"Non Piu Andrai" of Mozart

Transcription

"Non Piu Andrai" of Mozart
Harmnie
pn/gtr
No4 Mozart
r,r0066
-{t
-"
t)
/\,
( (-l )rr
,/
.,
9,
\ )<-.--
'.i
-\__/
'ZdJ33
\
'--.--/'
=--__,-z-
,[
-lflLre,\l]pi,r,re
Sfi{ert
}llara'nr
2't1rcMoulb'lauetAazLfaslizazo'ezrtrutJYdssJ'ottgt
g${,pclthnws,Er$,5rqref,Gd{r-VuAvt/tz-Zf,trlsnuno."
3'l1lc
9lilo$Low&tnuz.t/e/oc!.fing8t,dtc-&.vaian']/rh,*r/s
/,
lRoifs.il$uon.'trnIalltz
zl'lr\ai,,ulPiu.^\rnalrri,1,o,f
5 ila
l\1lorurt
.Oro'mnryps"s
Clorc,n
Sa":utiur:llile
{) Krdflnu, lFavor.ite Sw.filb lliiamul,o
/it/
tl
h -2."r-r,
W -l{u.vt'I)dn*'
Xlt
clttTavoritetrnrmtim$ So,n$
Strl
u,ortoe
eb,el aonfientci' lPnciiuri.
/
/t'*.e */-
.,\7o..Jtcr/Z.
i\--,
hrl'h:rl,t/ lv ,\2EZ.VA'H(; tt r*AiStatta:f
.y't
t
r/
/ itlr l;l
'1.'.\rrr$,re (i
Nt:rr,.[
o:*
1f
gttffiz;a-Spanzsh. Cuiltzrs,?lc,rrpar|,\'hr)r.r/s,
//t e -h O c n rttw ( 7a7Sz i zt / "hZt' n nrikTlT d;.t,
- ,qrr,i,r,r,f,risfiL rffiffi*,uurll.? lN'tt'..?l'
iCrl't;rrt' (i(t ;,ellst,rts ,lXa,l,,c,lti .,10 jDu,et[inms
/ti ./t y'ut. J'lt iv.t. (
iriy /
z
S,u,r'
t4]hxsl's[.xr,s
lir,,:r il.lleGrili,I,ar',i\'l[t;u'rr-l'l,ugter
.-i'|rru"/.
&c,i\c
.
2
G U I l.t n.
a3
eivD(raM
P
LU .4 .nP n n *4. n o"
Mo z aRT.
Lt Har rno tt i,'
-r-
.' 4 -
3
GUITAR.
I)run.
7-
loco.
lY
ff
++
r rrrl
f f l'f fff ff
r(r
I
-1)
rr
_?
rl
rrf
t!, ,(- '
Ne4
pn/gtr
Harrpnie
\\rZA'
r,r0066
No4 Mozart
rs[,js"J&MTE
-{t;
W.",8
oN1tHru }[o$A. IhMI3il'tT; 'ilWk"Ntus
)
,&
,L -fihc,\lilpine Sfta$eru
7 neritzil$edsAfrr llnnnu$i,nto'.fi,"oh.rrno]riitrn'
Nfarru.nr
2'fl ,rc M,,llu lb'lane tWaal.faaftiataan* tuy t Jlr ots J'angt
8Stoclrilmwseris.tuftf,Gl$Z,tgpytnz-7f,vtlsnuno."
3 "l1lc lRofsignoiL'lValltz
gliloSx.ove4z:mauueb(ysimg!,b4c&.zvaian'Iliailrr/s
z.l'^r\al,rl. lPi ur
5 ila
^\na,ra
i-'1qr:F l\1tro
/,
fOro'm,in4o"s'2*t6*r., W .l{ust;I)nn*'
a;u.t
ll|.
CA.orc,n
Sq'.utimc.[ne
d[']avoriteJtrurmtin$So,n$
lCtrl u,*ro* ehel contenfi
{) Koe{[as, ]Favonifie SwjLts ]l'iouul o
/)r/
lt
ai'
Pnc:iuri.
,/
liuz'e */-
.,\7u .JterlZ.
f\.-....----,
hr/rh:rf ,r/
lv
,roIL7.VA7.vG
.y'ttr./
'1.'"\rrro-r'r.
i(rr l'[i
fi
* cfhi;tarAnr gMusaJpanzsh.
/iil/t;/tr'r:* 1f t/te fr'Ocu'rn:.a
N T.lrr ,"[
-
,l1rr,L,rrlf,risfrL
ret' (j () .l , e[3 t rrts .lXa,L,,c.tti
Cuztart,?uz,77.24,72.',\'177)1.r7.:'.
(4tt/Sziu/'b/in'enATl'?'ry'i.r,
zffif*rlrl,unllz lN'3r'.t?l' S,ur' 24lhxp,1'41[.sr,s
I
,.l,Lr
iDu.ettirrl,os lir,,rr rhe Gluri,I,zur',,t']t'i'ru,rr,t':r,ryrtel J$c,r\r
/ti,/t y'ur J'lt ivt, ( irin
/ .-i7rrct.
.
2
(right
.(
page)
oJ!r0
nv P I
uI
ndoNtDfrAn-o"
ALLA(inu.
Preuo
F'onre.
3:.
LtHarn,onie NP {,.
-
38
{E
ffi
1b
UH
, ,l
^ .;a
'rft^\il
#R...
l.
tll rtrronie
N9
{.
8:*.--""'
Johannirrg & Cl., tin Jolrrr Street Orford St
M'SIC
From
FOR GI'ITAR AI{D PIANO
the collection of the Library of
Congress
L': tP 4. "Non Piu Andrai" of l{ozart.
Publ: Johanning. 5 pages (2 gtr, 3 pn). ID=Harnonie.4.Mozarr,.
110066 IIARIONIE,
(bt=beati gr=notar,ed middle C.)
bt2-3 treble! tie added between b2 notes.
CORRECIrONS:
Pn40
Pn45
Pn47
btl-2 treblei tie
btl-2 treble! tie
added between e3 notes.
added between a2 notes.
@t{MElrTs:
Gtr68-69: Presr:nably, "drum" means the tambora effect. If so, add fr to the chords on
bt2-3 of gEr69. Three guesses as to where the drum strokes fall are given below.
a. Observes the precise printed location of the drum instruction.
b. Assumes the drum strokes fall at the same place in the second measure as in the
c.
first.
Assunes the dnrm strokes fall at the same place in the
second.
Beware of unmarked triplets, for example in gtr108.
Original has "Catalog No. 1 of New Guitar Music".
Is IVon
Andraj
from
Mozart
"Non
piuPiu
andrai"
is from
the a
opera
"Il Nozze
di Figaro"
by which
W. A. Mozart.
opera?
If so,
one?
first
meaaure as
in
the
DBFINITTONS:
Loco
Loco
= "place" = play notes in norrnel fashion after drum effect. (gtreg)
= "place" = play at written pitch after 8'" indication. (pnl03)
TIBRARY OF @NGRESS CAI,L Nt,n{BBR: VI276.H
IIIANKS! Ttre publisher
(in box labeled
is indebted to pianist
"M276
Elmer Booze
A-").
for his proofreading help.
facsimile
material
original
OOSIRICIA:
containing
This performance
This
“performance
facsimile”, with
restoration,
corrections,
measure
numbers,(c)
andCopyright
other aids1997
for
my
contact
information.
Search
name
web
for
Thanks.
by
Donald
Sauter.
on
the
to ready performance, was created by Donald Sauter (1997) and is offered freely to the
world.
?-+
ri ?
I