touring repertoire pascal rioult dance theatre

Transcription

COMPANY BIOGRAPHY
PASCAL RIOULT DANCE THEATRE builds on tradition, expanding the definition of contemporary dance. Known for his
daring and imaginative explorations of classical scores, Pascal Rioult creates new work that brings fresh perspective to
timeless themes, flawlessly blending his European sensibilities with a strong background in American modern dance. The
c
o
mp
a
n
yo
f
f
e
r
sd
i
v
e
r
s
ea
u
d
i
e
n
c
e
sa
ne
x
p
e
r
i
e
n
c
et
h
a
t
s
p
e
a
k
st
ob
o
t
ht
h
emi
n
da
n
dh
e
a
r
t
.
Ri
o
u
l
t
’
sc
a
r
e
e
r
a
sac
h
o
r
e
o
g
r
a
p
h
e
r
began in 1984 when, as a principal dancer with the Martha Graham Dance Company, he held an informal showing of his first
wo
r
k
sa
t
Ne
wYo
r
k
’
s9
2
n
dSt
r
e
e
t
Y.I
n1
9
9
2
,
Th
eNe
wYo
r
kTi
me
sd
a
n
c
ec
r
i
t
i
cJ
e
n
n
i
f
e
r
Du
n
n
i
n
gwr
o
t
e“
I
f
Pa
s
c
a
l
Ri
o
u
l
t
keeps on creating the kinds of dances he has been choreographing with such authority for a mere three years, he mayhaveto
leave his job as a soloist with the Martha Graham Dance Company and become a full-t
i
mec
h
o
r
e
o
g
r
a
p
h
e
r
.
”Hef
o
u
n
d
e
d
Pascal Rioult Dance Theatre later that same year with his wife and fellow Graham dancer Joyce Herring, an esteemed
performer in her own right.
Over the past decade Pascal Rioult Dance Theatre has become an established name in modern dance. With a repertoire of
over twenty dances, the company presents an annual season at The Joyce Theater in Manhattan and tours internationally.
Company performances throughout North America and Europe have received praise from audiences and critics alike. The
company was honored to be the Théâtre de Saint Quentin en Yvelines resident company for the Temps de Danse Festival,
where it premiered The Ravel Project. Recent tour highlights include the premiere of Firebird at the American DanceFestival
in Durham, NC, and appearances at the Annenberg Center in Philadelphia, PA and Cal Performances in Berkeley, CA.
Ri
o
u
l
t
’
ss
i
g
n
a
t
u
r
ep
i
e
c
e
,Bo
l
e
r
o
,h
a
sb
e
e
ns
e
e
na
tt
h
eNe
wYo
r
kCi
t
yCe
n
t
e
rFa
l
l
f
o
rDa
n
c
eFe
s
t
i
v
a
l
a
n
do
na1
2
-city
European tour of France, Belgium and Switzerland. During the 2006-07 season, the group will travel to the mid-westandoffer
b
o
t
hf
a
l
l
a
n
ds
p
r
i
n
gEu
r
o
p
e
a
nt
o
u
r
s
.Ne
x
t
t
ot
h
eRi
o
u
l
t
’
sv
i
b
r
a
n
t
c
h
o
r
e
o
g
r
a
p
h
y
,
t
h
ec
o
mp
a
n
y
’
st
e
nd
a
n
c
e
r
sa
r
ec
o
n
s
i
d
e
r
e
di
t
s
greatest artistic resource. They reach beyond their polished technique to shine in solo roles and perform as one body in the
group choreography.
Education and community outreach have been integral to Pascal Rioult Dance Theatre since its inception. DanceREACH,
t
h
ec
o
mp
a
n
y
’
se
d
u
c
a
t
i
o
n
a
l
c
o
mp
o
n
e
n
t
,
o
f
f
e
r
sa
ni
n
t
e
r
a
c
t
i
v
ea
p
p
r
o
a
c
ht
oi
n
t
r
o
d
u
c
i
n
gs
t
u
d
e
n
t
sto the world of moderndance. It
has had an impact on thousands of students and community members in New York City and around the world. Ongoing
relationships with schools in New York City and the metropolitan area allow DanceREACH to inspire new generations of
dancers and audiences.
PASCAL RIOULT DANCE THEATRE
246 W 38TH ST. 8TH FL. NY, NY 10018 TEL 212-398-5901 WWW.PRDANCE.ORG
For domestic booking contact: [email protected]
PASCAL RIOULT
PASCAL RIOULT (Artistic Director / Choreographer) was born in Normandy,
France and earned a Masters Degree in Science Education from the
University of Paris. More than two decades ago, he came to the United
States on a fellowship from the French Ministry of Culture to study modern
dance. After coming to New York, Rioult performed with the companies of
May O'Donnell and Paul Sanasardo before joining the Martha Graham
Dance Company in 1986. As a principal dancer, he interpreted many of the
most prestigious roles in the Graham repertory and in 1990 Ms. Graham
created the central role (Death Figure) in her ballet The Eye of the Goddess for Mr. Rioult. He performed
opposite Mikhail Baryshnikov and Joyce Herring in El Penitente and was featured in two television specials:
Martha Graham in Japan and Five Dances by Martha Graham at the Paris Opera.
Mr. Rioult began choreographing in 1989 while still a member of the Graham troupe and produced his first
concerts at the Theatre of the Riverside Church in 1991 and 1992. His pieces Narayama and Harvest were
danced by the Graham Company during its New York City seasons at City Center. Since 1994 Mr. Rioult
has dedicated his energies to building and perfecting a choreographic style of his own, a robust ensemble
o
fd
a
n
c
e
r
sa
n
dPa
s
c
a
l
Ri
o
u
l
tDa
n
c
eT
h
e
a
t
r
e
.Mr
.Ri
o
u
l
t
’
swo
r
kh
a
sb
e
e
np
e
r
f
o
r
me
da
n
dc
o
mmi
s
s
i
o
n
e
db
y
numerous modern dance and ballet companies in the United States and in Europe. He is the recipient of a
1998 and 2002 Choo-San Goh Award for Choreography and he has been awarded grants from the
National Endowment for the Arts, the New York State Council on the Arts, the New York City Department of
Cultural Affairs, The Paul Lepercq Foundation, The Florence Gould Foundation, The Grand Marnier
Foundation, The Greenwall Foundation, The Mary Flagler Cary Charitable Trust and The Harkness
Foundation for Dance.
246 W 38TH ST. 8TH FL. NY, NY 10018 WWW.PRDANCE.ORG
TOURING PROGRAMS
THE RAVEL PROJECT
An evening of dance set to the lush scores of Maurice Ravel; a perfect
evening for fans of romantic music and classic modern dance, as well as
lovers of French culture.
STRUCTURE│RI
OULT│STRAVINSKY
Following in the footsteps of great choreographers before
him, Pascal Rioult takes on the double challenge of creating
complex ballets to well-known Stravinsky scores.
RIOULT REVEALED
A little sex, a little violence, a lot of passion.
Choose from among our favorites from Piaf to Bolero.
TOURING REPERTOIRE
THE RAVEL PROJECT
European sensibility blends flawlessly with American modern dance to create work that is as technically adept as it is
rich with emotion. THE RAVEL PROJECT is an evening of dance set to the lush scores of Maurice Ravel; a perfect
evening for fans of romantic music and classic modern dance.
Home Front, “
L
eTo
mb
e
a
ud
eCo
u
p
e
r
i
n
”represents the lost innocence of
uprooted soldiers to whom Ravel dedicated the five movements of his
musical score. Jennifer Dunning of the New York Times described it as a
"joyous hymn to order" and praised the choreographer as a "natural
storyteller who is increasingly, and distinctively, merging buried
narratives with pure dance." Running time: 18 minutes.
Wien, “
L
aVa
l
s
e
”d
e
p
i
c
t
sEu
r
o
p
e
a
ns
o
c
i
e
t
yb
e
t
we
e
nt
woworld wars whose
apparent civility –as illustrated by the Viennese waltz –fails to conceal the
internal whirlwind, spiraling outward to social disintegration.
Backstage
remarked "
Ri
oul
tt
a
k
e
st
hef
a
mi
l
i
a
rs
c
or
eof‘
LaVa
l
s
e
’
a
nds
t
r
e
t
c
he
st
he
imagination to unthought-of movement regions, thus creating a spine chilling work of choreography. Rarely
doe
sonene
e
dt
os
e
eapi
e
c
eofwor
ka
ga
i
n.‘
Wi
e
n’de
ma
ndsa
not
he
rl
ook
.
" This startlingly violent and
thought-provoking work has been captivating audiences since its premiere. Running time: 13 minutes.
Prelude to Night, is a triptych danced to three short Ravel orchestral works,“
Al
b
o
r
a
d
ad
e
l
Gr
a
c
i
o
s
o
,”“
Pr
é
l
u
d
eàl
a
n
u
i
t
”a
n
d“
Fe
r
i
a
”f
r
o
m“
Ra
p
s
o
d
i
eEs
p
a
g
n
o
l
e
.”The piece is linked by the physical presence of the central female
character who goes through a journey of time and space –that of imagination, dream and nightmares. ‘
Prelude to
Night’
is a transitory journey from one state to another. Running time: 28 minutes.
Bolero, is a bold and unexpected interpretation of the famous musical score. A perennial sensation with audiences
and critics alike, this electric piece was featured in the 2005 City Center Fall for Dance Festival. Its perpetual motion
and ever-changing patterns f
o
l
l
o
wt
h
ec
o
mp
o
s
e
r
’
sl
e
ad in building to its inevitable climax. The unrelenting crescendo
of energy creates a riveting tour de force that speaks to the essence of the music. Allan Ulrich of the San Francisco
Chronicle declared that “
Ri
oul
t
…k
nowst
ha
t‘
Bol
e
r
o’i
sa
c
t
ua
l
l
yas
i
ngle, 16-minute crescendo that looks back
ont
heCons
t
r
uc
t
i
v
i
s
te
r
a
…i
ti
st
ha
tc
ol
dme
c
ha
ni
s
t
i
c
,a
s
e
x
ua
lqua
l
i
t
yt
ha
tt
hi
sne
w‘
Bol
e
r
o’c
a
pt
ur
e
ss
o
rivetingly.”Running time: 16 minutes.
TOURING REPERTOIRE
STRUCTURE –RIOULT –STRAVINSKY
Following in the footsteps of great choreographers before him, Pascal Rioult takes on the double challenge of
creating complex ballets to well-known scores. His captivating lineup of Stravinsky-set works illustrates not only his
great love for this master composer, but his deep understanding of structure and diversity of the music that is so
poignantly expressed in dance. This intense, diverse program offers audiences a constant reinvention of classical
themes. Ideal for dance aficionados, fans of modern orchestral scores or anyone who might enjoy a modern take on
mythic themes.
Les Noces, revisiting the concept of the wedding, is a sexually charged deconstruction of the marriage ritual,
exploring the primal instincts behind this traditional rite of passage. Provocative movement and unabashed energy
permeates strong structural composition. Described in Backstage as “
Ar
a
v
i
s
hi
ng,da
nc
e
dde
c
ons
t
r
uc
t
i
onof
s
e
x
ua
l
di
s
c
ov
e
r
y
.
”this wedding will leave you breathless. Running time: 25 minutes.
Black Diamond, “
Du
oCo
n
c
e
r
t
a
n
t
”i
sav
i
s
u
a
l
l
ya
n
dt
echnically stunning duet for two women perched on platforms
halfway between the earth and the sky. This refined yet exuberant dance translates the poetic qualities of a black
diamond into movement: strength, beauty, purity and mystery –the same essential q
u
a
l
i
t
i
e
so
ft
h
ed
a
n
c
e
r
’
sb
o
d
y
.
‘
Black Diamond’raises the female dancer to the status of semi-goddess and poetic muse.
Anna Kisselgoff of the
New York Times s
t
a
t
e
d“
I
n‘
Bl
a
c
kDi
a
mond’[
Ri
oul
t
]ha
sme
tt
hec
ha
l
l
e
ngeofc
ompa
r
i
s
onwi
t
hGe
or
ge
Ba
l
a
nc
hi
ne
’
s1
9
7
2‘
DuoConc
e
r
t
a
nt
.
’
”Running time: 13 minutes.
Firebird, “
Fi
r
e
b
i
r
d Su
i
t
e
”p
r
e
s
e
n
t
sa
no
r
i
g
i
n
a
l
revision of this mythic story of good versus evil; a
community of lost souls brought back to humanity
through the magical intervention of a small child –
the symbolic phoenix of hope and rebirth.
Breathtaking sets and lighting enhance masterful
choreography to create an unforgettable theatrical
experience.
This “
Firebird” is emotionally
evocative and intellectually stimulating; it “
t
ur
nsa
potential cliché into essential truth.”(New York Times, 2004) Running time: 23 minutes.
TOURING REPERTOIRE
RIOULT REVEALED
A little sex, a little violence, a lot of passion.
La Vie En Rose, is a series of solos, duets and trios set in a café atmosphere where the dancers present a series of
vignettes set to a variety of classic Edith Piaf songs. Dancers assume casual, life-like attitudes between the pieces,
but as they begin to move their inner world is revealed, a world that is not visible on the outside, but speaks about
their secret hopes, dreams and fantasies. They tell their own stories that would not be spoken or shown in public, but
are usually only played out behind closed doors. “
Ri
oul
t
t
a
c
k
l
e
dpa
r
t
ne
r
i
ngc
hor
e
ogr
a
phywi
t
he
a
s
e
…i
nt
he
due
t‘
Non,
J
eNeRe
gr
e
t
t
eRi
e
n,
’
some visible magic was created. (Phyllis
Goldman, Backstage) Running time: 20 minutes.
Wien, “
L
aVa
l
s
e
”d
e
p
i
c
t
sEu
r
o
p
e
a
ns
o
c
i
e
t
yb
e
t
we
e
nt
wowo
r
l
dwa
r
swh
o
s
e
apparent civility –as illustrated by the Viennese waltz –fails to conceal the
internal whirlwind, spiraling outward to social disintegration.
Backstage
remarked "
Ri
oul
tt
a
k
e
st
hef
a
mi
l
i
a
rs
c
or
eof‘
LaVa
l
s
e
’a
nds
t
r
e
t
c
he
st
he
imagination to unthought-of movement regions, thus creating a spine
chilling work of choreography. Rarely does one need to see a piece of
wor
ka
ga
i
n. ‘
Wi
e
n’demands another look." This startlingly violent and
thought-provoking work has been captivating audiences since its premiere.
Running time: 13 minutes.
If By Chance, s
e
t
t
oJ
a
c
q
u
e
sL
o
u
s
s
i
e
r
’
sj
a
z
zi
n
t
e
r
p
r
e
t
a
t
i
o
no
f
Mo
z
a
r
t
’
s“
Co
n
c
e
r
t
oNo
.
2
3
,
”e
x
p
l
o
r
e
st
h
ep
o
s
s
i
b
i
l
i
t
yo
f
improvisation within a composition. “
Ri
oul
t
a
l
l
owe
dhi
sa
l
t
e
r
na
t
e
l
ys
e
ns
ua
l
a
ndde
l
i
ght
f
ul
c
hor
e
ogr
a
phyt
opl
a
y
wi
t
hi
nt
hewi
def
r
a
meof
mode
r
nda
nc
e
…t
heda
nc
e
r
s
…c
r
e
a
t
ed a sensual energy, with mixed –and samege
nde
rpa
r
t
ne
r
i
ng.Ty
pi
c
a
l
of
Ri
oul
t
,
t
hi
sunt
r
a
di
t
i
ona
l
c
oupl
i
nga
ddsr
e
f
r
e
s
hi
ngs
pi
c
et
ot
hebl
e
nd.
”(Emily
Macel, Dance Magazine) Running time: 22 minutes
Bolero, “
Bo
l
e
r
o
”i
sab
o
l
da
n
du
n
e
x
p
e
c
t
e
di
n
t
e
r
p
r
e
t
a
t
i
o
no
ft
h
ef
a
mo
u
smu
s
i
c
a
ls
c
o
r
e
. A perennial sensation with
audiences and critics alike, this electric piece was featured in the 2005 City Center Fall for Dance Festival. Its
perpetual motion and ever-c
h
a
n
g
i
n
gp
a
t
t
e
r
n
sf
o
l
l
o
wt
h
ec
o
mp
o
s
e
r
’
sl
e
a
di
nb
u
i
l
d
i
n
gt
oi
t
si
n
e
v
i
t
a
b
l
ec
l
i
ma
x
. The
unrelenting crescendo of energy creates a riveting tour de force that speaks to the essence of the music. Allan Ulrich
of the San Francisco Chronicle declared that “
Ri
oul
t
…k
nowst
ha
t‘
Bol
e
r
o’i
sa
c
t
ua
l
l
yas
i
ngl
e
,1
6
-minute
crescendo that looks back ont
heCons
t
r
uc
t
i
v
i
s
te
r
a
…i
ti
st
ha
tc
ol
dme
c
ha
ni
s
t
i
c
,a
s
e
x
ua
lqua
l
i
t
yt
ha
tt
hi
s
new ‘
Bol
e
r
o’
c
a
pt
ur
e
ss
or
i
v
e
t
i
ngl
y
.
”Running time: 16 minutes.
PRESS QUOTES
“
On
eo
f
t
h
emo
s
t
a
d
e
p
t
a
n
dcourageous choreographers in ma
i
n
s
t
r
e
a
mmo
d
e
r
nd
a
n
c
et
o
d
a
y
.
”
Lisa Jo Sagolla, Backstage
“
Ri
o
u
l
t
’
sc
h
o
r
e
o
g
r
a
p
h
ywa
sdisciplined and ingenious…”
Mae G. Banner, Metroland, Albany
“
’
The Ravel Project’
…ma
k
e
so
n
eo
f
the most original programs o
f
t
h
ed
a
n
c
es
e
a
s
o
n
.
”
Anna Kisselgoff, The New York Times
“
Pa
s
c
a
l
Ri
o
u
l
t
h
a
smoved himself into primetime. His movement vocabulary is a
flawless melding of ballet and modern with deep and ful
f
i
l
l
i
n
ge
mo
t
i
o
n
a
l
o
v
e
r
t
o
n
e
s
.
”
Phyllis Goldman, Backstage
“
T
h
ei
n
c
r
e
a
s
i
n
ga
c
c
l
a
i
mh
eh
a
sa
t
t
r
a
c
t
e
do
nn
a
t
i
o
n
a
l
t
o
u
r
sh
a
smu
c
ht
od
owi
t
hhis
assertive individuality.
I
n‘
Bl
a
c
kDi
a
mo
n
d
’
h
eh
a
sme
t
t
h
ec
h
a
l
l
e
n
g
eo
f
c
o
mp
a
r
i
s
o
n
with GeorgeBa
l
a
n
c
h
i
n
e
’
s‘
Du
oCo
n
c
e
r
t
a
n
t
’
.
”
“
Ri
oul
ti
sa
nor
i
gi
na
l
,
heha
si
de
a
sofhi
sown…h
i
sd
a
n
c
e
sh
a
v
eguts but they
also have heart…o
f
t
h
en
e
wd
a
n
c
ec
o
mp
a
n
i
e
s
,
h
i
si
swa
yo
u
t
f
r
o
n
t
.
”
Francis Mason, WQXR
“
Su
c
c
e
e
d
i
n
ga
g
a
i
n
s
ta
l
lo
d
d
s
,Pa
s
c
a
lRi
o
u
l
t
’
sn
e
wd
a
n
c
et
r
e
a
t
me
n
to
f‘
The Firebird’is a compelling
reinvention,
e
v
e
nr
e
j
e
c
t
i
o
n
,
o
f
t
h
ee
x
o
t
i
cb
e
a
u
t
i
e
so
f
St
r
a
v
i
n
s
k
y
’
sf
a
mo
u
sb
a
l
l
e
t
.
”
“
Black Diamond will find a permanent home right behind his classic ‘
Wien’
i
nRi
o
u
l
t
’
se
v
e
r
g
r
o
wi
n
ga
n
db
e
autifully
d
e
v
e
l
o
p
i
n
gr
e
p
e
r
t
o
r
y
.
”
Phyllis Goldman, Backstage
“
Vi
e
wi
n
g‘
Wien’
is like getting a front row seat at a grade 5 tornado.
”
The Salt Lake Tribune
“
Mr
.Ri
o
u
l
t
’
soriginality is genuine and is expressed through startling fusions of dramatic images and
abstract movement…d
a
n
c
i
n
gc
h
o
r
e
o
g
r
a
p
h
e
dwi
t
hintrinsic emotional impact and admirable stylization.
”
Jennifer Dunning, The New York Times
“
Fascinating! Pascal Rioult, before all, is one of the l
e
a
de
r
sof‘
Neo-Modern dance.’
His work is rooted in a
tradition but open to the future. His style blends an acute sense of classical structure with a profound musical
s
e
n
s
i
b
i
l
i
t
y
.
”
Alain Cigolotti, Le Temps, France
OUTREACH ACTIVITIES
DANCEREACH
The arts-in-education component of Pascal Rioult Dance Theatre
Pascal Rioult Dance Theatre (PRDT) collaborates with local presenters to reach a wider spectrum of their community by:

Providing targeted programming to promo
t
ea
t
t
e
n
d
a
n
c
ea
t
t
h
ec
o
mp
a
n
y
’
sf
o
r
ma
l
p
e
r
f
o
r
ma
n
c
e

Offering programs that demystify the arts and personalize the creative process.
DanceREACH: FOR ALL AGES
Behind the Scenes –Lecture/Demonstration & Performance
Ra
t
e
dt
h
ec
o
mmu
n
i
t
y
’
sf
a
v
o
r
i
t
ee
v
e
n
t
b
yp
r
e
v
i
o
u
sp
r
e
s
e
n
t
e
r
s
,
t
h
eL
e
c
t
u
r
e
/
De
mo
n
s
t
r
a
t
i
o
n&Pe
r
f
o
r
ma
n
c
ei
sa“
b
e
h
i
n
dt
h
e
s
c
e
n
e
s
”l
o
o
ka
t
mo
d
e
r
nd
a
n
c
ec
h
o
r
e
o
g
r
a
p
h
y
.
Th
eo
n
eh
o
u
rp
r
o
g
r
a
mi
sn
a
r
r
a
t
e
da
st
h
ed
a
n
c
e
r
si
l
l
u
s
t
r
a
t
eh
o
wPa
s
c
a
l
Rioult creates a dance piece, uses music and transforms an idea into the magnificent choreography seen on stage.
Following the performance of a full dance piece, the audience is invited to participate in a question and answer session
with the artists. This program is tailored to be appropriate for all audiences.
DanceREACH: KINDERGARTEN THROUGH 12TH GRADE
Creative Dance Workshop
Highly qualified PRDT Teaching Artists lead age-appropriate creative dance workshops that engage the imagination and
encourage using the body as a means of expressing creativity. Workshops stimulate creative problem solving and
cognitive skills, and enhance communication and discipline.
Classroom Residency
Highly qualified PRDT Teaching Artists lead a series of dance classes developed with the school and classroom teacher to
support the curriculum. Students create movement phrases that are cooperatively crafted into an original dance piece.
The residency concludes with a performance by the students for their peers, parents, teachers and community guests.
DanceREACH: HIGHER EDUCATION AND COMMUNITY
Master Classes
Highly qualified PRDT Teaching Artists offer master classes geared toward the appropriate dance technique level of the
group.

Technique and Repertory
Modern technique class with a foundation in Graham Technique, includes movement b
a
s
e
do
nPa
s
c
a
l
Ri
o
u
l
t
’
s
choreography and his provocative and musically-oriented dance language.

Dance Composition
Students are guided in developing choreographic process using structure, movement vocabulary and imagination.

Movement for Actors, Singers and Public Speakers
Using theatrical movement, students explore developing a dynamic stage presence and learn how to use the
body as a tool for communication and expression. These skills can be adapted into any adult circumstance
including personal and business situations.
Restaging Repertory
Co
mp
a
n
yme
mb
e
r
st
e
a
c
he
x
c
e
r
p
t
so
f
Pa
s
c
a
l
Ri
o
u
l
t
’
sr
e
p
e
r
t
o
r
yi
nas
e
r
i
e
so
f
c
l
a
s
s
e
st
oc
u
l
mi
n
a
t
ei
na
ni
n
f
o
r
ma
l
s
t
u
d
e
n
t
showing. Through learning and performing the choreography, students experience the rich connection between body
language, music and human emotions.
For our school and community outreach programs contact:
Laura Hymers, Education Director - 212-398-5901 -OR- [email protected]
2006-2007 PERFORMANCE CALENDAR
September 15, 2006
Harriman Arts Center, Kansas City, MO
October 15, 2006
CultureFest through French Institute Alliance Française, New York City
Fall Europe Tour
November 30, 2006 Soissons, France
December 2, 2006 St. Germaine en Laye, France
December 5, 2006 Meaux, France
December 7, 2006 Laval, France
January 17, 2007
Florence Gould Hall, French Institute Alliance Française, New York, NY
Spring Europe Tour
March 5, 2007
March 6, 2007
March 7, 2007
March 9, 2007
March 13, 2007
March 15, 2007
March 17, 2007
March 20, 2007
March 24, 2007
March 27, 2007
March 29, 2007
March 31, 2007
April 3, 2007
April 6, 2007
Trento, IT
Mestre, IT
Treviso, IT
Vicenza, IT
Sochaux, FR
Saint Etienne, FR
Vichy, FR
Sarlat, FR
Saintes, FR
Courbevoie, FR
Esch sur Alzette, LX
Maison Alfort, FR
Le Perreux sur Marne, FR
Reuil Malmaison, FR
April 13-15, 2007
Kravis Center, West Palm Beach, FL
May 5-6, 2007
Queens Theater in the Park, Queens, NY
June 12-17, 2007
NY Season, Joyce Theater, New York, NY
June 24 –
July 14, 2007
Vassar College Residency, Poughkeepsie, NY

touring repertoire pascal rioult dance theatre

Transcription

Similar documents

2009-2010 Facts

Join us for Grand Open House 2015! Open House Party

The History of Middle Eastern Dance, Part 1.

Introduction to Belly Dance Workshop

Bon Odori Dance Practices

Dinner Dance Dinner Dance - Franciscan Sisters of Chicago

Kids Birthday Party Package Special

SWING CATS WORKSHOP and DANCE

Sahara

Students of the Week