Junior Fashion Editor - Wonderland Stylist

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francesca-turner.com
M a r ch 2 0 1 3 - pre se nt
Jun io r Fashion Ed i to r - Wo n de rl an d
Stylist - Fre e l an c e
Febr u a r y 2 0 1 2 - M a rc h 2 013
Assistan t to Creative D i re c to r - Wo n de r l an d
C l i ents
Ro llac o aste r, F l au n t,
Burberry x Bafta, D i do, El l i e Go u l di n g ,
P ro n ovias Barc elo n a, Dr. Or g an i c ,
Dian e vo n Furste n b e r g (assi stan t)
+44 (0)78 00 79378 8
ulgari.
otographer
ssie Craig
Franc e sc a Tu r n e r
The Diva collection, fit for prima donnas of all ages.
Wonderland magazine
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Wonderland magazine
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Gucci
Hair Kota Suizu at Caren using Bumble and Bumble. Makeup Celia
Burton at CLM Hair & Makeup using NARS Cosmetics. Photographic
Assistance Crusoe Weston. Fashion Assistance Izzy Farmiloe. Production
Thanks ProLighting, Film Processing and Development by Labyrinth
Photographic and Deerhurst Road.
Gucci’s Resort
collection is
characterised by
relaxed, almost
pyjama shapes
and fabrics, yet
still glimmering
fabrics, as if one
had come straight
home from
Photographer
Felix Cooper
Fashion Editor
Francesca Turner
Studio 54 and
changed into an
equally fabulous
loungewear
option. What
could be more
decadent than
looking fabulous
when nobody can
see you?
000
000
All clothing and accessories
Gucci Resort 2014.
Seona Taylor-Bell. Production Assistance Sophie Tindall. Model Anastasia
Ivanova at Premier Model Management.Retouching GentlemansEdit.
Wonderland magazine
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000
000
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1970s tassel necklace from Susan Caplan Vintage Collection.
1970s haute couture YSL belt from Atelier Mayer.
Franc e sc a Tu r n e r
Photographer
FELIX COOPER
Embroidered chiffron dress by Valentino
Rollacoaster
XHOSA APACHE
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Fashion
FRANCESCA TURNER
Sleeveless embroidered dress by Christopher
Kane, burgundy PVC skirt by Burberry Prorsum and
silver Celtic necklace by Pebble
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Rollacoaster
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Green sheer long dress by Roksanda Ilincic from Browns, cream
tartan cashmere jumper by Stella McCartney from Liberty, gold
Celtic necklace by Pebble and shoes by Claire Barrow.
Photographer’s assistant EWEN
Fashion assistants GIULIA ODDI and HANNAH DOWNES
Makeup JO.FROST at CLM Hair & Make Up using MAC Cosmetics
Model KIERA GREENWOOD at Select
Thanks to Bushy Lodge, Firle
Cream knit sleeveless top by Rochas, cream knit neck piece
by Simone Rocha, cream long skirt by Gareth Pugh and gold
brass ring and silver ring by Pebble.
Franc e sc a Tu r n e r
Flaunt
THIS PAGE: GRAFFITI PRINT SHIRT AND
TROUSERS BY PAUL SMITH.
OPPOSITE: GINGHAM SHIRT BY PRADA.
KING KRULE
MEET ME AT THE CHIPPY AND I’LL CROON YOU A TUNE
Written by Alison King
Photographed by Joost Vandebrug
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Flaunt
N o v 13
SUIT, COTTON SHIRT WITH ’70S COLLAR, AND SKINNY TIE BY PAUL SMITH.
Flaunt
PHOTOGRAPHER: JOOST VANDEBRUG AT JOOSTVANDEBRUG.COM. STYLIST: FRANCESCA TURNER. PRODUCER: SEONA TAYLOR-BELL. STYLING ASSISTANTS: GIULIA ODDI AND HANNAH DOWNES.
Franc e sc a Tu r n e r
OPPOSITE: GINGHAM SHIRT AND TROUSERS
BY PRADA.
THIS PAGE: WOOL BOXY BLAZER AND WOOL
FLAT-FRONT PANTS BY MARGARET HOWELL,
COTTON SHIRT WITH ’70S COLLAR BY PAUL
SMITH, AND STRIPED TIE BY EMPORIO ARMANI.
STYLIST: FRANCESCA TURNER
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Louis Vuitton.
Photographer Fanny Latour-Lambert
Fashion Editor Francesca Turner
Wonderland magazine
Pre-fall 2013 is inspired by
Francois Truffaut’s 1968 opus
The Bride Wore Black .
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Wonderland magazine
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Hair Noriko Takayama at Untitled Artists London using Kiehl’s. Makeup Riona O’Sullivan using Urban Decay. Set Design
Samara Tompsett. Photographic Assistance Tom Ribot. Fashion Assistance Giulia Oddi and Itunu Oke. Hair Assistance
Suze Smethurst. Set Design Assistance Rosie Jenkins. Production Seona Taylor-Bell. Models Rebeca Marcos and Megan
both at Models1. Thanks Apiary Studios and Honeyjam.
All clothing and accessories Louis Vuitton PF13.
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Wonderland magazine
Photographer Fashion Editor
Kate Bellm
Francesca Turner
Miu Miu
All clothing and accessories
Miu Miu Resort 2014.
Hair Roku Roppongi at Saint Luke
using Kiehl’s. Makeup Bea Sweet using
M.A.C Cosmetics and OPI Nails. Set
Design Clementine Keith-Roach. Fashion
Assistance Camilla McGregor. Set
Design Assistance Elle Palmer Jenkins.
Retouching Allegra Pacheco. Model Irma
Spies at Iconic Management. Thanks
Frederick at Shoot Factory.
Tropical flowers by Habitat.
For resort, Miu Miu envision a
girl in bejeweled denim and blue
roses. Imagine if you will a lonely
country singer, teetering on her
flowery heels and belting out a
number about heartbreak, the
stage lights glinting off her highly
stacked bracelets as she dolefully
waves her hands.
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Wonderland magazine
Nov/Dec
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Wonderland magazine
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Photographer
Fashion Editor
Fanny Latour-Lambert Francesca Turner
Resort 2014
Left: black leather skirt by French Connection, white short-sleeved shirt and leather and woven jacket both by DSquared2 and pearl
necklaces and white and black striped perspex bag all by Chanel. Right: white leather quilted skirt by Balmain, leather and woven
jacket by Ports 1961 and sheer zebra print shirt by French Connection, round sunglasses by Sportmax X Cutler and Gross
and mini black leather bowling bag and black leather envelope bag (just seen) both by Saint Laurent by Hedi Slimane.
Leather and woven jacket by Ports 1961, sheer zebra print shirt by French Connection
and round sunglasses by Sportmax X Cutler and Gross. Binoculars by Bentley’s.
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Short-sleeved sweater by Whistles, pink leather jacket by Emilio Pucci, pink cropped trousers by Iceberg,
red leather shoulder bag by Saint Laurent by Hedi Slimane, tweed Miss Dior bag by Dior and gold chain
necklace by Givenchy by Riccardo Tisci.
Wonderland magazine
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Embroidered denim jacket by Denim & Supply Ralph Lauren, denim wide-legged jeans
by Chanel, chambray shirt by Levi’s, embroidered Miss Dior Orange Riviera bag and
Lady Dior in blue and purple calfskin bag both by Dior.
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Wonderland magazine
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Hair Noriko Takayama at Untitled
Artists London using TIGI Bed
Head. Makeup Riona O’Sullivan.
Using Chanel Le Weekend and
A/W2013. Nail Technician Ami
Streets at LMC Worldwide using
Chanel A/W2013 and Body
Excellence Hand Cream. Fashion
Assistance Camilla McGregor.
Hair Assistance Yuri Nakajima.
Production Seona Taylor-Bell.
Models The Bloom Twins. Thanks
Amanda Kaiser at Magnum PR.
Navy ribbed polo neck and navy lace short-sleeved jacket by Dior.
Pinstriped blazer by 3.1 Phillip Lim, sheer blouse with embellished collar by DKNY, pinstriped trousers
by River Island and perspex Chanel No.5 bottle by Chanel. Binoculars by Bentley’s.
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Fendi
Wonderland magazine
The Return of the
Bag Bugs
Photographer
Benedict Morgan
Sittings Editor
Francesca Turner
Set Design
Jessica Dance
All accessories from the Bag Bug Collection by Fendi.
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Wonderland magazine
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Rollacoaster
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PhotograPher PAUL PHUNG
Fashion editor FRANCESCA TURNER
Roll neck £23 by AmericAn
AppArel, embellished top
£775 by SASS And Bide,
large insect brooch £55 from
GilliAn HorSup at GrAyS
Antique mArketS and purple
damask trousers £594 by peter
pilotto
Left: Roll neck £25 by
AmericAn AppArel patterned
shirt £380 by mArni and gold
and crystal bracelet (worn as
necklace) £1,320 by cHAnel
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Rollacoaster
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Black and white knitted bra by JAMES LONG, black cotton jacket by SIMONE ROCHA
and grey trousers with white bow by J.W. ANDERSON
FASHION - FrANcEScA TuRNER
Large agate aqua silk scarf by MONICA VINADER and mauve polyester top by ROCHAS
PHOtOGrAPHY - NICOle MAriA wINklER
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PlAStix
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Wonderland magazine
int roducing
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gita
HARD AND FAST
Young female lYricist moves to new York
to start a rap career, builds rapport with
some of the biggest hip-hop producers
going, seriallY jet-sets, will one daY rule
the airwaves completelY with gamechanging debut lp. angel haze, right?
wrong. better.
Photographer liam warwick Fashion Editor francesca turner
Words jack mills
g
ita – who bowled into her Wonderland shoot with a head of fluoro
pink hair (having ditched her emphatically 90s, Lauren Hillesque braids) – rocketed into the world of acid tinged, fringe-y
US brat rap late last year with “Hood Rich”, a song so backstraightening and punchy it makes you forget just how saturated the
scene has become. Her follow-up release “Lights Out” – produced by
regular right-hand man DJ Two $tacks – is a charged, quivering track
with a foreboding, gargantuan bass drop, which cemented the status of
the Bay Area-born beat keeper as a towering new presence.
Gita, born Gabriella Pavel, was raised in Oakland, California
by parents heavily involved in the area’s underground hip-hop
community. Her father managed a horde of rap-packs and soloists
through the 90s, and headed up a series of industry parties with
cult hip-hop collective Digital Underground. “Rappers would be at
my house all the time,” she says. “From The Luniz, Yukmouth to
Numskull and Dru Down. Or I would go to their house and play with
their kids. He would host parties, at like fat-ass hotels and shit around
the Bay. Like bootylicious bitches and shit.”
As a child, Gita’s twin brother Amallio was best friends with a
San Franciscan named Natassia Gail Zolot – better known nowadays
as Kreayshawn. It was only in her teens (Gita is 22 now) that the pair
became friends. “I see her more as a filmmaker than anything else,” says
Gita, “but she’s been super-supportive of my music. She’s so sweet – the
most non-confrontational person you’ll ever meet.”
Jetting between Oakland, Miami and LA to meet beat-makers and
discuss collaborations grew tiring – so Gita eventually sought satisfaction
in Manhattan’s boundlessly effervescent arts community, moving to
Harlem in 2009. Gita’s first gig proper was at the scene-iest of Lower
East Side hotspots, vinyl spinner Venus X’s monthly club night GHE20
G0TH1K, supporting the likes of rap enigma Mykki Blanco, Three 6
Mafia founder Gangsta Boo and A$AP Mob producing force, Ferg –
artists she now regularly parties with.
“I didn’t know anyone in New York when I moved there, so I hit up
Venus on the internet,” she says. “‘Yo, want to come attend this night
with me to go see Pusha T and Tyler, the Creator at The Bowery?’
I asked her. She was into it. We just hit it off. She was like; ‘I throw
these nights, and I saw some of the stuff you do – I like you.’ So we
performed, and I had this big-ass mink coat on – I swear everyone gave
me tons of kisses for wearing that.”
Releasing newest single “Let That” late last year on Fool’s Gold – a
Brooklyn label said to have discovered the likes of schizo lyric spitter
Danny Brown, stoner rapper Kid Cudi and house pop electro-ist Duck
Sauce – was one giant confidence boost for Gita. It was only after a
chance encounter with co-founder Nick Catchdubs via mutual contact
Two $tacks that saw the track being included on the template’s five year
anniversary compilation, Loosies.
Breaks like this seem to come Gita’s way regularly. It was only in
January that she jetted to London to work on a track – albeit for an
undisclosed artist – with Mark Ronson. “Everyone’s been so ‘What?!’
about it, which I totally understand. I tried hitting him up [when I was
in London again recently] and he was like, [puts on a salty Received
Pronunciation dialect] ‘I’m going to be in Paris, so I’m not going to be
here Gita’. Everyone likes to mock him.”
In between maintaining her @-tastic Twitter page (she was even seen
swapping retweets with elusive New York-via-London dubhead Zomby
back in February) and working on a debut EP with experimental grime
producer Darq E Freaker, Gita meditates. “I don’t think people know
how to use energy,” she says. “But I totally believe in energy and stuff –
you can use it for good, it’s powerful. People tend to ignore it.”
Energy – and how to siphon it constructively – plays a huge part
in Gita’s regular routine; it seems she’s forever darting between studios,
meeting producers and talking projects and prospects. But what’s key
to her music-making approach – and what has come to define a postTwitter generation of DIY rappers – is that deals are made on her terms
alone. “We link, we chill, I meet real producers who work with big people,
and we do music. I take it very seriously,” she says, unflinchingly. “I don’t
have people sit around and write my music for me.”
Navy blue satin dress with black and
white flower patch by PRADA
Hair AMBER ROSE PEAKE at CAROL
HAYES MANAGEMENT using
L’ORÉAL PROFESSIONNEL TECHNI
ART Makeup BEA SWEET using
M.A.C. COSMETICS Nail Technician
CLAIRE K using OPI Photographic
Assistance ANDRE TITCOMBE
Fashion Assistance SAMANTHA
GOLD
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Wonderland magazine
So und S
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MIG uEL
S ou nd S
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MIGu E L
PhotograPher
Kim JaKobsen to
—
Fashion editor
Francesca turner
Jumper by LEVI’S MAdE &
CRAftEd at MAtCHES, black tshirt (just seen) and black denim
jeans both by LEVI’S, sunglasses
by oLIVER GoLdSMItH, socks by
fALKE and shoes Miguel’s own
WoRdS
StuARt BRuMfItt
0 0 0
Dream
Lover
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Haunting, sparse, sexy and soulful,
the sounds of transcendental
Californian crooner Miguel are
giving contemporary R&B the kick
in the backside it’s been waiting
for. Here, he explains how his new
record Kaleidoscope Dream is this
winter’s warming, musical nightcap.
W
hen Miguel opened for usher at his recent London show,
it was by no means incidental. the R&B legend is the
young gun’s mentor, the two of them brought together
by music exec – and one-time notorious B.I.G. manager
– Mark Pitts. “Mark was very keen that we become as close creatively
as possible,” says Miguel in his LA drawl. “He wanted to put me in with
usher so he could show me the ropes and give me advice. I was a nobody
kid. usher just trusted Mark, plus he’d already heard some of my music
and was a fan.”
So Miguel ended up co-writing three songs on usher’s 2010 album
Raymond Vs Raymond and supported him on the uS-wide oMG tour.
Miguel’s contributions to the album were far removed from the will.i.amproduced anthem that gave the tour its name: “oMG” might have been
the danced-up, dumbed-down hit that sold the album, but it was tracks
like the spacey, sexual opener “Monstar”, the sparse, slo-mo “Mars Vs.
Venus” and the Cali-funk “Pro Lover” that made the record so good when
you got it.
Miguel’s earlier solo 2010 album All I instrumentals and “Hard Way” was a hip-hop beat softened by the
Want Is You was chock-full of the same such swoon of his voice. It went criminally unnoticed in the uK, but hopefully
eargasmic R&B. “Sure thing” had an old-school his new work, Kaleidoscope dream, will make a bigger dent in a 2012
fuzz and feel, a haunting choral harmony ran climate where frank ocean’s obscuro-R&B has thrived.
through “Girl With the tattoo”, “Quickie” was
Like frank, who first made a name for himself through a free
a cocky call for a swift shag over clashing mixtape, Miguel was keen to circumnavigate the norms of releasing this
time round. Certain tracks on Kaleidoscope
dream were initially put out via “Art dealer
Chic”, a tripartite (and freely downloadable)
EP, perhaps to appeal to the influential music
blogs who love a leak or a slow drip. the
teased tracks drew attention to the rarity
and quality of Miguel. fans on critic-infested
forum I Love Music went wild; many of them
claiming that lead track, “Adorn”, was the song
of the year.
Alongside frankie o and the Weeknd,
Miguel is one of R&B’s biggest game-changers;
all of them switching up the genre, harnessing
their love, fear, doubt, horniness and
loneliness in a clever, cool new manner, albeit
with soul. “You can hear it the moment you
hear the voice. there’s a soul, there’s feeling
behind it. It’s progressive, it’s not the same
sound, not the same topics, not written from
the same perspective. People lost sight of the
individuality and R&B became so urban,” he
says, suggesting that machismo meant male
“I think the great
part about R&B now
is that individuality
is starting to be
celebrated again.
Artists are tired of
the bullshit and the
same regurgitated,
soulless stuff.”
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