what.org

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what.org
Julie Harris Stage
ADDRESS
CITY
STATE
ZIP
PHONE
EMAIL
VISA
MASTERCARD
AMEX
CHECK ENCLOSED
Please make checks payable to Wellfleet Harbor Actors Theater.
NAME ON CARD
IN PERSON
BY PHONE
TOLL FREE
ONLINE
BY FAX
BY EMAIL
BY MAIL
WHAT Box Office (Julie Harris Stage)
508.349.WHAT (9428)
866.282.WHAT (9428)
www.what.org
508.349.9082
[email protected]
WHAT, Box 797, Wellfleet, MA 02667
BOX OFFICE
Tickets for all venues may be purchased at WHAT
Box Office, Julie Harris Stage.
CARD #
EXPIRATION
JULIE HARRIS STAGE
1-8 pm show days
1-5 pm Non-show days
2357 Route 6
SECURITY CODE
SIGNATURE
Calculate Total
JULIE HARRIS STAGE TOTAL $
WHAT FOR KIDS TOTAL $
FLEX PASS TOTAL $
DONATION $
GRAND TOTAL $
MAIL THIS COMPLETED FORM TO
WHAT, P.O. Box 797, Wellfleet, MA 02667
Phone 508.349.WHAT (9428) or 866.282.WHAT (9428)
Fax 508.349.9082
Online www.what.org
Thank you for your order!
PRICE
$
The Consequences (a musical)
DATE
QUANTITY
x $35
PRICE
$
Saving Kitty
DATE
QUANTITY
x $35
PRICE
$
Hysteria
DATE
QUANTITY
x $35
PRICE
$
Oblomov
DATE
QUANTITY
x $35
PRICE
$
JULIE HARRIS STAGE TOTAL $
(next to post office)
Wellfleet, MA
Total from individual tickets, flex passes and special events.
References to Salvador Dali Make Me Hot
DATE
QUANTITY
x $35
ORDER
TICKETS
NO ONLINE FEES!
Julie Harris Stage.......................................................... $35
Students under 18 or with ID........................................ $15
WHAT for KIDS............................................................... $10
SEASON
SPONSORS
Flex passes, group discounts, and other ticket
details are available by calling the WHAT box office at
508-349-WHAT, or visiting www.what.org
Not a bad seat in the house!
WHAT for Kids
July 9-Aug 30
Mon-Thur, 7:30 p.m.
Sleeping
Beauty
(La Belle Au
Bois Dormant)
2012 Summer Theater Season Subscription
Continually
adventurous.
Kaitlin Varkados (Ocelot Ugg in Puss In
Boots, W4K 2009) greets an enthusiastic
young fan after one of the shows.
written and directed by Stephen Russell
The familiar story of a princess, a handsome rescuer, a
flurry of fairies (including one very evil one) and an extremely long nap, told with WHAT for Kids’ signature
blend of comedy, action, music and irreverence.
WHAT for Kids
Sleeping Beauty (La Belle Au Bois Dormant)
DATE
QUANTITY PRICE
x $10
$
$
WHAT FOR KIDS TOTAL
Flex Passes
Flexibility to see what you want, when you want to. Buy 6, 8 or 10 tickets you
can use all season. QUANTITY
PRICE
6 Ticket Flex Pass $25/ticket x $150
Save $60
$
8 Ticket Flex Pass $25/ticket x $200 Save $80
$
10 Ticket Flex Pass $25/ticket x $250 Save $100
$
FLEX PASS TOTAL $
what.org
NAME
Enter show dates, number of tickets and seating section.
WELLFLEET HARBOR ACTORS THEATER
PO Box 797
Wellfleet, MA 02667
Individual Tickets
NON-PROFIT
US POSTAGE
PAID
PERMIT 21
02571
CCP&DF
Payment Information
508.349.WHAT
2012 Summer Theater Season
May 26-June 9
References to
Salvador Dali Make Me Hot
June 16-July 7
World Premiere
The Consequences (a musical)
July 14-July 28
World Premiere
Saving Kitty
Aug 4-Aug 25
Hysteria
Sept 1-Sept 22
what.org
508-349-WHAT
2357 Route 6, Wellfleet, MA
American Premiere
Oblomov
July 9-Aug 30
WHAT for Kids
Sleeping Beauty
(La Belle Au Bois Dormant)
Julie Harris Stage 2012 Season
Previews, July 12 & 13
Opens July 14, Closes July 28
Previews Aug 30 & 31
Opens Sept 1, Closes Sept 22
2357 Route 6, Wellfleet (next to Post Office)
8 pm curtain. 220 seats. Reserved seating.
Saving Kitty
Oblomov
Previews May 24 & 25
Opens May 26, Closes June 9
References to Salvador Dali
Make Me Hot
what.org
Previews June 14 & 15
Opens June 16, Closes July 7
World Premiere
The Consequences (a musical)
by Jose Rivera
directed by Dan Lombardo
by Nathan Leigh and Kyle Jarrow
directed by Kel Haney
Rivera’s magical
masterpiece finds
Gabriela talking
to the moon –
played by a man
in a Panama hat
playing a violin on
her refrigerator.
When her husband
Benito returns
from war, the limits
of love are tested,
the desert comes
alive like a surreal Dali painting,
and Gabriela’s
housecat dances
with a wily coyote.
In this comic drama, the moon hovers over all, offering
haunting music and dreamlike wisdom. Appearing with
WHAT’s seasoned actors will be the young, talented
actors of Boston’s TC Squared Theater.
A bittersweet rock and roll love story about roads
not taken and dreams not followed. A winking
deconstruction of the romantic comedy genre, it
explores
themes of
fate, choice,
and the
difficulty
of knowing
one’s own
heart.
Developed
at WHAT Lab
by WHAT’s
own Nathan
Leigh and
Obie Awardwinning
playwright
Kyle Jarrow.
American Premiere
World Premiere
by WHAT founder
Kevin Rice
directed by Daisy Walker
by Marisa Smith
directed by Rand Forester
Kitty, an
up-andcoming TV
journalist,
brings her
evangelical
Christian
boyfriend
home to
her Upper
Eastside
parents
with
volcanic
results.
This new
family
comedy is
like a
Hepburn
and
Tracy film
catapulted into the 21st century. Religion, politics, and
love come to dinner. Kate tries to save Kitty. And Kitty
battles Kate, who is distractedly searching for a burka
that flatters her youthful figure.
Previews Aug 2 & 3
Opens Aug 4, Closes Aug 25
Hysteria
by Terry Johnson
directed by Todd Olson
co-production with American Stage Theater
Jessica, one of Freud’s earliest “cases,” returns to
haunt the psychoanalyst but finds Salvador Dali hiding
in the cupboard. A “wild, weird and funny, serious,
compassionate and shocking, blasphemous and
reverential, intellectual and frivolous, a factual fantasy,
a demented farce...” (Sunday Times).
Oblomov, slave to slumber and sultan of sloth, looms
as one of the greatest satirical – and definitely the most
horizontal –
heroes ever
penned, a
man who
doesn’t get
out of bed
before late
afternoon, if
at all. In this
adaptation,
the prince of
procrastination comes
brilliantly
alive or, at
least, awake
for an hour
and a half
as he and
his servant,
Zakhar (think Don Quixote and Sancho Panza) are
pitted against the world. A Mystery Woman fills out
this rollicking and often comic epic that takes the
audience on a wild ride, something of a timeless
commute between the neon lights of today’s
Moscow and Oblomov’s imagined field of ripe but
unharvested dreams.