.com
Z u l e ika P E N N I M A N
+ 44 (0) 7709 555 623
www.zuleikapenniman.co.uk
Each piece in this collection simultaneously conceals
and reveals. My work is series of conversations
between the object and wearer, between the public
and private, between the old and the new and
between the here and now and the thereafter.
Eka t e r ina P O L I K A R P O V A
Fit into
This is my personal story, translated into the language
of jewellery. How to ‘fit into’ physical disability and
psychological distortions, how to overcome them and
make them ‘fit’ you. Private and painful these stories have
to be told, some to be remembered, some to be forgotten.
[email protected]
J e ssi e H y u e n - H e e S e o
[email protected]
J e e Won S H I N
+ 44 (0) 7511 264 987
[email protected]
Rob y n S M I T H
I oanna S O U F L I A
Photo: Marily Konstantinopoulou
Recipient of a
Swarovski Scholarship
[email protected]
Celebrating the unsuccessful students of
Sports Day, re-imagined medals subvert
the negative message of loss and are not
just a consolation prize.
www.ioannasouflia.com
F e l icia S W A R T L I N G
S op h i e g r ac e T A Y L O R
Photo: Anna Moller
+ 44 (0) 7428 455 952
www.feswa.se
+ 44 (0) 7909 580 693
[email protected]
Rav e n T U S O N
+ 44 (0) 7513 167 481
www.raventuson.com
Han X I A
Everything has a beginning and an end, so does
memory. At the beginning, memory is deep and
clear, it eventually fades through the passage of
time, just like smoke vanishing in the air.
+ 44 (0) 7760 708 128
[email protected]
D anb e i X U
S y l via Z H A N G
Photo: Wei Shen
+ 44 (0) 7402 162 636
[email protected]
www.sylviazhang.com
Yin Z H A N G
WITH THANKS TO
Francesca Amfitheatrof
Martin Baker
Caroline Broadhead
Lin Cheung
Sian Evans
Naomi Filmer
Melanie Georgacopoulos
Beth Gilmour
Katy Hackney
Martin Hopton
Chris Howes
Volker Koch
Giles Last
Marlene McKibbin
Hannah Martin
Maria Militsi
Michael Milloy
Campbell Muir
Frieda Munro
Reema Pachachi
Oliver Ruuger
Antoine Sandoz
Jane Short
Jessica Turrell
Max Warren
William Warren
Paul Wells
Anastasia Young
and our External Examiner Laura Potter
+44 (0) 7712642108 (UK)
+86 139 6288 5099 (China)
[email protected]
STUDIO VISITS 2014
Andrew Fraser from Winterson demonstrating pearl drilling
Solange Azagury-Partridge in conversation at her flagship store in Mayfair
Theo Fennell judging student work at Central Saint Martins
Shaun Leane describing the crafting of his designs at his Central London studio and workshop
A c k n o w ledgements
Ioanna Souflia collaborated with New Marble S.A. (P. Pnevmatikos
Marble S.A.) in the production and manufacture of her work
Vicky Lew collaborated with TOMEI in the production and
manufacture of her work
Danbei Xu collaborated with Xiaolei Liu – Ceramic Classic Studio
in the production and manufacture of her work
Emma Duckers would like to thank Quirx Productions
Elizabeth Lee would like to thank Qian Qiao Jewellery
Cover image: Rings and photography by Ekaterina Polikarpova.
This catalogue was designed by Sibley Grove. It is printed on Cyclus Offset,
by 3G Printing Ltd in London.