Pop Culture Resources for Educators and

Transcription

Popular Culture Resources for Educators, Librarians, Parents, and Fans
2nd Edition
By Elizabeth Vondran and Jazmine Martin
Edited by J. Holder Bennett
Suggested citation: Vondran, Elizabeth, and Jazmine Martin. Popular Culture Resources for
Educators, Librarians, Parents, and Fans. 2nd ed. Ed. J. Holder Bennett. Denton, TX:
Fandom and Neomedia Studies (FANS) Association, 2013.
The FANS Association takes no position on the accuracy or content of the individual documents
cited within this bibliography; accordingly, all views expressed therein should be
understood to be those of the individual authors.
This document is an open access publication free for all to use under the terms of Creative
Commons Attribution Non-Commercial 3.0 Unported License.
© Fandom and Neomedia Studies (FANS) Association, 2013. All rights reserved.
Fandom and Neomedia Studies Association
Phoenix Entertainment Group, LLC
PO Box 298
Denton, Texas 76202
1|Page
Contents
Foreword ......................................................................................................................................... 3
Books ……………………………………………………………………………………………..5
Book Chapters ............................................................................................................................... 83
Articles .......................................................................................................................................... 88
Dissertations and Theses ............................................................................................................. 157
Court Decisions ........................................................................................................................... 161
2|Page
Foreword
Gentle Readers,
The pages below represent the ongoing efforts of the Fandom and Neomedia Studies
(FANS) Association to promote and assist studies in fandom and media fields. Fandom for us
includes all aspects of being a fan, ranging from being a passive audience member to producing
one‟s own parafictive or interfictive creations. Neomedia includes both new media as it is
customarily defined as well as new ways of using and conceptualizing traditional media. Part of
our mission statement is to assist and advocate for these studies. The first edition of this listing
was merely our first publication effort in that direction and this compendium is an ongoing
project in all respects. We think this new, second edition is even better.
Such an endeavor is presumptuous specifically because, by definition, it cannot ever be
finished in any meaningful sense, not least because most of the entries are in English. We are
not obligated to complete the work, but neither are we free to desist from it. Our position, both
as fans and as FANS, gives us a distinct place in the academic community to make this type of
study and compilation possible. It combines our own abilities as an organizing force with the
ideas and energy of other fan-scholars and scholar-fans (indeed, the distinction between the two
is itself the result of an ongoing theoretical dispute) in a way almost entirely without precedent.
Our intrepid interns, Elizabeth Vondran and Jazmine Martin, have made an excellent start
on this project. This is an ongoing work and will be updated from time to time because these
interrelated fields are vast, evolving, and always growing. If you have any suggestions for
inclusion, improvement, or a correction, please send us a note. The initial imbalances of the first
edition, with their focus on anime and manga cultures, have been largely corrected in this
edition. Through the helpful suggestions sent in by readers of the first edition and our interns‟
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continued excellent work, we have expanded and vastly improved upon the original. Indeed, we
had over a score of suggested additions within the first twenty-four hours of publication. Given
that the first run was a proof of concept experiment, we are cautiously calling this project a
success.
For the current edition, we have added not only new books and articles, but have
expanded to include book chapters for your consideration. Sometimes an edited volume has only
one or two chapters relevant to our topic field so we chose to include those rather than the book
as a whole. In other instances, when the whole volume is relevant, we have sometimes included
it in the books section with individual chapters given their own listing if they are representative
of groundbreaking or seminal work. In either case, the intent is to be as inclusive and wide
ranging as possible. We have also made a start on listing dissertations and theses on fandom and
neomedia topics with a hope for still more items as we go forward.
This work is intended for educators, librarians, and scholars of fandom and media
phenomena. Most importantly, this collection is intended for fans. Subsequent editions will
range still further afield as we expand our listings and resource access. Because this is intended
for everyone, we encourage sharing this out with anyone and everyone who might be interested.
So, ladies, gentlemen, and otherwise, welcome back to FANS.
– J. Holder Bennett
FANS Association Chairman
4|Page
Popular Culture Resources for Educators,
Librarians, Parents, and Fans
Books
Abel, Jessica, and Matt Madden.
Drawing Words and Writing Pictures: Making Comics;
Manga, Graphic Novels, and Beyond. New York: First Second, 2008.
Abercrombie, Nicholas, and Brian Longhurst. Audiences: A Sociological Theory of Performance
and Imagination. London: Sage, 1998.
Abramson, Jeffrey B., F. Christopher Arterton, and Gary R. Orren.
The Electronic
Commonwealth: The Impact of New Media Technologies on Democratic Politics. New
York: Basic Books, 1988.
Adam, Thomas R. The Museum and Popular Culture. New York: American Association for
Adult Education, 1939.
Adams, Bluford. E Pluribus Barnum: The Great Showman and the Making of U.S. Popular
Culture. Minneapolis: University of Minnesota Press, 1997.
Adams, Michael C. C. Echoes of War: A Thousand Years of Military History in Popular
Culture. Lexington: University Press of Kentucky, 2002.
Aden, Roger C. Popular Stories and Promised Lands: Fan Cultures and Symbolic Pilgrimages.
Tuscaloosa, AL: University of Alabama Press, 1999.
Adorno, Theodor W., and J. M. Bernstein. The Culture Industry: Selected Essays on Mass
Culture. London: Routledge, 2001.
Aitchison, Jean, and Diana M. Lewis. New Media Language. London: Routledge, 2006.
5|Page
Albright, Brian. Regional Horror Films, 1958 – 1990: A State-by-State Guide with Interviews.
Jefferson, NC: McFarland Books, 2012.
Alburger, James R. The Art of Voice Acting: The Craft and Business of Performing for VoiceOver. Amsterdam and Boston: Focal Press, 2007.
Alexander, Bryan. The New Digital Storytelling: Creating Narratives with New Media. Santa
Barbara, CA: Praeger, 2011.
Alia, Valerie. The New Media Nation: Indigenous Peoples and Global Communication. New
York: Berghahn Books, 2010.
Allen, Steve. Vulgarians at the Gate: Trash TV and Raunch Radio; Raising the Standards of
Popular Culture. Amherst, NY: Prometheus Books, 2001.
Allison, Anne. Millennial Monsters: Japanese Toys and the Global Imagination. Berkeley:
University of California Press, 2006.
---. Permitted and Prohibited Desires: Mothers, Comics, and Censorship in Japan. Boulder,
CO: Westview Press, 1996.
Altmann, Rick. Film/Genre. London: British Film Institute, 1999.
Amin, Camron Michael. The Making of the Modern Iranian Woman: Gender, State Policy, and
Popular Culture, 1865-1946. Gainesville: University Press of Florida, 2002.
Anderegg, David. Nerds: Who They Are and Why We Need More of Them. New York: Penguin,
2007.
Anderegg, Michael A. Orson Welles, Shakespeare, and Popular Culture. New York: Columbia
University Press, 1999.
Anderson, Benedict.
Imagined Communities: Reflections on the Origin and Spread of
Nationalism. Rev. ed. New York: Verso, 1991.
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Anderson, Joseph L., and Donald Richie. The Japanese Film: Art and Industry. Princeton:
Princeton University Press, 1982.
Antler, Joyce. Talking Back: Images of Jewish Women in American Popular Culture. Hanover,
NH: Brandeis University Press Published by University Press of New England, 1998.
Anderson, Patricia. The Printed Image and the Transformation of Popular Culture: 1790-1860.
Oxford: Clarendon Press, 1994.
Appelbaum, Peter Michael. Popular Culture, Educational Discourse, and Mathematics.
Albany: State University of New York Press, 1995.
Armbrust, Walter. Mass Mediations: New Approaches to Popular Culture in the Middle East
and Beyond. Berkeley: University of California Press, 2000.
Ashby, LeRoy. With Amusement for All: A History of American Popular Culture since 1830.
Lexington: University Press of Kentucky, 2006.
Ashley, Leonard R. N. Elizabethan Popular Culture. Bowling Green, Ohio: Bowling Green
State University Popular Press, 1988.
Asma, Stephen T. On Monsters: An Unnatural History of Our Worst Fears. Oxford and New
York: Oxford University Press, 2009.
Astarita, Tommaso. Village Justice: Community, Family, and Popular Culture in Early Modern
Italy. Baltimore: Johns Hopkins University Press, 1999.
Aquila, Richard. Wanted Dead or Alive: The American West in Popular Culture. Urbana, IL:
University of Illinois Press, 1996.
Attfield, Judy. Wild Things: The Material Culture of Everyday Life. Oxford: Berg, 2000.
Auger, Emily E. Tech-Noir Film: A Theory of the Development of Popular Genres. Bristol, UK:
Intellect Press, 2011.
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Austin, Tricia, and Richard Doust. New Media Design. London: Laurence King Pub., 2007.
Avella, Natalie. Graphic Japan: From Woodblock and Zen to Manga and Kawaii. Mies,
Switzerland: RotoVision, 2004.
Avila, Eric. Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los
Angeles. Berkeley: University of California Press, 2004.
Azuma, Eiichiro. Between Two Empires: Race, History, and Transnationalism in Japanese
America. Oxford and New York: Oxford University Press, 2005.
Azuma, Hiroki. Otaku: Japan's Database Animals. Trans. Jonathan E. Abel and Shion Kono.
Minneapolis: University of Minnesota Press, 2009.
Backer, Ron. Mystery Movie Series of 1930s Hollywood. Jefferson, NC: McFarland Books,
2012.
Badley, Linda. Film, Horror, and the Body Fantastic. Westport, CT: Greenwood Press, 1995.
Baetens, Jan, ed. The Graphic Novel. Leuven, Belgium: Leuven University Press, 2001.
Bagdikian, Ben H. The New Media Monopoly. Boston: Beacon Press, 2004.
Bailey, Peter. Popular Culture and Performance in the Victorian City. Cambridge: Cambridge
Bailey, Steve. Media Audiences and Identity: Self-Construction in the Fan Experience. New
York: Palgrave MacMillan, 2005.
Balmain, Colette. Introduction to Japanese Horror Film. Edinburgh: Edinburgh University
Press, 2009.
Barański, Zygmunt G., and Robert Lumley. Culture and Conflict in Postwar Italy: Essays on
Mass and Popular Culture. New York: St. Martin Press, 1990.
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Barber, Karin. Readings in African Popular Culture. Bloomington, IN: Indiana University
Press, 2007.
Barker, Adele Marie. Consuming Russia: Popular Culture, Sex, and Society since Gorbachev.
Durham, NC: Duke University Press, 1999.
Basu, Dipannita, and Sidney J. Lemelle. The Vinyl Ain’t Final: Hip Hop and the Globalization
of Black Popular Culture. London: Pluto, 2006.
Beal, Timothy K., and Tod Linafelt. Mel Gibson’s Bible: Religion, Popular Culture, and The
Passion of the Christ. Chicago: University of Chicago Press, 2006.
Beaty, Bart H., and Stephen Weiner, eds. Critical Survey of Graphic Novels: Heroes and
Superheroes. 2 vols. Ipswich, MA: Salem Press, 2012.
Beauroy, Jacques, Marc Bertrand, and Edward T. Gargan. Popular Culture in France: The Wolf
and the Lamb, from the Old Regime to the Twentieth Century. Saratoga, CA: Anma
Libri, 1977.
Beezley, William H., Cheryl English Martin, and William E. French. Rituals of Rule, Rituals of
Resistance: Public Celebrations and Popular Culture in Mexico. Wilmington, DE: SR
Books, 1994.
Beezley, William H., and Linda Ann Curcio. Latin American Popular Culture: An Introduction.
Wilmington, DE: SR Books, 2000.
Behen, Linda D. Using Pop Culture to Teach Information Literacy: Methods to Engage a New
Generation. Westport, CT: Libraries Unlimited, 2006.
Bell, Christopher E., ed. Hermione Granger Saves the World: Essays on the Feminist Hermione
of Hogwarts. Jefferson, NC: McFarland Books, 2012.
9|Page
Belson, Ken, and Brian Bremner. Hello Kitty: The Remarkable Story of Sanrio and the Billion
Dollar Feline Phenomenon. Singapore: Wiley, 2003.
Belton, John. Movies and Mass Culture. New Brunswick, NJ: Rutgers University Press, 1996.
Bendazzi, Giannalberto. Cartoons: One Hundred Years of Cinema Animation. Trans. Anna
Taraboletti-Segre. Bloomington, IN: Indiana University Press, 1994.
Bennett, Tony, Colin Mercer, and Janet Woollacott. Popular Culture and Social Relations.
Buckingham, UK: Open University Press, 1995.
Berger, Arthur Asa. Manufacturing Desire: Media, Popular Culture, and Everyday Life. New
Brunswick, NJ: Transaction Publishers, 1996.
---. Narratives in Popular Culture, Media, and Everyday Life. Thousand Oaks, CA: Sage
Publications, 1997.
---. Television As an Instrument of Terror: Essays on Media, Popular Culture, and Everyday
Life. New Brunswick, NJ: Transaction Books, 1980.
---. Video Games: A Popular Culture Phenomenon. New Brunswick, NJ: Transaction, 2002.
Berger, Harris M., and Giovanna Del Negro. Identity and Everyday Life: Essays in the Study of
Folklore, Music, and Popular Culture. Middletown, CT: Wesleyan University Press,
2004.
Berlatsky, Noah. Popular Culture. Detroit: Greenhaven Press, 2011.
Berrong, Richard M. Rabelais and Bakhtin: Popular Culture in Gargantua and Pantagruel.
Lincoln, NE: University of Nebraska Press, 1986.
Bertelsen, Lance. The Nonsense Club: Literature and Popular Culture, 1749-1764. Oxford:
Clarendon Press, 1986.
Best, Amy L. Prom Night: Youth, Schools, and Popular Culture. New York: Routledge, 2000.
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Best, Gary Dean. The Nickel and Dime Decade: American Popular Culture during the 1930s.
Westport, CT: Praeger, 1993.
Betts, Raymond F. A History of Popular Culture: More of Everything, Faster, and Brighter.
New York: Routledge, 2004.
Betz, Phyllis M.
The Lesbian Fantastic: A Critical Study of Science Fiction, Fantasy,
Paranormal, and Gothic Writings. Jefferson, NC: McFarland Books, 2011.
Bhabha, Homi K. The Location of Culture. New York: Routledge, 1994.
Bielby, Denise D., and C. Lee Harrington. Global TV: Exporting Television and Culture in the
World Market. New York: New York University Press, 2008.
Bigsby, C. W. E. Superculture: American Popular Culture and Europe. London: Paul Elek,
1975.
Bird, S. Elizabeth. Dressing in Feathers: The Construction of the Indian in American Popular
Culture. Boulder, CO: Westview Press, 1996.
Bitz, Michael. Manga High: Literacy, Identity, and Coming of Age in an Urban High School.
Fwd. Francoise Mouly. Cambridge, MA: Harvard Education Press, 2009.
Black, Rebecca W. Adolescents and Online Fan Fiction. New York: Peter Lang, 2008.
Blaikie, Andrew. Ageing and Popular Culture. Cambridge: Cambridge University Press, 2005.
Bleiman, Barbara, and Jenny Grahame. The Beautiful Game: Non-Fiction, Language and Media
Units on Football. London: English and Media Centre, 2000.
Bliss, John. Art that Moves: Animation around the World. Chicago: Raintree, 2011.
Bobby, Susan Redington. Beyond His Dark Angels: Innocence and Experience in the Fiction of
Philip Pullman. Jefferson, NC: McFarland Books, 2012.
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Boddy, William. New Media and Popular Imagination: Launching Radio, Television, and
Digital Media in the United States. Oxford: Oxford University Press, 2004.
Boggs, Carl, and Tom Pollard. The Hollywood War Machine: U.S. Militarism and Popular
Culture. Boulder, CO: Paradigm Pub, 2007.
Bogstad, Janice M., and Philip E. Kaveny. Picturing Tolkein: Essays on Peter Jackson’s The
Lord of the Rings Trilogy. Jefferson, NC: McFarland Books, 2011.
Bolter, Jay David, and Richard Grusin. Remediation: Understanding New Media. Cambridge,
MA: MIT Press, 2003.
Bolton, Christopher, Istvan Csicsery-Ronay, and Takayuki Tatsumi, eds. Robot Ghosts and
Wired Dreams: Japanese Science Fiction from Origins to Anime.
Minneapolis:
University of Minnesota, 2007.
Bondanella, Peter E. Umberto Eco and the Open Text: Semiotics, Fiction, Popular Culture.
Cambridge: Cambridge University Press, 1997.
Boon, Marcus. In Praise of Copying. Cambridge, MA: Harvard University Press, 2010.
Booth, Paul. Digital Fandom: New Media Studies. New York: Peter Lang, 2010.
---, ed. Fan Phenomena: Doctor Who. Bristol, UK: Intellect Press, 2013.
Bordwell, David. Making Meanings. Boston: Harvard University Press, 1989.
---. Narration in the Fiction Film. Madison: University of Wisconsin Press, 1985.
Bordwell, David, Janet Steiger, and Kristin Thompson, eds. The Classical Hollywood Cinema:
Film Style and Mode of Production to 1960. New York: Columbia University Press,
1985.
Bourdaghs, Michael K. Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of Jpop. New York: Columbia University Press, 2012.
12 | P a g e
Boyd, Todd. Am I Black Enough for You?: Popular Culture from the 'Hood and Beyond.
Bloomington, IN: Indiana University Press, 1997.
Boyle, Raymond, and Richard Haynes. Football in the New Media Age. London: Routledge,
2004.
---. Power Play: Sport, the Media, and Popular Culture. Harlow, UK Longman, 2000.
Bramlett, Frank, ed. Linguistics and the Study of Comics. New York: Palgrave MacMillan,
2012.
Brantlinger, Patrick. Bread and Circuses: Theories of Mass Culture As Social Decay. Ithaca:
Cornell University Press, 1983.
Braudy, Leo. Native Informant: Essays on Film, Fiction, and Popular Culture. New York:
Oxford University Press, 1991.
Brennan, Thomas Edward. Public Drinking and Popular Culture in Eighteenth-Century Paris.
Princeton, NJ: Princeton University Press, 1988.
Brenner, Robin E. Understanding Manga and Anime. Westport, CT: Libraries Unlimited, 2007.
Brody, E. W. Communication Tomorrow: New Audiences, New Technologies, New Media. New
York: Praeger, 1990.
Brooker, Will. Alice's Adventures: Lewis Carroll in Popular Culture. New York: Continuum,
2004.
---. Batman Unmasked: Analyzing a Cultural Icon. New York: Continuum, 2001.
---. Hunting the Dark Knight: Twenty-First Century Batman. London: I. B. Tauris, 2012.
---. Using the Force: Creativity, Community, and Star Wars Fans. New York: Continuum,
2002.
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Brookover, Sophie. Pop Goes the Library: Using Pop Culture to Connect with Your Whole
Community. Medford, NJ: Information Today, Inc., 2008.
Brophy, James M. Popular Culture and the Public Sphere in the Rhineland, 1800 – 1850.
Brophy, Philip. 100 Anime. London: BFI Publishing, 2005.
---, ed. Tezuka: The Marvel of Manga. Victoria, NSW, Australia: The National Gallery of
Victoria, 2006.
Brosman, Catharine Savage, and Tom Conley. French Culture, 1900 – 1975. Detroit: Gale
Research, 1995.
Brown, Jeffrey, A.
Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular
Culture. Jackson: University Press of Mississippi, 2001.
Brown, Kendall H., and Sharon Minichiello. Taisho Chic: Japanese Modernity, Nostalgia, and
Deco. Seattle, Wash: University of Washington Press, 2005.
Brown, Kendall H., and Takanami Machiko. Deco Japan: Shaping Art and Culture, 1920-1945.
Alexandria, VA: Art Services International, 2012.
Brown, Nathan Robert. The Mythology of Supernatural: The Signs and Symbols behind the
Popular TV Show. Berkeley: Berkeley Trade, 2011.
Brown, Stephen T., ed. Cinema Anime: Critical Engagements with Japanese Animation. New
York: Palgrave-MacMillan, 2006.
---.
Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture.
New York: Palgrave
Macmillian, 2010.
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Browne, Ray B. Against Academia: The History of the Popular Culture Association/American
Culture Association and the Popular Culture Movement, 1967 - 1988. Bowling Green,
OH: Bowling Green University Popular Press, 1989.
---.
Rituals and Ceremonies in Popular Culture.
Bowling Green, OH: Bowling Green
University Popular Press, 1980.
---. Popular Culture and the Expanding Consciousness. New York: Wiley, 1973.
---. Popular Culture Studies across the Curriculum: Essays for Educators. Jefferson, NC:
McFarland, 2005.
Browne, Ray B., and David Madden. The Popular Culture Explosion. Dubuque, IA: W. C.
Brown Co., 1972.
Browne, Ray B., and Pat Browne. Digging into Popular Culture: Theories and Methodologies
in Archeology, Anthropology, and Other Fields. Bowling Green, OH: Bowling Green
Bruce, Grenville, and Tim Johnson. KRAZY!: The Delirious World of Anime + Comics + Video
Games + Art. Berkeley: University of California Press, 2008.
Brummett, Barry. Rhetoric in Popular Culture. Thousand Oaks, CA: Sage Publications, 2006.
---. Rhetorical Dimensions of Popular Culture. Tuscaloosa: University of Alabama Press, 1991.
Brundage, W. Fitzhugh. Beyond Blackface: African Americans and the Creation of American
Popular Culture, 1890 – 1930. Chapel Hill: University of North Carolina Press, 2011.
Buchanan, Donna Anne. Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and
Regional Political Discourse. Lanham, MD: Scarecrow Press, 2007.
Buckingham, David. Teaching Popular Culture: Beyond Radical Pedagogy. London: UCL
Press, 1998.
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Buehrer, Beverley Bare.
Japanese Films: A Filmography and Commentary, 1921 – 1989.
Jefferson, NC: McFarland Books, 1990
Bueno, Eva Paulino, and Terry Caesar. Imagination Beyond Nation: Latin American Popular
Culture. Pittsburgh, PA: University of Pittsburgh Press, 1998.
Buhle, Paul. From the Lower East Side to Hollywood: Jews in American Popular Culture.
London: Verso, 2004.
Burger, Alissa. The Wizard of Oz as American Myth: A Critical Study of Six Versions of the
Story, 1900 – 2007. Jefferson, NC: McFarland Books, 2012.
Burgess, Jacquelin A., and John Robert Gold. Geography, the Media and Popular Culture.
New York: St. Martin's Press, 1985.
Burgess, Jean, Joshua Green, Henry Jenkins, and John Hartley. YouTube: Online Video and
Participatory Culture. Cambridge: Polity, 2009.
Burke, Liam, ed. Fan Phenomena: Batman. Bristol, UK: Intellect Press, 2013.
Burner, David, Robert D. Marcus, and Jorj Tilson. America through the Looking Glass: A
Historical Reader in Popular Culture. Englewood Cliffs, NJ: Prentice-Hall, 1974.
Burston, Paul, and Colin Richardson. A Queer Romance: Lesbians, Gay Men, and Popular
Burt, Richard. Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media
and Popular Culture. Westport, CT: Greenwood Press, 2007.
Bury, Rhiannon. Cyberspaces of Their Own: Female Fandoms Online. New York: Peter Lang,
2005.
Buszek, Maria Elena. Pin-Up Grrrls: Feminism, Sexuality, Popular Culture. Durham, NC:
Duke University Press, 2006.
16 | P a g e
Butler, Jeremy G., ed. Star Texts: Image and Performance, Film and Television. Detroit:
Wayne State University Press, 1991.
Camp, Brian, and Julie Davis.
Anime Classics Zettai!: 100 Must-See Japanese Animation
Masterpieces. Berkeley: Stone Bridge Press, 2007.
Campbell, Heidi. When Religion Meets New Media. London: Routledge, 2010.
Campbell, Josie P. Popular Culture in the Middle Ages. Bowling Green, OH: Bowling Green
Cantor, Paul A. Gilligan Unbound: Popular Culture in the Age of Globalization. Lanham, MD:
Rowman and Littlefield, 2001.
Cappo, Joe. The Future of Advertising: New Media, New Clients, New Consumers in the PostTelevision Age. Chicago: McGraw-Hill, 2003.
Caputi, Jane. Goddesses and Monsters: Women, Myth, Power, and Popular Culture. Madison:
University of Wisconsin Press/Popular Press, 2004.
Carey, John, and M. C. J. Elton. When Media Are New: Understanding the Dynamics of New
Media Adoption and Use. Ann Arbor, MI: Digital Culture Books, 2010.
Carey, Peter. Wrong about Japan: A Father's Journey with His Son. New York: Vintage
International, 2005.
Carrington, Ben. 'Race', Representation, and the Sporting Body. London: Centre for Urban and
Community Research, Goldsmiths University of London, 2002.
Carter, James Bucky. Building Literacy Connections with Graphic Novels: Page by Page, Panel
by Panel. Urbana, IL: National Council of Teachers of English, 2007.
Cassell, Justine, and Henry Jenkins. From Barbie to Mortal Kombat: Gender and Computer
Games. Cambridge, MA: MIT Press, 2000.
17 | P a g e
Cavallaro, Dani. Clamp in Context: A Critical Study of Manga and Anime. Jefferson, NC:
MacFarland, 2012.
---.
Anime and Memory: Aesthetic, Culture, and Thematic Perspectives.
Jefferson, NC:
McFarland and Co., 2009.
---. Anime and the Art of Adaptation: Eight Famous Works from Page to Screen. Jefferson, NC:
McFarland, 2010.
---. Anime and the Visual Novel: Narrative Structure, Design, and Play at the Crossroads of
Animation and Computer Games. Jefferson, NC: McFarland and Co., 2010.
---.
The Cinema of Mamoru Oshii: Fantasy, Technology, and Politics.
Jefferson, NC:
---. The Fairy Tale and Anime: Traditional Themes, Images, and Symbols at Play on Screen.
Jefferson, NC: McFarland and Co., Inc., Publishers, 2011.
---. Kyoto Animation: A Critical Study and Filmography. Jefferson, NC: McFarland Books,
2012.
Cawelti, John G. Adventure, Mystery and Romance: Formula Stories as Art and Popular
Culture. Chicago, Ill: The University of Chicago Press, 1997.
Chalaby, Jean K. Transnational Television Worldwide. London: I. B. Tauris, 2005.
Chambers, Iain. Urban Rhythms: Pop Music and Popular Culture. London: Macmillan, 1990.
Chatrian, Carlo, and Grazia Paganelli. Manga Impact!: The World of Japanese Animation.
London and New York: Phaidon, 2010.
Chester, Jeff. Digital Destiny: New Media and the Future of Democracy. New York: New
Press, 2007.
18 | P a g e
Chidester, David. Authentic Fakes: Religion and American Popular Culture.
Berkeley:
Childs, Erica Chito. Fade to Black and White: Interracial Images in Popular Culture. Lanham,
MD: Rowman & Littlefield Publishers, 2009.
Choi, Jinhee, and Mitsuyo Wada-Marciano, eds. Horror to the Extreme: Changing Boundaries
in Asian Cinema. Hong Kong: Hong Kong University Press, 2009.
Chris, D. Outlaw Masters of Japanese Film. London: I.B. Tauris, 2005.
Christopher, David. British Culture: An Introduction. London: Routledge, 1999.
Chu, Godwin C., ed. Popular Media in China: Shaping New Cultural Patterns. Fwd. A. Doak
Barnett. Honolulu: University of Hawai‟i Press, 1978.
Chun, Wendy Hui Kyong, and Thomas Keenan. New Media, Old Media: A History and Theory
Reader. New York: Routledge, 2006.
Ciecko, Anne Tereska. Contemporary Asian Cinema: Popular Culture in a Global Frame.
Oxford: Berg, 2006.
Clements, Jonathan, and Helen McCarthy. The Anime Encyclopedia: A Guide to Japanese
Animation since 1917. Berkley, CA: Stone Bridge, 2006.
Cleveland, Les. Dark Laughter: War in Song and Popular Culture. Westport, CT: Praeger,
1994.
Cobb, Kelton. The Blackwell Guide to Theology and Popular Culture. Malden, MA: Blackwell
Pub., 2005.
Cogan, Brian, and Tony Kelso. Encyclopedia of Politics, the Media, and Popular Culture.
Santa Barbara, CA: Greenwood Press, 2009.
19 | P a g e
Cohen, Sara. Rock Culture in Liverpool: Popular Music in the Making. Oxford: Clarendon
Press, 1991.
Coiro, Julie.
Handbook of Research on New Literacies.
New York: Lawrence Erlbaum
Associates/Taylor and Francis Group, 2008.
Coleman, Loren. The Copycat Effect: How the Media and Popular Culture Trigger the Mayhem
in Tomorrow’s Headlines. New York: Paraview Pocket Books, 2004.
Collins, Jim.
Bring on the Books for Everybody: How Literary Culture Became Popular
Culture. Durham, NC: Duke University Press, 2010.
---.
High-Pop: Making Culture into Popular Entertainment.
Malden, MA: Blackwell
Publishers, 2002.
---. Uncommon Cultures: Popular Culture and Post-Modernism. New York: Routledge, 1989.
Collins, Richard, and Cristina Murroni. New Media, New Policies: Media and Communications
Strategies for the Future. Cambridge, MA: Published by Polity Press in association with
Blackwell, 1996.
Combs, James E. Polpop: Politics and Popular Culture in America. Bowling Green, OH:
Bowling Green University Popular Press, 1984.
Comer, Todd A., and Joseph Michael Sommers, eds. Sexual Ideology in the Works of Alan
Moore: Critical Essays on the Graphic Novels. Jefferson, NC: McFarland Books, 2012.
Conboy, Martin. The Press and Popular Culture. London: SAGE, 2002.
Connell, Philip, and Nigel Leask. Romanticism and Popular Culture in Britain and Ireland.
Considine, David M., Gail E. Haley. Visual Messages: Integrating Imagery into Instruction.
Englewood, CO: Teacher Ideas Press, 1999.
20 | P a g e
Cooper, B. Lee, and Wayne S. Haney. Rock Music in American Popular Culture: Rock 'n' Roll
Resources. New York: Haworth Press, 1995.
Cooper, Carolyn. Noises in the Blood: Orality, Gender, and the “Vulgar” Body of Jamaican
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160 | P a g e
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163 | P a g e

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20160121 smile通信vol.06英語版

Japanese Language Major Guide

CONTEMPORARY COMMUNICATION, THE CULTURE OF MANGA

Japan in a Box! - The Scout Association

Contemporary Japanese Design

Skald - Barony of Fettburg

The Fusion of Various Food Cultures Yields a New American

Manga Movies Project Report 1: Transmedia

Cartoon and Massacre

Gallacher2011 - The University of Edinburgh