TINKER BELL AND THE LEGEND OF THE

©2014 Disney
©2014 Disney Enterprises, Inc. All Rights Reserved.
Disney.com/Neverbeast
STORY
TROY ADOMITIS
TOM BERNARDO
RYAN GREEN
JIHYUN PARK
LYNDON RUDDY
SHANE ZALVIN
Story Artists
JOHN D. ANDERSON
EMMANUEL DELIGIANNIS
DAVID KNOTT
ROBB PRATT
SEUNG-HYUN OH
Creative Development . . . . . . . . . . . . . . . . . . . . . . . . . . . . VICKI LETIZIA
PRODUCTION
Production Managers . . . . . . . . . . . . . . . . . . . . . JARED HEISTERKAMP
JASON I. STRAHS
Production Coordinators . . . . . . . . . . . . . . . . . . . . . . . .JILLIAN GOMEZ
AMY PIJANOWSKI
BARBRA PUSHIES
ALLIE RUSSELL
Production Finance Lead . . . . . . . . . . . . . . . . . . . . . . . . TANYA SELLERS
Production Secretary . . . . . . . . . . . . . . . . . . . . . . . BRIAN MCMENAMIN
Directed by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE LOTER
Produced by . . . . . . . . . . . . . . . . . . . . . . . . . . . MICHAEL WIGERT, p.g.a.
Executive Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JOHN LASSETER
Story by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE LOTER
and TOM ROGERS
Screenplay by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TOM ROGERS
and ROBERT SCHOOLEY
& MARK MCCORKLE
and KATE KONDELL
Original Score Composed by . . . . . . . . . . . . . . . . . . . . . JOEL MCNEELY
Editor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARGARET HOU
Art Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ELLEN JIN OVER
Animation Supervisor . . . . . . . . . . . . . . . . . . . . MICHAEL GREENHOLT
Head of Story . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LAWRENCE GONG
CG Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARC ELLIS
Associate Producer . . . . . . . . . . . . . . . . . . . . . . TIMOTHY JASON SMITH
Executive Music Supervisor. . . . . . . . . . . . . . . . . . . . . . . MATT WALKER
Music Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRETT SWAIN
Post Production Executive . . . . . . . . . . . . . . . . . . . . . . . .BRENT W. HALL
Sound Design & Supervising Sound Editor . . . . . . . . . . TODD TOON
DESIGN
Character Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RITSUKO NOTANI
ELSA CHANG
DAVID COLMAN
BOBBY CHIU
KEI ACEDERA
Character Visual Development. . . . . . . . . . . . . . . . . . . . . . JOEL PAROD
DESTINY WOOD
Location and Prop Visual Development . . . . . . . . . . . . . .JULIO LEON
SAI PING LOK
Additional Visual Development
BARRY ATKINSON
SCOTT FASSETT
BILL PERKINS
TONY PULHAM
LIN HUA ZHENG
RON T. VELASCO
CAST
Fawn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GINNIFER GOODWIN
Tinker Bell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MAE WHITMAN
Nyx . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROSARIO DAWSON
Silvermist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUCY LIU
Iridessa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RAVEN-SYMONÉ
Rosetta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MEGAN HILTY
Vidia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAMELA ADLON
Fury . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DANAI GURIRA
Chase. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHLOE BENNET
Scribble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . THOMAS LENNON
Buck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEFF CORWIN
Morgan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .OLIVIA HOLT
Narrator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .GREY GRIFFIN
Robin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .KARI WAHLGREN
Schematics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .FELIPE CERDÁN
CG PRODUCTION
Rigging and Simulation Lead . . . . . . . . . . . . . STEPHEN HEIDELBERG
Effects Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE BLAKEY
Stereoscopic Lead. . . . . . . . . . . . . . . . . . . . . . . . . . . . .VLADIMIR SIERRA
Layout Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RICHARD TURNER
Layout Artists
ROCKY CURBY
GEOFF DARWIN
INGOLFUR GUDMUNDSSON
JAMES KEEFER
CHRISTOPHER POPLIN
LEIGH RENS
ALEXANDER SOKOLOFF
TANYA T. WILSON
And
ANJELICA HUSTON as Queen Clarion
Assistant Animation Supervisors . . . . . . . . . . . . . . DOUGG WILLIAMS
YURIKO SENOO
Animators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ETHAN HURD
DUSTIN MACKAY
Casting by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JASON HENKEL, CSA
I
FX Developer . . . . . . . . . . . . . . . . . . . . . . . . . . . . MASAHITO YOSHIOKA
Character Modeler . . . . . . . . . . . . . . . . . . . . . . . . . .CHRISTIAN BOUYER
Assistant Technical Director . . . . . . . . . . . . . PETER JOHN VAUGHAN
Technical Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SHYLAH BARNES
Continuity Checkers. . . . . . . . . . . . . . . . . . . . . . . . . . EDWIN SHORTESS
DIERDRE CREED
Surfacing Artists . . . . . . . . . . . . . . . . . . . . . . . . .SWATI LAXMAN ADAM
SUNEEL B. SUTAR
R. VAITHI
AJINKYA S. VARTAK
Rigging Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAIDEV SINGH
Riggers
SHREEPAD AGASKAR
ABHIJEET GUPTA
TOUSIF MALIK
MALLESH N.
BAPPADITYA ROY
ROBERT SANASAM
PRE-PRODUCTION
Pre-Production Producer . . . . . . . . . . . . . . . . . . . . . HELEN KALAFATIC
Associate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TIM PAUER
SETS & PROPS
EDITORIAL
Modeling Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .VISHAL GAIKWAD
Modelers
KUNAL NARAYAN INGOLE
LALASAHEB MAHAJAN
ASHUTOSH MANNUR
BANENDU SUNDAR MEHER
NISHAD SHELAR
BABURAJAN M. V.
Surfacing Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DEBARSHI BISWAS
Surfacing Artists
VIRESH DHAWDE
SACHIN DIVKAR
TANU GUPTA
KIRAN HOTKAR
ABHISHEK MITRA
VINAYAK MORE
JATIN NAIR
K. RAVIKUMAR
ANSHUL K. SRIVASTAVA
NIHAR SUTAR
MANGESH ZAGADE
Surfacing Technical Director . . . . . . . . . . . . . . . . . . JIMMY MACHADO
Hair and Fur Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RAJEEV JAGASIA
Hair and Fur Artists . . . . . . . . . . . . . . . . . . . . VAITHILINGAM MUTHIAH
HARESH TALVANEKAR
NAREN N. V.
Hair Rigging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MUKESH PATIL
Foliage Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . SAIKAT BHATTACHARYA
Foliage Artists
SUMANTO BEJ
BHARTI CHAVAN
SAIKANT DHAVALE
RINTU HALDER
SUDARSHAN HAVALE
KSHITIJ MAHAMUNI
MANMATH MATONDKAR
UJJWAL SHIRSAT
VITESH SUVARNA
Lead Matte Painter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ANUP MITRA
Matte Painter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VIKRAM MALI
Second Editors . . . . . . . . . . . . . . . . . . . . . . . . . . . . MAURISSA HORWITZ
MARGARET JOHNSON-HOLZENDORF
ANNA SOLORIO-CATALANO
Assistant Editors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES BLUMA
ANN HOYT
Track Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .HERMANN SCHMIDT
Additional Editorial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARK LOWRIE
ADDITIONAL PRODUCTION SUPPORT
NICKIE HUAI
MATTHEW GEORGE RAMPIAS
RYAN NG
STEVEN ZAHARAKIS
CG PRODUCTION BY
PRANA ANIMATION STUDIOS, INC.
CG Supervisors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOUELLE BARACHO
PRAKASH D’CUNHA
Supervising CG Producers . . . . . . . . . . . . . . . . . . . . . .KRISTIN DORNIG
ARISH FYZEE
CG Line Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ABY JOHN
Supervising Technical Directors. . . . . . . . . . . . . . . . . . .APURVA SHAH
MATT DERKSEN
JIMMY GORDON
DANIEL LINDSEY
JOE MANCEWICZ
Animation Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . SHOBHIT TRIVEDI
CG Sequence Supervisors . . . . . . . . . . . . . . . . . . . RAMESH CHINNERI
ASHWIN C. JOHN
HIMANSHU KHATRI
KAYUR SHETH
CG Production Manager . . . . . . . . . . . . . . . . . AMIT RAMESH MISHRA
LAYOUT
Layout Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ANAND R. PAI
Layout Artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RAVINDRA KACHALE
PRAFULLA NAIK
ASHWIN NARAYANAN
DEEPTI PAREEK
CHARACTERS
Asset Build Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RUCHI SHAH
Modeling Lead . . . . . . . . . . . . . . . . . . . . . . . . . M. BALASUBRAMANIAN
Modelers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DINESH KUMAR DAS
YOGESH MULAY
V. RAJAGURU
Facial Set-Up Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . R. DURAIRAJ
Facial Set-Up Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .C. JAYAVEL
Surfacing Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MURIEL MANTRI
II
CHARACTER ANIMATION
Hair Simulation Artists
KAILAS AVHAD
SAMIRAN CHAKRABARTY
PRIYESH GEETE
PRIYANSHU GHOSH
SUCHANDRA GHOSH
SANKET KADAM
RUTUJA KAJAVE
ASHISH KAKAD
P. PAVAN KUMAR
RAMKRISHNA MISHRA
PARESH K. MISTRY
ARUN KUMAWAT OSATWAL
ANIK D. PATEL
MANOJ K. PATIDAR
NIKHIL PATIL
VIVEKANAND RAI
KUMAR ROHAN
NIMISHA SETHI
Technical Animation Lead . . . . . . . . . . . . . . . . . . . . . . . . .SEJAS MEHTA
Technical Animation Artists . . . . . . . . . . . . . . . . . . . . . ABHISEK DHAR
KAUSHIK GHOSH
RUPESH L. GOSAVI
ROHIT SALI
Simulation Production Coordinator . . . . . . . . . . . . . . . . . . URMI JANA
Animation Leads . . . . . . . . . . . . . . . . . . . . . . . . . . . PUSHKARAJ BAGWE
M. GOKULAKRISHNAN
B. D. V. PRASAD
Animators
JAVED ANSARI
NITIN BALAKRISHNAN
DHARMARAJ P. BANDE
SIDDHESH BHANDARE
RAHUL BHANUSE
GOKULNATH G.
SURPUR E. G.
TUSHAR ANANT GHARAT
SAUMYA GOYAL
SHEKHAR GUJAR
NILESH SHASHIKANT KADU
SANDEEP KALAMBE
SWARAJ KANTHIKAR
NITIN KHAMBALKAR
GIRIDHARKUMAR KOTTETI SEETHARAMAN KRISHNAMURTHY
HARISH KUMAWAT
ROHAN MANDKE
AMIT MENON
AMARESH MISHRA
ATHAR MOMIN
DEVIKA NAGARKAR
NILESH NAIK
NILESH A. PANCHAL
RAVI PANWAR
NITESH PAREKH
KALPESH PATEL
HEMANT PATIL
VINAY PATIL
RICHEE PEREIRA
ANIKET PITALE
NIKHIL V. POLJI
SINU A. RAGHAVAN
SHASHI PRAKASH RAI
YOGESH RUPANI
MAHESH M. S.
ARSHAD SAEEDNOORI
SANTOSH VIJAY SATAVASE
STANLEY RAJESH SELVAMANI
MAHENDRA S. SIKARWAR
CHATRASAL SINGH
HITENDER SINGH
PANKAJ SINHA
ALPESH SOLANKI
ISHA SRIVASTAVA
HARESH TALEKAR
SWAPNALI TERSE
RAJEEV VEDAK
PRADEEP KUMAR VERMA
MAYUR A. WAKALE
Animation Technical Support . . . . . . . . . . . . . . . . . . . . . . . ONIL VAIDYA
Animation Production Managers . . . . . . . . . . . . . . . ASHISH THAPAR
NAVNEET VERMA
Animation Coordinator. . . . . . . . . . . . .MANITHA MANOHAR NAYAK
EFFECTS DEPARTMENT
Effects Leads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SUNIL CHATIM
KAMLESH PARMAR
ANAND SUTHAR
Effects Artists
DONALD M. ALMEIDA
PIYUSH BAIRAGI
RAKESH BHARATH
SOMA NIKHIL CHANDRA
NAVYA CHANDRAN
JIGAR M. CHAUHAN
RAVI KUMAR CHETTETI
NIKHIL PRAKASH DATIR
YOGESH S. DHURI
SHUVRODEEP MANJU DUTTA
PRAVEEN BABU GANTA
DIPTI SNEHAL GOPAL
NAVEEN IYPE
ANANYA JANA
SHAL JOSEPH
SUNIL SINGH KALWAN
SUDHEER KUMAR KAMBHAMPATI
PRADEEP KUMAR
SUNIL KUMAR
RALLABHANDI ANIL KUMAR
SHREYANSH LUNAWAT
AMIT I. MATTA
DANIEL PRADEEP MUTHYALA
TAMIL ARASAN P.
PRAVEEN PAI
VIJAY V. PAITHANKAR
HITENDRA PARMAR
MANOJ PATIDAR
RAHUL B. PATIL
TRISHIT PRADHAN
GHANSHYAM K. PRASAD
SRIRAMAKRISHNA PRASAD
RISHI RAJ
RAVINDRA RATHORE
SREENIVASA RAO REDDI
OMKAR VILAS SALVI
PRANEETH AKARSH SANKA
ROHIT SATAM
ATEEQ SHEIKH
ROHAN R. SHINDE
SUDARSHAN SONAR
ARVIND KUMAR SONI
BISWAJIT TARAFDER
Effects Production Coordinator . . . . . . . . . . . . . . . . . . . . . . . . .AALISHA
SHOT FINALING
Shot Finaling Leads . . . . . . . . . . . . . . . . . . . . . . . . . . . . RUPESH GOSAVI
RAVI KANOJIA
Shot Finaling Artists
SAHIL ARORA
SAMEER BERDE
BLAISE V. CARVALHO
AMIT RAMDAS GADEKAR
VAIBHAV INGOLE
VIVEK LAXANE
MANI KUMAR M.
MEERA MAKHECHA
ABHIJEET MISAL
ARNAB K. MITRA
Shot Finaling Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . JERRY DAVID
SIMULATION DEPARTMENT
Simulation Supervisor . . . . . . . . . . . . AKASH ABHISHEK KARMAKAR
Cloth Simulation Lead . . . . . . . . . . . . . . . . . . AMITKUMAR TEMBHARE
Cloth Simulation Artists
POORVA ADARKAR
BAPI MODAK
VINEET SINGH
KIRAN P. VAIDYA
MONICA SHARMA
Hair Asset and Simulation TD . . . . . . . . . . . . . . . . . . . . .DARSHAN JAIN
Hair Simulation Lead . . . . . . . . . . . . . . . . . . . . . . . . . .MANOJ KUMAR V.
Hair Simulation Co-Lead. . . . . . . . . . . . . . . . . . . . . SHAILESH PAIYALA
III
LIGHTING & COMPOSITING
PURUSHOTTAM SARMAL
AKBAR ALI SHAMSI
AKASHDEEP RAM SHARMA
ADITYA MUKESH SHARMA
DEEPAK PAL SINGH
JITENDRA KUMAR SINHA
SANTOSHKUMAR P. VASAL
Lighting and Compositing Manager . . . . . . . . . . . . . . MICHAEL D’SA
Sequence Managers . . . . . . . . . . . . . . . . . RESHMI BALACHANDRAN
CHETAN BARORA
NINAAD JUVEKAR
GURUCHARAN P. KIRTIWAR
Lighting Leads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RADHAKRISHNA B.
T. SATISH KUMAR
VIREN SHAH
RAKESH THOTA
Lighting Artists
ANSHAD K. ABU
SWATI BARANWAL
BIRAJ BORA
RAJESH BHALGE
AMIT CHOUDHARY
KISHORE CHINNERI
ANKIT CHOWDHURY
SANTOSH DAS
UTPAL UTTAM DHERE
RUPESH DATTATRAY DHERE
HITESH DHRUV
JOSUKUTTY FRANCIS
K. V. S. H. N. GOWTHAM
ROSHAN RAMCHANDRA GHATKAR
HARSHITA GUPTA
SOUPARNIKA HOLLA
VIKAS JANRAO
AJAY JAIN
PUNIT YOGESH JOSHI
ASHWINI R. KARKERA
VAIBHAV KOLGE
BHUSHAN KHAMKAR
CHAITANYA KSHIRSAGAR
VISHAL BASAPPA KOLI
SIMRAN K. LUGGANI
SAFRAS MAHAMOOD
TUSHAR MANTRI
APURVA MANKE
SOURABH MUKHERJEE
NIKHIL R. MISTRI
KALPANA NEGI
GOBI N.
HARSH KRISHNA PANDEY
PRANAV PANDEY
DEEPAK PANGARIA
DEVANK P. PIMPARKAR
AJIT POTDAR
GAURAV A. RANE
ATISH RANJAN
PRAVIN RATHOD
YESHWANTH S. REDDY
HEMANT A. REVDEKAR
RAVIKUMAR M. S.
SUBRATA SAHA
RAVI KUMAR SANGAM
ARI NAGA SANTOSH
GIRIJASHANKAR SENAPATI
AMITABHA SENGUPTA
RUHUL SHEIKH
GAURI THAKUR
NITIN VADE
ASHWIN VENUGOPAL
KOTTU YUGANDHAR
Compositing Leads . . . . . . . . . . . . . . . . . . . . . . . . .SUMEET R. CHAVAN
ABHISHEK U. NAIK
VILAS PATKAR
Compositing Co-Leads . . . . . . . . . . . . . . . . . . . . . . CHIRAG CHAUHAN
KUSH DHIR
VINAY B. NAIK
Compositing Artists
SANTOSH ASHOK AYARE
K. BALASUBRAMANYAM
SHRIRANG SHRIKANT BHAKE
AVIK CHAKRABARTY
KIRAN DWARKANATH CHAVAN
PRANIL COLACO
NAVANEETA DAS
ABHIJIT SAMPATRAO DESAI
MANAN BHADHESHKUMAR DESAI
PROSANTA DEY
RITU BHUTRA DHAR
KARTHEEK DUGYALA
ANTHONY FERNANDES
AVIRUP GHOSH
NARENDRA REDDY GOGIREDDY
GIRISH HARYANI
ATUL KANGALE
GAURAV KAPOOR
AMIT KAREKAR
PARAS KAWA
MANOJ KEER
VEERENDRA KUMAR KONA
SHRIKANT KORGAONKAR
PANKAJ KUMAR
ROHIT MAGDUM
ANIRBAN MAJUMDAR
SANTOSH MANOHARAN
ABHIJEET MISQUITTA
GOPAKUMAR MURALEEDHARAN
NISHAD PANCHAL
RISHI PANDEY
AMIT KUMAR PATEL
SACHIN PATIL
RENJITH I. R.
VIRAL RATHOD
RAJESH K. RAVI
VISHAL RAWADE
BASABENDU MADHAB SARKAR
RENDER WRANGLERS
Render Managers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LOKESH MISHRA
SHAKTI P. MOHANTY
ABHIJIT PIMPALKHARE
Render Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .VIPIN SHAH
Render Wranglers
SATISH BABU
PALLE MAHESH GOUD
SANDEEP JAVANJAL
PRABHU KOKKU
ARUN KUMAR
YOGESH LONDHE
KISHORE MANDAL
AYYAPAN NAYAR
DEEPAK NIRMAL
KARTIK POOJARY
SAJAN RAJ
VISHAL SHELKE
SANDEEP SHINDE
K. V. SURESH KUMAR
SAGAR THATIKONDA
SATYAPRAKASH TRIPATHY
RAJENDRA YADAV
PRASHANT D. KHAPRE
UNIT EDITORIAL
BHAGYESH B. MHATRE
PRODUCTION MIS
JASBIR SINGH BHUMRAH
MUKHTAR SHAIKH
BHARAT SHINDE
ADDITIONAL CG PRODUCTION SUPPORT
NIKHIL VIJAY BAWKAR
RAHUL KHANNA
SOHEB SAYYED
India CG Studio Operations . . . . . . . . . . . . . . . . . . . . . . ANISH MULANI
TECHNOLOGY & DEVELOPMENT TEAM
Manager, CG Technology . . . . . . . . . . . . . . . . . . . . SACHIN SHRESTHA
Technology Team
VIJAY BIKAS AMBASTA
YOGESH BALGURI
DHEERAJ BHADANI
GYANDEEP DAS
DEVOTTAM DUTTA
MAHENDRA GANGAIWAR
VIKAS JAISWAL
AKESH KULMI
RUPESH MANDKE
SREENATHAN NAIR
DURGESH NAYAK
MUGDHA NIMKAR
ALAN NORONHA
SHASHI PATEL
NAVIN PATRO
AMIY SHRIVASTAVA
VIRAL SOMPURA
BHAVIK SUKHADIA
KARTIKEYAN SUNDARARAJAN
KRISHNA THAKKAR
PUSHPENDRA TIWARI
Technology Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAYKAR R. A.
Technology Managers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SUHIT SAHA
PRAGYA PATHAK
Technology Coordinator . . . . . . . . . . . . . . . . . . . . . . . . GAURI KHADYE
IV
Additional Production Support . . . . . . . . . . . . . . . .ARUSHI DHAWAN
RAJESH V. PRASAD
AADESH SINGH
Head of IT Infrastructure . . . . . . . . . . . . . . . . . . . . . . . . . . . IRFAN KHAN
Managers of IT Infrastructure . . . . . . . . . . . . .MAHESH CHAUDHARY
JAGANNATH PADHY
DISNEYTOON STUDIOS
ADR Recordist . . . . . . . . . . . . . . . . . . . . . . . . . . . JEANETTE BROWNING
Sound FX Editors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARTYN ZUB
ADAM KOPALD
Sound Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHARLES W. RITTER
First Assistant Sound Editor. . . . . . . . . . . . . . . . . PERNELL L. SALINAS
Sound Effects Recordist . . . . . . . . . . . . . . . . . . . . CHARLIE CAMPAGNA
Sound Services by . . . . . . . . . . . . . . . . . . . . . . . . . . . .FORMOSA GROUP
THE WALT DISNEY STUDIOS, BURBANK
Foley Artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN ROESCH
SHELLEY RODIN
Foley Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KYLE ROCHLIN
Foley by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .WARNER BROS. SOUND
Digital Colorist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ELIOT MILBOURN
Digital Imaging Specialist . . . . . . . . . . . . . . . . . . . . ROBERT H. BAGLEY
End Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SCARLET LETTERS
Loop Group
RANJANI BROW
WILLIAM CALVERT
MICHAEL CORBETT
LYNN EVANS
JULIE FALLS
PETER FALLS
JACKIE GONNEAU
DAN GORDON
KERRY GUTIERREZ
BRIDGET HOFFMAN
WENDY HOFFMANN
ASHLEY LAMBERT
AJ LOCASCIO
SCOTT MENVILLE
JUAN PACHECO
JESSICA PENNINGTON
MELISSA GOODWIN SHEPHERD
SHANE SWEET
PRODUCTION TECHNOLOGY
MUSIC
Director, Digital Production & Technology. . . . JOHN EDGAR PARK
Manager, Systems & Support . . . . . . . . . . . . . . DAVE PATRICK FLYNN
Project Manager,
Production Technology . . . . . . . . . . . . . . .NIKI CARRAS ALEXANDER
Senior Systems Architect . . . . . . . . . . . . . . . . . . . . . . ROBERT E. JONES
Pipeline Technical Directors . . . . . . . . . . . . . . . . . . . . . LEE GRAMLING
JEFFREY S. NASH
JAMES PARKS
Software Engineers . . . . . . . . . . . . . . . . . . . . . . . ALEXANDER J. BOYLE
ADAM IVES CHRYSTIE
WILLIAM ROBERT WIRA
Technology Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . MARY SILVER
Featured Instrumentalist and
Additional Score Production. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BLEU
System Administrators
SACHIN BHAKARE
KUNAL DESAI
SALMAN DESAI
ASHISH DUTT
SAMIR DUTTA
VIRAL GALA
MADHU KAMBLE
GILTON KANNAMPUZHA
CHETAN PARMAR
SAMEER PEDNEKAR
WASIL RAYE
VINAL SAH
AMEER SHAIK
NIZAM SHAIKH
PALLAVI SHINDE
HARPREET SINGH
JESSON THOMAS
RITESH VARMA
Network Administrators . . . . . . . . . . . . . . . . . . . . RAJKUMAR PRASAD
RAJU KALAMKAR
Linux Administrators . . . . . . . . . . . . . . . . . . . . . . .DHIRAJ DESHPANDE
SACHIN DEVALKAR
RAJESH HATISKAR
Special Thanks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P.J. GUNSAGAR
Music Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . FRANCIS DEBBANE
Music Business Affairs . . . . . . . . . . . . . . . . . . . . . DONNA COLE-BRULÉ
Score Conducted by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MIKE NOWAK
and JOEL MCNEELY
Orchestrations by . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVID SLONAKER
Score Recorded and Mixed by . . . . . . . . . . . . . . . . . . . . . . .RICH BREEN
Digital Score Recordist . . . . . . . . . . . . . . . . . . . . . . . ADAM MICHALAK
Music Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CHUCK MARTIN
Score Music Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JIM HARRISON
Temp Music Editors . . . . . . . . . . . . . . . . . . . . . . . . . . DOMINICK CERTO
TOMMY HOLMES
Score Recorded at. . . . . . . . . . . . . . . THE NEWMAN SCORING STAGE
20TH CENTURY FOX, POST PRODUCTION SERVICES
Supervising Copyist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BOOKER WHITE
Orchestra Contractors . . . . . . . . . . . . . . . . . . . . . SANDY DECRESCENT
GINA ZIMMITTI
Score Vocals Arranged by . . . . . . . . . . . . . . . . . . . . . . . JOEL MCNEELY
and BLEU
Additional Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SEIDERS
Score Vocals
BLEU
KATHRYN BOSTIC
JOANNA BUSHNELL
MADI DIAZ
KELLY JONES
TERI KOIDE
SUSIE STEVENS LOGAN
KATE REID
DIANE FREIMAN REYNOLDS
JOSEPH SEIDERS
CASTING
Casting Associates . . . . . . . . . . . . . . . . . . . . . . . . . . . . TYLER CHAPMAN
HEATHER HENRY-PARKER
Additional Voice Direction . . . . . . . . . . . . . . . . . . . . . GINNY MCSWAIN
Script Coordinator . . . . . . . . . . . . . . . . . . . . KATHERINE RAMOS LINO
Casting Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ODIN ERICKSON
POST PRODUCTION
Post Production Supervisor. . . . . . . . . . . . . . . . . . . . . DESI SCARPONE
Post Production Coordinator . . . . . . . . . . . . . . . . TAYLOR MEACHAM
Post Production Assistant Editor . . . . . . . . . . . . . . . . .ALAN STEWART
Original Dialogue & ADR Mixer . . . . . . . . . . . . . . . . . PAUL MCGRATH
Re-Recording Mixers . . . . . . . . . . . . . . . . . . . . . . DAVID E. FLUHR, CAS
DEAN ZUPANCIC
Mix Tech . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SCOTT HINKLEY
ADR/Dialogue Supervisor . . . . . . . . . . . . . . . . . . . .THOMAS WHITING
ADR/Dialogue Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DOC KANE
V
Songs
Performed by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KT TUNSTALL
Produced by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BLEU
Lead Vocals Arranged and Produced by . . . . . . . . . . . . KT TUNSTALL
FINANCE
VICKI WERTENBERGER POILEY
JENNY ALEMAN-HOLMAN
CHAZ MURPHY
JERRY RUDOWSKY
JAMES YOON
“Float”
Music and Lyrics by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BLEU
NICA TAHSEQUAH
“Strange Sight” Reprise
Music and Lyrics by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROB CANTOR
ENVIRONMENT & EVENTS
JOHNNY CASTRO
JENN CORRIGAN
LAURA D. GONZALES-OSAKI
KRYSTLE PARABOT
“1000 Years”
Music and Lyrics by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BLEU
Performed by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BLEU
and KT TUNSTALL
BUSINESS & LEGAL AFFAIRS
JOHN I. MCGUIRE
MONA SHOKRAI
DOUG BRUNSWICK
CHRISTINE CHRISMAN
DEBORAH HENDERSON
JARVIS GEORGE
GUS AVILA
TIM GREER
THE STAFF OF
DISNEYTOON STUDIOS
STUDIO LEADERSHIP TEAM
MEREDITH ROBERTS
TRACI BALTHAZOR-FLYNN
FERRELL BARRON
JAN HIROTA
HELEN KALAFATIC
MICHAEL KARAFILIS
SEAN LURIE
LINDSAY NADLER
JENNI MAGEE-COOK
TIM PAUER
KARA LORD PIERSIMONI
DAN THEIN
EXECUTIVE ASSISTANTS
MICHELLE WAILUS BOOKER
ANGELA INFRANCA
JEREMY LANDERS
JENNIFER KARAFILIS
THE PATIO
CHEF LUCIO BEDON
EDDIE BERNAL
ROSA LOPEZ
HUGO LUCERO
MIHAELI PORTILLA
WALBERTO RENE VAZQUEZ
SENIOR CREATIVE TEAM
DAN ABRAHAM
STEPHEN ANDERSON
SEAN BISHOP
ELLIOT M. BOUR
BOBS GANNAWAY
KLAY HALL
PEGGY HOLMES
JEFFREY M. HOWARD
BRADLEY RAYMOND
BRUCE W. SMITH
BARDO S. RAMÍREZ
SANDY DELLAMARIE
JOSEPH ROLLE
PAUL GERARD
PAMELA D. YEH
DEVELOPMENT
MARKETING
DAVID SAMETH
AMY ASTLEY
GARTH BURKHARD
JOE DUNN
ESTEFANIA PEREZ SAHONERO
ELENA TIMMAN
KATIE MCGLYNN
TECHNOLOGY SYSTEMS, MEDIA & SUPPORT
CHRISTOPHER CARPENTER
FRED LACAYANGA
GABRIEL B. LARA
ERIC LEUNG
JOULE MIDDLETON
WILLIAM H. MUNSTERMAN
VINU G. NATARAJAN
DAVID HIROSHI OGURI
LYLY DO OGURI
STEPHEN POTTER
“Strange Sight”
Music and Lyrics by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROB CANTOR
Strings Arranged and Conducted by . . . . . . . . . . . . . . . STEPHEN LU
PRODUCTION
HUMAN RESOURCES
DAVID AGUSTIN
LOURDES GARCIA
MARIA LUCERO
MARCO PENA
TESS RAMME
NICOLE YAACOUBIAN
SECURITY
JESSE ALDANA
LORRI BRODA
RYAN MCGEE
SPECIAL THANKS TO
WALT DISNEY ANIMATION STUDIOS
KARI ROSENBERG
ED CATMULL
ANN LE CAM
STUDIO LEADERSHIP
ANDREW MILLSTEIN
ANDY HENDRICKSON
EXECUTIVE ADMINISTRATIVE SUPPORT
PATTI CONKLIN
HEATHER FENG-YANU
JILL HEFFLEY
MICHELLE MORETTA
TANYA OSKANIAN
WENDY DALE TANZILLO
GREG COLEMAN
DAVID BESS
TONY DESIMONE
KRISTIN PETERS
MICHAEL SIMMS
MUSIC
CHRIS MONTAN
PROMOTIONAL PRODUCTION SUPPORT
MELANIE PAL
JENNIFER TETER
DEBRA BARLOW
VI
THE FILMMAKERS WOULD LIKE TO THANK
DEE BRADLEY BAKER
STELIAN COROS
FABIAN HAHN
PETER KAUFMANN
ALESSIA MARRA
MAURIZIO NITTI
ROBERT W. SUMNER
DISNEY RESEARCH
MARKUS GROSS
JESSICA HODGINS
JASON HINTZ LLOPIS
SEBASTIAN MARTIN
GERHARD RÖTHLIN
BERNHARD THOMASZEWSKI
BENAY’S BIRDS AND ANIMAL RENTALS
PRODUCTION BABIES
DELYLAH
HARLAN
OLIVER
GRACIE
JULIANA
VIOLA
Animated on Autodesk’s Maya
Rendered with Pixar’s Renderman
Powered by Cirque Digital’s GDI
MPAA No. 49407
COPYRIGHT © 2014 DISNEY ENTERPRISES, INC.
ALL RIGHTS RESERVED
For the purposes of copyright law in the United Kingdom,
Disney Enterprises, Inc. was the owner of copyright in
this film immediately after it was made.
Distributed by WALT DISNEY STUDIOS MOTION PICTURES
CREATED AND PRODUCED AT
DISNEYTOON STUDIOS
Glendale, CA
WALT DISNEY PICTURES
is grateful to
Great Ormond Street Children’s Hospital, London
to which Sir James Barrie
gave his copyright to Peter Pan in 1929
VII
“Fawn’s just got a big heart, that’s all.”
Disneytoon Studios returns to Pixie Hollow
with the heartwarming adventure “Tinker
Bell and the Legend of the NeverBeast.” The
new story explores an ancient myth of a
fabled creature whose distant roar sparks the
curiosity of Tinker Bell’s good friend Fawn, an
animal fairy who’s not afraid to break the rules
to help an animal in need.
“Fawn is a character who loves all animals
too impulsively, when she should be thinking with her head, as well as her heart.”
and the scout fairies are determined to capture the mysterious beast before it destroys their home. Fawn, who
“Fawn’s compassion is the heart of the story,” says producer Michael Wigert (“Secret of the Wings”). “She not
only has to face her own fear when it comes
a way to help others see what she sees and
learn how to think with their hearts, too.”
1
Ginnifer Goodwin (ABC’s “Once Upon a Time,” “Something Borrowed”) was called on to give voice to the loving
animal fairy Fawn, and Mae Whitman (NBC’s “Parenthood,” “Arrested Development,” “The Perks of Being a
For,” “Men In Black II”) helps bring tough scout fairy Nyx to life.
Addams Family”) once again provides the voice of Queen Clarion.
Danai Gurira (AMC’s “The Walking Dead”) is the voice of scout fairy Fury; Chloe Bennet (ABC’s “Marvel’s Agents
sparrowman Buck, and Olivia Holt (ABC’s “I Didn’t Do It”) lends her voice to animal fairy Morgan.
music by pop singer/songwriter Bleu and original songs performed by KT Tunstall, “Tinker Bell and the Legend of
the NeverBeast” roars to life on March 3, 2015.
INSPIRED
A Child’s Love Inspires Fawn’s Story
cockroaches. Nothing. So it makes sense that I had that fear.”
But when Loter’s young daughter took a liking
had to rethink his point of view. “She’s the kind
of girl who will wrap her arms around a dog
in a big, loving hug,” he says. “As a parent, I’d
daughter has an open heart. I asked her about
it, and she shrugged her shoulders and said,
be?’ That really touched me. I knew that was
the story I wanted to tell.”
Loter’s daughter has a lot in common with animal fairy Fawn, which is no accident, of course. “My daughter’s
2
But like all good characters, Fawn isn’t perfect. “When we meet her in the movie, she’s been hiding a baby hawk
Wigert. “So when she hears this loud, pained moan coming from the woods, she can’t help herself.”
Hollow and down a weird, twisted underground cave.”
animal out there.”
to help prove successful and a bond is sparked
between the giant beast and the fairy. “Their
love for all creatures.”
essence, the reverse of each other. One thinks too much with her heart, the other only with her head. They could
learn a lot from each other.”
3
“there is a storm that appears every thousand years to threaten Pixie Hollow.”
begins to brew over Pixie Hollow. Swirling green clouds boil in the sky, thunder rumbles, and as the storm grows
only the good in him.
it will always ring true.”
ROLE CALL
Dynamic Cast Helps Bring Cool Characters to Life
“Tinker Bell and the Legend of the NeverBeast” goes where no Tinker Bell movie has gone before. “It’s quite a
With new characters shaped by Loter’s own family experiences and the return of the core Pixie Hollow cast of
WHO’S WHO IN “TINKER BELL AND THE LEGEND OF THE NEVERBEAST”
FAWN
animal fairy with a love of adventure, Fawn
has the special ability to see the good in
every creature she encounters. “Fawn dives in
burrow right alongside him. She’s hands on,
down and dirty.”
Her impulsive behavior gets her into trouble
help thinking with her heart instead of her head.
“Fawn is, of course, one of Tinker Bell’s best friends,” says Ginnifer Goodwin, who lends her voice to Fawn. “Her
4
who loves life and lives it to its fullest.”
Fawn, who appears in the previous Tinker Bell movies, got a fresh look for her starring role. “We gave her a
crooked, which somehow makes her even more likable.
Fawn’s expressive nature was made possible with new facial rigs and remodeled hands. Greenholt adds that
Hidden in a dark lair on the fringes of the
fairies’ beloved home, GRUFF is a massive
creature with glowing green eyes and the
Loter. “He’s hurt when Fawn meets him, and
borrows from familiar, nonthreatening animals
we were allowed to see them up close.”
team really went above and beyond for this character,” he says. “His fur moves with the wind, it interacts with
pixie dust and comes into contact with a giant net. That’s not easy.”
5
reveals his moods with its catlike movement, says Greenholt. “I watched my friend’s cat a lot and I’d ask the
look heavy by how they accelerate and decelerate,” says Greenholt. “It takes a heavy animal longer to start and
stop a movement. A freight train can move very fast, but it takes a while to get up to speed and slow down again.”
for Fawn.”
brings a sense of wonder to his life.”
sounds,” says producer Michael Wigert. “We incorporated llamas, camels, dogs and cats. It really grounds the
this giant character to life.”
are a group of fearless fairies
who protects the residents of Pixie Hollow.
to spot trouble before it gets out of control.
This elite group of fairies makes its debut in
“Tinker Bell and the Legend of the NeverBeast.”
According to Loter, his daughter and her
her team members found out I was working
6
working completely in sync with each other.”
In fact, animators looked at athletes to help inform the scout fairies’ performances. “The scouts are all business,”
all, we wanted strong, fast movements for the scout fairies.”
Pixie Hollow and all of the fairies who reside
take a back seat.
“Nyx is the leader of the scout fairies,” says
Loter. “She’s the fastest thinker on her feet,
“When we animated Nyx,” says Greenholt,
posture. She’s all straight lines.”
volumes of fairy knowledge and discovers a legend about a terrifying creature called the NeverBeast, with big
tempest so powerful it could destroy all of Pixie Hollow.”
role,” says Loter. “It was important that the
character was not considered the villain of the
that this is a fairy who cares about what she’s
doing because she believes in it so strongly.”
she has this awesome spear that’s actually a
7
Greenholt.
nightshade powder.”
Danai Gurira is the voice of Fury.
master marksman,” says Loter.
Chase is voiced by Chloe Bennet.
is a sweet, sassy and extremely
backs. But when animal fairy Fawn asks her to
keep a big secret about a mysterious creature
with glowing green eyes, Tink isn’t sure what
to believe.
“Mae Whitman is Tinker Bell,” says Loter.
“She’s been Tinker Bell for all of the previous
although she’s Fawn’s best friend, Tinker Bell
had, but I think she’s really taken all the lessons about friendship and loyalty and evolved as a character. She’s
, a light fairy who always looks on the bright side, is an avid rule follower. So, uncomfortable doesn’t
even begin to describe how she feels when Fawn and friends welcome a forbidden creature to Pixie Hollow.
8
is a garden fairy who loves bringing
and Fawn as they endeavor to help an animal
creature is not exactly easy on the eyes.
Megan Hilty reprises her role as the voice of
always a good sign when you’re laughing at
the actor’s performance during the recording
session.”
is an animal fairy with the risky task of helping baby skunks perfect their aim. Though not a specialist
in roars, Morgan knows all about grunts and growls.
Olivia Holt was tapped as the voice of Morgan. “She’s very dedicated,” says Holt of her character. “I really love
BUCK
fairy’s name. Of all the things I’ve done, this is big for them.”
mysterious green comet appears in Pixie Hollow. Thomas Lennon is the voice of Scribble.
THE LOOK OF THE LEGEND
Artists Explore Far Reaches of Pixie Hollow
9
we haven’t seen before in any of the previous Tinker Bell movies.”
Fawn to his hidden home in the forest surrounding Pixie Hollow.
that’s already established,” says producer Michael Wigert. “We found that this one character triggered not only
new environments, but a whole new group of characters.”
“The idea behind the beast’s lair was that it needed to feel cold and hard,” says Loter. “We leaned heavily on
This is an area of Neverland that no one has ever seen before.”
The team studied classic monster movies to get
whatever would be the total opposite of Pixie
Hollow. “Pixie Hollow is round, curvy and
natural with greens and pinks,” she says. “So
desaturated and deserted.”
Jin Over says she referenced Maui’s unique
actually pointy and shaped like teeth,” says Jin
10
Neverland.”
The towers, of course, form the cornerstones
destroy Pixie Hollow.
Loter. “It evokes a sense of uneasiness, and if applied in the right way, it’s eerie.”
Filmmakers envisioned a storm like no other. “Pixie Hollow has been in danger before,” says Loter. “So we had to
presence that everyone should fear.”
them,” he says. “It wasn’t easy to create the look of the storm wall, the vortex and the lightning, but they came
process. Our storm has a giant dome shape
that covers all of Pixie Hollow. And we gave
has to move and grow, and it has to look cool
transformed into a strange, glowing, green
and eerie environment.”
Adds Loter, “Imagine taking a single drop of
India ink and dropping it into a tank of water.
It creates this mysterious, wispy, ghostlike
11
a tremendous technical challenge to take a
twist it into a whirlpool. We looked at the
were punching Pixie Hollow and those who
defended it.”
“Lightning always frightened me,” says Loter.
“The idea that it’s an unimaginable force that
can seemingly come out of nowhere and cause
MAKING MUSIC
Filmmakers Infuse Film with Original Songs, Unusual Sounds and Organic Instrumentation
of the two worlds and the two soundscapes
creates something unique. We ended up with
an absolutely magical and wonderful score.”
Featured instrumentalist, singer/songwriter
wanted big organic sounds,” says Bleu.
“[Director Steve Loter] was looking for music
Percussionist David Spreng and featured instrumentalist/singer/songwriter that didn’t necessarily hit all the cues, but
Bleu demonstrate what they call the “dulcitar.”
carry through each scene. He wanted music that would stand on its own.”
ways. There’s also a sparse orchestral accompaniment.”
and pipes from the hardware store,” says Bleu.
Says McNeely, “We put clay pots on cymbal stands and played them with mallets. They give this nice, really
resonant tone.”
12
But not too threatening. Filmmakers used the
music to ensure audiences weren’t too fearful
natural reverb found in a long hallway. Add
to that bass drums and instruments like the
contrabassoon. “That general emphasis on
unusual, organic percussion sounds helps to
Spreng and Bleu play corrugaphones — or whirly tubes.
rhythm,” says McNeely.
hard like her character,” says Bleu, who adds
that it was Fawn’s unique instrument that
use dulcimer hammers to strike the strings of
corrugaphone, commonly known as whirly
tubes, has a high, airy tone.”
Spreng for a demo.
Fawn’s carefree, impulsive and curious personality. Singer/songwriter/musician KT Tunstall, who performs the
trouble and mischief.”
13
It comes as no surprise to Loter that Tunstall
can relate to Fawn. “KT reminds me of Fawn in
amount of appeal.”
this beast living in the woods near Pixie
looking guy, but she isn’t afraid. She wants to
help him and make friends with him, but can’t
As for Tunstall, the whole experience had an impact. The singer of hit songs like “Black Horse and the Cherry
“The characters are so cool. I was over the moon to take part. Disney has such an incredible heritage of work,
spanning decades, and it’s really special to be part of that.”
ABOUT THE VOICE TALENT
Goodwin plays Snow White/Sister Mary Margaret Blanchard. She received 2013, 2014 and 2015 People’s Choice
Movie.
family with Bill Paxton as the patriarch and Jeanne Tripplehorn and Chloe Sevigny as her character’s sister wives.
Date With Tad Hamilton,” alongside Josh Duhamel, Kate Bosworth and Topher Grace.
14
She also stars as Amber Holt, the bright but rebellious daughter of Sarah Braverman (Lauren Graham) in NBC’s
drama series “Parenthood.”
15
“The Bondage” with Illeana Douglas and Michael Angarano.
Grace” and recurring roles in “Chicago Hope,” “JAG” and “In Treatment.”
“Love’s Abiding Joy.”
Whitman currently resides in Los Angeles.
and went on to gain accolades in a host of roles. She was honored in 2007 at the esteemed ShoWest where she
starring opposite Kevin James, Sylvester Stallone, Adam Sandler and Jon Favreau.
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Dawson starred in Kevin Smith’s “Clerks II” for The Weinstein Company, and was also seen in “A Guide to
Dawson’s credits include the Oliver Stone epic “Alexander,” alongside Colin Farrell, Angelina Jolie, Anthony
and Barry Pepper; “Men in Black II,” alongside Will Smith and Tommy Lee Jones; “The Adventures of Pluto
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On television, Liu was nominated for the NAACP Award for Outstanding Actress for her starring role in the
Hill.”
“They Die by Dawn and Other Short Stories.” Liu’s spoken words surrounding the main character in the album
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in 2010.
the true story of Meena Haseena, who was kidnapped and sold to a brothel at 8 and forced into sexual slavery
In 2006, Liu was awarded the Woman’s World Award for her outstanding humanitarian work, presented to her
helping to advocate child survival by harnessing the power of celebrity to further worldwide issues and causes.
Science degree from the University of Michigan.
Actress and producer
is one of Hollywood’s most powerful and talented
The series premiered June 2011.
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starred on the comedy series “Hangin’ with Mr. Cooper” for four seasons. Both shows were on ABC.
risk, underserved areas.
starred alongside Sean Hayes in NBC’s comedy “Sean Saves the World.” Prior
“Pixie Hollow Games.” She’s previously recorded vocals in Disney’s “The Secret Life of Magic Gourd,” “Phineas
Dancy and Lea Michele. She can also be heard alongside Placido Domingo on the opera star’s duet album.
and quickly made her Broadway debut as Glinda in “Wicked.” She went on to perform the role in both the
portrayal of Bobby Hill on Mike Judge’s animated series “King of the Hill.”
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Adlon has appeared on several episodes of “Boston Legal,” “The Wedding Bells,” “Head Case,” HBO’s “Unscripted”
Actress and playwright
stars as one of the most popular characters on AMC’s
Last summer, Gurira appeared in the independent drama “Mother of George,” which tells the story of an African
series “Treme.”
play, which will have its world premiere as part of the 2014–15 season. “Familiar” is a richly funny and deeply
Woolly Mammoth Theater and most recently at the Wilma Theater in Philadelphia. The play recently completed
its African premiere in Harare, Zimbabwe. “The Convert” is a commission of Center Theatre Group.
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also received the Helen Hayes Award (Woolly Mammoth).
Theatre. The play subsequently won the Charles MacArthur Award for Outstanding New Play at the Helen Hayes
at the NAACP Theatre Awards. It has been performed in Harare, Zimbabwe and at the Windybrow Theatre in
Johannesburg, South Africa. It is scheduled to be performed in Soweto, South Africa.
Gurira was born in the U.S. and raised in Zimbabwe by Zimbabwean parents. She holds an MFA from Tisch School
grew up on the South Side of Chicago (in Obama’s neighborhood). She has six
brothers, plus foster siblings and/or foreign exchange students living in her family home.
discovered by a music manager who signed her and arranged for her to move to China to live with her paternal
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she emerged as one of the most impressive acts on the bill.
syndicated around the world.
Candy,” and he is the author of four of IFC’s 50 Greatest Comedy Sketches of All Time. On the feature side, he’s
Comedy Central’s highly rated new game show “@midnight.”
experiences in the land of Hollywood and its unique landscape. In 2013 the pair released “Hell Baby,” which
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Awards and an honor from Women in Film.
Honor,” in which she starred opposite Jack Nicholson and Kathleen Turner. In 2005, Huston received a Golden
Julia Ormond.
for the California Arts Council, a member of the Save the Chimps advisory council and a recent spokesperson for
in November 2013. “A Story Lately Told” ends as Huston launches her Hollywood life. The second part of her
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ABOUT THE FILMMAKERS
through character design, storyboard and show development.
Awards.
NeverBeast, Boston terrier Piper.
Lasseter also directed “A Bug’s Life” (1998), “Toy Story 2” (1999), “Cars” (2006) and “Cars 2” (2011).
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and the Legend of the NeverBeast.”
all 14 features opening at No. 1.
“The Blue Umbrella” (2013); and Pixar’s new short “Lava,” which opens in front of “Inside Out” next year. He
Headless Horseman.
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schools in Los Angeles and Texas and has done author visits over Skype with students across the country and as
far away as China. The book recently received several awards (including a Moonbeam Children’s Book Award and
they celebrated their 25th anniversary this year.
Beginning as writers on “Disney’s Goof Troop,”
series.
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