LOOKBOOK

LOOKBOOK
EST. 1834
ZOE LEM
KIRSTIN PIGGOTT
ADAM SLEE
FASHION & CELEBRITY STYLIST
RIMMEL OFFICIAL MAKE-UP ARTIST
RIMMEL NAIL EXPERT
Zoe Lem has spent the last 15 years working
seen her now move into bridal design as Zoe
Kirstin started her career as a freelance make-up
Adam began his career in 1998 assisting
as a stylist, building a reputation across the
Lem – Vintage Shape Mistress.
artist in 2004 and has a broad range of celebrity
Marian Newman on fashion shoots and
world for her expertise in fashion, style and
“Brides used to come to me at my boutique
clients including Kate Moss, Victoria Beckham
catwalk shows. Adam has worked with
‘shape dressing’. Zoe’s passion for making
and tell me about their 1930’s, 40’s or 50’s’
and Claudia Schiffer. More recently Kirstin has
a number of celebrities including Cheryl
people look great has seen her work with
style weddings and ask advice on what to wear.
worked with Kate Hudson, Paloma Faith and Bella
Cole, Lilly Allen, Twiggy and most recently
celebrities including Mylene Klass and Robbie
Certain era silhouettes suit certain body shapes
Heathcote. She has worked on campaigns for
Rita Ora. He has worked on advertising
Williams, TV shows such as The Wright Stuff
and my collection has been designed using
Agent Provocateur, Mulberry and Tommy Hilfiger
campaigns for GHD, H&M, Tally Weijl &
and GMTV, brands as big as L’Oreal and
original patterns to create the perfect dresses
and has worked with photographers such as
Agent Provocateur, he has also worked with
Disney and magazines from Elle and Glamour
to suit your body shape according to era”.
Solve Sundsbo and Patrick Demarchelier.
a number of high profile photographers
to FHM and Q magazine. Pioneering the
As a stylist Zoe continues to work with
concept of dressing to suit your shape, Zoe
many great brands, magazines, channel and
There are some gorgeous autumn winter 2013
was controversially revealed by The Daily
celebrities as an expert in both body shape and
beauty trends, The Hitchcock style woman has
Mail in 2006 as the brains behind Trinny and
vintage as well as fashion trend and style.
been a big influence this season, we are seeing
including Rankin, Mariano Vivanco and Nick
Susannah’s ground breaking show ‘what not to
beautiful polished beauty with real femininity.
wear’. Throughout her years working with the
Many trends have developed on from spring
stars, Zoe has always maintained a hands-on
summer, especially the sixties trend we are
approach with private clients and customers,
seeing now with even more pronounced looks.
giving talks, demonstrations and style advice
The Matte lip is being replaced with gorgeous
regularly in store for brands such as M&S or at
petal and berry stains, and skin is flawless with
events like The Clothes Show Live.
a velvet finish instead of its youthful dewy glow.
Knight.
As previous owner of Vintage store to the stars
MySugarland, Zoe has extensive knowledge of
fashion through the ages and a vast archive of
items that she collects. It is this passion that has
p.2
Hairdresser : Andrew Barton Salons creative team lead by creative director Tracey Gallagher sponsored by Redken
Photographer : Eric Mercier for Shortcut
VICTORIAN
Glamour
For Victorian women it was all
about paleness, a fair complexion
showed your place in society.
Flawless porcelain skin with
delicately rouged cheeks and a rose
bud mouth was seen as the ultimate
in beauty.
Kirstin Piggott
From Brit Manicure. Clean and
Fresh as nail colour wasn’t around as
we know it today but ladies still took
care of their nails.
ADAM SLEE
p.4
Make up:
Nails:
Credits:
Stay Matte Foundation
Mono Blush In Pink Rose
ScandalEyes waterproof Eyeliner in Taupe
ScandalEyes waterproof Eyeliner in Nude
Accelerator in Black
1000 Kisses Lip Tint in Stay Very Berry
Eyebrow Pencil in Hazel
445 English Rose
Jacket, skirt, undergarments Angels
Boots Manolo Blanik
Over a 63 year era styles
changed over the years from the
full skirted crinoline style with paler
colours in the early Victorian to
the bustles and flat fronted skirts
of the mid Victorian period. By
the latter part of the Victorian era
shapes were much slimmer colours
were richer and more opulent but
it was always about the nipped
in waist. There was great detail,
lace trims, brocade and opulence
much of which had great influence
on designers such as Vivienne
Westwood, John Galliano amongst
others still to this day.
ZOE LEM
EST. 1834
Make up was largely suspended
during the war years, and typical
upper class women had thick
unplucked eyebrows, a lick of
vaseline and the usual pale skin.
Papier Poudre was still in demand
but the heavy white powders were
now seen as inappropriate and
the first tans were making their
appearance.
THE AGE OF
Suffrage
Kirstin Piggott
If you don’t have time for
anything else, then this enhances
the natural nail with just 1 coat.
ADAM SLEE
p.6
Make up:
Nails:
Credits:
Lasting Finish 25 Hour Foundation
Stay Blushed in Sunkissed Cherry
Black Lash Accelerator mascara
ScandalEyes waterproof Eyeliner in Taupe
ScandalEyes waterproof Eyeliner in Black
ScandalEyes waterproof Eyeliner in Brown
Eyebrow Pencil in Hazel
Colour Rush Lip Balm
445 English Rose
Jacket, skirt, undergarments Angels
Blouse Camden Passage
A movement of women
that fought for the right to vote
in the early twentieth century,
they played such a positive roll
for females at the time as did
the character Mary Poppins, a
dynamic and strong woman.
The clothing was made from woven
fabrics more often a two piece
with a blouse underneath as with
this outfit, feminine but practical for
the times, a softly nipped in waist.
Only a single petticoat meant less
weight though the fabric is quite
heavy and would be long lasting
and easy to darn.
ZOE LEM
EST. 1834
THE ROARING
Twenties
Girls were wearing heavy make up
due to the growing influence of film
stars and flappers such as Louise
Brooks, Clara Bow and Josephine
Baker. Heavy kohl rimmed smokey eyes
with dark cupid bow mouths were
seen as very exotic.
Kirstin Piggott
Soft and subtle colour with just a
hint of shimmer as an introduction to
the modern form of nail polish.
ADAM SLEE
p.8
Make up:
Nails:
Credits:
Match Perfection Foundation
HD Glam Eyes Eye Shadow in Black Cab
ScandalEyes Shadow Stick in Blackmail
ScandalEyes Waterproof Eyeliner in Black
Rockin Curves Mascara
Mono Blush In Pink Rose
Eyebrow Pencil in Hazel
Kate Moss Lipstick No4
286 Oyster Pink
1920’s original dress 1kind.com
Shoes LK Bennett
Feather boa Black Out Two
The 1920’s were a time where
women first abandoned the
more restricting fashions of past
years and began to wear more
comfortable clothes. Shapes were
straighter it was almost anti curve,
a response to the restrictions of
the corsets and the heavy fabrics.
Light weight beautiful soft, floaty
and decadent fabrics adorned
with beading, sequins and detailing
were key. The flapper silhouette
is much shorter than dresses had
been previously, 1920’s had great
influence on fashion throughout
time particularly in the 60’s and
again now with Gatsby revival.
ZOE LEM
EST. 1834
strong and brave of the
Towards the end of the decade
there was a large amount of
new products on the market and
emphasis changed to a younger
fresher look with much more
emphasis on the eyes. It was all
about the eyeliner, eyelashes, and
bold red lips.
Kirstin Piggott
A classic look from the time
which has now become a modern
classic and can be recreated in
many different forms of colours.
ADAM SLEE
p.10
Make up:
Nails:
Credits:
Match Perfection Foundation
Match Perfection Concealer
ScandalEyes Thick & Thin Liner
ScandalEyes Waterproof Gel Eyeliner
ScandalEyes Retro Glam Mascara Extreme
Black
Kate Moss Lipstick No111
Eyebrow Pencil in Hazel
030 Double Decker Red/
French Manicure White by
Rimmel
Shirt Rokit
Trousers Collectif
Shoes Rokit
What rockabilly was to
the traditional sensibilities of
mainstream music of the late 40s to
early 50s, rockabilly fashion was to
the buttoned up, conservative look
of the post war era.
The early influences on Amy
Winehouse’s evolving look were a
mixture of rockabilly and sexy land
girl. The high waisted trousers were
indicative of the era giving a curvy
silhouette but still and a nod to the
sensible with the shirts and wide leg
trousers. Scarves were worn in the
hair to keep the victory rolls pinned
closely to the head and became a
signature in Amy’s later looks.
ZOE LEM
EST. 1834
40s
THE NEO
Pin-up
Full make up on all occasions
was promoted, the emphasis was
now firmly on the eyes, with eyeliner
that was inspired by the Egyptian
shape. Feline flicks with heavier
defined brows worn with a beautiful
coloured mouth.
Kirstin Piggott
My ultimate Red nail polish
and always the best colour which
has become synonymous with
this era.
ADAM SLEE
p.12
Make up:
Nails:
Credits:
Wake Me Up Foundation
Wake Me Up Concealer
HD Glam Eyes Eye Shadow Brixton Brown
Scandal Eyes Waterproof Gel Eyeliner in Black
Lash Accelerator Endless Mascara in Black Eyebrow Pencil in Hazel
Mono Blush in Bronze
Moisture Renew Lipstick in Diva Red
703 Rock N Roll
Dress Black Out Two
Shoes Etro
Gloves Rokit
Flowers Vivienne of Holloway
Pin-Ups have always been
popular: men relish them, women
yearn to be them. Who wouldn’t?
The 50’s waist moved a little
lower but the shapes were still all
about high lighting those curves
balancing out the shoulders and
the hips. Whether a sexy pencil
skirt or a full circle the 50’s pin-up
looks have continued to influence
both the way that we dress and the
way that designers create. It was
all about celebrating a woman’s
femininity through clothing, shape
and fabric.
ZOE LEM
EST. 1834
perfect
50s
During the War make up was
reinstated by the government to
boost women’s morale, the face was
simply made up with finely pencilled
in arched brows, powdered skin and
huge red cupids bow lips.
Kirstin Piggott
Another great version which
became a little bit darker as women
well and truly made there mark
forever on “a red” nail.
ADAM SLEE
p.14
Make up:
Nails:
Credits:
Lasting Finish 25 hour Foundation
Mono Blush In Bronze
HD Glam Eyes Eye Shadow in Foggy Grey
ScandalEyes Waterproof Eyeliner in Black
Lash Accelerator Endless Mascara in Black
Kate Lipstick No12
Eyebrow Pencil in Hazel
391 Celebrity Bash
Jacket and skirt Christian Dior
Shoes LK Bennett
Bag Black Out Two
Alfred Hitchcock was a
legendary director and almost
as famous for the beautiful strong
leading ladies in his films, obsessed
with nurturing his own image of
female beauty and sexuality
on-screen, favouring mysterious
and elegant personalities such
as Grace Kelly. The ladies were
always demure, well presented and
strong in their own bodies and style
whether an understated two piece
or a sophisticated 50’s high waisted
dress they were always stylish. While
Hitchcock dismissed the whims of
fashion, he understood the power
of clothes.
ZOE LEM
EST. 1834
THE SWINGING
London
This was all about the wide
eyed dolly look. Huge wide painted
monochrome eyes, well defined
socket lines, spidery false lashes and
drawn on bottom lashes, worn with a
pale pink or peach lip.
Kirstin Piggott
One of the most distinctive
nail looks from any era. Black
and White monochrome effect is
instantly recognisable as London’s
Swinging 60’s.
ADAM SLEE
Make up:
Match Perfection Foundation
Match Perfection Concealer
ScandalEyes Thick & Thin Liner
ScandalEyes Micro Precision Liner
ScandalEyes Waterproof Eyeliner in Black
ScandalEyes waterproof Eyeliner in Nude
ScandalEyes Retro Glam Mascara Extreme Black
ScandalEyes Shadow Paint in Slate Grey
p.16 Kate Moss Lipstick No113
Nails:
Credits:
French Manicure
White
800 Black Out Rimmel
60 Secs
Dress Sumarie
Boots Channel at 1kind.co.uk
What began as art students
using both clothing and music as
a form of expression became a
passport for the upwardly mobile.
By the mid-sixties Mod became an
expression for anything fresh and
unconventional. Dresses became
shorter, patterns more geometric
and fabrics that were used
became the more synthetic and
the more futuristic the better.
Music and art had great influence
over the colours, shapes and
patterns used and with an eye to
futuristic Britain, the youth were way
ahead of themselves and dreamt
of how the world might be.
ZOE LEM
EST. 1834
Psychedelic
Carnaby
Make up was becoming more
adventurous and experimental, there
was a lot more unusual colour, glitter,
sequins and lashes which were all
worn together, make up was painted
all over the face and would often
continue onto the body.
Kirstin Piggott
All these colours combined
with the marbling effect on the
nail fit in well with all the amazing
prints around in this decade.
ADAM SLEE
p.18
Make up:
Nails:
Credits:
Stay Matte Foundation
ScandalEyes Waterproof Pencil In Golden
ScandalEyes Waterproof Pencil In Purple
ScandalEyes Waterproof Pencil In Light Blue
ScandalEyes Waterproof Pencil In Black
ScandalEyes Shadow Stick In Tempting Turquoise
ScandalEyes Shadow Stick In Gossip Green
Lash Accelerator Mascara in Black
Mono Blush In Pink Rose
Moisture Renew Lipstick in Nude Delight
702 Simply Sizzling
713 Britpop
447 Barmy Blue
Dress Pucci at 1kind.co.uk
Shoes vintage Nicolas Kirkwood
Bag Pucci
Glasses Chanel
The psychedelic styles of the
60’s and 70’s came out of an era
of expression, experimentation and
a distorted vision on both colour
and pattern. The trippy colours and
kaleidoscopic patterns that were
used on quite often flowing fabrics
and gentle shapes that became
a signature of a time where
anything went conformity became
secondary and experience and
feeling more important. Lots of
great designs and styles were
borne out of this era of few
restrictions.
ZOE LEM
EST. 1834
make up
Revolution
There were some outrageously
colourful make up trends during
this time as face painting was
popularised by David Bowie, Kiss,
and Glam Rockers.
Kirstin Piggott
Ziggy Stardust became the
classic image of the time and still
now so the natural step was to
apply the Ziggy flash to the nails.
ADAM SLEE
Make up:
Nails:
Credits:
BB Cream
ScandalEyes Waterproof Pencil In Silver
ScandalEyes Waterproof Pencil In Golden
ScandalEyes Waterproof Pencil In Turquoise
ScandalEyes Waterproof Pencil In Silver
21 Summer Orange
Jacket Rellik
Trousers Aries
Boots Rellik
317 Hip Hop
239 Your Majesty
Sexually ambiguous, but
desirable to both men and
women, David Bowie’s Ziggy
Stardust persona - in all its colourful
sparkling glory - is still one of the
most iconic images of popular
culture and has been replicated
endlessly, a look that is a form of
expression and a way of creating
a character in which one can hide
behind. The structured shoulders,
fitted trousers and abstract pattern
were amongst the key elements
as well as a strong confident walk,
a thick heel and a good dose of
individuality.
ZOE LEM
p.20
EST. 1834
flower
Power
The Bohemian Hippie girl was
much more effortlessly cool, fresh
faced and youthful with healthy
sun kissed, a wash of colour around
the eyes, freckled skin and a lightly
coloured mouth.
Kirstin Piggott
A touch of softness with this
colour as a sign of the more laid
back “hippy 70’s”.
ADAM SLEE
p.22
Make up:
Nails:
Credits:
BB Cream
Glam Eyes Mono in Spicy Bronze
ScandalEyes Waterproof Eyeliner in Brown
ScandalEyes Waterproof Eyeliner in Black
ScandalEyes Lycra Flex Mascara
Hide The Blemish Concealer in Golden Beige
Colour Rush Balm in Drive Me Nude
705 Reggae Splash
Dress and waist coat1kind.co.uk
Bag Timmy Woods
Bohemian is the term used for
one that is unconventional, usually
artistic, nomadic and spirited. In
fashion it represents a time when
people were experimenting, at one
with nature and free thinking. The
clothes were floaty, unstructured
and relaxed, prints were floral, prints
of nature and gentle patterns,
colours were light, organic, soft and
natural with not a glint of primary in
contrast to earlier years. Bellowing
sleeves and ruched necklines
were a distinctive feature as were
gathered empire lines and floor
length dresses and detailing such
as smocking and Broderie Anglaise.
ZOE LEM
EST. 1834
DISCO BALL
Fashion
During the disco craze makeup
was intricate with lots of detail,
it was all about the iridescent colours
and their effect, with iridescent
highlighters to glow in the dark.
Kirstin Piggott
To add to the party feel these
nails work well with some gold
glitter.
ADAM SLEE
Make up:
Wake Me Up Foundation
Glam Eyes HD Eye Shadow in Pinkadilly Circus
Glam Eyes Mono Eye Shadow in Urban Green
Glam Eyes Mono Eye Shadow in Gold Rush
ScandalEyes Waterproof Eyeliner in Black
ScandalEyes Show Off Mascara in Black
Mono Blush in Bronze
Eyebrow Pencil in Hazel
p.24 Moisture Renew Lipstick in Glam Plum Fulham
Nails:
Credits:
703 Rock n Roll
003 Aurora
Bikini Pam Hogg
Fringed jacket Tim Ryan
Shoes Black label
Disco fashion evolved from
both the musical and social trend of
nightclubs and dancing.
The popularity of club culture and
disco dancing creating a style of
youth that dressed up to get down.
Sophisticated yet glamorous, never
understated, shine, sparkle, detail
and style, the fashion on the disco
scene was never more colourful and
full of life. Sexy one pieces, strapless,
one shoulder, long sleeve, maxi,
short and everything in between as
long as it was glamorous and you
could move in it.
ZOE LEM
EST. 1834
punk
The Sex Pistols, Vivienne
Westwood and Malcolm McLaren
originally initiated the punk
movement, attacking social
conformity. Eyeliner and colour was
typically applied thickly and boldly.
The general rule was the bolder and
extravagant you go the more punk
you were.
Attitude
Kirstin Piggott
Simply Black nails always give
a really strong message especially
at this point in history when the
whole “grunge” feel meant even
chipped and messy the colour
became acceptable to ware
anyway you felt!
ADAM SLEE
p.26
Make up:
Nails:
Credits:
Stay Matte Foundation
ScandalEyes Shadow Stick in Blackmail
ScandalEyes Waterproof Eyeliner in Black
Glam Eyes Eye shadow in Golden Eye
Rockin Curves Mascara
Mono Blush in Live Pink
Moisture Renew Lipstick in As You Want
Victoria
800 Blackout
Trousers and t-shirt 1kind.co.uk
Jacket Rellik
Boots Dr Martin
Chain choker Vivienne Westwood
Ring and earrings Maria Black
The nature of punk is that you
can’t define it. This is a free‑for‑all
of fashion that includes both
outrageous style inventions and
simple old jeans and t-shirts.
Ripped clothing, hefty combat
boots and dyed Mohawks are a few
hallmarks of the very Do‑It‑Yourself
punk style. While the punk ethos was
all about anarchy and rebellion,
when it came to fashion even the
establishment had a small hand in
the aesthetic particularly designers
such as Vivienne Westwood and
husband Malcolm McLaren.
Punk continues to influence fashion
both on the catwalk and on the
high street today.
ZOE LEM
EST. 1834
power
Couture
Make up became less girlie and
more matt, with strong use of colour
and eyeliner. Brooke Shields inspired
eyebrows, and often power red or
shocking pink lipstick was worn.
Kirstin Piggott
Subtle but strong and ready to
go with any colour. With a hint of
shimmer this is a Daytime/Nighttime
combination.
ADAM SLEE
Make up:
Nails:
Credits:
Stay Matte Foundation
Glam Eyes HD Eye Shadow in True Union Jack
ScanalEyes Waterproof Eyeliner in Black
ScanalEyes Waterproof Eyeliner in Bright Blue
Mono Blush in Live Pink
Apocalips in Apocaliptic
378 Posh Trash
Skirt suit Versace
Shoes and bag Chanel, 1kind.co.uk
Fashion in the 1980s was
characterized by the return of the
bustle. The long, lean line of the
1970s was replaced by a full, curvy
silhouette with gradually widening
shoulders. Fashionable waists were
low and tiny below a full, low bust
supported by a corset. The power
suit epitomised the strong working
women of the 80’s, strong shoulders,
nipped in waists, bright colours,
bold brassy fastenings and details
with designers such as Versace,
Thierry Mugler creating statement
silhouettes to that would define the
time.
ZOE LEM
p.28
EST. 1834
80s
The Goth genre developed
on from the punk scene in Britain
and constituted a less aggressive
rejection of mainstream culture.
Bold black eyeliner, pale
foundation and blood red lips
outlined with a black lip liner were
their signature look.
Goth
Kirstin Piggott
A really strong powerful look and
not for the faint hearted with the
combination of red and black with a
more pointed nail shape.
ADAM SLEE
Make up:
Nails:
Credits:
Match Perfection Foundation
ScandalEyes Waterproof Eyeliner in Black
HD Glam Eyes Eye Shadow in Black Cab
Rockin Curves Mascara
Kate Moss Lipstick in 107
391 Celebrity Bash
800 Blackout
Dress 1kind.co.uk
Boots Alexander McQueen
The Gothic scene was again
a trend that derived from and
music culture, an off-shoot of the
post punk genre. The trend took
influence from the 19th century
Gothic literature and horror
movies. Dressed mainly in black
with little hints of red and purple
the look was as much about
texture and fabric as the overall
silhouette, lace, velvets, net and
leather feature heavily in the
composition of a gothic outfit.
There are Victorian and Edwardian
influences in the overall style and
layering of the gothic look, a
true form of expression that has
inspired designers over the years
the marriage of morbid and the
romantic.
ZOE LEM
p.30
EST. 1834
pop
Grunge
Strongly influenced by grunge
music, the skin is pale and matte
with a greasy neutral brown eye and
smudged black eyeliner, finished off
with a neutral brown matte lip.
Kirstin Piggott
A clean nail bed which can be
altered slightly with a layer of matte
topcoat.Clean nails with a twist!
ADAM SLEE
Make up:
Nails:
Credits:
Stay Matte Foundation
HD Glam Eyes Eye Shadow in Foggy Grey
ScandalEyes Waterproof Eyeliner in Black
ScandalEyes Waterproof Eyeliner in Brown
ScandalEyes Mascara
Kate Moss Lipstick No3
Rimmel Matte Topcoat
Top Aries
Skirt Ada Zaniton
Shoes 1kind.co.uk
Leather jacket Levi’s
Grunge was a subculture that
grew out of rock music, rebellious
unstructured and relaxed often
messy, it became mainstream in
the early 1990s and has maintained
a presence in fashion ever since
mixed with other genres of music
and fashion influences. In the 90’s
the pop genre also exploded with
a wave of female singers and
bands that adapted the grunge
style as a part of their image,
leather, denim, ripped tights,
sloppy beany hats, rock jewellery
combined with big boots/shoes
to give a slightly cleaner more
glamorous grunge style.
ZOE LEM
p.32
EST. 1834
East London
Hype
An eclectic mix of styles and
looks, with many strong references
from the past decades.
Kirstin Piggott
Anything goes for this look/era.
Long or short but probably better if
longer. More is more!
ADAM SLEE
Make up:
Nails:
Credits:
Match Perfection Foundation
HD Glam Eyes Eye Shadow in Foggy Grey
ScandalEyes Waterproof Eyeliner in Black
Retro Glam Mascara in Extreme Black
Apocalips in Stella
Stay Blushed in Pop of pink
404-Ballet Pump Perfection
Shirt Peter Jenson
Shorts and trainers Nike Air Jordan
Bag American Apparel
Sunglasses Le Specs.
The East London hip silhouette
is a look that unlike some of the
trends came exclusively from the
street and has worked its way
through the chain to influence both
catwalks and mainstream trends.
The East London style has evolved
over the years but the rebirth of
the area has given the people that
both live there and hang out a real
feeling of individuality, though with
any tribe culture by its very nature
means that everyone follows a
similar influence whether music,
retro scenes, films etc.
An area inhabited in the early days
almost exclusively by artists, the
style has always been colourful,
experimental and quirky.
ZOE LEM
p.34
EST. 1834
high street
Posh
This elegant and chic style is
simple and very wearable. Skin is
fresh and flawless with soft smoky
eyes, lightly contoured cheeks and a
gorgeous nude lip.
Kirstin Piggott
A modern Classic. Always looks
good in any situation night and day.
ADAM SLEE
Make up:
Nails:
Credits:
Wake Me Up Foundation
Glam Eyes Eye Shadow in Golden Eye
ScandalEyes Waterproof Eyeliner in Black
Lash Accelerator Mascara in Extreme Black
Mono Blush in Bronze
Moisture Renew Lipstick in Notting Hill Nude
237 Soul Sessions
Dress Herve Ledger
Shoes Hobbs
Bag Aigner
So many trends over the years
were so much about layering,
texture, colour, and detailing.
With one eye on the future when
we entered in to the Noughties,
people began to look to the
futuristic minimalism and back
to basics taking away the fuss
and over styled images of the
past. The simple and the clean
cut became very appealing and
designers such as Roland Mouret
mid Noughties and latterly Victoria
Beckham striped things back and
kept things simple, no over styling
or accessorising but clean lines,
well cut garments and plenty of
attitude, a strong and empowering
yet simple style.
ZOE LEM
p.36
EST. 1834
EST. 1834
#rimmel180
www.rimmellondon.com