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WYASTONE ESTATE LIMITED DISTRIBUTED LABELS
OCTOBER 2015 NEW RELEASES
NEW RELEASE
SRCD.351
TITLES AVAILABLE TO ORDER FROM FRIDAY 2ND OCTOBER 2015
TO PLACE AN ORDER CONTACT DISCOVERY RECORDS LTD
TEL: 01380 728000 EMAIL: [email protected]
DISCOVERY RECORDS LTD, NURSTEED ROAD, DEVIZES, SN10 3DY
For further details visit our website: www.discovery-records.com
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NimbusRecords
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/NimbusRecordsTV
[details in this release book are correct at time of production]
OCTOBER 2015 NEW RELEASE
To Order: Tel: 01380 728000
MUSIC OF VALENTIN SILVESTROV
INSPIRED THIS RECORDING.
A TRIBUTE TO SILVESTROV
VLADIMIR FELTSMAN, PIANO
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A TRIBUTE TO SILVESTROV
VLADIMIR FELTSMAN, PIANO
Catalogue Number
NI 6317
Total Playing Time
67.52
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C P E Bach (1714 - 1788)
Andante con Tenerezza in A minor
6.37
Franz Schubert (1797-1828)
Klavierstück in A major
4.39
Franz Schubert arr. Valentin Silvestrov (1937 - *)
Marriage Waltz (1826 arr. 2002)
4.18
Valentin Silvestrov
Kitsch Music
15.53
Domenico Scarlatti (1685-1757)
Sonata in B minor K 87
6.22
Frédéric Chopin (1810 - 1849)
Etude in E-flat minor, op.10 no.6
4.06
Valentin Silvestrov
Melody (2001)
2.44
Melody (1967)
1.09
Richard Wagner (1813 - 1883)
arr. Valentin Silvestrov
Postludia (1882 arr. 2001)
3.54
Valentin Silvestrov
Two Waltzes
I
1.57
II
3.23
Robert Schumann (1810 - 1856)
From Davidsbündlertänze
No.14 in E-flat major
2.34
No.2 in B minor
1.42
Valentin Silvestrov
Messenger
8.34
Total playing time
67.52
Email: [email protected]
The composers featured in this recording all share
something in common - an ability to recreate moments
of beauty, moments of perfection that could be realised
as such only after they are lost... And all share a lyrical,
poetic gift of subtle understatement, gift of expressing
through the language of music the most universal and
intimate human emotions and feelings that are
common to all and 'unique' in every individual
experience. That universality and uniqueness follows
the Law - all in one and one in
all.
This music does not belong to anybody, it has no
beginning or end, no before or after - it simply is. It is
one language, one vocabulary that is spoken. This
recording was conceived as one composition that
unfolds in itself continuously. One could look at
this as a tea party, which brought together several
composers that lived during the last four centuries...
These composers are talking to each other, sharing
their stories and very soon it becomes apparent that
this story is one and same, simply told in different
ways... This music was rather remembered and
overheard then composed. It comes from silence and
resolves into it.
Vladimir Feltsman
OCTOBER 2015 NEW RELEASE
To Order: Tel: 01380 728000
BAX & BATE CELLO CONCERTOS
LIONEL HANDY
ROYAL SCOTTISH NATIONAL ORCHESTRA
MARTIN YATES
SIR ARNOLD BAX (1883-1953)
Concerto for cello and orchestra (1934)
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1st movement : Allegro moderato
16.25
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2nd movement : Lento
11.36
3
3rd movement : Allegro molto
10.03
STANLEY BATE (1911-1959)
Concerto for cello and orchestra (1953)
First Recording
BAX & BATE
CELLO CONCERTOS
LIONEL HANDY
ROYAL SCOTTISH NATIONAL ORCHESTRA
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1st movement : Allegro
8.36
5
2nd movement : Andante
8.20
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3rd movement : Allegro vivace
5.22
Total playing time :
Lionel Handy, cello
Royal Scottish National Orchestra
conducted by Martin Yates
Catalogue Number
SRCD351
Total Playing Time
60.14
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60.14
Email: [email protected]
The first of his pieces for solo instrument and
orchestra which Bax officially designated a ‘concerto’
was the Cello Concerto of 1932. In the Cello Concerto,
the instrument is centre stage virtually from beginning
to end and the composer takes great pains to ensure
that it is clearly audible at all times. To accomplish this,
he uses modest forces: three flutes, two oboes, cor
anglais, two clarinets, two bassoons, contrabassoon,
four horns, two trumpets, timpani, harp, celesta and
strings. By the composer’s usual standards, this
orchestration is notably restrained, with an absence of
trombones and tuba and only two trumpets, the
second of which does not feature at all in the first
movement. When supporting the soloist, textures often
take on the transparency of chamber music and are
varied with such invention and flair (including much
creative use of divided strings) that we rarely
encounter the same combination of instruments
accompanying the cellist for two phrases in succession.
Before he wrote his Cello Concerto in 1953, Bate
had produced a couple of instrumental works for cello
and piano, consisting of a Recitative, op.52a (1945), and
a Fantasy, op.56 (1947). The fluency of his writing in
the concerto suggests that the composer had a natural
empathy with the solo instrument’s lyrical and
declamatory nature. It was premiered in late 1954 by
the Eastman Rochester Orchestra at the Eastman
School of Music, New York. Compact and sparingly
scored, Bate’s concerto maintains the spotlight firmly
on the soloist throughout. A sizeable orchestra is rarely
exerted at full stretch and then only fleetingly. It is
made up of two flutes, two oboes, clarinet, two
bassoons, four horns, three trumpets, three trombones,
tuba, timpani, cymbals and strings.
OCTOBER 2015 NEW RELEASE
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WILFRED JOSEPHS (1927-1997)
DISC ONE
1-4 Symphony No.5 ‘Pastoral’ Op.75 (1971)
5-14 Variations on a Theme of Beethoven
Op.68 (1969)
Total playing time
35.09
21.53
57.02
Adelaide Symphony Orchestra
conducted by David Measham
DISC TWO
1-10 Requiem Op.39 (1963)
Total playing time
59.03
Robert Dawe, bass-baritone
WILFRED JOSEPHS
SYMPHONY NO.5 • REQUIEM
VARIATIONS ON A THEME OF BEETHOVEN
Catalogue Number
SRCD2352
Total Playing Time
1 hr 56 mins
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Adelaide String Quartet
Robert Cooper, violin • Mary Pascoe, violin
Juris Ezergailis, viola • Waldemar de Almeida, cello
with Pamela de Almeida, 2nd cello
Adelaide Symphony Orchestra
(concertmaster Andrew Leonard)
Adelaide Chorus
(musical director Elizabeth Silsbury)
conducted by David Measham
Recorded in the presence of the composer
Previously released on LP by Unicorn.
This is the first release on CD.
Email: [email protected]
Still widely regarded as one of Josephs’ most
important works, his Requiem Op.39 (1963), was
written in memory of the Jews who died during the
Holocaust. With this score he achieved international
success when, in December 1963, it won the first
International Composition Competition of La Scala
and the City of Milan. In January 1967 Max Rudolf
introduced the piece to the United States in concerts in
Cincinnati and New York and in 1972 the Chicago
Symphony Orchestra programmed it three times
under Carlo Maria Giulini who referred to it as ‘the
most important work by a living composer’.
Josephs’ Variations on a Theme of Beethoven is
one of a number of pieces, such as the 1965 Canzonas
on a Theme of Rameau, which derive their inspiration
from music of the past and constitute a tribute to an
earlier creative artist. The dedication describes the
Variations as ‘humbly offered’ in honour of the 200th
anniversary of Beethoven’s birth. It was completed in
March 1969 and premiered at Carnegie Hall, New
York, by the London Symphony Orchestra under
André Previn on 23 January 1970, the bicentenary year.
Josephs’ Fifth Symphony ‘the Pastoral’, op.75, was
begun on 11 August 1970 and the orchestration
completed on 27 February 1971. Like Beethoven before
him, Wilfred Josephs uses his ‘Pastoral Symphony’ as a
means of expressing his feelings as a city-dweller about
visiting the countryside. In fact most of the score was
written in his Hampstead home rather than the cottage
his family rented in the country and some of the
composer’s desire to get away from his urban
surroundings to commune with nature is reflected in
the piece.
OCTOBER 2015 NEW RELEASE
To Order: Tel: 01380 728000
Email: [email protected]
Double CD / Single CD Price
TRANQUILLO
OVER 150 MINUTES OF TRANQUIL MUSIC ON
Amon Ra is the classical division of Saydisc Records
ORIGINAL INSTRUMENTS
and is devoted to authentic performances on original
THE PERFORMERS INCLUDE:
instruments or copies. The unifying feature of all the
Preston’s Pocket, London Baroque, Classical Winds, Le
music in this double album is its calm and tranquil
Nouveau Quatuor (ensembles), Alan Hacker (clarinet),
nature. There is still enormous variety within this
The Fitzwilliam, Salomon and Dartington String
narrow framework in terms of period of music,
Quartets, Frances Kelly (harp), Richard Burnett
instrumentation and style.
(fortepianos), The English Guitar Quartet, Ralph
Holmes (violin), Robin Canter (oboe), Lisa Beznosiuk
(flute), Nigel North (lute), The Rose Consort of Viols,
Stephen Preston (flute), Andrew Watts (bassoon), Paul
Nicholson (harpsichord)
THE TRANQUIL WORKS INCLUDE:
SAYDISC 50th ANNIVERSARY RELEASE
adagio, cantabile, largo, nocturne, dolce, andante
espressivo, larghetto, aria and lento movements from
TRANQUILLO
works by: Mozart, Thomas Arne, Beethoven, François
TRANQUIL MUSIC ON ORIGINAL
INSTRUMENTS
Handel, Jan Vanhal, Schumann, Fauré, Haydn,
Catalogue Number
SAR071
Total Playing Time
2 hrs 33 mins
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Devienne, Brahms, Weber, J.S. Bach, John Field,
Borodin,
Hummel,
Chopin,
Michael
Corrette,
Tchaikovsky, John Dowland, Locatelli, Vivaldi, C.P.E.
Bach, Mendelssohn
TRACK LISTING ON NEXT PAGE
OCTOBER 2015 NEW RELEASE
To Order: Tel: 01380 728000
Email: [email protected]
SAYDISC 50th ANNIVERSARY RELEASE
TRANQUILLO • TRANQUIL MUSIC ON ORIGINAL INSTRUMENTS
SAR71 TRACK LISTING
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CD1
J.S. Bach Trio Sonata in G, BWV 1039, Adagio: Preston’s Pocket
Jan Vanhal Adagio Cantabile: Alan Hacker / Richard Burnett
Schumann Piano Quartet in Eb: Andante cantabile: Richard Burnett
Fauré Une Chatelaine en sa Tour: Frances Kelly (harp)
Haydn Sonata No. 60 in C maj (Hob. XVI/50): Adagio: Richard Burnett
Borodin Nottturno from 2nd String Quartet: English Guitar Quartet
Hummel Sonata Op.5 No. 3 in Eb: Adagio e cantabile: Holmes / Burnett
J.S. Bach Sonata in Gm BWV 1030b: Siciliano: largo e dolce: Canter / Nicholson
Chopin Opus 22: Andante spianato: Richard Burnett
Tchaikovsky Andante cantabile from Quartet No. 1 in D, Op.1:
The Dartington String Quartet
Mozart Divertimento K439b no. 1: Adagio: Classical Winds
Mozart Divertimento K439b no. 4: Larghetto: Classical Winds
Mozart Divertimento K439b no. 4: Adagio: Classical Winds
Locatelli Sonata in G minor Op.2a No.3: Largo: Beznosiuk / North
Michel Corrette Flute Sonata in D, Op.20: Aria: affettuoso
Le Nouveau Quatuor
J.S. Bach Prelude in C min, BWV 999: Nigel North
John Field Nocturne No. 1 in Eb: Richard Burnett
John Dowland Lachrimae Antiquae: Rose Consort of Viols
Total duration:
3.23
4.15
6.12
4.57
5.52
8.03
4.53
3.39
4.45
6.08
2.59
2.36
2.27
3.30
3.49
1.47
2.58
4.04
76.29
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CD2
Mozart Clarinet Quintet in A, K 581: Larghetto:
Alan Hacker with The Salomon String Quartet
8.08
Arne Trio Sonata in D, Op. 3 No.5: Largo: Le Nouveau Quatuor
2.39
Arne Trio Sonata in Bm, Op. 3 No.6: Larghetto: Le Nouveau Quatuor
1.04
Arne Trio Sonata in G, Op. 3 No.2: Largo: Le Nouveau Quatuor
1.38
Beethoven Sonata Op. 24 in F (“Spring”): Adagio molto espressivo
Ralph Holmes / Richard Burnett
6.02
François Devienne Sonata in Em: Adagio: Stephen Preston / Lucy Carolan 3.44
Arne Trio Sonata No. 2 in G: Largo: London Baroque
1.57
Brahms Clarinet Trio in A minor: Adagio: Hacker / Clarke / Burnett
7.10
J.S. Bach Sonata in Gm, BWV 1020: Adagio: Robin Canter / Paul Nicholson 3.03
J.S. Bach Sonata in C, BWV 1033: Adagio: Lisa Beznosiuk / Nigel North
1.42
Mendelssohn Konzertstück No. 1 in Fm: Andante: Alan Hacker
2.40
Mendelssohn Konzertstück No. 2 in Dm: Andante: Alan Hacker
2.53
Handel Sonata Op. 2 No. 5: Larghetto: Preston’s Pocket
3.01
Vivaldi Concerto in C for flute, bassoon & violin: Adagio: Andrew Watts
/ Le Nouveau Quatuor
2.40
Vivaldi Concerto in C for flute, bassoon & violin: Largo: as track 14
1.58
Beethoven Rondo: Andante (Rondino WoO25): Classical Winds
6.43
Weber Flute Trio J.239: Andante espressivo: Stephen Preston
4.19
Handel Concerto Grosso Op. 3 No.1: Lento: English Guitar Quartet
4.44
Field Nocturne No. 11 in Eb: Richard Burnett (Clementi cabinet piano)
5.38
C.P.E. Bach Sonata in Gm: Adagio: Robin Canter (baroque oboe) 1.44
Handel Trio Sonata Op. 2 No.3 in F: Adagio: London Baroque 3.30
Total duration:
77.09
OCTOBER 2015 NEW RELEASE
To Order: Tel: 01380 728000
ABE LINCOLN &
THE RAMPART STREET PARADERS
THEIR 18 FINEST
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ABE LINCOLN &
THE RAMPART STREET PARADERS
THEIR 18 FINEST
Catalogue Number
RTR 4275
Total Playing Time
1 hr 19 mins
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South Rampart Street Parade
I Ain’t Gonna Give Nobody None O’ This
Jelly-Roll
Black And Blue
The Sheik Of Araby
Paducah Parade
Sugar
Hindustan
When I Grow Too Old To Dream
A Ghost Of A Chance
Oh, Baby!
I’m Gonna Sit Right Down And Write
Myself A Letter
After You’ve Gone
When It’s Sleepy Time Down South
March Of The Mustangs
Peruna
Dallas Blues
As “Matty Matlock & His Dixie Men”:
17 Ida, Sweet As Apple Cider
18 Shim-Me-Sha-Wabble
“The most
Email: [email protected]
sophisticated,
the most
gloriously
fashioned – and, for some, the best – Dixieland jazz on
record”.
That is jazz maestro Digby Fairweather’s verdict on
these
joyous
performances
by
the
great
jazz
trombonist who is not, perhaps, nearly as famous as
his name. Abe Lincoln has, remarkably, not had a solo
CD prior to this Retrospective survey of his finest
work with Matty Matlock’s Rampart Street Paraders
during the mid-50s. Nearly 80 minutes covers 18 titles
that include both familiar favourites (The Sheik Of
Araby, Shim-Me-Sha-Wabble . . .) and little-known
numbers (The March Of The Mustangs, Peruna . . .). This
team of supreme Dixie stylists – tenorist Eddie Miller,
trumpeters Clyde Hurley and Dick Cathcart, guitarist
George Van Eps, drummer Nick Fatool and others –
produces pure gold for anyone with a taste for
traditional jazz. President Abraham Lincoln once said:
“Whatever you are, be a good one.” Well, Abe Lincoln
was certainly one good jazz trombonist.
OCTOBER 2015 NEW RELEASE
To Order: Tel: 01380 728000
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JAZZING THE CLASSICS
VINTAGE 30S & 40S
26 FINEST ORIGINALS
Catalogue Number
RTR 4276
Total Playing Time
1 hr 19 mins
BUY NOW
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Liszt: “Ebony Rhapsody” - Duke Ellington
Rimsky-Korsakov: Song Of India
- Tommy Dorsey
Liszt: Liebestraum - Tommy Dorsey
Tchaikovsky: “Our Love” - Jimmy Dorsey
Johann Strauss: Blue Danube Waltz - Jimmy
Dorsey
Johann Strauss: Perpetuum Mobile - The
Comedian Harmonists
Bach: “Improvisation Swing Sur Le Premier
Mouvement Du Concerto En Re Mineur” Stéphane, South & Reinhardt
Debussy: “My Reverie” - Larry Clinton
Waldteufel: “Skaters’ Waltz In Swingtime” - Bob
Crosby
Ravel: “The Lamp Is Low” - Mildred Bailey
Grieg: Anitra’s Dance - John Kirby
Tchaikovsky: “Moon Love” - Glenn Miller
Verdi: The Anvil Chorus - Glenn Miller
Tchaikovsky: “On The Isle Of May” - Connee
Boswell
Mozart: “In An Eighteenth-Century Drawing
Room” - Raymond Scott
Mozart: “Turkish March” - Hazel Scott
Grieg: I Love You - Bing Crosby
Offenbach: Barcarolle - Frankie Carle
Massenet: Élégie - Art Tatum
Chopin: “Till The End Of Time” - Perry Como
Rimsky-Korsakov: The Flight Of The Bumble
Bee - Harry James
Georges Bizet: “Spanish Kick” - Charlie Barnet
Chopin: “I’m Always Chasing Rainbows” Helen Forrest & Dick Haymes
Dvorák: Humoresque - Guy Lombardo
Rachmaninov: “Full Moon And Empty Arms” Frank Sinatra
Khachaturian: Sabre Dance - Woody Herman
Email: [email protected]
Here is an utterly unique and hugely entertaining
selection of the best from the many vintage jazz and
popular vocal interpretations from the 30s and 40s of
famous classical tunes.
There has long been of tradition for
popularizing ‘classical’ themes; presenting them in a
manner far removed from the concert platform.
During the 30s and 40s this practice enjoyed a
tremendous vogue, with literally hundreds of popular
and jazz records plundering classical composers for
material. Jazzing The Classics – Vintage 30s & 40s offers
a kaleidoscopic range of 26 remarkably varied
examples.
Perhaps after Paul Whiteman it was the big
bands that were the main ‘culprits’, and there are
examples included here from Glenn Miller (Anvil
Chorus and Moon Love from Tchaikovsky’s 5th
Symphony), Tommy Dorsey (Liebestraum and Song Of
India), brother Jimmy Dorsey (Our Love from Romeo &
Juliet and with the amazing Josephine Tumminia
doing extraordinary things to The Blue Danube), as well
as Guy Lombardo, Larry Clinton and the big-band
jazz of such as Charlie Barnet and Woody Herman.
There’s also remarkable jazz from Art Tatum
(phenomenal virtuosity in Massenet’s Elegie), Django
Reinhardt and Stephane Grappelli and Eddie South in
Bach, and a delightful Skaters’ Waltz from clarinettist
Irving Fazola with the Bob Crosby Orchestra.
All the top solo artists seemed to feature at
least some ‘classical’ material. Prime examples here
are Frank Sinatra (a beautiful rendition of
Rachmaninov's Piano Concerto No.2 Adagio), Bing
Crosby (Grieg's Ich liebe dich), Perry Como (raiding
Chopin) and Connee Boswell (making a lovely song
out of Tchaikovsky’s Andante Cantabile).