teacher guide 2013 2014.pub

The deadline for peri music applications is Thursday 25 July 2013.
Peri application forms can also be downloaded from the school website:
www.brit.croydon.sch.uk/music/music home page/peri lessons
PERIPATETIC MUSIC
TEACHERS GUIDE
Available for 2013/2014
The BRIT School
For Performing Arts and Technology
www.brit.croydon.sch.uk
This booklet contains details about the current music peri teachers, available at The BRIT
School for 2011/2012.
COLIN WOOLWAY
This information is provided to help you find the most suitable teacher for you. Please
take time to read through this information and then choose the teacher you feel would be
the most suitable.
Colin Woolway has been playing and teaching drums
professionally since 1976. During those years he has
done every kind of gig including theatre pit work, Jazz
residencies, Cabaret and Variety shows, eight years with
Suzi Quatro, and every kind of situa on, from stadium
tours with 30,000 people at every show, to scout huts
and muddy gardens ‐ you name it, he’s done it.
He is best known these days as the founder of the Drum‐
sense Teaching programme, and the author of
“Drumsense” books and DVDs, and has been wri ng
monthly columns for Rhythm magazine for over 15
years!
Colin presently teaches at studios in Twickenham, Croy‐
don and Newport, and regularly presents clinics, master‐
classes and lectures, and is a long me endorser of Sonor
drums, Zildjian cymbals, Vic Firth s cks and Aquarian heads, Bill Sanders prac ce pads and
more recently Roland.
We make every effort to ensure you have the teacher of your choice, but please note that
in some cases, a teacher may be oversubscribed. It is therefore advisable to have two
choices of teacher.
INDEX VOICE Anton Browne
Jenny Howe
Katy Lipson
Beth Littlewood
James Moriarty
Scilla Stewart
Georg Tormann
Leon Trayman
Sam Marlow
Founder of the DRUMSENSE Programme
VOICE AND PIANO Carollyn Eden
OTHER INSTRUMENTS Piano Matt Dibble
Claire Tilby (also Flute, Clarinet, Saxophone)
Guitar Kevin Keating
Derek Baxter
Drums Andy Woodard
Colin Woolway
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DEREK BAXTER
Bass/Double Bass
Derek Baxter teaches all aspects of bass guitar from fin‐
gerboard harmony, bass line construc on, sight reading,
groove playing including styles such as Funk (finger style
and slap), Pop, Rock, Reggae, Blues, Jazz (walking bass)
Country etc. Specialist techniques such as soloing, chord
playing, harmonics can also be included.
Custom hand outs and backing tracks are provided to
maximise the students prac ce me and progress.
Derek also teaches double bass in the jazz walking bass
and soloing style incorpora ng jazz theory into the les‐
sons.
ANTON BROWNE I’m a working singer and an instrumentalist in the genres of blues,
soul, jazz etc. performing on 100+ gigs a year ‐ my experience is
current! It has been a pleasure to teach singing at The BRIT School
since it opened in ’91. I co‐wrote and now teach the Popular Music
Vocals singing grades (accredited by The London College of Music)
and I was selected to tour as a vocal coach for BBC TV’s ‘The Voice
UK’ – Series 1.
As a teacher my main objec ve is to help students acquire a thor‐
ough understanding of their voice – how it works, how best to use
it. I help them to develop techniques that will protect the voice
while maximizing its range and projec on. I support students in
developing their unique, individual style.
My technical singing training focuses on:
DRUMS
ANDY WOODARD
Hey there, I'm Andy Woodard, one of the Drum Kit teachers here at The BRIT School. I teach
Colin Woolway's Drumsense method which covers every aspect of drumming, including Kit,
Snare drum, Reading, Jazz, La n and Grade Exams. (more info at www.drumsense.com)
This syllabus not only allows students to take exams in
Drum Kit, but also prepares them for dealing with the
expecta ons of a professional drummer in today’s
music industry. Details of my music, gigs, drum clinics
and appearances can be found at www.myspace.com/
freshmanband and www.myspace.com/andywoodard
Andy : ) [email protected]
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Breathing and support
Resonance and Placement
Range and Registers
Blending/Mix
Belt, Shout & Scream (safely!)
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Agility
Alignment/Posture & Relaxa on
Microphone and Recording Techniques
Agility
Musicianship for Singer
In the classroom I employ a range of techniques and technical equipment used by profession‐
als in the industry, including reverb, eq, compression and (love it or loathe it) auto‐tune, as
well as the most current devices, apps and technology for making backing tracks and their
own prac ce recordings to help them prepare for exams. Along side gaining a sound musical
understanding I encourage students to have fun experimen ng as they explore and develop
their unique individual style.
JENNY HOWE Jenny moved to London in 1992 from her native home in Cork,
Ireland. She began her career in the UK mainly working in The‐
atre. In 1994 Jenny joined the National Youth Jazz Orchestra; she toured extensively with them in the UK and abroad, and
appeared several times at Ronnie Scotts where she is featured
on many of their live albums including Cottoning on, In Control,
and A View From The Hill. She is also featured on the compila‐
tion album Nite at Ronnies. Consequently she began working
with Shakatak and toured Japan with them.
More recently Jenny recorded the main soundtrack for the film
The Brylcreem Boys, starring Gabriel Byrne, and Jean Butler, and sang at the Cannes 13
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film festival, where it was premiered. Since then she’s been featured singing in films in‐
cluding Dream, Hot Gold, and the James Ellroy film L.A. Sheriffs Homicide.
GUITAR KEVIN KEATING Jenny has just finished filming in Belfast, where she plays the part of Mrs Croucher in the
recently released Spike Milligan film Pukoon, starring Elliot Gould, and narrated by Sir
Richard Attenborough. Other TV credits include TFI Friday, BBC Hall of Fame, CH4 comedy
series Barking, and BBC Looking Good, she has also done voice‐overs for programs such as
BBC's Ballykissangel, Falling for a Dancer, the CH5 series The Imperial War in Colour, Na‐
tional Geographic, Puckoon and an Alpha Romeo T.V commercial for Ireland.
Kevin has been a guitar player for many years
teaching at most levels. He has just finished
performing in the west end hit show "Zorro" and
is currently touring with the "Magic of Motown"
show, which is playing to packed houses. I teach
at The London Music School as well as The BRIT
School.
Downtime a new dance album released by the band Playpen, features Jenny singing lead
vocals on two co‐written tracks, playing on many ITV and BBC programmes.
Jenny has recently completed the track “Heaven on Earth” with production outfit Shut up and Dance, due for release soon on their record label.
Jenny appeared at the Queen Elizabeth hall singing with a 45 piece orchestra in a show
“Rhapsody in Blue” celebrating the music of Gershwin, and with the Ray mcVay Glenn Miller Orchestra at the Pavillion Theatre Worthing. Training Irish Operatic Repertory Company
V.E.C Stage Craft Course‐ Grade A in Performing Arts
Theatre Work Dorabella in “Cosi Fan Tutti”
Gretchen in “The Student Prince”
Nancy in “Oliver”
Maid Marion in “Babes in the Wood”
Teaching PTTLS course completed December 2009. CRB Checked July 2010‐LCM Singing exams Grade 3‐7‐Musical Theatre and Popular Music‐ 98% Pupils obtained Distinctions The Brit School, Prendergast School , Theatre Train ‐ Watford (Ages 6‐9, 9‐12, 12‐16), Jazz
Course at Blackheath Conservatoire Of Music and The Arts, Vocal Coach‐ National Youth
Jazz Orchestra, ICMP‐Vocal Institute, Kilburn, London.
One To One Private Teaching covering all styles, Bishop David Brown School Wo‐
king
Recent Film Soundtracks The Brylcreem Boys, L.A. Sheriffs Homicide, Hot Gold, Dream.
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I am qualified in Classical Technique and
“experience qualified” in studio and perfor‐
mance requirements which requires knowledge
of all styles and includes reading and wri ng
music.
QualificaƟons (All QualificaƟons earned at Trinity College London in Classical Guitar recital) . Grade 8 Performers Cer ficate.
ATCL Present Teaching posiƟons
The London Music School (Head of Guitar) 4 Years
The BRIT School 5 Years
Private teacher 10 years
Performance (Venues appeared at) The Royal Fes val Hall, The Barbican, Ronnie Sco s, The
100 club, The 606 Club amongst 100’s of others and performed in many countries worldwide,
playing many styles of guitar.
Studio Work Pieces of a Dream, "Keep Risin' to the top"(Soul) Hit, Innocence "Natural
Thing"(Soul) Hit, Innocence "Lets push it"(Soul) Hit, Innocence "Remember the Day"(Soul)
Hit, Innocence Belief Album (Soul) Hit, Alan Price album "Based on a true story" all Guitars Bill
Tarmey, "Jack and Bill" (Big Band), Gerard Kenny (Tour)(Lead Guitar), Cedric Samson of Movie
"Mandela", "The Laureus Sports awards sessions (Various Guitars), Oxford City Orchestra
(West Side Story)(Various Guitars), London Symphony Orchestra (Songs of Love), Spanish Gui‐
tar Derek Wadsworth (Television ad, Rover Cars), Highlander (Heavy Rock strat gig), Ken Liv‐
ingston project "Keep London Tidy" , all guitars including solo. SHOWS “The Rat Pack”,
“Dancing in the street”, “Songs for swinging lovers”, “The Dri ers”, “Saturday night at the
movies”, “West side story"
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If you are a student wishing to complete instru‐
mental exams Claire follows the ABRSM/ Guild‐
hall Trinity/ LCM Classical & Jazz Syllabuses
Grades 1 – 8.
If you are studying a woodwind instrument and
you are not a beginner Claire likes you to work
towards an exam.
If you are a student not wishing to take exams
but wanting to learn additional instrumental/
vocal skills please see below:
Jazz Piano Tuition – Chord reading/ Modal Harmony/ Pentatonic and Blues Improvisa‐
tion/ Circle of 5ths / Jazz Standards etc..
Classical Piano Tuition – Learning to read music/ Music Theory/ Classical Favourites/
Soundtrack scores etc.
Vocal & Piano Tuition Combined – Learning to read music/ chord reading/ composition
& arrangement/ vocal techniques i.e. breathing/ tone / range extension/ microphone
technique etc..
Jazz / Classical Saxophone Beginner – Whether you wish to learn Classical or Jazz Saxo‐
phone you will need to purchase the book Saxophone Basics by Andy Hampton.
Jazz/ Classical Flute Beginner – Whether you wish to learn Classical or Jazz Flute you will
need to purchase the book Flute Basics by Sally Adams.
Jazz/ Classical Clarinet Beginner – Whether you wish to learn Classical or Jazz Clarinet
you will need to purchase the book Clarinet Basics by Paul Harris.
All of Claire’s students have an online support with additional help sheets/ aural tests/
theory flash cards/ singing exercise sheets at Claire’s website www.tilby.co.uk
If you are interested in learning a woodwind instrument but daunted by prices of instru‐
ments, here are a few good sites in the UK that provide cheap but good quality instru‐
ments: http://www.gear4music.com
http://www.studentmusicsupplies.com
KEN SHAW Ken has been playing guitar professionally since he left school. Originally a guitarist with
bands, including blues, soul, jazz and funk, Ken then went freelance, working with many
well known singers both male and female. Ken has toured many countries as a guitarist
including America, Canada, Japan and all over Europe. Ken has also worked as a session
guitarist on TV and Radio as well as a session guitarist for a number of bands.
Ken has recently started doing West End shows and has depp’d in many of them.
Voice‐overs TV‐BBC “Ballykissangel.”, TV‐BBC “Port Authority.”, TV‐BBC “Falling for a Dancer.”, TV‐CH5
“Imperial War in Colour.”, BBC Radio 2 (Various links),
RTE Radio (Ireland), NATIONAL GEOGRAPHIC "The Mummies Roadshow"
Recent Live Work (Singing) Pavillion Theatre Worthing‐Soloist‐ The Glenn Miller Orchestra,
Queen Elizabeth Hall‐ “Rhapsody In Blue”‐ A Tribute To George Gershwin,
Purcell Room‐ “Some Of These Days”‐A Tribute To Ann Shelton‐
BBC‐ “Hall of Fame.”, BBC‐ “Will you still love me tomorrow.”,
National Youth Jazz Orchestra, Shakatak.‐Tour UK and Japan
Ronnie Scotts, Performance of title track at U.K premiere of “The Brylcreem Boys”
Recent Live Work (Acting) Mrs Croucher in Spike Milligan film “Puckoon.”, BBC‐ “Looking Good.”
CH4‐ “Barking.”, CH4‐ “T.F.I Friday.”, CH5‐ “Wing and a Prayer.”, BBC‐ “Shooting the Past.” ,
RTE‐ “Murphy’s Stout Commercial.”
Other Work Album “Downtime” co‐written and recorded two tracks featured on BBC and ITV.
Heaven and Earth‐ Track recorded on Album for "Shutupanddance" record label.
KATY LIPSON Katy Lipson is a young Musical Director, Composer, Vo‐
calist and Producer of theatre. She has a vast knowledge
of repertoire through the Musical Theatre and Popular
Music culture and currently is heavily involved in the de‐
velopment and production of new musical theatre in the
United Kingdom. She runs two theatre companies which
she is also the Resident Musical Director for.
Her style of teaching is through a combination of tai‐
lored techniques for the student’s specific instrument in
addition to text and musical understanding. She is a very
strong accompanist and enjoy working on performance
and acting through song. When focusing on material she
encourages her students to first of all understand the
dramatic through‐line of their song, the musical style
needed, the musical phrasing and dynamics indicated
and then she explores the student’s voice and ways to
develop different colours accordingly to support the de‐
mands of the text.
For details for Katy’s career please visit: www.katylipson.com
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4
BETH LITTLEWOOD Beth Littlewood was a junior exhibitioner at the
Guildhall studying Cello and piano, whilst there
she won the string prize. She then studied Sing‐
ing, piano (classical and jazz) on the graduate
course. During this time she formed a 5 part a‐
capella vocal harmony group, sang in the Guild‐
hall Jazz Singers and did a two year certificate in
acting, part time at Goldsmiths. After she left
Guildhall she was in the indie/pop group Jim Jimi‐
nee touring and making television appearances
and videos. She then left to do a post graduate
acting course at Guilford School of Acting and
Dance. Since then she has balanced teaching and
performing.
Beth has taught and been a visiting lecturer at
Central School of Speech and Drama, London
School of Musical Theatre, Bretton Hall, Goldsmiths, Pimlico Special Music School, Zip Thea‐
tre School, French Woods Performing Arts Camp, New York and many other institutions.
Many of her students are now working in the profession.
Performances include work in music and theatre, working with Leitmotif
Opera, Hampton Garden Opera, Opera Europa, Opera Holland Park
British Youth Opera, Opera Lyrica and London Baroque Opera. Theatre
work includes Lady Booby in Joseph Andrews (at the Young Vic) Moti Roti at the Lift Festi‐
val and Ralf Ralf at the Royal Court Theatre.
Musical Directing and directing includes a production of The Selfish Giant (which she had
composed the music), Dido and Aeneus, Westside Story, the Rocky Monster Show, Bugsy
Malone and The Wizard of Oz.
She has been teaching at the Brit now since 1992. Her primary aim is to build excellent vocal
technique which will stand students in good stead for whatever repertoire they choose to
learn. She has an excellent record with vocal exams with the average mark being a distinc‐
tion and no fails. She successfully prepares students for internal assessments, GCSE/BTECH
and college and university entrance. Students who lack confidence are given full support
and encouragement. Students are challenged to fulfil their potential.
5
OTHER INSTRUMENTS PIANO MATT DIBBLE Matt studied Music at York University, grad‐
uating in 2002. Since then he took the Jazz
postgraduate course at the Guildhall School
of Music and Drama, and has been in various
bands, including a hip‐hop group, a 1920s
Parisian Jazz quartet, as well as wedding
bands and Music Theatre work.
The new album Daytime TV is set for release
on July 18th 2011. The single ‘Daytime TV’
was released online on December 6th 2010
on the gongo records label, and has had Ra‐
dio 2 play.
He has composed and produced a wide variety of music including the solo albums For Everyone, Self‐Portrait, Dream Of The Sun, Love From The Blue and the EP Sarah.
Instrumental works include Break Up Suite, Scottish Suite, Four Pieces for Piano and a
Piano Sonata.
Scherzo, No Reason, Toast and the 234567 Suite were written for the contemporary
group DOLLYman, in which Matt plays the clarinet, sax, keys and sings.
www.facebook.com/mattdibblemusic
CLAIRE TILBY Saxophone/ Clarinet/ Flute/ Vocal/ Piano Tuition Claire has been a successful session musician and live per‐
former for over 10 years. She can be found most weekends
performing up and down Central London with her Jazz Duo
Saxonvibe.
Claire is an ex Brit School music student and has a BA Hons
Degree in Popular Music and Recording from Salford Univer‐
sity.
Claire is a multi instrumentalist and her main specialism is
Jazz and improvisation but teaches anything from classical
to pop/ rock.
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VOICE AND PIANO
Carollyn Eden ( http://www.carollyneden.com )
Specialisms: Piano: Classical, Jazz, Songwriting
Singing: Classical, Musical Theatre, Folk, Singer‐songwriter,
Carollyn Eden soprano/singer‐songwriter was born in Ashton‐
under‐Lyne and grew up in Leeds where from a very early age
music became one of greatest joys. She took every opportunity
to sing and play music, learning the flute and the piano and be‐
coming a cantor at Leeds Cathedral. At eighteen she won
the Harrogate Young Musician of the Festival as a pianist and
that year came to London to study piano at the Guildhall School
of Music. While there she enjoyed performing works by contem‐
porary composers and was particularly drawn to working with singers. On leaving the
Guildhall she set out on the journey of becoming a singer herself, studying with many high‐
ly esteemed teachers such as Mary Hammond, Paula Anglin, Emma Kirkby and Sally Bur‐
gess and studying acting at Richmond Drama School and with the inspired coach Delia Lin‐
don. She immersed herself in all styles of music including classical, jazz, folk, Celtic rock
and musical theatre. This led her to songwriting and performing as Astraea, through which
she met her husband to be, composer Mark Glentworth with whom she has collaborated
on songs and as a librettist on two operas. As a singer Carollyn has performed in a diverse
cross section of music from early music groups to experimental projects, including recent
performances at the Brighton Festival and the ICA with composer Alex Nikiporenko and
artist Matthew Stone. Carollyn is a founder member of Storm Deva, a band crossing the
boundaries of classical and folk music. The band’s website is http//:www.stormdeva.com
Teaching methods Teaching has been an integral part of Carollyn’s life since completing her own musical stud‐
ies. She has taught students of all levels from beginners to those already in the profession
and her aim is to guide each individual towards realising their true potential whether they
are aiming towards a career or are just learning for their own fulfillment and pleasure. She
believes learning should be a fun and creative process and does not have a set method of
working , but instead tailor makes lessons to suit each individual student. Although she
encourages students to have a good technical grounding in music, she is also open to
teaching in a freer way including learning music by ear.
As well as having taught at the BRIT School for many years, Carollyn also currently teaches
at J.A.S.S.P.A ‐ James Allen Girls School‐ Dulwich as well as teaching from home.
Previous teaching posts include Cumnor Boys School, Banstead Academy of Performing
Arts, Sue Nieto Theatre School
Other Experience Musical director of The Honor Oak Singers‐ chamber choir,
Additional Information: Carollyn is currently learning the celtic harp and absolutely lov‐
ing it! Maybe she will she be teaching harp in a few years? Watch this space.
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JAMES MORIARTY James is a former graduate of GSA and worked as an actor
for several years in the West End, na onally and abroad. He
has worked as an MD and composer for over 15 years, his
work includes extensive na onal tours of Barnum, Seven
Brides for Seven Brothers and the Canterville Ghost, several
summer seasons in Norfolk as well as over a dozen panto‐
mimes in and around London. As a composer he has worked
at Shakespeare’s Globe and The Gate Theatre and has
wri en song se ngs for several Shakespeare plays, Greek
comedies and numerous children’s classics. He has also com‐
posed numerous television credits including the BBC’s Arena
series and on radio he has performed and musically directed
classic serialisa ons such as the BBC’s Mill on the Floss and
Middlemarch. James is a tutor at GSA and has MD’d several graduate produc ons including
‘Parade’, A ndrew Lippa’s , ‘The Wild Party’, ‘The Light in the Piazza’ and Sondheim’s ‘Passion’.
SCILLA STEWART Scilla Stewart gained BMus and LRSM (piano) at Auckland University New Zealand before con‐
nuing post graduate studies at the Royal College of Music London and The Na onal Opera
School.
She has travelled extensively world wide performing Gilbert and Sullivan, Opera, and concert
tours and was musical director for The Royal Shakespeare Company.
Opera c performances throughout the UK include English Na onal Opera for their new pro‐
duc on of Death in Venice (Benjamin Bri en) 2007 , and Medea (Milhaud) London Premier.
She has performed at major concert venues including Royal Fes val Hall (Verdi’s Requiem).
For television she took part in The People’s Passion for BBC1 and was in the Channel 4 series
of Geeves and Wooster.
Scilla is a mezzo soloist for ‘The Garden Party’ (by permission of
the Royal Opera House) recently singing with the Band of the
Welsh Guards at Wells Cathedral.
Recitals include Wigmore Hall concert series, fes vals throughout
the UK and a solo recital at the Fairfield Halls Croydon.
Scilla has taught singing throughout her career, at Guildford
School of Music and Dance, Guildhall and at RADA, and of
course, The BRIT School. She currently has pupils in major roles
in leading West End Musical Shows, and believes that a sound
technical foundation is the basis for a solid career as a singer/
performer. Scilla teaches Classical repertoire and currently has
students at BRIT entering Grade 8 ABRSM examinations, and
Musical Theatre students entering Diploma examinations.
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GEORG TORMANN
LEON TRAYMAN
Musical Theatre, Pop, Classical
Georg has been a teacher at the Brit school since 2001.
His wealth of experience as a teacher and vocal coach has guided ar sts to achieve leading
roles in Londons West End and also to the top of the Bri sh Pop Charts.
Georg believes that everyone has the ability to learn to sing and enjoy their voice. Whether
you are a complete beginner, or already an accomplished singer, your 1 to 1 peripate c les‐
sons allow the possibility of a lesson completely tailored to your needs!
The 30minute Peri lessons with Georg can (at your request) include:
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Vocal exercises to stretch and strengthen your voice (range extension)

Music theory and learning to sing at sight

Ear training (vital for excellent tuning)
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Repertoire prac se (Georg is an accomplished pianist)
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Exam and assessment prepara on including LCM exams
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Song wri ng skills
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Vocal improvisa on
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Drama coaching for Musical theatre repertoire
Georg gained a Bmus degree from Goldsmiths
college London and con nued postgraduate
studies in advanced vocal development for 8
years at the 'School of Vocal Art' in Russell
Square.
He has performed widely in Musical theatre,
Cabaret, Opera and Jazz touring the U.S.A and
the UK frequently. He is an accomplished Jazz
pianist and has musically directed many musi‐
cals including: Carmen, Company, South Pa‐
cific, Kismet, Cabaret, and Grease. With his
choir, the London Concert Chorus, he has per‐
formed all round the UK including the Royal
Albert Hall and Birmingham Symphony Hall.
He has been a vocal coach on Radio 4 and is currently vocal coach for Authority Management who had a number 1 hit, with a vocal by Georg's student Ella Eyre, in 2013.
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Leon is a professional actor & trained at the Central
School of Speech and Drama, he also trained as a mu‐
sician during his childhood & teens. Since gradua ng
he has worked not only as an actor, but also a voice
coach, singing teacher, corporate trainer, musician,
theatre director (for which he has won several
awards), voiceover ar st as well as a s nt as a recruit‐
ment consultant in the city! Leon also runs a company
who provide vocal coaching to professional people,
including teachers, solicitors, personal stylists, mar‐
ke ng consultants & actors. Due to his varied career so
far, his teaching style is very adap ve to the needs of
the people he's working with...he o en uses the scien‐
fic aspects of the Es ll Model when teaching, but
draws on the other areas musicianship, vocal as well as
ac ng methodologies to work towards the best perfor‐
mance possible.
SAM MARLOW
Sam Marlow graduated from the BRIT
School in 2003. A er BRIT he was
thrown straight into touring with rock
band 'Namaste' throughout Britain and
Ireland and then into the studio to rec‐
ord their first studio album 'Every Pic‐
ture Tells a Story'. A year a er the re‐
lease of the album they were signed by
Crater8Records in Vienna to record a
second album and tour. The band
moved to Vienna and spent a year in
and out of the studio and then toured
Europe for the next two years. A er having some success in the Austrian and German market
regularly being on radio and TV they returned to London to work on a third album. In 2008 the
band released an EP and played regularly round London. Since then Sam has gone on to work
with many London ar sts and songwriters, working with them to improve their sound. Sam
released an EP of solo material on iTunes in December 2011 and is now working on his first
solo album for release in September.
With 8 eight years experience working in the studio and touring Sam has learnt how to main‐
tain and improve the voice when working as a professional musician or ar st in the music in‐
dustry. Whether it's knowing how to look a er your voice when touring every night or prepa‐
ra on for going into the studio he will teach you how to keep your voice healthy in this highly
intense industry.
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