30 th November - International Film Festival of India

PAGE 01_Layout 1 11/29/2011 10:41 PM Page 1
23rd Nov - 3rd Dec 2011
Digital is the future of film
industry: Vikram Gokhale
D
irector / Producer of
the film ‘Bharat
Mazza Desh Aahe’
(India is my Country), Sumitra
Bhave said that this film was
shot on digital format and she
was happy that the digital format has been accepted by the
film industry. “It was a unique
experience to make the film”,
said Sumitra Bhave, addressing the press conference yesterday. This film was shot in
Pune in 13/14 days and completed in 2 months. No money
was charged by any artist, no
lighting and costumes were
used in this film and the total
expenditure in making this
film was a few lakhs only.
Bharat Mazza Desh Aahe
depicts the story of a middleclass family dealing with the
value problems within the
family and simultaneously experiencing the everyday possibility of corruption in their
social life. Going through the
experience of Andolan, their
introspection helps them to
discover a positive, non-corrupt and morally strong value
based way of life.
Sunil Sukhtankar another
co-director / producer of the
film said “It is not a issue based
film. Watching Anna Hazare’s
Andolan on television for two
months before, gave lot of energy to the masses. The film is
about our introspection regarding corruption. We find so
many faces of corruption in our
daily life”. Amol Gole, the
young cinematographer of the
film said it was a wonderful experience to work in this film
using Cannon 5D camera.
Vikram Gokhale said it was
a great experience for him to
work in the film free of charge.
“I did even fast for 12 hours in
Mumbai in support of Anna
Hazare’s Andolan. It affected
my personal life so much that
I started accepting money by
cheques only and paid proper
tax. I am glad that the digital
technology has been accepted
by the film industry and the
State Govt. of Maharashtra. I
put 20% of my earnings for the
charity for any good cause.
Though I find that there are lot
of clicking of the cameras and
requests for autographs in this
festival with the result that interaction between the filmmakers is reduced, unlike in
the previous festival, I’d say
that it is a very good festival”
-- Satindar Mohan
DAY 8 | 30th Nov, 2011
CiNEMA iS CULTURAL WEAPON TO BRiNG
PEACE: POLiSH AMBASSADOR
T
he International Film Festival of India gives an opportunity
not
only
to
filmmakers, but even to authors to
showcase their works. And as in
previous authors, books on cinema
have been released this time as well.
His Excellency the Ambassador of
Poland, Dr Piotr Klodkowski, said
cinema was a powerful medium
that could be used for peaceful purposes by spreading the message of
oneness of man. People in his country had keen interest in the history
of Indian cinema, Dr Klodkowski
said while receiving a copy of the
book ‘Pioneers of Indian Cinema’
by N Gopakakrishna, released by
this correspondent, at The Open
Forum yesterday.
Cinema is the ‘saanskritik
hathiyaar’ (cultural weapon) that
the world needs today to bind it together since cinema has a universal
language and knows no boundaries,
His Excellency the Ambassador of
Poland, Dr Piotr Klodkowski, said.
He said that people in both India
and Poland understood the importance of good cinema, and said
films like ‘Kabhi Khusi Kabhi
Ghum’ were as successful in his
country as they were in India, because ‘mohabbat is mohabbat’.
Dr Klodkowski announced that
a memorandum of understanding
for greater cooperation between
India and Poland in the audio-visual
field had been finalized and was expected to be signed early next year.
The Ambassador of Poland, Prof. Piotr Klodkowski addressing at Open
Forum
He said that details about providing
incentives to filmmakers from India
coming to Poland or vice versa
would be worked out after this
agreement is finalized.
The Ambassador, who can speak
fluent Hindi and is attending the
Festival for the third time, was
speaking at the Open Forum on
‘Polish cinema: Nationally and internationally’. He admitted that
Hollywood held sway in Poland but
felt Polish cinema was coming up
in a big way as what mattered was
quality and not quantity.
Leszek Dawid, whose film ‘My
name is Ki’ is being screened here,
said Poland had managed to produce around 40 films every year despite the Hollywood films and the
current state of Polish cinema was
good. He said the real problem lay
in distribution and marketing but
this was also being overcome as
viewers recognized quality.
Filmmaker Wieslaw Sanikewski
who has directed ‘The Winner’ said
in reply to a question that filmmakers who had left during the Soviet
regime found it very difficult to
come back to Poland as they had already made a mark for themselves
in the countries of their adoption.
However, most of them still preferred to make films in Poland and
called themselves Polish directors.
Commercial constrains imposed a
different kind of censorship in
today’s Poland, he said.
-- B B Nagpal
First timers laud iFFi as “Warm & Wonderful” Cinema is an ‘Artistic Tool’ For Strengthening
Michael Bennet, Simon Kaijser Da Silva and Miclho Menchevski
W
hat is the role of film
in a world suffering
from illiteracy and a
steep decline in bookreading?"This is a social issue
that needs to be addressed in a
wider context. The best filmmakers can do is to make good
films. It is important to talk
about truth and beauty in our
films, rather than putting bums
on cinema seats" asserted Milcho Manchevski, award winning NYC based film-maker
from Macedonia which has 16
cinemas and produces two
films a year. The director,
screenwriter and producer of
the docu-drama Mothers, was
responding to a question from
this correspondent at the Media
Centre. He described his unsettling docu-drama as “a medita-
tion on the nature of truth".
New Zealander Michael
Bennett acknowledged the
"many joys which come from
reading, but there are difficulties in getting the young to read
literature." Bennett has directed
and co-written his debut feature
"Matariki" which intertwines
the stories of nine lives affected
by a random act of violence.
Speaking about NZ's film industry, Bennett said it was distinguished
by
"either
blockbusters (e.g LOTR,
TinTin, Avatar) or low-budget
films. There's nothing in-between."
Filmmaking is about creating a unique world but films and
books can be mutually beneficial, said Simon Kaijser da
Silva, director of Stockholm
East. "Many films have been
made from bestsellers. I'd like
more films based on original
screenplays" says Swede whose
debut film revolves around
tragedy, rebirth and a love which
is built on a foundation of lies.
“In film, love is usually the
hero’s reward but I wanted to
make love the core conflict of
the story because love is a healing force but it can also be potentially destructive.”
Though the three have
shown their films at numerous
festivals including the Berlinale
(Manchevski) Toronto (Bennett) and Venice (daSilva) but
are first-timers at the 42nd IFFI.
Manchevski said,"IFFI has
been an incredibly positive experience for me, but then I'm biased because I love India (which
accounts for 1/3rd of his new
book of photographs) Bennett
described the festival as "very
warm and welcoming with a
wonderful selection of films".
DaSilva said IFFI is "very
friendly with a different, definite
charm of its own. And the Indian
ambience! Unlike Sweden
where there are no people at all
on the streets in the winter, there
is so much going on here!"
-- Ronita Torcato
Ties Between Two Countries
-Prof Piotr Klodkowski, Polish Ambassador
Prof. Piotr Klodkowski , Leszek Dawid, Grazyna Molska and Wieslaw Saniewski
I
ndian movies such as Fanaa and
Azaan were shot in Poland. Indian
producers and directors have shown
great interest in making films in Poland.
This year in the month of April, Amitabh
Bachchan was in Poland for screening of
his film ‘Paa’. He also recited ‘Madhushala’, said His Excellency Polish Ambassador, addressing the media yesterday.
Amitabh Bachchan was surprised to see
the Polish students learning Indian languages in Poland.
The Ambassador said, Bollywood
masala film with Polish subtitles are very
much liked in Poland and recently films
like Kabhi Kushi Kabhi Gham were
screened in Poland, had very good response, though there are audiences for
Satyajit Ray films also. He also said that
the Indian film Yeh Zindagi Na Milegi
Dobara was shot in Spain.
Polish people are also exposed to In-
dian cinema and there is a notable increase in cultural exchange between the
two countries, said Ambassador of
Poland in India. Efforts were already underway. He said that he has known Hindi
because he has to speak to his driver in
Indian language.
Wieslaw Saniewski , the director of
the film ‘The Winner’, who has been a
lecturer in film schools, said that they are
experimenting with different formats of
film making and getting good responses
for the movie as well.
He said he has got a book on Indian
Mathematician Chandra and wants to
make a film about the Indian Mathematician.
Leszek Dawid, Director of the film
‘My Name is Ki’ said that his movie is
about hope and optimism. Grazyna Molska, Producer of the movie ‘The Winner’
was also present on the occasion. - S. M.
PAGE 2_Layout 1 11/29/2011 10:58 PM Page 1
2
November 30 2011
TODAY’S SCREENING SCHEDULE
INOX SCREEN I
INOX SCREEN II
INOX SCREEN III
INOX SCREEN IV
MAQUINEZ PALACE I
09.30 AM
09.30 AM
(REPEAT SHOW)
toomeLaH
08.30 A.M.
10.00 AM
09.00 AM
09.15 AM
tHe sCent oF tHe
RaIn In
tHe BaLKans
tHe doyen oF
IndIan
Homage Elizabeth Taylor
CHICo and RIta
Dir. Liubisa Samardzic
Serbia/2010/100 min./Col.(CW)
11.00 A.M.
toP FLooR, LeFt
WIng
Dir. Angelo Cianci
France/Luxembourg/2010/
93 min./Col. (CW)
02.00 P.M.
tHe KId WItH a BIKe
(Le gamIn aU VeLo)
Dir. Jean-Pierre Dardenne &
Luc Dardenne Belgium/
2010/87 min./Col. (CW)
04.30 P.M.
Jean gentIL
Dir. Israel Cardenas & Laura
Amelia Guzman
Dominican Republic/2010/
85 min./Col. (CW)
07.00 P.M
tHe good son
LINGUISTICS (IP-NF)
Dir. Nirmalya Sengupta
English/28 min./Col.
Dir. Daniel Mann
USA/1960/109 min./Col.
Dir. Tono Errando, Fernando
Trueba, Javier Mariscal
Spain/2010/94 min./Col.(SOS)
Dir. P Sheshadri
Kannada/114 min./Col.
11.30 AM
11.45 AM
made In PoLand
gaKKU
Bettada JeeVa (IP-F)
12.30 PM
so Heddan, so
Hoddan (IP-nF)
Dir. Anjali Monteiro &
K.P. Jayasankar
Kachchhi/Hindustani/52 min./Col.
BomBay maRCH 12 (IP-F)
Dir. Babu Janardhanan PrasanthiMalayalam/120 min./Col.
3.30 PM
(REPEAT SHOW)
a sCULPtoR oF
mUsIC (IP-nF)
Dir. Nitish Mukherjee
English/55 min./Col.
JaangFaaI JoonaaK
(IP-F)
6.00 PM
(REPEAT SHOW)
saHI dHandHe
gaLat Bande (IP-F)
Dir. Zaida Bergroth
Finland/2011/87 min./Col.
(CW)
Dir. Parvin Dabas
Hindi/120 min./Col.
10.00 P.M.
songs oF masHangVa
(IP-nF)
tHe moon CHILd
(La PeRmIssIon de
mInUIt)
Dir. Delphine Gleize
France/2011/110 min./Col.
(CW)
CW
ED
FK
IC
SOS
:
:
:
:
:
8.30 PM
Dir. Oinam Doren
English/Manipuri/Tangkhul/
62 min./Col.
sengadaL (IP-F)
Dir. Leena Mammekalai
Tamil/102 min./Col.
Cinema of the World
Euro Discoveries
Festival Kaleidoscope
International Competition
Sketches on Screen
BUtteRFIeLd 8
Dir. Przemyslaw Wojcieszek
Poland/2010/90 min./)
2.30 PM
Joanna
Dir. Feliks Falk
Poland/2010/108 min./Col.
(ACA)
05.00 PM
tHe WInneR
(WygRany)
Dir. Wieslaw Saniewski
Poland/USA/2011/
111 min./Col.
(SOP)
07.30 PM
tHe IsLand
PResIdent
Dir. John Shenk
USA/2011/101 min./Col.
(DWD)
Dir. Gaziz Nasyrov
Kazakhstan/2011/
67 min./Col.(CW)
2.45 PM
motHeR’s PaRadIse
(RaJ dLJa mamy)
Dir. Aktan Abdykalykov
Kazakhstan/2011/
80 min./Col. (IC)
eLena
Dir. Andrei Zvyagintsev
Russia/2011/109 min./Col.
(IC)
07.45 PM
nadeR and sImIn, a
sePaRatIon
(JodaeIye nadeR aZ
sImIn)
12.00 AM
10.45 P.M.
adamInte maKan aBU
Dir. Salim Ahamed
India (Malayalam)/2011/
113 min./Col.(IC)
O
L
At Margao after the high powered
performance of “Stereo Nation”,
Brendan Powers performed yesterday
at Ravindra Bhavan from 7:00pm onwards. UK-based New Zealander,
Brendan Power is a versatile Harmonica player and his music is also heard
in many Hollywood movie soundtracks (the 2008 Oscar winning
soundtrack for 'Atonement'), and
BBC TV series (recent ones include
"Billy Connelly in Canada" and Bruce
Parry's Arctic Series). He’s featured
on the internationally-syndicated
Jools Holland Show and toured
worldwide, performing in venues
LAKSHIKANT SHETGAONKAR
TO MAKE BAGA BEACH
axmikant Shetgaonkar, the
critically acclaimed Goan
director of Eka Sagar
Kinaree and The Man Beyond The
Bridge announced and launched
his next feature film title Baga
Beach during the ongoing IFFI
Goa.The film is set in one of the
most hectic beaches in Goa, Baga
Beach, which has become a meeting point for Russians, Germans,
British and Israelis. The film journeys through lives of five
teenagers whose dreams and struggles are enmeshed with the life of
the beach, giving an insight into
the complex world of tourism industry in a third world country.
According to director Lakshmikant Shetgaonkar, the film is
an International co-production
which has Sharvani Productions
as the co-producer. A combination of International and Indian
cast will be the unique feature of
this film.
The filmmakers have already
begun the hunt for international
cast (German and French) and the
auditions for a nationwide casting
will begin shortly.
PIna
Dir. Wim Wenders
Germany/2011/106 min./Col.
(TD)
03.00 PM
RestoRatIon
(BoKeR toV, adon
FIdeLman)
Dir. K Balachander
Tamil/1969/161 min./B&W
Dir. Joseph Madmony
Israel/2011/105 min./Col.
(IC)
03.00 PM
MASTER CLASS
05.30 PM
Writing for Animation
tHRoUgH tHe eyes
oF tHe PaInteR
maX HoWaRd
Dr. M. F. Hussiain,
English/1967/18
Indian Premier
05.30 PM
REPEAT SHOW)
CHaPPa KURIsHU
(IP-F)
Dir. Sameer Thahir
Malayalam/135 min./Col.
08.00 PM
(REPEAT SHOW)
yoU don’t BeLong
(IP-nF)
BHageeRatHI
Dir. Bargur Ramchandrappa
India/2011/130 min/Kannada/Col.EST(Pr.)
08.30 PM
tHe end Is my
BegInnIng
(das ende Ist meIn
Dir. Spandan Banerjee
Bengali/English/75 min./
Col. & B&W
SOP : Spotlight on Poland
ACA : A Cut Above
MA &F-AW: Music Arts and Films - The American Way
IPR
: Indian Premier
IP F : Indian Panorama (Feature)
such as China’s Great Hall of the People and The Kremlin.
In addition to his Pop, Jazz &
Blues skills, Brendan is an expert
player of Irish traditional music (winning the 1993 All Ireland Title), and
performed for three years as soloist
in the Riverdance Show. He has
recorded with well-known Irish
artists such as Donal Lunny, Altan,
Paul Brady, Arkady, Artie McGlynn,
Mary Black etc. A respected harmonica technician and customizer, Brendan is employed by Suzuki Musical
Instruments Co. of Japan as their International Harmonica Specialist.
12.00 noon
IRU KodUKaL
Omi Vaidya Felicitated & Brendan Powers
performed At IFFI 2011
mi Vaidya best known as
Chatur Ramalingam or The
Silencer for his role in the
film 3 Idiots was felicitated after the
screening of his film Big in Bollywood directed by Kenny Meehan/Bill
Bowles, at Maquinez Palace, Auditoria II, yesterday.Omi Vaidya is in Goa
to participate in the 42nd International
Film Festival of India.Omi Vaidya has
acted in Arrested Development, The
Office (U.S. TV series), Bones, Dil
Toh Bachcha Hai Ji, Desi Boyz Players (films). Vaidya has also directed
two short films and worked as an editor in some.
Dir. Ivan Sen
Australia/2011/106 min./Col.
(TD)
RETROSPECTIVE –
K BALACHANDER
Dir. Asghar Farhadi
Iran/2011/123 min./Col.(IC)
natIonaL aLLey
DWD
: Documentaries with a Difference
TD
: Third Dimension
RC
: Russian Classics
LB Retro : Luc Besson Retrospective
PN Retro: Philip Noyce Retrospective
Dir. Umesh Aggarwal
Hindi/30 min./Col.
TARYANCHE BAIT (IP-F)
Dir. Kiran Yadnyopavit
Marathi/101 min./Col..
05.15 PM
10.30 P.M.
Dir. Mehrshad Karkhani
Iran/2011/82 min./Col.
(ACA)
annadata – Food
FoR tHoUgHt (IP-nF)
KALA ACADEMY
ANFANG)
Dir. Jo Baier
Germany/2010/98 min./Col.
(IC)
IP-NF : Indian Panorama (Non Feature)
*: without English subtitles
today’s
engagement
Press conference
11.00 AM
12 Noon
1.00 PM
3.00 PM
3.45 PM
: Sh. Mangesh Joshi (Director), Madan Deodhar (Child Actor), Chiitaranjan Giri
(Actor) -- Team members of Bhojpuri Film
‘He’
: Spandan Banerjee (Director) and Rupleena Bose -- Team members of ‘You
Don’t Belong’
: Press conference by Fatima Zohra
Zamoum, (Director) -- Algerian Film –
‘How Big is Your Love’
: Young short-film makers- Swati Bhatt and
Swapnil Gakani
: Press conference by Anjan Dutt (Director),
Rana Sarkar (Producer), Parno Mitra
(Actor) -- Team Members of Bengali movie
‘Ranjana Ami Aar Ashbo Na’
oPen forUM
Venue
Time
Topic
Speakers
:
:
:
:
Inox Courtyard.
1.00 P.M.
“Future Of Regional Cinema”
Mike Pandey
– Chairman steering
committee Basant Kumar Pati Producer
P.Sheshadri- Film Maker Roma – Actress
Moderator : U. Radhakrishnan
Time
Topic
: 2:00 PM
: “Film Festivals: Medium To Spread Film
Culture”
: Anwar Jamal- Film Maker Sibal Chatterjee - Film Critic K.R.Manoj - Film Maker
Prashant Kashyap- Jagran Film Festival
Speakers
Moderator : U. Radhakrishnan
ALL ARE WELCOME
PAGE 3_Layout 1 11/29/2011 11:00 PM Page 1
3
T
November 30 2011
S.
RAMACHANDRA
N. VIDYASHANKAR pays homage to the doyen cinematographer
he death of S. Ramachandra Aital, the
ace cinematographer
in January 2011 was not just
a personal loss but a setback
to a particular idea of cinema itself in the Kannada
culture. For him, it was not
just necessary to look at cinema as creative possibility
because he felt that creativity in cinema demanded certain innate skills that could
be beyond one’s intellectual
imaginations. He did not
profess an alternate cinema
openly but supported a large
number of filmmakers to
look for alternate ways of
making cinema both in content and construction.
Learning the skills of
cinematography from Film
and Television Institute of
India, Pune, academically,
at a time when that skill was
considered a mere technical
accessory of the medium is
itself an adventure in the untraveled path. But then,
Ramu as he was familiarly
known to his friends and acquaintances had always
been unusual, building on
hitherto
unconstructed
frames.
Now we know that Samskara, considered as first
‘Navya’ film in Kannada
was not a search for new
cinema but an intellectual
experiment using cinema.
The actual ‘New Wave’
came a little later with a few
enthusiasts
technically
trained and well informed
having been exposed to varieties of cinemas of the
World like Shankarappa,
Girish Kasaravalli, UMN
Sharif, Umesh Kulakarni
and others and of Course S.
Ramachandra. He was associated with almost every
filmmaker who is now recognized as part of Kannada
alternate film movement
which included well known
writers, theatre persons etc.
The aesthetics of Cinema, apart from the Director’s
creative
and
imaginative
scripting,
evolves from the creative
skills of Cinematographer in
the production stage and
Editor in the final cut. It is
in this context each work of
Ramachandra needs to be
studied upon. Just to get a
glimpse of his accomplishments which has been remarkably consistent for
more than three decades,
one has to revisit his most
acclaimed works Girish
Kasaravalli’s Ghatashraddha (1977) and VRK
Prasad’s Rushya Shringa
(1976). IFFI 42 remembers
Ramu as S. Ramachandra
through his acclaimed work
Chomana Dudi, being
screened in IFFI.
Jagran Film Festival takes films to cineaste’s homes
- U. Radhakrishnan
J
agran Film Festival
(JFF) is fast expanding
the viewing kaleidoscope of quintessential film
festivals that resonates the
soul of heartland India. JFF
is unique in the way it is
conceptualized and executed and the manner in
which the Indian cineaste is
treated to the gems from Indian and world cinema.The
cineaste doesn't come to the
festivals; JFF takes the festival to his hometown.
This was stated by U.
Radhakrishnan, an advisor
to JFF. Radhakrishnan
added that the grandeur of
being organized in13 cities
in 6 different states over a
duration of three months, is
an unique experiment that
has turned hugely successfully since its inauguration
and has now grown stronger
with a huge reputation in the
film and cinephile fraternity
as it moves into its second
season this year.The philosophy of the festival lies in
screening celebrating Hindi,
Regional and World Cinema
with audience located away
from metropolises, but craving for quality cinema.
Jagran Film Festival has
now become the new reliable platform for mainstream
and
India
filmmakers to showcase
their work for audiences located beyond the known territories of their regular
release circuits.Jagran Film
Festival is in its second sea-
son has the cooperation and
active association of over
100 film celebrities from
different genres of filmmaking. The festival has in its
panel of mentors celebrities
like Sudhir Mishra, Anurag
Kashyap, Om Puri and
Raveena Tandon.
JFF has been showcasing
films of a wide range in
terms of themes, style and
formats. It is designed and
planned to aesthetically,
catch the imagination of audience of all age groups.
Film ranging from Children
of Heaven (Majid Majidi,
Iran) to Bol (Shoaib Mansoor, Pakistan) the festival
has been able to cater to the
cinema lovers of different
tastes. The grand finale of
Jagran Film Festival is
clubbed with the JFF
Awards in different categories of filmmaking. The
awards are being adjudged
by a Jury Panel that consists
of members like Satish
Kaushik, Lillete Dubey,
Seema Kapoor, Amit Rai
and Dr. Ashok Chakradhar.
I have been fascinated
by my interaction with
Indian audience
– Phillip Noyce
I
was lucky enough to catch hold of the world
renowned and internationally acclaimed Australian
director and master, Phillip Noyce, who is 6. 4 feet
tall for a chat for Festival Bulletin immediately
after his press conference at the ongoing
42nd IFFI, where he has
five of his films in the
Retrospective section.
Phillip also took the
Master Class ‘Concept
to Film,the Phillip
Noyce way’ at Maquinez
Palace 1.
Is it your first visit to
Goa?
Yes, it is my first visit to 42ND IFFI in Goa. But I
came to Mumbai in 1978 for the first time but not as a
film maker, it was a normal visit.
When did you arrive at Goa and what is your plan?
I came to Goa on 22nd Nov.11 and planning to leave
on 28th Nov. to Rajasthan and Delhi along with my family consisting of my wife, ten month old daughter and 3
years and 10 month son. My wife is South African.
Which was your first film?
I directed my first film at the age of 18 in the year
1968. The name of the film was Better To Reign in Hell.
It is a 15 min. duration film only.
Which is your best film?
Rabbit Proof Fence which was shown in 41st IFFI
held last year.
How many films are made in Austria in a year?
15-25 films are made in the year. Most of them are in
English but a few of them in Mardu language (regional).
Do you intend making any film in India?
No. I have already two projects in my hand, one for
Austria and one for Hollyhood. These projects are Our
Wild Life and Timeless.
How did you like your stay during these days?
Unfortunately, I had some health problems. As such I
could not spend all my time to watch various films. But
I have enjoyed my stay. I have been greatly fascinated
with the Q/A sessions after the screening of the film.
There have been very good interactions of the audience
with the directors. It is a great festival. This festival has
got well acclaimed films from all over the world in various categories besides Master Classes being held by the
world renowned film makers. I would love to come to
Goa again for the next IFFI.
How do you place this IFFI on the International map?
I would rate the IFFI as a very prestigious International Film Festival.
-- Satinder Mohan
In tribute to the multi-faceted
film personality Mr Chidananda
Dasgupta: IFFI is organising a
seminar on Film Criticism.
TopIC
THE SPECTATOR &
THE SCREEN:
Multiple relationships
Date : Dec 1
Time : 10 am - 11.30 am.
Venue : Maquinez Palace 1
Come for an interactive session with
the Critics, Connoisseurs and Aficionados
Speakers include Jury Member & filmmaker from Israel Dan Wolman, Indian
filmmaker & cinematographer A K Bir,
Communications expert Monojit
Lahiri, Polish film maker Leszek
Dawid, Film theorist Fr Gaston
Roberge, Film critic Gayatri Chatterjee
& others. Moderator: Film writer Anil
Zankar. The seminar is coordinated by
Meera Dewan.
The Actor of the film “Taryanvhe Bait”, Sachin Khedekar and Director Kiran
Yadnyopavit addressing a press conference, during IFFI.
The Director, K Bapu at the launch of the film “Sri Ramrajya”, during the ongoing IFFI. Actor Omi Vaidya, and Chief Secretary of Goa, Sanjay Srivastava.
PAGE 4_Layout 1 11/29/2011 10:41 PM Page 1
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November 30 2011
?kwerk vkbuk
aHkkstiqjh fQYe ^gh* ds izn’kZu ls iwoZ fQYe ds funsZ’kd eaxs’k
tks’kh dh iz’kalk djrs QssfLVoy ds funs’kd ‘kadj eksguA
;w ukWV
ckslA
^lkWdj bu flusek* esa QqVckWy dh nhokuxh
Qq
VckWy dk [ksy xksok
esa [kklk e”kgwj gS
vkSj ;gh otg gS fd
42osa b¶+Qh esa ^lkWdj
bu flusek* uke ls ,d u;k
[kaM ekStwn gSA bl [kaM esa ,slh
lkr fQYesa “kkfey dh xbZ gSa
ftudh dgkuh esa bl [ksy dh
egrh Hkwfedk gSA [kkl ckr ;g
gS fd bu fQYeksa dk izn”kZu
dyk vdkneh ds djhc dSaiy
QqVckWy xzkmaM esa yxkbZ xbZ
,d fo”kky LØhu ij vke
turk dss fy, gj 24 ls 30
uoacj rd “kke 8 cts gksrk gS
vkSj bl nkSjku LFkkuh; n”kZd
Hkkjh rknkn esa vkdj bu fQYeksa
dks ns[k jgs gSaA ;s fQYesa gSa
nf{k.k dksfj;k dh rs&X;qu fde
funsZf”kr ^, cs;jQqV Mªhe*]
czkthy ls vkbZ vkWLdj esjksu
fQYgks dh ^ekfj;k fQYgks&n
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Y;wxh lnsZyks funsZf”kr ^QqV ^n cSLV oqesu bu n oYMZ*
vkWQ xkWM*] vtsZaVhuk dh tqvku ¼teZuh½] nf{k.k vÝhdk dh
ikCyks jkSfc;ks funsZf”kr ^vtsZV
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tLV , xse* vkSj Ýkal ls vkbZ
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dh ^ftnku&, V~osaVh QLVZ
lSapqjh iksVªsZV*A
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42
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fny dh cLrh esa
usd
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dh cLrh esa*A vuoj us bl
y?kq&fQYe esa fnYyh ds
vrhr vkSj orZeku dh
dgkuh c;ku dh gSA ;gka ds
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[kkuiku]
yksxksa dh thou “kSyh vkSj
rst j¶rkj ftanxh dks vuoj us vPNh rjg idM+k
gSA dSejs dk dke vPNk gSA lkmaM brus thoar gSa fd
fnYyh dh nqfu;k lkeus vk tkrh gSA 52 feuV dh
bl fQYe esa 5 jkx 5 }a} vkSj 5 pfj= gSa A
muesa ls ,d pfj= cgknqj”kkg tQj ds iziSk+= ds
csVs fetkZ vkfjQ us Hkh dke fd;k gS A fQYe fnYyh
dh tkrh gqbZ rgthc dk vkbuk gSA
osa b¶+Qh dk e/;karj
gks pqdk gS vkSj vc
dbZ fQYeksa ds fjihV
“kks gksus yxs gSaA [kkl ckr ;g gS
fd bu fQYeksa ds fy, vc Hkh
n”kZdksa esa Hkkjh mRlkg utj vk
jgk gSA Hkkjrh; iSuksjek ds rgr
29 uoacj dks fn[kkbZ xbZ fQYeksa
esa vatu nŸk dh ckaXyk fQYe
^jatuk vkeh vkj vk”kcks uk* dks
dkQh ljkgk x;kA ;g ,d ,sls
cw<s+ ikWiLVkj dh dgkuh gS ftls
toku yM+fd;ksa dh gol gSA og
,d Vwj esa feyh jatuk dk
cykRdkj djus gh okyk gksrk gS
fd vpkud fxj iM+rk gSA jatuk
gh mls cpkrh gS vkSj ckn esa og
jatuk dks xkuk fl[kkrk gSA fQYe
dk var ekfeZd gS tgka ;g cw<k+
ej jgk gS vkSj jatuk viuh igyh
ijQkWel
aZs ds fy, LVst ij mrj
jgh gSA dy vk”kh’k ikaM;
s dh
xSj&Qhpj fQYe ^[kqys njokts* dk
fjihV “kks gqvk tks o`)koLFkk esa
viuksa }kjk vdsys NksM+ nh xbZa
fo/kokvksa dh O;Fkk fn[kkrh gSA blh
ds lkFk dkSf”kd xkaxy
q h dh jkgqy
cksl okyh ckaXyk fQYe ^ySiVkWi*
dk Hkh fjihV “kks gqvkA viuh iRuh
ds vkWijs”ku ds fy, vius MkWDVj
dk ySiVkWi pqjk dj cspus okys
“k[l dh ;g dgkuh balkuh eu
ds vleatl dks n”kkZrh gSA
vks- xkSre flag dh ef.kiqjh Qhpj
fQYe ^fQftxh ef.k* dks Hkh ilan
fd;k x;kA oh-ds- izdk”k dh
bafM;u iSuksjek
ey;kye fQYe ^deZ;ksxh* vius
fjihV “kks esa Hkh Hkjiwj ljkgh xbZA
“ksDlfi;j dh d`fr ^gseysV* ij
vk/kkfjr bl fQYe ds lHkh
dykdkjksa dk vfHku; [kklk izHkkoh
gSA vuq’kk uandqekj dh ukWu&Qhpj
fQYe ^n ckWfDlax ysMht* 26
feuV esa dksydkrk dh rhu ,slh
eqfLye cguksa dh nqfu;k esa ys tkrh
gS tks raxgkyh esa jg dj ckWfDlax
ds fjax esa uke dekus dh dksf”k”k
dj jgh gSAa ek/ko jkenkl dh
ey;kye fQYe ^esfYoykle* lsuk
ds Hkhrj dh jktuhfr ds dM+os
lp dks lkeus ykrh gSA jkts”k
fiYybZ dh ey;kye fQYe
^VªfS Qd* dks fQj ls Hkkjh la[;k esa
n”kZd feysA pan ?kaVksa dh dlh gqbZ
dgkuh ij cuh ;g fQYe okdbZ
rkjhQ ds yk;d gSA
&nhid nqvk
cny x;k gS fo”o flusek dk psgjk
fo
”o flusek [kaM dh
fQYeksa esa xzhd] ;w-ds-]
;w-,l-,-] esdMksfu;k]
Ýkal] bVyh vkSj LohMu dh
fQYesa vius ifjos”k esa fujarj
cnyko] izes ls mits nksgjs ruko]
nkaiR; thou ds Nykos] thou
ds u, rki vkSj ekuoh; =klnh
dks rh[kh fVIif.k;ksa ¼laoknks½a ds
lkFk ntZ dj jgh gSAa b¶+Qh esa
vkt ^jsM LdkbZ* ¼funs”Z kd&yk;k
;ksjxksŽ esa izes vkSj mlls mits
ruko dh O;k[;k dh xbZA xzhd
fo”o flusek
dh ;g fQYe nks nksLrksa dh xgjh
nksLrh ds mtys fcacksa dks ,d
teZu efgyk ds lgokl ds nksgjs
yxko ls ij[krh gSA nksuksa nksLr
“kgjh nqfu;k ls nwj ,d xzhu
gkÅl esa ubZ ftanxh dk yqRQ
mBk jgs gSAa ;g efgyk dksjMksok
dh ,d nksLr esa fnypLih gS
ysfdu og nwljs dh pqIih vkSj
pkrq;Z dks Hkh le>uk pkgrh gSA
bu nks nksLrksa dh nqfu;k dksjMksok
ds izo”s k ls cny xbZ gSA nksuksa
fc[kj x, gSAa nksLrh vkilh
>iM+ esa vkSj dke&/ka/kk dksjMksok
ls ftjg vkSj vius&vius vrhr
dh Nk;kvksa ds vucw>s [ksy esa
coaMj dh rjg lc dqN mM+k ys
x;k gSA [kqn dksjMksok nksuksa
nksLrksa dh pkgukvksa esa caV pqdh
gSA muesa ls dkSu mldk
vkn”kZ&iq#’k gksxk\ ;gh loky
mudh nksLrh esa vkx yxk jgk
gSA rhuksa [kqys vkleku ds uhps
lkeqfnzd&ygjksa ls ,d&nwljs ls
Vdjk jgs gSAa mudh fu;fr cny
pqdh gSA
jsLVysl] funsZ”kd&xql okWu lkaV] 95 feuV] jaxhu]
o’kZ&2011] fFk,Vj&vkbZukWDl&3] ;w-,l-,-@;w-ds-
xq
l okWu lkaV dh ;g fQYe ns[kuk thou
ds u, rki dks] vk”kkvksa dh ubZ ixMaMh
dks eeRo ls Nwu tSlk gSA vukcsy dkWVu blh
nqfu;k ,d txexkrk psgjk gSA mls igyh utj
esa ns[kdj dgk gh ugha tk ldrk fd og dSalj
dh ejht gSA ftanxh ls mls csgn I;kj gSA
dqnjr ds jaxksa dh Hkh og eqjhn gSA nwljk dksbZ
;qod buksp ftanxh dh cnyrh ifjHkk’kk ds u,
vFkZ ryk”k jgk gSA ,d nq?kZVuk esa mldss
vfHkHkkodksa ds nsgkar us lc dqN cny fn;k gSA
;s nksuksa ckgjh nqfu;k ls vk, nks ;qok ,d eqnZuh
dh “kksdlHkk ls igys Vdjkrs gSaA nqfu;k dh
dkjxqtkjh vkSj lkekftd&O;ogkj dks ysdj
nksuksa ds fopkj dqN gn rd ,d tSls ekywe
iM+rs gSaA buksp dk ,d nksLr fguks”kh QkbVj
ik;yV dkehdkts dk Hkwr crk;k x;k gSA
vukcsy bls pkYlZ Mkjfou dh F;ksjh ls tksM+
dj nwljh gh O;k[;k izLrqr djrh gSA ^Åijh
gokvksa* dh rjg ;s ^vkRek,a* dgka okl djrh
Edited by: Jyothi Venkatesh on behalf of IFFI Secretariat, Ministry of Information & Broadcasting, New Delhi
Hindi Editor: Suresh Sharma, Co-ordinator: Tanu Rai, Deputy Director, Dr. Neethu Sona and Jagjit Singh Bindra
Asst. Editor: Satinder Mohan, Photographer : S Kumar, Printed at: Herald Publication Pvt. Ltd. Verna, Goa
gksaxh] ;g mldh lksp ls mHkjk u;k loky gSA
buksp dks vukcsy dh ftanxh ds fnu cgqr de
jg tkus dk irk py x;k gSA buksp bl lqna jre
L=h ds vafre iyksa esa ennxkj gksuk pkgrk gSA
bldh og [okfg”k Hkh tkfgj djrk gSA ysfdu
[kRe gksrh tk jgh ,d [kwclwjrh ftanxh ds bl
iM+ko ij os ,d&nwljs ds fdrus djhc jg ik,ax]s
D;k ftanxh dk dksbZ fljk muds gkFk yxk ;k
gkFk ls fQly x;k] ;gh fQYe crkrh gSA
&izrki flag