1 - IES El Burgo de las Rozas
Transcription
1 - IES El Burgo de las Rozas
Spanish Folk Dances Apart from ”Sevillanas”, there are more folk dances in Spain, for example: “Jotas Aragonesas” or ”Extremeñas” ”Muñeiras” from Galicia “Isas” from The Canary Islands. But we are going to speak about the most famous one: “Sevillanas”. ISA from The Canary Islands Sevillanas are a traditional folk dance from Seville, Andalusia (Spain). They came up around the time of the Catholic Monarchs. They developed from “seguidillas castellanas”, and in the XVII century they started to be called “sevillanas”. It is typical to dance them in different fairs and pilgrimages for example in the April Fair in Seville, in the Rocío… Sevillanas: A popular dance This dance is included in “palos del flamenco” (flamenco varieties) with other folk dances. Nowadays “sevillanas” are the most popular dance in Spain, and also in other countries in the word. That is because lots of professional sevillanas dancers go abroad on tours. CLOTHES AND ACCESORIES In woman: 1. The typical dress 2. High Heel shoes. Accesories: 1. Castanets 2. Necklace 3. Brazalets 4. Combs 5. Pending 6. Shawl CLOTHES AND ACCESORIES For men: 1. Shirt 2. Trousers 3. Sash with braces 4. Jacket Accesories: 1. Castanets. The music for “Sevillanas” is played by Spanish guitars, castanets and it is sung by one or several voices. In addition, the rhythm is accompanied with palms that follow the compass. The April Fair in Seville is a very important social meeting in Spain. People from all over the country and all over the world meet around a bottle of “fino wine” and delicious Andalusian tapas. Local people enjoy themselves dancing Sevillanas dressed in the beautiful traditional dresses. HORSE CARRIAGES The famous Seville April Fair Main Entrance SEVILLE Presentation: Teresa Pérez 2ºB Paola Moreta 2ºB Paula Díaz 2ºC Elisabeth Matesanz 2ºC Laura Gómez 2ºC Workshop: Teresa Pérez 2GB Sofía Kellmann 2ºB Paola Moreta 2ºB Paula Díaz 2ºC Elisabeth Matesanz 2ºC Laura Gómez 2ºC The name comes from the word ‘butcher’ The dance originated in the Middle Ages as a battle mime with swords performed by the butchers guild During the byzantine times it was called ‘makellarikos horos’ Hasapiko served as a base for the syrtaki dance HASAPIKO DANCE VIDEO Syrtaki is a popular dance of greek origin choreographed by G.Provias for the 1964 movie “ZORBA THE GREEK” It is a mixture of the slow and the fast versions of the hasapiko dance Syrtaki is danced in line or circle formation with hands held on neighbours’ shoulders Line formation is more traditional The name syrtaki comes from the greek word ‘syrtos’, a common name for a group of traditional Cretan dances Traditional dance from Thrace It is danced in variations all over Greece Zonaradiko is danced in circle formation with hands held on neighbours’ zonaria (belts) ZONARADIKO DANCE VIDEO The ‘Ballos’ name perhaps comes from the Italian ballo dance and it is one of the best known island dances in Greece. Its origin is in the island culture. Men could not approach women easily, so they created this dance in order to "flirt" with them. The melody of a ballos is generally joyous and lyrical which is typical of the music of the Aegean Islands. This couples' dance incorporates all the elements of courtship: attraction, flirtation, display of masculine prowess and feminine virtue. CONSISTS OF VELVET WAISTCOAT AND SKIRT, WAISTBAND NECKLACE AND SCARF CONSISTS OF VEST, SHIRT, WAISTBANDZONARI AND VRAKA TROUSERS Lyra Klarineto Tambouras Laouto Violin Toumpeleki Tambourine Gaida BALLOS DANCE VIDEO SO…. LET’S DANCE!!!!!! Krakowiak Krakowiak comes from CracowCracow- the third of the biggest Polish citiescities- and it’s one of the most vital national dances in Poland. The style is very popular, especially in southern Poland. This type of dance in Poland is like a Salsa in Spain or Tango in Argentina. Women wear long skirts with colourful belts, white blouses and waistcoats. A couplea man and a woman is necessary to dance Krakowiak. The first figure: Gallop / seven steps and the eighth one is a landing. The second figure: Hołubce / Hołubce is more difficult.. right foot goes sideway and up and next, foot goes down. We do that two times with both feet.. Right foot: And foot up one foot down and foot up two foot down Left foot: And foot up Three foot down And foot up Four foot down The third figure. / march with taps 6 steps , 3 taps 2 steps , 3 taps 2 steps , 3 taps While doing the last 3 taps, we must turn right. Characteristic features of this dance are: jumping, springing, lightness. Polka podlaska Polka comes from Czech Republic. The name is very meanningful. It is gaining popularity all around the world but especially in Poland, Germany and Polka is a very dynamic, pretty and simple dance. Partners must be in a good shape, quite fit, because it involves fast motion and a lot of effort.. Gallop 6 steps, 3 taps turn round 6 steps, 3 taps Mijanka (pair step around them by 6 steps and 3 taps keeping them arms on them huckles) Windwill (it relies about claping and tapping) A married couple often performs Polka Podlaska on their wedding. However these traditional dances not commonly performed as they are rather old-fashined Dance is a word known almost in the smallest nook of the world, in every country. It is an irrevocable part of culture so care and get to know differents dances. This work tries to give only an idea of the variety of the Portugese Folklore. It is not our intention to deal exaustively with it but only to focus our attention on the following regions : Each region of Portugal has its own style of dance and songs with the most traditional tunes. Some of the best examples of the regional dances are the vira, chula, corridinho, tirana and fandango, where couples perform a lively dance usually to a fast beat of hand-clapping, guitars and accordions. Dress varies depending on the kind of dance. Sometimes, the dancers' clothing is uniform and traditional, but in a few cases, the dress is informal, evidencing class difference and social status. Although Vira is a traditional dance from the Region of Minho, it is also presented in other Portugal’s regions. It has a 3 step rhythm very similar to waltz, but it is faster and the couples dance front-to-front without holding hands. Another way to dance the Vira is: Embraced pairs form a big circle that evolves inverse clockwise. At a certain time the boys leave their pairs in the circle and go to the centre, where they hit the floor with their right foot, and return backing to their respective pairs. The circle starts to rotate again, and the next time the circle stops it will be the girls that will go to the This dance is done in male pairs by stomping and tapping in a sort of dance off between each pair. Traditionally, one dancer challenges the other with difficult steps, and the other dancer responds by repeating those steps and adding his own on, so that the person who forgets the steps first “loses” the dance off. Dancers will whirl, waggle their fingers and stomp their feet in a multicolored whirlwind of traditional rhythms. They dance to the accompaniment of short wooden sticks called paulitos, which clack together, producing intricate rhythmic patterns. Pauliteiros are the dancers of a Portuguese folklore dance, the warrior dance of Terras de Miranda, called “dança dos paus” (“the stick dance”), which represents local historical moments. It uses bagpipes, a snare drum and a bass drum, and it’s traditionally danced by eight men that wear a skirt and a linen shirt, a brown vest, leather boots, whool socks, a hat that can be decorated with flowers and finally, a pair of sticks that they use in a diverse series of steps and coordenated movements that simulate a fight. Snare drum Paulitos castanets Bass drum vest coloured kerchiefs hat boots sticks shirt socks skirt Fish marketer Costume Working Costume Póvoa de Varzim Pilgrimage costume Sunday Costume Peasant Worker Costume Farmer Costume A traditional Portuguese dance is 'Fandango.' This music and dance are not credited as having Celtic roots, but originally was played in the same 6/8 tempo. Fandango includes stationary arms, rapid leg movement and a lineup of steppers. Two male dancers face each other, dancing and tap-dancing one at each time, showing which one has the most lightness and repertoire of feet changes in the tap-dancing. The dancers can be boy and girl, boy and boy (most frequent) or rarely two girls. While one of the dancers dances, the other just "goes along". Afterwards, they "both drag their feet for a while" until the other one takes his turn. They stay there, disputing, seeing which one of them makes the feet transitions more eye-catching. The corridinho is a form of Portuguese dance, namely in the Algarve. It is danced with the pairs always embraced, forming a circle, girls inside and the boys outside the circle. By rotating the circle the pairs evolve side by side. At a certain time, when the music as a stronger beat, their feet hit the floor more intensely, stopping the rotation, to resume afterwards. Further away in the dance, the pairs embraced waltz by spinning in the same place. Next the circle starts rotating again always for the right side. The dance, reflects the burdens of rural patterns of work, the carrier’s dance. The dancers bend beneath the weight of imaginary stacks of sugar cane, or baskets of bananas, carried along the islands steep paths, or the rhythmic stamping of the dancers feet reflects the custom of crushing grapes for wine with bare feet. The tammurriata, also known as “dance and singing on the drum”, is an ancient form of choralmusic still widespread in some areas of the Campania. It takes place primarily during seasonal celebrations of collective ritual associated with the popular religion. The "dance on the drum" is the direct expression of oral country culture and it’s linked up to beliefs and ancient archaic cults of preChristian origin. The tammurriata is couple dance, which runs within "circle" made up of musicians,"singers" and all those present that they are equal to a substantial part of the dancers. As the couple dance tammurriata not be understood solely as a courtship dance, in fact it also makes same-sex and can still express different values, depending on the type of communication that is to be determined between the two dancers. The tammurriata takes its name from the drum that beats the rhythm, known as "tammorra" or "tammurro“, consisting of a skin stretched over a circle of wood on which set of rattles are called "e cicere" or "e cimbale" castanets, carved in wood and consist of two parts joined together by a cord. To tammorra and castanets can be added: the putipù or Caccavella (friction drum made of a clay pot or tin covered with a skin, which is fixed a rod) the triccheballacche or scetavajasse (compound three wooden hammers in the middle fixed, hammers which can be applied also rattles).