Thirty-eighth Annual Report and Accounts

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Arts
Counci
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B R I TA [ N
Thirty-eighth annua l
report and account s
1982/83
Thirty-eighth Annual Report and Accounts 198 3
ISSN 0066-813 3
Published by the Arts Council of Great Britai n
105 Piccadilly, London W1V OA U
Designed by Duncan Firth
Printed by Watmoughs Limited, Idle, Bradford ;
and London
The Arts Council of Great Britain, as a publicl y
accountable body, publishes an Annual Report t o
provide Parliament and the general public with a n
overview of the year's work and to record all grant s
and guarantees offered in support of the arts .
A description of the highlights of the Council's wor k
and discussion of its policies appear in the newspape r
Arts in Action which is published in conjunction wit h
this Report and can be obtained, free of charge, fro m
the Arts Council Shop, 8 Long Acre, London WC2 an d
arts outlets throughout the country .
The objects for which the Arts Council of Great Britai n
is established are :
1 To develop and improve the knowledge ,
understanding and practice of the arts ;
2 To increase the accessibility of the arts to the publi c
throughout Great Britain ;
an d
3 To co-operate with government departments, loca l
authorities and other bodies to achieve thes e
objects .
Content s
6 CHAIRMAN'S INTRODUCTIO N
7 SECRETARY-GENERAL'S PREFACE
11 REPORTS FROM THE DEPARTMENT S
16 SCOTLAN D
17 WALE S
18 COUNCI L
19 MEMBERSHIP OF COUNCIL AND STAF F
20 ADVISORY PANELS AND COMMITTEE S
24 STAF F
25 ANNUAL ACCOUNTS
Funds, Exhibitions, Schemes and Awards
5
Chairman's Introductio n
The strongest convictio n
which I have gained
during my first year a s
Chairman of the Counci l
is that the arts in Britai n
are still flourishing despit e
the many financia l
Air
problems they face .
Theatres, both in Londo n
and the regions, ar e
staging some excellen t
work, and undoubtedly continue to provide th e
greatest range of drama production in the world . No t
only is London enjoying superb opera at the Roya l
Opera House and the Coliseum, but outside Londo n
too opera is strengthening and gaining substantia l
audiences and great critical applause .
Dance performances, both contemporary an d
classical, are attracting increasing and extremel y
enthusiastic: audiences . and the number and variety of
orchestral concerts remains very encouraging, with
the Barbican Centre, despite some problems ,
becoming an important new concert hall as well a s
theatre.
It is important that we should emphasise the genera l
strength of the performing arts in Britain because th e
commercial and financial problems of the art s
sometimes obscure the very substantial achievement s
made over the years and continuing in the present .
Credit for the creative work must go to the individua l
companies, but it is certainly true that, without publi c
funding and Arts Council provision, a great part of thi s
work could not have been done . Equally important ,
though, is the Council's, support for the visual arts ,
including our arts films-which receive great praise-and literature, although the structure of their fundin g
is, by the nature of things, quite different .
However, financial problems remain and are likely t o
remain . One of the most encouraging development s
of this last financial year was the Government' s
decision to give an extra Lim to clear off past deficits .
The combination of this with the increase in the 19838 4
grant has allowed the Council to avoid the agonisin g
decisions which became unavoidable in 1980 . It is very
important that provision should continue to rise s o
that we can not only go on supporting that which i s
best but also encouraging the new work which i s
struggling to appear .
The reports of the individual departments of th e
Council illustrate some of the outstanding events of
the year in the various arts . For me, the opening of the
Royal Shakespeare Company's tenure at the Barbica n
and the completion of the new Theatre Loyal,
Plymouth were amongst the highlights, giving us a
new London and a new regional theatre, both of grea t
importance .
The general balance between arts provision in Londo n
and outside London continues to concern the Counci l
and was the central question raised in the report o f
the Select Committee of the Hou ,,e of Commons ,
published in October The Arts Council believes tha t
in every country it is natural for the arts to have a
metropolitan base and so does not accept argument s
of precise mathematical balance . Nevertheless, th e
achievement cif the present very high standards i n
London ought now to be followed by increasin g
emphasis on the highest possible standards o f
provision in the rest of the country .
An important Government decision, which the Art s
Council and the individual companies welcomed . wa s
the establishment of the Priestley scrutiny to examin e
the efficiency of the operations of the Royal Opera
House and the Roval Shakespeare Company .
Covemment funding for the arts inevitably depend s
on public confidence in the value received for th e
expenditure of its money . Both the Arts Council an d
its clients must expect that this will be carefull y
watched, as indeed it shoold be. The Council itself i s
extremely concerned to rriaintain high levels o f
efficiency and to keep to a minimum its ow n
administrative overheads .
There is no doubt in my mind that public provision fo r
the arts through the Arts Council has proved a highl y
effective system . The arts in Britain, despite man y
problems, stand comparison with those of any othe r
country, and in some arts Britain i ; demonstrably
superior both in the range of prevision and in th e
quality . This is achieved despite proportionately lowe r
public funding than any other country in Wester n
Europe, but it is vital that arts support should continu e
to be increased .
t'
r 4 '
'~t~
Secretary-General's Preface
Developing access to the art s
I.
The role of educatio n
The Chairman s
introduction Tightly refers
to the high quality of th e
arts in Britain, which is i n
no small measure clue t o
the discriminating grant t ivrn}; of the Art 5
(ouncil . However, th e
Council is required by it s
Charter not only to
maintain the duality of the arts, but to make them
more genf-rally, icc'essible and to foster understandin g
frl them . Nevertheless, after over .30 years of Art s
Council activity, the subsidised arts are patronise d
only by a minority ; some put it as low as 10/6 of th e
population and no-one puts it higher than lo t)/n . I n
this . my last report, I would like to review, in a n
una,harrtedly personal way . my own response, a s
Secretary-General . to this situation .
Alh~
r
in the 1950s the Council's tasks were crystallised in th e
words "raise and spread" . Then, my distinguishe d
predecessor as Secretarv-General, Sir William Emry s
Vlhlliams, argued forcibly the need to concentrate o n
raising standards, believing that too great an emphasi s
on spreading, would lead to the diffusion of mediocrity .
When I became Secretary-General in 1975, the climat e
of opinion had changed, and Williams' views seeme d
like 'elitism' . Moreover, although he and I bath cam e
from a background in adult education, my ow n
approach was different . 1 had been to school wit h
Matthew Arnold and while not endorsing all hi s
attitudes, believed passionately in the rightness of a
famous passage in his Culture and Anarchy :
The men of culture are the true apostles of equality . Th e
great men cst culture are those who have had a passion fo r
diffusing, for making, prevail, for carrying from one end o f
society to the other . the hest knowledge, the best ideas o f
their time ; who have laboured to divest knowledge of all that
was harsh, uncouth, difficult, abstract, professional ,
exclusive ; to humanise it, to make it efficient outside the
clsque of the Cultivated and learned
in over a quarter of a century of work in universit y
adult education I had long experience of combinin g
both raising and spreading . To be sure, it was, and is ,
an uphill task . One always has to contend, whether i n
universities or the arts, with some people who ar e
content to cherish high standards and care not a ra p
about spreading, and some who are prepared to lowe r
the standards to make spreading easier . The challenge
was, and is, to get across without selling out.
The unexpressed major premise on which publi c
subsidy is based is surely that everyone has a right t o
culture, is specified in tke 1948 Universal Declaratio n
of Human Rights : "Everyone has the right freely t o
participate in the cultural life of the community, t o
enjoy the arts . . .", However, even in our country
many people arvex(luded trom full participation i n
cultural life-as Jennie Lee's 1965 White Paper on th e
arts noted, too many people have been conditioned
by their education and environment to consider th e
hest of the arts as outside their reach . Neither the Art s
Council nor arts education can directly bring about a
change in the environment ; that is a job for politician s
and planners, though one in which 'the people' should
have a voice . But the conditioning by education-o r
the lack of it-is certainly a challenge both t o
education and to the Arts Council, not to mention th e
4M1inister for the Arts . since: he for she) has a duty t o
promote the purposes for which the Arts Council, a s
the main instrument of government subsidy for the
arts, was established . Jennie Lee, the first Minister fo r
the Arts, did this, but none of her successors ha s
shown much inclination to face this challenge, despit e
the fact that most ministers for the arts have, hithert o
been brigaded under the Department of Educatio n
and Science, which seems to me the right place fo r
them to be .
A radical objection to the use of more and bette r
education to develop greater access to the arts ha s
been expressed by Mr Kingsley Amis, who opposes the
whole idea of public subsidy of the arts . Observin g
that the public for poetry is "a tiny elite", h e
continues :
Attempts to bring art to same much larger number will no t
work . The Arts Council constantly stresses art education ,
pathetically pretending that some external obstacle ha s
hitherto stood in most people's way and we must work t o
make the arts "truly accessible to the masses only at th e
cost of cheapening and diluting and simplifying it out o f
existence . Most Iwo& aren't truly accessible to art and
never will be and we shouldn't trv to make the m
I can contradict Mr Amis, not simply by theoretica l
arguments, but from long experience of seeing
hundreds of adults in adult education courses wh o
have responded enthusiastically to poetry and othe r
arts which they had previously thought were 'not fo r
them' .
Strangely, extremes meet and John McGrath, socialis t
playwright and director, once told an interviewer tha t
he rejected what he called metropolitan, middle-class
Secretary-General's Preface
theatre, on the grounds that to appreciate it "yo u
need experience of higher education, and that's th e
politics of elitism" . He therefore agrees with Amis tha t
the 'established' arts are for a 'tiny elite', and the res t
need something different-in his case, "comedians,
bands, rock and folk groups" .
Another socialist arts worker and writer wh o
unwittingly agrees with the right-wing Amis is Miss S u
Braden . She wrote, in Artists and People (1978), a
useful study of community artists and artists i n
residence, but her basic premise is that the "so-called "
cultural heritage is bourgeois and irrelevant to mos t
people . The Arts Council, she alleges, is founded o n
the 'artistic deception' that this culture is potentially
for all, and needs only more education to make i t
actually available to all .
Accessible Excellenc e
Anyone who has looked at studies of the audience fo r
most serious arts must agree with Miss Braden and M r
Amis as I do that the arts the Arts Council funds d o
not appeal to a majority-in tact I began by affirmin g
this . But we have very different explanations for thi s
undoubted fact . Mr Amis attributes it to the invincibl e
ignorance of most people, Miss Braden to the fact tha t
the arts are bourgeois and have nothing to say to mos t
people . I take the view embodied in the Arts Council' s
Charter, that by developing understanding of the art s
you will increase their accessibility .
Miss Braden's claim that Shakespeare, Constable,
Beethoven are not 'relevant' to working people i s
nonsense . I have seen all three and many mor e
examples of so-called bourgeois art-interpreted t o
working people so that they saw and felt the relevanc e
that was not immediately perceived but was mad e
plain through the mediation of a good teacher . One
of the commonest fallacies in approaching serious art s
is to assume that they must be immediatel y
accessible . Lord Goodman has wisely written of th e
Arts Council's conviction that "the artist's message i s
a unique commentary on human affairs, which, rea d
with understanding, enriches the lives of the readers .
We do not succumb to the error that this message ca n
be understood without effort and study ." Th e
difference between many middle class people wh o
enjoy the serious arts and many working class peopl e
who don't, is not that the arts are bourgeois but tha t
they are difficult and that most middle class peopl e
have had more opportunity to study them an d
become familiar with them, not only through forma l
education, but most importantly through the almost
subliminal educational influence of a cultivated hom e
background .
A 1961 TUC report on the arts, noting that fe w
workers were interested in the arts and that many
were hostile, listed among the adverse influence s
monotonous and exhausting work, bad housing an d
the appeal of commercial culture . "But the majo r
factor", they concluded, "is the inadequacy of thei r
education ." In the early '80s, almost half of all childre n
leave school with no qualifications whatsoever-no t
even one CSE. At the higher levels of education, th e
proportion of children from working class home s
going to university is actually declining . So it seem s
plain that the main reason why the arts see m
irrelevant to ordinary working people (who constitut e
just over half the population) is not that the arts ar e
bourgeois, not that the people are different creature s
from middle class people, but simply, as Jennie Lee' s
White Paper pointed out, that they have bee n
conditioned by their inadequate education and thei r
environment . The fact that some plays (and other arts)
need higher education to appreciate them is not, pace
John McGrath, due to elitism, but to the complex facts
of life and the complexity of art which sensitively
interprets life . It is the politics of democracy (not
elitism) to bring the necessary higher education t o
those who need it .
Despite the Arts Council's chartered aims and the fac t
that most Regional Arts Associations' constitution s
speak of a duty to encourage appreciation of the arts ,
for some arts educators and many community artist s
appreciation is a dirty word, and participation-'doing
your own thing'-is the preferred approach to artisti c
experience . So Redcliffe Maud quoted (with apparen t
approval) a community artist who said :
Hanging a picture on a wall and inviting people to come an d
look at it is the easiest possible thing to do . We are tryin g
to do something much harder : to tap the creativity i n
everyone.
This statement seems to me to combine arroganc e
with ignorance of what is involved in the appreciatio n
of art, which it dismisses as merely passive as oppose d
to the activity involved in doing it yourself . B y
coincidence, Professor L . C . Knights, without knowin g
the passage just quoted, has refuted it :
The energy embodied in the fully achieved work, far fro m
leaving the spectator, or reader, 'nothing to do', leaves hi m
with everything to do; for it continually evokes new energies
of apprehension- as it the eye were still growing-of thing s
hard, indeed impossible, for thought alone to grasp .
Secretary-General's Preface
In other words, appreciating a work of art calls for a
creative response from the observer as if the min d
were still growing . Indeed, encouraging appreciatio n
means precisely helping people to perceive th e
qualities ofa work of art and those who dismiss it ma y
do so because they themselves are blind to th e
qualities of the best in the arts and know only th e
unquestioned satisfaction of doing your own thing . Fo r
no-one denies this satisfaction, or its value i n
developing awareness and self confidence in th e
do-er. I have always maintained that we need both th e
appreciation and participation approaches, and hav e
said publicly that a good community artist can be a
'centre of excellence' .
Community Arts
I oppose only those community artists wh o
themselves oppose attempting to develop
appreciation of the artistic heritage and the best of
present day arts . Some community artists hav e
moderated their opposition, but in 1981, a leadin g
community artist was writing that community art s
provided a challenge to established arts and were 'i n
total opposition to the economic, social and cultura l
order' . And even in May 1983, in the West Midland s
Arts Association newspaper, a community artis t
whose work I respect, published an emotional attac k
on the Arts Council's work in developing access t o
'minority' arts with a specific rejection of opera an d
ballet as totally irrelevant to working class people . I t
is as though the arts world has let in a Trojan horse
full of philistines . For to reject the arts tradition i n
favour of 'doing your own thing' is philistine an d
narcissistic .
In the first half of this century, the development o f
'making' and 'doing' in education was a healthy one ;
but the present rejection of the experience o f
professional arts suggests that the pendulum ha s
swung too far, and needs a push in the other direction .
If literature means simply poems and stories produce d
by the children or adults themselves, people ar e
missing the experience of great literature which woul d
not only develop their understanding of themselve s
and others, but would improve their own creativ e
work . The same consideration applies to all the arts .
Of course appreciation can be badly taught ; but s o
can creative work . Developing self-expression is useful ,
but the Gulbenkian report on Arts in Schools gives a
salutary warning:
Mere expression without reflection and evaluation need no t
lead to an understanding of the nature of personal feelings ,
nor of the social values and acquired attitudes whic h
influence them . It need carry people no nearer t o
understanding themselves .
It will certainly lead them no nearer to understandin g
the arts .
The Council :'a late developer?
What has the Arts Council done about education fo r
access to the arts? For the first thirty years of it s
existence, very little . When I came to the Council i n
1975 and raised the need to develop an educationa l
role, I was assured that this was not possible . At th e
same time Lord Redcliffe Maud was compiling hi s
survey on Support for the Arts and found that one of
the most frequent criticisms of the Arts Council wa s
its neglect of education for the arts . Later, th e
Conservative discussion paper on the arts commente d
that it was extraordinary that the Council had for s o
long neglected this vital area .
The prevailing view in the Arts Council at that tim e
was that our duty was towards the artist, first and last.
My own view was that our first duty was to the public ,
and to the artist in so far as he/she served the publi c
well . This view is now more generally accepted . It doe s
not imply any neglect of artists ; as the 1965 Whit e
Paper noted : "By far the most valuable help that ca n
be given to the individual artist is to provide him wit h
a larger and more appreciative audience" .
Further, I was told that desirable as educationa l
activity might be, there was in the difficult financia l
conditions already prevailing, no money to finance it .
Since I was determined that we should do something ,
in 19781 took what, looking back, seems th e
extraordinary step of getting a grant from th e
Gulbenkian Foundation to fund the appointment of an
'education liaison officer' for three years .
(Extraordinary, because Gulbenkian's total funds wer e
a fraction of the Arts Council's .) The lady w e
appointed, Mrs Irene Macdonald, proved to be ver y
dynamic, and after the three years I was able to get
the funding out of Arts Council funds . Eventually, we
appointed an assistant, and the Council now has a n
Education Unit of two officers and two secretarieshardly lavish staffing to serve the whole of England ,
indeed, the British Film Institute, with a grant one tent h
of the Arts Council's has for years had an educatio n
department, currently staffed by eight officers and fiv e
secretaries . Further, the Arts Council's spending o n
education for the arts is still only a small fraction o f
what it spends on community arts .
The Council's present educational approach i s
oblique, I did not seek to have the Council take on a
direct educational role-despite its first chartere d
duty to develop understanding of the arts . Rather, I
invoked the third chartered duty, which requires the
Secretary-General's Preface
Council to co-operate with other bodies to achieve its
main objectives . I was also encouraged by Lor d
Redcliffe Maud's plea for a rejection of the lon g
established fallacy that 'arts support' and 'education '
are two separate things and his argument that "w e
must insist that those responsible for them are natura l
allies and see to it that they collaborate at national ,
regional and local level" . I therefore gave what wa s
then called the Education Liaison Officer the task o f
encouraging collaboration between Arts Counci l
clients and educators in all fields from child to adult
education . There is now a great deal of educationa l
activity related to arts events going on throughout the
country, and all four national companies have
appointed full-time education officers .
Much more needs to be done and the Council wil l
need to devote more resources to education in'th e
future . In particular, the quality of the educationa l
work of an organisation needs to be as carefull y
assessed as the quality of its artistic work . Further,
more emphasis is needed on reaching out to thos e
outside the charmed circle of existing patrons . A tal k
before a performance reaches almost exclusivel y
those who would come anyway, though it can deepe n
their appreciation of what they see or hear-which i s
not to be undervalued . Nevertheless, the main need i s
to reach those who do not normally patronise the art s
and it is here that arts bodies need the advice ,
expertise and full collaboration of educators particularly adult educators-though I have found ,
and so have my education officers, that most peopl e
in the arts, when they are persuaded to think abou t
education say "Oh yes, the schools . . ." . There is a
strongly ingrained belief that education is somethin g
you do to children and only to children . Much wise r
is the Gulbenkian Report on Arts in Schools which ,
despite its title, emphasises that "education is a lifelong process which only begins at school" . It is no t
really children, but adults (particularly young adults )
who are the 'audiences of tomorrow' . Today's childre n
maybe the audiences of 10 or 20 years hence bu t
then very often because of educational influence s
after they leave school .
I am happy to leave the last word on this theme to Mr s
Margaret Thatcher, who told the Royal Academ y
dinner in May 1980 : "We should see to it that ou r
people are steeped in a real knowledge an d
understanding of our national culture" .
If the educational concern was the main policy one I
brought to the Arts Council it has not been my dail y
pre-occupation as Secretary-General . That was to
10
increase the efficiency of the whole organisation ,
especially the exercise of managerial functions by
directors . As a 'regional' man, I have also tried t o
remember and remind others that there is life outsid e
London . I have also sought to promote by writing ,
speaking and broadcasting, the cause of publi c
subsidy of the arts . In particular, I have urged in an d
out of season the need for substantially increase d
government funding and have been rebuked by bot h
a Labour and a Conservative minister of the arts fo r
doing so . I was therefore glad that during the yea r
under review the all party House of Common s
Education Science and Arts Committee on funding th e
arts despite the then Minister's assurance that the art s
were "managing to survive", concluded in the light o f
all the evidence they received that the arts in Britai n
are 'gravely', indeed 'irresponsibly', underfunded . Th e
Peacock report on inflation in the arts pointed out tha t
the fact that the arts survive as well as they do is partl y
because many performers continue to be under-paid .
This applies particularly to actors, dancers an d
orchestral musicians . Further, many artistic directors
have to spend too much of their time worrying abou t
money or wooing possible business sponsors, to th e
detriment of their artistic role .
As a result of my initiatives (some would say 'nagging' )
scores of clients, especially the major ones, have bee n
persuaded to give more explicit acknowledgment i n
programmes and publicity of their Arts Counci l
subsidy . An unpublished Mori poll commissioned b y
the BBC this year confirmed my belief that most
people just do not know how many of the arts the y
enjoy are substantially subsidised by the Arts Council .
Since we are spending taxpayers' (not th e
government's) money, I feel strongly that it is essentia l
that taxpayers should be aware of what is being don e
with their money . And, of course, that more of the m
should be helped to enjoy the arts they subsidise,
along the whole continuum, from the work of th e
individual community artists to that of major oper a
companies .
I am proud to have served the cause of public subsid y
of the arts, and to have led the efforts of a skilled, ver y
dedicated and often heavily overworked staff .
Departmental Report s
Art
The advent of Channel 4 has opened a new outlet fo r
the showing of films on the arts to a large audience .
Two Arts Council films, The Pantomime Dame an d
Give us this Day, were screened shortly after the ne w
channel opened . The latter film also woh the Grierso n
award for 1982 for the best short film .
Major commissions to artists for works on public site s
often take years to come to fruition . Three suc h
projects were completed during the year : Ro n
Haselden's neon sculpture for the new Nottingha m
Concert Hall ; Patrick Caulfield's mural for London Lif e
Assurance, Bristol ; and Eduardo Paolozzi's mosai c
murals for Redditch Shopping Centre, unveiled by th e
Chairman in April . The Arts Council's financia l
contribution to such projects is often a relativel y
minor one and they indicate an increasing readines s
on the part of industrial and commercial companie s
and public authorities to patronise living artists and t o
incorporate art in building projects .
Another successful example of collaboration betwee n
the public and private sectors was the exhibition Coal:
Bntish Mining in Art 1680-9980, organised by the Art s
Council and jointly funded by the National Coa l
Board, Barclays Bank and the Association of Britis h
Mining Equipment Companies . The exhibition wa s
shown in Stoke, Swansea, Durham, Nottingham and a t
the Science Museum in London. The exhibition wa s
notable for bringing in new audiences and in som e
places exhibition visitors were able to go down a coa l
mine .
The most important international cultural event of th e
year was the Festival of India which brought a n
extraordinary range of art treasures, musicians ,
dancers, theatre groups, craftsmen, films and artifact s
of all kinds to this country to delight audiences o f
more than a million . The Arts Council's contribution s
were two very different exhibitions : In the Image o f
Man an exhibition of sculpture and painting at th e
Hayward Gallery, visited by over 70,000 people ; an d
The Living Arts of India held at the Serpentine Galler y
and in four cities outside London where an equa l
number of visitors were enthralled to watch India n
craftsmen and women at work on their traditional and
exquisite crafts .
Dance
This year there was a substantial increase in trainin g
opportunities for dancers, choreographers, mimes and
composers and designers for dance . Over f18,000 was
spent from the Dance allocation on individual stud y
or training bursaries, many of which are not listed a s
awards . Dance-Artists-in-Education schemes too k
place in schools in Biddick (Tyne and Wear), Knowsley
(Liverpool), Peterborough, and at the Dance Centre i n
Leicester. The second Mime-Artists-in-Education pilo t
scheme took place in Bromley (Kent) . Response t o
these schemes indicates that this concentrate d
experience of either dance or mime for schoo l
children is of exceptional value not only to them an d
the artists concerned, but to teachers, parents and th e
wider community .
Mime was a growing area of the department's wor k
during the year. More mime groups and solo artist s
were given first-time help than ever before and th e
training opportunities ottered by the British Summe r
School of Mime Theatre and by individual short ter m
bursaries enabled many professional artists to develo p
and improve their skills . Moving Picture Mime Sho w
broke new ground with a four-week, well attended ,
run of Passionate Leave at The Place, London .
Lack of funds unfortunately meant that th e
International Mime Festival could not take place i n
Spring '83, but the growing number of talented group s
and soloists who need this Festival as a 'shop-window '
has persuaded advisers that it must have priority i n
1983/84 and we are looking forward to a lively Festiva l
in London and the regions in spring 1984 .
Sadly, this year also saw the death on 12th June 1982
of Dame Marie Rambert, the founder of Balle t
Rambert . The company was one of the Arts Council' s
earliest clients . It came onto the books of the Council' s
predecessor CEMA (the Council for th e
Encouragement of Music and the Arts) in 1942/43 .
Ballet Rambert made the rest of the year a fittin g
tribute to 'Madame's' memory with a first appearanc e
in the Big Top, Battersea Park, London, a first tour o f
America, and a Memorial Season at Sadler's Well s
Theatre in March 1983 .
Dram a
One of the most significant events in regional theatr e
in 1982/83 was the completion of the new Theatr e
Royal, Plymouth . It stands on a prime site in the centr e
of the city-ideally situated to provide plenty o f
opportunities for the cultural enrichment of the area .
The Theatre cost f9 million (including a Housing th e
Arts contribution of £500,000) and was opened on 5t h
11
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May 1982 by HRH Princess Margaret . Designed b y
Peter Moro to provide two theatres in one, a n
auditorium seating 1,300 can be reduced to 758 by th e
automatic lowering of part of the ceiling . This enable s
the needs of opera and ballet as well as a variety o f
stage shows, from the single star attraction to th e
regular provision of drama, to be satisfactorily met .
There is, in addition, a studio theatre the Drum with a flexible seating capacity of 150-200 .
In its first few months of operation, audiences i n
Plymouth and the South West were able to se e
performances by companies such as the Royal Ballet ,
Glyndebourne Opera, Kent Opera and the Nationa l
Theatre, as well as productions mounted by their ow n
Plymouth Theatre Company . The continuin g
development of this company both in and out of a
complex as challenging as that provided by the
Theatre Royal will be watched with great interest .
During the year more than double the usual numbe r
of playwrights benefited from attachments to theatre
companies and organisations through the Residen t
Dramatist Attachment Award Scheme . This has bee n
streamlined to apply to short attachments of si x
months only-with an option to extend for a furthe r
six months if the writer and the theatre mutually agre e
that it would be beneficial . Playwrights assist thei r
hosts in all matters relating to new writing and writ e
a new play for the company . The 18 awards during th e
year went to organisations ranging from small-scal e
touring companies like Northumberland Theatr e
Company, through new playwriting centres lik e
London's Hampstead Theatre to major regiona l
theatres such as the Crucible in Sheffield .
Bradford, a public library scheme for the sale o f
children's books received subsidy towards publicit y
costs .
The Literature Department continues to welcom e
applications for assistance in this field ; librarians an d
booksellers who are interested in establishing scheme s
in their own areas may find it useful to view the vide o
film, which is available for hire through the Nationa l
Book League .
A one-day conference on Writers' Fellowships wa s
arranged during the year by the Literature
Department and Education Unit, under th e
independent chairmanship of Professor Malcol m
Bradbury . It brought together writers who have take n
part in the Council's scheme since its inception i n
1974, and representatives of many intereste d
organisations . A clear view emerged that writers'
fellowships were amongst the Literature Department' s
most successful schemes, and that provision shoul d
be significantly expanded, both in the number, th e
variety and the remuneration of fellowships . Following
the conference the Council decided that, a s
highlighted by the conference, a three-yea r
development period for the scheme on a carefull y
monitored basis should be initiated to continue th e
success so far achieved .
The Council has also been concerned to develop it s
existing schemes for subsidising the publication o f
books of literary quality, so that these books can b e
made more readily available to the public . At the en d
of the year, discussions were started with th e
Publishers' Association which, it is hoped, will lead to
a major new initiative in this area .
Literatur e
Musi c
The Council has taken a keen interest in th e
establishing of bookselling facilities and book-ordering
points in public libraries as a means of increasing th e
availability of books to the public . Some encouragin g
initiatives in this area took place during the year . A t
a one-day conference on the subject held at Boo k
House, Wandsworth, booksellers, librarians, and othe r
interested parties were able to see a video film, mad e
with subsidy from the Council, showing some of th e
bookselling schemes currently operating in libraries .
Subsequently, the Council provided funds towards th e
establishment of library book-ordering points i n
Durham; and in Gateshead, where the schem e
includes the display of a selection of literary titles fo r
sale, as well as the facility for ordering books . In
One of the most consistently newsworthy aspects o f
music is opera . The 1982/83 season has been n o
exception, with headlines about touring seasons ,
absentee starts and, inevitably, cost of subsidy . A two year study of the future provision of opera and danc e
undertaken by the Arts Council has been complete d
and a report released for comment and discussion ;
and a government scrutiny team has been lookin g
into the working of the Royal Opera House as well a s
that of the Royal Shakespeare Company .
Whatever views may be held about any individua l
aspect of opera in Britain, there can be no doubt tha t
in overall terms this country enjoys an operati c
provision outstanding in its quality and variety . The
13
Departmental Reports
subsidised companies range in scope from the Roya l
Opera House, through the national and regiona l
companies, to the small scale touring Opera 80.
Over the 1982/83 season the range of work s
performed by the subsidised companies has bee n
extensive . An enthusiastic opera-lover with time an d
money to spend could have attended some 5 4
different operas by 22 companies . 12 of these coul d
have been seen in more than one production . Man y
of these productions would, of course, have bee n
revivals . The number of new productions offered wa s
27 ; not as many as companies or audiences woul d
have liked, but still a creditable achievement i n
financially difficult times .
Less conspicuous to the public view is the work of th e
National Federation of Music Societies . The Federatio n
represents almost 1,200 music clubs and societie s
from all parts of Great Britain, who promote annua l
seasons of concerts (more than 3,000 concerts in al l
attracting one million attendances) involving bot h
amateur and professional performers . The greater part
of the financial support for these activities (which tota l
nearly f4 million) is raised by the members
themselves, with additional assistance from suc h
bodies as the Local Authorities, the Regional Art s
Associations, the Arts Council, and private an d
commercial sponsorship .
This 'grassroots' music making, involving as it does
thousands of committed enthusiasts, offers invaluabl e
employment, worth more than f2 million to freelanc e
professional musicians . It harnesses local initiative an d
goodwill in the cause of music and embodies tha t
co-operation and mutual understanding betwee n
amateur and professional which have long been a
distinguishing feature of British musical life . Despite
economic pressures, the work of the Federatio n
continues to flourish .
Regiona l
In 1982/83 the scope of the Regional Department's
work was broadened to extend its functions fro m
liaison with the twelve English Regional Art s
Associations and touring management to a wide r
concern with the whole of the Council's regional work .
This integrated the work of the Council's department s
in the regions with that of the RAAs and of loca l
authorities .
A new Regional Advisory Committee with member s
from the Council's arts advisory panels and from the
14
RAAs, local authorities and arts management visite d
four regions-the East Midlands, Southern, Greate r
London and Merseyside and held regular Londo n
meetings to consider orchestral provision outsid e
London, arts centres development, local governmen t
arts spending and the future roles of the RAAs and th e
Arts Council . The Touring and Combined Arts sub committees considered a similarly wide range of
issues ; theatres' development, middle-scale danc e
touring, the marketing of tours, educational back-up ,
arts centres' development, role of the Arts Council fo r
community arts after devolution and provision fo r
performance art and mixed media activity .
This year the Department took over responsibility fo r
Housing the Arts from the Council's Financ e
Department . The Department's work during the yea r
has included its involvement in the opening of th e
Theatre Royal, Plymouth and the Orchard Theatre ,
Dartford as important new touring houses and th e
Royal Centre, Nottingham as an entertainmen t
complex; the most successful ever tour mounted b y
the National Theatre and the most successful seaso n
ever by the Royal Shakespeare Company i n
Newcastle ; the restructuring of a new trust to re-ope n
Riverside Studios in London and progress toward s
opening the Wilde Theatre at South Hill Park Art s
Centre in Bracknell . Amongst several regional plannin g
research projects, a major study into arts provisio n
and subsidy in the Eastern region started .
The Arts Council promoted four public meetings i n
Norwich, Southampton, Birmingham and Leeds at
which its work was opened to public debate . Work
also began on a number of joint projects in facilitie s
provision with the Sports Council .
I Newcastl e
2 Sunderlan d
3 oillingha m
4 Middlesbrough
5 Darlington
6 Richmond (Yorks )
7 Harrogate
8 York
9 Hull
10 Leed s
11 Bradfor d
12 Blackpoo l
13 Presto n
14 Southport
15 New Brighto n
16 Liverpool
17 St Helen s
18 Mancheste r
19 Stockport
20 Ashton-Under-Lyra e
21 Rochdal e
22 Huddersfiel d
23 Scunthorp e
24 Rotherha m
25 Chesterfield
26 Buxto n
27 Crew e
28 Stok e
29 Derb y
30 Noltin ha m
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32 Lincol n
33 !Norwic h
33 Peterboroug h
3 ; Leiceste r
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17 Birmingha m
38 Warwic k
39 Hereford
40 Malvern
41 Cambridg e
42 Bury St Edmund s
43 Harlo w
44 Stevenag e
45 Oxfor d
46 Cheltenha m
47 Bristo l
48 Weston-Super-Mare
41 0 Bat h
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51 Readingg
)2 HillingdO n
)3 Ric hmond (Surrey )
34 Croydo n
55 Bromle y
56 Hornchurc h
57 Darlfor d
58 '- rays
59 Canterbury
60 Basingstoke
61 Taunto n
62 Plymouth
63 Exete r
64 Poole
65 Bournemouth
66 Southampton
67 South Sea
61
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smaller drama and danc e
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Each ~vmbol represents one wt
Scotlan d
Fuller details are given in the Scottish Arts Council's own Annual Report, published separatel y
Scotland possesses approximately one third of the land mass of Great Britain and one tenth of its population .
While sixty per cent of its people live in the central belt, many others live far from the major centres . In thes e
areas, occasional visits by touring companies and what is frequently amateur arts activity often provide the onl y
opportunities for the enjoyment of the arts .
As a body with national responsibilities, the Scottish Arts Council is therefore especially conscious of the secon d
object of the Council's charter-'to increase accessibility of the arts to the public' .
The costs of providing opportunities for the enjoyment of the professional arts in many parts of Scotland ar e
often high but the Council has continued to welcome and support organisations and projects which enable thos e
living in the more rural and remote areas of Scotland to experience and share in at least some of the arts activitie s
which are so often taken for granted by those living in the major centres ,
Elsewhere in this report are details of the Council's financial assistance towards these activities : regional art s
centres such as Eden Court in Inverness, the Crawford in St . Andrews ; or the Pier Arts Centre in Stromness ;
approximately seventy music clubs and arts guilds, away from the main population centres, each promotin g
about six professional events per annum ; 17 touring theatre and dance companies giving over 200 performances ,
many of them in remote areas, and companies like Borderline, Guizer, 7 :84, and the Mull Little Theatre, whic h
operate extensively or are based in rural Scotland . Meanwhile, the Council's own Travelling Gallery and its tourin g
exhibition programme has brought a wide range of exhibitions to places without a permanent gallery of their own .
Financial restrictions and the rising costs of touring the arts have naturally placed increasing pressure on th e
Council and those organisations it subsidises in their efforts to maintain a programme of this kind . Yet the Counci l
remains convinced that access and availability must remain a vital part of its policy . It has therefore continue d
wherever possible to maintain its support for those organisations who are fulfilling such a role, to encourage th e
development of new projects such as local arts festivals and community arts programmes throughout Scotlan d
and to insist that the major national institutions should continue to fulfil their national responsibilities by servin g
the whole of Scotland .
There remains much to be done ; there are few well-equipped, purpose built facilities for the arts away from th e
main urban centres and the Council is currently conducting a survey of arts facilities throughout Scotland whic h
it is hoped will help to establish priorities for improvement . The Council currently awaits the report of its workin g
party on Traditional and Folk Arts and is also considering ways in which it might provide further assistance fo r
amateur arts activities and improve the promotion and coordination of visiting performances in rural areas .
The Council cannot work in isolation to achieve these ends and scarce resources must be coordinated to th e
best effect . During the year SAC established an informal working party with other agencies too try to develo p
a cooperative approach to arts development in rural areas . At the same time, the Council and its officers have
continued to work closely with local authorities who play a crucial part in the support of the arts throughou t
the country . The changes in responsibility brought about by the Local Government and Planning (Scotland) Ac t
1982 will require a reappraisal of the Council's partnership with local authorities and the Council and its staf f
will continue to give this matter their urgent consideration in the coming months .
These changes together with the difficulties resulting from the current recession have created a climate o f
uncertainty . That the arts seem to have survived so well is a tribute to the enthusiasm, dedication and skill o f
artists, administrators and boards of management . The Council remains only too aware that the arts in Scotlan d
are perilously underfunded . There can be few areas of public expenditure where even a small increase coul d
achieve so much . But arts organisations, large and small, must continue to ensure that they are cost-effective ,
that they are responding positively to the challenge of changing circumstances, fulfilling the functions for whic h
they are the recipients of public support and ensuring their own availability and accessibility to the public whic h
supports them both directly and indirectly .
TIMOTHY MASO N
Directo r
Scottish Arts Counci l
16
Wale s
Fuller details are given in the Welsh Arts Council's own Annual Report, published separatel y
In addition to the three public patrons of the arts-local government, Arts Associations and the Arts Councilthere is a large body of independent national and regional organisations (a recent rough count revealed ove r
60 of them in Wales) which in one way or another promote or assist arts activities on a regular basis . They vary
in size, composition, purpose and in the way they function either as single organisations or as collectives fo r
independent constituents . They have developed policy making and managerial systems best suited to thei r
individual needs ; all are served by volunteers, not all have full time paid arts staff . Although their materia l
resources are often very sparse, in human -terms they are impressive in the numbers of dedicated people the y
involve . No serious claim is made for consistent high quality in their contribution to the arts, for their total artisti c
input is often spread over a very wide area subject to so many limitations, but at least quantitatively th e
contribution is impressive . They draw to the arts large numbers of people as participants, mostly amateur, an d
large audiences .
As the costs of the arts rise and financial support from public funds is less able to meet them, the possibilitie s
of a closer relationship in operational and management terms between the official sponsors and representative s
of these national independent organisations become attractive, to help to withstand the current threat of declin e
in provision and standards .
Without a reliable calculation of the total expenditure on the arts in the country as a whole-various studies
indicate different sum totals depending on the kind of activity excluded from qualifying as art-it is difficult t o
convince the public that the Council's portion of the whole, crucial as it is, is relatively small . Yet the impressio n
given in discussions on public funding of the arts is that the Council is, if not the only, then certainly the larges t
single sponsor of the arts .
The Council's expenditures on certain kinds of artist and performing companies are fundamental to and for m
the core of the country's professional arts provision-a fact which excites public interest in the Council as a
management body . Since the number of people involved in managing this expenditure is small and the numbe r
affected, the arts providers and audiences, is large, attention is invariably focussed on the question of democrati c
accountability of Council, more than on its arts policy or on the artistic productions it supports .
Local Authorities provide large scale help for the arts directly and indirectly by helping professional and amateu r
organisations and by employing many arts practitioners in the education services they control . The question of .
their public accountability is hardly ever raised . The Regional Arts Associations, co-funded by local authoritie s
and the Arts Council, are constitutionally responsible to the community they were designed to serve . They to o
are considered sufficiently accountable for their activities .
Since 1952 responsibility for distributing government's grants to the arts (via the Arts Council of Great Britain )
spent in Wales, has rested with the Welsh Arts Council . The 20 members of the Council are chosen by th e
Secretary of State for Wales and appointed by the Arts Council of Great Britain . The Council is advised by a
number of subject committees and panels with membership exceeding 80 persons of appropriate expertise bu t
doubt still persists over the Council's commitment to wide accountability . The total number of individuals wh o
serve in one capacity or another in forming policy for the arts and managing expenditures and programmes o f
activities for the three main public patrons is much larger than is generally realised . They represent a very wid e
cross section of public opinion but even so is still smaller and narrower than that involved in the managemen t
and in the activities of national, regional and local independent arts organisations .
The Welsh Arts Council-Regional Arts Associations-Local Authorities pattern of arts patronage is a loos e
partnership which continues to serve an essential purpose . It could be strengthened by drawing into it-th e
obvious point of assimilation is the Regional Arts Associations-representation from as many of the independen t
national and regional bodies as is compatible with their interests . Some are already represented on Regional Art s
Associations committees but a new extended partnership is now called for to fortify the RAA's role by drawin g
together in it the two strands-the formal and informal-to fortify them as democratic_ centres of art s
representation, with specialist as well as universal suffrage .
ANEURIN THOMA S
Directo r
Welsh Arts Council
17
Counci l
The Council is appointed by the Minister for the Art s
and its Chairman and 19 other unpaid members serv e
as individuals, not representatives of particula r
interests or organisations . The Vice-Chairman i s
appointed by the Council from among its members
and with the Ministers approval . The Chairman serve s
for a period of five years and members are appointe d
initially for four years .
Sir William Rees-Mogg Chairma n
Marghanita Laski Vice-Chairman
Tony Churc h
The Lady Digby
Gerald Ellio t
Buchi Emechet a
Sir Hywel Evans, KC B
Albert E . Frost, CB E
Ronald Henson, M D
Professor Derry Jeffare s
John Las t
John Manduell, CBE
Colin Nears
Mathew Prichard
Robert Rowe, CB E
Donald Sinden, CB E
Sir Roy Stron g
Dr Robert Woof
Sir Brian Youn g
Finance and Policy Committe e
Sir William Rees-Mogg Chairman
Albert E . Frost, CBE Vice-Chairman
Tony Churc h
Gerald Ellio t
Sir Hywel Evans, KC B
Marghanita Lask i
John Las t
John Manduell, CBE
Colin Nears
Sir Roy Stron g
Sir Brian Young
(June 1983)
18
Membership of Council and Staf f
Valedictory to Sir Roy Shaw
Poacher turned gamekeeper, Roy Shaw had enjoyed all the zestful freedoms of a council member for nearl y
three years until in late 1974 he was appointed the Arts Council's 5th Secretary-General, and took on th e
disciplinary duties, both of staff and of Council members, pertaining to that office .
Roy Shaw entered this service in the now almost unbelievable days of continuous expansion . He and his the n
Chairman Kenneth Robinson kept their nerve through the cruel truncations of art endeavours imposed by th e
economic crisis of 1979 ; and he played a major part in creating an atmosphere of stabilising strength which turne d
the potentially stultifying years that followed into a time of useful stock-taking and even of such fructifying move s
forward as the inauguration of the new regional policies .
Every Secretary-General has left his marks, both on policy and in legend, and already we can perceive what Ro y
Shaw's are likely to be . In formal policy his mark will undoubtedly be recognised in the new emphasis the Council •
now lays on its duty to integrate the arts into education, and, not least, into the education of adults after forma l
education has ended . Roy Shaw's legend will be his catchphrase :'You must start where people are' . Yet his mos t
lastingly useful monument at the Arts Council may well turn out to be his enthusiasm for the importance of '
the popular arts where these are excellent, and his courageous readiness to discourage those manifestations ' o f
even the highest arts when they are not .
Marghanita Lask i
Counci l
The following left the Council :
William Cleave r
David Sylvester, CB E
The following were appointed as Council members :
Tony Church, Director of Drama at the Guildhall School of Music and Drama ; acto r
Mathew Prichard, President of the Welsh Group of Artist s
Sir Roy Strong, Director and Secretary of the Victoria and Albert Museum ; critic and lecture r
Dr Robert Woof, Reader in English Literature at Newcastle University ; former Vice Chairman of Northern Art s
Associatio n
Sir Brian Young, Former Director General of the Independent Broadcasting Authorit y
Staf
f
Secretary-General Sir Roy Shaw, DLitt, DUniv retired and Luke Rittner was appointed to succeed him .
Music Director Dr Basil Deane resigned and Richard Lawrence was promoted to succeed him .
Drama Director John Faulkner resigned and Dickon Reed was appointed to succeed him .
Keith Jeffery retired as Adviser for External Affairs .
Honour s
Our congratulations are extended to The Right Hon Kenneth Robinson, DLitt, Chairman of the Arts Council fro m
1977 to 1982 awarded Knight Bachelor in the 1983 New Year Honours and to Albert E . Frost, member of th e
Council, awarded CBE also in the 1983 New Year Honours .
Our congratulations are extended to David Sylvester, until lately a member of the Council, awarded CBE in th e
1983 Birthday Honours.
Obituar y
We record with great sorrow the death of Lord Clark of Saltwood, OM, CH, KCB who served on the Counci l
for the Encouragement of Music and the Arts and the Arts Council from January 1940 to April 1960, and wa s
Chairman of the Council for the last seven years of that period .
19
Advisory Panels and Committee s
A key element of the Council's structure is its Advisory Panels and Committees . Council appoints their member s
from nominations which are open to the public-Members, who serve voluntarily for up to four years, are generall y
specialists in each arts discipline : working artists, arts administrators, scholars and critics . They advise the Counci l
and its officers on the formulation and implementation of policy .
Listed below are members of the Panels and Committees of the Arts Council of Great Britain, and the Scottis h
and Welsh Arts Councils (themselves committees of the Council) as at June 1983 .
England
Advisory Panel on Art
Sir Roy Strong Chairman
Dr Christopher Green Vice-Chairma n
Julian Andrews t
Gillian Ayre s
Helaine Blumenfel d
Marc Chaimowicz
Professor Christopher Fraylin g
David Joh n
Sir Denys Lasdun, CBE
Diana Pain t
David Phillip s
Bryan Robertson, OB E
Robert Rowe, CBE
Hilary Spurlin g
NikosStangos
David Thompso n
John Willett
Exhibitions Sub-Committe e
Bryan Robertson Chairma n
Marc Chaimowic z
Tony Fostert
Dr Christopher Gree n
Mark Haworth-Boot h
Robert Hoppe r
Helen Lucket t
David Phillip s
David Thompso n
John Willet t
Advisory Committee on Art s
Film s
Sir Brian Young Chairma n
Dr Dawn Ade s
John Bradshaw t
Ben Brewste r
Wayne Dre w
Peter Ferre s
Barrie Gavi n
Norbert Lynto n
Bruce Nightingale$
A . L . Ree s
Barrie Vince
Michael Whyte
Peter Wollen
20
Artists' Film and Vide o
Sub-Committee
A . L . Rees Chairma n
Susan Barrowclough
John Bradshaw t
Mary Pat Leece
Stuart Marshal l
David Parson s
Anne Rees-Mogg
Roger Wilson
Advisory Panel on Danc e
Colin Nears Chairma n
The Lady Digby Vice-Chairman
Richard Alsto n
Peter Brinso n
Gillian Clar k
Jane Dudley
Sally Gilmou r
Shobana Jeyasing h
Graeme Kay t
Brenda Last
Gale La w
June Layso n
Veronica Lewi s
Joan McLaren o
David Palmer
Joseph Seeli g
Robert Sykes #
Anthony Van Laast
Barry Wordswort h
Dance and Mime Projects and Award s
Sub-Committee
Joseph Seelig Chairman
Gillian Clar k
Shobana Jeyasing h
Desmond Jone s
Graeme Kayt
Jude Kell y
Marie McCluske y
Jenny Man n
Jann Parry
Jeremy Ree s
Advisory Panel on Dram a
Tony Church Chairma n
Dr Robert Woof Vice-Chairma n
Mike Alfred s
John Bond
Josephine Burnst
Michael Covene y
Brian Cox
Robert Fowle r
Pamela Howard
David Jone s
Nicolas Ken t
Clive Perr y
John Pott s
Guy Slate r
Elizabeth Sweeting, MB E
Robert Sykes *
John Wallban k
Olwen Wymar k
Projects Sub-Committe e
Michael Abbensett s
Mike Alfred s
David Jone s
Caroline Pinde r
Michael Quin e
Guy Slate r
Jenny Toppe r
Theatre Writing and Bursaries SubCommitte e
John Bon d
Nicolas Ken t
John Wallban k
Olwen Wymar k
Advisory Committee o n
Housing the Arts
John Last Chairma n
Tony Churc h
Sir Hywel Evan s
Anthony Everitt t
Ronald Henso n
Thelma Hol t
Professor Derry Jeffare s
Gale Law
John Manduel l
David Roc k
Robert Row e
Nicholas Thompso n
Richard Welto n
Advisory Panels and Committees
Advisory Panel on Literature
Marghanita Laski Chairman
Dr Robert Woof Vice-Chairman
Michael Church
Dr Ken Churchill#
Douglas Dunn
Penelope Fitzgerald
Catherine Freeman
David Harsent
Philippa Pearce
Tim Rix
Laurence Staigt
Anne Stevenson
Advisory Panel on Music
John Manduell Chairman
Wallis Hunt Vice-Chairman
Neil Ardley
Lady Barbiroll i
Dr Derek Bourgeois
John Fordham
Arthur Hammond
Ian Horsbrugh
Barrie Iliffe#
George Pratt
John Stephens
Tony Woodcockt
New Music Sub-Committee
Ian Horsbrugh Chairman
Dr Derek Bourgeois
Johri Carewe
John Fordham
Rolf Gehlhaar
Philip Jones, OB E
Nicholas Kenyon
Peter Manning
Eddie Prevost
Bobby Wellins
Advisory Group on
Photography
Sir Brian Young Chairman
Dr Michael Weaver Vice-Chairman
David Bailey
Stevie Bezencenet
John Bradshawt
Harold Evan s
Colin Ford
Professor Christopher Frayling
Fay Godwin
Laxmi Jamdagni
Daniel Meadows
Roger Taylor
David Watt
Regional Advisory
Committe e
John Last Chairma n
Ronald Henson Vice-Chairma n
David Beeto n
Helaine Blumenfel d
David Brierle y
David Brow n
Cyril Davie s
William Forste r
Raphael Gonley t
Gavin Henderso n
Adrian Kellet t
June Layso n
Philippa Pearce
Robert Scot t
Smit h
Joh n Stephen s
John
Elizabet h Sweeting
Elizabeth TThomas
homas
David Watt
Combined Arts Sub-Committe e
William Forster Chairma n
Geetha Bala
Oliver Bennett
Fred Brooke s
Hugh Champion t
John Cumming
Buchi Emechet a
Clare Higne y
Christopher Ker r
Michael Launchberry t
Diana Pain t
Jan Murra y
Bob Ramdhani e
Pippa Smit h
Touring Sub-Committee
David Brierley Chairma n
Tim Brassell t
Val Bourn e
Christopher Durha m
Armand Gerrard
Patric Gilchris t
Arthur Hammon d
Brenda Last
Graham Marc:han t
Clive Perry
Ian Reeki e
Stephen Remingto n
Robert Scot t
Advisory Committee o n
Trainin g
The Lady Digby Chairman
Pat Abraham t
Lady Barbiroll i
Michael Churc h
Tony Church
Jane Dudley
Professor S . J . Egglesto n
William Forster
Nicholas Hooton
David Joh n
Gerald McDonald, OBE
Caroline Phillips '
John Turtl e
t British Council ex officio
t Observer nominated by the Counci l
of Regional Arts Association s
o Observer nominated by the Inne r
b-ndon Education Authority
Scotlan d
Scottish
Arts
Council
Gerald Elliot Chairman'
Professor Derry Jeffare s
Vice-Chairman'
Mollie Abbot t
William Cunningha m
Charles Drury, OB E
Roderick Graham '
Brian Ivory
Joan Knigh t
Joan Lingard
James Logan '
Robert Logan *
Father Colin Maclnnes
Coln MacLea n
James Nlichi e
Alexander Moffa t
Alexander Orr
Professor Donald Pack, CB E
Willis Pickar d
Stewart Sanderson '
Sheriff Nigel Thomson '
Ann Turner Thomso n
"Member of Policy and Resource s
Committe e
(Housing the Arts matters are now
dealt with by the Policy and Resource s
Committee and Professor Peter Lord
attends for this item on the agenda )
Art Committe e
Robert Logan Chairman
Robert Alliso n
Christopher Alla n
Kenneth Dingwal l
Alexander Frase r
Atholl Hil l
Alexander Moffat
Ann Turner Thomson
21
Adt icon Panels and Committee s
Awards to Artists Panel
Alexander Moffat Chairman
Mick Campbel l
Alexander Fraser
Kenneth Dingwal l
Bill Scot t
Peter Seddo n
Will McLea n
Liz Munr o
Exhibitions Panel
Robert Logan Chairma n
Barbara Grigo r
Alan Johnston e
Alexander Moffat
Drama Committe e
Roderick Graham Chairma n
Ron Bai n
Charles Drury
Marilyn Irelan d
Joan Knigh t
Jan Mcdonal d
Stephen Mulrin e
James Scotland, CB E
Dance and Mime Sub-Committe e
Joan Knight Chairman
Mollie Abbott
Evelyn Langlan d
Peter Lincol n
Elaine McDonald, OB E
Patricia Mackenzi e
Royston Maldoo m
Kedzie Penfiel d
Literature Committee
Stewart Sanderson Chairma n
Stewart Con n
Janis Fo x
Joseph Hendr y
Joan Lingar d
Colin MacLea n
Willis Pickar d
Bursaries Panel
Joan Lingard Chairma n
Professor Peter Bayley
Joseph Hendry
Elizabeth Marshal l
Willis Pickar d
Dr Hilda Spea r
Book Awards Pane l
Willis Pickard Chairman
Dr James Aitchiso n
Lt Cdr Diarmid Gun n
Professor Rosalind Mitchison
Ishbel Maclea n
22
Grants to Publishers Panel
Stewart Sanderson Chairman
Peter Cochrane
Janis Fox
Professor Andrew Hook
Dr George Watso n
Alan Taylor
Mixed Programm e
Committee
James Logan Chairma n
William Cunningham
Astrid Huggins
Brian Ivory
Moosa Jogee
Father Colin Maclnnes
Graeme McKinnon
Alexander Orr
Mary Urquhart
Music Committee
Sheriff Nigel Thomson Chairman
Antony Collett
Peter Evans
Paul Hindmarsh
Edward McGuire
Alexander Orr
Professor Donald Pack
Touring Committee
Professor Derry Jeffares Chairman
Robin Anderson
William Cunningha m
James Donald
Edward McGuire
James Scotland
Jennifer Wilson
Wales
Welsh Arts Council
Sir Hywel Evans, KCB Chairman*
William B . Cleaver Vice-Chairman*
Dr Peter Cannon-Brookes
D . Ivor Davies, MBE*
Walford Davies
Professor D . Ellis Evan s
Lindsay Evan s
Professor John Eynon
Professor Richard M . Griffiths
Lady Harlech
Ken Hopkins
Professor Hugh Hunt, CBE*
Professor William Mathias*
Dr Prys Morgan*
Suzanne Murphy
Captain H . W . Phillips
Mervyn Phillips*
Mathew Prichard '
Derrick Turner '
Aled Vaughan '
Margaret Williams '
Valerie Wynne-Williams
Member of the Finance and Polic y
Committee
Art Committee
William B. Cleaver Chairma n
Dr Peter Cannon-Brookes
Brenda Bloxa m
John Boydell Roger s
Alistair Crawfor d
Paul Davie s
Glyn Jones
Jonah Jone s
Ronald Lowe
Andrew Lain g
Hugo Perk s
Mathew Prichar d
Muriel Wilso n
Panels of the Art Committee :
Artists Panel
Art Galleries and Exhibitions Panel
The following who are not members of
the main committee serve on a Panel :
Sally Mos s
Craft Committee
Derrick Turner Chairma n
Ceti Barcla y
Peter Cambridg e
Professor John Eyno n
Tony For d
Walter Keele r
Kathleen Makinson
Victor Margri e
Ron Stanle y
David Thoma s
Frank Vinin g
Carolyn White
Alun Williams
Llion Williams
Dance Committee
Margaret Williams Chairma n
Rosamund Davie s
Margaret Evan s
Shirley Stansfield (April-December )
Christine Butle r
David Rees
Dick Matchet t
Penny Nicholas
John Prior
Advisory Panels and Committees
Drama Committee
Professor Hugh Hunt Chairma n
Valerie Wynne-William s
Lindsay Evan s
Bernard Evan s
Godfrey Evan s
Maurice Jenkin s
Lyn Jone s
Peter Mumfor d
Geoff Powel l
Jill Taylo r
Illtyd Lewi s
Sybil Crouc h
Panel of the Drama Committee :
Young People's and Community
Theatre Panel
the following, who are not member s
of the main Committee, serve on a
Panel :
David Adams
Haydn Huw s
Charmian Saville
Film Committe e
Aled Vaughan Chairma n
Ken Hopkin s
David Berry
David Broo k
Harry Carte r
Elis Jone s
John Hartley
Henry Lutma n
Claire Polla k
Dr Allen Samuel s
Medwen Robert s
Michele Rya n
Irene Whitehea d
Norman Williams
Gruffudd Robert s
Multi Media Pane l
(a sub-Committee of the Finance an d
Policy Committee )
William B. Cleaver Chairma n
Margaret William s
Ken Hopkin s
Literature Committee
Dr Prys Morgan Chairma n
Walford Davies Vice-Chairma n
Professor Ellis Evan s
Professor Richard Griffith s
Adam Hopkins
David Hughe s
W . Randal Jenkins
Dr R . Brinley Jone s
Geraint Lewis
Professor Brian Morri s
Robert Nisbet
Elfyn Pritchard
Ifor Ree s
Ann Sae r
T . D . Scourfield
J . P . Ward ,
Dr Urien Wilia m
T . Arfon William s
Panels of the Literature Committee :
Awards to Writers Panel
Grants to Publishers Panel
Children's Literature Panel
the following, who are not member s
of the main Committee, serve on a
Panel :
Alun Creunant Davie s
Elis Gwyn Jone s
Gwerfyl Pierce Jone s
I=lspeth Mitcheso n
Fleri Rogers
lolo Walter s
Menna Lloyd William s
Music Committee
Professor William Mathias Chairma n
Mervyn Burtc h
Ann Edward s
Nigel Emery
Ken Evan s
Professor Richard Griffith s
Lady Harlech
Dalwyn Henshal l
Ken Hopkin s
Sir Nicholas Jackso n
Haydn James
John Jenkin s
Suzanne Murph y
A . J . Heward Ree s
Huw Tregelles William s
Regional Committe e
D . Ivor Davies Chairma n
Capt H . W . Phillip s
Valerie Wynne-William s
Frank Evan s
Gareth Evan s
Ken Ibal l
Joan Mill s
Haydn Ree s
Lt Col J . Stephenso n
Hugo Perk s
Tomi Scourfiel d
Llion Williams
23
Staff
Based at its headquarters in Piccadilly, London, the Council's staff work with its members, advisory panels an d
committees to administer the Council's programmes and to advise on and execute policy and funding decisions .
For the Council's work in England there are nine departments .
In addition the Council administers the Hayward and Serpentine Galleries and the Wigmore Hall, in London, an d
has its own shop in Covent Garden . Outside London the Council has nine marketing officers in major regiona l
centres to support its touring programme .
The Scottish and Welsh Arts Councils have their own staffs based in Edinburgh and Cardiff .
Senior Staf
f
HEADQUARTERS
105 Piccadilly
London W1 V OAU
01-629 9495
Secretary-General Sir Roy Shaw, D Litt, D Uni v
Deputy Secretary-GeneralRichard Pulford
Finance Director Anthony Field, FC A
Deputy Finance Director Peter You nie, AC A
Art Director Joanna Dre w
Drama Director Dickon Ree d
Deputy Drama Director Dennis Andrew s
Music Director Richard Lawrenc e
Associate Music Director Eric Thompson, OB E
Dance DirectorJane Nichola s
Literature Director Charles Osborn e
Deputy Literature Director Josephine Fal k
Regional Director David Pratle y
Director of Personnel and Administration Carol Harris, FIPM
Head of Secretariat Lawrence Mackintos h
Accountant David Pelham, FC A
SCOTLAND
19 Charlotte Square
Edinburgh EH2 4DF
031-226 6051
Director Timothy Maso n
Deputy Director Harry McCan n
Art Director Lindsay Gordo n
Music Director Christie Dunca n
Drama Director Bob Palme r
Literature Director Walter Cairn s
Touring Director Tony Wraigh t
Development Director John Murph y
WALES
Holst House
Museum Place
Cardiff CF1 3NX
0222-394711
Director Aneurin Thoma s
Music Director Roy Bohana, MB E
Drama Director Roger Tomlinso n
Art Director Peter Jones
Literature Director Meic Stephen s
Director of Finance and Administration Andrew Malin
(June 1983)
24
Annual accounts for the yea r
ended 31 March 198 3
26 Finance Director's Note s
27 Arts Council of Great Britain account s
60 Scottish Arts Council account s
83 Welsh Arts Council account s
101
Table A Housing the Art s
103
Table B Special Funds Beneficiarie s
Compton Poetry Fund
Guilhermina Suggia Gift for the 'Cello
H. A . Thew Fun d
Henry and Lily Davis Fun d
Miriam Licette Scholarship
Mrs Thornton Bequest
104
Table C Subsidies to Regional Arts Association s
106 Table D Art Exhibition s
109 Table E Contemporary Music Network
110 Table F Schemes and Awards
25
Finance Director's Notes
1 The Parliamentary Grant-in-Aid of £91,300,00 0
shown in the Income and Expenditure Account for th e
year ended 31st March 1983 includes the
supplementary grant of L5,000,000 announced by th e
Government in December 1982 to help clear pas t
deficits of subsidised companies and to assist thos e
clients which were likely to face the most sever e
difficulties in adjusting to the implications for them o f
the restriction in the level of the Council's grant the n
announced as £93,500,000 for 1983/84 .
This supplementary grant was broadly allocated a s
follows :
National Companies
Regional Arts Associations
Music
Dance
Touring
Drama
Art
Literature
Arts Centres and Community Projects
Scottish Arts Council
Welsh Arts Council
Housing the Arts
£1,750,000
480,000
200,000
50,000
405,000
381,000
162,000
10,000
45,000
3,483,000
516,000
301,000
4,300,000
700,000
£5,000,00 0
2 This is the first set of Arts,Council accounts prepare d
since the accounting systems in London wer e
computerised. The Council is extending thi s
computerisation to its subsidy system in order t o
improve efficiency in this complex area and to mak e
fuller use of the data that it collects . Th e
implementation of the first stage of this operation wa s
undertaken in the financial year 1982/83 ; regrettabl y
the pressures this imposed have led to a delay i n
publishing these accounts .
3 The Touring Section of Schedule 1 lists thos e
organisations which received subsidy for touring onl y
Touring activities which are a part of a total annua l
programme of many music, dance and dram a
organisations are included in figures shown in thos e
sections of Schedule 1 .
4 The subsidies listed in Schedule 1 for Regional Arts
Associations comprise the basic annual subsidie s
totalling £9,054,850 for 1982/83 together with th e
additional funds made available by the Council for a
range and variety of schemes and activities . The final
26
total of £10,616,783 is analysed in Table C on page s
104 and 105 .
5 The accounts for 1982/83 show that, with a gros s
turnover of £941 million including activities at th e
Hayward and Serpentine Galleries, the Oriel Booksho p
and Gallery in Cardiff, the Arts Council Shop ,
Wigmore Hall, Art Films productions and Ar t
Exhibition and Film Tours, the Arts Council ended wit h
a net surplus of £350,611 representing a surplus o f
£309,387 in England, a deficit of £55,070 in Scotlan d
and a surplus of £96,294 in Wales .
6 Sundry income includes final receipts and royaltie s
totalling £34,528 in respect of the productions of My
Fair Lady and Oklahoma!
7 The increase in the General Operating Costs of over
12% was caused by the acquisition of premises at
Yarmouth Place, enabling the Council subsequently t o
relinquish more expensive accommodation over it s
Shop in Long Acre and by the special increase in th e
costs of the Counci l ' s Retirement Plan during 1982/83 .
The additions to office equipment include the cost o f
installing a fully computerised telephone system . This
became necessary because of the deterioratin g
existing equipment which could not be extended t o
cover the move back to Headquarters of th e
departments previously housed in Long Acre.
8 In accordance with the statement of standard
accounting practice (SSAP10) laid down by th e
Institute of Chartered Accountants, the Council ha s
incorporated in its accounts a Statement of Sourc e
and Application of Funds for 1982/83 .
9 In order to encourage subsidised organisations t o
exercise greater thrift, the Council has been extendin g
its use of "rolling guarantees" by which means an y
uncalled part of a guarantee against loss offered in on e
year can remain available for call by the sam e
organisation in an ensuing year . In past accounts it ha s
been the practice to treat these uncalled portions o f
rolling guarantees in the Council's annual accounts i n
the same way as ordinary guarantees not yet claimed ;
that is, as current liabilities outstanding unti l
eventually claimed in respect of the second year o f
the client's operations .
It has now been agreed that any uncalled elements o f
rolling guarantees shall fall in as subsidy no longe r
required in Year Two in which any portions o f
guarantees concerned are settled . The amount which
in the past would have rolled forward is now treate d
as a re-commitment in Year Two.
Arts Council
of Great Britain
Income and Expenditure Accoun t
for the year ended 31 March 198 3
1982
279,416
Income
Parliamentary Grant-in-Ai d
Grants and guarantees provided for i n
previous year not now required
271,208
1,500
7,525
17,006
Other incom e
Interest receivable
Donation s
Proceeds on sale of fixed assets
Sundry incom e
£80,450,000
Note
198 3
1
£91,300,000
638,28 1
LE
264,23 0
8,01 0
9,23 5
46,870
297,239
328,34 5
92,266,626
81,026,655
62,072,793
3,266,040
9,675,800
5,009,000
80,623,63 3
15,000
1,500
262,76 6
(3,724)
(77,181)
Expenditure
General expenditure on the art s
in Englan d
General operating costs in Englan d
Grant to Scottish Arts Counci l
Grant to Welsh Arts Counci l
2
70,307,10 0
3 3,676,20 3
10,794,60 0
6,703,00 0
91,480,90 3
Transfer to Provision for indemnit y
Transfer to Provision for doubtful debts
Transfer to capital account in respect o f
capita l expenditure in yea r
Transfer from reserve for special ar t
project s
Transfer to/(from) reserve fo r
capita l expenditure
3,00 0
376,57 6
96,760
91,957,239 "
f 204,661
Net Surplus for the Year
f 309,387
27
Arts Council
of Great Britain
Balance Sheet
at 31 March 1983
1982
f5,170,750
273,325
3,729
329,861
7,024,084
1,351,938
69,428
Note
4
198 3
£5,528,60 1
Loans
5
171,12 5
Investments
6
3,729
Fixed Assets
Current Assets
Stocks
Amount earmarked to meet
unmatured commitments
Debtors and prepayments
Cash
7
£ 325,284
1
8
7,474,084
2,046,732
76,560
9 .922 .660
8,775,311
7,191,363
1,332,209
Less Current Liabilitie s
Grants and guarantees outstanding
Creditors and accrual s
/,~bS,StS S
1,593,99 1
9,159,57 4
8,523,572
251,739
Net Current Assets
208,252
Net Assets of Special Funds
763,086
9
£6,699,544
£5,907,795
£4,923,033
262,766
(15,049)
5,170,750
528,793
208,252
Represented by :
Capital Account
Balance at 1 April 198 2
Transfer from income an d
expenditure accoun t
Book value of assets
f
sold or written of
Reserves and Provisions
Special Funds Capital & Reserves
£5,170,750
376,57 6
(18,725)
10
5,528,60 1
937,940
9
233 .003
tb,t)",S44
£5,907,795
Chairman : WILLIAM REES-MOG G
Secretary General : LUKE RITTNER
28
233,00 3
Arts Council
of Great Britain
Statement of Source and Applicatio n
of Funds
for the year ended 31 March 198 3
Source of Funds
Net surplus for the year
Adjustment for items not involving the movement of fund s
Transfer to capital account in respect of capital expenditure
Transfer to reserve for capital expenditure
Transfer to provision for doubtful debts
£309,387
f376,57 6
96,76 0
3,000
476,33 6
Special funds : net surplus for the year
785,72 3
24,75 1
Total generated from operations
810,47 4
Funds from Other Source s
Secured loan repaid
Less: secured loan made
132,200
(30,000 )
Increase of special funds' assets
102,20 0
(24,751)
77,44 9
887,92 3
Application of Funds
Purchase of fixed assets
Net Source of Funds
Increase/(Decrease) of Working Capita l
Decrease of stocks
Increase of amount earmarked to meet unmatured commitments
Increase of debtors and prepayments
Increase of grants and guarantees outstanding
Increase of creditors and accruals
(376,576)
£511,34 7
£
(4,577 )
450,000
694,794
(374,220 )
(261,782 )
504,21 5
Movement of net liquid fund s
Increase of cash balance
Net Increase of Working Capital
7,13 2
f 511,347
29
Notes to the Account s
1 ACCOUNTING POLICIES
The Accounts have been prepared under the historical cost convention, and on a basis which takes account of the Statement s
of Standard Accounting Practice drawn up by the Consultative Committee of Accountancy Bodies, so far as these ar e
appropriate to the Council .
a Grant-in-Ai d
The Parliamentary Grant-in-Aid is issued to meet the Council's expenditure falling due for payment during the financial yea r
including payments to meet commitments incurred in a previous year . The Council may incur commitments during a financia l
year in the full knowledge that they will not fall due for payment until the following financial year and will have to be me t
from that year's Parliamentary Grant-in-Aid . The Income and Expenditure Account includes as expenditure the total
commitments incurred during the financial year, and under income the total amount of Grant-in-Aid allocated to meet thos e
commitments including a sum earmarked by the Council from the following year's Parliamentary Grant-in-Aid . This sum i s
shown as an asset in the Balance Sheet .
Reconciliation of Parliamentary Grant-in-Aid as shown in the Income and Expenditure Account, with the total amount vote d
by Parliament in 1982/83
Amount voted by Parliament and paid in full in 1982/8 3
as published in the Parliamentary Supply Estimates
£86,000,000
4,850,00 0
Additional sums provided under the Treasury's power of virement
.90,850,000
Less Amount earmarked at 31 March 1982 to be met ou t
of future amounts to be voted by Parliament
7,024,084
83,825,91 6
Plus Amount earmarked at 31 March 1983 to be met fro m
future amounts to be voted by Parliament
Parliamentary Grant-in-Aid shown in Income and Expenditure Account .
This is the figure shown in the appendix to the Parliamentary Supply Estimates
7,474,084
f91,300,000
b Grants and guarantees
Grants and guarantees are charged to the Income and Expenditure Account in the year for which they are undertaken as a
commitment by the Council on the basis of a formal offer to and acceptance by the Council's clients . Any amounts unpaid from
these commitments are shown as liabilities on the Balance Sheet and any advance payments to clients in anticipation of the grant s
and guarantees to be offered for the following financial year are shown on the Balance Sheet as assets. Grants and guarantees
are offered in respect of the year in which the activities commenced .
c Fixed assets
Expenditure on fixed assets is charged as an appropriation from the Income and Expenditure Account to the Council's capita l
account. The book value of any assets sold or written off is eliminated from the Balance Sheet by a reduction in capital account.
Any proceeds of sale are credited to income . Fixed assets are not depreciated . Any expenditure on renewals is charged agains t
income .
All works of art are included under fixed assets and form an integral part of the Council's exhibition programme .
d Stocks
Stocks are stated at cost on a unit cost basis, or at net realisable value if lower .
e Exhibition s
Expenditure incurred on an exhibition promoted by the Council is charged to the year in which that exhibition is officially opene d
to the public. Expenditure incurred in a year prior to that opening is treated as a prepayment .
f Consolidatio n
The Arts Council of Great Britain is legally responsible for the affairs of the Scottish Arts Council and the Welsh Arts Council, whic h
are by constitution committees of the Council . However in view of the powers delegated to those committees they present separat e
accounts which are not consolidated with those of the Arts Council .
30
Note 2
Arts Council of Great Britain
2 GENERAL EXPENDITURE ON THE ARTS IN ENGLAN D
1982
£22,220,000
8,888,509
5,306,755
21,591
77,597
198 3
National companies
Grants and guarantees
£26,444,68 2
Regional Arts Association s
Grants and guarantees
Musi c
Grants and guarantees
Contemporary Music Network
Scheme expenses
Wigmore Hall
10,616,78 3
£6,047,11 1
31,89 1
102,35 1
5,405,943
2 ,424,502
8,61 5
F
6,181,35 3
Dance
Grants and guarantees
Other activities
2,706,74 1
17,39 1
2,433,117
1,637,556
_117,448
2,724,13 2
Touring
Grants and guarantees
Publicity, salaries and sundry expenses
5,390,15 4
145,35 8
4,755,004
10,296,964
5,691
5,535,51 2
Dram a
Grants and guarantees
Scheme expenses
11,501,52 9
5,47 1
10,302,655
1,339,986
1,070,562
393,019
70,488
423,401
1,195
1,273
11,507,000
Art
Grants and guarantees
Net cost of exhibitions
Hayward Gallery
Serpentine Gallery
Arts films
Other activities
Publications and promotions
1,428,707
782,641
405,981
78,143
387,77 1
62
-
3,299,924
647,531
8,602
1,050
12,961
4,500
3,083, 30 5
Literatur e
Grants and guarantees
Poetry library
Writers' tours
Publications and promotions
National Book Awards
674,644
57,979,796
720,43 3
9,25 2
3,407
14,743
747,83 5
Carried forward
66,840,602
31
Arts Council of Great Britai n
Notes 2 3
1982
57,979,796
1,073,153
569,504
6,316
Arts centres and community projects
Grants and guarantee s
Training in the Arts
Grants and guarantee s
Short courses and training scheme s
25,826
Education projects and course s
12,272
Reports and surveys
25,726
Publication s
£62,072,793
1,179,280
583,34 9
12,357
595,706
575,820
2,380,200
1983
66,840,602
Brought forwar d
Housing the Arts
Grant s
Total expenditure for the yea r
37,767
5,550
35,79 5
1,612,400
f7U,3U7,1UU
Details of grants and guarantees are given in Schedule 1 on pages 36 to 51 . The income and expenditure on
Wigmore Hall, art exhibitions, art films and publications are given in Schedule 2 on pages 52 to 53 .
3 GENERAL OPERATING COSTS
32
198 2
L 1,841,282
275,565
116,803
486,236
122,245
73,360
102,804
90,071
28,545
30,524
98,605
Salaries and wages
Arts Council of Great Britain Retirement Pla n
Travelling and subsistenc e
Rent and rate s
Fuel, light and house expense s
Publicity and entertainmen t
Postage and telephone
Stationery and printin g
Professional fee s
Enquiries, investigations and researc h
Office and sundry expense s
198 3
L 1,958,389
341,18 4
126,04 6
545,96 2
230,78 1
90,93 4
109,18 3
101,35 6
19,81 2
39,081
113,475
f 3,266,040
Total expenditure for the year
£ 3,676,203
Note 4
Arts Council of Great Britain
4 FIXED ASSETS
Book value a t
1 April 1982
Freehold Property :
Covent Garde n
5 Record Street
Additions
Items sold or Book value a t
written off 31 March 198 3
f 3,150,05 8
106,69 5
£3,150,05 8
-inr_ co c
3,256,753
Freehold Property improvement :
5 Record Stree t
Leasehold improvements :
105 Piccadilly
Hayward Galler y
Wigmore Hal l
Serpentine Galler y
8 Long Acre
9 Long Acre
48 Vicarage Crescen t
Equipment and vehicles:
Office equipment (a)
Art Exhibition equipment (b)
Concert Hall equipment (b)
Stores equipmen t
Film equipment (a)
Motor vehicle s
Others :
Cello (c )
Works of art
Photographs
In C'] 7
20,264
55,852
96,139
80,855
949
102,943
56,269
977
10,251
655
38,733
-
-
66,10 3
96,794
119,58 8
94 9
102,94 3
56,26 9
97 7
393,984
49,639
-
443,62 3
437,775
73,171
84,027
3,440
43,076
78,548
176,151
5,947
1,506
3,272
14,585
£10,113
8,612
603,81 3
79,11 8
84,02 7
4,946
46,34 8
84,52 1
720,037
201,461
18,725
902,77 3
100
749,012
30,600
125,213
-
-
100
874,225
30,600
779,712
125,213
-
904,925
£5,170,750
£376,576
£18,7,25 •
£5,528,601
The Covent Garden property is held jointly by the Arts Council of Great Britain and Royal Opera House, Coven t
Garden Limited, subject to and on the terms of a charitable trust known as the Royal Opera House Developmen t
Land Trust, and the rights and interests of the Arts Council of Great Britain in such property, as set out in a trus t
deed dated 27 February 1981, include a charge in excess of f3.15m over any proceeds of sale of such land .
All fixed assets are stated at cost except :
(a) at valuation (replacement) at 1 January 1980 or at cos t
(b) at valuation (replacement) at 1 July 1980 or at cos t
(c) at valuation at 31 March 1960
33
Notes 5 6 7 8 9
Arts Council of Great Britain
5 LOANS
198 2
£411,84 1
411,84 1
138 .516
1983
Secured loans
Balance at 1 April 198 2
Add Loan made in yea r
Less Repayments in yea r
£273,32 5
30,000
303,32 5
132,20 0
£171,12 5
LL/-5, .SL .-)
6 INVESTMENTS
L 64 7
3,08 2
5% Treasury Stock 1986/89 (market value £501, 1982-£480)
Equities Investment Fund for Charities (5870 units)
(market value £11,317, 1982-£9,806)
£3,72 9
L 647
3,08 2
L3,72 9
7 STOCKS
£ 9,84 5
318,58 2
1,43 4
Film s
Publications and shop s
Bar
L 10,007
313,85 4
1,42 3
L325,284
L329,861
8 DEBTORS AND PREPAYMENT S
£ 590,125
761,813
Grants and guarantees paid in advanc e
Sundry debtors and prepayment s
£1,351,938
L -1,182,034
864,698
f2,046,732
Sundry debtors include £1,223 outstanding under the Art Purchase Scheme .
9 SPECIAL FUND S
L 49,81 7
2,92 1
6,99 3
86,63 1
26,58 1
6,688
5,89 8
22 .723
Compton Poetry Fun d
Dio Fund
The Guilhermina Suggia Gift
Henry and Lily Davis Fund
The Miriam Licette Scholarshi p
H . A. Thew Fun d
Mrs . Thornton Fun d
Arts Council Trust for Special Funds
YLU25,LS L
Details of the income, expenditure and net assets of these funds are shown in Schedules 3 and 4 o n
pages 54 to 59 .
34
L 59,008
3,274
7,088
96,875
25,099
5,641
5,361
30,65 7
L233,00 3
Notes 90/99
10
Arts Council of Great Britain
RESERVES AND PROVISIONS
Balance
At 1 April
Income and expenditur e
account
Reserve for specia l
art projects
Reserve for capita l
expenditure
Provision for indemnity
Provision fo r
doubtful debts
Reserve for manuscripts
1982
Surplus for
the year
£414,652
1309,387
23,597
Transfer fro m
reserves Appropriation s
f
Balance
At 31 Marc h
198 3
-
-
f 724,03 9
-
-
-
23,59 7
67,297
20,000
-
-
£96,76 0
-
164,05 7
20,00 0
2,500
747
-
-
3,00 0
-
5,500
747
£528,793
f309,387
-
f99,760
f 937,940
f
Reserve for Capital Expenditur e
The appropriation is required to ensure that the balance on the reserve at the year end is sufficient to meet th e
sum committed by the Council for capital items ordered but not delivered at that date .
Certificate of Comptroller and Auditor Genera l
I have examined the foregoing Income and Expenditure Account, Balance Sheet and the supporting informatio n
set out in the Statement of Source and Application of Funds and the Notes . In my opinion these give, unde r
the historical cost convention, a true and fair view of the state of affairs of the Arts Council of Great Britain a t
31 March 1983 and of its surplus and the Source and Application of its funds for the year ended on that date .
G. R . L . Osborne
Director of Audit
for Comptroller and Auditor General
Exchequer and Audit Departmen t
30 September 1983
35
Arts Council
of Great Britain
Schedules to the Account s
31 March 1983
1 GRANTS AND GUARANTEES
(including subsidies offered but not paid at that date )
National Companies
English National Opera
National Theatre Board
Royal Opera House, Covent Garden Limited
Royal Shakespeare Theatre
£ 5,440,00 0
6,550,000
10,379,682
4,075,000
Total as Note 2 (page 31)
£26,444,682
Regional Arts Associations
Eastern Arts Association
East Midlands Arts Association
Greater London Arts Association
Lincolnshire and Humberside Arts
Merseyside Arts
Northern Arts
North West Arts
Southern Arts Association
South East Arts Association
South West Arts
West Midlands Arts
Yorkshire Arts Association
£
690,48 3
824,944
1,464,08 7
523,048
497,41 9
1,733,236
864,849
850,41 8
540,35 3
876,13 3
1,034,81 1
717,002
Total as Note 2 (page 31)
£10,616,78 3
Musi c
Opera
Handel Opera Society
Regional Opera Trust Limited (Kent Opera)
£ 43,000
600,000
£ 643,000
Orchestral and other concerts
Actual Music
Almeida Theatre Company Limited
Azimuth
Capricorn Concerts Trust
CBSO Society Limited
Compatible Recording and Publishing (Promotions) Limited
Contemporary Concerts Co-ordination
Early Music Centre Limited
Eastern Authorities Orchestral Association
Electronic Music Now
Elms Concerts Limited
English Sinfonia Limited
16,691
8,000
4,884
1,150
475,000
4,500
4,000
29,400
110,000
9,79 3
5,000
42,000
Carried forward
710,418
36
643,000
Schedule 9
Brought forward
Gemini
Gordon Beck Nonet
Halle Concerts Society
Haydn-Mozart Society
Jazz Centre Society Limited
John Alldis Choir
Johnny Rondo Duo
L .A .B
London Jazz Composers' Orchestra
London Music Productions
London Musicians' Collective Limited
London Orchestral Concert Board Limited
Matchless Music
Mornington Trust
Music Projects/London Trust
Nexus
National Federation of Music Societies
National Youth Jazz Orchestra Limited
New Macnaghten Concerts Limited
New Music Formation
Northern Sinfonia Concert Society Limited
Park Lane Group Limited
Piano 40
Pulp Music
Royal Liverpool Philharmonic Society
Seven Dials Jazz Club
Sinfonietta Productions Limited
Society for the Promotion of New Music
Songmakers' Almanac Limited
Steve Lacy Sextet and Keith Tippett
Suoraan
Western Orchestral Society Limited
Arts Council of Great Britain
f 710,418
f 643,000
2,500
13,63 3
485,000
27,000
141,000
16,39 0
1,80 0
1,50 0
2,50 0
1,10 0
14,75 0
1,307,00 0
430
3,000
1,700
21,686
413,00 0
9,00 0
11,00 0
75 0
210,000
9,000
6,91 2
1,000
480,31 7
1,47 1
47,37 6
8,20 0
17,41 0
12,73 1
50 0
780,408
4,760,48 2
Festival s
Aldeburgh Festival - Snape Maltings Foundation Limited
Bath Festival Society Limited
Brighton Festival Society Limited
Cheltenham Arts Festivals Limited
Harrogate Festival of Arts and Sciences Limited
King's Lynn : St George's Guildhall Limited
London : Camden Borough Council
English Bach Festival Trust
Sanskritik Centre of Indian Arts Limited
Malvern Festival Society Limited
Norfolk and Norwich Triennial Festival Limited
Stroud Festival Limited
Three Choirs Festival Association Limited
York Early Music Festivals Limited
50,00 0
34,88 7
24,00 0
37,000
37,00 0
21,00 0
18,000
34,000
8,000
13,000
20,000
7,750
20,000
11,000
335,63 7
Carried forward
5,739,11 9
37
Arts Council of Great Britain
Schedule 7
f 5,739,11 9
Brought forward
Other activities
Awards to Artists
Contac t
Music Information Centre Trus t
National Music Council of Great Britai n
Sadler 's Wells Trust Limite d
Southern Rag
Youth and Music Limite d
Pianos:
London Borough of Havering
Northampton Borough Counci l
Queens Hall Arts Centre
South Hill Park Trust Limite d
Wakefield Metropolitan District Counci l
Wells Centre Limited
£143,21 2
5,200
17,000
78 2
25,000
1,200
46,900
f 2,000
3,000
6,500
4,00 0
1,23 9
1,00 0
17,739
Recordings :
Hyperion Records Limited
Impetus Records
Matchless Recordings
Nimbus Records Limite d
Sweet Folk All Recordings Limite d
Taa Mole Record Productions Limited
Tapegames Limited
Tsafrika Records
Unicorn Records Limited
18,49 5
3,000
3,284
3,780
2,000
3,000
2,400
3,000
12,000
50,959
307,992
£6,047,11 1
Total as Note 2 (page 31 )
Dance and Mim e
Chisenhale Dance Spac e
Contemporary Dance Trust Limite d
Dance Umbrella Limited
Dancewor k
Extemporary Dance Company Limited
Giselle Enterprises
Intriplicate Mime Company
Janet Smith and Dancer s
The Kos h
London Borough of Hammersmith and Fulham :
Allsorts-A Young Festival 198 2
London City Ballet Trust Limited
London Festival Ballet Trust Limited
Maedee Dupre s
Manti s
Mary Fulkerso n
Carried forward
38
L
7,50 0
525,00 0
24,000
2,100
80,000
4,000
5,35 0
35,17 0
5,000
1,000
10,500
930,000
2,30 0
9,100
1,500
£1,642,52 0
Schedule 1
Brought forward
Mercury Theatre Trust Limited (Ballet Rambert )
Mime and Movement Trust (Moving Picture Mime Show)
Nola Rae, London Mime Theatr e
Northern Ballet Theatre Limite d
Second Stride Dance Compan y
Tamara McLor g
Theatre Whispers Limite d
Trickster Theatre Compan y
Arts Council of Great Britai n
L1,642,52 0
569,583
23,648
1,80 0
370,00 0
27,90 0
2,75 0
3,500
2,000
Awards to Artist s
£2,643,70 1
63,040
Total as Note 2 (page 31 )
£2,706,74 1
Touring
Opera
Glyndebourne Productions Limite d
Opera 80 Limite d
Opera North Limite d
Scottish Opera Limited
Welsh National Opera Limited
L 348,000
198,00 9
1,800,000
275,00 0
2,000,00 0
£4,621,00 9
Dance
Basic Space Dance Theatre Limited
Midlands Dance Company Limite d
Scottish Ballet Limited
5,00 0
8,00 0
40,00 0
53,000
Dram a
Century Theatre Limite d
Channel Theatre Compan y
Cheek by Jowl Theatre Compan y
Cliff Hanger Theatre Compan y
E & B Productions (Theatre) Limited
The Flying Tortoise Theatre Company Limite d
Full Steam Ahead Production s
The Grand Unio n
Lancaster Orbit Limited
New Shakespeare Company Limited
The New Vic Theatre
Triumph Apollo Productions Limite d
WSG Productions Limite d
71,14 5
10,000
10,000
18,500
45,000
16,250
60,000
29,150
38,000
21,000
46,600
145,00 0
38,000
548,64 5
British Council : Visiting Arts Uni t
The Theatres Trus t
Theatre Investment Fund Limite d
55,000
50,000
62,500
167,50 0
Total as Note 2 (page 31)
f 5,390,154
39
Schedule 7
Arts Council of Great Britain
Dram a
Building-based companie s
Basingstoke : Horseshoe Theatre Company Limited
Birmingham Repertory Theatre Limited
Bolton : Octagon Theatre Trust Limited
Bristol Old Vic Trust Limited
Cheltenham : Gloucestershire Everyman Theatre Company Limited
Chester : Gateway Theatre Trust Limited
Colchester Mercury Theatre Limited
Coventry : Belgrade Theatre Trust (Coventry) Limited
Derby Playhouse Limited
Exeter: Northcott Devon Theatre and Arts Centre
Farnham Repertory Company Limited
Guildford : Yvonne Arnaud Theatre Management Limited
Harrogate (White Rose) Theatre Trust Limited
Ipswich : Wolsey Theatre Company Limited
Lancaster: The Duke's Playhouse Limited
Leatherhead : Thorndike Theatre (Leatherhead) Limited
Leeds Theatre Trust Limited
Leicester Theatre Trust Limited
Liverpool : Merseyside Everyman Theatre Company Limited
Liverpool Repertory Theatre Limited
London : Alternative Theatre Company Limited
Caryl Jenner Productions Limited
Churchill Theatre Trust Limited
Croydon Alternatives Theatre Company Limited
English Stage Company Limited
Greenwich Theatre Limited
Half Moon Theatre Limited
Hampstead Theatre Limited
Hornchurch Theatre Trust Limited
King's Head Theatre Productions Limited
Oval House
Pioneer Theatres Limited
Polka Children's Theatre Limited
Richmond Fringe Limited
Soho Theatre Company Limited
Wakefield Tricycle Company Limited
Young Vic Company Limited
Manchester : Royal Exchange Theatre Company Limited
Manchester Young People's Theatre Limited
Newcastle : Tyne and Wear Theatre Trust Limited
Northampton Repertory Players Limited
Nottingham Theatre Trust Limited
Oldham Coliseum Theatre Limited
Oxford : Anvil Productions Limited
Plymouth : Theatre Royal (Plymouth) Limited
Salisbury Arts Theatre Limited
Scarborough Theatre Trust Limited
Sheffield : Crucible Theatre Trust Limited
Southend : Palace Theatre Trust (Southend-on-Sea) Limited
Stoke-on-Trent and North Staffordshire Theatre Trust Limited
Carried forward
40
£
57,500
450,000
115,00 0
400,00 0
94,00 0
81,00 0
173,50 0
181,25 0
158,00 0
195,000
126,000
124,75 0
118,00 0
136,60 0
127,59 0
161,00 0
209,15 0
290,00 0
155,00 0
292,80 0
95,00 0
208,80 0
83,00 0
69,85 0
453,00 0
132,00 0
99,000
96,800
132,00 0
38,000
51,47 5
177,27 0
82,000
56,000
51,000
87,000
232,00 0
405,00 0
101,00 0
176,300
86,000
407,800
100,01 0
245,000
200,000
135,91 6
101,000
548,600
78,000
151,000
8,525,96 1
Schedule 7
Brought forward
Watford Civic Theatre Trust Limited
Worcester Arts Association (SAMA) Limited
Worthing and District Connaught Theatre Trust Limited
York Citizens' Theatre Trust Limited
Arts Council of Great Britain
£8,525,96 1
87,00 0
80,19 5
68,00 0
192,632
£ 8,953,788
Touring companies
Avon Touring Theatre Co-operative Limited
Cambridge Theatre Company Limited
Cast Presentations Limited
The Common Stock Theatre Company Limited
Covent Garden Community Theatre Limited
Eastend Abbreviated Soap-box Theatre
Foco Novo Limited
Galactic Smallholdings Limited
Hull Truck Theatre Company Limited
Interplay Trust
IOU Limited
joint Stock Productions Limited
Lumiere and Son Theatre Company Limited
M6 Theatre Company Limited
Major Road Theatre Company
Mikron Theatre Company Limited
Monstrous Regiment Limited
Natural Theatre Company
North West Spanner Theatre
Paines Plough Limited
The People Show Society
Perspectives Theatre Co-operative Limited
The Red Ladder Theatre Company Limited
7:84 Theatre Company (England) Limited
Shared Experience Limited
Spectrum Theatre Trust Limited
Temba Theatre Company Limited
Theatre Centre Limited
Women's Theatre Group Limited
65,00 0
232,00 0
42,00 0
48,000
37,000
33,000
75,886
85,41 8
66,000
40,75 6
48,00 0
85,98 9
57,50 0
44,20 8
49,40 0
24,00 0
62,00 0
35,00 0
22,00 0
62,20 5
35,00 0
42,00 0
69,00 0
92,50 0
53,91 0
30,00 0
72,00 0
131,00 0
53,40 0
1,794,17 2
Project s
Actors Touring Company (London) Limited
Artfarmers Limited
Black Theatre Co-operative
Bristol Express Theatre Company
British Events
Bronte Brothers
Bucket Theatre Company Limited
Carib Theatre Productions Limited
Carried forward
35,500
10,000
32,85 0
16,57 5
6,000
4,50 0
5,40 0
5,500
116,325
10,747,96 0
41
Schedule l
Brought forward
DAC Theatre Compan y
DET Enterprises Limited
East-West Theatre Compan y
Extraordinary Productions Limited
Mike Figgis
Forkbeard Fantas y
Graeae Theatre Company Limite d
Hesitate and Demonstrate Limite d
Impact Theatre Co-operativ e
Incubus Theatrd Company Limite d
Kaboodle Productions Limited
The Medieval Players Limite d
Moving Parts Theatre Compan y
Mrs Worthington's Daughters
National Theatre of Bren t
The New Theatr e
Northern Studio Theatre
Potheinos Limited (Little Angel Marionette Theatre)
Rational Theatre
Science Fiction Theatre of Liverpoo l
Snap People's Theatre Trust Limite d
Staunch Poets and Players
Stirabout Theatre Compan y
That's Not I t
Theatre Kit Limited
Theatre of Puppet s
Theatre of Thelema Limite d
Theatro Technis
Top Floor Production s
Yorkshire Actors Company
Arts Council of Great Britain
£116,325
£10,747,960
20,900
10,000
1,150
20,000
6,000
16,400
5,000
15,600
22,000
43,760
37,000
42,72 5
21,900
22,000
29,25 0
5,500
15,000
1,300
25,100
8,000
1,500
9,000
3,81 4
26,000
33,000
2,500
24,60 0
25,00 0
12,00 0
10,400
632,724
Theatre Writing
Belt and Braces Road Show Company Limited
Bubble Theatre Compan y
The Cherub Compan y
Colway Theatre Trust Limited
The Combination Limited
The Dog Compan y
Disrepertory Theatr e
Durham Theatre Compan y
The Factory
Harlow Theatre Va n
Haruspex
Inner City Theatre Company
Live Theatre Company
Lyric Theatre Hammersmith Trus t
Merseyside Young People's Theatre Company Limite d
National Youth Theatre of Great Britai n
New Moon Theatre Company
Northern Black Light Theatre Compan y
Carried forward
42
1,375
1,800
150
350
1,800
250
500
650
1,800
750
1,080
800
3,600
1,000
700
400
800
80 0
18,605
11,380,684
Schedule 1
Brought forward
Northumberland Theatre Company
Nuffield Theatre Company
Playwrights Co-operative
Playwrights Company
Pocket Theatre, Cumbria
Solent People's Theatre Limited
Theatre Foundry
Theatre Venture
Touring Theatre London
Yorkshire Arts Circus
Bursaries
Royalty Supplement Guarantees
Arts Council of Great Britain
f 18,605
£11,380,684
3,600
2,40 0
50 0
75 0
47 5
2,55 0
1,800
1,100
250
300
40,925
6,590
79,845
Other subsidies
Arts Administration Limited
Association of British Theatre Technicians
British Theatre Association
Fringe Box Office
Puppet Centre Trust
Society of British Theatre Designers
Windsor Theatre Company (Capoco) Limited
5,000
8,000
12,000
2,000
5,000
4,000
5,000
41,00 0
Total as Note 2 (page 31)
£11,501,52 9
Art
Visual Arts
Birmingham : Ikon Gallery Limited
Bristol : Arnolfini Gallery Limited
Cambridge : Kettle's Yard Gallery
London : Acme Housing Association Limited
Art Services Grants Limited
Half Moon Photography Workshop Limited
The Photographers' Gallery Limited
Whitechapel Art Gallery
Newlyn : Newlyn Orion Galleries Limited
Nottingham : Midland Art and Community Centre Limited
Oxford : Museum of Modern Art Limited
Southampton : John Hansard Gallery
York : Impressions Gallery of Photography Limited
f 88,00 0
179,90 6
45,00 0
22,000
67,00 0
50,00 0
150,00 0
160,00 0
40,700
82,250
131,000
40,000
47,000
f 1,102,85 6
Grants and guarantees towards exhibition s
Bath: Royal Photographic Society :
Alvin Langdon Coburn
Bradford Art Galleries and Museums :
7th International Print Biennale
Carried forward
700
9,500
10,200
1,102,85 6
43
Schedule 1
Arts Council of Great Britai n
Brought forward
L10,200
Cambridge: Fitzwilliam Museu m
John Linnel l
Carlisle Museum and An Galler y
Cumbrian Landscap e
Durham : DLI Museum and Arts Centr e
Henry Moore : Head-Helmet
Grasmere : Dove Cottage
The Discovery of the Lake Distric t
Hull : College of Higher Educatio n
Humberside Print Competition 198 2
Knutsford : Tatton Park
Sculpture For A Garden
Leeds City Art Gallery
Henry Moore Early Carving s
Dutch 17th Century Painting s
Liverpool : Walker Art Gallery
Peter Phillips
London : Committee of Associations and Artists resident in U K
Festival of India in Britai n
Geffrye Museu m
George Elgar Hicks
London Grou p
London Group Exhibitio n
National Museum of Labour History
Sylvia Pankhurst Centenary
New Contemporaries Associatio n
New Contemporaries 198 2
Polytechnic of Central Londo n
Vernacular Architecture of Brittan y
Royal Academy
Allan Gwynne Jones
Elizabeth Blackadder
Middlesbrough Art Galler y
Ardizzone and the Se a
Milton Keynes Development Corporatio n
Exhibition Officer and Programm e
Norwich: Sainsbury Centre
Sculpture from the Stockwell Depot
Nottingham: Castle Museu m
The Women's Art Show 1550-197 0
University of Nottingha m
Drawing in the Renaissance Worksho p
Rochdale Art Gallery
Dave King
Drawings
Sheffield : Graves Art Gallery
Mayakovsky
Grants for gallery improvements and equipment
London : Goldsmiths College
Holography equipmen t
Carried forward
44
L1,102,856
5,00 0
7,50 0
4,00 0
3,00 0
1,00 0
5,00 0
3,00 0
2,000
12,000
3,000
2,000
2,500
1,690
2,500
1,000
6,000
6,000
1,500
7,500
1,500
4,600
5,000
1,800
2,500
2,300
104,090
1,600
1,208,546
Schedule 7
Arts Council of Great Britain
f 1,208, 54 6
Brought forward
Artists-in-Residence
Graham Ashton : Walker Art Gallery, Liverpoo l
Philippa Beale: Southampton Art Galler y
Graham Crowley : Museum of Modern Art, Oxford
David Medalla : South Hill Park Arts Centre, Bracknel l
Deanna Petherbridge : Manchester City Art Gallery
Michael Porter : National Gallery, Londo n
Paul Waplington : Mappin Art Gallery, Sheffiel d
£ 4,00 0
5,00 0
6,00 0
1,50 0
2,50 0
2,00 0
1,000
22,000
Art in Public Sites
Liverpool : Royal Liverpool Hospita l
London : Contemporary Art Societ y
Redditch : Redditch Development Corporatio n
2,37 5
5,500
7,500
15,37 5
Provision of Studios and Darkroom s
Acme Housing Association Limite d
Art Services Grants Limite d
11,21 5
6,000
17,21 5
Incentive Grants
Ian Birksted : Series of Prints
John Walker : The London Suite'8 2
2,50 0
5,000
7,500
Art Magazines
'Afterimage'
'Artery'
'Art Language '
'Art Monthly'
'Artscribe'
'Audio Arts '
'Block'
'Control'
'Creative Camera'
'Screen'
'Ten 8 '
'Undercut '
3,00 0
1,50 0
1,20 0
9,00 0
l 10,50 0
2,20 0
1,33 5
40 0
15,00 0
3,60 0
9,00 0
3,500
60,23 5
Grants for Publishing
Artic Producers Publishing Company :
'Galleries and Exhibition Spaces'
Carlisle Museum and Art Gallery:
'Presences of Nature '
Coracle Press :
'Sisters of Menon '
Paul Graham :
'Al-The Great North Road '
Carried forward
1,00 0
3,000
600
5,88 5
10,485
1,330,871
45
Schedule 1
Brought forward
Jonathan Cape Limited :
'Byker'
Michael Newman :
'Simulacra '
Open University Press :
'Survival Programmes'
Pluto Press Limited :
'Committing Photography'
A Zwemmer Limited :
'Bad Weather'
Artists Film and Video
Awards to Film Makers/Video Artists
Circles
East Anglian Independent Film Makers Association
London Film Makers' Co-op Limited
London Video Arts
Northampton's Arts Centre
North by North West Film Society
Arts Council of Great Britai n
£ 10,485
£1,330,87 1
3,52 3
75 0
4,65 0
1,05 0
5,520
25,97 8
51,41 5
3,200
284
3,474
12,79 5
25 5
435
20,44 3
Total as Note 2 (page 31)
f1,428,707
Literature
Arvon Foundation Limited
Book Marketing Council
English Centre of International PEN
London Library
National Book League
New Fiction Society Limited
The Poetry Book Society
The Poetry Society
University of Reading
Worker Writers and Community Publishers
f 37,000
8,000
6,600
8,000
89,500
458
10,000
80,000
15,000
1,500
256,05 8
Literary Magazine s
'Agenda'
'Books for Your Children'
The Children's Good Book Guide'
'Encounter'
The Fiction Magazine'
'Index on Censorship'
'Interzone'
'London Magazine '
'London Review of Books'
'Modern Poetry in Translation'
Carried forward
46
14,00 0
2,75 0
10,00 0
30,00 0
3,00 0
16,50 0
2,00 0
39,00 0
29,50 0
7,00 0
153,750
256,058
Schedule 1
Arts Council of Great Britain
Brought forward
£153,750
'PN Review '
'Quarto '
'Thames Poetr y'
18,000
10,00 0
2,500
£256,05 8
184,250
Grants to Publishers
Agenda and Editions Charitable Trust Limited :
'Too Much of Water' by Peter Dal e
'The Mystery of the Charity of Charles Peguy' by Geoffrey Hil l
Alan Ross Limited :
'Home and Dry' by Roy Fulle r
'An Umbrella from Piccadilly' by Jaroslav Seifer t
Anvil Press Poetry Limited :
Binnacle Press:
'Riverside Interviews 6 : Tom McGrath '
Calder Educational Trust Limited :
Carcanet New Press Limited :
Chatto and Windus Limited :
'Samuel Johnson' by Walter Jackson Bat e
'A Rift in Time' by Patric Dickinso n
'New and Selected Poems' by James Michi e
Enitharmon Press :
Faber and Faber Limited :
'Introduction 8'
'Literature in the Market Place' by Per Gedi n
'Giacomo Joyce' by James Joyc e
'The Selected Letters of Ezra Pound 1907-1941 '
Harry Chambers/Peterloo Poets
Hippopotamus Press :
'The Banned Man'. by Shaun McCarth y
Jonathan Cape Limited :
'Colours of War' by Alan Ros s
Marion Boyars Publishers Limited :
'Lament for Rastafari and Other Plays' by Edgar Whit e
Michael Russell (Publishing) Limited :
'A Perception of India' by Richard Terrel l
Oxford University Press :
'First Childhood' and 'Far from the Madding War' by Lord Berners
Routledge & Kegan Paul plc :
'King Horn' by Michael Baldwi n
Secker & Warburg Limited :
in respect of seven poetry title s
Virago Press Limited :
'Travels in West Africa' by Mary Kingsle y
'A Captive Spirit' by Marina Tsvetaeva
600
600
1,500
750
33,000 50 0
35,00 0
41,940
1,000
600
75 0
6,500
1,200
1,000
800
800
16,400
1,000
2,800
2,000
1,500
82 5
800
7,000
2,000
1,800
162,665
Writers' Fellowship s
Chester : The Tattenhall Centre (Liz Lochhead )
Lancaster: St Martin's College (David Cook)
Loughborough College of Art and Design (Alexis Lykiard)
Carried forward
5,62 5
6,39 0
7,500
19,515
602,97 3
47
Schedule 1
Brought forward
Northampton : Nene College (Dick Davis)
Oxford Polytechnic (Jan Mark)
Sheffield City Polytechnic (Barry Hines)
Sudbury: Great Cornard Upper School (Rodney Pybus)
Sunderland Polytechnic (Peter Reading)
Winchester School of Art (Kevin Crossley-Holland)
Arts Council of Great Britain
f 19,515
£602,97 3
7,500
7,50 0
5,91 4
6,25 0
1,00 2
6,364
54,045
Bookshops and Book Ordering Point s
Aldeburgh Bookshop Limited
City of Bradford Metropolitan Council
Durham County Council
Gateshead Metropolitan Borough Council
London Borough of Hackney
1,10 0
1,42 0
1,00 0
1,65 0
3,00 0
8,170
Augmentation of Prizes
The Authors Club : Sir Bannister Fletcher Award and First Novel Award
The Children's Book Circle
Faber and Faber Limited : Geoffrey Faber Memorial Prize
Society of Authors Limited : John Florio Prize, Schlegel-Tieck Prize,
Scott Moncrieff Prize, Tom Gallon Trust Award
English Centre of International PEN : Silver PEN Award an d
Jo Ackerley Prize
National Book League : John Llewelyn Rhys Memorial Prize
The Poetry Society : Alice Hunt Bartlett Award
50 0
650
500
2,23 5
1,450
650
710
6,69 5
Manuscripts
University of Leeds : manuscript material of Tom Paulin
King's College, London : manuscript collection of B S Johnson
University College, London : literary magazines and little press poetry
35 0
400
800
1,550
47,000
Awards to writers and translators
Total as Note 2 (page 31)
£720,43 3
Arts Centres and Community Project s
Buckinghamshire Arts Federation
Arts Centres
Birmingham : Cannon Hill Trust Limited
Bracknell : South Hill Park Trust Limited
London : Hammersmith Riverside Arts Trust Limited
Institute of Contemporary Arts Limited
Round House Trust Limited
f 20,400
£187,75 0
112,25 0
80,000
365,000
57,045
802,045
Carried forward
48
822,44 5
Schedule 1
Arts Council of Great Britain
Brought forward
Community Projects
Aklowa Association
Arts and Technology Laboratory Limited
Charivari
Ekome Dance Company
Fantasy Factory Video Limited
Free Form Arts Trust Limited
Major Mustard's Travelling Show
National Association for Asian Youth
Shelton Trust Limited
Steel an' Skin (Arts) Limited
Tara Arts Group
Word and Action (Dorset) Limited
f 822,44 5
£13,000
19,500
13,500
20,500
13,400
83,700
7,000
15,500
3,200
33,93 0
23,43 5
11,00 0
257,66 5
Special applications/Experimental project s
Academy of Indian Dance
Action Space Mobile
Blood Group
Committee of Associations and Artists resident in UK
Centre Ocean Stream
Concord
Horse and Bamboo
Minorities Arts Advisory Service Limited
Performance Magazine
Shape Limited
2,000
1,02 5
1,25 0
5,00 0
10,40 0
1,00 0
6,95 0
15,00 0
10,94 5
15,60 0
69,170
Carnival
Carnival Industrial Project
Chaconia Revellers
Cocoyea
Dominica Carnival Arts in UK
Ebony Steel Band
Elimu
Factory Carnival Project
Finsbury Park Carnival Committee
510 United Carnival Club
Genesis
Hackney United Club
Hippos .
Lion Youth Band
London All Stars Steel Band
Metronomes Steel Orchestra
Notting Hill Carnival and Arts Committee
Paddington Youth Steel Band
People's War Sound System
Perpetual Beauty Carnival Club
Quintessence
Renegades Players
Starland United Club
Carried forward
70 0
50 0
1,25 0
45 0
1,85 0
1,50 0
1,40 0
2,60 0
500
1,400
900
800
1,400
500
600
4,000
600
300
1,50 0
1,00 0
2,25 0
450
26,450
1,149,28 0
49
Schedule 7
Brought forward
Starlite Mas Association
Twelfth Century
West Indian Development Organisation
Arts Council or Great Britai n
£ 26,450
£1,149,280
1,650
1,400
500
30,000
£1,179,280
Total as Note 2 (page 32)
Trainin g
Benesh Institute of Choreology Limited
National Opera Studio
Training Scheme s
Administrators : Diploma Course Bursaries
Practical Training Schemes Bursaries
In-Service Bursaries
City University
Designers
Directors
Joint Training Fund
Performers (Bursaries) : Advanced Training for Musicians
National Centre for Orchestral Studies
National Opera Studio
Puppeteer
Royal Northern College of Music Sinfonia
Theatre Performers
Technicians : Association of British Theatre Technicians
Bursaries
Piano Tuner
£ 68,79 1
155,000
L 223,79 1
31,901
20,73 0
23,55 1
44,000
20,70 1
29,750
13,49 1
4,776
21,000
27,100
4,000
20,000
13,20 7
77,50 0
3,35 1
4,500
359,55 8
f 583,34 9
Total as Note 2 (page 32)
Housing the Arts
National Companies
English National Opera
National Theatre Board
Royal Opera House, Covent Garden Limited
Music
Huddersfield : Kirklees Metropolitan Council (Town Hall)
London : Friends of Domus
Jazz Centre Society Limited
Manchester : Jazz Centre Society Limited
Nottingham City Council (Concert Hall)
Carried forward
50
f 30,000
120,10 0
150,000
L 300,100
20,00 0
1,00 0
75,00 0
15,00 0
211,500
322,500
622,60 0
Schedule 9
Arts Council of Great Britai n
Brought forward
Danc e
London : Art Place Trust (Chisenhale Dance Space)
f 622,60 0
f 1,500
1,50 0
Tourin g
Bath : Theatre Royal Bath Limited
350,000
350,00 0
Dram a
Colchester Mercury Theatre Limited
Liverpool : Galactic Smallholdings Limited
London : Caryl Jenner Productions Limited
Croydon Alternatives Theatre Company Limited
Pioneer Theatres Limited
Manchester : Royal Exchange Theatre Company Limited (Touring Module)
Plymouth City Council (Theatre Royal)
Salisbury Arts Theatre Limited
20,00 0
1,80 0
50,00 0
1,500
10,000
5,000
70,000
10,000
168,300
Art
Leeds City Council (City Art Gallery)
London : Half Moon Photography Workshop Limited
Newport (Isle of Wight) : IOW Visual Arts Centre Limited
Ramsgate: Kent County Council (Library Art Gallery)
20,00 0
10,000
2,000
7,500
39,50 0
Regiona l
Banbury : Spiceball Arts and Community Association Limited
Bracknell : South Hill Park Trust Limited
Chipping Norton : The Theatre (Chipping Norton) Limited
Grantham : South Kesteven District Council (Leisure Centre)
Hexham : Northumberland County Council (Queen's Hall Complex)
Hull : New Theatre Company Limited
Leeds Grand Theatre and Opera House Limited
Lincoln City Council (Theatre Royal)
Liverpool : Bluecoat Society of Arts
Great Georges Community Cultural Project Limited
Radio Doom
London : The Deptford Fund (Albany)
Free Form Arts Trust Limited
Luton Community Arts Trust Limited
Norwich Arts Centre Limited
Oxford : Apollo Leisure (UK) Limited
Oxford Area Arts Council (Old Fire Station Arts Centre)
Stafford Borough Council (Borough Hall)
Sunderland Arts Centre Limited
Swindon : Thamesdown Borough Council (Wyvern Arts Centre)
Wells-next-the-Sea : The Wells Centre Limited
10,00 0
120,00 0
2,000
5,000
25,000
15,000
30,000
20,000
10,000
70,000
3,000
38,000
2,000
1,50 0
5,00 0
10,00 0
4,00 0
20,00 0
20,00 0
10,00 0
10,000
430,500
Total as Note 2 (page 32)
£1,612,400
51
Arts Council of Great Britain
Schedule 2
2 DIRECTLY PROMOTED ACTIVITIE S
198 3
1982
£
166,014
83,727
2,336
a Music : Wigmore Hal l
Expenditure
Income
Less VAT
£ 201,898
£ 95,29 7
2,65 2
92,64 5
81,391
£
84,623
7,028
Less surplus on Wigmore Hall Catering
77,595
Net expenditure for the year as Note 2 (page 31)
£ 312,332
1 1 032,912
242,661
148,903
b Art: Art Exhibitions
Expenditure
Transport
Organising
Insurance
Catalogues
Publicity
109,25 3
6,902
£ 102,35 1
£219,33 3
684,500
1,23 6
139,42 3
150,33 4
£1,194,82 6
1,736,808
430,466
56,099
Incom e
Admissions
Less VAT
221,42 4
28,881
374,367
231,989
Catalogue Sales
192,543
162,877
22,499
2,935
Exhibition fees
Less VAT
30,138
3,931
19,564
40,326
Donations
26,20 7
30,558
412,185
666,246
£1,070,562
52
Net expenditure for the year as Note 2 (page 31)
£
782,641
Schedule 2
Arts Council of Great Britain
1982
£567,870
160,704
198 3
c Art : Arts Film s
Production Expenditure
Less Production Contributions
£349,31 3
49,335
407,166
100,306
92,256
8,185
f 299,97 8
Other Activities :
Expenditure
189,81 3
Income
Less VAT
109,88 7
7, 86 7
84,071
102,02 0
16,235
87,79 3
£423,401
Net expenditure for the year as note 2 (page 31)
f259,71ti
59,660
167,622
d Publication s
Incom e
Arts Council Shop
105 Piccadilly
Gallery Bookstalls
£387,77 1
f355,20 9
80,10 5
118,43 6
486,998
26,618
Less VAT
460,380
328,782
Less Expenditure
532,789
414,487
(131,598)
157,324
Operating Costs
(118,302)
154,09 7
f 25,726
Net expenditure for the year as note 2 (page 32)
f 553,750
20,96 1
f 35,795
53
Arts Council of Great Britain
Schedule 3
3 SPECIAL FUNDS NET ASSETS
Market
Value
Boo k
Valu e
£24,725
£25,382
4,494
4,199
2,596
416
5,700
4,040
7,686
6,331
2,537
168
1,154
2,68 5
500
1,024
764
9,120
4,690
4,277
2,079
4,15 1
3,58 1
Nominal
Value
1982
Compton Poetry Fun d
Investments :
£25,490
11% Exchequer Stock 1991
Rio Tinto-Zinc plc 9 1 % Convertibl e
3,977
Unsecured Loan 1995/2000
Automated Security Holdings Limite d
8% Convertible Unsecured Loa n
1990/95
General Electric Company plc
Dowty Group plc
Beecham Group plc
Shell Transport and Trading Company
plc
Standard Chartered Bank plc
Hepworth Ceramic Holdings plc
L37,134
1,621
11,972
50,727
910
1,500
100
45,936
1,45 5
11,61 7
Debtor s
Cash at Ban k
59,008
Less Creditor s
f 59,00 8
49,817
2,005
25
891
Dio Fun d
Investments :
Equities Investment Fund fo r
Charities (1,467 Units)
Debtors
Cash at Ban k
2,828
2,00 5
24
1,245
3,274
2,921
The Guilhermina Suggia Gif
t
Investments :
12 1 % Treasury Stock 1993
Equities Investment Fund fo r
Charities (2,926 Units)
4,429
3,884
-
5,641
3,01 4
Debtor s
Cash at Ban k
6,898
154
786
6,99 3
-
Less Creditor s
7,838
750
7,088
6,993
54
4,072
6,898
156
(61)
59,731
198 3
Carried forward
69,37 0
Schedule 3
Arts Council of Great Britain
198 2
£59,731
198 3
f 69,37 0
Brought forward
Henry and Lily Davis Fun d
Investments :
11% Exchequer Stock 1991
£45,800
Rio Tinto-Zinc plc 9 1 O/b Convertibl e
Unsecured Loan 1995/2000
3,356
General Electric Company plc
137
John Brown and Company plc
1,662
Vickers plc
2,256
Grand Metropolitan plc
1,300
J . Sainsbury plc
450
Beecham Group plc
700
British Petroleum Company plc
300
Hambro Life Assurance plc
80
Land Securities-Investment Trust plc 1,375
Standard Chartered Bank plc
816
Cadbury Schweppes plc
718
Shell Transport and Tradin g
Company plc
182
£44,426
£45,580
3,792
5,555
1,663
3,046
8,375
6,660
10,640
3,960
5,248
4,263
3,737
3,249
3,545
2,871
4,509
3,01 2
4,32 8
2,13 6
4,54 5
4,364
4,68 5
4,159
3,680
3,01 8
3,329
2,99 1
80,364
93,42 3
Accumulated Income Investments :
Equities Investment Fund fo r
Charities (1,500 Units)
Vickers plc
Grand Metropolitan plc
2,862
563
185
2,892
760
1,192
1,99 1
74 9
64 6
3,38 6
83,226
2,327
1,603
Debtors
Cash at Bank
96,809
1,878
38
87,156
525
Less Creditors
98,725
1,850
86,631
146,362
96,875
Carried forward
166,24 5
55
Arts Council of Great Britain
Schedule 3
198 2
£146,362
198 3
£166,24 5
Brought forwar d
The Miriam Licette Scholarshi p
Investments :
13 1 % Exchequer Stock 1996
121 % Treasury Stock 1993
Equities Investment Fund fo r
Charities (9,330 Units )
£7,279
7,200
f 8,626
7,830
£7,08 1
6,85 9
-
17,988
9,487
23,427
900
2,754
Debtors
Cash at Ban k
23,42 7
1,12 2
1,875
27,081
500
Less Creditors
26,42 4
1,32 5
25,09 9
26,581
H. A. Thew Fun d
Investments :
12 1 % Treasury Stock 199 3
Equities Investment Fund for
Charities (5,844 Units)
5,33 3
127
1,528
Debtors
Cash at Ban k
6,98 8
300
Less Creditors
2,374
2,582
2,26 6
-
11,267
3,06 7
96
27 5
5,70 4
63
5,64 1
6,688
Mrs Thornton Fund
Investments :
12 111 % Treasury Stock 199 3
Equities Investment Fund for
Charities (4,595 Units )
1,837
1,61 3
-
8,859
2,60 5
4,21 8
130
2,303
Debtors
Cash at Ban k
4,21 8
12 0
2,89 8
6,65 1
753
Less Creditors
7,23 6
1,875
5,36 1
5,89 8
185,529
56
1,689
Carried forward
202,34 6
Arts Council of Great Britain
Schedule 3/Schedule 4
1982
£185,529
Arts Council Trust for Special Fund s
Investments :
12% Treasury Stock 1995
B .A .T . Industries plc
Imperial Chemical Industries plc
Shell Transport and Tradin g
Company plc
Unilever plc
Standard Chartered Bank plc
2,252
20,471
198 3
f202,34 6
Brought forward
£6,425
102
630
£6,811
2,665
2,507
f 6,001
1,99 8
1,99 1
121
81
465
2,212
2,763
2,130
1,99 7
2,01 7
1,99 1
15,99 5
49 7
14,16 5
Debtors
Cash
30,65 7
22,723
£208,252
Total as Balance Sheet
£233,00 3
4 SPECIAL FUNDS CAPITAL AND RESERVE S
1982
£37,183
(30)
198 3
Compton Poetry Fund
Capital Account :
Balance at 1 April 1982
Add Surplus on realisation of investments
(1982 : Deficit)
£37,153
8,80 4
45,95 7
37,153
10,854
5,470
Income Account :
Balance at 1 April 1982
Add Income during year
12,664
4,99 4
16,324
3,660
Less Expenditure during year
17,65 8
4,60 7
13,05 1
12,664
f 59,008
49,817
2,000
576
345
Dio Fun d
Capital Account
Income Account :
Balance at 1 April 1982
Add Income during year
921
2,00 0
92 1
35 3
1,274
2,921
52,738
-
3,274
Carried forward
62,282
57
Arts Council of Great Britain
Schedule d
1982
f 52,738
198 3
f 62,28 2
Brought forward
6,900
The Guilhermina Suggia Gif
t
Capital Account
739
1,071
Income Account:
Balance at 1 April 1982
Add Income during year
93
1,805
1,810
1,717
Less Expenditure during year
1,89 8
1,71 0
f 6,900
18 8
93
7,08 8
6,993
80,289
76
Henry and Lily Davis Fun d
Capital Account :
Balance at 1 April 1982
Add Surplus on realisation of investments
93,32 7
80,36 5
5,890
8,027
13,91 7
7,651
80,36 5
12,96 2
Income Account :
Balance at 1 April 1982
Add Income during year
Less Expenditure during year
6,26 6
6,67 7
12,94 3
9,39 5
3,548
6,266
96,87 5
86,631
23,478
51
The Miriam Licette Scholarship '
Capital Account :
Balance at 1 April 1982
Less Deficit on realisation of investments
23,42 7
23,427
5,294
3,431
Income Account:
Balance at 1 April 1982
Add Income during year
3,15 4
3,770
8,72 5
5,571
Less Expenditure during year
6,92 4
5,25 2
1,672
3,154
25,09 9
26,581
172,943
58
23,42 7
Carried forward
191,34 4
Arts Council of Great Britain
Schedule 4
1982
£172,943
198 3
£191,34 4
Brought forward
5,334
H. A. Thew Fun d
Capital Account:
Balance at 1 April 1982
5,33 4
1,177
1,452
Income Account :
Balance at 'l April 1982
Add Income during year
1,35 4
1,45 3
2,629
1,275
Less Expenditure during year
2,80 7
2,50 0
30 7
1,354
5,64 1
6,688
4,220
Mrs Thornton Fun d
Capital Accoun t
4,22 0
984
1,344
Income Account :
Balance at 1 April 1982
Add Income during year
1,678
1,56 3
2,32 8
650
Less Expenditure during year
3,24 1
2,100
1,141
1,67 8
5,36 1
5,898
20,471
-
Arts Council Trust for Special Fund s
Capital Account :
Balance at 1 April 1982
Add Donations
Legacies
26,27 8
20,471
2,252
20,47 1
51
5,75 6
Income Account :
Balance at 1 April 1982
Add Income during year
2,25 2
2,12 7
4,37 9
22 , 723
f208,252
30,65 7
Total as Balance Sheet
£233,003
59
Scottish
Council
Income and Expenditure Accoun t
Arts
for the year ended 31 March 1983
198 2
Note
76,869
Incom e
Grant from the Arts Council of
Great Britai n
Grants and guarantees provided for i n
previous year not now required
45,490
8,290
600
1,113
Other income
Interest receivabl e
Donation s
Proceeds on sale of fixed assets
Sundry income
£9,675,800
1983
L10,794,600
71,241
L
46,00 3
6,270
2,809
5,377
60,45 9
55,49 3
l
10,926,30 0
9,8ua, bL
9,037,228
588,804
Expenditure
General expenditure on the art s
in Scotlan d
General operating costs in Scotlan d
40,636
10,206,297
680,25 0
10,886,547
9,626,032
79,497
2
3
Transfer to capital account in respect of
capital expenditure in yea r
Transfer to (from) reserve for capita l
expenditure
135,01 9
(40,196)
9,746,165
L
60
61,997
10,981,370
Net Surplus/(Deficit) for the yea r
c
(ss mn)
Scottish
Arts Council
Balance Shee t
at 31 March 1983
f
198 2
657,577
1,382,574
20,414
Fixed Asset s
Current Assets
Debtors and prepayment s
Cas h
Note
4
5
1,402,988
1,075,274
63,824
f
f
Less Current Liabilitie s
Grants and guarantees outstandin g
Creditor s
1,241,30 7
97,554
1,338,861
Net Current Assets
168,62 4
921,467
582,810
79,497
(4,730)
£952,78 4
Represented by :
Capital Accoun t
Balance at 1 April 1982
Transfer from income and expenditur e
accoun t
Book value of assets sold or written off
£657,57 7
135,01 9
(8,436)
b5/,~/ /
263,890
47
Q')1
1,500,35 1
7,13 4
1,507,48 5
1,139,098
263,890
198 3
£784,16 0
/04, I bu
Reserves
nC,7
6
168,624
£952,784
Chairman of the Scottish Arts Council :
GERALD ELLIOTT
Secretary General : LUKE RITTNER
61
Scottish
Council
Arts
Statement of Source and Application o f
Funds
for the year ended 31 March 198 3
Source of Funds
f (55,070)
Net deficit for the year
Adjustment for items not involving the movement of fund s
Transfer to capital account in respect of capital expenditure
Transfer from reserve for capital expenditure
£135,01 9
(40,196)
94,82 3
Total absorbed from operation s
39,753
Application of Fund s
Purchase of fixed asset s
Net Application of Fund s
(135,019 )
f (95,266 )
Increase/(Decrease) of Working Capital
increase of debtors and prepayment s
increase of grants and guarantees outstandin g
Increase of creditors
£117,777
(166,033 )
(33,730)
(81,986)
Movement of net liquid fund s
Decrease of cash balanc e
Net Decrease of Working Capital
62
(13,280)
f (95,266)
Notes to the Accounts
1 ACCOUNTING POLICIES
The Accounts have been prepared under the historical cost convention and on a basis which takes account of the Statement s
of Standard Accounting Practice drawn up by the Consultative Committee of Accountancy Bodies, so far as these ar e
appropriate to the Council .
a Grants and guarantees
Grants and guarantees are charged to the Income and Expenditure Account in the year for which they are undertaken a s
a commitment by the Council on the basis of a formal offer to and acceptance by the Council's clients . Any amounts unpaid
from these commitments are shown as liabilities on the Balance Sheet and any. advance payments to clients in anticipatio n
of the grants and guarantees to be offered for the following financial year are shown in the Balance Sheet as assets . Grants
and guarantees are offered in respect of the year in which the activities commenced .
b Fixed assets
Expenditure on fixed assets is charged as an appropriation from the Income and Expenditure Account to the Council's capita l
account . The book value of any assets sold or written off is eliminated from the Balance Sheet by a reduction in capita l
account . Any proceeds of sale are credited to income . Fixed assets are not depreciated . Any expenditure on renewals i s
charged against income .
All works of art are included under fixed assets and form an integral part of the Council's exhibition programme.
c Exhibition s
Expenditure incurred on an exhibition promoted by the Council is charged to the year in which that exhibition is officiall y
opened to the public . Expenditure incurred in a year prior to that opening is treated as a prepayment .
d Consolidatio n
The Arts Council of Great Britain is legally responsible for the affairs of the Scottish Arts Council and the Welsh Arts Council ,
which are by constitution committees of the Council . However in view of the powers delegated to those committees they
present separate accounts which are not consolidated with those of the Arts Council .
2 GENERAL EXPENDITURE ON THE ART S
1982
£3,540,350
933,672
4,211
937,883
4,478,233
198 3
Musi c
Grants and guarantees
£4,307,076
Dance and Mime
Grants and guarantees
Mime Schoo l
1,052,58 5
Carried forward
5,359,66 1
63
,%'ote 2
Scottish Arts Council
1982
£4,478,233
326,985
1983
£5,359,661
Brought forward
Touring
Grants and guarantees
405,70 1
Less Local Authority Contributions
26,539
29,840
6,472
5,000
27,616
1,731
Aberdeen District Council
Edinburgh District Council
Glasgow District Council
Kirkcaldy District Council
Kyle and Carrick District Council
Strathclyde Regional Council
Tayside Regional Council
(97,198)
35,198
27,000
30,000
4,704
804
30,000
127,706
229,787
1,763,205
307
100
277,99 5
Drama
Grants and guarantees
International Exchange
Young Directors Workshop
2,019,18 7
2,02 1
2,021,208
1,763,612
499,705
155,420
15,904
1,692
581
11,214
12,857
Art
Grants and guarantees
Net cost of exhibitions
Fruit Market Gallery
Provision of Studio - Amsterdam
Costs of maintaining the Collection
Art Film Tours
Lectures Scheme
Stenhouse Warehouse
849,754
697,373
100,281
7,269,286
64
616,66 7
149,15 1
23,72 1
3,56 2
14,05 8
11,24 7
14,40 9
16,93 9
Fil m
Grants and guarantees
Carried forward
75,650
8,584,268
Notes 213
Scottish Arts Counci l
1982
f7,269,286
313,044
3,044
19,322
152
3,104
5,308
77
3,11 .1
2,675
679
--
198 3
f8,584,268
Brought forward
Literature
Grants and guarantees
Poetry Readings
Writers in Schools and in Public
Writers' accommodation
Other activities
Neil Gunn Fellowship
Writers' exchanges
Scottish/Canadian Writers Fellowship
Scottish/Australian Writers Fellowship
Magazines to Libraries scheme
Poetry Posters
350,516
351,77 4
3,83 6
29,984
9,21 2
3,836
4,592
1,29 4
2,37 4
406,90 2
442,408
Festival s
Grants and guarantees
480,59 6
704,356
Projects, Arts Centres and Club s
Grants and guarantees
646,94 2
8,862
261,800
Reports, Surveys and Seminars
8,98 9
Housing the Arts
Grants
f9,037,228
78,600
£10,206,297
Details of grants and guarantees are given in Schedule 1 on pages 68 to 81 . The income and expenditure o n
Art Exhibitions, Art Film Tours, Lectures, Writers in Schools and in Public are given in Schedule 2 on pages 8 1
to 82 .
3 GENERAL OPERATING COSTS
1982
£324,557
40,419
39,239
17,465
23,438
46,008
32,052
17,829
2,401
45,396
£588,804
Salaries and wages
Arts Council of Great Britain Retirement Plan
Travelling and subsistence
Rent and rates
Fuel, light and house expenses
Publicity and entertainment
Postage and telephone
Stationery and printing
Professional fees
Office and sundry expenses
198 3
£376,73 3
38,224
48,95 0
54,064
40,75 0
37,77 3
33,780
21,23 5
1,734
27,007
£680,250
65
Scottish Arts Council
Totes 4 S 6
4 FIXED ASSET S
Book value at
1 April 1982
Freehold property :
336, 346 & 350 Sauchiehal l
Street, Glasgow
£166,943
Leasehold property improvement :
19/20 Charlotte Square, Edinburgh
29 Market Street, Edinburgh
Stenhouse, Edinburgh
Equipment and vehicles :
Office equipment
Art exhibition equipment
Mobile Gallery (1)
Mobile Gallery (2)
Motor vehicles
Works of art
Film
Additions
£
337
Items sold or Book value a t
written off 31 March 1983
£
-
£167,280
114,143
46,070
31,226
31,131
-
-
145 ;27 4
46,07 0
31,22 6
191,439
31,131
-
222,57 0
42,944
17,623
13,293
1,843
33,728
17,246
3,427
28,508
4,879
8,436
60,19 0
21,05 0
13,29 3
30,35 1
30,17 1
109,431
54,060
8,436
155,05 5
189,764
-
40,491
9,000
-
230,25 5
9,000
189,764
49,491
-
239,25 5
£657,577
£135,019
£8,436
£784,160
All fixed assets are stated at cos t
5 DEBTORS AND PREPAYMENT S
1982
£ 659,851
722,723
198 3
£ 549,500
950,85 1
Grants and guarantees paid in advance
Sundry debtors and prepayments
£1,382,574
£1,500,35 1
6 RESERVES
At
1 April 1982
Income and expenditure
account
Reserve for capita l
expenditure
66
At
Deficit for Transfer from
the year
reserves Appropriations 31 March 198 3
£182,414
£(55,070)
81,476
£263,890
£
-
£-
£127,344
-
(40,196)
-
41,28 0
£(55,070)
£(40,196)
£-
£168,62 4
Notes 6/7
Scottish Arts Council
Reserve for capital expenditure
The appropriation is required to ensure that the balance on the reserve at the year end is sufficient to meet th e
sum committed by the Council for capital items ordered but not delivered at that date .
7 CONTINGENT LIABILITIE S
Indemnities entered into by the Council in respect of objects borrowed for exhibition purposes totalled not mor e
than £312,580 at 31 March 1983 (1982-£1,396,050) .
Certificate of Comptroller and Auditor Genera l
I have examined the foregoing Income and Expenditure Account, Balance Sheet and the supporting informatio n
set out in the Statement of Source and Application of Funds and the Notes . In my opinion these give, unde r
the historical cost convention, a true and fair view of the state of affairs of the Scottish Arts Council at 31 March
1983 and of its deficit and the Source and Application of its funds for the year ended on that date .
G . R . L. Osborn e
Director of Audi t
for Comptroller and Auditor Genera l
Exchequer and Audit Department
30 September 1983
67
Scottish
Arts Council
Schedules to the Account s
31 March 1983
1 GRANTS AND GUARANTEE S
(including subsidies offered but not paid at that date )
Music
Opera
Ayr: Ayr Intimate Opera
Dundee : Tayside Opera
Edinburgh : Edinburgh Grand Opera
Glasgow : Glasgow Grand Opera Society
Glasgow University Cecilian Society
Kirkcaldy : Fife Opera
Scottish Opera Limited
f
1,500
1,900
2,00 0
2,300
50 0
50 0
2,609,50 0
f2,618,200
Concerts
Aberdeen : Aberdeen Chamber Music Club
Aberdeen District Council
Haddo House Choral and Operatic Society
Platform Aberdeen
University of Aberdeen
Achiltibuie Village Hall
Argyll Folk Club
Ayr: Ayr Arts Guild
Ayr Music Club
Badenoch Arts Club
Banffshire Arts Guild
Bearsden and Miingavie Arts Guild
Beith Arts Club
Berneray Community Council
Biggar Music Club
Black Isle Arts Society
Brechin Arts Guild
Bridge of Allan and District Music Club
Bute Arts Society _
Carnoustie Music Club
Clydebank : Braidfield High School
Cowal Music Club
Cumbernauld Arts Guild
Cumnock Music Club
Dalkeith and District Arts Guild
Deeside Musical Society
Dingwall Folk Club
Dollar Music Society
Dounreay Folk Club ' 69
Dumfries : The Guild of Players
Dumfries Folksong Club
Dumfries Music Club
Dunblane Cathedral Arts Guild
Dundee : Dundee Chamber Music Club
Dundee University Concerts
Platform Dundee
University of Dundee Musical Society
Carried forward
68
1,30 0
2,00 0
1,20 0
3,00 0
20 0
17 0
37 5
25 0
90 0
2,40 0
1,85 0
45 0
67 5
250
1,200
1,300
100
1,500
600
600
56
1,400
1,100
1,200
750
806
200
32 5
75
2,52 3
180
1,100
1,900
1,800
1,500
2,200
400
37,835
2,618,200
Schedule 9
Brought forwar d
Dunfermline Arts Guil d
Durness Community Counci l
East Kilbride Music Clu b
Eastwood Music Societ y
Edinburgh : Edinburgh Chamber Music Trus t
Edinburgh Contemporary Arts Trus t
Edinburgh District Counci l
The Edinburgh Early Music Centre
Edinburgh Hindu Mandir and Sanskritik Kendra
Edinburgh Indian Associatio n
Edinburgh Organ Recitals Committe e
Georgian Concert Societ y
Heriot-Watt Music Societ y
New Town Concerts Society Limited
Platform Edinburgh
Scottish Finnish Societ y
Scottish Philharmonic Clu b
University of Edinburg h
Forfar Arts Guil d
Forres Entertainments Committe e
Fort Augustus : Clarsach Society (Highland Branch )
Gadie Folk Clu b
Galashiels Arts Associatio n
Gatehouse Musical Societ y
Girvan Arts Guil d
Glasgow: Asian Artists Associatio n
Cathedral Church of St Mary the Virgi n
John Currie Singers Limite d
Glasgow International Folk Festiva l
New Academy Concerts Society of Scotlan d
New Glasgow Music Societ y
Platform Glasgo w
Strathkelvin Arts Associatio n
Glenkens and District Music Clu b
Gordonstoun Concerts Societ y
Greenock : Greenock Arts Guil d
Greenock Chamber Music Clu b
Hamilton District Arts Guil d
Harris Mutual Improvement Associatio n
Hawick Music Clu b
Helensburgh Music Societ y
Invergordon Arts Societ y
Irvine Burns Clu b
Inverness : St Andrews Cathedra l
Platform Invernes s
Isle of Arran Music Societ y
Kelso Music Societ y
Edenside Primary Schoo l
Platform Borders
Kilmardinny Music Circl e
Kintyre Music Clu b
Carried forward
Scottish Arts Council
f 37,83 5
E2,618,200
77 5
100
660
2,100
14,200
3,000
"x,00 0
65 0
28 5
50 0
25 0
2,30 0
10 0
4,30 0
5,50 0
25 0
40 0
35 0
1,25 0
47 5
10 0
"16 0
- 1,60 0
50 0
20 0
1,10 0
10 0
12,00 0
10 0
"1,00 0
1,60 0
4,900
45
900
550
85 0
1,000
1,100
175
1,000
1,05 0
1,600
75 0
75
2,30 0
88 2
1,60 0
25
87 5
1,70 0
1,60 0
118,717
2,618,200
69
Schedule 1
Brought forward
Kirkcaldy: Platform Fife
Kirkcudbright Audience Clu b
Lanark Arts Guild Music Clu b
Lewis and Harris Piping Society
Linlithgow Arts Guild
Lochaber Music Clu b
Lockerbie Musical Societ y
Melrose Music Societ y
Miingavie Music Clu b
Moffat and District Musical Society
Monklands District Counci l
Moray Arts Clu b
Music in Peebles
Newton Stewart and District Music Clu b
Oban Music Societ y
Orkney Arts Societ y
Penicuik Community Arts Associatio n
Perth Chamber Music Societ y
Prestwick Arts Guil d
Renfrew District Arts Guil d
St Andrews: St Andrews Jazz Societ y
St Andrews Music Clu b
Shetland Arts Society
Skye Arts Guild
South West Ross Arts Society
Stonehaven Music Clu b
Stranraer Music Associatio n
Strathearn Arts Guil d
Sutherland Arts Committe e
Tain and District Arts Society
Thurso: Miller Academy Primary School
Thurso Live Music Associatio n
Troon Arts Guil d
Ullapool Folk Clu b
West Linton Music Societ y
Wick Arts Clu b
French Institute of Scotland
John MacFadyen Memorial Trust
National Federation of Music Societie s
National Youth Orchestra of Scotland Limite d
Platform (Music Societies) Limite d
Rehearsal Orchestra
Royal Scottish Pipers Societ y
The Saltire Society
Scottish Baroque Ensemble Limite d
Scottish Chamber Orchestra Limite d
Scottish Early Music Associatio n
Scottish National Orchestra Society Limited
Scottish Arts Council
£118,71 7
£2,618,200
40 0
1,50 0
70 0
65 0
1,55 0
50 0
34 0
70 0
1,15 0
1,40 0
25 0
1,35 0
70 0
1,00 0
1,01 1
1,80 0
50
42 5
25 0
2,90 0
40 0
1,30 0
1,80 0
1,00 0
75 0
85 0
1,50 0
1,55 0
1,640
85 0
100
3,200
775
300
80
1,100
475
1,000
25,000
17,000
15,000
2,000
80
165
103,10 0
399,696
5,000
870,500
1,593,554
Carried forward
70
4,211,754
Scottish Arts Council
Schedule 1
£4,211,75 4
Brought forward
Scottish Contemporary Music Networ k
Ayr Music Club
Bearsden and Miingavie Arts Guild
Dundee University Concerts
Hamilton District Arts Guild
Miingavie Music Club
Platform Aberdeen
Platform Dundee
Platform Edinburgh
Platform Glasgow
St Andrews Festival
University of Aberdeen
University of Edinburgh
University of Glasgow
Other Activities
Awards
Commissions and Performing Material
£
19 2
11 2
27 6
21 6
11 2
1,08 0
1,04 0
1,00 0
2,12 0
62 5
66 5
66 5
1,302
9,40 5
-
13,73 0
19,267
32,99 7
Pianos:
Thurso Live Music Association
Recording :
The Finzi Trust
Scottish Chamber Orchestra Limited
Scottish Council for Arts and Disability
Temple Records
6,00 0
2,50 0
7,000 .
85 0
5,000
15,35 0
Capita l
Queen's Hall (Edinburgh) Limited
Scottish Music Archive
8,000
2,070
10,07 0
7,00 0
14,00 0
50 0
Queen's Hall (Edinburgh) Limited
Scottish Music Archive
YMCA Wind Orchestra
Total as Note 2 (page 63)
£4,307,07 6
Dance and Mim e
Dundee : Dundee Dance Group
Edinburgh : Basic Space Dance Theatre Limited
Dancescapers
Dance Connection
Edinburgh Chinese Dance Group
Expo Dance
Khoros Dance Theatre
Next Step Dance Theatre
Carried forward
£
35 0
65,59 5
35 0
25 0
15 0
27 5
22 5
260
67,45 5
71
Schedule 1
Brought forward
Scottish Arts Counci l
f 67,45 5
Fife Regional Council
Glenrothes : Glenrothes High School Dance Club
Lomond Dance Theatre
Mid Argyll Community Dance Group
Paisley : Peg Dance Theatre
St Andrews : Area One Dance Theatre Company
St Andrews University Modern Dance Society
5,30 0
22 5
35 0
17 0
350
330
250
British Summer School of Mime Theatre
Creative Dance Artists Limited
The Scottish Ballet Limited
Scottish Council for Dance
Scottish Mime Theatre Limited
2,250
1,980
932,350
100
24,000
15,32 5
Bursaries : Mime
2,150
Commissions : Dance
Total as Note 2 (page 63)
£1,052,58 5
Touring
Aberdeen Art Gallery and Museum
Bonar Hall-University of Dundee
The Crucible Theatre Trust Limited
E & B Productions (Theatre) Limited
Flying Tortoise Theatre Company Limited
London Contemporary Dance Theatre
London Contemporary Dance Trust Limited
The National Theatre Board Limited
Perth Repertory Theatre Limited
Royal Lyceum Theatre Company Limited
Royal Opera House Covent Garden Limited
Royal Shakespeare Company
Scottish Theatre Trust Limited
Theatre PKF
The Touring Office-New Vic Theatre
Tynewear Theatre Company
Visiting Arts Unit of Great Britain
Winged Horse Touring Productions (Edinburgh) Limited
f
17 0
1,40 6
19,51 8
28,12 5
9,88 1
300
30,11 8
97,540
5,250
14,31 4
16,43 1
1,608
133,377
15,40 1
8,500
6,500
5,000
12,262
Total as Note 2 (page 64)--where local authority contributions of f127,706 are detailed
f 405,70 1
Dram a
Aberdeen : Guizer Theatre Company
Dervaig Arts Theatre Limited
Carried forward
72
f 24,22 0
19,75 0
43,97 0
Schedule 7
Brought forward
Dundee Repertory Theatre Limited
Edinburgh : Royal Lyceum Theatre Company Limited
Traverse Theatre (Scotland) Limited
Fife Regional Council
Glasgow: Citizens' Theatre Limited
Strathclyde Theatre Group
Tron Theatre Limited
Irvine : Borderline Theatre Company Limited
Musselburgh : East Lothian District Council
Perth Repertory Theatre Limited
Pitlochry Festival Society Limited
St Andrews : Byre Theatre of St Andrews Limited
Actors Touring Company London Limited
Asian Artistes Limited
Attick Theatre
Blackbox Puppets
Broadbay Drama Group
CAST Presentations Limited
Channel Five Theatre
Cheek by Jowl Theatre Company
Communicado Theatre
Confederacy of Fools
Andrew Dallmeyer
Ettrick Bridge Theatre Group
Foco Novo Limited
Glasgow University Players
The Graeae Theatre Company
The Grand Union
Joint Stock Productions Limited
The Medieval Players Limited
Monklands District Council
Mother Hen Theatre Company
Natural Theatre Company
Northumberland Theatre Company Limited
Orkney Community Youth Theatre
The Red Ladder Theatre Company Limited
St Joseph's Hospital, Rosewell
Saline School
7 :84 Theatre Company Limited
Peter Simpson
Skin and Bones Theatre Company
Tayside Regional Council
Theatre PKF
Tony and Derek
Alastair Turnbull
Whisper and Shout Puppets
Wildcat Stage Productions Limited
Winged Horse Touring Productions (Edinburgh) Limited
Pitlochry Festival Society Limited/Perth Repertory Theatre Limited : Marketing
Theatre Royal/Citizens' Theatre Limited : Marketing
Carried forward
Scottish Arts Council
f 43,97 0
155,10 0
322,00 0
222,63 6
2,03 4
324,84 2
37 5
65,13 2
104,20 1
14,50 0
156,34 0
149,19 4
52,80 0
1,74 8
800
750
1,500
770
800
83 2
1,11 2
10,000
300
4,840
.15 0
37 0
10 0
1,07 0
1,00 0
2,06 5
7,59 3
61
57 0
10 3
2,584
780
1,739
39
170
120,14 5
9,000
600
2,034
1,300
2,120
15 0
1,160
124,800
7,578
2,000
4,000
1,929,857
73
Schedule 7
Scottish Arts Council
L1,929,857
Brought forward
4,867
3,000
2,61 6
600
2,500
15,000
565
3,928
32,000
21,65 4
600
2,000
Bursaries
Dumfries and Galloway Regional Council
Edinburgh Playwrights Workshop
Highland Regional Council
His Majesty's Theatre, Aberdeen
Mayfest
Scottish Community Drama Association
The Scottish Puppet Festival Limited
Scottish Society of Playwrights
Scottish Youth Theatre Limited
Scottish Student Drama Festival
Scottish Theatre Archive
Total as Note 2 (page 64)
f2,019,18 7
Art
Aberdeen : Aberdeen Art Gallery and Museum
Artspace Galleries (Aberdeen) Limited
Peacock Printmakers (Aberdeen) Limited
Angus District Council
Banff : Banff Art Club
Dollar Summer School in the Arts
Dundee : Broughty Ferry Art Society
Cleghorn Housing Association
Duncan of )ordanstone College of Art
Dundee Art Society
Dundee Group (Artists) Limited /
Dundee Printmakers Workshop Limited
Dundee Group (Artists) Limited
Dundee Museums and Art Galleries
Dundee Printmakers Workshop Limited
Dunfermline : Fife (Dunfermline) Print Workshop
Edinburgh : Compass Four Centre
Richard Demarco Gallery Limited
City of Edinburgh District Council
Edinburgh Sketching Club
Henderson's Gallery
New 57 Gallery Association Limited
Printmakers Workshop Limited
Royal Edinburgh Hospital
The Shore Gallery
Talbot Rice Art Centre
Tartar Gallery
The 369 Gallery Limited
Traverse Theatre (Scotland) Limited
f 7,35 8
31,485
44,01 1
1,75 0
19
35 0
98
75 0
75
20
Carried forward
266,42 6
74
4,474
20,675
597
21,12 0
1,000
23 6
26,500
8,000
22
441
35,561
29,300
82 5
89 1
11,65 0
1,280
17,11 2
826
Schedule 9
Brought forward
Glasgow : Camus Place Users Group
Compass Gallery Limited
Dolphin Arts Centre
Glasgow Group
Glasgow Print Studio Limited
Glasgow School of Art
Glasgow Society of Women Artists
Third Eye Centre (Glasgow) Limited
University of Glasgow
University of Strathclyde
Whitevale Unemployed Workers Centre
Haddington : Primrose Gallery
Hawick Art Club
Helensburgh Music Society
Innerleithen : Traquair House
Inverness : Art Society of Inverness
Inverness District Council
Inverclyde District Council
Isle of Skye : Sabhal Mor Ostaig
Jedburgh : Lothian Estates
Kellas : Moray Arts Club
Kirkcaldy Museums and Art Gallery
Kirkwall : Soulisquoy Printmakers Limited
Kyle and Carrick District Council
Motherwell District Council
Oban Arts Society
Perth : Fair Maids House Gallery
Stirling : The Stirling Gallery Limited
Strathclyde Regional Council
Stromness : Pier Arts Centre Trust
Western Isles Islands Council
Artic Producers Publishing Company
Art Monthly
Balbirnie Editions
Britain Salutes New York 1983
The Contemporary Art Society
English Speaking Union of the Commonwealth Scottish National Committee
Stuart MacDonald and Alan Lawson
John Nelson, Ronald Forbes and Cameron Shaw
Phillips Petroleum Company Europe Africa Limited
Royal Incorporation of Architects in Scotland
Saltire Society
Scottish Photography Group Limited
Scottish Sculpture Trust
Scottish Trades Union Congress
Society of Scottish Artists
Workshop and Artists' Studio Provisio n
Scotland Limited
Scottish Arts Counci l
f266,426
60
20,00 0
164
4,98 3
49,350
1,450
1,500
31 2
1,180
2,560
12 5
38
20
200
1,200
69
489
75
25 0
687
168
69
3,00 0
58 4
1,50 0
75
30 0
25,00 0
1,00 0
13,00 0
72 1
50 0
1,250
1,450
1,000
3,500
700
750
2,000
1,500
350
500
33,500
15,000
75
1,000
54,700
L514,330
Carried forward
514,330
75
Schedule 1
Scottish Arts Council
Brought forward
£514,33 0
Artists in Residence
Amsterdam Studio: Calum Fraser
Gavin Scobie
Cranhill Community Arts Project: Alastair McCallum
Irvine Development Corporation : Susan Bradbury
Orkney Field and Arts Centre : James Cursitor
St Margaret's School, Newington, Limited : Dave Williams
Woodside Secondary School, Glasgow : Alan Dimmick
4,640
3,20 6
6,60 0
6,16 9
1,21 6
3,500
500
25,83 1
Awards
Commissions
38,478
38,028
76,506
Total as Note 2 (page 64)
£616,66 7
Fil m
Association for Film and Television in the Celtic Countries
Persistent Vision Animation Limited
Scottish Film Production Fund Limited
Scottish Film Training Trust
f
4,650
16,000
50,000
5,000
Total as Note 2 (page 64)
f
75,650
Literature
Association for Scottish Literary Studies
Dictionary of the Older Scottish Tongue
Edinburgh Book Fair Limited
Edinburgh Children's Book Group
The Federation of Children's Book Groups
The Gaelic Books Council
Meet the Author
Motherwell District Council
National Book League
Renfrew District Council
Scottish Publishers Association
University of Edinburgh
f
5,50 0
17,00 0
15,000
39 5
61 5
16,500
1,250
5,500
15,500
650
24,000
1,000
£102,91 0
Publication s
'Akros'
'Books in Scotland'
'Cencrastus'
'Chapman'
'Gairm'
'Lallans'
'Leopard Magazine'
Carried forward
76
3,700
2,500
6,000
2,200
7,70 0
70 0
2,500
25,300
102,91 0
Schedule 9
Brought forwar d
Scottish Arts Council
£25,300
'Lines Review'
'New Edinburgh Review '
The Scottish Review '
'Short Story Monthly '
'Tocher
£102,91 0
4,40 0
6,22 0
5,90 0
6,00 0
1,100
48,92 0
Literary Events
An Comann Gaidhealac h
Comhdhail na Seanachaid h
Glasgow Arts Centre
Glasgow Writers Clu b
Polygon Book s
Saltire Societ y
Strathkelvin District Librarie s
Jackson Web b
Wick Festiva l
33 0
1,50 0
80
80
15 0
22 5
20 0
35 0
2,000
4,91 5
Grants to Publishers
Aberdeen University Pres s
'Scotland and the Lowland Tongue' edited by J Derrick McClure
'David Rorie, Poems and Prose' edited by William Donaldson
'Regency Editor : A Life of John Scott' by Patrick O'Leary
'Literature of the North' edited by David Hewitt and M R G Spiller
'Common Denominators in Art and Science' edited by Martin Pollock and Margaret Marsh
The Printed Word : An Instrument of Popularity' by Christopher Small
The Greig-Duncan Folk Song Collection Volume 2'
Acair Limite d
'Ris a Bhruthaich-Criticism and Prose Writings' by Sorley Maclean
Acquila Publishing Compan y
'Rooms' by Hamish Whyte
B T Batsford Limited
'All the Queen's Men' by Professor Gordon Donaldson
William Blackwood and Sons Limite d
'Robert and Gabriella Cunninghame Graham' by Alexander Maitland
'Fair Isle-A Pictorial History' by George Waterston and Jean Jones
Marion Boyars Limite d
'Not by Bread Alone' by Naomi Mitchison
Byway Book s
'Circuit Journeys' by Henry, Lord Cockburn
Canongate Publishing Limite d
'Seneca at the Court of Nero' by Villy Sorensen
The Channering Worm' by J P McCondach
'Compulsive Kaleidoscope' by Ruth Michaelis-Jena
'Balloonatics' by Peter Rush
The New Testament in Scots' by W L Lorimer
Chatto and Windus Limite d
Three Plays' by George Mackay Brown
'A World of Difference' by Norman MacCaig
Carried forward
2,00 0
750
1,750
1,000
1,000
1,500
2,000
1,500
150
750
650
2,900
1,000
1,500
1,500
1,250
1,500
1,250
4,000
1,500
350
29,80 0
156,745
77
Scottish Arts Council
Schedule 7
Brought forward
£29,800
William Collins Sons and Company Limite d
1983 Volume of Short Stories
Croom Helm Limited
The Historical Geography of Glasgow' by Dr A Gib b
Dangeroo Pres s
'Malin, Hebrides, Minches' by Ian Stephen and Sam Maynar d
John Donald Publishers Limited
The Legend of Red Clydeside' by lain McLea n
'Vernacular Houses in North Yorkshire and Cleveland' by Barbara Hutton an d
Barry Harriso n
The Final Campaign: The Jacobite Army in England, 1745' by F J McLyn n
The Management of Scottish Society 1704-1764' by John Stewart Sha w
The Decline of the Celtic Language' by Victor Edward Durkac z
Richard Drew Publishing Limite d
'Rob Roy MacGregor : His Life and Times' by W H Harve y
Edinburgh University Pres s
The Poetry of Hugh MacDiarmid' by Harvey Oxenhor n
Ferret Press
'Gallus, did you say? and Other Stories' by Alex Hamilton
Galloping Dog Press
'Intimate Voices: Selected Work 1965-1982' by Tom Leonard
Garron Publications
'Four Scottish Poets' by Duncan Glen, Raymond Falconer, Raymond Vettese an d
Geddes Thomson
Victor Gollancz Limite d
'Scottish Fiddlers and Their Music' by Mary Anne Alburger
Robert Hale Limited
Thank you for Having Me-A Personal Memoir by Maurice Lindsay
'A Book of Scottish Verse' edited by Maurice Lindsay and R L Mackie
Paul Harris Publishin g
'Sour Hearts' by Alan Jamieson
'Dream Days' by Kenneth Grahame
The Golden Age' by Kenneth Grahame
'Shepherd's Calendar' by Ian MacPherson
'James Clerk Maxwell : The Demon in the Ether' by Martin Goldman
Kahn and Averil l
The Folk Song Revival in Scotland' by Ailsa Munro
Macdonald Publishers
'Juan in America' by Eric Linklater
'White Maa's Saga' by Eric Linklater
'Brond' by Frederic Lindsay
'In this Corner : Selected Poems 1963-1983' by Alan Bold
'Five Centuries of Flats' by Peter Robinson
Mainstream Publishing Company (Edinburgh) Limited
The Government of Scotland' edited by Michael Keating and Arthur Midwinter
'Roof of the World-Man's First Flight Over Everest' by Lord James Douglas Hamilton
'Another Street, Another Dance' by Cliff Hanley
'Docherty' by William Mcllvanney
'Order in Space and Society : Architectural Form and its Context in the Scottish
Enlightenment' edited by Thomas A Markus
'Death Before Dishonour by Trevor Royle
Carried forward
78
£156,745
3,450
500
750
1,800
2,500
2,000
1,500
1,500
1,000
1,250
840
1,100
260
1,500
500
500
1,200
700
75 0
1,25 0
1,50 0
1,00 0
2,50 0
1,50 0
2,00 0
1,000
1,500
2,000
1,000
1,000
1,32 5
75 0
750
72,475
156,745
Schedule 1
Brought forward
John Murray (Publishers) Limite d
'Eric Linklater-His Life and Work' by Michael Parnell
Jill Norman and Hobhous e
'The Whisky Roads of Scotland' by Derek Cooper and Fay Godwin
The Orkney Press Limite d
'Kelp-Making in Orkney' by William P L Thomson
Polygon Books
'A Brighter Sunshine' by Donald Campbell
'Scott and Scotland' by Edwin Muir
'Not Not While the Giro' by James Kelman
'New Edinburgh Review Anthology' edited by James Campbell
Prontaprin t
'Poems' by Kirkpatrick Dobie
The Ramsay Head Pres s
'Poems' by Janet Caird
Routledge and Kegan Paul Limite d
'Scottish Folk Literature' edited by David Buchan
The Salamander Pres s
'Commedia' by Marcella Evaristi
'The Traverse Plays' by Rona Munro, Alan Spence, Liz Lochhead, Tom Leonard &
Stanley Eveling
'Flying to Nowhere' by John Fuller
'The Memory of War (Poems 1968-1982)' by James Fenton
'The Traverse Plays' by Alan Spence, John Byrne, Liz Lochhead and Robert Dallmeyer
'Black Spiders' by Kathleen Jamie
Saltire Societ y
'State of the Controversy betwixt United or Separate Parliaments (1706)'
by Andrew Fletcher
Souvenir Press Limited
'Sun Circle' by Neil Gunn
Third Eye Centre (Glasgow) Limite d
'A Moment in Time' by John Hannavy
'The Blessed Apple Tree' edited by Edwin Morgan
Scottish Arts Council
£72,475
£156,745
2,50 0
50 0
1,50 0
3,00 0
1,22 5
1,00 0
1,20 0
75
35 0
1,50 0
55 0
2,75 0
1,00 0
1,80 0
2,85 0
39 0
400
1,000
2,500
416
98,98 1
Writers in Residenc e
lain Crichton Smith : University of Glasgow and Strathclyde
James Kelman : Renfrew District Library
Kent Thompson : Scottish Canadian Fellowship at Edinburgh University
Allan Massie : University of Edinburgh
Dumbarton District Library (not yet appointed)
3,900
3,500
7,12 5
5,750
6,600
26,87 5
Book Awards
Bursaries
Special Awards
Travel Grants
Total as Note 2 (page 65)
7,20 0
50,500
75 0
10,72 3
£351,774
79
Schedule 1
Scottish Arts Counci l
Festival s
150
1,497
3,900
300
256
21,132
1,242
2,200
390,01 9
5,000
1,000
14,000
6,500
300
400
25 0
9,500
12,00 0
1,00 0
5,60 0
3,80 0
40 0
15 0
Aberdeen Festival Society
Barra Festival Society
Dumfries and Galloway Arts Festival
Dunfermline Abbey Festival Society
Dunkeld and Birnam Arts Festival
Easterhouse Festival Society
East Kilbride Festival
Edinburgh : Craigmillar Festival Society
Edinburgh Festival Society Limited
Edinburgh Folk Festival
Edinburgh Harp Festival
Festival Fringe Society Limited
Wester Hailes Festival Association
Girvan Folk Festival
Inverness Folk Song Club
Kirkwall : Orkney Folk Festival Society
St Magnus Festival
Perth Festival of the Arts
Renfrew District Council
St Andrews Festival
Stirling District Festival
Thurso Folk Festival
Traditional Music and Song Association of Scotland (Tayside Branch)
f
Total as Note 2 (page 65)
f 480,59 6
Projects, Arts Centres and Club s
Aberdeen Arts Centre Association
Cumbernauld Theatre Trust Limited
Edinburgh : Craigmillar Festival Society Arts Resource Centre
Pilton Central Association
Theatre Workshop Edinburgh Limited
Fife Regional Council/Arts in Fife
Glasgow : Third Eye Centre (Glasgow) Limited
Streets Ahead Publications
Haddington : Lamp of Lothian Collegiate Centre
Inverness: Arts Hive Association
Eden Court Theatre
Merkinch Arts Workshop Project
Iona Community
Irvine : Harbour Arts Centre
Lothian Play Forum
Rosyth Community Festival
Shotts Arts Guild
Stirling : Stirling District Council
University of Stirling: MacRobert Centre
Strathaven Arts Guild
University of St Andrews : Crawford Arts Centre
West Dumbarton Community Festival
Carried forward
80
£
2,400
50,000
11,000
2,25 0
67,54 5
13,03 6
196,000
1,50 0
7,50 0
1,60 0
129,540
60 0
1,10 0
2,20 0
3,50 0
52 0
30 0
50 0
107,00 0
1,00 0
31,00 0
100
630,19 1
Scottish Arts Counci l
Schedule 115chedule 2
Brought forward
£630,19 1
Wick : Lyth Arts Centre
3,50 0
An Comann Gaidhealach
Association of Arts Centres in Scotland
Scottish Council on Disability
Scottish Institute of Adult Education
Scottish Performing Arts Centre
Training Bursaries
5,96 0
94
5,21 7
48 0
40 0
1,10 0
f.646,94 2
Total as Note 2 (page 65)
Housing the Arts
Dram a
Glasgow Theatre Club
50,000
Art
Peacock Printmakers (Aberdeen) Limited
16,000
Projects, Arts Centres and Clubs '
Eden Court Theatre
12,600
f
Total as Note 2 (page 65)
78,600
2 DIRECTLY PROMOTED ACTIVITIE S
198 3
1982
f100
£181,519
30,705
4,606
a Drama : Young Directors Worksho p
Net expenditure for the year
b Art: Art Exhibition s
Expenditure
Income
Less VAT
f-
£184,262
L36,720
1,60 9
35,11 1
26,099
£155,420
£715
158
24
Net expenditure for the year as Note 2 (page 64)
c Art: Art Film Tours
Expenditure
Income
Less VAT
134
£581
£149,151
£ 11,31 6
79
10
69
Net expenditure for the year as Note 2 (page 64)
£ 11,247
81
Schedule 2
Scottish Arts Council
1982
82
198 3
£11,214
d Art: Lectures
Expenditure for the year as Note 2 (page 64)
f 14,409
£19,322
e Literature: Writers in Schools and in Publi c
Expenditure for the year as Note 2 (page 65)
£29,984
Welsh
Arts Council
Income and Expenditure Account
for the year ended 31 March 198 3
1982
£5,609,000
9,729
Note
198 3
Incom e
Grant from Arts Council o f
Great Britai n
Grants and guarantees provided for i n
previous year not now require d
E6,703,00 0
24,12 2
Other incom e
62,439
2,000
538
f
Interest receivabl e
Proceeds on sale of fixed asset s
Sundry incom e
72,35 0
1,200
6,293
64,97 7
79,84 3
5,683,706
6,806,96 5
Expenditure
5,174,121 ,
504,123
General expenditure on the arts in Wale s
General operating costs in Wale s
Transfer to capital account in respec t
of capital expenditure in yea r
Transfer to reserve for capital expenditure
f
(27,859)
34,06 3
9,909
6,710,67 1
5,711,56 5
i
6,084,62 0
582,07 9
6,666,69 9
5,678,244
24,060
9,261
2
3
Net Surplus/(Deficit) for the Yea r
f
96,294
83
Welsh
Arts Council
Balance Sheet
at 31 March 1983
1982
£338,310
33,775
491,442
6,813
Fixed Assets
Current Assets
Stocks
Debtors and prepayments
Cash
Note
4
5
6
532,030
198 3
£365,360
£ 38,51 3
568,45 0
9,705
616,66 8
Less Current Liabilities
346,699
136,088
Grants and guarantees outstanding
Creditors
377,39 1
83,83 1
482,787
49,243
461,22 2
Net Current Assets
155,446
£387,553
£317,727
24,060
(3,477)
£520,806
Represented by :
Capital Account
Balance at 31 March 1982
Transfer from income and expenditur e
account
Book value of assets sold or written off
£338,31 0
34,063
(7,013)
338,310
49,243
365,360
Reserves
£387,553
155,446
£520,806
Chairman of the Welsh Arts Council :
HYWEL EVAN S
Secretary General : LUKE RITTNER
84
7
Welsh
Arts Council
Statement of Source and Application
of Funds
for the year ended 31 March 198 3
Source of Fund s
f 96,294
Net surplus for the yea r
Adjustment for items not involving the movement of fund s
Transfer to capital account in respect of capital expenditur e
Transfer to reserve for capital expenditure
f 34,06 3
9,909
43,97 2
140,26 6
Total generated from operation s
Application of Funds
(34,063 )
Purchase of fixed assets
Net Source of Fund s
L106,20 3
Increase/(Decrease) in Working Capita l
Increase of stocks
Increase of debtors and prepayments
Increase of grants and guarantees outstandin g
Decrease of creditors
f
4,738
77,008
(30,692)
52,257
103,31 1
Movement of net liquid fund s
increase of cash balance
Net Increase of Working Capital
2,89 2
f 106,203
85
Notes to the Account s
1 ACCOUNTING POLICIE S
The Accounts have been prepared under the historical cost convention and on a basis which takes account of the Statement s
of Standard Accounting Practice drawn up by the Consultative Committee of Accountancy Bodies, so far as these ar e
appropriate to the Council .
a Grants and guarantees
Grants and guarantees are charged to the Income and Expenditure Account in the year for which they are undertaken as
a commitment by the Council on the basis of a formal offer to and acceptance by the Council's clients . Any amounts unpaid
from these commitments are shown as liabilities on the Balance Sheet and any advance payments to clients in anticipatio n
of the grants and guarantees to be offered for the following financial year are shown in the Balance Sheet as assets . Grants
and guarantees are offered in respect of the year in which the activities commenced .
b Fixed assets
Expenditure on fixed assets is charged as an appropriation from the Income and Expenditure Account to the Council's Capita l
Account . The book value of any assets sold or written off is eliminated from the Balance Sheet by a reduction in capita l
account . Any proceeds of sale are credited to income. Fixed assets are not depreciated . Any expenditure on renewals i s
charged against income .
All works of art are included under fixed assets and form an integral part of the Council's exhibition programm e
c Stocks
Stocks are stated at cost on a unit cost basis, or at net realisable value if lower .
d Exhibitions
Expenditure incurred on an exhibition promoted by the Council is charged to the year in which . that exhibition is officiall y
opened to the public . Expenditure incurred in a year prior to that opening is treated as a prepayment .
e Consolidation
The Arts Council of Great Britain is legally responsible for the affairs of the Scottish Arts Council and the Welsh Arts Council ,
which are by constitution committees of the Council . However in view of the powers delegated to those committees the y
present separate accounts which are not consolidated with those of the Arts Council .
2 GENERAL EXPENDITURE ON THE ART S
1982
1983
Regional Arts Associations
£ 351,200
Grants and guarantees
£ 408,800
Music
1,579,28 5
1,055
158,371
700
(475)
1,047
Grants and guarantees
Scheme expenses
Concert programme
Young Welsh singers competition
Recording of Welsh music-net expenditure /
(income)
Young Welsh composers forum
86
(601 )
1,992,37 2
1,739,983
2,091,183
£1,838,457
1,61 4
149,41 5
3,487
Carried forward
2,401,17 2
Welsh Arts Counci l
Note 2
1982
£2,091,183
198 3
£2,401,17 2
Brought forward
Danc e
171,962
1,548
Grants and guarantees
Scheme expenses
Training
f
109,73 9
16 7
3,21 6
173,510
113,12 2
Dram a
1,512,722
483
150
Grants and guarantees
Scheme expenses
Training
1,776,527
830
1,777,35 7
1,513,355
Art
251,006
133,737
4,737
6,359
2,683
4,146
4,037
Grants and guarantees
Exhibitions
Publications
Visual art development scheme
Maintenance of Welsh collection
Other activities
Scheme expenses
310,374
74,82 6
1,267
15,006
3,45 6
(1,872 )
5,138
408,19 5
406,705
Fil m
92,072
1,109
Grants and guarantees
Other activities
77,30 4
2,21 6
93,181
39,000
Less Grant from British Film Institute
79,52 0
44,85 0
34,670
54,181
Literatur e
432,480
842
30,323
2,385
179
Grants and guarantees
Scheme expenses
Publications
Competitions and events
Other activities
486,40 0
1,200
13,490
7,43 1
2,239
510,76 0
466,209
Festival s
104,144
4,809,287
Grants and guarantees
Carried forward
125,850
5,371,126
87
Vote+ 2 3
l Velsh Arts Council
1982
£4,809,287
198 3
£5,371,126
Brought forward
Regiona l
130,500
Grants and guarantees
156,200
Projects
34,250
5,384
Grants and guarantees
Presence at the Royal National Eisteddfo d
of Wales
£19,480
85
39,634
19,565
Craft
38,036
770
14,662
6,720
4,833
65,021
57,000
Grants and guarantees
Scheme expenses
Exhibitions
Publications and records
Conference
Other activities
Less Grant from Crafts Council
39,11 7
720
9,48 3
5,587
199
55,106
61,500
(6,394)
8,021
128,679
58,000
£5,174,121
Oriel Bookshop and Gallery
135,12 3
Housing the Art s
Grants
409,00 0
Total expenditure for the year
£6,084,620
Details of Grants and Guarantees are given in Schedule 1 on pages 91 to 99 . The Income and Expenditure o f
art exhibitions, the concert programme and Oriel bookshop and gallery are given on Schedule 2 on pages 99
to 100.
3 GENERAL OPERATING COST S
£305,566
45,445
47,553
24,003
15,167
6,376
29,591
7,564
7,155
416
15,287
£504,123
88
Salaries and wages
Arts Council of Great Britain Retirement Plan
Travelling and subsistence
Rent and rates
Fuel, light and house expenses
Publicity and entertainment
Postage and telephone
Stationery and printing
Professional fees
Enquiries, investigations and research
Office and sundry expenses
£350,44 1
49,21 8
62,75 1
36,56 6
11,29 4
11,63 8
29,85 1
12,59 2
2,41 2
15,316
£582,07 9
Notes 4/5/6
Welsh Arts Council
4 FIXED ASSET S
Freehold property :
Casson Theatre at 1978 valuatio n
Freehold propert y
Improvement :
Casson Theatre
Leasehold improvements :
9 Museum Place
31 Charles Street
Unit 2 Herbert Street
Equipment and vehicles :
Office equipment
Art exhibition equipmen t
Film equipmen t
Motor vehicles
Works of art
Craft collection
Tota l
Book value at
1 April 1982
Additions
£ 8,500
£ -
£ -
£ 8,50 0
2,815
-
-
2,81 5
8,053
35,072
10,508
2,629
311
-
-
10,68 2
35,38 3
10,50 8
53,633
2,940
-
56,57 3
49,090
19,781
34,138
50,414
5,591
704
933
16,537
450
6,561
54,23 1
20,48 5
35,07 1
60,390
153,423
23,765
7,011
170,177
118,826
1,113
7,318
40
2
-
126,142
1,153
119,939
7,358
2
127,29 5
£338,310
£34,063
£7,013
£365,360
Items sold or Book value at .
written off 31 March 198 3
All fixed assets are stated at cost, or at specifie d
valuation .
5 STOCK
1982
£33,775
Bookshop
1983
L38,51 3
6 DEBTORS AND PREPAYMENTS
£133,000
358,442
£491,442
Grants and guarantees paid in advance
Sundry debtors and prepayments
£205,75 0
362,700
£568,45 0
89
,N'otes 7 8
Welsh Arts Council
7 RESERVE S
Income an d
expenditure account
Reserve fo r
capital expenditure
Balance at
1 April 1982
Surplus
for the year
Transfe r
to/from
reserves
£39,982
£96,294
£ -
9,261
-
£49,243
£96,294
Balance a t
Appropriation 31 March 1983
£
-
£136,276
-
9,909
19,170
£ -
£9,909
£155,446
Reserve for capital expenditure:
The appropriation is required to ensure that the balance on the reserve at the year end is sufficient to meet th e
sum committed by the Council for capital items ordered but not delivered at that date .
8 CONTINGENT LIABILITIE S
Indemnities entered into by the Council in respect of objects borrowed for exhibition purposes totalled not more
than £467,594 at 31 March 1983 (1982-£235,855) .
Certificate of Comptroller and Auditor Genera l
I have examined the foregoing Income and Expenditure Account, Balance Sheet and the supporting informatio n
set out in the Statement of Source and Application of Funds and the Notes . In my opinion these give, under
the historical cost convention, a true and fair view of the state of affairs of the Welsh Arts Council at 31 Marc h
1983 and of its surplus and the Source and Application of its funds for the year ended on that date .
G . R . L . OSBORN E
Director of Audi t
for COMPTROLLER AND AUDITOR GENERA L
Exchequer and Audit Departmen t
30 September 1983
90
Welsh
Arts Council
Schedules to the Account s
31 March 198 3
1 GRANTS AND GUARANTEE S
(including subsidies offered but not paid at that date)
Regional Arts Association s
North Wales Arts Association
South-East Wales Arts Association
West Wales Arts Association
£117,100
168,25 0
123,45 0
f 408,80 0
Total as Note 2 (page 86)
Musi c
Opera
Welsh National Opera Limited
Other Activitie s
BBC Welsh Symphony Orchestra
Gwent Youth Big Band
Merlin Music Society
St David's Hall, Cardiff
University College of North Wales, Bangor
University College, Swansea
Welsh Amateur Music Federation
Welsh Jazz Society
Welsh Music Archive
£1,410,00 0
£226,48 7
70 0
4,00 0
60,00 0
3,90 0
50 0
71,30 0
5,00 0
8,120
380,00 7
Recordings of Welsh Musi c
Chandos Records
Welsh Music Information Centre
5,000
6,500
11,50 0
5,20 0
14,35 0
13,60 0
3,80 0
Contemporary Music Network
Commissions to composers
Bursaries for advanced study
Publications : Guild for Promotion of Welsh Music
£1,838,45 7
Total as Note 2 (page 86)
Danc e
Dance Wales
North Wales Arts Association
South-East Wales Arts Association
Theatr Powys (Footloose)
Welsh Dance Theatre Trust
West Glamorgan Theatre in Education
Awards to Individuals
£ . 1,00 0
1,000
400
28,300
31,800
2,300
110
£
Carried forward
64,910
64,91 0
91
IVelsh Arts Council
Schedule 1
Brought forward
Small Scale Dance Touring Scheme
Bloomfield Community Association
Hawthorne Comprehensive School
Clwyd Dance Project
Clwyd County Council
South-East Wales Arts Association
South Glamorgan Institute of Higher Education
Vale of Glamorgan Community Arts Team
West Wales Arts Association
f 64,91 0
£
96
90
2,500
106
2,342
16 1
2,13 5
2,357
9,787
Projects
Dance Wales
Ekome's Children
Howard and Eberle Dance Theatre
Jumpers Limited
Jumpers Dance Theatre
South-East Wales Arts Association
Vale of Glamorgan Festival
West Glamorgan Education Authority
Awards to Individuals
3,300
2,000
2,800
8,79 2
11,440
1,00 0
80 0
1,50 0
2,060
33,69 2
250
1,100
Bursaries and awards
Training courses
Total as Note 2 (page 87)
£109,73 9
Dram a
Receiving Theatres and Arts Centre s
Aberystwyth Arts Centre
Bangor: Theatr Gwynedd
Cardiff: Chapter Arts Centre
Sherman Theatre
f 60,570
46,000
253,000
78,318
£437,88 8
Drama Companies
Action Pie
Brith Gof
Cardiff Laboratory Theatre
Caricature Theatre
Clwyd County Council-Theatr Clwyd Outreach
Gwent Theatre in Education
Moving Being
Paupers Carnival
Spectacle Theatre
Theatr Bara Caws
Theatr Clwyd
27,500
25,000
62,600
87,900
33,000
24,000
80,437
20,000
26,97 1
40,000
170,000
Carried forward
597,408
92
437,888
Schedule 7
Brought forward
Theatr Crwban
Theatr Cymru
Theatr Powys
Torch Theatre
West Glamorgan Theatre in Education
Welsh Arts Council
f597,408
f 437,88 8
17,500
170,000
37,50 0
132,00 0
27,100
981,50 8
Theatre Projects
Aberystwyth Arts Centre
Aberystwyth Fringe Company
Yr Academi Gymreig-Playwriting projects
Atlantic Union
British Summer School of Mime
Cardiff Circus School
Cardiff Laboratory Theatre-Grotowski Workshop
Common Knowledge Trust
Coracle Theatre in Education
Cwmni Cyfri Tri
Cwmni Hwyl a Fflag
Cwrs Drama Gymreig, Bangor
Frank n' Sime
Fresh Claims
Hijinx Theatre
Eirwen Hopkins and Helen Roberts (How to be a Lady)
Made in Wales
Masquerade Theatre
National Youth Theatre of Wales
Sqwar Un
Swansea City Council-Grand Theatre
Theatre Wales
Theatr Ystwyth
Torch Theatre
Unity Too
Wales Association of the Performing Arts
Welsh National Youth Drama Festival
3,000
400
5,850
6,000
2,62 5
1,500
1,500
13,33 1
1,300
15,000
6,50 0
78 5
5,00 0
8,97 3
6,00 0
6,50 0
18,78 9
8,00 0
5,50 0
7,500
10,00 0
50,00 0
5,00 0
7,50 0
3,50 0
50 0
900
201,45 3
Drama Touring Schem e
Cardiff Laboratory Theatre
Caricature Theatre
Jumpers Dance Theatre
Made in Wales
Paupers Carnival
Theatre Camel
Theatr Clwyd
Theatr Cymru
Theatr Powys
1,99 1
1,800
507
8,15 0
22 9
15 0
39,00 0
8,80 0
17,365
77,992
Carried forward
1,698,841
93
l t elsh Arts Council
Schedule 7
f1,698,841
Brought forward
Amateur Theatre
Drama Association of Wales
Training awards to individuals
Playwriting Commission Scheme
27,500
14,907
35,279
77,68 6
Total as Note 2 (page 87)
£1,776,52 7
Art
Grants and guarantees towards exhibition s
Aberystwyth Arts Centre
Association of Photographers in Wales
Bethesda Community Arts
Children's Literature Centre
Clwyd County Council
Cowbridge Arts Group
Dyfed County Council
Gwynedd County Council
LLanelli Festival
Llantarnam Grange Arts Centre
Monmouth District Council
Mostyn Art Gallery
National Library of Wales
Pioneers Travelling Art Circus
Royal National Eisteddfod of Wales
St Donat's Arts Centre
South Glamorgan Institute of Higher Education
South West Arts Association
Swansea City Council
Torch Theatre
University College of North Wales, Bangor
University College, Cardiff
University College, Swansea
Welsh Books Council
The Welsh Group
West Wales Arts Association
Wyeside Arts Centre
Grants for Gallery Staffing Improvements
Clwyd County Council
West Wales Arts Association
£ 5,700
33,32 5
2,70 0
1,68 2
11,35 0
300
27 5
500
700
5,100
200
77,22 5
3,000
1,500
1,000
200
55 0
800
4,900
600
4,400
700
50 0
3,90 0
2,88 7
2,50 0
900
f 167,394
2,60 0
3,700
6,300
Aid to Artists Organisation s
Artic Producers
Artlaw Services
Association of Artists and Designers in Wales
500
2,000
34,300
Carried forward
36,800
94
173,694
Schedule 7
Brought forward
Contemporary Art Society for Wales
56 Group Wales
Pioneers Travelling Circus
U-Print Community Printmaking
Welsh Sculpture Trust
Welsh Arts Council
£36,800
f 173,694
3,000
2,000
2,500
8,000
13,350
65,65 0
Grant Aid for Commission s
British Rail
Carmarthen District Council
Contemporary Art Society for Wales
St David's Convent, Brecon
University Hospital of Wales
University of Wales Institute of Science and Technology
2,900
16,682
490
45 5
980
300
21,80 7
Artists in Residence
Llanover Hall Arts Centre
Swansea City Council
Young Artists Grants
Special Project Grants
Loans to Artists
Less: amounts repaid
4,00 0
5,000
9,000
4,700
8,500
27,10 0
(8,053)
19,047
Publications
University College, Aberystwyth
University of Wales Press
4,00 0
3,976
7,97 6
Total as Note 2 (page 87)
f 310,37 4
Fil m
f 9,60 0
Bwrdd Ffilmiau Cymraeg
Film Worksho p
Boadicea Films
Cardiff Cine Society
Chapter Arts Centre
Mostyn Gallery
National Film School
South Wales Women's Film Group
Welsh Women's Aid
Women for Life on Earth
f 580
600
39 1
500
1,41 1
594
2,47 5
1,000
Film Making Grants
All Wales Video Project
7,55 1
32,66 7
14,200
Carried forward
64,01 8
95
I t elsh Arts Council
Schedule 1
f 64,01 8
Brought forward
Training and Educatio n
Association for Film and TV in the Celtic Countries
Celtic Film Festival
Chapter Film Workshop
Polytechnic of Wales
South Wales Women ' s Film Group
University College, Cardiff
Welsh Women's Aid
Awards to individuals
400
686
1,500
6,100
2,75 0
25 0
400
1,000
13,08 6
20 0
Welsh Group of BFFS
f 77,30 4
Total as Note 2 (page 87)
Literature
£163,000
72,500
1,87 5
Welsh Books Council
Yr Academi Gymreig
Tir na n-og Festival
Grants to Publisher s
Yr Academi Gymreig
Christopher Davies
Gwasg Comer
Gwasg Gregynog
Gwasg Prifysgol Cymru
Gwasg y Dref Wen
Poetry Wales Press
Rampart Press
£ 3,70 0
1,40 0
18,15 0
5,000
2,000
8,000
22,74 5
2,700
63,695
Children's Literatur e
Alun Books
National Centre for Children's Literature
Book Production Grants
4,800
14,000
6,800
25,600
Periodical s
'Anglo Welsh Review'
'Barddas'
'Barn'
'Poetry Wales'
'Pori'
The Powys Review'
'Spondonics'
Taliesin'
Traethodydd'
'Y Casglwr'
'Y Faner'
10,000
2,000
16,000
8,400
1,450
2,200
5,000
3,500
3,500
780
55,000
107,830
Carried forward
96
434,500
Schedule 9
Welsh Arts Council
Brought forward
f434,500
Readings and Other Activities
Cymdeithas Cerdd Dafod
Gwasg Gee
North Wales Arts Association
South-East Wales Arts Association
University College, Cardiff
University of Wales Press
West Wales Arts Association
f 2,30 0
4,000
2,000
2,000
10 0
6,00 0
2,000
18,40 0
33,50 0
Prizes and Bursaries
Total as Note 2 (page 87)
£486,40 0
Festival s
Cardiff Festival
Ely Festival
Fishguard Festival
Gower Festival
Llandaff Festival
Llangollen International Music Eisteddfod
Llantilio Crosenny Festival
Lower Machen Festival
North Wales Music Festival
St David's Cathedral Bach Festival
Swansea Festival
Vale of Glamorgan Festival
Welsh Jazz Festival
f 17,00 0
1,220
13,53323
22,000
25,000
2,450
1,75 0
6,390
1,85 0
21,52 5
8,000
5,100
-
Total as Note 2 (page 87)
£125,850
Regiona l
Regional Theatres
Grand Theatre, Swansea
New Theatre, Cardiff
£18,00 0
20,000
f 38,000
Rural Arts Centres
Coleg Harlech Arts Centre
Wyeside Arts Centre
24,80 0
- 25,900
50,700
Royal National Eisteddfod
Total as Note 2 (page 88)
67,50 0
f156,200
97
WeAh arts Counci l
Schedule 7
Projects
Children's Literature Centre
Cynefin
St Donat's Arts Centre
Swansea Festival Fringe
Triple Lantern Limited
University of Wales, Gregynog
Visiting Arts Unit of Great Britain
f 1,280
2,000
200
2,00 0
4,00 0
5,00 0
5,00 0
Total as Note 2 (page 88)
f19,48 0
Craf
t
Commission Aid
Clwyd Health Authority
Mid Glamorgan Education Authority
Newport Borough Council
Parochial Church, Margam Abbey
Powys County Council
St Augustine's Church, Penarth
St Illtyd's Church, Ilston
Swansea Design Partnership
University College, Aberystwyth
Welsh Miners Museum
f1,70 0
100
140
2,200
50 0
35 0
32 5
2,00 0
10 0
750
L 8,16 5
Exhibitions and Workshop s
Clwyd County Council
Projects
British Artists in Glass
Ceredigion Guild of Weavers, Spinners and Dyers
Llanelli Festival
North Wales Arts Association
North Wales Potters
Royal Welsh Agricultural Show
South-East Wales Arts Association
South Glamorgan Institute of Higher Education
South Wales Potters
Swansea City Council
University College, Aberystwyth
University of Wales, Gwasg Gregynog
West Wales Arts Association
Awards to Craftsmen
600
15 0
200
500
2,000
340
15 0
2,000
15 0
63 2
6,000
1,75 0
6,03 5
2,000
3,745
25,65 2
Craftsmen in Residence
Ceramic Research Award
Total as Note 2 (page 88)
98
3,500
1,200
£39,117
Schedule 7/Schedule 2
Welsh Arts Council
Housing the Arts
Dylan Thomas Theatre, Swanse a
Grand Theatre, Swanse a
Moving Bein g
Triple Lantern Limited
University College, Swansea-Taliesi n
f 15,000
300,000
17,000
7,000
70,000
Total as Note 2 (page 88 )
£409,000
2 DIRECTLY PROMOTED ACTIVITIE S
1982
£224,906
70,250
3,715
198 3
a Music: Concert Programm e
Expenditur e
Incom e
Less VA T
L196,388
L50,65 5
3,682
46,97 3
66,535
f158,371
Net expenditure for the year as Note 2 (page 86 )
f 53,389
63,277
18,285
996
11,200
b Art : Art Exhibitions
Expenditur e
Transpor t
Organisin g
Catalogues
Publicit y
Warehouse and workshop
£149 .41 5
L 45,51 5
19,22 5
1,204
94 1
11,960
78,845
147,147
14,336
926
Incom e
Less VAT
13,41 0
L1 33,737
L 4,23 7
218
4,01 9
Net expenditure for the year as Note 2 (page 87)
L 74,82 6
99
LVelsh Arts Council
Schedule 2
£115,227
3,803
111,424
84,042
c Oriel Bookshop and Galler y
Bookshop sales
Less VAT
Less Expenditure
f115,886
4,092
111,794
80,28 2
f (31,512 )
(27,382)
F
5,627
734
Commission on gallery sales
Less VAT
(4,893)
(32,275)
24,748
1,169
135,037
f 128,679
100
1,94 5
25 4
(1,691 )
Cost of exhibitions
Cost of literary events
Operating costs
Net expenditure for the year as Note 2 (page 88)
(33,203 )
22,69 3
2,676
142,95 7
L135,123
TableA
Housing the Arts Outstandin g
Commitments
In 1982/83 the Arts Council's Grant-in-Aid of £91,500,000 included £2,100,000 for Housing the Arts . The detail s
of how this was spent can be found at the end of schedules 1, where £1,612,400 is accounted for in England ;
£78,600 in Scotland and f409,000 in Wales . The sum of f120,100 has been paid to the National Theatre Boar d
out of the special grant of £350,000 earmarked in 1980/81 for the cost of completing the South Bank Theatr e
complex; the sum of £150,000 has been paid to the Royal Opera House as a further contribution towards th e
Covent Garden Development Fund ; and a further (30,000 has been paid to English National Opera out of a
special grant of f500,000 earmarked in 1981/82 towards the cost of rehearsal facilities and improvements to th e
London Coliseum .
The Arts Council was also empowered to enter into commitments during 1982/83 to make provision for Housin g
the Arts up to a total of (1,815,000 . At 31st March 1983, ±1,631,900 had been committed out of the total o f
£1,815,000 . The details are set out below .
England
National Companies
National Theatre Board
f 89,400
f 89,400
Musi c
London-Westminster : The Friends of St John's
7,500
7,500
Drama
Bath Arts Workshop Limited
Cheltenham : Gloucestershire Everyman Theatre Company Limited
London : Pioneer Theatres Limited
Young Vic Company Limited
Northampton Repertory Players Limited
Rochdale : M6 Theatre Company Limited
1,50 0
225,00 0
10,00 0
5,00 0
70,00 0
1,000
312,500
Tourin g
Liverpool : Empire Theatre (Liverpool) Trust Limited
2,000
2,00 0
Art
Bradford City Council (National Museum of Photography)
Darlington Arts Centre Trust
London-Tower Hamlets : Whitechapel Art Gallery
50,000
4,000
200,000
254,00 0
Regiona l
Aldershot : West End Centre
Birmingham : Cannon Hill Trust Limited
Gainsborough Area Arts Association (Trinity Church)
Kidderminster: Wyre Forest District Council (Old School Arts Centre)
Luton Community Arts Trust Limited
Newcastle : Live Theatre Company
Oxford Area Arts Council (St Paul's Project)
Stafford Borough Council (Borough Hall)
14,000
5,000
30,000
5,000
50 0
3,00 0
5,00 0
10,000
72,500
Carried forward
737,900
10 1
!,3h,r a
Brought fonkard
£ 737,900
Scotlan d
Aberdeen : His Majesty's Theatre
Edinburgh Theatre Trust Limited
Glasgow : Citizen's Theatre Limited
Glasgow : Scottish Ballet Limited
£ 100,00 0
148,000
193,000
50,000
491,00 0
Wales
Brecon Guildhall
Cardiff New Theatre Trust Limited
Swansea : Grand Theatre
Swansea : University College Arts Centre
Swansea : Welsh Dance Theatre Trust Limited
10,00 0
70,00 0
300,00 0
20,00 0
3,000
403,000
£1,631,90 0
102
Table B
Special Fund s
Beneficiaries during the year ended 31 March 198 3
f
Compton Poetry Fun d
British American Arts Associatio n
4,50 0
Guilhermina Suggia Gift for the'Cell o
Liam Abramso n
Eva Bucke r
Dare Fitzgeral d
Jonathan Manson
Emma-Jane Murph y
Jacqueline Phillip s
Ursula Smit h
17 5
150
62 5
100
100
50
15 0
H . A . Thew Fund
Pamela Benso n
Mark Dave r
Gerard Doyl e
Andrew Greena n
Christopher Lewi s
Liverpool Wind Orchestra
Liverpool Youth Music Committe e
Margaret McMilla n
Melos Trus t
James Norri s
Peter O'Conno r
Jill Samue l
Spiral Contemporary Dance (Merseyside) Limited
University of Liverpoo l
15 0
200
15 0
"15 0
15 0
50
37 5
100
30 0
20 0
50
17 5
20 0
25 0
Henry and Lily Davis Fun d
Nancy Argent a
Una Barry
Gerard Brook s
Faye Clinto n
Gary Coward
Lydia Flet t
John Goug h
John Key s
Jacqueline Langford
Danielle Perret t
Rowland Sidwel l
W
o
35 0
60 0
600
600
450
500
500
500
350
3,000
Miriam Licette Scholarshi p
Christine Bote s
Janine Roebuc k
Lorna Windso r
1,650
500
2,000
Mrs Thornton Beques t
William Pye
Ken Turner
1,55 0
300
103
Table C
Subsidies to Regional Arts Association s
An analysis of funds made available by the Council during the year ended
31 March 1983
Music
£
1,546
1,95 0
Dance
£
-
TouringDance
£
6,000
TouringDrama
£
11,05 0
Eastern
a
b
c
East
Midlands
a
b
c
703,000
3,100
1,812
-
3,893
13,504
Greater
London
a
6
c
1,233,000
-
-
-
550
750
6,419
-
15,378
-
a
b
c
471,000
-
a
b
c
444,000
385
-
-
1,404
1,70 5
-
a
b
c
1,564,85 0
-
1,145
2,700
2,937
16,35 1
a
b
c
775,000
-
5,939
9,47 5
-
1,380
2,900
a
b
c
740,000
-
28,500
1,673
4,000
1,650
2,610
-
13,38 5
a
b
c
444,000
-
1,493
1,200
-
3,063
South West
a
b
c
635,000
-
1,756
1,000
3,170
3,937
-
21,09 5
West
Midlands
a
b
c
915,500
-
1,021
-
-
14,650
40,690
Yorkshire
a
b
c
588,000
-
1,553
4,000
5,506
-
15,49 3
-
£9,054,850
£57,200
£12,270
£60,233
£187,150
Lincolnshire
& Humberside
Merseyside
Northern
North West
Southern
South East
Totals
£
Basic
Subsidv
541,500
-
236
-
3,875
-
17,61 2
-
-
11,41 2
a Basic subsidies and additional funds for organisations and events in their areas for which the Regional Art s
Associations are expected to make provision in future years .
b Subsidies made available for standard schemes or areas of activity for which the Regional Arts Association s
undertake all administration and monitoring on behalf of the Arts Council .
104
Table C
Drama
£ -
Art
f 2,000
5,000
26,310
Literature
f 5,000
-
Other*
f 50,610
39,517
Sub-totals
f 599,11 0
23,596
67,77 7
-
3,500
1,500
48,335
5,300
10,000
31,000
714,900
20,709
89,33 5
824,94 4
-
3,500
7,550
41,440
5,000
2,000
90,000
58,500
1,331,50 0
29,347
103,24 0
1,464,08 7
-
500
1,825
6,000
2,000
-
20,000
473,50 0
23,548
26,000
523,048
-
400
4,525
3,500
1,500
-
15,000
25,000
460,900
8,019
28,500
497,41 9
-
2,000
15,050
60,203
8,000
-
60,000
1,574,850
35,483
122,903
1,733,23 6
-
2,000
4,000
21,405
4,250
-
38,500
781,25 0
20,794
62,80 5
-
3,000
1,800
10,250
5,800
-
37,750
777,300
19,468
53,650
-
2,000
3,125
3,400
2,500
500
42,660
25,000
491,16 0
19,093
30,100
540,35 3
- ,
7,000
6,900
10,375
2,900
-
113,000
70,000
757,900
33,688
84,545
876,13 3
1,800
1,200
4,650
10,800
3,500
1,000
40,000
920,200
61,011
53,60 0
1,034,81 1
-
13,250
6,200
8,250
4,750
10,000
60,000
606,00 0
28,752
82,25 0
717,00 2
£1,800
£352,743
£74,000
f816,537
f10,616,783
£10,616,783
Total s
£ 690,48 3
864,84 9
_
850,41 8
c Subsidies made available to the Regional Arts Associations with no commitment on their part to mak e
provision in future years .
* Other : includes subsidy offered for community arts and for other purposes not classifiable under particula r
headings including general supplementary funds .
105
Table D
Exhibitions held in Great Britai n
during 1982/83
Arts Council of Great Britai n
R
Craigie Aitchison, paintings 1953-198 1
RL
Alive to it Al l
L
Arte Italiana 1960-8 2
RSW
Big Prints
R
Books and Folios : Screenprints by Derrick Greaves, Robert Medley and Edward Middleditc h
RSW
Brancusi Photograph s
R
Bill Brandt, retrospective (organised by the Royal Photographic Society )
LR
The British Worker : photographs of working life 1839-193 9
R
Bronze Vessels from Ancient Chin a
RW
Anthony Caro : five sculptures from the Arts Council Collectio n
L Tony Carter : images of subject object dualit y
LRW
Coal : British Mining in Art 1680-198 0
RSW
Constructed Images : Approaches to Modern Art II I
L Contemporary Choice 1979-81 : The Contemporary Art Society's recent acquisitions for publi c
collection s
LR
John Sell Cotman 1782-184 2
L
Francis Davison, paper collage s
RS
The Sculptures of Dega s
RW
Sonia Delaunay : illustrations to Arthur Rimbaud's 'Illuminations '
LRSW
Marcel Duchamp's Travelling Bo x
L
Eureka! Artists from Australi a
RW
Experimental Photography 1920-4 0
R
Five Modern Paintings from the Tate Galler y
R
Fragments against Ruin, a journey through modern art : works selected and purchased for the Art s
Council Collection by Julian Spaldin g
RS
From Object to Object : an Arts Council Collection exhibitio n
L
Martin Froy, paintings ; constructions, drawings 1968-8 2
RW
George Fullard, drawing s
R
Giacometti's Paris : lithographs from Alberto Giacometti's 'Paris sans Fin '
L Harold Gilman 1876 191 9
L Lawrence Gowing, retrospectiv e
L Hayward Annual 1982 : British Drawing selected from an open submissio n
L In the Image of Man : The Indian perception of the universe through 2,000 years of painting and sculptur e
L Indian Drawing : selected by Howard Hodgki n
R
Inner Worlds : an Arts Council Collection exhibition of sculptures, paintings and drawings selected b y
Paul Over y
R
The Isle of Man : photographs by Christopher Killip (organised by the Side Gallery, Newcastle )
L Landscape in Britain 1850-195 0
R
Late Sickert : paintings 1927-42
R
Leaves never grow on trees : Max Ernst's'Histoire Naturelle '
LRSW
The Living Arts of India : craftsmen working in the classical and folk tradition s
LR
Lubetkin and Tecton : Architecture and Social Commitmen t
RW
A Mansion of Many Chambers : 'Beauty' and other works . An Arts Council Collection exhibition selecte d
by Dr David Brow n
LR
Raymond Mason, sculpture, watercolours and drawings 1952-8 2
LRW
Raymond Moore, photograph s
R
The National Gallery Lends : Paintings of the Warm South by foreign painters in Italy in the Seventeent h
Centur y
R
Painter as Photographe r
Paper as image : new works in pape r
R
L Photographer as Printmake r
Private Views : an Arts Council Collection exhibitio n
R
RSW
Reality and Artifice : Approaches to Modern Art I I
106
Table D
LRS
Bridget Riley Screenprints 1965-197 8
RS
Romanticism Continued : Approaches to Modern Art I V
S
Room for Thought : eight works from the Arts Council Collectio n
L
Serpentine Summer Shows I, II, II I
R
Sounds of Colou r
L Chaim Soutine 1893-194 3
R
Stanley Spencer in the Shipyard : Drawings and Photograph s
LR
Adrian Stokes 1902-197 2
R
Homer Sykes : Traditional British Calendar Customs (organised by the Arnolfini Gallery, Bristol)
LRSW
Ten 20th Century Houses : documentary .
RS
Through Children's Eyes; a fresh look at contemporary art
LR
Timber Framed Buildings : documentar y
R
Ger Van Elk, recent painting and sculpture and a selection of earlier wor k
RL
The Village Green : documentary
RS
Andy Warhol, Portrait Screenprints 1965-8 0
R
Carel Weight R A
RS
What is Abstract Art? Approaches to Modern Ar t
L
Victor Willing, paintings since 1978
Sixty-eight exhibitions were held in 179 separate galleries in 122 different places (274 showings including 30 hel d
in London at the Arts Council's Hayward Gallery and Serpentine Gallery, and other galleries including the Roya l .
Academy and Victoria and Albert Museum) . A number of exhibitions received showings prior to the .year unde r
review and are already listed in the annual report of 1981/82 .
Scottish Arts Counci l
Ed
Big Prints (ACGB )
E
Elizabeth Blackadder-retrospective exhibitio n
Ed
British Drawings : A selection from the Hayward Annual 198 2
T Keith Brockie-wildlife sketches
TE
Contemporary Art from Scotland (Scottish Gallery, Edinburgh )
Ed
David Evans Retrospective (New 57 Gallery, Edinburgh )
Ed
Grease and Water : An insight into the art and technique of lithograph y
T Henry Moore Sculptur e
Ed
Peter Moores Liverpool Project 6 : Art into the 80s (Walker Art Gallery, Liverpool )
T News From The Thirties-photojournalism between the war s
T Nijinsky 1912-photographs by De Meye r
Ed
Objects and Figures : New Sculpture in Britai n
Ed
Peter Phillips retroVISION : Paintings 1960-1982 (Walker Art Gallery, Liverpool)
T
Picasso Print s
T Pictures of Ourselves-contemporary Scottish portrait s
Ed
Polish Modern Tapestry (Polish Cultural Institute/Lodz Bureau of Exhibitions/Richard Demarco Gallery/SAC )
Ed
Scottish Art No w
T Screenprints and how they are mad e
Ed
Sixty Seasons : David Nash (Mostyn Art Gallery, Llandudno/Third Eye Centre, Glasgow)
Nineteen exhibitions were held in Scotland (23 venues in 17 centres, 45 showings in all) and in England (3 centres ,
3 showings) .
Travelling Gallery
About Grampia n
Keith Brockie-wildlife sketche s
Objects and Figures : New Sculpture in Britai n
Out of this World-The Art of Science Fiction (Brighton Museum )
Pictures of Ourselves : contemporary Scottish portraits
Rail, Steam, Speed-art and the railways
107
Tabe D
Welsh Arts Counci l
OTW
O
TWE
O
TWE
Roy Abel l
The Art of Givin g
An Artist in the Quarrie s
The Assembling of Part s
A Centenary Celebration (organised by the Royal Cambrian Academy of Art in association with th e
Williamson Art Gallery & Museum, Birkenhead )
A Child's Christmas in Wales (organised by the Welsh National Centre for Children's Literature )
TW
Contemporary Art Society for Wales . Recently purchased work s
O
Family, Some Chairs, A Number of Tables and Mary Queen of Scot s
O
Peter Grimes and Urban Frontiers
O
O
Jon Groo m
Allan Gwynne-Jones (organised by the National Museum of Wales in association with the Royal Nationa l
TWE
Eisteddfod of Wales, 1982)
TWE
Barbara Hepworth-a Sculptor's Landscape 1934-1974 (organised by Swansea Museums Service )
TW Maskreys Printmaking Awards 1982 (organised by the Association of Artists & Designers in Wales '
National Print Workshop )
Occasions, Portraits, Head s
O
O Perfect Moment s
Thomas Rathmell (organised by Oriel : continued from previous year )
OTW1
TW Sculpture at Margam (organised by the Welsh Sculpture Trust in collaboration with West Glamorga n
County Council )
Sixties and Seventies . Prints and drawings by Barry Flanagan (organised by the Mostyn Art Gallery ,
TWE
Llandudno)
Some Miraculous Promised Land (organised by the Mostyn Art Gallery, Llandudno )
TWE
Twenty-seven exhibitions including 16 from England were toured in Wales to 12 centres, in 18 different buildings ,
giving 42 showings in all . In addition 9 new exhibitions were originated at Oriel of which one toured as above .
Welsh Arts Council exhibitions had 8 showings in England .
Note
E
Exhibited in Englan d
Ed
Exhibited in Edinburg h
L Exhibited in Londo n
O Oriel Exhibition (Welsh Arts Council Bookshop and Gallery, Cardiff )
Exhibited in the Region s
R
S
Exhibited in Scotlan d
T Tour in Scotlan d
TW Tour in Wale s
W Exhibited in Wale s
1 One showing only in Wale s
108
Table E
Contemporary Music Networ k
1982/83 Tours
Azimuth/Gordon Beck Nonet :
Birmingham, Brighton, Bristol, Coventry, Darlington, Kendal, Leeds ,
Leicester, London, Manchester, Sheffiel d
Electronic Music Now :
Bristol, Cardiff, Darlington, Durham, Keele, Leeds, Leicester,
Liverpool, London, Manchester, Nottingham, Sheffield, Well s
John Alldis Choir :
Birmingham, Bristol, Cheltenham, Darlington, Durham, Leeds, London ,
Manchester, Nottingham, Whitehave n
Nexus (Canada) :
Abbotsholme, Birmingham, Bristol, Cardiff, Darlington, Leicester ,
Liverpool, London, Manchester, Nottingham, Sheffield, Wells, Yor k
Piano 40 :
Birmingham, Coventry, Leicester, Llantwit Major, London, Manchester,
Sinfonietta Productions Limited :
Coventry, Darlington, Exeter, Huddersfield, Leeds, London, Milton Keynes ,
Oxford, Whitehave n
Songmakers' Almanac Limited :
Boston, Halifax, Hull, Lancaster, Liverpool, London, Luton, Sheffield, Yor k
Steve Lacy Sextet and Keith Tippett :
Birmingham, Bristol, Coventry, Darlington, Kendal, Leeds, Leicester,
Llantwit Major, London, Manchester, Newcastle, Sheffield
109
Table F
Schemes and Award s
Theatre Writing Scheme s
Bursaries
Karim Ahvari
Bruce Bedford
Edward Bond
Penny Casdagli
Chris Challis
David Clough
Nick Darke
Leslie Davidof f
David Dran e
Seamus Finnega n
Patrick Galvi n
Nigel Gearin g
Paul Goetze e
Noel Grei g
Wilson John Haire
Contract Writers Award s
Organisatio n
Belt and Braces Roadshow Company Limite d
Black Theatre Co-operative
Bristol Express Theatre Compan y
The Cherub Compan y
Colway Theatre Trust Limite d
DAC Theatre Compan y
Disrepertory Theatre
The Dog Compan y
Durham Theatre Compan y
Flying Tortoise Theatre Company Limite d
The Grand Unio n
Harlow Theatre Va n
Haruspex
Incubus Theatre Company Limite d
Inner City Theatre Compan y
Lyric Theatre Hammersmith Trus t
The Medieval Players Limited
Merseyside Young People's Theatre Company Limite d
National Theatre of Bren t
National Youth Theatre of Great Britai n
New Moon Theatr e
The New Theatre
New Vic Theatre Compan y
Northern Black Light Theatre Compan y
Nuffield Theatre Compan y
Pocket Theatre Cumbri a
Solent People's Theatre Limited
Tara Arts Grou p
Theatre of Thelema Limited
Theatre Venture
Touring Theatre Londo n
Yorkshire Actors Compan y
Yorkshire Arts Circus
Resident Dramatist Attachment s
Writer
Stephen Wyat t
Adrian Mitchel l
Rony Robinso n
Stephen Faga n
Tom Hadaway
Bill Morriso n
Gary Lyons
Shaun Prendergas t
Frances McNei l
Steve Gooc h
John Turne r
Tony Denni s
Les Smith
11 0
Julia Kearsle v
Hanif Kureish i
Tonv ti1archan t
Mustapha Matur a
Natasha Morga n
Kate Phelp s
Brenda Ra y
Colin Sel l
Jeremy James Taylo r
Write r
Gavin Richard s
Edgar White
David Mowa t
Angela Lanyo n
John Downi e
Ron Rose
Alan Drur y
Andrew Woo d
John Sansic k
John Cooper, Stephen Wyat t
John Cumming, Keith Morri s
Graham Luca s
Alan Drury, Stephen Jeffreys, David Pownal l
Paddy Fletche r
Les Davidoff, Les Mille r
Richard Maher, Roger Michell, Caryl Phillip s
Edwin Morga n
Mike Ka y
Patrick Barlo w
Peter Terson
Peter Co x
Phil Smit h
Phil Wood s
John Bon d
Susan Hagan, Bob Mason, Mike Stot t
Stephen Jeffrey s
Louise Pag e
Jatinder Verm a
Shirley Barri e
Peta Masters, Andy Armitage, Steve Gooch, Geraldine Griffith s
Jonathan Myerso n
John Godbe r
Berlie Doherty
Organisatio n
Bubble Theatre Compan y
Caryl Jenner Productions Limite d
Crucible Theatre Trust Limite d
Hampstead Theatre Limite d
Live Theatre Compan y
Liverpool Repertory Theatre Limite d
Major Road Theatre Compan y
Northumberland Theatre Compan y
Nottingham Theatre Trust Limited
Solent People's Theatre Trust Limite d
The Combination Limite d
The Factory
Theatre Foundr y
Table F
Royalty Supplement Guarantees
Writer
Yemi Ajibade
Shirley Barrie
Jean Binnie
John Chambers
Keith Dorland
Sandra Freeman
Berta Freistadt
Susan Hagan
Debbie Horsfield
John Robert King
Bryony Lavery
Roger Stennett
Carol Williams
Trainingg Schemes
Administrators
Diploma Course
Andrew Eaton
Rowena Gardiner
Sarah Hase
Sarah Hill
Roula Konzotis
Gillian Levick
Joanna Littlejohns
Helen Marriage
Jennifer Waldman
Practical Training Scheme
Christine Barton
Graham Bennett
Stella Hall
Paula Hughes
Sharon Kean
Richard Sharland
In- .Service Bursaries
Barrington Anderson
Ned Arnold
Jonathan Bailey
Sandra Bailey
Helen Bass
Chris Belcher
Keith Bennett
Stuart Blackwood
Robin Carlyle
Sylvia Carter
Elizabeth Collett
Timothy Cullen
Andrew Dawson
Rosalind Dodd
Brian Donovan
Margaret Douglas
Susan Dowsett
Julie Eaglen
Joan Ewert
Play
Fingers Only
Riders Of The Sea
Just A Tick
Away From Home
Jimmy Was Here
Family Engagement
Poor Silly Bad
Dragon's Teeth
Away From It All
King Arthur
The Black Hole of Calcutta
Out Of The Sun
All Things Nice
Organisation
Black Theatre Co-operativ e
Theatre of Thelema Limited
Elephant Theatre Compan y
Pan Theatre Company
Active Alliance Theatre Co .
Brighton Actors Worksho p
Theatre Venture
Brighton Actors Worksho p
Theatre Venture
Shiva Theatre Company
National Theatre of Bren t
Solent People's Theatre Ltd .
Old Red Lio n
Christopher Faulkne r
Irene Fawkes
Jennifer Ferguson
David Fraser
Thomas Gardner
Michael George
John Gillett
Fiona Godfrey-Fausett
Peter Gray
Annu Gupta
Pete Hackett
Wilfred Hall
Christine Hanley
Jessica Harris
Arlene Heron
Cathy Hunt
Rachel Ireland
Dave Jeffrey
Anna Jones
Simon Jones
Thomas Jones
Charlotte Kelly
Michael Kelly
Heather Knight
Pauline Landau
Helen Lannaghan
Geoffrey Locker
Fiona Lohoar
Jill Low
Mark Lumley
Moira McCarthy
Brod Maso n
Sally Masterman
Penny Mayes
Frances Middlestorb
Carin Mistry
Rapitse Montsho
Steve Murphy
Lucy Neal
Alan Nield
Kieron P . O'Connor
Sally O'Donnell
Fiona Pilkingto n
Rekha Prasha r
Penelope Ra e
Alison Redwood
Sally Reeves
Michael Russel l
Julian Satterthwaite
Barbara Savage
Alan Seymou r
Madhav Sharm a
Collin Shi m
Bob Sim s
Micheline Steinber g
Thelma Stuar t
David Stuttard
Alison Summer s
Chitra Sundaram
Julia Szok a
Kann Taylor
Helena Tomli n
Roger Tuk e
Katie Venne r
Sheena Wagstaff
Angela Wal l
Jan Welto n
Rob Whit e
Sarah Wicks
Myra Witter
Andrew Wood
David Wood s
Madeline Worral l
Designer s
Jan Blak e
Tom Cairn s
Anne Curry
Sara Easby
Maria Fernand o
Sarah Greenwoo d
Jacqueline Gun n
Nigel Lower y
John Murchison
11 1
Table F
Kate Owen
Magdalen Rubalcava
Leanne Sayer
Gregory Smith
John Williams
Directors
Celia Bannerman
Michael Boyd
Peter Fieldson
Marilyn Floyde
Roger Hill
Boris Howarth
Jeremy Howe
Gwenda Hughes
Richard Jones
Trevor Laird
Caroline Raphael
Performers
Advanced Training for
Musicians
Stephanie Cant
Gemini
Susan Heath
Graeme Matheson-Bruc e
Clare Sutherland
Sioned Williams
National Centre for
Orchestral Studies
Peter Bunzs
Caroline Collier
Catherine Dendy
Claire Harmsworth
Neil Martin
Deborah Neath
Leon Ogden
National Opera Studio
Kim Begley
Nancy Cooley
Christopher Gillett
Murray Hipkin
Paul Hodges
Alice Hyde
Jeremy Munro
Joan Rodgers
Janine Roebuck
Alma Sheehan
Donald Stephenson
Linda Strachan
Jane Turner
Alexander Winterson
Royal Northern College of
Music Sinfonia
David Baker
Simon Beesley
Judith Bowles
Alison Carver
11 2
Philip Cesa r
David Her d
Nichola Hunte r
Christopher Lewi s
Diane Martindal e
David Pagett
Nicholas Pendlebury
Helen Rowland s
Mark Sherida n
Monica Wilkinso n
Organisations
Action Space Mobil e
Hesitate and Demonstrate
Intriplicate Mime Compan y
Leeds Playhouse Theatre-in-Education
Merseyside Young People's Theatre
Company Limited
Mime and Movement Trus t
Rational Theatre
Riverside Theatre Studi o
Shared Experience Limite d
Tara Arts Grou p
Trickster Theatre Company
Tyne and Wear Theatre Trust Limite d
Puppeteer
Stephen Mottra m
Theatre Performers
Richard Albrecht
Linda-Jean Barry
Bronwyn Bau d
Steve Bel l
Joan Campion
Sandra Carrie r
Robert Cavendis h
Elizabeth Counsel l
David Creedo n
Helen Crocke r
Julia Deaki n
Andrew de la Tou r
Maedee Dupres
Shreela Ghos h
Steven Giles
David Glass
Mark Hard y
Nola Hayne s
Didi Hopkin s
Barbara Horne
Nigel Hughe s
Susie John s
Darlene Johnso n
Michael Jones
Philip Josep h
Joy Launor Heye s
Jenny Lee
Joy Lemoine
Julianne Maso n
Marsha Milla r
Veronica Nelson
Lloyd Newson
Cindy O'Callagha n
Ann O'Conno r
Owen John O'Mahon y
Philip Osment
Rosie Pattiso n
Kate Perciva l
Peter Polycarpou
Frances Quin n
Selwa Raja a
Alison Ros e
Richard Seymou r
Mala Sikk a
Christopher Snel l
Barry Stear n
Carola Stewart
Carol Summers
Caroline Swift
Sally Syke s
Frances Thomso n
Michelle Tod d
Mick Wal l
John Watt s
Clare Welc h
Technician s
Individuals
Trevor Allan
Nick Bloo m
Geoffrey Locker
Alan Niel d
Ann Pooley
Hugh Vanston e
Giles Vaudrey-Favel l
Piano Tuner
Christopher Farthing
Joint Training Fun d
Anthony Bailey
The Cultural Centre Handswort h
Prabhu Guptar a
Sally O'Donnel l
John Phillip s
Steelband Association of Great Britai n
Tai-Shen Chinese Play Associatio n
Taffy Thoma s
West Midlands Ethnic Minorities Art s
Servic e
Table F
Awards
Englan d
Musi c
Commission s
Malcolm Arnold
The King's Singers
Simon Bainbridge
Sinfonietta Productions Limite d
Whispering Wind Ban d
David Bedfor d
English Sinfonia Limited (2)
Richard Rodney Bennett
Susan Mila n
Syrinx Ensemble
Michael Berkeley
Milton Keynes February Festiva l
New London Singers
Gilbert Biberian
Clive Conway-Gwilliam
Judith Bingham
Christine Batt y
Hugh Hetherington
Derek Bourgeoi s
British Youth Wind Orchestr a
Christopher Brown
London Bach Society
Geoffrey Burgo n
National Federation of Musi c
Societies
Charles Camiller i
Gretta Barrow and Edmund Rei d
Jack Bryme r
Gary Carpenter
Lontan o
Omega Guitar Quartet
Graham Collie r
South Hill Park Trust Limited
Edward Cowi e
Royal Liverpool Philharmoni c
Societ y
Lyell Cresswel l
Lontan o
Gordon Cross e
Alexander Baillie an d
Kathron Sturrock
Adrian Cruf
t
City of Bath Bach Choi r
Regional Opera Trust Limited
(Kent Opera )
Royal Military School of Musi c
Martin Dalby
Allan Schiller
Carl Davi s
Greenwich Festiva l
Patric Dickinso n
The King's Singer s
John Duarte
Alice Artzt
Amsterdams Gitaartri o
Gil Evans
Jazz Centre Society Limited
Corey Fiel d
Melissa Phelps
Rolf Gehlhaa r
Haroutune Bedelia n
Janet Graha m
Ondine Ensemble (2)
Pawlu Grec h
Ondine Ensembl e
Edward Gregso n
Boosey & Hawkes Band Festival s
Limite d
Equale Bras s
Barry Gu y
City of London Sinfoni a
Jonty Harriso n
Gemin i
Jonathan Harvey
Collegium Musicum of London
Anthony Hedge s
Kirklees Metropolitan Counci l
John Howard
Albany Brass Ensembl e
Vic Hoylan d
Vocem
Wilfred Joseph s
Lionel Tertis International Viol a
Competitio n
Locke Brass Consor t
John Joubert
Vivaldi Chamber Ensembl e
Oliver Knusse n
Nash Ensemble Production s
Nicola LeFan u
Gemin i
Girl Guides Associatio n
Malcolm Lipki n
John Turner (2)
Jonathan Lloyd
Jan Latham-Koeni g
John McCab e
Boosey & Hawkes Band Festival s
Limite d
Edward McGuire
Locrian String Quarte t
John Marlow Rhy s
Lionel Friend
David Matthews
Lorraine McAslan
Stephen Montagu e
Academy of Londo n
Elms Concerts Limited
Dominic Muldowney
Endymion Ensemble
Sinfonietta Productions Limite d
George Nicholson
Latham-Koenig Ensemble
Wessex Opera and Orpheu s
Ensembl e
Renee Rezne k
Alfred Niema n
Gilbert Biberia n
Vogelstein Foundation Trus t
Arne Nordhei m
Electric Phoeni x
Michael Nyma n
English Gamelan Orchestr a
Buxton Or r
Bureau Piano Tri o
Johanna Platt
Regional Opera Trust Limited
(Kent Opera)
Anthony Powers
Paul Roberts
Peter Racine Fricke r
Three Choirs Festival Associatio n
Limite d
Stephen Reev e
Rohan de Saram
Francis Rout h
Robin Cante r
Robert Saxto n
Fires of London Limited
Francis Sha w
Diana Ambache
Roger Smalley
Fires of London Limited
Naresh Soha l
London Gabrieli Brass Ensembl e
Tim Souste r
Nash Ensemble Production s
Roger Stepto e
Albany Brass Ensembl e
John Tavene r
Little Missenden Festiva l
Stan Trace y
Richmond Festiva l
Alejandro Vinao
Elms Concerts Limite d
David Ward
London Festival Orchestr a
Judith Wei r
William Howard
Nash Ensemble Production s
Mike Westbrook
Aldeburgh Festival-Snape Malting s
Foundation Limited
John White
Yvar Mikhashoff
Thomas Wilson
Richard Deering
Hugh Woo d
Parikian-Fleming-Roberts Trio
113
Table F
Bursarie s
Brian Abraham s
Kenneth Baldoc k
Alan Bel k
Max Brittai n
Christopher Brown
Arthur Butterwort h
Ian Car r
Geoffrey Castle
Peter Cusack
Raymon d'Invern o
Hugh Davie s
Michael Garric k
Brian Goddin g
Michael Hame s
Christopher Hodgkin s
Peter Hurt
Alexander Kolkowsk i
Peter Lemer
Peter McPhai l
Roger Mars h
Colin Matthew s
David Matthews
Marcio Matto s
Maggie Nicol s
Nigel Osborn e
Frank Perr y
Howard Riley
Paul Rogers
Daryl Runswick
Keith Tippett
David Too p
Andrew Vores
Phil Wachsman n
Raymond-Warleig h
Trevor Watt s
John Woolric h
Dance
Choreographers
Richard Alsto n
Maedee Dupre s
Barrington Anderso n
Ekome Dance Compan y
Stewart Arnold
Frank Maraschiello and Dancer s
Christopher Bannerma n
Midlands Dance Company Limite d
Micha Bergese
Manti s
Darshan Bhuller
London Youth Dance Theatre
Phoenix Dance Compan y
Laurie Booth
Mara Ya Pil i
Christopher Bruc e
Janet Smith and Dancers
114
Jonathan Burrow s
Spiral Contemporary Danc e
(Merseyside) Limite d
Tamara McLorg
Paul Dougla s
London Contemporary Danc e
Experienc e
Rex Doyl e
David Glass
George Dzikun u
Nome Dance Compan y
Donald Edward s
Phoenix Dance Compan y
Terence Etheridg e
Genee Theatre Projects Limite d
Beyhan Fowkes
Lynx Danc e
Anna Furs e
Tamara McLor g
Patience Gibb s
Ekome Dance Compan y
David Glass
English Dance Theatr e
Tamara McLor g
Philip Grosse r
Ilana Snyder
Matthew Hawkin s
Manti s
Celia Hulto n
London Contemporary Danc e
Experienc e
Desmond Jones
Intriplicate Mime Compan y
Jacky Lansle y
Giselle Enterprise s
Jayne Lee
London Contemporary Dance
Experienc e
Susan Littl e
English Dance Theatr e
Ingegerd Lonnrot h
English Dance Theatr e
Focus On Contemporary Dance
Grou p
Tamara McLorg
Tamara McLor g
Lynx Dance
Royston Maldoo m
Basic Space Dance Theatre Limite d
English Dance Theatre
Tamara McLorg
Charlotte Milner
London Contemporary Dance
Experienc e
Namron
London Contemporary Dance
Experienc e
Elliot Nguban e
Lanzel Co-operative
Robert Nort h
Janet Smith and Dancers
Sally Owe n
Tamara .ti1cLorg
Sally Potte r
fvlaedee Dupre s
Michael Quaintanc e
Thamesdown Contemporary Yout h
Danc e
Ian Spin k
The Networ k
Basil Wanzir a
Aklowa Associatio n
Lenny Westerdij k
Direct Dance Compan y
Composers
Neil Arthu r
Manti s
Charles Barbe r
Lynx Danc e
Alan Bel k
Midlands Dance Company Limited
Christopher Benstead
Crazy Balance Youth Danc e
Grou p
Janet Smith and Dancers
Gavin Bryar s
Dancewor k
Lindsay Coope r
Maedee Dupres
Judith Earl y
Sue Westo n
Michael Finnissy
Second Stride Dance Company
James Fulkerso n
Second Stride Dance Company
Gabriel Gabla h
Ekome Dance Company
David Heat h
Phoenix Dance Compn y
Alan Lis k
Cipher Dance Compan y
Direct Dance Company
London Contemporary Danc e
Experience (2 )
Stephen Luscomb e
Manti s
Barrington Pheloun g
London Youth Dance Theatre
Jane Well s
Ludus Dance in Educatio n
Peter Wes t
Nola Rae, London Mime Theatr e
Jeffrey Wilso n
Spiral Contemporary Dance
(Merseyside) Limite d
Designers
Nadine Bayli s
Midlands Dance Company Limite d
Table F
Jan Blak e
Manti s
David Buckland
Second Stride Dance Compan y
Sue Carpente r
London Contemporary Danc e
Experienc e
Carmel Collin s
Manti s
Candida Coo k
Janet Smith and Dancers
Lee Dean
Genee Theatre Projects Limited
Tom Donnella n
Dancework
Alison Jone s
Ludus Dance in Educatio n
Andrew Klunde r
Spiral Contemporary .Dance
(Merseyside) Limite d
Anna Lowther-Harri s
Ekome Dance Compan y
Alison McCa w
Trickster Theatre Compan y
Antony McDonal d
The Networ k
Second Stride Dance Compan y
Peter Mumfor d
Maedee Dupres
Second Stride Dance Compan y
Janet Newto n
Tamara McLor g
Christine Orvi s
Basic Space Dance Theatre Limite d
Heinz Dieter Pietsc h
Rosemary Butche r
Ginette Ruthven •
.
Theatre Whisper s
Andrew Store r
Midlands Dance Company Limite d
Isobel Warrende r
Intriplicate Mime Company (2 )
Tessa Schneidema n
Alpana Sengupta
Annie Staine r
Chitra Sundara m
Miranda Tufnel l
International Dance Course fo r
Choreographers and Composer s
(Dance Bursaries )
Alan Bel k
Jayne Lee
Paul Robinso n
Peter Roysto n
Garry Trinder
Tom Williams
James Forste r
Rob Gawthrop (3)
Peter Gida l
Ken Gil l
Vicky Gordon-Jones/Chris Andrew s
Richard Grayson
Nicky Hamlyn (2 )
Steve Hawley
Judith Higginbotto m
Derek Jarma n
Tina Kean e
Claire Keatin g
John Kippi n
Ron Lane (2 )
Richard Layzel l
Mike Leggett (2 )
Mark Limbrick
Deborah Lowensberg
Michael Mazier e
Lucy Pantel i
Jayne Parker (2)
Zoe Redma n
Alan Rento n
Joanna Savory/Andrew Scot t
Martin Sercombe (2)
Tony Sinde n
Susan Stein (2 )
Janusz Szczerek (2 )
Anna Thew
Kerry Trengove
Marion Urch (2)
Katie Web b
Penelope Web b
Chris Welsb y
Jeremy Welsh
Belinda William s
Fionna Wire
Liz Yeat s
Visual Arts
Literatur e
Dance Bursaries
Christopher Bannerma n
Christopher Benstea d
Laurie Boot h
Rosemary Butche r
William Dashwoo d
Harriet Devli n
Jane Dudle y
David Glas s
Dennis Greenwoo d
Matthew Hawkin s
Peta Lil y
John Mowa t
Pratap Pawa r
Edward Pillinge r
Claudia Prietze l
Tara Rajkumar
Film-makers and Video Artist s
John Adam s
Neil Armstrong (2 )
Lesli-An Barret t
Anne Bea n
Jane Beec h
John Bewley
Tom Castl e
Tim Cawkwel l
John Davies
Greg Daville
Malcolm Elli s
Catherine Elwes (2)
Steve Farrie r
lain Faulkner (2 )
Bob Fearn s
David Finch
Rose Finn-Kelcey
Writers and Translators
Fleur Adcoc k
Peter Bren t
A . S . Byat t
J. L . Carr
Aidan Higgins
Christopher Hop e
John Peter
Peter Redgrove
Carol Rumen s
Graham Swif t
Lorna Trac y
British Summer School of Mime Theatre
(Dance Bursaries)
Denise Armo n
Rachel Ashto n
Geoffrey Atwel l
Mandy Budge
Gabrielle Cowbur n
Andrew Dawso n
Zena Dilk e
Simon Elliot t
Ross Fole y
Adrian Hedle y
Nigel Jamieso n
Jonathan Ka y
Howard Lee
John Lee
Bim Maso n
Michael Mulkerri n
Sally Owe n
John Trampe r
Peter Wea r
Sue Westo n
115
Tahq, T
Scotland
MUSIC
S P~ Awards
Special
Bryan Anderson
John Bevan-Baker
David Durward
Stephen Ferguson
Peter Innes
Geoffrey King
John McLeod
Raymond Monelle
Wilma Paterson
William Sweeney
Commissions
JJohn Bevan-Bake r
William Conway"
Hamilton District Arts
Guild'
Francis Cowan
The Edinburgh Early Music
Consort '
Gordon Crosse
Royal Scottish Academy of
Music and Drama*
Martin Dalby
Dunbartonshire Win d
Ensemble'
Peter Maxwell Davies
Scottish Chamber
Orchestra Limited'
David Durward
Paragon Ensemble'
Charles Duncan
Scottish Opera Limited*
John Maxwell Geddes
Bryden Thomson*
University of Glasgow*
lain Hamilto n
Scottish Chamber
Orchestra Limited*
Kenneth Leighton
Edinburgh Symphony
Orchestra'
Martin Lennon
Wester Hailes Festival
Association '
John Lunn
Paul Hindmarsh*
William Sweeney*
Joe McGinley
Citizens' Theatre Limited*
John McLeod
Scottish Chamber
Orchestra Limited*
Peter Nelson
Richard Beauchamp*
Kenneth Platts
Elspeth Mack'
116
Bernard Shaw
The Scottish Youth Theatre
Limited'
Ronald Stevenson
Roger Quin'
Bramwell Tovey
Christopher Griffiths'
Philip Wilby
Cunninghame Choir'
Thomas Wilson
Bryden Thomson'
Annie Lacev
Margo McLaughli n
Alastair Macmilla n
Una MacNa b
Martin Miln e
Chrissie Or r
John Ramag e
Michael Robert s
Colin Scot t
Alenka Souku p
Douglas Stive n
Bursaries
Bryan Anderso n
Catriona Bell
Marilyn de Blieck
Ian Burnside
Elizabeth Charleson
Lyell Cresswell
Linda Emslie
Philip Greene
Eric Ibler
Pamela Marks
Gillian Matthews
Mary Mute
Jonathon Phillips
David Rowland
Dram a
Bursaries
Michael Alderdice
Bill Cleghorn
Ross Corbet t
Joyce Dean s
Jacinta Fahe y
Michael Hammon d
Angus Hirs t
Rosalind Little
Terry Neaso n
Cordelia Olive r
Fay Prendergas t
Leon Sinde n
David Smit h
Danc e
Commissions
Pierre Altof
f
Basic Space Dance Theatre
Limited'
Craig Givens
Basic Space Dance Theatre
Limited*
Shelley Lee
Basic Space Dance Theatre
Limited*
Pat MacKenzie
Basic Space Dance Theatre
Limited"
Tamara McLorg
Dance
Antics Danc eAntics Company'
Chris Orvi s
Basic Space Dance Theatre
Limited'
Peter Royston
The Scottish Ballet Limited'
Mime
Bursaries
William Armour
Clare Brennan
David Barclay
Joanna Chapman
Catriona Clayton
Jules Cranfield
Art
Bursaries and Award s
Samantha Ainsle y
Elise Alla n
Muriel Bank s
Robin Bank s
Neil Dallas Brow n
Fred Bush e
Alfons Bytautu s
Rosie Calde r
James Cram b
Peter Darac h
Philip Duthi e
Gareth Fishe r
Peter Flynn
Paul Grim e
Rob Hellya r
Allan Henderso n
Moira Inne s
Erika Kin g
Robert Leishma n
Kaye Lync h
Malcolm McCoi g
Dominic McIve r
Les Macka y
Sandra McNeilanc e
John McPhe e
Ronald Marti n
Eric Marwic k
Alec Mui r
Timothy Nea t
Table F
Glen Onwin
Frank Pottinger
June Redfern
Alistair Ross
Bill Scott
Anne Skinner
David Smith
Derek Soutar
Norma Starzakowna
Telfer Stokes
Douglas Thomson
Andrew Williams
George Wyllie
Commissions
Bob McGilvray
Cumbernauld
Development
Corporation*
Dundee District Council*
Glasgow District Council*
Royal Edinburgh Hospital*
Artists' Collective
(Timothy Chalk, Paul
Grime and David
Wilkinson)
Strathclyde Regional
Council*
University of Glasgow*
North of Scotland Hydro
Electric Board*
Morrison Construction
Group*
Literature
Bursaries
lain Bamforth
Moira Burgess
Donald Campbell
John Clifford
Ronald Frame
John Greening
John Herdma n
Archie Hind
Carl MacDougal l
Lorn Macintyre
Finlay MacLeod
Aonghas MacNeacail
Freny Obrich
Special Award
Valerie Bierman
Travel Grants
Alan Bold
Daniel Gree n
Alastair Hardie
Seamus MacNeill'
Walter Perrie
Trevor Royle
James Shaw Gran t
Alasdair Simpso n
Book Awards
Ron Butlin
Ian Cowan
Eileen Dunlop
Geoffrey Finlayson
Kathleen Jamie
Bernard MacLaverty
Tom McNab
Edwin Morgan
Eric Richards
Trevor Royle
lain Crichton Smith
William Watson
Administration
Training Bursaries
Fergus Muir
Annie Reddick
In these cases payment is made to
the organisation shown
Wales
Musi c
Awards for Advanced Stud y
Eleri Davie s
Janet Edwards
Huw Evans
Vaughan Howell s
Iwan Llewellyn-Jone s
Stephen Merrima n
Caryl Thoma s
Jane Watt s
Mari Williams
Helen Willi s
Commissions to Composers
Derek Bourgeoi s
Mervyn Burtch
Lyn Davie s
Martin Davies
David Harrie s
Alun Hoddinott
Arwel Hughe s
Richard Flfyn Jone s
Richard Roderick Jones
Cyril W Lloy d
William Mathia s
David Neven s
David Neville
Paul Patterso n
Trevor Roberts
Michael F Robinso n
Denzil Stephen s
St David's'Cathedral Bach
Festival *
Jean Langlai s
John Taylo r
Timothy Taylo r
Howard Wat t
Adrian Williams
Jeffrey Wilso n
David Wynne
Danc e
Award s
lain Ferguso n
Anna Holmes
Bronwen Judg e
Training Bursarie s
Dylan Davies
Geraldine Hurl
Drama
Playwriting Commission s
Action Pie *
Carl Tighe
11 7
Table F
Chvd County Council'
Sion Eirian
Jonathan Petherbridge
C mni Cyfri Tri'
y Christine Watkins
Gwent Theatre in Education'
Charles Way
Made in Wales'
[wart Alexander
Graham Allen
Nigel Baldwin
Richard Edwards
Sion Eirian
Alan Osbourne
Radio Cymru'
Alun Jones
William Jones
Gruffydd Parry
Dayfan Roberts and
Valmai Jones
Dafydd How Williams
Ifor Wyn Williams
Norman Williams
Royal National Eisteddfod'
William Lewis
Spectacle Theatre'
Frank Vickery
Theatr Bara Caws'
Myrddin Jones
Theatre Camel'
Jonathan Petherbridge
Theatr Crwban'
Emyr Morgan Evans
Theatr Powys"
Christopher Hawes
Charles Way
Theatre Wales'
Roger Stennett
Dorien Thomas
Torch Theatre"
Tom McGrath
West Glamorgan Theatre in
Education'
Tim Baker
Les Smith
Training Awards
Action Pie'
Artfarmers Limited'
Peter Brooks
Rosamund Shelley
Caricature Theatre"
Caron Drucker
Michael Chubb
Clwyd County Council'
Eirwen Hopkins
Phil Cope
Dick Downing
118
Terry Enright
Ron Hale
Hijinx Theatre'
Dick Berry
Gaynor Loughe r
Llio Silo Huws
Made in Wales'
Gilly Adams
Joan Mills
John North
Adrian Ord
Helen Roberts
Lesley Rooney
Frank Rozelaar-Green
Theatr Bara Caws'
Elinor Roberts
Theatr Cymru"
Ceri Sherlock
Theatr Powys
Jaimie Garven
Harriet Lansdown
Jonathan Morgan
Torch Theatre"
Christine Daymon
Lesley Jones
Wendy Wright
Art
Young Artists
Nicholas Berry
Sebastian Boyesen
Brigitte Doxsey
Jenny Fel l
John Howard Griffith s
Claire Grov e
Robert Harding
Anne Myfanwy John s
Martyn Jone s
David King
Susan Lovell
Philip Nicol
Ian Parker
Chris Partridge
James Rielly
Paul Storey
Rosemary Warnock
Martyn Wilkie
Emrys Williams
Special Project Grants
Paul Beauchamp
Susan Butler
Clyde Holmes
Ray Howard-Jones
Peter Jone s
John Roger s
Tony Steele- .Morga n
Rosemary Waite
Loans to Artists
Christopher Burnha m
Christopher Colclough
Joneal Coulse n
Erica Dabor n
Elizabeth Ann Edmundsen
Ramon Elliot t
Dale Edna Evan s
Christopher John Griffi n
Ben Jone s
Berwyn Jone s
Catrin Jone s
Royston Kneat h
Carolyn Littl e
George Littl e
Ian McCulloug h
Lydia Marou f
Malcolm Morri s
Philip Muirde n
John Nesbitt
Annie Nichola s
David Pett s
Alan David Price
Gwilym Prichar d
John Michael Redhea d
Peter Rensha w
John Roger s
Catherine Shearo n
Dave Smitha m
Tony Steele-Morga n
Frank Watkins
Wally Waygoo d
Terence John WetheriI t
Alex William s
Krystyna Zientwic z
Fil m
Film-making Grants
Frances Bowye r
David Cohe n
Roland Denning
Timothy Diggle s
Lutz Dill e
Mali Evan s
Timothy Exto n
Steve Goug h
Catrin Hughes
Angela Jackso n
Caroline Limme r
Les Mill s
Dick Powel l
Michael Stubb s
Tim Thornicroft
Table F
Award s
Frances Bowye r
Liz Forde r
Susan Hora n
Claire Polla k
Eileen Smit h
Mike Sweet
Susan Twizz y
John Emyr
Nigel Jenkins
R Tudur Jones
Alan Llwycl
Dafydd Rowlands
Carl Tighe .
Nigel Wells
Robin Williams
Literatur e
International Writers Prize
Margaret Atwood
Book Production Grants
Bedwyr Lewis Jone s
Eluned Ellis Jone s
Jac Jones
Margaret D Jone s
R Brinley Jone s
Maldwyn Thoma s
Prizes and Bursaries
Rachel Bromwich
Marian Eames
Alice Thomas Ellis
Craft
Awards to Craftsmen
Alan Barret-Danes
Ruth Barret-Danes
Jackie Care y
Maurice Care y
Adrian Child s
John Davies
Claude Frere-Smith
Derek Krelle
Trefor Owe n
Philip Rogers
Christian Savage '
Ceramic Research Awar d
Maggie Andrews
Zel Osborn e
Craftsmen in Residence
South East Wales Arts
Association '
Geraldine France s
West Glamorgan County
Council '
Mark Hun t
West Wales Arts Association '
Gudrun Jones .
'In these cases payment is mad e
to the organisation shown
11 9