Forthcoming Titles 1 Laurence King Autumn 2013

Transcription

Laurence King Autumn 2013
Forthcoming Titles
1
Contents
Forthcoming Titles
2
7
9
21
26
31
34
36
39
Children’s Books
Gift Books
Fashion & Textiles
Art
Graphic Design
Design
Advertising
Interior Design
Architecture
47 Forthcoming Gifts
54
57
89
91
92
Gifts
Titles by Category
Index of Titles
Index of Authors
Contacts, Distribution Details and Sales Representatives
Please visit www.laurenceking.com for further details
All descriptions in this catalogue are correct at the time of going to press.
Prices, which apply in the UK only, are provisional and subject to change without notice.
2
Forthcoming Titles
The Super Book for Superheroes
Jason Ford
The Super Book for Superheroes is a compendium of
ideas, drawing, colouring and activities that allows you
to create your own crusaders for justice who do battle
with super villains, unravelling their crazed schemes
for taking over the world.
You will learn to draw villains such as the Mad
Scientist, Bog Creature and Evil Robot, while also
creating superheroes, their sidekicks, secret hideouts,
outfits and super gadgets. And there are superpowers
to discover – such as invisibility, super strength, speed,
flight, heat vision, teleportation and X-ray vision.
This book is a must for anyone wanting to create
their own superhero universe!
Jason Ford is a freelance illustrator whose approach has been heavily
influenced by his childhood diet of Tintin and Marvel comics and
a continuing love of French and Belgian bandes dessinées. His
work has been commissioned by The Royal Mail, New York Times,
Penguin Books, and The Guardian.
•Strong interactive element with illustrations to colour, finish, and create, as well as activities to do
• Contains four sheets of card masks and figures and two
sheets of stickers
• Perfect for children aged six upwards
978 1 78067 305 9
200 colour illustrations
128 pages + 4 pages of stickers + 8 pages of masks and figures
289 x 210 mm
£9.95 PB • Art
Sep 2013
I S B N 978-1-78067-305-9
0 1 5 9 5
9
4
Children’s Books
781780 673059
Forthcoming Titles
5
Archidoodle
The Architect’s Activity Book
Steve Bowkett
STEVE
BOWKETT
ARCHIDOODLE
This innovative book is the first to provide a fun,
interactive way to learn about architecture. Filled with
an array of beautiful and elegant drawings, it poses all
manner of architectural challenges for the user: from
designing your own skyscraper to drawing an island
house or creating a Constructivist monument, plus
many more.
Aimed at anyone who loves drawing buildings, it
encourages the user to imagine their own creative
solutions by sketching, drawing and painting in the
pages of the book. In so doing, they will learn about a
whole range of significant architectural issues, such as
the importance of site and materials, how to furnish
a space, how to read plans, how to create sustainable
cities and so on.
The book also includes numerous examples of works
and ideas by major architects to draw inspiration from
and will appeal to everyone from children to students
and professional architects.
Steve Bowkett has taught and practised architecture for over 25 years
in numerous universities and art colleges and is currently a Senior
Lecturer at London South Bank University. He studied at the Royal
College of Art in London and the Polytechnic of Central London.
• A fun book to help you develop and explore your own
architectural ideas
• Learn about the history and concepts of architecture along
the way
• Ideal for architecture students and for anyone who wants to
be an architect
978 1 78067 321 9
200 illustrations
160 pages • 210 x 270 mm
£12.95 PB • Architecture
Sep 2013
I S B N 978-1-78067-321-9
01995
9
6
Children’s Books
781780 673219
Forthcoming Titles
7
Sticker Fashionista: Vintage Style
Stickerbomb XL
Kelly Smith
Studio Rarekwai (SRK)
The third book in the Sticker Fashionista series looks
at vintage fashion from 1900 to the present day. With
gorgeous illustrations of amazing clothes, from 1920’s
flappers to 1990’s grunge via 1970’s disco.
This is the first series of sticker fashion books that
uses the contemporary style of fashion illustration.
The latest in our super-successful Stickerbomb line of
books, Stickerbomb XL takes it to the next level, with
large format and vinyl stickers.
Stickers are an essential part of the street art
movement. Inexpensive and easy to produce, they act
as a kind of informal business card for some graffiti
writers, and a quick and effective promotional tool
for many artists and illustrators. As more and more
stickers are placed around major cities in the world,
interest in the subject keeps growing.
Stickerbomb XL is filled with an amazing collection
of more than 160 specially-commissioned stickers by
artists, illustrators and graffiti writers from around
the world, many of whom have not been featured in a
publication before. It will appeal to a young market of
designers, street artists, and illustrators, plus street art
fans and anyone who collects stickers.
Kelly Smith is an Australian illustrator, working predominantly
in fashion and portraiture. Graduating in 2006 with a Bachelor of
Fine Arts from The Tasmanian School of Art, she has worked for a
number of international clients including: H&M, L’avion, Net-APorter, VOGUE Australia, Portmans, and The Sunday Times STYLE.
Her work has also been published in the likes of The Hub, Curvy,
RUSSH, Flare, Shop ‘Til You Drop and Fallen.
• A fashion sticker book that really reflects contemporary
fashion illustration
• More than 40 outfits and over 150 stickers
• Short texts give fashion-related information and fascinating
facts
The SRK (Studio Rarekwai) is a creative studio based in London and
Jakarta. Initiated by a director and producer partnership in 2006
with a focus on documentary films, SRK has since grown in size
to house a troupe of creatives whose skills encompass filmmaking,
sound design, animation, illustration, publishing, and events.
The SRK has worked with Polydor Records, ARTE TV, the BBC,
Channel 4, Film4, MTV, SONAR, Spaceshower TV and a number of
international non-governmental organizations. Their books include
RackGaki, Graffiti Asia, and the Stickerbomb series (all Laurence
King).
• A choice of outfits lets the reader be the stylist
• A must for fashionistas of all ages
978 1 78067 303 5
44 pages • 305 x 238 mm
£8.95 PB • Fashion
Oct 2013
• Supersized Stickerbomb book
I S B N 978-1-78067-303-5
0 1 2 9 5
• Includes 8 sheets of UV resistant stickers
9
• Features more than 160 stickers, some extra-large
781780 673035
978 1 78067 315 8
124 pages • 191 x 243 mm
£19.95 PB • Art
Oct 2013
I S B N 978-1-78067-315-8
02995
9
781780 673158
Also available:
Also available:
Sticker Fashionista
Kelly Smith
978 1 78067 017 1
£8.95 PB
8
Children’s Books
Sticker Fashionista:
A Year in Fashion
Stickerbomb
Stickerbomb 2
Kelly Smith
978 1 78067 113 0
£8.95 PB
978 1 85669 567 1
£15.95 PB
978 1 85669 662 3
£15.95 PB
Gift Books
9
The Tattoo Colouring book
Fashion Designers’ Sketchbooks
Two
Megamunden
Hywel Davies
Packed with stunning illustrations, this unique colouring
book celebrates the art of the tattoo. The tattoo designs –
all specially drawn for the book – range from traditional
motifs – hearts, sailors, girls, skulls, roses – to more
elaborate compositions with a contemporary edge.
A perfect gift book that will appeal to anyone who
loves tattoo imagery – or is looking for inspiration for
their next piece of body art.
Following the success of Fashion Designers’
Sketchbooks, this second volume shines a light on the
work of a new line-up of major names in the fashion
industry. Photographs, sketches, mood boards, lineups, toiles, swatches and more all feed the creative
processes that forge fashion designs, and here they are
brought together to reveal how the final collections are
conceived and developed.
Juxtaposing the original research material and
drawings with the garments shown on the catwalk and
in look books provides fresh insight into the working
methods of leading international designers and the
role of different media in creating their collections.
Students and designers will find this a fascinating and
invaluable resource as they develop their own work.
Mary Katrantzou, Clements Ribeiro and Marios
Schwab are just some of the prominent designers
featured. Interviews in which they discuss the
importance of their research run alongside their
respective sketchbooks, providing an inspirational
overview of cutting-edge approaches to fashion.
Megamunden is a UK-based illustrator whose commissions range from
illustrations for advertising, fashion, product design and publishing,
to large-scale murals and tattoo designs. He is currently working as a
Senior Designer at multidisciplinary design agency ILoveDust.
• A colouring book with a unique – and highly popular – theme
• Combines classic, old-school tattoo imagery with more
contemporary design pieces
• Features specially drawn artwork throughout
• Includes illustrations with space to draw in your own tattoos
• Double gatefold in centre of book features tear-out, full-colour
artworks
978 1 78067 012 6
Hywel Davies is a Senior Lecturer at Central Saint Martins College
of Art & Design, London. Previously fashion editor of Sleazenation,
he has also written for Arena, Vogue, ELLE, Wallpaper*, Nylon,
Dazed & Confused, The Sunday Telegraph, The Observer, and
SHOWstudio. He is the author of Modern Menswear, British Fashion
Designers and Fashion Designers’ Sketchbooks, all published by
Laurence King.
120 illustrations
112 pages • 289 x 210 mm
£9.95 PB • Art
Oct 2013
I S B N 978-1-78067-012-6
90000
9
781780 670126
• Unique compendium of photographs, sketches, mood
boards, toiles, fabric swatches and more from leading fashion
designers
( 87 )
978 1 78067 289 2
ViBskoV
• Includes work from top names in fashion, including Issey
Miyake, Christian Lacroix, Junko Shimada, Orla Kiely
ViBskoV
• Interviews with designers exploring their creative process
sketches for the spring/summer 2001 ‘the Pigs’ collection, by henrik Vibskov. ink on paper
208 pages • 300 x 216 mm
Sep 2013
Also available:
henrik
henrik
£28.00 HB • Fashion
I S B N 978-1-78067-289-2
04000
9
781780 672892
( 86 )
inspiration and sketch collage for the Autumn/Winter 2009 ‘the Mint institute’collection. ink, paper, inkjet print. Photo: Alastair Philip Wiper
Also available:
I S B N 978-1-78067-018-8
00995
9
781780 670188
Art by Tattooists Mini Edition
Beyond Flash
Jo Waterhouse
978 1 78067 018 8
£6.95 PB
10
Gift Books
Fashion Designers’
Sketchbooks
100 New Fashion Designers
Hywel Davies
Mini Edition
Hywel Davies
978 1 85669 683 8
£28.00 HB
978 1 78067 007 2
£12.95 PB
Fashion & Textiles
11
Bold, Beautiful and Damned
The world of 1980s fashion illustrator
Tony Viramontes
Dean Rhys-Morgan
When Tony Viramontes’ work appeared in the late
1970s, his hard and direct style of drawing was a
marked contrast to the prevailing soft-pastel school
of fashion illustration. He scored immediate success,
rapidly acquiring the kind of prestigious editorial
commissions normally given to photographers, from
Lei, Per Lui in Italy, Vogue in the USA, The Face in
Britain, and Le Monde and Le Figaro in France.
His images, from the portraits of Paloma Picasso
and Isabella Rossellini to the album covers he
conceived for Arcadia and Janet Jackson, perfectly
capture the mood of the 1980s club and fashion scene.
After completing a degree in costume design at the Wimbledon
College of Art, UK, Dean Rhys Morgan worked alongside Isabella
Blow at Tatler magazine. Contributing regularly to The Telegraph
and The Sunday Times, he worked as a fashion and interiors
journalist before establishing an online gallery specialising in midcentury fashion and interior illustration.
•Retrospective of the artist’s work, with never-before-seen
images from his family’s private collection
• Viramontes worked for many top fashion houses, including
Versace, Chanel and Yves Saint Laurent
• A Who’s Who of 1980s fashion and style
• With a specially written foreword by Jean-Paul Gaultier
978 1 78067 307 3
192 pages • 310 x 235 mm
Oct 2013
I S B N 978-1-78067-307-3
05000
9
781780 673073
Also available:
Masters of Fashion Illustration New Icons of Fashion Illustration
Paperback
David Downton
978 1 85669 839 9
Tony Glenville
978 1 78067 104 8
£28.00 HB
£19.95 PB
12
Fashion & Textiles
Forthcoming Titles
13
ReFashioned
Cutting-Edge Clothing
from Upcycled Materials
Draping
The Complete Course
Karolyn Kiisel
Sass Brown
Draping – the art of using calico to create womenswear
directly on a mannequin – is an essential skill for
fashion designers. Through a series of step-by-step
projects, designed to develop skills from the most basic
to more advanced techniques, this book will guide you
in creating both classic and contemporary garments, as
well as historical styles and costumes. Draping projects
include dresses, corsets and jackets, and highlight key
fashion garments such as Audrey Hepburn’s dress
from Breakfast at Tiffany’s and the Dolce & Gabbana
tuxedo jacket.
Starting with the basics of choosing and preparing
the mannequin for draping, the book advances
through pinning, trimming and clipping, and creating
shape using darts and tucks, to adding volume using
pleats and gathers, and handling complex curves.
Advanced skills include how to use support elements
such as shoulder pads, under layers and petticoats, and
how to handle bias draping. The book culminates with
a chapter on improvisational skills.
Each skill and technique throughout the book is
explained with step-by-step photographs and line
drawings that bring the art of creating womenswear in
three dimensions to life.
The area of recycling and upcycling is a rich and
growing source of innovative design in the fashion and
accessories industries. In a fast-fashion world of throwaway clothing, it is the ultimate expression of the
slow-fashion movement, with each piece individually
conceived and crafted from scratch, using different
materials each time.
ReFashioned features 46 international designers who
work with recycled materials and discarded garments,
reinvigorating them with new life and value. The result
is beautiful and desirable clothing and accessories that
also make an important statement to the fashion world
about its wasteful and exploitative practices.
Sass Brown is the Assistant Dean of the School of Art and Design
at the Fashion Institute of Technology in New York, and the former
Resident Director of its study abroad program in Florence, Italy.
As a designer, researcher, writer, journalist and blogger, her area
of expertise is eco fashion in all of its various expressions. She is
the New York editor for Coco Eco Magazine and writes for a range
of other magazines and websites. Her first book, Eco Fashion, was
published by Laurence King in 2010.
• The only book to look at recycling and upcycling in the
fashion industry
• Illustrated with exciting fashion images showing stylish eco
fashion
Karolyn Kiisel is a professor in the Fashion Design department at
Woodbury University in Burbank, California, and taught at Otis
College of Art and Design in Los Angeles for twenty years. Her
fashion designs have been sold internationally, and her costume
work has appeared widely on screen and stage.
• Shows designers what can be done with used and unused
consumer and industrial waste materials
• Features innovative designs from around the world
• Draping is an essential skill for all fashion designers
• Uses case studies and step-by-step projects to build
knowledge
978 1 78067 301 1
• Examines draping in a range of key garments – classic,
contemporary, historical and costume
• Includes a DVD of 32 short videos in which the author
demonstrates essential techniques
208 pages • 245 x 210 mm
R Aw M AT E R I A L S F o R M AY E R P E A C E
CoLLECTIoN INCLUdINg gRAIN SACKS
Oct 2013
TA B L E L I N E N A N d M AT T R E S S T I C K I N g
mannequin. She places and pieces the highly
decorative pieces first, followed by the left overs,
all the while moulding them into sharp cuts and
feminine curves. The unique nature of each of the
materials means there are no actual patterns, while
the individual moulding results in a very feminine
fit and line. Mayer is inspired by global and historical
patterns and embroideries, in particular nineteenthand twentieth-century theatrical costumes, as well
as individual material finds.
I S B N 978-1-78067-301-1
03500
9
Founded in 2004, MAYER Peace Collection has
always worked with recycled materials, initially
from military suppliers, expanding their material
sources as the seasons progressed to encompass the
now-extensive range of materials they incorporate
into their collection. with a background in fur
production, Christine Mayer learned an appreciation
for patching and cutting materials and piecing them
back together, through the minute and complex
process of cutting, slashing and re-sewing skins.
growing up in the Black Forest in the south of
germany and playing games around the grain
sacks from local mills in her grandfather’s barn also
conspired to influence the raw material selections
of MAYER Peace Collection.
781780 673011
978 1 78067 286 1
1,200 colour illustrations
320 pages • 300 x 220 mm
£38.00 Flexibind • Fashion
A portion of all profits from MAYER Peace Collection’s
designs benefit children’s charity projects in India
and Nepal. with a trace of spirituality woven into
the threads, every garment is intended to provide
strength and give us the impetus to move beyond
our own horizons.
includes DVD
Aug 2013
www.mayer-berlin.com
I S B N 978-1-78067-286-1
90000
Also available:
9
9
d E S I g N E R S w o R K I N g w I T H U S E d I N d U S T R I A L M AT E R I A L S
dESIgNERS woRKINg wITH USEd CLoTHINg
10
781780 672861
the materials and the unique objects used, enjoying
the game of matching the past with the present,
while harmonizing the varied materials and stories
each one brings to the whole and inspiring others
along the way, including stylists, photographers and
individual customers.
Each bag bears an individual name, such as Motika,
demetra and Alcatraz, many made with unique
materials such as a 1960s Italian army gas mask
case and a 1960s wool ski sweater paired with a US Air
Force leather jacket and 1940s Swiss military belt
handles, or a 1960s Italian army inflatable mattress
paired with 1970s Italian army mule bridles and 1970s
german police leather jackets. The array of nontraditional and unique history-laden items that make
their way into a Silent People bag is truly dizzying.
The permutations are as endless as their imaginations,
making this an adventurous and artistic, artisanal line
of bags produced in the Italian heritage of luxury
handmade leather goods.
www.silentpeople.it
Eco Fashion
Sass Brown
978 1 85669 691 3
US$35.00 PB
Fashion &
Sustainablity
Design for Change
Kate Fletcher and Lynda
Grose
978 1 85669 754 5
US$29.95 PB
14
Fashion & Textiles
Eco Fashion
Sass Brown
978 1 85669 691 3
£22.50 PB
Fashion &
Sustainablity
Design for Change
RoSSINI MAdE FRoM A
Kate Fletcher and Lynda
Grose
978 1 85669 754 5
£19.95 PB
1970S SHEEPSKIN jACKET
wITH 1940S AUSTRIAN
M I L I TA RY g U E T T E R S ,
1 9 4 0 S I TA L I A N M I L I TA RY
MULE BRIdALS ANd LINEd
w I T H A 1 9 4 0 S I TA L I A N H E M P
M AT T R E S S FA B R I C
13
dESIgNERS woRKINg wITH USEd CLoTHINg
14
Fashion & Textiles
15
Stylish Dress Book
Clothing for Everyday Wear
Sweet Dress Book
23 Stylish Outfits
from Six Simple Patterns
Yoshiko Tsukiori
Yoshiko Tsukiori
Stylish Dress Book: Clothing for Everyday Wear features
26 dresses, tops, jackets and trousers that you can
make yourself. Whether you’re looking for something
casual or a little more elegant, you’ll want to wear
these beautiful clothes all the time.
Simple step-by-step instructions and diagrams,
along with four actual-size patterns, guide you
through the process of creating each garment. The
result is a collection of simple yet sophisticated outfits
that will give your wardrobe a stylish boost.
Sweet Dress Book comes with six patterns you can use
to make 23 different stylish outfits. An entire wardrobe
in one little book!
From these simple patterns, Yoshiko Tsukiori has
created a collection of beautiful garments that you can
easily make yourself, including blouses, camisoles,
shifts, kimonos, coats, dresses, trousers and playsuits.
These easy-to-follow patterns present a variety
of designs and techniques that you can choose to
incorporate, such as French sleeves, darts, straight-cut
designs and raglan sleeves, along with stylish detailing
such as shirring and ruffles.
Yoshiko Tsukiori is a graduate of Joshibi Junior College of Art
and Design. She worked for a variety of clothing companies
before establishing herself as an independent sewing designer.
Her expertise ranges from babywear and children’s clothing to
womenswear.
Yoshiko Tsukiori is a graduate of Joshibi Junior College of Art
and Design. She worked for a variety of clothing companies
before establishing herself as an independent sewing designer.
Her expertise ranges from babywear and children’s clothing to
womenswear.
• Shows how to make 26 different dresses, smocks, tops and
trousers
• Highly illustrated, with step-by-step diagrams
• Shows how to make 23 different dresses, smocks
and blouses.
• Originally published in Japanese by Bunka Publishing Bureau
• Includes four free patterns
• Highly illustrated, with step-by-step diagrams
• Simple sewing techniques
• Includes four free patterns
978 1 78067 304 2
200 illustrations, 35 in colour
88 pages • 245 x 190 mm
978 1 78067 108 6
Oct 2013
I S B N 978-1-78067-304-2
88 pages • 245 x 190 mm
01995
9
Aug 2013
781780 673042
I S B N 978-1-78067-108-6
01995
9
781780 671086
W 413⁄4 in (106) cm
pattern II
without darts
sewing instructions p. 48
Front
Also available:
Attach the fusibleinterfacing
to the right side bodice only
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⁄32inincm)1⁄32 in
(0.1
(0.1cm)
3cm)
⁄8 in(0.1 cm)
Cutting layout (dress)
Wrong side front bodice
(right
side)
Wrongside
side
Wrong
front
side
bodice
front bodice
Wrong
front
bodice
(rightside)
side)
(right side)
(right
3⁄8 in
Wrong side back bodice
(right
side)
3⁄8 in
⁄ ⁄ (1
inincm)
Wrong
side
Wrong
back
side
bodice
back bodice
Wrong
side
back
bodice
(1(1cm)
cm) (1 cm)(right
(rightside)
side)
(right side)
3388
Shoulder drawstring
Right side
Wrong side back
Cutbodice
on fold
frontside
bodice
Right
Right
side
Right side
(right
side)
Wrong
Wrongside
side
Wrong
back
back
side
bodice
bodice
back bodice
(right
side) bodice
front
front
bodice
bodice
front
(right
(rightside)
side)
(right side)
1⁄32 inside)
Cut on fold
(rightside)
side)
(right
Front & back (right
(0.1
11
skirt
1⁄32 in
⁄32
⁄32inin3⁄cm)
8 in1⁄32 in
Stitch
Fold 3⁄8 in
(0.1cm)
cm)
(0.1
(0.1 cm)
(1 cm)
(0.11⁄1cm)
Front & back
32
⁄32Stitch
ininfrom1⁄32 in
Stitch
Stitch
(0.9 cm)
Fold
Fold3⁄38⁄8ininFold 3⁄8(0.1
inthe
edge,
3⁄8 in
at
atthe
thesame
same
at the
time
time
same time
skirt
(0.1
cm)
cm)
(0.1
from
fromcm) from
(0.9
cm)
cm) (0.9 cm)
Gather-stitch
1
⁄(0.9
8 in
(1 cm)
the
theworking
edge,
edge,thefrom
edge,
the right
side from
Gather-stitch
Gather-stitch
Gather-stitch
(0.3
cm)1⁄8 in
11
working
working
from
working
from
⁄
8⁄8in
in
3
3⁄8 in
(Wrong side)
⁄8 in
theright
rightside
the
sideright side
(0.3
(0.3cm)
cm) (0.3 cm) the
33
33
(Wrong
(Wrongside)
side)
(Wrong side)
⁄8⁄8(1
inincm) 3⁄8 in
⁄8⁄8(1
inincm) 3⁄8 in
5
(1
(1
cm)
cm)
(1
cm)
(1(1cm)
cm) (1 cm)
⁄16 in
Lay over
(0.8
55
⁄16
⁄16inincm)5⁄16the
in seam
3⁄4 in
Fold in three and
Lay
Layover
overLay over
1⁄32 in
(0.8
(0.8
cm)
cm)
(0.8
cm)
Front
skirt
by
1
the
33
3⁄4stitch
the
theseam
seamthe seam1 ⁄8 in
Fold
three
Foldedge
and
and
in three and
⁄4⁄4(2
inincm)Fold
inininthree
Shoulder
cm)
(right
side)
1⁄132
cm)
Front
skirt
skirt
Front skirt
by
by(0.1
by 1⁄32 in (3 Front
⁄32inin
(2
(2cm)
cm) stitch
(2
cm)
stitch
the
thestitch
edge
edgethe edge
strap
Wrong side
Clip
the
curve
(0.1
(0.1cm)
cm) (0.1 cm) (right
(rightside)
side)
(right side)
3⁄8 in
front bodice
11⁄8 in
Shoulder
Cut on fold
(1 cm)
(3 cm)
(wrong side)
Wrong side
strap
Wrong side
Clip the curve
in
Fold
back3⁄8bodice
* Unless stipulated,
the seam allowance
is 3⁄8 in (1 cm)
3⁄8 in
front bodice
Cut on fold
(1 cm) side)
(wrong
*
indicates fusible interfacing.
(1 cm)
(wrong side)
Wrong side
3⁄8 in
68
back bodice
* Unless stipulated, the seam allowance is 3⁄8 in (1 cm)
(1 cm)
Right side
(wrong side)
*
Right side front
back bodice 3⁄8 in
bodice
(wrong side) (1 cm)
1⁄32 in
3⁄8 in
Right
side
(wrong side)
(0.1 cm) (1 cm)
Right side front
back bodice
bodice
(wrong side)
3⁄8 in
3⁄8 in
(wrong side)
(1 cm)
(1 cm)
3⁄8 in
(1
cm)
(right
side)
Shoulder strap
(right side)
3⁄8 in
(right side)
(1 cm)
(right side)
(right side)
6
Dress with spangled yoke
3
page. 31
7
173⁄4 in (45 cm)
173⁄4 in (45 cm)
1⁄32 in
(0.1 cm)
⁄ in
(1 cm)
38
Shoulder strap
(right side)
*Make four
shoulder straps
16
Overlock- or zigzag-stitch the
seam allowance on both pieces
at the same time
Gather-stitch
(Wrong side)
3⁄8 in
(1 cm)
3⁄8 in
(1 cm)
6868
68
68
*Make four
shoulder straps
(right side)
Fashion & Textiles
Right side
front bodice
(right side)
⁄ in Wrong side back bodice
(right side)
(0.1 cm)
1 32
Stitch 1⁄32 in
Fold 3⁄8 in
(0.1 cm)
Overlockzigzag-stitch
thefrom
(0.9 or
cm)
the edge,
seam allowance on both
pieces
1⁄8 in
working from
at the
same time
the right side
(0.3 cm)
Fold 3⁄8 in
(0.9 cm)
Gather-stitch
3
⁄ in
(0.1 cm)
1 32
side)
⁄(Wrong
in
⁄8 in
Lay over
(0.8 cm)
the seam (1 cm)
Front skirt
by 1⁄32 in
(right side)
(0.1 cm)
3⁄4 in
Fold in three and
5 16
⁄ in Fold in three and
34
Right side
front bodice
(right side)
3⁄8 in
(1 cm)
1⁄8 in
(0.3 cm)
⁄ in
Lay over
(0.8 cm)
the seam
by 1⁄32 in
(0.1 cm)
Stitch 1⁄32 in
(0.1 cm) from
the edge,
working from
the right side
5 16
Front skirt
(right side)
Cut
Cut
Neckline Neckline
bias bindingbias binding
(x 1)
(x 1)
Fabric (dress)
Fabric [silk taffeta]: W 92 cm x L 2.9 m
[Spangle fabric]: W 1.5 m x L 35 cm
[Polyester organdy]: W 1.1 m x L 35 cm
Elastic tape: 8 cord x L 26, 27, 28, or 29 cm (including the seam allowance)
Back
Back
Cut on fold Cut on fold
13⁄8 in
(3.5 cm)
13⁄8 in
(3.5 cm)
Instructions (dress)
Preparation: Overlock- or zigzag-stitch the seam allowances on the sides of the bodice and
skirt, and the waist and sleeve seams
1 Sew the bust darts (turning them upward)
2 Baste the organdy to the wrong side of the spangle fabric on the front yoke and sew
together with the front bodice (overlock- or zigzag-stitch the seam allowances on both
Front
Front
pieces at the same time. Turn the seam allowances toward the bodice)
3 Sew the shoulders (overlock- or zigzag-stitch the seam allowance on both pieces at the Cut on fold Cut on fold
same time. Turn the seam allowances toward the back)
4 Pipe the neckline with the bias binding (using the same fabric as for the bodice)
5 Sew the sides of the bodice (opening the seam allowance)
6 Sew the sleeve seams, leaving an opening in the cuffs for the elastic tape to pass through
(open the seam allowance)
Sleeve
Sleeve
7 Sew the cuffs with a threefold seam, passing the elastic tape through them
3⁄4 in
3⁄4 in
8 Gather the sleeve caps and attach the sleeves (see p. 63)
(2 cm)
(2 cm)
9 Sew the sides of the skirt (opening the seam allowance)
10 Sew the hem with a threefold seam
11 Fold and gather the waist of the skirt. Lay the skirt over the top of the bodice and stitch
11⁄8 in (3 cm)
11⁄8 in (3 cm)
3⁄4 in (40 cm)
in place, working over the top of the gather stitch
153⁄4 in (40 15
cm)
255⁄8 in
(65 cm)
Instructions (bag)
Preparation: Attach the fusible interfacing to the entire surface of the silk taffeta right side
lid, wrong side lid, right side fabric, and wrong side fabric
To make the bag, follow the sequence show in the drawings overleaf
Cutting layout (bag)
Body
Body
wrong
Rightside wrong side
Cut&on fold Cut on fold
wrong
sides
Lid
Cut
Front yoke Front yoke
255⁄8 in
(65 cm)
Front skirt Front skirt
Cut
on
fold
15⁄8 in
(4 cm)
For both theFor
spangle
both the
fabric
spangle
and the
fabric
organdy
and the organdy
Cut
Body
Body
right side right
side
Right
& fold
Cut on fold Cut on
wrong
sides
Lid
2 in
(5 cm)
Cut
on
fold
Cutting layout (dress)
Silk taffeta Silk taffeta
W 361⁄4 in (92
W cm)
361⁄4 in (92 cm)
Stylish Dress Book
Simple Smocks,
Dresses and Tops
Feminine Wardrobe
Twenty-One
Beautiful Skirts,
Dresses, and Tops
for You to Make
Yoshiko Tsukiori
Jinko Matsumoto
1⁄8 in (41 cm)
161⁄8 in (41 16
cm)
7⁄8 in (43 cm)
167⁄8 in (43 16
cm)
3⁄8 in (44 cm)
173⁄8 in (44 17
cm)
Fabric (bag)
Fabric [silk taffeta]: W 92 cm x L 35 cm
[Spangle fabric]: W 1.5 m x L 30 cm
Fusible interfacing: W 90 cm x L 30 cm
Magnet button: 1.5-cm diameter x 1
Overlock- or zigzag-stitch the
seam allowance
onzigzag-stitch
boththe
pieces the
OverlockOverlockOverlockor
orzigzag-stitch
zigzag-stitch
or
the
at the
same allowance
time
seam
seam
allowance
allowance
seam
on
onboth
bothpieces
pieces
on both pieces
Fold 3⁄8 in
(1 cm)
Full-scale pattern - Side C
Back
Back
Back
1⁄32 in
(0.1 cm)
1 32
Front
7
Fold 3⁄8 in
11
18/12/2012 17:00
Silk taffeta Silk taffeta
W 361⁄4 in (92
W cm)
361⁄4 in (92 cm)
Front
Front
Front
to the
right
side
only
Attach
Attach
the
the
Attach
fusibleinterfacing
fusibleinterfacing
thebodice
fusibleinterfacing
to
tothe
theright
right
to side
the
sideright
bodice
bodice
sideonly
only
bodice only
Right side
front bodice
(right side)
Fabric
(right side)
Fabric [cotton chiffon]: W 1.06 m x L 2.6 m
Fusible
interfacing
(right the
side front and back bodices): W 90 cm x L 1 m
Overlockor zigzag-stitch
1
4
2
*Make four
shoulder straps
seam allowance on both pieces
Instructions
at the same time
II features designs without bust darts for a camisole dress, blouse, tunic, and dress
SDB_pp01-36_ENG.indd 10-11
Cut on fold
W 413⁄4 in (106) cm
3⁄8 in (1 cm)
* Unless stipulated, the W
seam
is (106)
413⁄34allowance
⁄4ininW
(106)
(106)
413⁄cm
4cm
in
cm
W41
*
Right side
back bodice
(wrong side)
3⁄8 in
(1 cm)
(right side)
(right side) pattern - Sides A & C
Full-scale
page. 23
3⁄8 in
(1 cm)
11⁄8 in
(3 cm)
Clip the curve
Wrong side
back bodice
(wrong side)
Camisole dress with lots of gathers
Shoulder strap
(right side)
pattern
10
Front & back
skirt
255⁄8 in
(65 cm)
Cut
on
fold
2 in
on fold Cut on fold
Ribbon
Cut
on fold Cut
(5 on
cm)fold CutRibbon
Cut
Cut
* Cut one piece
* Cutofone
spangle
piece fabric
of spangle
for the
fabric for the
3⁄8 in (1 cm)
* Unless stipulated,
* Unless the
stipulated,
seam allowance
the seamisallowance
is 3⁄8 in (1 cm)
body and one
body
forand
the one
lid for the lid
15⁄8 in
(4 cm)
11⁄8 in (3 cm)
11⁄8 in (3 cm)
3⁄4 in (40 cm)
153⁄4 in (40 15
cm)
1⁄8 in (41 cm)
161⁄8 in (41 16
cm)
7⁄8 in (43 cm)
167⁄8 in (43 16
cm)
3⁄8 in (44 cm)
173⁄8 in (44 17
cm)
255⁄8 in
(65 cm)
Cut
Back skirt Back skirt
on
fold
15⁄8 in
(4 cm)
15⁄8 in
(4 cm)
69
978 1 78067 107 9
£14.95 PB
978 1 78067 124 6
£14.95 PB
69 69
Fashion & Textiles
17
Printed Textile Design
Knitwear Design
Amanda Briggs-Goode
Carol Brown
This books explains the fundamentals of printed
textile design, from design brief through to the
completed collection, and introduces the basics of
colour, drawing, composition and repeat with a series
of step-by-step exercises and examples.
Printed Textile Design helps to demystify the design
process and provides an invaluable guide to the study
and practice of textile design.
The book includes case studies of designers working
in both the fashion and interiors sectors. It covers hand
and traditional print techniques and the latest digital
print technologies, with specially commissioned
photographs of the processes. All aspects of
textile design are covered, from sustainability to
manufacturing and marketing the finished product.
A practical guide to the dynamic revival of
contemporary knitting, Knitwear Design is also
a source of inspiration and advice on the latest
techniques and practices.
Packed with diagrams, knitwear samples and
images from a wide range of contemporary designers,
the book offers a practical approach to designing
garments from initial research, finding sources of
inspiration and developing the design, through an
exploration of colour, texture and knitting techniques
to constructing a garment and creating and writing a
pattern. Knitwear Design also showcases the techniques
that are transforming knitted textiles, such as heat
treatments and painting and printing knit, and profiles
the fusing of knitting, art and craft.
The book includes case studies from international
designers, offering students a unique insight into the
industry. Knitting is a tactile and versatile craft and
Knitwear Design gives readers the knowledge and
inspiration they need to create innovative and eyecatching fashion.
Amanda Briggs-Goode is the Course Leader for BA Textile Design
at Nottingham Trent University. As a printed textile designer herself
she has worked in the commercial sector. Her academic work has
included practice-based research into digital textile design, which
has been exhibited internationally.
• Printed is the most popular part of textile design courses
Carol Brown is Head of Division of Art and Design, University
Campus Suffolk (UCS). She has published a wide range of articles
relating to careers in fashion, trend forecasting, knitwear design, and
knitwear construction techniques, and is the author of The Fashion
and Textile Information Directory, The Fashion and Textile Suppliers
Directory, and Fashion & Textiles: The Essential Careers Guide.
• Includes case studies featuring designers working in both the
fashion and interiors sectors
• Covers both hand and traditional print techniques and the
latest digital print technologies
• Guides the reader through design development from first
inspiration to finished garment
978 1 78067 118 5
208 pages • 280 x 216 mm
• Showcases the full range of knitting in contemporary fashion,
art and craft
Aug 2013
• Profiles the work of cutting-edge knitwear designers and
shows how their work influences famous fashion names
I S B N 978-1-78067-118-5
04000
9
• Examines the latest knitting techniques and production
processes
781780 671185
978 1 78067 058 4
208 pages • 280 x 216 mm
£22.50. PB • Fashion
Sep 2013
I S B N 978-1-78067-058-4
9
04000
781780 670584
Also available:
Digital Textile Design
Second Edition
Melanie Bowles and Ceri Isaac
978 1 78067 002 7
£22.50 PB
18
Fashion & Textiles
Fashion & Textiles
19
Print & Pattern: Kids
Pattern Cutting for Menswear
Gareth Kershaw
Bowie Style
Designed for both students and professionals, Pattern
Cutting for Menswear offers a comprehensive guide
to pattern cutting from the basic skills through to
advanced techniques.
Including 20 complete patterns that show how
to cut every aspect of menswear, the book features
adaptations from basic blocks through to classic
garments and trend-led styles. Illustrated throughout,
this book contains everything you need to know to cut
patterns for today’s menswear market.
Using a step-by-step approach, illustrated with
accurately sized and scaled flat diagrams, technical
flats and fashion illustrations and photographs of
toiles, Pattern Cutting for Menswear explains the
theory behind the practice, enabling the reader to cut
patterns with confidence.
The latest book from the cult Print & Pattern website, Print
& Pattern: Kids celebrates beautiful surface design created
with little people in mind. This book documents the work
of the best designers in the field, featuring both successful
commercial designs and previously unseen work.
Children’s design is an exciting marketplace, full of cute
and colourful patterns, wallpaper, fabrics, clothing, ceramics,
greeting cards and in fact just about anything aimed at kids
(much of which will also appeal to adults!)
Includes work from Designers Guild, Cath Kidston, Marc
Boutavant, Laura Ashley, Paapii and Dan Stiles, among other
top international designers.
Gareth Kershaw is a Senior Lecturer within the Department of
Apparel, Manchester Metropolitan University.
Marie Perkins (Bowie Style) started the Print & Pattern blog in her spare
time while researching for mood boards in her job as a textile designer.
Creating trend books for leading UK stores meant she needed images to
demonstrate print trends. The blog soon became a must-read for those in
the industry. Marie is herself a successful surface designer working under
the name Inkjet Designs; her work has featured in numerous magazines and
newspaper articles.
• Clear, step-by-step diagrams explain the process from creating
the block to finished design
• Follow-up to Print & Pattern 1 and 2, from the popular blog of the
same name
• Photographs of toiles show how the two-dimensional pattern
translates into a three-dimensional garment
• Design for children is a huge market
• Includes 20 complete patterns of classic garments and
trend-led styles.
• A useful sourcebook for designers and illustrators
• Patterns and surface design continues to be a popular subject
978 1 78067 300 4
978 1 78067 319 6
304 pages • 246 x 172 mm
320 pages • 280 x 216 mm
£35.00 Flexibind • Fashion
Oct 2013
Aug 2013
I S B N 978-1-78067-300-4
02995
I S B N 978-1-78067-319-6
90000
9
9
Modern pattern cutting developed with the industrialisation
of sewing and the development of mechanical processes.
From the start of the Industrial Revolution technology defined
the way the clothing industry developed. Crafts men and
women invented labour-saving devices to increase production.
As the cultural trend towards uniformity gathered pace,
the demand for standardised clothing began to outstrip
supply. Replication was needed and templates (patterns) for
gentlemen’s clothes began to be produced. Initial attempts
resulted in poorly fitting garments; the sizing of patterns would
take considerable experimentation before a recognised sizing
system was achieved through the use of the newly conceived
1-yard measurement tape. Laid out in inches, this gave tailors
a regulated tool to record human dimensions. From these
observations a mathematical drafting system was conceived,
which was based on the principles of geometry and
anatomical proportions.
In the first half of the nineteenth century numerous technical
publications appeared to support the new drafting technique:
The Improved Tailor’s Art by J. Jacksons (1829) Science
Completed in the Art of Cutting by W. Walker (1839) and
A Practical Guide for the Tailor’s Cutting-Room by J. Coutts.
It was during this period, particularly in France, that technical
10
training was established; Elisa Lemonnier opened one of the
first professional schools in Paris to offer cutting and tailoring
among its courses. Along with the demand for cheaper
clothing, in 1860 the first mail order fashion catalogues to
publish paper patterns appeared; the latest styles could be
bought by the middle and working classes throughout Europe
and the US, bringing the ability to produce cheaper clothing
to a wider audience and creating a forerunner of the ready-towear genre.
At the beginning of the twentieth century the craft of tailoring
began to divide into specialisms – designer, pattern cutter
and seamstress. It is a working model that has survived to the
present day, replicated in fashion houses and garment factories
all over the world. Mass production brought duplication and
the development of standard sizes but fit was still of crucial
importance throughout the first half of the last century.
Although clothing was pre-constructed, the discerning
gentleman would have it adapted to the sartorial fashions of
his day. Alterations were made and silhouettes tailored through
subtle changes to the cut, line or proportion of the garment.
The process of standardisation was then speeded up by the
onset of the two World Wars, when standardised patterns
PATTERN CUTTING IN CONTEMPORARY MENSWEAR
20
Fashion & Textiles
and size charts were needed to produce military uniforms for
both officers and infantry alike. Clothing the army gave the
garment industry an opportunity to review its procedures and
attitudes towards sizing and construction, and this resulted in
the formation of national registered organisations to regulate
clothing production.
Away from the austerity of war, social hierarchy still demanded
that a gentleman’s wardrobe should have multiple dress
options, even though a new era was dawning as the genderrole ideologies of the pre-war period were vanquished and
modernism was embraced. The 1950s brought a new approach
to male dress, championed by a younger generation who
rebelled against the constraints of tradition. With the growing
influence of American youth cultures, formal attire with its stiff
silhouettes began to lose its appeal. New modes of informal
dressing appeared throughout towns and cities across Europe
and America. Menswear producers responded to the growth in
consumerism and this new attitude by importing or recreating
foreign styles associated with music, film or leisure activities
(Italian tailoring, US varsity, German sportswear). Relaxed
attitudes towards life brought a new direction for men’s fashion
assisted by technological advances in textiles and the uses of
synthetic materials to create easy-wear, functional clothing.
781780 673004
781780 673196
Opposite left: Yohji Yamamoto’s enigmatic
approach to masculinity is portrayed in a
return to his signature oversize proportions
at Paris Fashion Week 2008–09.
Opposite right: Italian sensibility crafted
with technical design inspires C. P. Company’s
relaxed tailored garments at the Via Savona,
Milan Fashion Week, Autumn/Winter 2010.
Above left: A master of gender bending Thom
Browne’s Autumn/Winter 2012 menswear show
questions masculine identity and its perceived
role in society.
Above right: Walter Van Breirendock’s spring
2010 menswear collection challenges fashion
orthodoxy. His burly-boded biker models
question our perception of masculinity.
Overleaf: Thom Browne’s signature aesthetic,
models wear uniformed tailored suits combining
two-button jackets, Bermuda shorts and kneesocks. Spring/Summer 2011 menswear show, Paris.
INTRODUCTION
11
Also available:
Also available:
Pattern Cutting
Print & Pattern
Print & Pattern 2
Dennic Chunman Lo
Bowie Style
Bowie Style
978 1 85669 750 7
£24.95 PB
978 1 85669 646 3
£19.95 PB
978 1 85669 792 7
£19.95 PB
Fashion & Textiles
21
Bag Mini Edition
The Ultimate Fashion Accessory
The Art of D*Face
One Man and His Dog
Susie Draffan and Sue Huey
D*Face
With a foreword by Shepard Fairey
Featuring handbags from well-known fashion
designers as well as up-and-coming new talent, this
compact edition showcases the most exciting and
innovative handbag designers from across the globe,
including Chanel, Phillip Lim, Dolce & Gabbana
and Marc Jacobs. Bag is beautifully illustrated with
specially commissioned photographs, alongside
original sketches and lookbook images, to reflect the
rich and diverse range of bag design.
Certain bag styles have achieved iconic status and
are copied the world over, each with its own instantly
recognisable name. Seeking to understand the creative
processes behind these covetable handbags, the book
also includes an informed and considered commentary
on the style and technique of each designer and brand
featured.
D*Face has been a leading figure in urban art for well
over a decade. A contemporary of Banksy, he is at the
forefront of the urban art movement and has had a
constant presence throughout its meteoric rise into
popular culture.
This long-awaited monograph shows the
development of his career as an artist to date,
encompassing his continuing street work and the path
that led him from the early beginnings of the street
art genre to multiple sell-out solo exhibitions around
the world. Containing previously unseen images of
his working processes and studio as well as firsthand
anecdotes and the stories behind his extraordinary
work, the book provides an insider’s view of one of
Britain’s most important urban artists.
Sue Huey is a former Head of Footwear and Accessories at Worth
Global Style Network. She previously worked as footwear and
accessories designer for a leading international fashion house. She
is the author of two books: New Shoes and Bag, both published by
Laurence King.
‘D*Face is one of Britain’s leading “newbrow” artists, and damn if he
isn’t as sharp and clever – if not quite as surreptitious – as Banksy
(and sharper and cleverer by half than Damien Hirst).’
Peter Frank, Los Angeles Art Critic, 2011
Susie Draffan is a writer and trends consultant at Worth Global Style
Network who specializes in street trend photography and analysis, of
which accessories is a major part.
• The first ever monograph on one of Britain’s most important
urban artists
THE ART OF
ONE MAN & HIS DOG
THE
ART OF
ONE MAN
&
HIS DOG
• Features iconic work spanning more than a decade
• Coincides with solo shows in London, Los Angeles, Melbourne
and Tokyo
• Includes all the key designer bags that women covet and
collect from global brands such as Hermès, Chanel, Marc
Jacobs and Versace, plus new designers
978 1 78067 277 9
• Specially commissioned photography from renowned fashion
photographer John-Paul Pietrus
344 pages • 290 x 240 mm
• Includes fascinating sketches from the designers
£28.00 HB • Art
Sep 2013
978 1 78067 019 5
I S B N 978-1-78067-277-9
02995
208 pages • 210 x 154 mm
9
781780 672779
I S B N 978-1-78067-019-5
0 1 695
9
Collector’s Edition
781780 670195
I S B N 978-1-78067-329-5
90000
9
781780 673295
978 1 78067 329 5
£150 • Sep 2013
Includes: A signed and numbered 2 colour screenprint on archival paper,
packed with a limited edition of the book in a specially designed box.
Limited to 100 copies, special terms apply. For further details visit:
www.laurenceking.com
22
Fashion & Textiles
Art
23
Art Since 1980
Charting the Contemporary
Walk the Line
The Art of Drawing
Marc Valli and Ana Ibarra
Peter R. Kalb
Drawing has always been a fundamental skill and
good drawing skills allowed artists to grasp the
reality around them. At the turn of the millennium,
however, the general impression was that with the wide
availability of computers, scanners, digital cameras
and image software, drawing would dwindle into a
marginal activity. In fact, the opposite happened: the
enthusiasm for digital imagery died down and the
ability to draw has become a treasured skill.
In the art world, attitudes to drawing have also
changed. Drawing became a way of making a
statement as an artist, of showing masterly skill –
something that had been most commonly associated
with painting. After centuries in the shadow of its
more illustrious fine art relatives, drawing started to
be appreciated for its own sake, as an art discipline, an
end in itself, an art form.
Walk the Line: The Art of Drawing includes
interviews with the international selection of artists, as
well as examples of their work. It will appeal to anyone
interested in contemporary art and illustration.
Art Since 1980 charts the story of art in contemporary
global culture while holding up a mirror to our society.
With over 300 pictures of painting, photography and
sculpture, as well as installation, performance and
video art, we are led on an illuminating journey via
the individuals and communities who have shaped art
internationally.
The political and cultural transformations of the
early 1980s developed a new era of accord between
communist states and western-style economics.
The art world has since been reconceived to include
communities across the planet as the issues of
feminism and racial politics came to the fore and the
internet was born, changing forever the availability
and distribution of visual material. Today we see
record-breaking sales of contemporary art and a
dramatic rise in the number of students taking courses
in the visual and performing arts.
Kalb approaches art from multiple angles,
addressing issues of artistic production, display,
critical reception and social content. Alongside his
analysis of specific works of art, he also builds a
framework for readers to increase their knowledge and
enhance critical and theoretical thinking.
Marc Valli is the co-founder of the retail and book-selling company
Magma in the UK, and of visual art magazines Graphic and
Elephant. He is the author of RGB (Reviewing Graphics in Britain)
and co-author of Microworlds (Laurence King).
Peter R. Kalb teaches at Brandeis University, where he occupies the
Cynthia L. and Theodore S. Berenson Chair of Contemporary Art.
Ana Ibarra graduated in Philosophy in Spain, where she was born.
She came to London to study Product Design. She is currently one of
the editors of Elephant magazine.
• Provides a global overview of contemporary art
• Captures a new movement of drawing as an end in itself
• Focuses on communities, individuals and how art reflects
societal change
• Carefully curated collection of 65 emerging talents from
around the world
• Features new artists from countries such as Asia and Latin
America
• Packed with more than 300 visually arresting drawings
• Includes over 300 images
Yinka Shonibare MBE
978 1 78067 110 9
978 1 78067 326 4
300 illustrations
320 pages • 280 x 216 mm
336 pages • 292 x 220 mm
£24.95 HB • Art
£35.00 HB • Art
Sep 2013
Sep 2013
I S B N 978-1-78067-110-9
A very different presentation of the network of cultures, traditions, and aesthetics linking former colonies with colonial
powers can be seen in the work of Yinka Shonibare MBE
(b. 1962). Raised in Lagos, Nigeria, and London, England,
Shonibare has created abstract and representational practices that initiate often surprising dialogues between Africa
and the West. Double Dutch (1994) (fig. 9.15) typifies his juxtaposition of recognizably European and African aesthetic
tropes—in this case, the Western Minimalist grid contrasts
with the African textile-inspired abstractions. The binary
structure that seems to pit rational Western order against
syncopated African rhythms starts to falter, however, as one
learns the rather complicated and global history of the seemingly “African” source of the textiles.
The fabric Shonibare uses as source material and support
in Double Dutch is Dutch wax fabric, which most viewers would
identify as characteristically African. Its history, however,
charts a rather circuitous route through Africa, Southeast
Asia, and Europe. In the nineteenth century, Manchester
textile mills began producing copies of Dutch machinemade versions of handmade Indonesian batiks. The British
then sold these second-generation imitations in West Africa,
where they became very popular, leading English producers to design further examples specifically for the African
market. In the 1960s, clothing made of Dutch wax fabric
was worn in Africa as a sign of anti-colonialist nationalism
and was adopted as a sign of pan-African pride by expatriate
and diasporic Africans around the world. Thus Double Dutch,
which appeared initially to be a juxtaposition of Western
avant-garde and African craft traditions, is in fact a product
of a complex exchange of forms, cultures, and money in both
colonial and postcolonial society. In the artist’s words, it is
all about “pretend authenticity”—a sense of meaning that is
rooted in what we make of the world rather than any inherent or essential truth.14
Shonibare also uses the fabrics more directly in his work,
for instance in tableaux showing headless mannequins
caught indulging in the typical pursuits of the English aristocracy. The figures ice-skate, hunt, invent, duel, and have sex
while dressed in Victorian fashions—all tailored to perfection, by the artist, in Dutch wax fabrics. The “skin” pigment
of the mannequins, seen at the hands and necks, is gray or
tan, conveying a mixture of races to match the integration of
cultures signified by the clothing. Though the opposition of
colonizer and colonized remains overt, Shonibare’s vision of
society undermines the dichotomy of Europe and Africa. The
artist revels in the conundrum that, in so far as his work reads
as African, there is nothing that could be called “indigenous”
about it. Likewise, its apparent Englishness is dependent on
myths of national character that are consumed as readily by
the English as the fabrics were consumed by Africans.
Within Shonibare’s tableaux, souvenirs, symbols, and
representations of Europe, Africa, modernity, and tradition
I S B N 978-1-78067-326-4
04000
90000
9.14 Shahzia Sikander, still from spiNN, 2003. Digital animation (color, sound), 6 minutes 38 seconds. © 2012
Shahzia Sikander / Image courtesy of Sikkema Jenkins & Co., New York.
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She has also collaborated with choreographer and dancer
Sharmilla Desai, confronting the spaces of theory with
those of the body. In contrast, animated work such as spiNN
(2003) (fig. 9.14) integrates the tradition of the miniature
with digital innovations, suggesting the links between traditional aesthetics and histories and virtual technologies. To
232
make spiNN, the artist scanned painted images into digital
animation software and set the parts in motion across a flat
screen. Sikander has embraced multiple styles and media as
a means of opening her art to systems of meaning that locate
the “inbetween” of our corporeal, cultural, and technological identities.
9.15 Yinka Shonibare, Double Dutch, 1994.
Chapter 9 Engaging the Global Present
the man’s steady, slow-moving feet. The image
confounds the reference to Classical and Renaissance sources in the title by replacing the water
with the fish. This mixing of incongruous symbols
that resist interpretation and of styles that resist
history struck some viewers as a true expression
of the contemporary artist’s relationship to traditional painting and to meaning itself. “The
conventions of iconography are bearable in our
era so long as the artist retains his privilege of
confounding them,” wrote one supporter, who
concluded that the meaning of Chia’s work lay in
“something about the ambiguity of any message.”34
Some Transavantgarde paintings and statements,
however, were far from ambiguous. Describing
America, for instance, Chia declared that there
“man has more of a rapport with nature, and
nature is the big city,” where “a great struggle … is
fought by the individual” independent of ideological concerns.35 This assertion denied the key perceptions of much art of the 1960s and 1970s that
ideology pervades all parts of society, from foreign
policy to personal relations. Such disregard
for what had become a commonplace of cultural
analysis suggested that Chia’s readiness to associate his art with naïve recitations of rugged American individualism did not so much confound
conventions as glorify Modernism’s expansionist impulses.
Mapping the Global Present
York is third-century, B.C. Rome.”38 Though mapping the
history of the West in this way raises issues of cultural imperialism, it also exemplifies the eclectic connections that Oliva
and others saw as generative forces in contemporary art.
Clemente’s works, whether miniatures created in India,
oil paintings in New York, or frescos in Italy, share a fascination with sensuality and the self. Bodies, often self-portraits,
swim through fields of color, embracing and consuming one
another in what critic and curator Robert Storr described
as a “confusion of sexual preference and sexual function.”39
Arms, legs, fingers, tongues, even tails intertwine and enter
bodies with a languid, dreamlike grace. Abbraccio (“Embrace,”
1983) (fig. 3.12) shows a profusion of bodies and body parts
that seem to multiply and even bloom as they caress one
another. Critics often responded with hyperbole, declaring
Clemente a master or visionary, and celebrating his “roman-
Francesco Clemente
Oliva encouraged artists to strip historic styles
and familiar objects of their contexts. He also suggested a radical relationship between history and
geography. The Transavantgarde, he explained,
3.11 Francesco Clemente, Francesco Clemente Pinxit, 1980–81.
drew inspiration and motifs from a wide field in
terms not only of time but also of space. Francesco
Clemente (b. 1952) provides a model of such
a Transavantgarde traveler. Resisting the politicized discourse of art and society of the 1960s, he turned
Clemente turned to Indian miniature paintings as a culto a private examination of fine-art media including fresco,
turally specific art form distanced from present-day Europe.
watercolors, gouache, tempera, and oil on canvas. By evoking
The results can be seen in Francesco Clemente Pinxit (1980–
historical periods through their associated techniques rather
81) (fig. 3.11), for which he collaborated with a workshop
than their characteristic appearances, Clemente avoided
of Indian painters trained in the sixteenth-century Mughal
confining his work to stylistic mimicry or anachronistic icominiature tradition. For the twelve gouaches that make up
nography. Though he expressed nostalgia for Italy before the
the work, members of the workshop executed the decorative
radical movements of the 1960s and 1970s, his deepest affinimotifs that were their individual specialties. These envelop
ties were for the ancient Roman and earlier eras, before the
Clemente’s human narrative within the elegant fields of
advent of the Catholic Church.36 Moving that far back in time
ornate geometries, detailed floral motifs, and abstracted
landscapes of traditional Indian art. Clemente’s use of local
involved more than a revival of figurative art and ancient
styles and techniques to expand the historical resonance of
media. For Clemente, it also entailed travel to India, which by
his work continued when, in 1981, he established a third
the late 1970s had become his second home. “The gods who
studio and home, this time in New York. Like India and his
left us thousands of years ago in Naples are still in India,” he
birthplace, Naples, he felt that New York preserved the spirit
said, “so it’s like going home for me. In India I can feel what
of the pre-Christian world: “Naples is Ancient Greece. New
it was like [in Italy] many years ago.”37
76
24
Art
3.12 Francesco Clemente, Abbraccio, 1983.
233
tic sensibility [which] can accept every facet of life” or which
“restores our belief in the authenticity and power of the
unconscious.”40 His intention, it was argued, was “simply
the expression of raw moods with paint and canvas.”41 Such
claims suggest that Clemente, like Chia, was appealing to the
heroic myths of Modernism.
To some critics, Clemente’s work was no more than the
result of an aimless infatuation with sexual mystique or
“empty formalism.”42 Others, however, felt that Clemente
had transcended decadence to traffic in the abject, a philosophical category being discussed in light of French feminist
thinker Julia Kristeva’s Powers of Horror, written in 1980 and
translated into English in 1982. Kristeva described the abject
as those things such as cadavers, waste, and disease that illicit
revulsion at their apparent rejection of the forces of life and
coherency in favor of processes of chaos, degradation, and
death. The abject repulses us, and yet,
Kristeva argues, it is also compelling for
the promise it offers to enlighten us about
the realms beyond the limits of our experience and understanding. Within abjection lie “dark revolts of being” that reveal
the human impulse to challenge life as
it is and to reach through its pain to different, possibly better, ways of living.43
It was, perhaps, toward such a place that
Clemente’s work was striving, but it was
not at all clear. Edit DeAk, with something of the stylistic floridness of René
Ricard, celebrated Clements’s facility for
transforming images “from one internal
venue to another, each ruminating with
its own enzyme of fermentation.”44 From
Robert Storr’s perspective, Clemente’s
work could be imagined as an extended
metaphor for processes of decay, fertilization, and regeneration, particularly as
they intersect with human intimacy. The
resulting imagery is often quite beautiful,
but poses a challenge because, according
to Storr, Clemente has “no tangible social
vision,” thus making it difficult to determine where the work, or the artist, stands
in relation to such loaded content.45 As
was the case in the work of the U.S. NeoExpressionists, particularly David Salle,
Clemente presented potent imagery but
appeared ambivalent toward its potential meanings.
How viewers interpreted Clemente’s
work depended on their sense of history.
Those who agreed with Oliva’s Transavantgarde vision of an end of history
saw Clemente’s images of polymorphous
sexuality as a celebration of sensual expe-
Chapter 3 Back to the Easel: Neo-Expressionism and the Return of Painting
Italy
Art
77
25
Low-Tech Print
Contemporary Hand-Made Printing
Caspar Williamson
Featuring a global showcase of 100 of the craft’s most
exciting and influential practitioners, Low-Tech Print is
an exploration of hand-made printmaking techniques
and how they are used in contemporary design and
illustration. It examines the huge recent resurgence
in the popularity of printmaking, with chapters on
screenprinting, letterpress, relief printing and other
printing methods.
The book shows how practitioners develop a love
affair with these hand-made techniques and use them
to create beautiful contemporary designs, explaining
the process behind each technique and its historical
context. ‘In focus’ sections profile practitioners such
as the ‘Lambe Lambe’ hand-made letterpress printers
of São Paulo’s Grafica Fidalga studio, and cult printing
techniques such as Gocco (Japan) and Chicha (Peru).
Offering a unique showcase of contemporary handmade printing, Low-Tech Print will be a must-have
for all design, illustration, craft and printmaking
enthusiasts.
Caspar Williamson is a designer, illustrator, printmaker and author
based in London. He is heavily involved in the UK printmaking
scene, lectures on the subject, and has taught both corporate and
educational workshops throughout the UK. He has also exhibited
widely and is represented by several galleries. Williamson’s first title
Reinventing Screenprinting was published in 2011 by Bloomsbury
in the UK and Europe, and under the title The Little Book of
Screenprinting by Chronicle Books in the US.
• Packed with inspirational content from an international cast
of contemporary designers of hand-made printing
• Craft, hand-made products, letterpress and screenprinting
are all in the throes of a revival, so the book will appeal to
designers and crafters alike
• A must-have, tactile package, with strong gift book potential
978 1 78067 297 7
224 pages • 280 x 197 mm
£19.95 PB • Art
Oct 2013
I S B N 978-1-78067-297-7
02995
9
26
Art
781780 672977
Forthcoming Titles
27
The Modern Magazine
Visual Journalism in the Digital Era
Twentieth-Century Type
and Beyond
Jeremy Leslie
Compact Edition
Lewis Blackwell
The last ten years of magazine publishing have been a
period of rapid innovation, providing a vital record of
the era’s diverse visual trends. The Modern Magazine
features the best editorial design, looking in particular
at how magazines have adapted to respond to digital
media.
Encompassing mainstream and independent
publishing, and graphic and editorial design, The
Modern Magazine explores the issues now facing the
industry, examining changes to the basic discipline
of combining text and image for the global, Internetsavvy consumer.
The book looks at key developments in the field,
interviewing a broad range of specialists to discover
their understandings of the current state of the
industry and how different areas of publishing
influence each other.
Incorporating great visuals and genuine insight into
the process of their creation, The Modern Magazine
chronicles these exciting changes, providing a resource
for designers, with interviews with major figures,
summaries of new developments and trends, links to
blogs, and more.
This substantially revised edition of Lewis Blackwell’s
classic study provides an up-to-date, decade-by-decade
analysis of the issues that have shaped the history and
development of typographic design. The book provides
an informed and accessible guide to the typography of
the twentieth century and the key questions that are
shaping contemporary graphic practice.
Subjects include the arrival of mass production,
the development of the grid, the arrival of new media
forms and the role the launch of the Macintosh played
in fostering a new generation of designers enfranchised
by digital technology. Beyond the twentieth century,
the digital sphere has grown exponentially, placing
typographic decisions in the hands of ever more users
of computers, smartphones, e-readers and tablets.
Blackwell discusses the strains this has placed on type,
the fresh questions it has asked, and the way the forms
of letters are evolving in response.
Lewis Blackwell is Chief Creative Officer of Evolve Images and the
author of several critically acclaimed books. He was formerly the
worldwide creative head of Getty Images and publisher and editor of
Creative Review.
Jeremy Leslie is the author of the highly successful book Issues:
New Magazine Design. He has been designing magazines since the
mid-1980s and has art directed Blitz, Time Out and Virgin Atlantic’s
Hot Air, as well as working for clients such as Budweiser and Silk
Cut. He runs magCulture, providing hands-on design and advice
to publishers and other clients working with content for print and
digital media.
• Provides a decade-by-decade analysis of the issues that have
shaped the history of typographic and graphic design
• Fully updated with the latest developments in the field
• Includes 20 new colour images and 4,000 new words of text
1950_96-109_1950_96-109 26/09/2012 15:45 Page 106
978 1 78067 115 4
• Focuses on key trends and developments in magazine design
• Includes opinions from a broad range of editorial design
specialists
£12.95 PB • Design
• Examines how print and digital can work together
216 pages • 224 x 173 mm
Helvetica roman 24pt
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
Sep 2013
I S B N 978-1-78067-115-4
• Features both mainstream and independent magazines
01995
Opposite: promotional material
for Neue Haas Grotesk (1958),
9
781780 671154
the typeface designed to replace
Akzidenz Grotesk in the favour
of Swiss designers. Eduard
Hoffman of the Haas foundry
asked in-house designer Max
Miedinger to develop the face,
which has a higher x-height than
AG and takes slight influence
978 1 78067 298 4
from the more geometric sans
serifs that had come after the
then 50-year-old AG. Designed
by Miedinger and Hoffman in
1951-53, it was licensed to
Stempel and to Linotype, who
renamed it Helvetica (Latin for
Switzerland). Left: an early 1960s
promotional piece for Helvetica.
In the 1960s Helvetica rose to
become the most popular of all
sans serifs, with its modern cut
240 pages • 280 x 216 mm
£28.00 HB • Design
aided by a name that tied in with
a belief in Swiss graphics.
p.107
Also available:
Sep 2013
I S B N 978-1-78067-298-4
04000
9
781780 672984
No More Rules
Graphic Design
and Postmodernism
American Modernism
Graphic Design 1920–1960
Compact Edition
R. Roger Remington
Rick Poynor
978 1 78067 098 0
£12.95 PB
978 1 78067 103 1
£12.95 PB
28
Graphic Design
Compact Edition
Graphic Design
29
How to Create a Portfolio
and Get Hired Second Edition
A Guide for Graphic Designers
and Illustrators
I Like It. What Is It?
30 Detachable Posters
Anthony Burrill
I Like It. What Is It? is a collection of unique posters
featuring catchy typographic slogans by designer
Anthony Burrill. Simply pull out the detachable prints
and display the bright statements on your wall.
Artfully designed and printed using special colours,
these bespoke artworks will brighten up any room or
workspace. Burrill’s persuasive and upbeat style of
graphic communication will appeal to design lovers
from all walks of life.
Includes 30 pull-out posters, with details of the
stories behind the designs on the back, and a page of
witty stickers including ‘This Way Down’ and ‘Sorry,
We’re Closed!’
Fig Taylor
This book shows those embarking on an illustration
or graphic design career how best to put together an
effective, professional portfolio. It discusses what to
include and how to organise and display the work,
and also advises on presentation techniques and selfpromotion. Both print and digital portfolios
are examined.
Deciding who to approach for work is of key
importance whether you are looking for a full-time
position or freelance work, and the book maps out the
creative marketplace, examining the main areas of
work and describing the types of position available in
each, and how the commissioning process works. Tips
are included from commissioners and practitioners
working in magazine and book publishing, design,
advertising, TV/film and beyond, as well as agents
and educators.
The book also features a listings section detailing
online resources and publications to aid research,
suppliers, specialist libraries, industry-related trade
fairs and professional organisations.
Anthony Burrill was born in Lancashire and studied Graphic Design
at Leeds Polytechnic University. Following an MA at the Royal
College of Art, London, he has created pieces for clients including
Wallpaper*, The Economist and The Design Museum. His work is
held in the permanent collections of the V&A Museum in London
and the Cooper-Hewitt National Design Museum, New York.
• Includes 30 unique detachable posters and a page full of witty
stickers
• Posters feature catchy typographic statements to display on
your wall
• Bespoke artwork has been created by internationally known
graphic artist Anthony Burrill
Fig Taylor is Portfolio Consultant at the Association of Illustrators,
London. She graduated from Chelsea School of Art with a degree
in graphic design, then ran her own London-based illustration
agency. She lectures extensively on professional practice to students
throughout the UK.
• Swiss bound and printed using special colours
978 1 85669 933 4
355 x 279 mm
• Relevant to both illustrators and graphic designers
£19.95(Inc. UK VAT) • Design
• Includes advice on who to approach for work and how; good
interview and presentation techniques; and self-promotion
Nov 2013
I S B N 978-1-85669-933-4
• Fully updated with examples of self-promotion through the
use of the internet, social networking and digital portfolios •Explains the design process for presenting a digital portfolio
on a tablet
90000
9
781856 699334
978 1 78067 292 2
160 pages • 230 x 177 mm
£17.95 HB • Design
Aug 2013
I S B N 978-1-78067-292-2
02995
9
30
Graphic Design
781780 672922
Graphic Design
31
A Logo for London
Airline Compact Edition
Style at 30,000 feet
David Lawrence
Keith Lovegrove
The London Transport bar and circle – also known
as the bulls-eye or roundel – is an icon of commercial
design. Over the last century it has come to represent
not only London’s transport network but also the
city itself. Rare for the logo of a large organization,
the symbol is often perceived as being ‘cool’, and
its influence has extended into many other fields,
including fashion, pop music and counter-culture.
This fascinating book charts the history and
development of the symbol from the early 20th century
to the present day, and explores its use across the
company’s many activities, as well as its wide-ranging
cultural influence. Richly illustrated with poster
artworks, photographs and other graphic material
from the London Transport Museum archives, the
book features numerous inventive uses of the logo,
many of them previously unpublished.
A LOGO FOR
LONDON
DAVID LAWRENCE
This fascinating book examines every aspect of airline
style, from the company liveries and interior designs
of planes to advertising, haute couture and airborne
haute cuisine.
Divided into four sections covering fashion, food,
interior design and identity, Airline shows how
airborne culture has changed since the 1920s.
The book spans the conservative to the outrageous,
from saris to hotpants, from Hugh Hefner’s private
jet to the huge Airbus A380. A wide selection of retro
styles are illustrated with illuminating archive material
and images of ephemera. Airline uncovers the style,
image and experience of the parallel universe that
exists at 30,000 feet.
Keith Lovegrove is a writer, designer, photographer, and filmmaker
and is the author of the books Graphicswallah: Graphics in India,
Pageant: The Beauty Contest, and Railway: Identity, Design and
Culture, all published by Laurence King Publishing. He founded
Lovegrove Associates in London and has worked for clients such as
Waterstone’s Booksellers, British Airports Authority and Philippe
Starck.
David Lawrence is principal lecturer in architecture at Kingston
University. He is an architect, design historian and broadcaster, and
the author of several books including Food on the Move (2010), Bright
Underground Spaces (2008), and Underground Architecture (1994).
• Looks in detail at the development and history of the iconic
London Transport logo design
• Celebrates the unique culture of air travel, examining plane
interiors, branding, food and fashion
• Charts the influence of the design in fashion and pop culture
• Provides a wealth of retro style inspiration, from the elegant
and chic to the kitsch and vulgar
• Illustrated with images from the London Transport Museum
archives, many of which are previously unpublished
• Will fascinate anyone who has ever travelled by plane
978 1 78067 316 5
978 1 78067 296 0
144 pages • 224 x 192 mm
176 pages • 250 x 220 mm
£19.95 HB
• Design
Aug 2013
Oct 2013
I S B N 978-1-78067-316-5
I S B N 978-1-78067-296-0
01495
02995
9
9
781780 673165
781780 672960
Also available:
The London Games in Motion
Transport for London and the
2012 Olympics and Paralympics
978 1 78067 274 8
£12.95 PB • 2013
32
Graphic Design
Design
33
Furniture Design
An Introduction to Development,
Materials and Manufacturing
Research Methods
for Product Design
Alex Milton and Paul Rodgers
Stuart Lawson
This book provides the reader with a comprehensive,
relevant, and visually rich insight into the world
of research methods specifically aimed at product
designers. It includes practical case studies and
tutorials that will inform, inspire, and help you to
conduct product design research better.
Product designers need a comprehensive
understanding of research methods as their day-to-day
work routinely involves them observing people, asking
questions, searching for information, making and
testing ideas, and ultimately generating ‘solutions’ to
‘problems’. Manifest in the design process is the act of
research. Huge technological advances in information,
computing, and manufacturing processes also offer
enormous opportunities to product designers such
as the development of ‘intelligent’ products and
services, but at the same time raise important research
questions that need to be dealt with. Product designers
are, in many ways, best placed to address these
challenges because of the manner in which they apply
their design thinking to problems.
Furniture Design is a comprehensive guide and
resource for students and furniture designers. As
well as discussing pioneering contemporary and
historical designs, it also provides substantive answers
to designers’ questions about function, materials,
manufacture and sustainability, integrating guidance
on all of these subjects – particularly material and
manufacturing properties, in one accessible and
structured volume. Many leading contemporary
furniture designers from around the world are
included, with case studies carefully selected to
highlight the importance of both material and
manufacture-led design processes. The book is also
intended to provide an insight into furniture design
for those considering a university education in product
and industrial design.
Stuart Lawson is Subject Leader, Design Products and Associate
Head, School of Design at De Montfort University, Leicester, UK.
• Comprehensive introduction to furniture design
Alex Milton is Professor of Design and Head of the Faculty of Design
at the National College of Art and Design, Ireland.
Paul Rodgers is Professor of Design Thinking in the School of
Design at Northumbria University, UK.
• Contains a survey of the cultural history of furniture design,
exploring notions of good design and innovations in
production
• Includes an illustrated directory of materials and techniques
• In-depth coverage of traditional and new research methods
and how they relate to product design
• Features the work of leading international designers,
including Ron Arad, Yves Béhar, Konstantin Grcic and Ronan
and Erwan Bouroullec
• Includes step-by-step tutorials
• Illustrated case studies feature the work of leading designers
978 1 78067 120 8
370 illustrations , 320 in colour
978 1 78067 302 8
224 pages • 280 x 216 mm
192 pages • 280 x 216 mm
Sep 2013
Oct 2013
I S B N 978-1-78067-120-8
04000
I S B N 978-1-78067-302-8
03500
9
781780 671208
9
781780 673028
Also available:
Prototyping and
Modelmaking for
Product Design
Drawing for Product
Designers
Bjarki Hallgrimsson
978 1 85669 743 9
£22.50 PB
978 1 85669 876 4
£22.50 PB
34
Design
Kevin Henry
Design
35
Strategic Thinking for
Advertising Creatives
11 Essential Steps to Creativity
Advertising for People Who
Don’t Like Advertising Paperback
KesselsKramer
Alice Kavounas Taylor
This is a book by a company that dislikes advertising
as much as anyone. Nevertheless, it makes adverts.
It has worked with global brands to produce fashion
collections and promoted a town with a mass
wedding. It creates advertising with more human,
truthful communications. The company’s name is
KesselsKramer.
This book describes how to make something you
like out of something you don’t. As well as drawing
on its own experiences, KesselsKramer listens and
learns from those who doubt the advertising industry.
Stefan Sagmeister explains how quitting work makes
you better at working; Hans Aarsman discusses
authenticity in image-making; and Alex Bogusky looks
at ways to help capitalism grow up.
Advertising for People Who Don’t Like Advertising
is partly a creative handbook and partly an attempt
to make the world a very slightly better place. It’s
intended for anyone who has ever hated a web banner
or zapped an ad break.
Strategic thinking is central to creating a successful
advertising campaign, yet it is rarely taught
systematically. This book enables advertising creatives
to formulate a clear brief and to think strategically.
Structured according to the 11 essential elements
of a classic advertising brief, it offers a simple, clear,
universal template against which the student or young
creative can map his or her current project, and learn
to understand the key elements that make up a strong
brief. At the end of each chapter, the reader uses the
knowledge they have just gained on a hypothetical
project, so that by the end of the book, they have
employed each of the 11 essential elements and formed
their own creative brief.
Featuring international examples of current and
classic campaigns, Strategic Thinking for Advertising
Creatives is a primer in classic advertising techniques
and shows how these core principles are being
adapted online.
KesselsKramer is an international communications agency based in
Amsterdam, The Netherlands. It has been responsible for creating
a range of very diverse work in a variety of media. Campaigns
include highly creative work for Nike, Audi, Levi’s, J&B, the Hans
Brinker Budget Hotel, Diesel and Unilever. As well as advertising,
KesselsKramer develops projects for its own imprint, KesselsKramer
Publishing, and in 2008 set up London’s KK Outlet which combines
a communications agency, gallery space and shop.
Alice Kavounas Taylor has enjoyed an award-winning, international
advertising career in London and New York. She was formerly
Senior Lecturer on the MA in Creative Advertising at University
College Falmouth, a course she originated, led and on which she
taught studio practice for 15 years.
• Accessible, step-by-step approach takes the reader through
the 11 key stages of the classic creative brief
38
STRATEGIC THINKING FOR ADVERTISING CREATIVES
chapter 1 : Product/service
1
2
9
3
4
10
5
6
11
7
8
12
• Much-needed book, providing an analysis of advertising
strategy for creatives
39
• Features international examples of contemporary and classic
advertising campaigns from both traditional media and online
In German, the copy rhymes, accompanying
surprising and prosaic images, celebrating
the dream, the mess, the freedom and joy of
‘doing’. Very occasionally a product (paint,
watering can, rose) appears.
1
‘The wonky table. The old demolition.
Make it into your project.’
2
‘The creaking stairs. The lost bets.’
3
‘The lacking funds.’
4
‘The titles won.’
5
‘The bench. The bankrupt.’
6
‘The sea. The cliché. Make it into
your project.’
7
• Thought-provoking book about the advertising industry, put
together by one of the most creative – and unconventional –
agencies
• Examines topics of key interest to advertising professionals,
creatives and students, as well as a general market interested
in advertising
978 1 78067 273 1
‘The dream. The forgotten dream.’
8
‘The fantastic dream. The reality.’
9
‘The other reality. The absurdity.
10
‘What you had to do. What you ought
to do. What you might be able to do.’
11
‘Bureaucracy. Democracy. Biology.
Zoology.
• Includes contributions from well-known figures including
Stefan Sagmeister, Steve Henry and Alex Bogusky
208 pages • 246 x 172 mm
£19.95 PB • Advertising
Make it into your project.
The kohlrabi. The coal tit.
The little/The large.
Sep 2013
The can. The rose. The broken (object).
12
‘The nothing. The everything.
The beginning. The end.
978 1 78067 320 2
I S B N 978-1-78067-273-1
Hornbach: There is always something to
do. hornbach.de
02995
9
240 pages • 240 x 170 mm
781780 672731
£12.95 PB • Advertising
Aug 2013
Strategic Advertising Ch1 p24-47 (X).indd 38-39
12
13/12/2012 13:34
STRATEGIC THINKING FOR ADVERTISING CREATIVES
INTRODUCTION
Also available:
I S B N 978-1-78067-320-2
01995
13
9
A strong strategy
is the key
1
Advertising based on a strong, flexible strategy will always help a brand to stand
out and make it sparkle, whatever the medium. The illustrious weekly publication
The Economist challenged the non-reader to try it.
Consider the ad ‘Still or sparkling?’. The award-winning campaign for
The Economist has always stood out for its clarity, wit and simplicity; for achieving
its objective with the minimum of words. This particular ad ran on the inside back
cover of the Harden’s guide to London restaurants in 2006. It’s timeless. It makes
you think, ‘Yes – I want to be sparkling. In fact, I must be sparkling, or I might
not get promoted! I had better start reading The Economist this week.’ David
Abbott, writer and one of the founders of London agency Abbott Mead Vickers
BBDO, and art director Ron Brown, created this long-running campaign, which
launched in 1988 with the now-famous poster: ‘“I never read The Economist.”
Management trainee. Aged 42.’ The approach looks simple enough in hindsight
– but then don’t most great ideas?
At the time, it was a risky strategy to begin with this bold, negative statement. It
takes you a moment to process the implication: that this person should be reading
The Economist. The tone is both subtle and ‘in your face’. Yet it manages to be
quick to take in – as a poster has to be. And it didn’t alienate existing, loyal
readers. After all, if you put off your current market in an attempt to extend it,
you could easily be left with no one.
What was the initial insight behind this work? What kind of research led to the
strategy that gave this campaign the springboard for such consistent creativity,
enabling it to run for a quarter of a century in a changing financial and business
world, yet remain fresh, effective, distinctive?
1
The message behind this
ad for The Economist takes a few
seconds to sink in. Seemingly
negative in tone, it was a bold,
but successful ad that arose out
of a larger strategy created by
Abbott Mead Vickers BBDO for
the publication.
2
This ad for The Economist
ran on the inside back cover of
Harden’s 2006 guide to London
restaurants. Part of a longrunning, wider campaign, the
strong strategy ensured that
each ad could be written to fit its
location while building the brand.
Understanding strategy
helps to sell your idea
M&C Saatchi created the memorable campaign line, ‘The last place you want to
go’, for Dixons, a high street retailer of audio-visual technology in the UK. On the
face of it the line sounds fairly unpromising. Imagine yourself as the client,
hearing that line ‘proposed’ to you at a meeting. (After all, a proposition is just
that – an offer that will in some way benefit you.) Without a creative brief, even
an agency with a track record as impressive as M&C Saatchi’s would have a
devilishly hard time selling it. The strategy, and its resulting proposition, both need
the narrative of the whole brief to make it clear to a client why that strategy and
that proposition have the potential to lead to convincing, galvanizing creative work.
2
Get off at the fashionable end
of Oxford Street, drift into the
achingly cool technology hall
of London’s most happening
department store and view
this year’s must-have plasma
courtesy of the sound and vision
technologist in the Marc Jacobs
sandals then go to dixons.co.uk
and buy it.
Dixons.co.uk
The last place you want to go
Strategic Advertising Ch0 p1-23 (X).indd 12-13
36
Advertising
781780 673202
Strong strategic thinking lies
behind these ads by M&C Saatchi
for Dixons, out of which came
the award-winning slogan
– ‘The last place you want to go’.
Get off at Knightsbridge,
visit the discerning
shopper’s fave department
store, ascend the exotic
staircase and let Piers
in the pinstripe suit
demonstrate the magic of
the latest high-definition
flatscreen then go to dixons.co.uk
and buy it.
Copywriting Second Edition
Successful Writing for Design,
Advertising and Marketing
Mark Shaw
Dixons.co.uk
The last place you want to go
13/12/2012 11:21
978 1 78067 000 3
£18.95 PB • 2012
Advertising
37
A History of Interior Design
Key Interiors Since 1900
4th edition
Graeme Brooker
John Pile & Judith Gura
This book defines the history of modern interior
design through the reuse of existing buildings. This
approach allows the history of the interior to be
viewed as separate from the history of architecture
and enables the interior to develop its own historical
narrative.
The book is organised around six themes: home,
work, retail, display, leisure and culture. Each one
comprises a selection of case studies in chronological
order. 52 key examples dating from 1900 to the present
are explored in terms of context, concept, organisation
and detail and are illustrated with photographs, plans,
sections, concept drawings and sketches.
This unique history will be invaluable for students
of interior architecture and design seeking a survey
tailored especially for them, as well as appealing to
interested general readers.
A History of Interior Design tells the story of 6,000
years of domestic and public space. This fully updated
fourth edition includes a completely new chapter on
twenty-first-century interior design and a heavily
revised chapter on the late twentieth century.
Interior design is a field that includes construction,
architecture, furniture, decoration, technology and
product design. This one-volume history weaves
together these topics in a fascinating narrative that
runs from cave dwellings and temple architecture,
through Gothic cathedrals and Renaissance palaces,
to the grand civic spaces of the nineteenth century and
the sleek interiors of modern skyscrapers.
Embedded in a social and political context, detailed
discussions of famous buildings, from cathedrals
to Koolhaas, are interspersed with investigations of
the domestic vernacular – the cottages, farmhouses,
apartments and city terraces inhabited by
ordinary people.
The new edition of this bestselling history includes
over 50 new images and many previously black and
white images updated to colour.
Graeme Brooker is The Head of the School of Fashion and Interiors
at Middlesex University, London. He is interested in the cultural,
historical, and philosophical dimensions of the interior and the
implications of reusing existing buildings. He has written numerous
books on the interior including the highly acclaimed Rereadings
(2004).
Judith Gura is a professor of design history and theory, directing
the design history programme at the New York School of Interior
Design. She is the author of critically praised books on interior
design, Scandinavian furniture and furniture styles.
• A new approach specifically tailored for interior design
students
• Wide range of illustrations, including specially drawn
explanatory sketches
John Pile was Professor of Design at the renowned Pratt Institute
Brooklyn for most of his teaching career. He is the author of twelve
books on furniture, colour, draftsmanship, office planning and other
aspects of interior design.
• Detailed examination of each interior will be invaluable for
students
978 1 78067 268 7
• Now with a completely new final chapter on twenty-firstcentury interior design.
256 pages • 290 x 250 mm
£35.00 HB • Interior Design
• Over 50 new images and many black and white images
updated to colour for the fourth edition.
Sep 2013
I S B N 978-1-78067-268-7
5.1 (left) Abbey of S. Denis,
Paris, France, c. 1122–44
This photograph, taken in
the ambulatory at the left of
the choir, looks across to the
far side toward the pointed
Gothic arches of the lower
arcade, the triforium above,
and the clerestory with its
great windows of stained glass.
Nine chapels radiate from the
ambulatory to form the chevet
end (apsidal liturgical east end)
of the French Gothic cathedral
plan. The emphasis on light is
what chiefly distinguishes
Gothic from Romanesque
building.
• With 700 illustrations, 350 in colour.
05000
9
CHAPTER FIVE
The Later Middle Ages
781780 672687
978 1 78067 291 5
496 pages • 292 x 220 mm
£40 HB • Interior Design
5.2 Limbourg brothers, a plate
from Les Très Riches Heures
du Duc de Berry, 1413–16.
Musée Condé, Chantilly.
Aug 2013
In this illustration of the month
of January, the duke is seated
at a banquet with his back to
a great fireplace. The table
is of boards, set on movable
supports. The colorful
decoration on the chimney
breast and ceiling suggests
a space of great luxury.
I S B N 978-1-78067-291-5
From c. 1100 onward, as feudalism became more
established and all aspects of life improved, the
crafts of building, woodwork, metalwork, and
weaving produced a greater variety of objects.
Knowledge of design, of interior spaces in particular, was greatly enhanced by the increasing
use of pictorial illustration in manuscript books
produced by artist monks and court illustrators
(5.2). These books provide an important source
of visual data for the historian.
ELEMENTS OF GOTHIC STYLE
Great walled cities, large and elaborately defended castles, knights in armor on horseback, great
cathedrals with their stained glass, buttresses,
and gargoyles—all these make up our picture
of Europe between the twelfth and fourteenth
centuries, the era characterized as “Gothic” in
recognition of the importance of the kind of
architecture given that stylistic name. The term
“Gothic” was originally pejorative: it came into
use in post-medieval times when the work of the
Middle Ages came to be regarded as crude and
barbaric—like that of the Visigoths who were
supposed to be lacking in the taste and elegance
of succeeding generations.
Within the stone structure of the Gothic
church, increasingly complex fittings, metal
grilles and gates, carved stone screens, altars
and tombs, wooden stalls, thrones, and pulpits
were developed in the later Middle Ages. The
carved ornamental and representational sculpture applied to the stone structure was closely
paralleled by the wood carving of choir stalls
and the seats provided for the clergy. Candelabra, liturgical paraphernalia, and vestments of
embroidered textiles, which were used on altars
and lecterns, were movable elements that made
the Gothic church richly elaborate and colorful. Paintings that illustrated religious subject
matter were often placed at the back of altars—
both the High altar in the chancel and other
altars in side chapels. Altar paintings were often
arranged in the form of a Triptych with a center
panel painting and two painted hinged wing
panels shaped to fit over the center panel when
closed. The outside of these door-like panels
might also be painted or carved, usually in quiet
colors so that the triptych would, when opened
at the time of a service, present a brilliant display
of color. Color was often also present in painted
patterns on walls and on the under-surfaces of
vaulting. Surviving examples of such interior
treatment have often been restored and reworked in more recent times, or covered over or
removed to leave the stone in its natural color.
90000
9
101
781780 672915
272
The Aesthetic Movements
The Aesthetic Movements
13.2 Philip Webb, Red House,
Bexleyheath, Kent, England,
1859–60.
Webb designed the Red House
for his friend William Morris,
and this room contains many
typical details, including the
white-painted walls and a large
bookcase-and-bench unit
(called a settle) of Morris’s
design. The ladder on the
left gave access to the door
opening to an attic. The
furniture and rugs are of later
date; the radiator is modern.
13.3 (below left) William
Morris, Pimpernel design for
wallpaper, manufactured by
Jeffrey & Co. for Morris & Co.,
England, 1876.
The “Pimpernel” design of this
Morris wallpaper, with its rich
tones of blue and green, could
dominate the interior of any
room where it was used.
13.4 (below right) Philip Webb,
Adjustable Chair, by Morris,
Marshall, Faulkner & Co,
England, c. 1870-90
A precursor of the modern
adjustable chair, this is an early
version of what became widely
known as the “Morris chair,”
an iconic Arts & Crafts furniture
design made by the firm
founded by William Morris.
38
Interior Design
(1833–98), who was involved in attempting to
reform the art of painting based on a return to
what he considered to be pre-Renaissance ideals.
Ruskin’s writings had a powerful influence on
both men, who favored the idea of a close relationship between art and craft. Morris worked
for a short time in the office of George Edmund
Street (1824–81), a Gothic Revivalist architect in
London. Morris did not himself practice architecture, but, at the time of his marriage, turned to
his friend Philip Webb (1831–1915), another
former employee of Street, who had established
an architectural office, for the design of a house
to be built at Bexleyheath, which was then on
the edge of London.
The Red House (13.2; 1859–60) that Webb
designed is a demonstration of the ideas that
Morris had formed. Its red brick walls and red
tiled roof carry no ornamentation, while its plan,
external form, and placement of windows and
doors are strictly the result of internal function.
The pointed arch of an opening is a real brick
arch; the chimneys serve actual fireplaces; large
windows and small windows relate to the spaces
within; the well house on the lawn serves a real
water well. The irregular plan is based on functional realities, not on a desire for Gothic quaintness. Both the formalities of classicism and the
picturesqueness of the Gothic have been rejected
in exchange for functional simplicity.
As a result, the Red House can thus be viewed
as a step toward the modern view of design,
although its rustic informality seems completely
unrelated to the technological pioneering of the
273
Crystal Palace of 1851. Ruskin hated the Crystal
Palace, describing it as a “cucumber frame,” and
cited its internal exhibits there as evidence of
the disastrous level that Victorian design had
reached. Morris was equally belligerent in his
denunciation of the industrial products that
were featured in the exhibition. By 1861 he had
founded the firm of Morris, Marshall, Faulkner,
and Co. to design and produce tapestries, wallpapers, furniture, and stained glass (13.3 and
13.4). Morris himself only designed a few threedimensional objects—some furniture for the Red
House and a simple rush-seated wooden chair of
1862. His name, however, is connected with all
examples of armchairs with adjustable tilt backs
—Morris chairs, so named because Morris was
the first to develop a prototype example.
Morris’s far-reaching interests constantly
changed, moving through poetry to political
involvement in the cause of socialism, with its
teaching that factory production tended to alienate workers from any creative contribution to
the products they produce. He focused on twodimensional design for textiles, wallpapers,
books, and typography. His textile designs were
always based on nature motifs, showing great
respect for the natural subjects, the plants, flowers, and birds that were their themes. Superficially similar to factory-made Victorian prints,
Morris’s designs have qualities of simplicity and
dignity that make them remarkably lively when
so much of Victorian design appeared as pretentious, heavy, and overly decorative. In 1875,
Morris became sole owner of the firm, called
Interior Design
39
Detail in Contemporary
Hotel Design
Innovative Houses
Concepts for Sustainable Living
Drew Plunkett and Olga Reid
Avi Friedman
Hotel interiors need to satisfy the imaginations of
their customers and whet the appetite for a return
visit or recommendation, and the design that gets
the formula right will do as much to prolong the life
of the business as the service delivered within the
hotel. This book explores in detail 36 of the best recent
hotel interior design schemes, featuring projects by
leading architects from around the world. The book is
divided into three sections embracing newly built and
refurbished hotels as well as conversions.
Each project includes photographs as well as
detailed drawings and plans, where appropriate, as
well as informative text describing the design concept
and process.
A bonus CD contains drawings featured in the book,
in both eps and dwg (generic CAD) formats.
Housing is rapidly having to adapt to the global
changes of the twenty first century. These include the
transformation of the family and the rise of the nontraditional household, increases in construction costs,
and concerns over climate change and the depletion of
natural resources. Designing residential environments
that address these issues is an urgent priority.
This book examines the latest residential design
trends that have arisen in response to these challenges.
Divided into four broad areas, tightly focused thematic
chapters look at twenty discrete topics, such as live/
work; adaptable housing; prefabrication; water
efficiency; green roofs; and innovative landscaping.
Each chapter includes an essay which lays out
principles, methods and practices.
Using text, drawings and photos from a variety
of contemporary international practices, the book
demonstrates how these ideas can be applied by
architects. It offers a comprehensive collection of
strategies and examples that will inspire a much
needed housing revolution.
Drew Plunkett was Head of the Department of Interior Design at
the Glasgow School of Art and has practised as an interior designer
based in London and Glasgow. He is the author or several books,
including Drawing for Interior Design, Construction and Detailing for
Interior Design, Detail in Contemporary Retail Design, and Detail in
Contemporary Bar and Restaurant Design.
Avi Friedman began his architectural studies at the Politecnico
di Milano in Italy, receiving his doctorate from the University
of Montreal, Canada. He is a professor at the McGill School
of Architecture, Quebec, and has published extensively about
architecture in both academic and trade publications.
Olga Reid has practiced interior design in London, USA, and Russia
specialising in exhibitions and public art projects. She also teaches
interior architecture at London Metropolitan University.
• Unprecedented and in depth examination of contemporary
hotel design
•Covers all the latest trends and research on sustainable
housing design
• Packed with detail drawings showing plans and sections
• Invaluable for interior designers and architects as well
as students
•Filled with clear diagrams and drawings as well as
photographs
•Includes 35 recent housing projects to illustrate principles of
sustainable design being put into practice
978 1 78067 285 4
192 pages • 290 x 250 mm
£40.00 HB • Interior Design
978 1 78067 293 9
Sep 2013
I S B N 978-1-78067-285-4
06000
9
256 pages • 240 x 170 mm
781780 672854
Sep 2013
I S B N 978-1-78067-293-9
02995
Also available:
40
Interior Design
9
Detail in
Contemporary Retail
Design
Detail in
Contemporary Bar and
Restaurant Design
978 1 85669 741 5
£35.00 HB
978 1 78067 060 7
£35.00 HB
781780 672939
Architecture
41
100 Years of Architectural Drawing
1900–2000
Neil Bingham
This beautiful book brings together 300 of the best
architectural drawings from the last century by the
world’s most prestigious architects, creating both a
history of the genre and a survey of twentieth-century
architecture.
The book is divided into five chronological sections
that are prefaced by short essays that highlight the
trends and styles of that period. Each drawing is
captioned with key information about the architect,
the project and the drawing. Architects whose work
features in the book include Frank Lloyd Wright, Le
Corbusier, Mies Van der Rohe, Frank Gehry and Zaha
Hadid.
This dazzling visual feast will appeal to all students
and practitioners of architecture as well as anyone with
an interest in the subject.
Neil Bingham is an historian of architecture and design. He is
consulting curator of architectural drawings at the Royal Academy
of Arts, London, and was previously an architectural drawings
curator at the Royal Institute of British Architecture. His numerous
published works include Masterworks: Architecture at the Royal
Academy of Arts (2011), Fantasy Architecture, 1500–2036 (2004) and
Modern Retro: Living with Mid-Century Style (2000).
• Dazzling array of architectural drawings from the last hundred
years
• Includes work by all the greatest architects of the last century
• Irresistible visual resource for all those interested in
architecture
978 1 78067 272 4
320 pages • 250 x 226 mm
£30.00 HB
• Architecture
Sep 2013
I S B N 978-1-78067-272-4
05000
9
42
Architecture
781780 672724
Introduction to Architectural
Technology Second Edition
Structural Engineering
for Architects
A Handbook
Will McLean and Pete Silver
Pete Silver, Will McLean and Peter Evans
This book provides an accessible introduction for
architecture students to all aspects of architectural
technology: structural physics, structural elements
and forms, heating, lighting, environmental control,
and computer modelling. It will also help students
to integrate their design thinking with appropriate
structural and environmental solutions.
The book explains the relationships between
physical phenomena, materials, building elements and
structural types using simple classification systems
and real world examples. In addition, it explores
current computer techniques for assisting students to
predict the structural and environmental behaviour
of buildings. The book also uses historical precedents
to explain how the success of a technology is directly
related to its cultural context. This second edition
includes new sections on environmental design,
Building Information Modelling (BIM) and two new
case studies.
Written by two experienced teachers, this book
is invaluable for those contemplating the study of
architecture and for those already embarked on
a course.
This book provides an understanding of the
fundamental theories and practice behind the creation
of architectural structures. It aids the development of
an intuitive understanding of structural engineering,
bringing together technical and design issues.
The book is divided into four sections: ‘Structures in
nature’ looks at structural principles found in natural
objects. ‘Theory’ covers general structural theory as
well as explaining the main forces encountered in
engineering. ‘Structural prototypes’ includes examples
of modelmaking and load testing that can be carried
out by students. The fourth section, ‘Case studies’,
presents a diverse range of examples from around the
world – actual buildings that apply the theories and
testing described in the previous sections.
The accessible, informative text is illustrated
with specially drawn diagrams, models, CAD
visualizations, construction details and photographs of
completed buildings. This book will give students and
newly qualified architects a firm grasp of this essential
topic.
Pete Silver and Will McLean teach at the School of Architecture at
the University of Westminster and are the co-authors of Fabrication
(2006), Introduction to Architectural Technology (2008), and
Structural Engineering for Architects (2013).
Pete Silver and Will McLean teach at the School of Architecture at
the University of Westminster and are co-authors of Fabrication
(2006) and Introduction to Architectural Technology (2008).
Peter Evans is Technical Director at the London office of
consulting engineers MLM.
• Accessible introduction to structural physics, elements and
forms, environmental control and computer modelling.
• Makes this technical subject accessible for students
• Covers one of the crucial areas in architectural training
• Brings together technical and design issues
• Explains relationships between forces, materials and
structural types.
• New edition includes new sections on environmental design,
Building Information Modelling (BIM) and two new case
studies.
978 1 78067 055 3
208 pages • 280 x 216 mm
Aug 2013
978 1 78067 294 6
I S B N 978-1-78067-055-3
04000
208 pages • 220 x 220 mm
9
781780 670553
Oct 2013
I S B N 978-1-78067-294-6
90000
9
781780 672946
2
Theory
2.1
General theory of structures
2.1.4
Material properties
2.1.4.2
Strain
Types of strain
When a sample of material is placed under load it will
undergo some deformation. This deformation will be
either via elongation, compression or shearing
depending on how the load is applied. Strain is a
measurement of the ratio of the extent of deformation
under load against the original dimension of a sample
of material. There are several different types of strain
including linear, volumetric and shear. Linear strain is
the ratio of the elongation under axial load against the
original length. This is written as:
Strain,
where
ε = dl / l
dl = extension, and
l = original length
When they are loaded, most materials exhibit ‘elastic’
behaviour in accordance with Hooke’s Law. As load is
applied materials deform and when the load is
removed they return to their original dimensions.
Plotting the strain against the stress in a material as it
is loaded produces the graph illustrated on the
opposite page. This example is based on a mild steel
sample. The straight line area indicates the linearly
elastic region. In this area the material adheres to
Hooke’s Law and returns to its original size as load is
released. The ratio of stress divided by strain in this
region is a constant value known as the elastic
modulus. For tensile forces that induce tensile
stresses and strains, this is more commonly known as
Young’s modulus. Other elastic moduli include the
shear modulus, volumetric modulus and Poisson’s
ratio, all of which are briefly explained in the
diagrams opposite.
Young’s modulus, E = linear stress/linear strain
=σ/ε
This value, combined with other sectional properties,
is used to calculate the ‘stiffness’ of structural
members using the formula:
Stiffness
K = EI/L
Where
I = second moment of area
(see section 2.1.5.1)
L = length of member
material is behaving ‘plastically’ and is represented
by the plastic range indicated on the graph opposite.
L = original dimension
dL = extension
W = force
Tensile strain
Shear strain
As load, and therefore stress, is increased
incrementally the material will eventually reach its
ultimate stress capacity, at which point it will break.
Both mild steel grade S275 and Aluminium 6061-T6
have very similar stress capacities of around 275
Newtons per square millimetre, meaning that they
will be able to support very similar loads prior to
reaching their yield strengths. Aluminium 6061-T6,
however, has a Young’s modulus of 68,900 Newtons
per square millimetre, which is approximately three
times smaller than that of mild steel at 205,000
Newtons per square millimetre; hence an aluminium
beam will deflect three times more than an identicalsized mild-steel beam under the same loads. In this
example the steel beam can be said to have a ‘flexural
stiffness’ three times greater than an aluminium
beam as the geometrical properties I and L are
constant.
The extent of deformation that a material is able to
undergo before failure occurs determines whether it
is classified as ‘brittle’ or ‘ductile’. Materials that fail
before strain reaches 5 per cent are classified as
brittle. These include concrete, timber, glass and
ceramics. Brittle materials tend to fail suddenly and
without warning. Materials such as mild steel and
aluminium are classified as ductile, as they can
exhibit a significant degree of deformation prior to
failure. This can often be seen as a change to the
cross-section of an element in tension, or high
deflection of beams in bending.
Volumetric strain
W
dL
W
W
dL y
Ly
L
W
dL
L
W
Lz
Lx
dL z
dL x
Tensile strain, εL = dL/L
Shear strain, εs = dL/L
Volumetric strain, εv = dLx/Lx + dLy/Ly + dLz/Lz
Tensile stress, σ = W / A
Shear stress, τ = W / A
Volumetric modulus, or bulk modulus:
Tensile modulus, or Young’s modulus:
Shear modulus, or modulus of rigidity:
K = dp / (dV/V)
E = σ/ε
G=τ/ε
where:
dp = differential change in
pressure on object
dV = differential change in
volume of an object
V = initial volume of object
Poisson’s ratio
W
Poisson’s ratio, v = transverse strain /
longitudinal strain
v = (3K – 2G)/(6K + 2G)
dLy
dLz
E = 2G( 1 +v)
dLx
E = 3K(1 – 2v)
L
Other properties that affect the performance of the
most common structural materials are included in the
following section.
Stress/strain graph
The stiffness of a member or system of members is
used when calculating the deflections of structural
members and to determine the amount of load that is
resisted by each of the members in a system where
the stiffer elements will attract the greater loads.
Ultimate strength
Elastic limit
Stress
Rupture stress
As the load applied to a sample of material is
increased it will eventually reach its elastic limit
beyond which it will not return to the exact
dimensions upon release of the load. At this point the
Elastic range
Plastic range
Strain
44
44
Architecture
45
Architecture
45
CAD Fundamentals
for Architecture
Parametric Design for Architecture
Wassim Jabi
Elys John
Architects use CAD to help them visualize their ideas.
Parametric design is a fast-growing development of
CAD that lets architects and designers specify the
key parameters of their model and make changes
interactively. Whenever changes are made the rest of
the model updates automatically.
Through a detailed description of various
parametric, generative and algorithmic techniques,
this book provides a practical guide to generating
geometric and topological solutions for various
situations, including explicit step-by-step tutorials.
While the techniques and algorithms can be
generalized to suit to any parametric environment,
the book illustrates its concepts using the scripting
languages of one of the most powerful 3D visualization
and animation design software systems (Autodesk
3ds Max MAXScript), one of the most popular
open-source Java-based scripting environments
(Processing), and a brand new language specifically
tailored for parametric and generative design
(Autodesk DesignScript).
Computer-aided design (CAD) is the dominant
design and drawing tool used in architecture, and all
students need to acquire basic skills in using it. This
book explains the key CAD skills required to create
plans, 3D models and perspectives. Detailed text
and hundreds of screengrabs and visuals are used to
demonstrate the various techniques and processes.
2D skills are shown using AutoCAD, SketchUp and
Vectorworks, while 3D modelling and presentation
techniques also include 3ds Max, Maya, Form·Z and
Photoshop. The reader will learn how to simplify the
software interface and tools in order to focus on the
most common and useful tasks. This is an invaluable
guide for all students of architecture.
Elys John is Senior Lecturer in Interior Architecture at the ‘Atrium’
Cardiff School of Creative and Cultural Industries, Design
Department, University of Glamorgan. Prior to that, for over 8 years
he was a CAD tutor at the University of Wales Institute Cardiff.
He has published a number of papers on architectural
computer-aided design.
Wassim Jabi is Senior Lecturer at the Welsh School of Architecture,
Cardiff University. He is a past-president of the Association for
Computer-Aided Design In Architecture (ACADIA) and a member
of the Editorial Board of the International Journal of Architectural
Computing (IJAC) and the International Journal of Heritage in
the Digital Era (IJHDE). He has published numerous papers in the
area of computer-supported collaborative design, computer-aided
visualization, parametric design, and digital fabrication.
• Introduces 2D and 3D CAD interfaces, examining core tools,
skills and practices
• Filled with practical tutorials and clear step-by-step examples
of methods
• Includes professional rendering and Photoshop post-editing
techniques
978 1 78067 282 3
• Deals with one of the most cutting-edge areas in architectural
design
• The first accessible, practical book on this complex subject
208 pages • 280 x 216 mm
• Full of clear, step-by-step exercises that students can follow
Sep 2013
978 1 78067 314 1
I S B N 978-1-780672-82-3
03500
208 pages • 280 x 216 mm
9
781780 672823
Oct 2013
I S B N 978-1-78067-314-1
04000
9
Also available:
46
Architecture
781780 673141
Also available:
Architectural
Modelmaking
Architectural
Drawing
Nick Dunn
Digital Fabrication
in Architecture
David Dernie
Nick Dunn
978 1 85669 670 8
£22.50 PB
978 1 85669 679 1
£22.50 PB
978 1 85669 891 7
£24.95 PB
Architecture
47
Luis Vidal + architects
From Process to Results
Clare Melhuish
Though only founded in 2004, the practice of Luis
Vidal is now one of the five largest in Spain with an
international reputation for its large-scale public
buildings.
In particular it is renowned for its airport designs,
which include Madrid Airport Terminal 4 (in
association with Richard Rogers), Zaragoza Airport
and Heathrow Terminal 2. The practice is also involved
in several hospital projects across Spain, as well as
smaller-scale residential buildings, interior designs
and product designs.
This book looks at all the major projects built
or designed to date, but its primary focus is on the
working process behind the practice. It looks at
the role of collaboration with other architects and
designers and the importance of cross-disciplinary
approaches and lateral thinking. In order to reinforce
the process-led approach to their work, the book’s
innovative design includes links and cross-references
between projects and design concepts.
Clare Melhuish is an architectural critic and author and has
published a number of books and articles. She is currently a
Research Associate at the Open University.
• One of the largest and most important practices in Spain
• Looks in detail at the key airport projects for which they are
renowned
• Beautifully designed and produced, important for architecture
libraries and studios
978 1 78067 290 8
224 pages • 250 x 250 mm
£30.00 HB • Architecture
Oct 2013
I S B N 978-1-78067-290-8
05000
9
781780 672908
Gifts
48
Architecture
Autumn2013
Forthcoming Titles
49
My Wonderful World
of Fashion Stamp Set
Let’s Make More
Great Placemat Art
Nina Chakrabarti
Marion Deuchars
Create your very own wonderful
world of fashion using stamps that
feature stunning new illustrations
by Nina Chakrabarti, author of
the hugely popular My Wonderful
World of Fashion.
This set contains ten stamps,
featuring shoes, handbags, bows
and other fashion items, plus two
inkpads (in pink and black).
Fashion lovers from five years
and up will enjoy stamping,
customizing and colouring in new
fashion creations, combining the
designs to invent styles and outfits,
or using them individually as
decorative details.
Marion Deuchars has devised
some more fun and educational
art activities to keep kids, young
and old, occupied at mealtimes.
Features both favourite and all-new
activities, on 36 generously sized
mats printed on art activity paper,
with nine different designs.
Draw the perfect meal for a
boa constrictor, create a gallery of
monsters, make your own comic
strip, sketch a crocodile’s favourite
food and more. Let’s Make More
Great Placemat Art!
978 1 85669 935 8
260 x 370 mm
£8.95 • Gift
Jul 2013
978 1 85669 914 3
I S B N 978-1-85669-935-8
203 x 132 x 35 mm
0 1 2 9 5
10 stamps and 2-colour ink pad
£14.95 (Inc. UK VAT) • Gift
9
781856 699358
Aug 2013
I S B N 978-1-85669-914-3
01995
9
781856 699143
Also available:
Also available:
I S B N 978-1-85669-928-0
00995
I S B N 978-1-85669-921-1
0 1 2 9 5
9
781856 699280
My Wonderful World
of Fashion Notebook
9
781856 699211
Let’s Make Some Great Placemat Art
Nina Chakrabarti
Marion Deuchars
978 1 85669 928 0
£7.95 (Inc. UK VAT)
978 1 85669 921 1
£8.95 PB
50
Gifts
Gifts
51
Create Your
Own Monster
My Amazing Bubble
Writer Stationery Kit
Linda Scott
Various artists
Following on from the success of
How to be the Best Bubble Writer
in the World Ever! and My Monster
Bubble Writer book, this stationery
set allows kids of all ages to express
themselves with hand drawn type.
With 8 colourful notecards, 16
envelopes, and 8 letter sheets in the
inimitable Bubble Writer style, as
well as stickers and a booklet telling
you how to bubble write, this kit is
great fun and great value.
Have you ever dreamed of bringing
the weird and wonderful creatures
of your imagination to life? Or
having the most amazing monster
line-up on your shelf?
For monster enthusiasts of
all ages, this box-set includes 15
different templates, 12 of which
have been gruesomely illustrated
by trend-setting artists, plus
three blank DIY sheets for you to
customize with your own designs.
Create your own set of cute and
scary monsters to play with and
line up in a colourful display, or to
send to friends using the specially
designed envelopes included in the
box.
978 1 85669 931 0
225 x 163 mm
Sep 2013
I S B N 978-1-85669-931-0
0 1 2 9 5
9
781856 699310
978 1 85669 930 3
252 x 194 mm
Aug 2013
I S B N 978-1-85669-930-3
Also available:
02495
9
781856 699303
I S B N 978-1-78067-102-4
0 1 6 9 5
9
781780 671024
My Monster
Bubble Writer Book
Linda Scott
978 1 78067 102 4
£9.95 PB
Also available:
I S B N 978-1-85669-761-3
01495
I S B N 978-1-85669-903-7
9
781856 697613
How to Be the Best Bubble
Writer in the World Ever!
02495
9
781856 699037
Linda Scott
Make Your Own Robot
978 1 85669 761 3
£8.95 PB
978 1 85669 903 7
52
Gifts
Gifts
53
Magma Sketchbooks
Battle of the Bikes
A Trump Card Game
Sketchbooks for the twenty-first century, ideal for artists,
illustrators, draughtspeople, designers and art directors,
fashionistas and anyone interested in the visual arts.
With reliable information (not readily or accurately available
on the internet) these sketchbooks address the needs of
contemporary practitioners, carefully treading that fine line
between providing practical tools and information while not
interfering with their creative freedom.
The updated sketchbooks feature a unique tear-off cover, when
removed it exposes the resilient textured cover in a contrast
colour. Each sketchbook contains 136 blank pages, three ribbon
bookmarks, a useful storage pocket and a colourful rounded
elastic. At the end of each sketchbook, there are 16 pages of
useful information on the subject in question.
David Sparshott
Fixie or Brompton – Pinarello racer
or Mongoose BMX – which is the
fastest? The most expensive? How
about their ride-by kudos, or their
robustness?
These playing cards allow bike
lovers of all ages to play iconic makes
and models off against each other
to discover who’s got the best set of
wheels.
WITH NEW
TEAR-OFF
COVERS
978 1 85669 932 7
Set of 34 cards
99 x 65 mm
Sep 2013
I S B N 978-1-85669-932-7
00995
9
781856 699327
Dog Postcards
Polly Horner
I S B N 978-1-85669-904-4
I S B N 978-1-85669-924-2
Containing 21 postcards of your
favourite dog breeds, quirkily
illustrated by Polly Horner.
From Jack Russell Terriers and
Border Collies to Chihuahuas and
Whippets, these cards beautifully
capture the eccentricities and
spontaneity of canine personalities.
Perfect for sharing much-loved
pedigrees with friends, these
gorgeous dogs will carry your
messages far and wide… If you can
bear to let the prized pets out of
your sight!
0 1 5 9 5
0 1 5 9 5
978 1 85669 924 2
152 pages • 240 x 180 mm
Aug 2013
978 1 85669 904 4
152 pages • 240 x 180 mm
Aug 2013
978 1 85669 905 1
152 pages • 240 x 180 mm
Aug 2013
9
Af fe
np in
sc he
Thes
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ter
are
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g th
char
orig
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acter
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affec
toy
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I S B N 978-1-85669-905-1
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Affenpinscher
pla ce
sta mp
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Ad dr
978 1 85669 936 5
es s
165 x 120 mm
Sep 2013
I S B N 978-1-85669-936-5
90000
9
Ma gm
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Ill us au ren
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tra tio ce kin
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20 12 om
Ch ris
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781856 699365
54
Gifts
Magma Sketchbooks
55
Gifts
Fall
2013
I S B N 978-1-85669-932-7
781856 699327
9
Illustrations by David Sparshott
978 1 85669 900 6
128 pages • 136 x 199 mm
£12.95 (Inc. UK VAT) PB • 2011
Illustrations by Nigel Peake
mn
Au t u
2013
02995
9
781856 699174
9
781856 699006
Bicycle Travel Journal
I S B N 978-1-85669-930-3
I S B N 978-1-85669-926-6
9
781856 699266
Bird Bingo
Bird Postcards
Illustrations by Christine Berrie
978 1 85669 917 4
Box with 64 tokens, 12 bingo cards,
counters, cloth bag, and games board
Box: 262 x 236 x 80 mm; Board: 428
x 468 mm; Chips: 47 x 47 mm; Game
cards: 214 x 214 mm
£19.95 (Inc. UK VAT) • 2012
978 1 85669 926 6
Set of 21 postcards • 165 x 120 mm
£8.95 PB (Inc. UK VAT) • 2013
781856 699181
978 1 85669 918 1
160 pages • 199 x 136 mm
£12.95 (Inc. UK VAT) PB • 2012
781856 699303
978 1 85669 930 3
Set of 15 card robots • 252x 194 mm
£17.95 PB (Inc. UK VAT) • 2013
781856 699242
978 1 85669 921 1
72 pages • 260 x 370 mm
£8.95 PB • 2012
978 1 85669 935 8
72 pages • 260 x 370 mm
£8.95 PB • 2013
978 1 85669 919 8
54 illustrations
9 printed wooden dice
33 × 33 × 30 mm
£9.95 (Inc. UK VAT) • 2012
978 1 85669 924 2
152 pages • 240 x 180 mm
PB with bellyband • 2013
I S B N 978-1-85669-903-7
I S B N 978-1-85669-907-5
Illustrations by Hannah Waldron
Magma Sketchbook:
Art & Illustration
mn
Au t u
2013
I S B N 978-1-85669-905-1
9
781856 699044
02495
0 1 5 9 5
0 1 5 9 5
9
781856 699051
Illustrations by Polly Horner
Magma Sketchbook:
Fashion
978 1 85669 936 5
Set of 21 postcards • 165 x 120 mm
£8.95 (Inc. UK VAT) • 2013
978 1 85669 904 4
152 pages • 240 x 180 mm
£12.95 (Inc. UK VAT) PB with bellyband
2011
978 1 85669 905 1
152 pages • 240 x 180 mm
£12.95 (Inc. UK VAT) PB with bellyband
2011
mn
Au t u
2013
9
Marion Deuchars
Magma Sketchbook:
Design & Art Direction
Dog Postcards
781856 699198
Marion Deuchars
9
781856 699365
9
781856 699358
Magic and Fairy-tale Dice
90000
9
9
0 1 5 9 5
Let’s Make More
Great Placemat Art
I S B N 978-1-85669-904-4
I S B N 978-1-85669-936-5
Create Your Own Monster
781856 699211
I S B N 978-1-85669-924-2
01495
90000
Let’s Make Some
Great Placemat Art
mn
Au t u
2013
mn
Au t u
2013
I S B N 978-1-85669-919-8
I S B N 978-1-85669-935-8
0 1 2 9 5
9
Bike Watching
An Explorer’s Journal
90000
00995
9
punchout
monster
s
I S B N 978-1-85669-921-1
01495
01495
Battle of the Bikes
A Trump Card Game
978 1 85669 932 7
Set of 34 cards • 99 x 65 mm
£8.95 (Inc. UK VAT) • 2013
I S B N 978-1-85669-917-4
I S B N 978-1-85669-918-1
I S B N 978-1-85669-900-6
90000
9
mn
Au t u
2013
mn
Au t u
2013
781856 699037
0 1 5 9 5
9
Make Your Own Robot
978 1 85669 903 7
Set of 15 card robots • 252 x 194 mm
£17.95 (Inc. UK VAT) PB • 2012
781856 699075
Match a Pair of Shoes
Memory Game
The Metropolitan Museum of Art
978 1 85669 907 5
Box of 50 cards • 66 x 88 mm
£12.95 (Inc. UK VAT) • 2012
mn
Au t u
2013
mn
Au t u
2013
I S B N 978-1-85669-901-3
I S B N 978-1-85669-902-0
00995
9
781856 699013
I S B N 978-1-85669-910-5
00995
9
781856 699020
Dogs: Best in Show
Fashion Face-Off
Emma Aguado
Illustrations by Polly Horner
Maia Adams
Illustrations by Erin Petson
978 1 85669 901 3
£8.95 (Inc. UK VAT) • 2011
978 1 85669 902 0
£8.95 (Inc. UK VAT) • 2011
56
Gifts
9
I S B N 978-1-85669-931-0
I S B N 978-1-85669-933-4
01495
781856 699105
9
781856 699334
9
I S B N 978-1-85669-906-8
I S B N 978-1-85669-928-0
90000
90000
781856 699310
9
I S B N 978-1-85669-914-3
00995
00995
90000
My Wonderful World
781856 699280
9
781856 699068
Find My Piglet!
The Animal Family
Memory Game
My Amazing Bubble Writer
Stationery Kit
My Wonderful World
of Fashion Notebook
My Wonderful World
of Fashion Poscards
Anthony Burrill
Linda Scott
Nina Chakrabarti
Nina Chakrabarti
Illustrations by Oscar Bolton Green
978 1 85669 933 4
30 pull-out posters • 355 x 279 mm
£19.95 (Inc. UK VAT) • 2013
978 1 85669 931 0
Set of 8 notecards, 8 letter sheets, 16
envelopes and a sticker sheet
225 x 163 mm
£7.95 (Inc. UK VAT) • 2013
978 1 85669 928 0
24 illustrations
128 pages • 200 x 140 mm
£7.95 (Inc. UK VAT) PB • 2013
978 1 85669 906 8
Set of 30 detachable postcards
165 x 120 mm
Perfect, quarterbound • 2011
978 1 85669 910 5
£12.95 (Inc. UK VAT) • 2012
9
781856 699143
Nina Chakrabarti
978 1 85669 914 3
Set of 10 stamps and 2 colour ink pads
120 x 165 mm
£14.95 (Inc. UK VAT) • 2013
Gifts
57
Titles by Category
I S B N 978-1-85669-911-2
I S B N 978-1-85669-912-9
9
9
781856 699129
Naughty Little People Postcards
978 1 85669 912 9
165 x 120 mm
£8.95 (Inc. UK VAT) PB • 2012
I S B N 978-1-85669-925-9
781856 699112
978 1 85669 911 2
128 pages • 220 x 195 mm
£14.95 (Inc. UK VAT) PB • 2012
I S B N 978-1-85669-916-7
9
781856 699259
781856 699167
The Vintage Fashion Journal
Jason Ford
978 1 85669 916 7
20 illustrations
128 pages • 203 x 152 mm
£12.95 (Inc. UK VAT) HB • 2012
58
Gifts
781856 699136
Sixty-four Leaves Journal
Illustrations by Sophia Augusta
978 1 85669 913 6
128 pages • 210 x 140 mm
£9.95 (Inc. UK VAT) PB • 2012
978 1 85669 927 3
160 pages • 210 x 148 mm
£12.95 PB • 2013
Illustrations by Camille Rousseau
I S B N 978-1-85669-922-8
This is Tomorrow
Perpetual Calendar
978 1 85669 925 9
180 x 180 mm
£7.99 (Inc. UK VAT) PB • 2013
9
781856 699273
Seize the Day
A Dateless Diary
0 1 2 9 5
9
0 1 2 9 5
01495
9
Photo Journal
00995
I S B N 978-1-85669-913-6
I S B N 978-1-85669-927-3
0 16 9 5
00995
Illustrations by Niki Pilkington
00995
9
781856 699228
Style Wars
A Trump Card Game
978 1 85669 922 8
£8.95 (Inc. UK VAT) • 2013
59
Forthcoming Titles
Forthcoming Titles
59
Children’s Books
and Gifts
mn
Au t u
2013
mn
Au t u
2013
I S B N 978-1-85669-321-9
I S B N 978-1-85669-910-5
I S B N 978-1-85669-930-3
90000
9
punchout
monster
s
STEVE
BOWKETT
ARCHIDOODLE
mn
Au t u
2013
781856 693219
9
Archidoodle
Steve Bowkett
978 1 78067 321 9
200 illustrations
9
781856 699303
Create Your Own Monster
978 1 85669 930 3
£17.95 (Inc. UK VAT) PB • 2013
781856 699105
Find My Piglet!
The Animal Family
Memory Game
Illustrations by Oscar Bolton Green
£12.95 PB • 2013
9
781856 699310
My Amazing Bubble Writer
Stationery Kit
Linda Scott
978 1 85669 931 0
Set of 8 notecards, 8 letter sheets, 16
envelopes and a sticker sheet
225 x 163 mm
£7.95 (Inc. UK VAT) • 2013
I S B N 978-1-85669-632-6
I S B N 978-1-78067-102-4
01995
90000
9
978 1 85669 910 5
£12.95 (Inc. UK VAT) • 2012
160 pages • 210 x 270 mm
I S B N 978-1-85669-760-6
I S B N 978-1-85669-931-0
01495
90000
781856 697606
01 6 95
9
My Even More
Wonderful World of Fashion
Another Book for Drawing,
Creating and Dreaming
Nina Chakrabarti
978 1 85669 760 6
700 illustrations
240 pages • 289 x 210 mm
£12.95 PB • 2011
9
781780 671024
My Monster Bubblewriter Book
Linda Scott
978 1 78067 102 4
300 illustrations
144 pages • 289 x 210 mm
£9.95 PB • 2013
781856 696326
My Wonderful World of Fashion
A Book for Drawing,
Creating and Dreaming
Nina Chakrabarti
978 1 85669 632 6
700 illustrations
272 pages • 289 x 210 mm
£12.95 PB • 2009
mn
Au t u
2013
I S B N 978-1-8566-9923-5
9
I S B N 978-1-85669-786-6
I S B N 978-1-85669-761-3
01495
781856 699235
9
Flip Fashion
Lucille Clerc
978 1 85669 923 5
46 pages • 270 x 160 mm
£9.95 HB • 2013
9
781856 697613
I S B N 978-1-78067-015-7
01995
01495
781856 697866
Let’s Make Some Great Art
Linda Scott
978 1 85669 786 6
600 illustrations
224 pages • 289 x 210 mm
£12.95 PB • 2011
978 1 85669 761 3
300 illustrations
144 pages • 260 x 185 mm
£8.95 PB • 2011
Marion Deuchars
I S B N 978-1-85669-906-8
00995
90000
Let’s Make Some
Great Fingerprint Art
My Wonderful World
of Fashion Notebook
My Wonderful World
of Fashion Postcards
My Wonderful World
My Wonderful World of Shoes
Nina Chakrabarti
Nina Chakrabarti
Nina Chakrabarti
978 1 85669 928 0
24 illustrations
128 pages • 200 x 140 mm
£7.95 (Inc. UK VAT) PB • 2013
978 1 85669 906 8
165 x 120 mm
Perfect, quarterbound • 2011
978 1 85669 914 3
Set of 10 stamps and 2 colour ink pads
120 x 165 mm
£14.95 (Inc. UK VAT) • 2013
978 1 78067 001 0
140 illustrations
144 pages • 180 x 230 mm
£9.95 PB • 2012
781780 670157
9
Marion Deuchars
978 1 78067 015 7
128 pages • 289 x 210mm
£9.95 PB • 2012
781856 699280
9
781856 699068
9
9
781856 699211
781856 699358
9
781856 699198
Let’s Make Some
Great Placemat Art
Let’s Make More
Great Placemat Art
Magic and Fairy-tale Dice
Marion Deuchars
Marion Deuchars
978 1 85669 921 1
72 pages • 260 x 370 mm
£8.95 PB • 2012
978 1 85669 935 8
72 pages • 260 x 370 mm
£8.95 PB • 2013
978 1 85669 919 8
54 illustrations
9 printed wooden dice
33 × 33 × 30 mm
£9.95 (Inc. UK VAT) • 2012
60
Titles by Category
9
781856 699143
Illustrations by Hannah Waldron
9
781856 699037
Make Your Own Robot
781780 670010
Nina Chakrabarti
978 1 85669 903 7
£17.95 (Inc. UK VAT) PB • 2012
781780 671062
Secret Garden
An Inky Treasure Hunt
and Colouring Book
Johanna Basford
978 1 78067 106 2
63 illustrations
96 pages • 250 x 250 mm
£9.95 PB • 2013
9
781780 670171
Sticker Fashionista
Kelly Smith
978 1 78067 017 1
44 pages • 305 x 238 mm
£8.95 PB • 2012
I S B N 978-1-78067-113-0
90000
0 1 2 9 5
01495
9
I S B N 978-1-78067-303-5
I S B N 978-1-78067-017-1
I S B N 978-1-78067-106-2
02495
01495
90000
9
I S B N 978-1-85669-903-7
I S B N 978-1-85669-919-8
I S B N 978-1-85669-935-8
0 1 2 9 5
0 1 5 9 5
mn
Au t u
2013
mn
Au t u
2013
I S B N 978-1-85669-921-1
I S B N 978-1-78067-001-0
I S B N 978-1-85669-914-3
00995
9
How to Be the Best Bubble
Writer in the World, Ever!
I S B N 978-1-85669-928-0
01495
9
781780 673035
0 1 2 9 5
9
781780 671130
Sticker Fashionista
Vintage Style
Sticker Fashionista
A Year in Fashion
Kelly Smith
Kelly Smith
978 1 78067 303 5
44 pages • 305 x 238 mm
£8.95 PB • 2013
978 1 78067 113 0
44 pages • 305 x 238 mm
£8.95 PB • 2013
Titles by Category
61
mn
Au t u
2013
I S B N 978-1-85669-682-1
I S B N 978-1-78067-305-9
01995
9
Gift Books
781856 696821
Dave the Chimp
9
Airline Compact Edition
Style at 30,000 Feet
The Super Book
for Superheroes
Jason Ford
978 1 85669 682 1
250 illustrations
256 pages • 289 x 210 mm
£12.95 PB • 2010
9
781780 673165
978 1 78067 305 9
200 illustrations
128 pages + 4 pages of stickers
+ 8 pages of masks and figures
289 x 210 mm
£9.95 PB • 2013
9
781780 670300
Fashion Jewellery Mini Edition
Catwalk and Couture
Keith Lovegrove
Maia Adams
978 1 78067 316 5
250 illustrations. 160 in colour
144 pages • 224 x 192 mm
£9.95 PB • 2013
978 1 78067 030 0
208 pages • 210 x 148 mm
£9.95 PB • 2012
I S B N 978-1-85669-787-3
02995
90000
90000
781780 673059
I S B N 978-1-78067-101-7
I S B N 978-1-78067-030-0
I S B N 978-1-78067-316-5
90000
9
Street Art Doodle Book
Outside the Lines
mn
Au t u
2013
781780 671017
9
It’s A Stick-Up
20 Real Wheat Paste-Ups from
the World’s Greatest Street Artists
Ollystudio
978 1 78067 101 7
88 pages • 350 x 245 mm
£19.95 PB • 2013
I S B N 978-1-78067-007-2
01995
781856 697873
01795
9
781780 670072
Microworlds
Margherita Dessanay and Marc Valli
Mini Edition
Hywel Davies
978 1 85669 787 3
144 pages • 200 x 200 mm
£14.95 PB • 2011
978 1 78067 007 2
384 pages • 217 x 142 mm
£12.95 PB • 2012
mn
Au t u
2013
I S B N 978-1-78067-018-8
I S B N 978-1-85669-881-8
9
9
781856 698818
Art & Sole Mini Edition
Intercity
978 1 85669 881 8
240 pages • 203 x 146 mm
£9.95 PB • 2012
I S B N 978-1-78067-114-7
781780 670188
Jo Waterhouse
781780 671147
978 1 85669 700 2
160 pages • 180 x 140 mm
£9.95 PB • 2011
I S B N 978-1-85669-758-3
781856 698177
Mini Edition
Hywel Davies
Josh Sims
Titles by Category
978 1 85669 817 7
208 pages • 205 x 154 mm
£9.95 PB • 2011
Faye Dowling
9
781856 697583
Creative Space Mini Edition
Urban Homes of
Artists and Innovators
Francesca Gavin
978 1 85669 758 3
208 pages • 196 x 168 mm
£12.95 PB • 2011
781856 698313
9
781856 697668
Drusilla Cole
Patrick Thomas
978 1 78067 105 5
160 pages • 280 x 197 mm
£17.95 HB • 2013
978 1 85669 885 6
240 pages • 192 x 136 mm
£9.95 PB • 2012
978 1 85669 766 8
46 illustrations
144 pages • 210 x 297 mm (landscape)
£17.95 PB • 2011
I S B N 978-1-78067-013-3
I S B N 978-1-85669-667-8
781856 698863
9
Jason Brooks
01 6 95
9
781856 698856
02495
Protest Stencil Toolkit
Mini Edition
Cally Blackman
978 1 78067 021 8
320 pages • 200 x 156 mm
£12.95 PB • 2012
I S B N 978-1-85669-766-8
01 6 95
Patterns Mini Edition
Paris Sketchbook
01 6 95
9
781780 671055
100 Years of Menswear
I S B N 978-1-85669-886-3
I S B N 978-1-8566-9831-3
01995
9
781780 670218
I S B N 978-1-85669-885-6
02495
01995
9
The Book of Skulls
0 16 9 5
9
781856 697002
Bag Mini Edition
I S B N 978-1-85669-817-7
I S B N 978-1-78067-105-5
I S B N 978-1-78067-021-8
01495
9
978 1 78067 019 5
208 pages • 210 x 154 mm
£9.95 PB • 2013
Cult Streetwear Mini Edition
62
781780 670195
978 1 78067 018 8
128 pages • 165 x 165mm
£6.95 PB • 2012
British Fashion Designers
978 1 78067 114 7
208 pages • 210 x 148 mm
£9.95 PB • 2013
I S B N 978-1-85669-700-2
90000
9
Art by Tattooists Mini Edition
Beyond Flash
0 1 6 9 5
9
I S B N 978-1-78067-019-5
00995
0 16 9 5
9
781856 696678
I S B N 978-1-85669-567-1
02995
01995
9
781780 670133
02495
9
781856 695671
Fashion A to Z Mini Edition
An Illustrated Dictionary
Skateboard Stickers Mini Edition
The Sneaker Colouring Book
Stencil Republic
Stickerbomb
Steve Cardwell and Mark Munson
Daniel Jarosch and Henrik Klingel
Ollystudio
Studio Rarekwai
Alex Newman and Zakee Shariff
978 1 85669 886 3
144 pages • 182 x 168 mm
£9.95 PB • 2012
978 1 85669 667 8
£12.95 PB • 2010
978 1 78067 013 3
90 pages • 250 x 250mm
£19.95 PB • 2012
978 1 85669 567 1
With over 250 fully-peelable colour
stickers
£15.95 PB • 2008
978 1 85669 831 3
214 illustrations
240 pages • 165 x 135 mm
£9.95 PB • 2013
Titles by Category
63
mn
Au t u
2013
9
781856 696623
9
781856 698283
I S B N 978-1-78067-315-8
01795
01995
02495
9
I S B N 978-1-85669-895-5
I S B N 978-1-85669-828-3
I S B N 978-1-85669-662-3
Japanese Fashion
781856 698955
9
Stickerbomb 2
Stickerbomb Letters
Stickerbomb Monsters
Studio Rarekwai
The SRK (Studio Rarekwai)
978 1 85669 662 3
With over 280 fully-peelable colour
stickers
£15.95 PB • 2010
978 1 85669 828 3
500 fully-peelable colour stickers
124 pages • 165 x 165 mm
£9.95 PB • 2012
978 1 85669 895 5
250 fully-peelable colour stickers
124 pages • 165 x 165mm
£9.95 PB • 2012
I S B N 978-1-85669-841-2
02995
I S B N 978-1-78067-004-1
02495
781780 673158
9
Stickerbomb XL
978 1 78067 315 8
With over 160 fully-peelable
colour stickers
124 pages • 191 x 243 mm
£19.95 PB • 2013
781856 698412
I S B N 978-1-78067-100-0
02495
9
781780 670041
02495
9
781780 671000
Drape Drape 3
Drape Drape
Drape Drape 2
Hisako Sato
Hisako Sato
Hisako Sato
978 1 85669 841 2
88 pages plus two double-sided fullscale patterns • 257 x 190 mm
£19.95 PB • 2012
978 1 78067 004 1
88 pages plus two double-sided,
full-scale patterns • 257 x 190 mm
£19.95 PB • 2012
978 1 78067 100 0
84 pages plus two double-sided fullscale patterns • 257 x 190 mm
£19.95 PB • 2013
I S B N 978-1-85669-705-7
I S B N 978-1-85669-706-4
mn
Au t u
2013
781856 697019
9
781780 670126
9
I S B N 978-1-78067-124-6
I S B N 978-1-85669-715-6
0 1 695
90000
02995
9
I S B N 978-1-78067-122-2
I S B N 978-1-78067-012-6
I S B N 978-1-85669-701-9
781780 671222
9
781856 697156
Whose Hair?
The Street Art Stencil Book
The Tattoo Colouring Book
On.Studio
Megamunden
Jitesh Patel
Christina Christoforou
978 1 85669 701 9
20 stencils; 50 illustrations
90 pages • 250 x 250 mm
£19.95 PB • 2010
978 1 78067 012 6
120 illustrations
112 pages • 289 x 210 mm
£9.95 PB • 2013
978 1 78067 122 2
160 pages • 182 x 130 mm
£9.95 PB • 2013
978 1 85669 715 6
227 illustrations
128 pages • 190 x 135 mm
£7.95 PB • 2011
The Tote Bag Mini Edition
01995
0 1 2 9 5
9
781780 671246
9
Feminine Wardrobe
Twenty-One Beautiful Skirts,
Dresses and Tops for You to
Make
Jinko Matsumoto
978 1 78067 124 6
72 pages • 257 x 190 mm
£14.95 PB • 2013
9
781856 697057
9
Tomoko Nakamichi
Tomoko Nakamichi
978 1 85669 705 7
104 pages • 257 x 190 mm
£19.95 PB • 2010
978 1 85669 706 4
104 pages • 257 x 190 mm
£19.95 PB • 2011
I S B N 978-1-78067-107-9
90000
781780 673042
Stylish Dress Book
Yoshiko Tsukiori
978 1 78067 304 2
88 pages • 245 x 190 mm
£14.95 PB • 2013
Titles by Category
02495
781856 698276
Pattern Magic
Stretch Fabrics
Tomoko Nakamichi
978 1 85669 827 6
200 illustrations
104 pages, plus a paper pattern block
257 x 190 mm
£19.95 PB • 2012
mn
Au t u
2013
I S B N 978-1-78067-304-2
64
781856 697064
Pattern Magic 2
Pattern Magic
mn
Au t u
2013
9
I S B N 978-1-85669-827-6
02495
02495
I S B N 978-1-78067-108-6
01995
9
781780 671079
Stylish Dress Book
Simple Smocks,
Dresses and Tops
90000
9
781780 671086
Sweet Dress Book
23 Stylish Outfits from
Six Simple Patterns
Yoshiko Tsukiori
Yoshiko Tsukiori
978 1 78067 107 9
88 pages • 245 x 190 mm
£14.95 PB • 2013
978 1 78067 108 6
88 pages • 245 x 190 mm
£14.95 PB • 2013
Titles by Category
65
Architecture
& Interiors
mn
Au t u
2013
Advertising
mn
Au t u
2013
I S B N 978-1-78067-320-2
I S B N 978-1-85669-825-2
9
9
781856 698252
I S B N 978-1-78067-000-3
90000
02995
781780 673202
Advertising for People
Who Don’t Like Advertising
KesselsKramer
Paperback
KesselsKramer
978 1 85669 825 2
240 pages • 240 x 170 mm
£19.95 HB • 2012
978 1 78067 320 2
240 pages • 240 x 170 mm
£12.95 PB • 2013
I S B N 978-1-85669-679-1
I S B N 978-1-85669-321-9
02495
9
Advertising for People
Who Don’t Like Advertising
STEVE
BOWKETT
ARCHIDOODLE
781780 670003
9
781856 693219
I S B N 978-1-78067-005-8
03500
90000
9
9
781856 696791
Copywriting Second Edition
Successful Writing for Design,
Advertising and Marketing
Archidoodle
Architectural Drawing
Steve Bowkett
Mark Shaw
978 1 78067 321 9
200 illustrations
160 pages • 210 x 270 mm
£12.95 PB • 2013
978 1 85669 679 1
208 pages • 280 x 216 mm
£22.50 PB • 2010
978 1 78067 000 3
240 pages • 246 x 172 mm
£18.95 PB • 2012
04000
David Dernie
781780 670058
Architectural Inventions
Visionary Drawings
Matt Bua and Maximilian Goldfarb
978 1 78067 005 8
336 pages • 280 x 216 mm
£24.95 HB • 2012
mn
Au t u
2013
I S B N 978-1-85669-821-4
I S B N 978-1-85669-747-7
9
9
781856 697477
781856 698214
Guerrilla Advertising 2
More Unconventional
Brand Communication
How 30 Great Ads Were Made
From Idea to Campaign
Gavin Lucas
978 1 85669 821 4
224 pages • 270 x 210 mm
£24.95 PB • 2012
978 1 85669 747 7
192 pages • 300 x 230 mm
£25.00 PB • 2011
I S B N 978-1-78067-273-1
I S B N 978-1-85669-657-9
04000
04000
Eliza Williams
9
781856 696579
How to Make it as
an Advertising Creative
Simon Veksner
978 1 85669 657 9
160 pages • 230 x 190 mm
£17.95 PB • 2010
9
I S B N 978-1-85669-623-4
I S B N 978-1-85669-670-8
90000
02495
781780 672731
Strategic Thinking for
Advertising Creatives
Alice Kavounas Taylor
978 1 78067 273 1
208 pages • 246 x 172 mm
£19.95 PB • 2013
9
9
781856 696708
Architectural Modelmaking
Nick Dunn
978 1 85669 670 8
192 pages • 280 x 216 mm
£22.50 PB • 2010
I S B N 978-1-85669-823-8
I S B N 978-1-85669-514-5
03500
03500
781856 696234
04500
9
9
781856 695145
781856 698238
Architecture
An Introduction
The Architecture of Yemen
From Yafi to Hadramut
Architecture From
Commision to Construction
Geoffrey Makstutis
Salma Samar Damluji
Jennifer Hudson
978 1 85669 623 4
248 pages • 256 x 215 mm
£22.50 PB • 2010
978 1 85669 514 5
304 pages • 328 x 248 mm
£50.00 HB • 2007
978 1 85669 823 8
240 pages • 280 x 216 mm
£28.00 PB • 2012
I S B N 978-1-85669-689-0
I S B N 978-1-85669-708-8
mn
Au t u
2013
I S B N 978-1-85669-647-0
I S B N 978-1-780672-82-3
04000
9
781856 696470
This is Advertising
Eliza Williams
978 1 85669 647 0
224 pages • 270 x 210 mm
£24.95 PB • 2010
66
Titles by Category
I S B N 978-1-78067-275-5
90000
9
781780 672823
CAD Fundamentals
for Architecture
Elys John
978 1 78067 282 3
208 pages • 280 x 216 mm
£22.50 PB • 2013
9
781780 672755
Collage & Context
The Work of Terry Farrell and
Partners, 1981–1991
Terry Farrell
978 1 78067 275 5
320 pages • 290 x 250 mm
£50.00 PB • 2013
04000
03500
90000
9
781856 696890
9
781856 697088
Construction and Detailing
for Interior Design
Construction for
Landscape Architecture
Drew Plunkett
Robert Holden and Jamie Liversedge
978 1 85669 689 0
192 pages • 280 x 216 mm
£22.50 PB • 2010
978 1 85669 708 8
240 pages • 280 x 216 mm
£24.95 PB • 2011
Titles by Category
67
Includes CD
9
781856 698443
Continuum
Farrells 2001–2011
Work of the Hong Kong
& London Offices
Terry Farrell
978 1 85669 844 3
320 pages • 290 x 250 mm
£50.00 HB • 2012
9
781856 697583
Creative Space Mini Edition
Urban Homes of
Artists and Innovators
Francesca Gavin
978 1 85669 758 3
208 pages • 196 x 168 mm
£12.95 PB • 2011
I S B N 978-1-85669-741-5
978 1 78067 009 6
224 pages • 290 x 250 mm
£35.00 HB • 2012
9
781856 695701
781856 697415
9
781780 670607
978 1 85669 570 1
150 colour photographs, 200 illustrations
192 pages • 250 x 250 mm
£25.00 HB • 2008
978 1 85669 741 5
192 pages • 290 x 250 mm
£35.00 HB • 2012
978 1 78067 060 7
192 pages • 290 x 250 mm
£35.00 HB • 2013
Includes CD
Includes CD
mn
Au t u
2013
781856 697187
Drew Plunkett
Lorraine Farrelly
Virginia McLeod
Virginia McLeod
Nick Dunn
978 1 85669 590 9
192 pages • 250 x 250 mm
£25.00 HB • 2009
978 1 85669 641 8
224 pages • 290 x 250 mm
£35.00 HB • 2010
978 1 85669 891 7
192 pages • 280 x 216 mm
£24.95 PB • 2012
978 1 85669 622 7
192 pages • 280 x 216 mm
£22.50 PB • 2009
978 1 85669 718 7
192 pages • 280 x 216 mm
£22.50 PB • 2011
Includes CD
Includes CD
I S B N 978-1-85669-692-0
9
781856 697408
Glass Architecture
Virginia McLeod
978 1 85669 740 8
224 pages • 290 x 250 mm
£35.00 HB • 2011
781856 696920
Virginia McLeod
978 1 85669 692 0
1,000 illustrations, 200 in colour
352 pages • 290 x 250 mm
£48.00 HB • 2010
mn
Au t u
2013
Includes CD
9
781856 695220
Exhibition Design
David Dernie
Philip Hughes
978 1 85669 522 0
192 pages • 288 x 235 mm
£19.95 PB • 2007
978 1 85669 640 1
224 pages • 256 x 215 mm
£22.50 PB • 2010
781856 694612
Flexible
Architecture that
Responds to Change
Robert Kronenburg
978 1 85669 461 2
240 pages • 250 x 210 mm
£30.00 Quarterbound • 2007
mn
Au t u
2013
I S B N 978-1-78067-291-5
I S B N 978-1-85669-293-9
I S B N 978-1-85669-790-3
90000
02995
9
781856 696401
Exhibition Design
Includes CD
05000
03500
90000
9
Encyclopedia of Detail in
Contemporary Residential
Architecture
I S B N 978-1-85669-461-2
I S B N 978-1-85669-640-1
I S B N 978-1-85669-522-0
06500
05000
05000
90000
9
781856 696227
Drawing for Urban Design
I S B N 978-1-78067-024-9
I S B N 978-1-78067-010-2
I S B N 978-1-78067-023-2
I S B N 978-1-78067-285-4
9
781856 698917
Drawing for Interior Design
9
Virginia McLeod
9
Digital Fabrication
in Architecture
I S B N 978-1-85669-740-8
Bar and Restaurant Design
Kitchen Design
03500
Timber Architecture
05000
Retail Design
781856 696418
I S B N 978-1-85669-718-7
I S B N 978-1-85669-622-7
04000
Bathroom Design
Includes CD
I S B N 978-1-78067-060-7
9
781856 695909
I S B N 978-1-85669-891-7
90000
04500
9
David Phillips and Megumi Yamashita
05000
04500
9
781780 670096
Concrete Architecture
Includes CD
I S B N 978-1-85669-570-1
I S B N 978-1-85669-641-8
I S B N 978-1-85669-590-9
05000
01995
07500
9
I S B N 978-1-78067-009-6
I S B N 978-1-85669-758-3
I S B N 978-1-85669-844-3
Includes CD
I S B N 978-1-85669-520-6
90000
04000
02995
06000
9
9
781780 672854
781780 670232
9
781780 670102
9
781780 670249
Landscape Architecture
Lighting Design
Residential Architecture
Paperback
Virginia McLeod
Jill Entwistle
Paperback
Virginia McLeod
978 1 78067 285 4
192 pages • 290 x 250 mm
£40.00 HB • 2013
978 1 78067 023 2
192 pages • 290 x 250 mm
£19.95 PB • 2012
Hotel Design
68
Titles by Category
978 1 78067 010 2
192 pages • 290 x 250 mm
£35.00 HB • 2012
978 1 78067 024 9
240 pages • 290 x 250 mm
£19.95 PB • 2012
9
781780 672915
A History of Interior Design
9
781856 697903
A History of Western
Architecture Fifth Edition
Fourth Edition
John Pile & Judith Gura
David Watkin
978 1 78067 291 5
496 pages • 292 x 220 mm
£40.00 HB • 2013
978 1 85669 790 3
720 pages • 235 x 190 mm
£24.95 PB • 2011
9
781856 692939
Innovative Houses
Concepts for Sustainable Living
Avi Friedman
978 1 78067 293 9
256 pages • 240 x 170 mm
£19.95 PB • 2013
9
781856 695206
Interior Architecture Now
Jennifer Hudson
978 1 85669 520 6
352 pages • 250 x 195 mm
£19.95 PB • 2007
Titles by Category
69
mn
Au t u
2013
I S B N 978-1-85669-697-5
9
I S B N 978-1-78067-294-6
I S B N 978-1-85669-604-3
04500
781856 696975
9
9
781856 696043
Interior Design Second Edition
Jennifer Hudson
978 1 85669 604 3
224 pages • 256 x 215 mm
£22.50 PB • 2009
Jenny Gibbs
Includes CD
I S B N 978-1-85669-659-3
I S B N 978-1-85669-501-5
781780 672946
Pete Silver and Will McLean
978 1 78067 294 6
208 pages • 220 x 220 mm
£19.95 PB • 2013
Includes CD
Andrew Ballantyne
978 1 85669 837 5
320 pages • 290 x 250 mm
£35.00 HB • 2012
9
781856 696593
9
Second Edition
Richard Weston
978 1 85669 659 3
256 pages • 290 x 250 mm
£29.00 PB • 2010
781856 695015
9
Rob Gregory
978 1 85669 501 5
240 pages • 290 x 250 mm
£28.00 PB • 2008
9
781856 694636
Key Houses of the
Twentieth Century
Plans, Sections and Elevations
Colin Davies
978 1 85669 463 6
240 pages • 290 x 250 mm
£29.00 PB • 2006
I S B N 978-1-78067-274-8
I S B N 978-1-85669-836-8
I S B N 978-1-85669-564-0
9
781856 696364
New Bar & Club Design
Rachael Brown and Lorraine Farrelly
Victoria Ballard Bell with Patrick Rand
Bethan Ryder
978 1 85669 759 0
250 colour Illustrations
192 pages • 280 x 216 mm
£22.50 PB • 2012
978 1 85669 480 3
272 pages • 273 x 203 mm
£29.00 PB • 2006
978 1 85669 636 4
192 pages • 260 x 260 mm
£19.95 PB • 2009
I S B N 978-1-85669-732-3
I S B N 978-1-78067-025-6
781780 672687
Graeme Brooker
978 1 78067 268 7
256 pages • 290 x 250 mm
£35.00 HB • 2013
9
781780 670256
781856 697323
100 Ideas that
Changed Architecture
Jonathan Bell and Ellie Stathaki
Richard Weston
978 1 78067 025 6
240 pages • 250 x 250 mm
£19.95 PB • 2012
978 1 85669 732 3
216 pages • 270 x 210 mm
£19.95 PB • 2011
I S B N 978-1-85669-698-2
I S B N 978-1-85669-736-1
Jonathan Bell and Ellie Stathaki
978 1 85669 684 5
240 pages • 250 x 250 mm
£30.00 HB • 2010
I S B N 978-1-78067-314-1
04000
05000
9
The New Modern House Paperback
Redefining Functionalism
781856 696845
The New Modern House
Redefining Functionalism
mn
Au t u
2013
I S B N 978-1-78067-272-4
02995
02995
9
Key Interiors since 1900
781856 695640
Key Urban Housing of the
Twentieth Century
Hilary French
978 1 85669 564 0
240 pages • 290 x 250 mm
£28.00 PB • 2008
Titles by Category
9
781856 698368
Lighting for Interior Design
Malcolm Innes
978 1 85669 836 8
192 pages • 280 x 216 mm
£22.50 PB • 2012
I S B N 978-1-85669-290-8
90000
03500
90000
70
9
781856 694803
Materials for Architectural Design
9
781780 672724
100 Years of
1900–2000
Neil Bingham
978 1 78067 272 4
320 pages • 250 x 226 mm
£30.00 HB • 2013
781780 673141
Parametric Design
for Architecture
Wassim Jabi
978 1 78067 314 1
208 pages • 280 x 216 mm
£28.00 PB • 2013
mn
Au t u
2013
Includes CD
9
9
Materials and Interior Design
90000
Key Contemporary Buildings
05000
mn
Au t u
2013
I S B N 978-1-78067-268-7
I S B N 978-1-85669-463-6
781856 697590
I S B N 978-1-85669-684-5
90000
mn
Au t u
2013
90000
Key Buildings of the 20th Century
9
781856 698375
Key Buildings from
Prehistory to the Present
I S B N 978-1-85669-636-4
I S B N 978-1-85669-480-3
03500
05000
9
Introduction to Architectural
Technology Second Edition
Includes CD
I S B N 978-1-85669-759-0
I S B N 978-1-85669-837-5
90000
03500
Interior Architecture
From Brief to Build
978 1 85669 697 5
240 pages • 280 x 216 mm
£28.00 PB • 2010
Includes CD
9
781780 672748
The London Games in Motion
Transport for London and the
2012 Olympics and Paralympics
978 1 78067 274 8
144 pages • 230 x 190 mm
£12.95 PB • 2013
02495
90000
9
781856 692908
Luis Vidal + architects
From Process to Results
Clare Melhuish
978 1 78067 290 8
224 pages • 250 x 250 mm
£30.00 HB • 2013
9
781856 696982
9
781856 697361
Planning Office Spaces
a practical guide for
managers and designers
Reading Architecture
A Visual Lexicon
Yuri Martens, Juriaan van Meel,
and Hermen Jan van Ree
978 1 85669 736 1
176 pages • 270 x 210 mm
£19.95 PB • 2012
978 1 85669 698 2
144 pages • 230 x 170 mm
£17.95 PB • 2010
I S B N 978-9-81059-716-0
I S B N 978-1-85669-756-9
02995
Owen Hopkins
05000
02995
9
781856 697569
9
789810 597160
Rethinking Design and Interiors
Human Beings in
the Built Environment
Singapore Shophouse
Shashi Caan
978 9 81059 716 0
208 pages • 273 x 207 mm
£30.00 HB • 2011
978 1 85669 756 9
200 pages • 246 x 172 mm
£19.95 PB • 2011
Julian Davison and
Luca Invernizzi Tettoni
Titles by Category
71
mn
Au t u
2013
Art Studio
9
781780 670553
Structural Engineering
for Architects
A Handbook
Pete Silver, Will McLean
and Peter Evans
978 1 78067 055 3
208 pages • 280 x 216 mm
£24.95 PB • 2013
Siân Moxon
978 1 85669 814 6
192 pages • 280 x 216 mm
£22.50 PB • 2012
I S B N 978-1-85669-882-5
I S B N 978-1-78067-026-3
9
781780 670263
781856 698825
Towards Zero-energy
Architecture Paperback
New Solar Design
The Transformation
of St Pancras Station Mini Edition
Mary Guzowski
978 1 85669 882 5
240 pages • 195 x 195 mm
£12.95 PB • 2012
978 1 78067 026 3
208 pages • 280 x 216 mm
£19.95 PB • 2012
781856 698221
Terry Farrell
Alastair Lansley
9
An Artist’s Handbook Reissue
Materials and Techniques
Colin Davies
978 1 85669 523 7
256 pages • 256 x 165 mm
£14.95 PB • 2012
978 1 85669 822 1
192 pages • 290 x 250 mm
£30.00 HB • 2011
978 1 85669 755 2
160 pages • 246 x 172 mm
£19.95 PB • 2011
I S B N 978-1-85669-731-6
I S B N 978-1-85669-625-8
9
781856 697316
Margaret Krug
9
I S B N 978-1-85669-717-0
I S B N 978-1-85669-728-6
9
781856 696258
Very Small Shops
John Stones
John Stones
978 1 85669 731 6
256 pages • 215 x 195 mm
£22.50 HB • 2011
978 1 85669 625 8
256 pages • 215 x 195 mm
£22.50 HB • 2009
9
781856 697286
978 1 85669 441 4
192 pages • 280 x 216 mm
£18.95 PB • 2006
I S B N 978-1-85669-660-9
02995
90000
9
9
781856 695787
Foundations of Art and Design
Cut & Paste
21st-Century Collage
Fifth Edition
Susan Peterson and Jan Peterson
Richard Brereton and Caroline Roberts
Second Edition
Alan Pipes
978 1 85669 717 0
208 pages • 260 x 185 mm
£19.95 3-piece binding • 2011
978 1 85669 578 7
272 pages • 280 x 216 mm
£22.50 PB • 2008
781856 696609
Light for Visual Artists
Understanding & Using
Light in Art & Design
Richard Yot
978 1 85669 660 9
176 pages • 280 x 216 mm
£19.95 PB • 2011
mn
Au t u
2013
LOWTECH
PRINT
Contemporary Hand-made Printing
Caspar Williamson
The book will be a must-have for all design, illustration,
craft and printmaking enthusiasts.
£22.95
Edith Anderson Feisner
978 1 85669 877 1
168 pages • 280 x 216 mm
£19.95 PB • 2012
LOW-TECH PRINT
Featuring a global showcase of 120 of the craft’s most
exciting and influential practitioners who have developed
a love affair with these hand-made techniques and
developed them into beautiful contemporary designs,
the book also explains the process behind each technique
and its modern application. ‘In focus’ sections profile
practitioners such as the ‘Lambe Lambe’ hand-made
letterpress printers of São Paulo’s Grafica Fidalga studio,
cult printing techniques such as Gocco (Japan) and
Chicha (Peru) and the centuries-long traditional intricacy
carried out by Rajasthan’s India Block Printing Company.
David Hornung
I S B N 978-1-85669-578-7
781856 697170
781856 694414
Colour Second Edition
How to Use Colour
in Art and Design
The Craft and Art of Clay
A Complete Potter’s Handbook
978 1 85669 728 6
1,150 illustrations, 585 in colour
432 pages • 280 x 216 mm
£28.00 PB • 2012
Low-Tech Print is an exploration of hand-made
printmaking techniques and how they are used in
contemporary design and illustration. It examines the
evolution of traditional printing disciplines and the huge
recent resurgence in the popularity of printmaking.
9
781856 698771
Colour Second Edition
A workshop for
artists and designers
02995
04000
04000
04000
Very Small Cafés & Restaurants
9
781856 695237
Thinking about Architecture
An Introduction to
Architectural Theory
90000
90000
02495
781856 697552
I S B N 978-1-85669-441-4
I S B N 978-1-85669-877-1
I S B N 978-1-85669-523-7
02995
9
Terry Farrell
Interiors and the Legacy
of Postmodernism
0 1 2 9 5
02995
9
9
781856 698146
Sustainability in Interior Design
I S B N 978-1-85669-755-2
05000
03500
04000
9
I S B N 978-1-85669-822-1
I S B N 978-1-85669-814-6
I S B N 978-1-7806-7055-3
CONTEMPORARY
HAND-MADE PRINTING
Caspar Williamson
I S B N 978-1-78067-111-6
9
781780 6 7 1 1 1 6
A World History of Architecture
Third Edition
Michael Fazio, Marian Moffett
and Lawrence Wodehouse
978 1 78067 111 6
624 pages • 292 x 220 mm
£35.00 PB • 2013
72
Titles by Category
781780 672977
Low-Tech Print
Contemporary Hand-Made
Printing
Caspar Williamson
978 1 78067 297 7
224 pages • 280 x 197 mm
£19.95 PB • 2013
09000
90000
02995
9
I S B N 978-1-85669-605-0
I S B N 978-1-85669-600-5
I S B N 978-1-78067-297-7
90000
9
781856 696005
Printmaking
A Complete Guide to
Materials and Processes
Beth Grabowski and Bill Fick
978 1 85669 600 5
240 pages • 292 x 220 mm
£19.95 • 2009
9
781856 696050
Working with Clay Third Edition
Susan Peterson and Jan Peterson
978 1 85669 605 0
240 pages • 280 x 216 mm
£19.95 PB • 2009
Titles by Category
73
Art, Film,
Photography,
History
& Religion
I S B N 978-1-78067-018-8
I S B N 978-1-85669-548-0
9
9
781856 695480
Angaza Afrika
African Art Now
I S B N 978-1-85669-818-4
90000
04000
781780 670188
9
Art by Tattooists Mini edition
Beyond Flash
9
Fourth Edition, Paperback
John T. Paoletti and Gary M. Radke
978 1 85669 797 2
576 pages • 292 x 220 mm
£30.00 PB • 2011
9
781856 694230
Brandon Taylor
978 1 85669 423 0
256 pages • 256 x 226 mm
£19.95 PB • 2004
74
Titles by Category
9
978 1 85669 818 4
576 pages • 292 x 220 mm
£45.00 HB • 2011
978 1 85669 695 1
184 pages • 210 x 138 mm
£9.95 PB • 2010
781780 670577
9
Light, Water and Sky
The Paintings
of Ivan Aivazovsky
Gianni Caffiero and Ivan Samarine
978 1 78067 057 7
320 pages • 320 x 280 mm
£65.00 HB • 2012
781856 697644
Living Religions Eighth Edition
Mary Pat Fisher
978 1 85669 764 4
576 pages • 235 x 192 mm
£24.95 PB • 2011
mn
Au t u
2013
I S B N 978-1-78067-027-0
9
781780 672779
The Art of D*Face
One Man and his Dog
I S B N 978-1-78067-280-9
01995
90000
781780 670270
Craig Harbison
978 1 78067 277 9
352 pages 290 x 240 mm
£26.00 HB • 2013
978 1 78067 027 0
176 pages • 235 x 166 mm
£12.95 PB • 2012
781780 672809
Peter Kalb
978 1 78067 326 4
336 pages • 292 x 220 mm
£35.00 HB • 2013
I S B N 978-1-78067-028-7
I S B N 978-1-85669-716-3
781856 697163
I S B N 978-1-85669-720-0
9
Second Edition
Anne D’Alleva
Desmond Rochfort
978 1 85669 899 3
37 illustrations
192 pages • 210 x 138 mm
£9.95 PB • 2012
I S B N 978-1-85669-334-9
9
781780 670287
From El Greco to Goya
Painting in Spain, 1561–1828
Terry Smith
Maria Pramaggiore and Tom Wallis
Janis Tomlinson
978 1 85669 716 3
348 pages • 292 × 220 mm
£30.00 Quarterbound • 2011
978 1 85669 720 0
480 pages • 253 x 203 mm
£28.00 PB • 2011
978 1 78067 028 7
176 pages • 235 x 166 mm
£12.95 PB • 2012
9
781856 691185
Mexican Muralists
01995
781856 697200
9
781856 698993
Methods & Theories of Art History
9
781856 693349
New Cinematographers
Alexander Ballinger
978 1 85669 334 9
192 pages • 280 × 240 mm
£19.95 PB • 2004
978 1 85669 787 3
144 pages • 200 x 200 mm
£14.95 PB • 2011
I S B N 978-1-85669-793-4
I S B N 978-1-85669-795-8
9
781856 697958
Michael Bird
978 1 85669 795 8
216 pages • 270 x 210 mm
£19.95 PB • 2012
9
90000
781856 697248
Modern East Asia
An Integrated History
Jonathan Lipman, Barbara Molony
and Michael Robinson
978 1 85669 724 8
480 pages • 256 × 210 mm
£24.95 PB • 2011
I S B N 978-1-85669-796-5
02995
02995
100 Ideas that Changed Art
I S B N 978-1-85669-724-8
9
781856 697873
Microworlds
Margherita Dessanay and Marc Valli
978 1 85669 118 5
240 pages • 280 x 240 mm
£19.95 PB • 2011
01995
90000
Film Third Edition
A Critical Introduction
Contemporary Art
World Currents
01995
01995
9
Art Since 1980
Charting the Contemporary
I S B N 978-1-85669-787-3
I S B N 978-1-85669-118-5
I S B N 978-1-85669-899-3
90000
9
The Art of the
Northern Renaissance
Foreword by Shepard Fairey
9
978 1 85669 887 0
200 illustrations
124 pages • 305 x 215 mm
£30.00 HB • 2012
90000
10000
9
Jun Kaneko
978 1 78067 018 8
128 pages • 165 x 165 mm
£6.95 PB • 2012
9
781856 698870
Jun Kaneko: The Magic Flute
978 1 85669 548 0
336 pages • 256 x 226 mm
£25.00 PB • 2008
01995
Art Today
781856 696951
How to Write Art History
Second Edition
Anne D’Alleva
Collector’s Edition: Includes a signed and
numbered 2 colour screen print
978 1 78067 329 5
£150 HB • 2013
I S B N 978-1-85669-423-0
9
Art in Renaissance Italy
Fourth Edition
John T. Paoletti and Gary M. Radke
I S B N 978-1-78067-277-9
781856 697972
781856 698184
I S B N 978-1-85669-764-4
I S B N 978-1-78067-057-7
05000
Jo Waterhouse
01995
Art in Renaissance Italy
I S B N 978-1-85669-887-0
Chris Spring
mn
Au t u
2013
I S B N 978-1-85669-797-2
I S B N 978-1-85669-695-1
03000
781856 697934
100 Ideas that
Changed Film
David Parkinson
978 1 85669 793 4
216 pages • 270 x 210 mm
£19.95 PB • 2012
02995
9
781856 697965
100 Ideas that Changed
Photography
Mary Warner Marien
978 1 85669 796 5
216 pages • 270 x 210 mm
£19.95 PB • 2012
Titles by Category
75
Craft & DIY
I S B N 978-1-85669-734-7
9
I S B N 978-1-78067-096-6
I S B N 978-1-85669-666-1
03995
781856 697347
9
100 New Artists
Francesca Gavin
978 1 85669 734 7
500 illustrations
336 pages • 290 x 190 mm
£24.95 PB • 2011
9
781856 696661
Mary Warner Marien
978 1 78067 096 6
272 pages • 256 x 215 mm
£24.95 PB • 2013
John Ingledew
I S B N 978-1-78067-029-4
9
781856 690140
9
781856 693745
781780 670294
The Renaissance in Rome
Beverley Cole and Richard Durack
Reissue
Margaret L.King
Loren Partridge
978 1 85669 374 5
384 pages • 235 x 192 mm
£19.95 PB • 2013
Revised Seventh Edition, Paperback
John Fleming and Hugh Honour
Revised Seventh Edition
John Fleming and Hugh Honour
Angus Hyland and Angharad Lewis
978 1 85669 584 8
996 pages • 292 x 220 mm
£35.00 PB • 2009
978 1 85669 579 4
996 pages • 292 x 220 mm
£50.00 HB • 2009
978 1 78067 029 4
184 pages • 235 x 166 mm
£12.95 PB • 2012
I S B N 978-1-85669-721-7
I S B N 978-1-85669-742-2
781856 694261
9
The Rise of the Sixties
American and European Art
in the Era of Dissent 1955–69
Thomas Crow
978 1 85669 426 1
200 pages • 235 x 166 mm
£12.95 PB • 2005
781856 697422
I S B N 978-1-85669-554-1
01995
9
781856 691130
Royal Arts of Africa
The Majesty of Form
Suzanne Preston Blier
978 1 85669 113 0
272 pages • 235 x 166 mm
£12.95 PB • 2012
76
Titles by Category
I S B N 978-1-898113-76-8
90000
9
781856 695541
9
781898 113768
9
781780 671109
Walk the Line
The Art of Drawing
Second Edition
Ann Sutherland Harris
Parviz Tanavoli
Marc Valli and Ana Ibarra
978 1 898113 76 8
Over 100 colour illustrations
256 pages • 360 x 280 mm
£95.00 HB • 2011
978 1 78067 110 9
320 pages • 280 x 216 mm
£24.95 HB • 2013
978 1 85669 554 1
464 pages • 292 x 220 mm
£32.00 HB • 2008
781856 697217
9
781856 696968
978 1 85669 742 2
144 pages • 245 x 210 mm
£17.95 PB • 2011
978 1 85669 721 7
575 illustrations
224 pages • 220 x 220 mm
£19.95 PB • 2011
978 1 85669 696 8
128 pages • 220 x 220 mm
£12.95 PB • 2010
Jo Waterhouse
781856 698962
Recycled Home
Transform Your Home
Using Salvaged Materials
Rebecca Proctor
978 1 85669 896 2
144 pages • 216 x 216 mm
£14.95 PB • 2012
mn
Au t u
2013
I S B N 978-1-85669-664-7
I S B N 978-1-78067-316-5
781856 697538
01995
9
Paul Jackson
02495
9
I S B N 978-1-85669-896-2
01995
Christopher Stuart
I S B N 978-1-85669-753-8
Undiscovered Minimalism
Gelims from Northern Iran
I S B N 978-1-85669-696-8
Indie Craft
04000
Seventeenth-Century
Art and Architecture
978 1 78067 094 2
175 illustrations
128 pages • 220 x 220 mm
£15.95 PB • 2013
Folding Techniques for Designers
From Sheet to Form
Design
I S B N 978-1-78067-110-9
1 5 5 0 0
Paul Jackson
DIY Furniture
A Step-by-Step Guide
mn
Au t u
2013
I S B N 978-1-85669-113-0
9
781780 670942
Cut and Fold Techniques
for Promotional Materials
03500
02495
9
The Renaissance in Europe
978 1 85669 014 0
160 pages • 288 x 235 mm
£17.95 PB • 1992
A World History of Art
I S B N 978-1-85669-426-1
Railway Posters 1923–1947
9
781856 695794
A World History of Art
01995
03500
9
9
781856 695848
The Purple Book
Sensuality & Symbolism in
Contemporary Art & Illustration
978 1 78067 125 3
224 pages • 340 x 245 mm
£35.00 HB • 2013
02495
90000
9
781780 671253
I S B N 978-1-78067-094-2
I S B N 978-1-85669-579-4
05000
9
Photography Second Edition
I S B N 978-1-85669-374-5
I S B N 978-1-85669-014-0
781780 670966
Photography Third Edition
A Cultural History
978 1 85669 666 1
568 pages • 292 x 220 mm
£35.00 • 2010
I S B N 978-1-85669-584-8
I S B N 978-1-78067-125-3
04000
90000
05000
90000
9
781780 673165
9
781856 696647
Structural Packaging
Design Your own
Boxes and 3D Forms
Airline Mini Edition
Style at 30,000 feet
The Custom Road Bike
Keith Lovegrove
Paul Jackson
978 1 78067 316 5
144 pages • 224 x 192 mm
£9.95 PB • 2013
978 1 85669 664 7
224 pages • 270 x 210 mm
£30.00 HB • 2010
978 1 85669 753 8
175 illustrations
128 pages • 220 x 220 mm
£15.95 PB • 2012
Guy Andrews
Titles by Category
77
I S B N 978-1-78067-099-7
I S B N 978-1-85669-813-9
9
9
781780 670997
Guy Andrews
978 1 85669 813 9
224 pages • 270 x 210 mm
£17.95 PB • 2012
I S B N 978-1-78067-123-9
The Design Book
1000 New Designs For the Home
and Where to Find Them
Jennifer Hudson
9
Lucienne Roberts and Rebecca Wright
978 1 78067 099 7
320 pages • 245 x 210 mm
£19.95 PB • 2013
I S B N 978-1-85669-597-8
04000
781780 671239
Design Incubator
A Prototype for
New Design Practice
Patrick Chia
978 1 78067 123 9
256 pages • 195 x 258 mm
£24.95 PB • 2013
978 1 85669 688 3
240 pages • 260 x 215 mm
£24.95 PB • 2010
I S B N 978-1-85669-533-6
09000
9
9
781856 696883
Design Diaries
Creative Process
in Graphic Design
781856 695978
781856 696616
781856 695336
9
Zahid Sardar
978 1 85669 661 6
256 pages • 215 x 195 mm
£19.95 PB • 2010
978 1 78067 008 9
224 pages • 175 x 220 mm
£14.95 PB • 2012
I S B N 978-1-85669-743-9
I S B N 978-1-85669-725-5
9
9
781856 697439
Drawing for Designers
Drawing for Product Designers
Scott Boylston
Alan Pipes
Kevin Henry
978 1 85669 597 8
192 pages • 280 x 216 mm
£19.95 PB • 2009
978 1 85669 533 6
224 pages • 280 x 216 mm
£19.95 PB • 2007
978 1 85669 743 9
208 pages • 280 x 216 mm
£22.50 PB • 2012
9
781856 696456
Andrew Edwards and Max Leonard
978 1 85669 645 6
144 pages • 245 x 210 mm
£17.95 PB • 2009
78
Titles by Category
Jennifer Hudson
978 1 85669 725 5
240 pages • 280 x 216 mm
£26.00 PB • 2011
781856 696432
9
781856 695855
Ian Rudge and Geraldine Rudge
Jennifer Hudson
978 1 85669 703 3
368 pages • 250 x 195 mm
£19.95 PB • 2011
978 1 85669 643 2
352 pages • 250 x 195 mm
£19.95 PB • 2010
978 1 85669 585 5
352 pages • 250 x 195 mm
£19.95 PB • 2009
I S B N 978-1-85669-751-4
I S B N 978-1-85669-876-4
I S B N 978-1-85669-726-2
9
781856 697514
Product Design
Paul Rodgers and Alex Milton
978 1 85669 751 4
240 pages • 256 x 215 mm
£22.50 PB • 2011
1000 New Eco Designs
And Where to Find Them
Rebecca Proctor
03500
03500
9
781856 697255
Process Second Edition
50 Product Designs from
Concept to Manufacture
9
1000 New Designs 2
781856 698764
02495
9
781856 697262
Prototyping and Modelmaking
for Product Design
Rad Rides
The Best BMX Bikes of All Time
Bjarki Hallgrimsson
Intercity, Gavin Lucas and Stuart Robinson
978 1 85669 876 4
192 pages • 280 x 216 mm
£22.50 PB • 2012
978 1 85669 726 2
160 pages • 260 x 210 mm
£18.95 PB • 2012
mn
Au t u
2013
I S B N 978-1-78067-120-8
9
781856 697033
03500
03000
1000 Designs for the Garden
04500
03500
I S B N 978-1-85669-585-5
I S B N 978-1-85669-643-2
03000
9
Jennifer Hudson
Designing Sustainable Packaging
I S B N 978-1-85669-694-4
04000
Fixed
Global Fixed-Gear Bike Culture
781780 670089
100 Best Bikes
mn
Au t u
2013
I S B N 978-1-85669-645-6
I S B N 978-1-85669-703-3
01995
Designs for Small Spaces
03500
9
I S B N 978-1-78067-008-9
03000
90000
9
781856 698139
The Custom Road Bike Paperback
I S B N 978-1-85669-661-6
I S B N 978-1-85669-688-3
03000
02995
781780 671208
Furniture Design
An Introduction to
Development, Materials
and Manufacturing
Stuart Lawson
978 1 78067 120 8
224 pages • 280 x 216 mm
£24.95 PB • 2013
9
781856 696944
History of Modern Design
Second Edition
David Raizman
978 1 85669 694 4
432 pages • 292 x 220 mm
£30.00 PB • 2010
781856 697491
9
781780 673028
Making It Second Edition
Manufacturing Techniques
for Product Design
Research Methods
for Product Design
Chris Lefteri
978 1 78067 302 8
192 pages • 280 x 216 mm
£22.50 PB • 2013
978 1 85669 749 1
288 pages • 240 x 170 mm
£19.95 PB • 2012
04000
03500
03500
9
I S B N 978-1-85669-757-6
I S B N 978-1-78067-302-8
I S B N 978-1-85669-749-1
90000
Alex Milton and Paul Rogers
9
781856 697576
Why Shrink-wrap a Cucumber?
The Complete Guide to
Environmental Packaging
Laurel Miller and Steven Aldridge
978 1 85669 757 6
248 pages • 250 x 195 mm
£24.95 PB • 2012
Titles by Category
79
mn
Au t u
2013
mn
Au t u
2013
Fashion
& Textiles
I S B N 978-1-85669-616-6
I S B N 978-1-85669-648-7
9
781856 696166
9
Advanced Fashion Drawing
Lifestyle Illustration
Bag
Bil Donovan
978 1 85669 616 6
208 pages • 280 x 205 mm
£28.00 HB • 2009
978 1 85669 648 7
192 pages • 280 x 240 mm
£19.95 PB • 2010
Sue Huey and Susie Draffan
9
781780 670195
I S B N 978-1-78067-100-0
I S B N 978-1-78067-004-1
02495
01 6 95
9
781856 696487
I S B N 978-1-85669-841-2
I S B N 978-1-78067-019-5
03500
781856 698412
9
9
781780 670041
I S B N 978-1-78067-286-1
02495
02495
781780 671000
9
Drape Drape 3
Bag Mini Edition
Drape Drape
Drape Drape 2
Hisako Sato
Hisako Sato
Hisako Sato
978 1 85669 841 2
88 pages • 257 x 190 mm
£19.95 PB • 2012
978 1 78067 004 1
230 illustrations
88 pages plus two double-sided,
full-scale patterns • 257 x 190 mm
£19.95 PB • 2012
978 1 78067 100 0
84 pages • 257 x 190 mm
£19.95 PB • 2013
978 1 78067 019 5
208 pages • 210 x 154 mm
£9.95 PB • 2013
90000
781780 672861
Draping
The Complete Course
Karolyn Kiisel
978 1 78067 286 1
320 pages • 300 x 220 mm
£38.00 Flexibind • 2013
Includes DVD
mn
Au t u
2013
9
781780 673073
Bold, Beautiful and Damned
The world of 1980s fashion
illustrator Tony Viramontes
Dean Rhys-Morgan
978 1 78067 307 3
192 pages • 310 x 235 mm
£30.00 HB • 2013
781856 695428
Kim Smits and Matthijs Maat
of MAKI Design
978 1 85669 542 8
£12.95 PB • 2008
80
Titles by Category
9
781856 698177
9
Cult Streetwear Mini Edition
Mini Edition
Hywel Davies
Kate Scully and Debra Johnston Cobb
Josh Sims
978 1 85669 880 1
192 pages • 280 x 216 mm
£22.50 PB • 2012
978 1 85669 817 7
208 pages • 205 x 154 mm
£9.95 PB • 2011
978 1 78067 114 7
208 pages • 210 x 148 mm
£9.95 PB • 2013
I S B N 978-1-85669-799-6
9
781780 670027
Digital Textile Design
Second Edition
Melanie Bowles and Ceri Isaac
978 1 78067 002 7
192 pages • 280 x 216 mm
£22.50 PB • 2012
9
781856 697996
DIY Couture
Create Your Own
Fashion Collection
Rosie Martin
978 1 85669 799 6
208 pages • 245 x 210 mm
£17.95 PB • 2012
781856 697880
781856 696531
9
781856 696913
Eco Fashion
Steven Thomas Miller
Sass Brown
978 1 85669 788 0
192 pages • 280 x 216 mm
£22.50 PB • 2012
978 1 85669 691 3
208 pages • 280 x 197 mm
£22.50 PB • 2010
9
781856 695732
781856 698313
Fashion A to Z Mini Edition
Clive Hallett and Amanda Johnston
978 1 85669 669 2
70 pages • 280 x 216 mm
£60.00 HB • 2010
978 1 85669 612 8
208 pages • 280 x 216 mm
£24.95 PB • 2010
Clive Hallett and Amanda Johnston
I S B N 978-1-85669-617-3
02995
9
781856 697545
Fashion & Sustainability
Design for Change
DIY Fashion
Customize and Personalize
Fashion A to Z
Selena Francis-Bryden
Kate Fletcher and Lynda Grose
978 1 85669 573 2
214 pages • 220 x 180 mm
£17.95 PB • 2009
978 1 85669 831 3
214 illustrations
240 pages • 165 x 135 mm
£9.95 PB • 2013
978 1 85669 754 5
192 pages • 240 x 170 mm
£19.95 PB • 2012
978 1 85669 653 1
144 pages • 216 x 216 mm
£14.95 PB • 2010
781856 696692
Fabric for Fashion
The Swatch Book
01 6 95
9
9
781856 696128
Fabric for Fashion
A Comprehensive Guide
to Natural Fibres
I S B N 978-1-85669-754-5
I S B N 978-1-8566-9831-3
03000
02495
9
9
Drawing Fashion Accessories
I S B N 978-1-85669-573-2
I S B N 978-1-85669-653-1
02495
03500
01995
Custom Kicks
Personalized Footwear
781856 698801
Colour Forecasting for Fashion
08500
04000
03500
03500
I S B N 978-1-85669-669-2
I S B N 978-1-85669-612-8
I S B N 978-1-85669-691-3
I S B N 978-1-85669-788-0
01 6 95
British Fashion Designers
I S B N 978-1-78067-002-7
I S B N 978-1-85669-542-8
9
9
781780 671147
I S B N 978-1-85669-817-7
90000
0 16 9 5
05000
9
I S B N 978-1-85669-880-1
I S B N 978-1-78067-114-7
I S B N 978-1-78067-307-3
02495
9
781856 696173
Fashion & Textiles
The Essential Careers Guide
Carol Brown
978 1 85669 617 3
256 pages • 250 x 175 mm
£17.95 PB • 2010
Titles by Category
81
mn
Au t u
2013
9
781856 696197
9
781856 696838
Fashion Design Third Edition
Fashion Designers’ Sketchbooks
Sue Jenkyn Jones
Hywel Davies
978 1 85669 619 7
272 pages • 256 x 215 mm
£24.95 PB • 2011
978 1 85669 683 8
208 pages • 300 x 216 mm
£28.00 HB • 2010
I S B N 978-1-85669-654-8
I S B N 978-1-78067-030-0
03500
9
Bethan Morris
978 1 85669 654 8
240 pages • 256 x 215 mm
£22.50 PB • 2010
781780 670300
9
781856 697453
Aki Choklat
978 1 85669 745 3
192 pages • 280 x 216 mm
£24.95 PB • 2012
82
Titles by Category
978 1 78067 289 2
208 pages • 300 x 216 mm
£28.00 HB • 2013
Maia Adams
978 1 78067 030 0
208 pages • 210 x 148 mm
£9.95 PB • 2012
Michele Wesen Bryant
978 1 85669 719 4
416 pages • 280 x 240 mm
£35.00 Flexibound • 2011
Jinko Matsumoto
978 1 78067 124 6
72 pages • 257 x 190 mm
£14.95 PB • 2013
781856 699235
781856 698924
Masters of Fashion Illustration
Carol Brown
Francesca Sterlacci
Harriet Posner
David Downton
978 1 78067 058 4
208 pages • 280 x 216 mm
£22.50 PB • 2013
978 1 85669 671 5
192 pages • 280 x 216 mm
£24.95 PB • 2010
978 1 85669 723 1
224 pages • 256 x 215 mm
£22.50 PB • 2011
978 1 85669 704 0
224 pages • 292 x 220 mm
£30.00 HB • 2010
I S B N 978-1-85669-839-9
I S B N 978-1-78067-104-8
I S B N 978-1-85669-733-0
I S B N 978-1-78067-007-2
03000
781856 698399
Paperback
David Downton
Tony Glenville
978 1 85669 839 9
224 pages • 292 x 220 mm
£19.95 PB • 2012
I S B N 978-1-85669-798-9
02995
781856 697224
978 1 78067 104 8
224 pages • 292 x 220 mm
£28.00 HB • 2013
781856 697989
Icons of Men’s Style
100 Years of Fashion
Josh Sims
Cally Blackman
Mark Atkinson
Second Edition
Toby Meadows
978 1 85669 842 9
192 pages • 280 x 216 mm
£22.50 PB • 2012
978 1 85669 892 4
200 pages • 250 x 175 mm
£18.95 PB • 2012
978 1 85669 722 4
192 pages • 280 x 197 mm
£19.95 PB • 2011
978 1 85669 798 9
400 pages • 250 x 195 mm
£24.95 PB • 2012
781856 694629
781780 670072
Harriet Worsley
Mini Edition
Hywel Davies
978 1 85669 733 0
216 pages • 270 x 210 mm
£19.95 PB • 2011
978 1 78067 007 2
384 pages • 217 x 142mm
£12.95 PB • 2012
I S B N 978-1-85669-750-7
01995
04000
9
9
781856 697330
100 Ideas that Changed Fashion
I S B N 978-1-78067-021-8
I S B N 978-1-85669-462-9
04000
9
9
781780 671048
New Icons of
Fashion Illustration
01795
02995
04500
9
Lucille Clerc
9
781856 697040
Marketing Fashion
How to Set up
& Run a Fashion Label
How to Create
Your Final Collection
A Fashion Student’s Handbook
9
Leather Fashion Design
9
I S B N 978-1-85669-722-4
781856 697231
05000
Knitwear Design
Masters of Fashion Illustration
978 1 85669 923 5
46 pages • 270 x 160 mm
£9.95 HB • 2013
9
781856 696715
I S B N 978-1-85669-704-0
03500
04000
9
Flip Fashion
90000
9
781780 670584
01495
9
781780 671246
I S B N 978-1-85669-892-4
781856 698429
9
I S B N 978-1-8566-9923-5
Feminine Wardrobe
Twenty-One Beautiful Skirts,
Dresses and Tops for You to
Make
03500
9
781856 697194
Fashion Drawing
Illustration Techniques
for Fashion Designers
I S B N 978-1-85669-723-1
I S B N 978-1-85669-671-5
04000
90000
01995
9
Fashion Jewellery Mini Edition
Catwalk and Couture
04000
Footwear Design
Hywel Davies
I S B N 978-1-78067-124-6
I S B N 978-1-85669-842-9
I S B N 978-1-85669-745-3
Fashion Designers’
Sketchbooks Two
I S B N 978-1-78067-058-4
I S B N 978-1-85669-719-4
9
781780 672892
90000
9
781856 696548
Fashion Illustrator Second Edition
04000
04000
04000
9
I S B N 978-1-78067-289-2
I S B N 978-1-85669-683-8
I S B N 978-1-85669-619-7
mn
Au t u
2013
9
781780 670218
04000
9
781856 697507
100 Years of Fashion Illustration
100 Years of Menswear
Pattern Cutting
Cally Blackman
Mini Edition
Cally Blackman
Dennic Chunman Lo
978 1 85669 462 9
384 pages • 250 x 195 mm
£24.95 PB • 2007
978 1 78067 021 8
320 pages • 200 x 156 mm
£12.95 PB • 2012
978 1 85669 750 7
240 pages • 280 x 216 mm
£24.95 PB • 2011
Titles by Category
83
I S B N 978-1-85669-706-4
I S B N 978-1-85669-705-7
I S B N 978-1-78067-319-6
781780 673196
9
Pattern Cutting for Menswear
Gareth Kershaw
978 1 78067 319 6
320 pages • 280 x 216 mm
£35.00 Flexibind • 2013
I S B N 978-1-85669-827-6
02495
02495
90000
9
Includes CD
mn
Au t u
2013
mn
Au t u
2013
9
781856 697057
781856 697064
9
Pattern Magic
Pattern Magic 2
Tomoko Nakamichi
Tomoko Nakamichi
978 1 85669 705 7
104 pages • 257 x 190 mm
£19.95 PB • 2010
978 1 85669 706 4
104 pages • 257 x 190 mm
£19.95 PB • 2011
I S B N 978-1-85669-829-0
I S B N 978-1-78067-107-9
02495
781856 698276
9
Pattern Magic
Stretch Fabrics
Tomoko Nakamichi
978 1 85669 827 6
200 illustrations
104 pages, plus a paper pattern block
257 x 190 mm
£19.95 PB • 2012
9
781780 671079
781856 698290
Stylists
New Fashion Visionaries
Yoshiko Tsukiori
978 1 85669 829 0
208 pages • 292 x 220 mm
£30.00 HB • 2012
Katie Baron
03500
01995
9
Stylish Dress Book
Simple Smocks,
Dresses and Tops
978 1 78067 107 9
88 pages • 244 x 190 mm
£14.95 PB • 2013
I S B N 978-1-85669-618-0
I S B N 978-1-78067-108-6
05000
01995
9
781780 671086
Sweet Dress Book
23 Stylish Outfits from
Six Simple Patterns
Yoshiko Tsukiori
978 1 78067 108 6
88 pages • 245 x 190 mm
£14.95 PB • 2013
781856 696180
Technical Drawing for Fashion
Basia Szkutnicka
978 1 85669 618 0
224 pages • 280 x 216 mm
£22.50 PB • 2010
Includes CD
I S B N 978-1-85669-621-0
03500
9
I S B N 978-1-85669-885-6
9
781856 696210
I S B N 978-1-85669-792-7
I S B N 978-1-85669-646-3
781856 698856
9
9
781856 696463
781856 697927
Patterns Mini Edition
Print & Pattern
Print & Pattern 2
Drusilla Cole
Bowie Style
Bowie Style
Drusilla Cole
978 1 85669 885 6
240 pages • 192 x 136 mm
£9.95 PB • 2012
978 1 85669 646 3
304 pages • 246 x 172 mm
£19.95 PB • 2010
978 1 85669 792 7
304 pages • 246 x 172 mm
£19.95 PB • 2011
mn
Au t u
2013
I S B N 978-1-78067-300-4
I S B N 978-1-78067-118-5
02995
9
mn
Au t u
2013
mn
Au t u
2013
781780 673004
9
781780 671185
Print & Pattern Kids
Printed Textile Design
Bowie Style
Amanda Briggs-Goode
978 1 78067 300 4
304 pages • 246 x 172 mm
£19.95 PB • 2013
978 1 78067 118 5
208 pages • 280 x 216 mm
£22.50 PB • 2013
84
Titles by Category
9
Textile Design
MAKI Design
978 1 85669 687 6
224 pages • 256 x 215 mm
£22.50 PB • 2011
978 1 85669 615 9
336 pages • 250 x 195 mm
£19.95 PB • 2009
I S B N 978-1-85669-730-9
I S B N 978-1-78067-304-2
03500
9
781856 696876
Tees
The Art of the T-Shirt
Simon Clarke
03500
04000
9
781780 670539
Textile Visionaries
Innovation and Sustainability
in Textile Design
Bradley Quinn
978 1 78067 053 9
312 pages • 245 x 210 mm
£24.95 Flexibind • 2013
781856 695725
Textiles Now
Drusilla Cole
978 1 85669 572 5
272 pages • 250 x 195 mm
£19.95 PB • 2008
mn
Au t u
2013
I S B N 978-1-78067-301-1
04000
9
781856 696159
I S B N 978-1-85669-572-5
I S B N 978-1-78067-053-9
03500
9
The Pattern Sourcebook
A Century of Surface Design
978 1 85669 621 0
304 pages • 250 x 195 mm
£19.95 PB • 2009
I S B N 978-1-85669-687-6
I S B N 978-1-85669-615-9
02995
03500
90000
781780 673011
9
781780 673042
I S B N 978-1-78067-122-2
02495
01995
9
781856 697309
I S B N 978-1-85669-702-6
01 6 95
9
781780 671222
The Tote Bag Mini Edition
ReFashioned
Cutting-Edge Clothing
from Upcycled Materials
Stylish Dress Book
The Tote Bag
Jitesh Patel
Jitesh Patel
Yoshiko Tsukiori
Sass Brown
978 1 78067 304 2
88 pages • 245 x 190 mm
£14.95 PB • 2013
978 1 85669 730 9
160 pages • 260 x 185 mm
£19.95 PB • 2011
978 1 78067 122 2
160 pages • 182 x 130 mm
£9.95 PB • 2013
978 1 78067 301 1
208 pages • 245 x 210 mm
£22.50 HB • 2013
I S B N 978-1-85669-883-2
04000
9
781856 697026
The Trend Forecaster’s
Handbook
Martin Raymond
978 1 85669 702 6
216 pages • 280 x 216 mm
£24.95 Flexibind • 2010
05000
9
781856 698832
Vintage Menswear
A Collection from
The Vintage Showroom
Josh Sims, Douglas Gunn
and Roy Luckett
978 1 85669 883 2
304 pages • 280 x 240 mm
£30.00 HB • 2012
Titles by Category
85
9
781856 697637
Visual Merchandising
Second Edition
Window and In-Store
Displays for Retail
Tony Morgan
978 1 85669 763 7
208 pages • 280 x 216 mm
£24.95 PB • 2011
I S B N 978-1-85669-589-3
I S B N 978-1-85669-473-5
05000
03500
04000
9
I S B N 978-1-85669-819-1
I S B N 978-1-85669-685-2
I S B N 978-1-85669-763-7
9
781856 696852
781856 698191
9
Window Display
New Visual Merchandising
Bob Gill, so far.
Tony Morgan
978 1 85669 819 1
304 pages • 254 x 216 mm
£29.95 HB • 2011
978 1 85669 685 2
192 pages • 280 x 216 mm
£22.50 PB • 2010
9
781856 694735
781856 695893
Andrew Haslam
978 1 85669 473 5
256 pages • 256 x 215 mm
£24.95 PB • 2006
03500
9
Business Cards 3
Designs on Saying Hello
Book Design
Bob Gill
I S B N 978-1-85669-738-5
02995
Michael Dorrian and Liz Farrelly
978 1 85669 589 3
£19.95 PB • 2009
781856 697385
Children’s Picturebooks
The Art of Visual Storytelling
Martin Salisbury and Morag Styles
978 1 85669 738 5
192 pages • 280 x 216 mm
£22.50 PB • 2012
Graphics,
Illustration
& Animation
ESSENTIALS OF VISUAL
COMMUNICATION
I S B N 978-1-85669-714-9
I S B N 978-1-78067-098-0
03000
9
I S B N 978-1-78067-097-3
781856 697149
9
The A–Z of Visual Ideas
How to Solve any Creative Brief
John Ingledew
978 1 85669 714 9
224 pages • 256 x 215 mm
£19.95 PB • 2011
781780 670980
I S B N 978-1-85669-690-6
03500
01995
9
781780 670973
9
American Modernism
Graphic Design 1920–1960
Animation
Mini Edition
R. Roger Remington
978 1 78067 097 3
216 pages • 256 x 215 mm
£22.50 PB • 2013
978 1 78067 098 0
192 pages • 224 x 173 mm
£12.95 PB • 2013
Andrew Selby
Liz Farrelly
978 1 85669 690 6
272 pages • 290 x 210 mm
£24.95 PB • 2010
9
781856 698887
I S B N 978-1-85669-577-0
02995
04500
9
781856 696906
Designers’ Identities
Bo Bergström
I S B N 978-1-85669-216-8
I S B N 978-1-85669-888-7
04000
781856 692168
03500
9
The End of Print Second Edition
The Grafik Design of David Carson
The End of Print
Lewis Blackwell and David Carson
The Grafik Design of David Carson
978 1 85669 888 7
180 pages • 288 x 240 mm
£35.00 HB • 2012
Lewis Blackwell and David Carson
Second Edition Paperback
978 1 85669 216 8
180 pages • 288 x 240 mm
£22.50 PB • 2012
781856 695770
Essentials of
Visual Communication
Bo Bergström
978 1 85669 577 0
240 pages • 280 x 216 mm
£24.95 PB • 2008
Includes DVD
I S B N 978-1-85669-587-9
I S B N 978-1-85669-550-3
9
781856 695503
The Animation Bible
A Guide to Everything –
from Flipbooks to Flash
Maureen Furniss
978 1 85669 550 3
340 pages • 280 x 216 mm
(rounded corners)
£22.50 PB • 2008
86
Titles by Category
I S B N 978-1-85669-624-1
I S B N 978-1-85669-765-1
04000
90000
9
781856 695879
I S B N 978-1-85669-620-3
02995
9
781856 696241
Animation in Process
Art Direction Explained, At Last!
Andrew Selby
Steven Heller and Véronique Vienne
978 1 85669 587 9
192 pages • 280 x 216 mm
£24.95 PB • 2009
978 1 85669 624 1
256 pages • 254 x 222 mm
£22.50 Flexi • 2009
9
781856 697651
9
I S B N 978-1-85669-693-7
I S B N 978-1-85669-599-2
04000
781856 696203
Bibliographic Paperback
100 Classic Graphic Design Books
For Love and Money
New Illustration
Jason Godfrey
Liz Farrelly and Olivia Triggs
978 1 85669 765 1
224 pages • 288 x 235 mm
£19.95 PB • 2011
978 1 85669 620 3
328 pages • 220 x 220 mm
£19.95 PB • 2010
9
781856 695992
Graphic Design Essentials
Skills, Software
and Creative Solutions
Joyce Macario
978 1 85669 599 2
192 pages • 280 x 216 mm
£19.95 PB • 2009
I S B N 978-1-85669-826-9
04000
90000
9
781856 696937
Graphic Design for Fashion
Jay Hess and Simone Pasztorek
978 1 85669 693 7
240 pages • 280 x 216 mm
£26.00 HB • 2010
02995
9
781856 698269
Graphic Design Process
From Problem to Solution:
20 Case Studies
Nancy Skolos and Thomas Wedell
978 1 85669 826 9
192 pages • 280 x 216 mm
£19.95 PB • 2012
Titles by Category
87
mn
Au t u
2013
A LOGO FOR
LONDON
I S B N 978-1-85669-762-0
I S B N 978-1-85669-824-5
05000
9
781856 697620
I S B N 978-1-85669-591-6
9
781856 698245
9
781856 695916
9
Graphic Design Second Edition
Graphic Design: A User’s Manual
Paperback
Adrian Shaughnessy
Stephen J. Eskilson
A History
978 1 85669 762 0
464 pages • 292 × 220 mm
£50.00 HB • 2012
Stephen J. Eskilson
978 1 85669 824 5
464 pages • 292 × 220 mm
£30.00 PB • 2012
978 1 85669 591 6
320 pages • 245 x 190 mm
£19.95 PB • 2009
9
781856 697095
781856 697101
9
How to Be a Graphic Designer
Without Losing Your Soul
Illustration
Second Edition
Adrian Shaughnessy
978 1 85669 710 1
228 pages • 256 x 215 mm
£22.50 PB • 2011
978 1 85669 709 5
176 pages • 230 x 190 mm
£17.95 PB • 2010
mn
Au t u
2013
781856 696869
9
Andrew Haslam
978 1 85669 686 9
240 pages • 270 x 210 mm
£30.00 HB • 2011
referable to Flos or its affiliates.
mn
Au t u
2013
the manufacturer, and are not
an everyday life interiors
I S B N 978-1-78067-296-0
04000
Lettering
A Reference Manual
of Techniques
Andrew Hall
DAVID LAWRENCE
I S B N 978-1-85669-528-2
05000
03500
90000
Graphic Design Second Edition
A History
I S B N 978-1-85669-686-9
I S B N 978-1-85669-710-1
I S B N 978-1-85669-709-5
03000
02995
9
781856 695282
781780 672960
Logo
A Logo for London
Michael Evamy
David Lawrence
978 1 85669 528 2
352 pages • 245 x 190 mm
£22.50 PB • 2007
978 1 78067 296 0
176 pages • 250 x 220 mm
£19.95 HB • 2013
magazine – issue #09
are used with the only purpose
of describing the functionality
of D’E-light. All rights on trademarks
and products iPhone and iPad
are of exclusive property of
Featuring: Tierney Gearon,
Duncan Fallowell, Yrjö
Kukkapuro, Conor Donlon,
Tomás Nervi, Annabelle
Nanos Valaoritis,
Dexter-Jones, Jean Abou,
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Li Edelkoort, Wolfgang
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BOPBAA, José León Cerrillo,
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India Salvor Menuez,
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Plus: a fiction supplement Henry Roy, Jeff Rian, Max Lamb, Reg Mombassa
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Featuring: Tierney Gearon,
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Kukkapuro, Conor Donlon,
Tomás Nervi, Annabelle
Nanos Valaoritis,
Dexter-Jones, Jean Abou,
Nic & Jackie Harrison,
Li Edelkoort, Wolfgang
Gonzalo
Tillmans,
Chris Johanson & Jo Jackson,Milà, Jordi Labanda, Jem Goulding, Ramdane
Touhami,
BOPBAA, José León Cerrillo,
Nicolas Congé & Camille
India Salvor Menuez,
Berthomier,
Plus: a fiction supplement Henry Roy, Jeff Rian, Max Lamb, Reg Mombassa
by Jocko Weyland and
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The artist and the gentleman
Furthermore in this eleventh issue
of THE GENTLEMAN’S STYLE
JOURNAL for Spring and Summer
teemed New York journalist Mr. BOB
2010... The esCOLACELLO, the HOT CHIP singer
Mr. ALEXIS TAYLOR, the world-famous
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999 77772720201013133001019190900
03033
02/03/12 10.27
9
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2013-0190
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I S B N 978-1-85669-672-2
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03000
02495
9
9
781856 695305
How to be an illustrator
Darrel Rees
978 1 85669 530 5
160 pages • 230 x 190 mm
£17.95 PB • 2008
781856 696722
Fig Taylor
9
781780 672922
How to Create a
Portfolio & Get Hired Second Edition
A Guide for Graphic
Designers and Illustrators
Fig Taylor
978 1 85669 672 2
144 pages • 280 x 216 mm
£19.95 PB • 2010
978 1 78067 292 2
160 pages • 230 x 177 mm
£17.95 HB • 2013
I S B N 978-1-85669-894-8
02995
02995
9
How to Create a
Portfolio & Get Hired
A Guide for Graphic
Designers and Illustrators
I S B N 978-1-85669-739-2
I S B N 978-1-78067-292-2
781856 697392
Alan Pipes
781856 698948
I S B N 978-1-85669-431-5
978 1 85669 894 8
336 pages • 245 x 190 mm
£22.50 PB • 2012
9
781780 672984
The Modern Magazine
Visual Journalism in
the Digital Age
Jeremy Leslie
978 1 78067 298 4
240 pages • 280 x 216 mm
£28.00 HB • 2013
I S B N 978-1-78067-103-1
02995
04000
9
Logotype
Michael Evamy
978 1 85669 739 2
168 pages • 280 x 216 mm
£19.95 PB • 2011
000999
999 77772720201013133001019190900
03033
02/03/12 10.27
I S B N 978-1-78067-298-4
04000
9
How to Design Websites
EUROPE
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2013-0190
2013-0190
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1
01995
9
781856 694315
New Media Design
Tricia Austin and Richard Doust
978 1 85669 431 5
192 pages • 256 x 215 mm
£19.95 PB • 2007
781780 671031
No More Rules Mini Edition
Graphic Design
and Postmodernism
Rick Poynor
978 1 78067 103 1
192 pages • 224 x 173 mm
£12.95 PB • 2013
mn
Au t u
2013
I S B N 978-1-85669-658-6
I S B N 978-1-85669-897-9
03500
9
781856 696586
9
781856 698979
How to Use Images
How to Use Type
Lindsey Marshall and Lester Meachem
Lindsey Marshall and Lester Meachem
978 1 85669 658 6
192 pages • 280 x 216 mm
£22.50 PB • 2010
978 1 85669 897 9
208 pages • 230 x 190 mm
£19.95 PB • 2012
88
Titles by Category
781856 699334
9
781856 698986
I Used To Be A Design Student
50 Graphic Designers Then and Now
Anthony Burrill
Frank Philippin and Billy Kiosoglou
978 1 85669 933 4
30 pull-out posters • 355 x 279 mm
£19.95 • 2013
978 1 85669 898 6
256 pages • 246 x 172 mm
£17.95 PB • 2013
9
I S B N 978-1-85669-794-1
I S B N 978-1-85669-509-1
04000
02495
02495
9
I S B N 978-1-78067-003-4
I S B N 978-1-85669-898-6
I S B N 978-1-85669-933-4
02995
781780 670034
Numbers in Graphic Design
Roger Fawcett-Tang
978 1 78067 003 4
320 pages • 245 x 190 mm
£28.00 PB • 2012
9
781856 695091
I S B N 978-1-85669-607-4
02995
90000
9
781856 697941
0169 5
9
781856 696074
Motion Blur 2
Multidimensional
Moving Imagemakers
100 Ideas that
Changed Graphic Design
The Picture Book Mini Edition
Contemporary Illustration
Steven Heller and Véronique Vienne
Angus Hyland
Onedotzero
978 1 85669 794 1
216 pages • 270 x 210 mm
£19.95 PB • 2012
978 1 85669 607 4
344 pages • 175 x 136 mm
£9.95 PB • 2010
978 1 85669 509 1
256 pages • 300 x 240 mm
£40.00 PB • 2007
Titles by Category
89
Index of Titles
I S B N 978-1-85669-601-2
9
I S B N 978-1-85669-681-4
I S B N 978-1-85669-699-9
90000
781856 696012
9
9
781856 696999
I S B N 978-1-85669-752-1
781856 696814
Production for Graphic Designers
Production for Print
Retro Fonts
Fifth Edition
Alan Pipes
Mark Gatter
Gregor Stawinski
978 1 85669 699 9
160 pages • 280 x 216 mm
£19.95 PB • 2010
978 1 85669 681 4
560 pages • 250 x 170 mm
£29.95 HB • 2010
978 1 85669 601 2
272 pages • 280 x 216 mm
£22.50 PB • 2009
I S B N 978-1-78067-022-5
9
781780 670225
9
9
780956 207104
Studio Culture
The Secret Life of a
Graphic Design Studio
Richard Brereton
Edited by Tony Brook and
Adrian Shaughnessy
978 1 78067 022 5
240 pages • 260 x 185 mm
£12.95 PB • 2012
978 0 95620 710 4
360 illustrations
272 pages • 230 x 165 mm
£24.95 PB • 2009
Jennifer Bass and Pat Kirkham
978 1 85669 752 1
1,484 illustrations, 1,234 in colour
440 pages • 290 x 258 mm
£48.00 HB • 2011
02995
04000
04000
Sketchbooks Paperback
The Hidden Art of Designers,
Illustrators & Creatives
781856 697521
I S B N 978-1-85669-735-4
I S B N 978-1-85669-727-9
I S B N 978-0-9562071-0-4
9
Saul Bass
A Life in Film & Design
Includes CD containing
222 copy-right free fonts
01995
07500
90000
03000
781856 697279
Symbol
Angus Hyland and Steven Bateman
978 1 85669 727 9
336 pages • 245 x 190 mm
£22.50 PB • 2011
9
781856 697354
This Means This,
This Means That Second Edition
A User’s Guide to Semiotics
Sean Hall
978 1 85669 735 4
192 pages • 260 x 185 mm
£19.95 PB • 2012
mn
Au t u
2013
I S B N 978-1-85669-713-2
I S B N 978-1-78067-115-4
02995
9
781856 697132
The 3D Type Book
FL@33
978 1 85669 713 2
240 pages • 280 x 197 mm
£19.95 PB • 2011
90
Titles by Category
I S B N 978-1-85669-437-7
01995
9
781780 671154
I S B N 978-1-85669-644-9
90000
9
781856 694377
9
781856 696449
Twentieth-Century Type
and Beyond Mini Edition
Type & Typography Second Edition
Phil Baines and Andrew Haslam
John Kane
Lewis Blackwell
978 185669 437 7
224 pages • 256 x 215 mm
£22.50 PB • 2005
978 1 85669 644 9
46 illustrations
240 pages • 250 x 176 mm
£19.95 PB • 2011
978 1 78067 115 4
216 pages • 224 x 173 mm
£12.95 PB • 2013
A Type Primer Second Edition
A
A–Z of Visual Ideas, The: How to Solve any
Creative Brief 84
Advanced Fashion Drawing: Lifestyle
Illustration 78
Advertising for People Who Don’t Like
Advertising 35, 64
Airline: Style at 30,000 feet, Compact
Edition 31, 60, 75
American Modernism: Graphic Design
1920–1960 84
Angaza Afrika: African Art Now 72
Animation 84
Animation Bible, The: A Guide to
Everything – from Flipbooks to Flash 84
Animation in Process 84
Archidoodle: The Architect’s Activity Book
4, 58, 65
Architectural Drawing 65
Architectural Inventions: Visionary
Drawings 65
Architectural Modelmaking 65
Architecture: An Introduction 65
Architecture From Commission to
Construction 65
Architecture of Yemen, The: From Yafi to
Hadramut 65
Art & Sole, Mini Edition 60
Art by Tattooists: Beyond Flash, Mini
Edition 60, 72
Art Direction Explained, At Last! 84
Art in Renaissance Italy, Fourth Edition 72
Art of D*Face, The: One Man and his Dog
21, 72
Art of the Northern Renaissance, The 72
Art Since 1980: Charting the
Contemporary 72
Art Today 72
Artist’s Handbook, An: Materials and
Techniques 71
B
Bag 78
Bag: The Ultimate Fashion Accessory, Mini
Edition 20, 60, 78
Battle of the Bikes: A Trump Card Game
52, 54
Bibliographic: 100 Classic Graphic Design
Books 84
Bicycle Travel Journal 54
Bike Watching: An Explorer’s Journal 54
Bird Bingo 54
Bird Postcards 54
Bob Gill, so far. 85
Bold, Beautiful and Damned: The world of
1980s fashion illustrator Tony Viramontes
10, 78
Book Design 85
Book of Skulls, The 60
British Fashion Designers, Mini Edition
60, 78
Business Cards 3: Designs on Saying
Hello 85
C
CAD Fundamentals for Architecture 44, 65
Children’s Picturebooks: The Art of Visual
Storytelling 85
Collage & Context: The Work of Terry
Farrell and Partners, 1981–1991 65
Colour Forecasting for Fashion 78
Colour: A workshop for artists and
designers, Second Edition 71
Colour: How To Use Colour in Art and
Design, Second Edition 71
Construction and Detailing for Interior
Design 65
Construction for Landscape Architecture
65
Contemporary Art: World Currents 72
Continuum: Farrells 2001–2011, Work of
the Hong Kong & London Offices 66
Copywriting: Successful Writing for Design,
Advertising and Marketing, Second
Edition 64
Craft and Art of Clay, The: A Complete
Potter’s Handbook, Fifth Edition 71
Create Your Own Monster 51, 54, 58
Creative Space: Urban Homes of Artists
and Innovators, Mini Edition 60, 66
Cult Streetwear, Mini Edition 60, 78
Custom Kicks: Personalized Footwear 78
Custom Road Bike, The 75, 76
Cut & Paste: 21st-Century Collage 71
Cut and Fold Techniques for Promotional
Materials 75
D
Design Book, The: 1000 New Designs For
The Home and Where to Find Them 76
Design Diaries: Creative Process in Graphic
Design 76
Design Incubator: A Prototype for New
Design Practice 76
Designers’ Identities 85
Designing Sustainable Packaging 76
Designs for Small Spaces 76
Detail in Contemporary Bar and Restaurant
Design 66
Detail in Contemporary Bathroom Design
66
Detail in Contemporary Concrete
Architecture 66
Detail in Contemporary Glass Architecture
66
Detail in Contemporary Hotel Design 38,
66
Detail in Contemporary Kitchen Design 66
Detail in Contemporary Landscape
Architecture 66
Detail in Contemporary Lighting Design 66
Detail in Contemporary Residential
Architecture 66
Detail in Contemporary Retail Design 66
Detail in Contemporary Timber
Architecture 67
Digital Fabrication in Architecture 67
Digital Textile Design, Second Edition 78
DIY Couture: Create Your Own Fashion
Collection 78
DIY Fashion: Customize and Personalize 78
DIY Furniture: A Step-by-Step Guide 75
Dog Postcards 52, 54
Dogs: Best in Show 54
Drape Drape 63, 79
Drape Drape 2 63, 79
Drape Drape 3 63, 79
Draping: The Complete Course 12, 79
Drawing Fashion Accessories 79
Drawing for Designers 76
Drawing for Interior Design 67
Drawing for Product Designers 76
Drawing for Urban Design 67
E
Eco Fashion 79
Encyclopedia of Detail in Contemporary
Residential Architecture 67
End of Print, The: The Grafik Design of
David Carson, Second Edition 85
Essentials of Visual Communication 85
Exhibition Design 67
F
Fabric for Fashion: A Comprehensive Guide
to Natural Fibres 79
Fabric for Fashion: The Swatch Book 79
Fashion A to Z: An Illustrated Dictionary 79
Fashion A to Z: An Illustrated Dictionary,
Mini Edition 60, 79
Fashion Design, Third Edition 80
Fashion Designers’ Sketchbooks 80
Fashion Designers’ Sketchbooks Two 9, 80
Fashion Drawing: Illustration Techniques for
Fashion Designers 80
Fashion Face-Off 54
Fashion Illustrator, Second Edition 80
Fashion Jewellery: Catwalk and Couture,
Mini Edition 61, 80
Fashion & Sustainability: Design for Change
79
Fashion & Textiles: The Essential Careers
Guide 79
Feminine Wardrobe: Twenty-One Beautiful
Skirts, Dresses and Tops for You to Make
63, 80
Film: A Critical Introduction, Third Edition
72
Find My Piglet!: The Animal Family Memory
Game 54, 58
Fixed: Global Fixed-Gear Bike Culture 76
Flexible: Architecture that Responds to
Change 67
Flip Fashion 58, 80
Folding Techniques for Designers: From
Sheet to Form 75
Footwear Design 80
For Love and Money: New Illustration 85
Foundations of Art and Design, Second
Edition 71
From El Greco to Goya: Painting in Spain,
1561–1828 72
Furniture Design: An Introduction
to Development, Materials and
Manufacturing 32, 76
G
Graphic Design: A History, Second Edition
86
Graphic Design: A User’s Manual 86
Graphic Design Essentials: Skills, Software
and Creative Solutions 85
Graphic Design for Fashion 85
Graphic Design Process: From Problem to
Solution: 20 Case Studies 85
Guerrilla Advertising 2: More
Unconventional Brand Communication
64
H
History of Interior Design, A, Fourth Edition
37, 67
History of Modern Design, Second Edition
76
History of Western Architecture, A, Fifth
Edition 67
How 30 Great Ads Were Made: From Idea
to Campaign 64
How to Be a Graphic Designer Without
Losing Your Soul, Second Edition 86
How to be an illustrator 86
How to Be the Best Bubble Writer in the
World, Ever! 58
How to Create a Portfolio & Get Hired:
A Guide for Graphic Designers and
Illustrators 28, 86
How to Create Your Final Collection: A
Fashion Student’s Handbook 80
How to Design Websites 86
How to Make it as an Advertising Creative
64
How to Set up & Run a Fashion Label,
Second Edition 80
How To Use Images 86
How to Use Type 86
How to Write Art History, Second Edition
73
I
I Like It. What Is It? 29, 54, 86
I Used to Be a Design Student: 50 Graphic
Designers Then and Now 86
Icons of Men’s Style 80
Illustration 87
Indie Craft 75
Innovative Houses: Concepts for
Sustainable Living 39, 67
Interior Architecture Now 67
Interior Architecture: From Brief to Build
68
Interior Design, Second Edition 68
Introduction to Architectural Technology,
Second Edition 42, 68
It’s a Stick-Up: 20 Real Wheat Paste-Ups
from the World’s Greatest Street Artists
61
J
Jun Kaneko: The Magic Flute 73
K
Key Buildings from Prehistory to the
Present: Plans, Sections and Elevations
68
Key Buildings of the 20th Century: Plans,
Sections and Elevations, Second Edition
68
Key Contemporary Buildings: Plans,
Sections and Elevations 68
Key Houses of the Twentieth Century:
Plans, Sections and Elevations 68
Key Interiors Since 1900 36, 68
Key Urban Housing of the Twentieth
Century: Plans, Sections and Elevations
68
Knitwear Design 17, 81
L
Leather Fashion Design 81
Let’s Make More Great Placemat Art 49,
55, 58
Let’s Make Some Great Art 58
Let’s Make Some Great Fingerprint Art 58
Let’s Make Some Great Placemat Art 55,
58
Lettering: A Reference Manual of
Techniques 87
Light for Visual Artists: Understanding &
Using Light in Art & Design 71
Light, Water and Sky: The Paintings of Ivan
Aivazovsky 73
Lighting for Interior Design 68
Living Religions, Eighth Edition 73
Logo 87
Logo for London, A 30, 87
Logotype 87
London Games in Motion, The: Transport
for London and the 2012 Olympics and
Paralympics 68
Low-Tech Print: Contemporary Hand-Made
Printing 24, 71
Luis Vidal + architects: From Process to
Results 46, 68
M
Magic and Fairy-tale Dice 55, 58
Magma Sketchbook: Art & Illustration
53, 55
Magma Sketchbook: Design & Art
Direction 53, 55
Magma Sketchbook: Fashion 53, 55
Make Your Own Robot 55, 58
Making It: Manufacturing Techniques for
Product Design, Second Edition 76
Marketing Fashion 81
Masters of Fashion Illustration 81
Match a Pair of Shoes Memory Game 55
Materials and Interior Design 69
Materials for Architectural Design 69
Methods & Theories of Art History, Second
Edition 73
Mexican Muralists 73
Microworlds 61, 73
Miscellany of Objects from Sir John Soane’s
Museum, A
Modern East Asia: An Integrated History
73
Modern Magazine, The: Visual Journalism
Index of Titles
91
Index of Authors
in the Digital Era 26, 87
Motion Blur 2: Multidimensional Moving
Imagemakers 87
My Even More Wonderful World of
Fashion: Another Book for Drawing,
Creating and Dreaming 59
My Amazing Bubble Writer Stationery Kit
50, 55, 59
My Monster Bubble Writer Book 59
My Wonderful World of Fashion Notebook
55, 59
My Wonderful World of Fashion Postcards
55, 59
My Wonderful World of Fashion: A Book
for Drawing, Creating and Dreaming 59
My Wonderful World of Fashion Stamp Set
48, 55, 59
My Wonderful World of Shoes 59
N
Naughty Little People Postcards 56
New Bar & Club Design 69
New Cinematographers 73
New Icons of Fashion Illustration 81
New Media Design 87
New Modern House, The: Redefining
Functionalism 69
No More Rules: Graphic Design and
Postmodernism, Mini Edition 87
Numbers in Graphic Design 87
O
100 Best Bikes 77
100 Ideas that Changed Architecture 69
100 Ideas that Changed Art 73
100 Ideas that Changed Fashion 81
100 Ideas that Changed Film 73
100 Ideas that Changed Graphic Design 87
100 Ideas that Changed Photography 73
100 New Artists 74
100 New Fashion Designers, Mini Edition
61, 81
100 Years of Architectural Drawing:
1900–2000 40, 69
100 Years of Fashion 81
100 Years of Fashion Illustration 81
100 Years of Menswear, Mini Edition 61,
81
1000 Designs for the Garden: And Where
to Find Them 77
1000 New Designs 2: And Where to Find
Them 77
1000 New Eco Designs: And Where to Find
Them 77
P
Parametric Design for Architecture 45, 69
Paris Sketchbook 61
Pattern Cutting 81
Pattern Cutting for Menswear 18, 82
Pattern Magic 63, 82
Pattern Magic 2 63, 82
Pattern Magic: Stretch Fabrics 63, 82
Pattern Sourcebook, The: A Century of
Surface Design 82
Patterns, Mini Edition 61, 82
Photo Journal 56
Photography, Second Edition 74
Photography: A Cultural History, Third
Edition 74
Picture Book, The: Contemporary
Illustration, Mini Edition 87
Planning Office Spaces: a practical guide
for managers and designers 69
Print & Pattern 82
Print & Pattern 2 82
Print & Pattern: Kids 19, 82
Printed Textile Design 16, 82
Printmaking: A Complete Guide to
92
Index of Titles
Materials and Processes 71
Process: 50 Product Designs from Concept
to Manufacture, Second Edition 77
Product Design 77
Production for Graphic Designers, Fifth
Edition 88
Production for Print 88
Protest Stencil Toolkit 61
Prototyping and Modelmaking for Product
Design 77
Purple Book, The: Sensuality & Symbolism
in Contemporary Art & Illustration 74
R
Rad Rides: The Best BMX Bikes of All
Time 77
Railway Posters 1923–1947 74
Reading Architecture: A Visual Lexicon 69
Recycled Home: Transform Your Home
Using Salvaged Materials 75
ReFashioned: Cutting-Edge Clothing from
Upcycled Materials 13, 82
Renaissance in Europe, The 74
Renaissance in Rome, The 74
Research Methods for Product Design
33, 77
Rethinking Design and Interiors: Human
Beings in the Built Environment 69
Retro Fonts 88
Rise of the Sixties, The: American and
European Art in the Era of Dissent
1955–69 74
Royal Arts of Africa: The Majesty of Form
74
S
Saul Bass: A Life in Film & Design 88
Secret Garden: An Inky Treasure Hunt and
Colouring Book 59
Seize the Day: A Dateless Diary 56
Seventeenth-Century Art and Architecture,
Second Edition 74
Singapore Shophouse 69
Sixty-four Leaves Journal 56
Skateboard Stickers, Mini Edition 61
Sketchbooks: The Hidden Art of Designers,
Illustrators & Creatives 88
Sneaker Colouring Book, The 61
Stencil Republic 61
Sticker Fashionista 59
Sticker Fashionista: A Year in Fashion 59
Sticker Fashionista: Vintage Style 6, 59
Stickerbomb 61
Stickerbomb 2 62
Stickerbomb Letters 62
Stickerbomb Monsters 62
Stickerbomb XL 7, 62
Strategic Thinking for Advertising
Creatives: 11 Essential Steps to Creativity
34, 64
Street Art Doodle Book: Outside the
Lines 60
Street Art Stencil Book, The 62
Structural Engineering for Architects: A
Handbook 43, 70
Structural Packaging: Design Your own
Boxes and 3D Forms 75
Studio Culture: The Secret Life of a Graphic
Design Studio 88
Style Wars: A Trump Card Game 56
Stylish Dress Book: Clothing for Everyday
Wear 14, 63, 82
Stylish Dress Book: Simple Smocks, Dresses
and Tops 63, 83
Stylists: New Fashion Visionaries 83
Super Book for Superheroes, The 2, 60
Sustainability in Interior Design 70
Sweet Dress Book: 23 Outfits from Six
Simple Patterns 15, 63, 83
Symbol 88
T
Tattoo Colouring Book, The 8, 62
Technical Drawing For Fashion 83
Tees: The Art of the T-Shirt 83
Terry Farrell: Interiors and the Legacy of
Postmodernism 70
Textile Design 83
Textile Visionaries: Innovation and
Sustainability in Textile Design 83
Textiles Now 83
Thinking about Architecture: An
Introduction to Architectural Theory 70
This is Advertising 64
This is Tomorrow: Perpetual Calendar 56
This Means This, This Means That: A User’s
Guide to Semiotics, Second Edition 88
3D Type Book, The 88
Tote Bag, The 83
Tote Bag, The, Mini Edition 62, 83
Towards Zero-energy Architecture: New
Solar Design 70
Transformation of St Pancras Station, The,
Mini Edition 70
Trend Forecaster’s Handbook, The 83
Twentieth-Century Type and Beyond,
Compact Edition 27, 88
Type & Typography, Second Edition 88
Type Primer, A, Second Edition 88
U
Undiscovered Minimalism: Gelims from
Northern Iran 74
V
Very Small Cafés & Restaurants 70
Very Small Shops 70
Vintage Fashion Journal, The 56
Vintage Menswear: A Collection from The
Vintage Showroom 83
Visual Merchandising: Window and
In-Store Displays for Retail, Second
Edition 84
W
Walk the Line: The Art of Drawing 22, 74
Whose Hair? 62
Why Shrink-wrap a Cucumber? The
Complete Guide to Environmental
Packaging 77
Window Display: New Visual
Merchandising 84
Working with Clay, Third Edition 71
World History of Architecture, A, Third
Edition 70
World History of Art, A, Revised Seventh
Edition 75
A
Adams, Maia 54, 61, 80
Aguado, Emma 54
Aldridge, Stephen 77
Andrews, Guy 75, 76
Atkinson, Mark 80
Augusta, Sophia 56
Austin, Tricia 87
B
Baines, Phil 88
Ballantyne, Andrew 68
Ballard Bell, Victoria 69
Ballinger, Alexander 73
Baron, Katie 83
Basford, Johanna 59
Bass, Jennifer 88
Bateman, Steven 88
Bell, Jonathan 69
Bergström, Bo 85
Berrie, Christine 54, 56
Bingham, Neil 40, 69
Bird, Michael 73
Blackman, Cally 61, 81
Blackwell, Lewis 27, 85, 88
Blier, Suzanne Preston 74
Bolton Green, Oscar 54, 58
Bowie Style 19, 82
Bowkett, Steve 4, 58, 65
Bowles, Melanie 78
Boylston, Scott 76
Brereton, Richard 71, 88
Briggs-Goode, Amanda 16, 82
Brook, Tony 88
Brooker, Graeme 36, 68
Brooks, Jason 61
Brown, Carol 17, 79, 81
Brown, Rachael 69
Brown, Sass 13, 79, 82
Bua, Matt 65
Burrill, Anthony 29, 54, 86
C
Caan, Shashi 69
Caffiero, Gianni 73
Cardwell, Steve 61
Carson, David 85
Chakrabarti, Nina 48, 55, 59
Chia, Patrick 76
Choklat, Aki 80
Christoforou, Christina 62
Clarke, Simon 83
Clerc, Lucille 58, 80
Cole, Beverley 74
Cole, Drusilla 61, 82, 83
Crow, Thomas 74
D
D*Face 21, 72
D’Alleva, Anne 73
Damluji, Salma Samar 65
Dave the Chimp 60
Davies, Colin 68, 70
Davies, Hywel 9, 60, 61, 78, 80, 81
Davison, Julian 69
Dernie, David 65, 67
Dessanay, Margherita 61, 73
Deuchars, Marion 49, 55, 58
Donovan, Bil 78
Dorrian, Michael 85
Doust, Richard 87
Dowling, Faye 60
Downton, David 81
Draffan, Susie 20, 60, 78
Dunn, Nick 65, 67
Durack, Richard 74
E
Edwards, Andrew 76
Entwistle, Jill 66
Eskilson, Stephen J. 86
Evamy, Michael 87
Evans, Peter 43, 69
F
Farrell, Terry 65, 66, 70
Farrelly, Liz 85
Farrelly, Lorraine 67, 69
Fawcett-Tang, Roger 87
Fazio, Michael 70
Feisner, Edith Anderson 71
Fick, Bill 71
Fisher, Mary Pat 73
FL@33 88
Fleming, John 75
Fletcher, Kate 79
Ford, Jason 2, 56, 60
Francis-Bryden, Selena 78
French, Hilary 68
Friedman, Avi 39, 67
Furniss, Maureen 84
Kronenburg, Robert 67
Krug, Margaret 71
G
Gatter, Mark 88
Gavin, Francesca 60, 66, 74
Gibbs, Jenny 68
Gill, Bob 85
Glenville, Tony 81
Godfrey, Jason 84
Goldfarb, Maximilian 65
Grabowski, Beth 71
Gregory, Rob 68
Grose, Lynda 79
Gunn, Douglas 83
Gura, Judith 37, 67
Guzowski, Mary 70
M
McLean, Will 42, 43, 68, 70
McLeod, Virginia 66, 67
Maat, Matthijs 78
Macario, Joyce 85
MAKI Design 78, 83
Makstutis, Geoffrey 65
Marien, Mary Warner 73, 74
Marshall, Lindsey 86
Martens, Yuri 69
Martin, Rosie 78
Matsumoto, Jinko 63, 80
Meachem, Lester 86
Meadows, Toby 80
Megamunden 8, 62
Melhuish, Clare 46, 68
Metropolitan Museum of Art 55
Miller, Laurel 77
Miller, Steven Thomas 79
Milton, Alex 33, 77
Moffett, Marian 70
Molony, Barbara 73
Morgan, Tony 84
Morris, Bethan 80
Moxon, Siân 70
Munson, Mark 61
H
Hall, Andrew 87
Hall, Sean 88
Hallett, Clive 79
Hallgrimsson, Bjarki 77
Harbison, Craig 72
Harris, Ann Sutherland 74
Haslam, Andrew 85, 87, 88
Heller, Steven 84, 87
Henry, Kevin 76
Hess, Jay 85
Holden, Robert 65
Honour, Hugh 75
Hopkins, Owen 69
Horner, Polly 52, 54
Hornung, David 71
Hudson, Jennifer 65, 67, 68, 76, 77
Huey, Sue 20, 60, 78
Hughes, Philip 67
Hyland, Angus 74, 87, 88
I
Ibarra, Ana 22, 74
Ingledew, John 74, 84
Innes, Malcolm 68
Intercity 60, 77
Invernizzi Tettoni, Luca 69
Isaac, Ceri 78
J
Jabi, Wassim 45, 69
Jackson, Paul 75
Jarosch, Daniel 61
Jenkyn Jones, Sue 80
John, Elys 44, 65
Johnston Cobb, Debra 78
Johnston, Amanda 79
K
Kalb, Peter R. 23, 72
Kane, John 88
Kaneko, Jun 73
Kavounas Taylor, Alice 34, 64
Kershaw, Gareth 18, 82
KesselsKramer 35, 64
Kiisel, Karolyn 12, 79
King, Margaret L. 74
Kiosoglou, Billy 86
Kirkham, Pat 88
Klingel, Henrik 61
L
Lansley, Alastair 70
Lawrence, David 30, 87
Lawson, Stuart 32, 76
Lefteri, Chris 76
Leonard, Max 76
Leslie, Jeremy 26, 87
Lewis, Angharad 74
Lipman, Jonathan 73
Liversedge, Jamie 65
Lo, Dennic Chunman 81
Lovegrove, Keith 31, 60, 75
Lucas, Gavin 64, 77
Luckett, Roy 83
N
Nakamichi, Tomoko 63, 82
Newman, Alex 60, 79
O
Ollystudio 61
On.Studio 62
Onedotzero 87
P
Paoletti, John T. 72
Parkinson, David 73
Partridge, Loren 74
Pasztorek, Simone 85
Patel, Jitesh 62, 83
Peake, Nigel 54
Peterson, Jan 71
Peterson, Susan 71
Petson, Erin 54
Philippin, Frank 86
Phillips, David, 66
Pile, John 37, 67
Pilkington, Niki 56
Pipes, Alan 71, 76, 86, 88
Plunkett, Drew 38, 65, 66, 67
Posner, Harriet 81
Poynor, Rick 87
Pramaggiore, Maria 72
Proctor, Rebecca 75, 77
Q
Quinn, Bradley 83
Rees, Darrel 86
Reid, Olga 38, 66
Remington, R. Roger 84
Rhys-Morgan, Dean 10, 78
Roberts, Caroline 71
Roberts, Lucienne 76
Robinson, Michael 73
Robinson, Stuart 77
Rochfort, Desmond 73
Rodgers, Paul 33, 77
Rousseau, Camille 56
Rudge, Geraldine 77
Rudge, Ian 77
Ryder, Bethan 69
S
Salisbury, Martin 85
Samarine, Ivan 73
Sardar, Zahid 77
Sato, Hisako 63, 79
Scott, Linda 50, 55, 59, 59
Scully, Kate 78
Selby, Andrew 84
Shariff, Zakee 60, 79
Shaughnessy, Adrian 86, 88
Shaw, Mark 64
Silver, Pete 42, 43, 68, 70
Sims, Josh 60, 78, 80, 83
Skolos, Nancy 85
Smith, Kelly 6, 59
Smith, Terry 72
Smits, Kim 78
Sparshott, David 52, 54, 56
Spring, Chris 72
SRK, The (Studio Rarekwai) 7, 61, 62
Stathaki, Ellie 69
Stawinski, Gregor 88
Sterlacci, Francesca 81
Stones, John 70
Stuart, Christopher 75
Styles, Morag 85
Szkutnicka, Basia 83
T
Tanavoli, Parviz 74
Taylor, Brandon 72
Taylor, Fig 28, 86
Thomas, Patrick 61
Tomlinson, Janis 72
Triggs, Olivia 85
Tsukiori, Yoshiko 14, 15, 63, 82, 83
V
Valli, Marc 22, 61, 74, 73
van Meel, Juriaan 69
van Ree, Hermen Jan 69
Veksner, Simon 64
Vienne, Véronique 84, 87
W
Waldron, Hannah 55, 58
Wallis, Tom 72
Waterhouse, Jo 60, 72, 75
Watkin, David 67
Wedell, Thomas 85
Wesen Bryant, Michele 80
Weston, Richard 68, 69
Williams, Eliza 64
Williamson, Caspar 24, 71
Wodehouse, Lawrence 70
Worsley, Harriet 81
Wright, Rebecca 76
Y
Yamashita, Megumi 66
Yot, Richard 71
R
Radke, Gary M. 72
Raizman, David 76
Rand, Patrick 69
Raymond, Martin 83
Index of Authors
93
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97
Contents
Key Student Titles
Fashion
Pattern Cutting
978 1 85669 750 7
£24.95 PB
Fabric for Fashion
The Swatch Book
978 1 85669 669 2
£60.00 HB
Fashion Drawing
Illustration Techniques
for Fashion Designers
How to Set up
& Run a Fashion Label
978 1 85669 719 4
£35.00 Flexibound
978 1 85669 892 4
£18.95 PB
Graphic Design Process
From Problem to Solution:
20 Case Studies
Graphic Design
A History
978 1 85669 826 9
£19.95 PB
978 1 85669 824 5
£30.00 PB
Thinking about Architecture
An Introduction to
Architectural Theory
A World History of Architecture
Second Edition
Graphic Design
How to Be a Graphic Designer
Without Losing Your Soul
100 Ideas that
Changed Graphic Design
Second Edition
978 1 85669 794 1
£19.95 PB
978 1 85669 709 5
£17.95 PB
Second Edition; Paperback
Architecture
978 1 85669 679 1
£22.50 PB
98
Key Student Titles
Reading Architecture
A Visual Lexicon
978 1 85669 736 1
£19.95 PB
978 1 85669 755 2
£19.95 PB
Third Edition
978 1 78067 111 6
£35.00 PB

Forthcoming Titles 1 Laurence King Autumn 2013

Transcription

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