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The Avant-Garde and Latin-American Photography
November 15th – December 19th CCEMiami presents: “The Avant-Garde and Latin-American Photography: The Poetics and
Discourse of the Modern Gaze.”
Miami, FL, October 31, 2014 --(PR.com)-- The images included
in “The Avant-Garde and Latin-American Photography: The
Poetics and Discourse of the Modern Gaze,” date from the
1930s until the early 21st century. Artists include Ruven
Afanador, Manuel Álvarez Bravo, Hugo Brehme, Martín Chambi,
Emilio José Chamont, Valdir Cruz, Alberto Díaz Gutiérrez
(Korda), Hector Garcia, Flor Garduño, Luis González Palma,
Pepe Hanze, Graciela Iturbide, Guillermo Kahlo, Luis Mallo, Tina
Modotti, Nickolas Muray, Antonio Reynoso, Sebastião Salgado,
Javier Silva, Bernard Silverstein, Pablo Soria, Edward Weston,
and Mariana Yampolsky. Their countries of origin include
Argentina, Brazil, Colombia, Cuba, Ecuador, Guatemala, Mexico
and Peru, as well as Germany, Italy, and the United States.
Llamadas a Cuba
Oferta: ¡Incluye 15min gratis!
35 minutos a Cuba por $10
The exhibition, curated by the independent art critic and curator
Dennys Matos, traces two directions that answer to a curious
poetic and discursive conjunction between realism and the
photographic avant-garde in Latin America: Bodies and Faces
(Cuerpos y Rostros) and Landscapes: From the Rural to the Urban (Paisajes: de lo rural a lo urbano). In both we
can detect a conjunction between, on the one hand, an exploration of realism as the search for a faithful depiction
of reality, whose images begin to create a modern gaze over the multiple and contradictory Latin American cultural
identity, and on the other, the social space as manifestation of the tensions between individual and society, history
and myth. But it also assumes the conflicts inherent in human urges, desires and repressions, whose spirit is openly
transgressive, and as such, opposed to “the state of the real.” Accordingly, the selection of photographs
encompasses several genres, including the portrait, the landscape and documentary. What emerge are a number of
groupings that find surprising correspondences between artists whose diverse poetics and discourses confront and
connect to each other. These demonstrate the richness, expressiveness, imagination and singularity of this
magnificent group of photographs as expression of the modern gaze on the lived reality of Latin America.
“The Avant-Garde and Latin-American Photography: The Poetics and Discourse of the Modern Gaze”, activates
through its images a vision of modernity that presents and celebrates an ethno racial reality that resists positivist
http://www.pr.com/press-release/589617
Page 1 of 2
The Avant-Garde and Latin-American Photography - PR.com
5/26/15 11:37 AM
models of classification. These images construct a discourse on modernity that reflects on the profound hybridism of
Latin American culture, from the Caribbean to Tierra del Fuego, that points as much to the region’s natural wealth
as to its material and spiritual history. Graven in these images are its colonial past as well as its postcolonial history,
as a gaze that interrogates and reveals the variety and complexity of the differing advances achieved in the
construction of Latin American modernity.
More info at:
www.ccemiami.org
Contact Information
CCEMiami
Veronica Alvarez
305 448 9677
Contact
www.ccemiami.org
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Page 2 of 2
The Avant-Garde and LatinAmerican Photography
VISUAL ARTS
MIAMI
Sat, November 15 – Fri,
December 19, 2014
Venue
Centro Cultural Español de Miami,
1490 Biscayne Boulevard, Miami, FL,
33132
Admission
Free and open to the public.
More information
CCEMiami
Credits
Organized by CCE Miami.
CCEMiami presents The Avant-Garde and Latin-American
Photography: The Poetics and Discourse of the Modern Gaze,
curated by the independent art critic and curator Dennys
Matos.
The images included in the exhibition date from the 1920s until the early
21st century. Artists include Ruven Afanador, Manuel Álvarez Bravo, Hugo
Brehme, Martín Chambi, Emilio José Chamont, Valdir Cruz, Alberto Díaz
Gutiérrez (Korda), Hector Garcia, Flor Garduño, Luis González Palma,
Pepe Hanze, Graciela Iturbide, Guillermo Kahlo, Luis Mallo, Tina Modotti,
Nickolas Muray, Antonio Reynoso, Sebastião Salgado, Javier Silva,
Bernard Silverstein, Pablo Soria, Edward Weston, and Mariana
Yampolsky. Their countries of origin include Argentina, Brazil, Colombia,
Cuba, Ecuador, Guatemala, Mexico and Peru, as well as Germany, Italy,
and the United States.
The exhibition, curated by the independent art critic and curator Dennys
Matos, traces three directions that answer to a curious poetic and
discursive conjunction between realism and the photographic avant-garde
in Latin America: Bodies and Faces (Cuerpos y Rostros), Landscapes:
From the Rural to the Urban (Paisajes: de lo rural a lo urbano) and
passages.
Accordingly, the selection of photographs encompasses several genres,
including the portrait, the landscape and documentary. What emerge are a
number of groupings that find surprising correspondences between artists
whose diverse poetics and discourses confront and connect to each other.
Embassy of Spain – Cultural Office | 2375 Pennsylvania Avenue NW | Washington, D.C. 20037 | Tel: (202) 728-2334
View this event online: http://www.spainculture.us/city/miami/the-avant-garde-and-latin-american-photography/
PDF created on 05/26/2015 | Page 1 of 2
These demonstrate the richness, expressiveness, imagination and
singularity of this magnificent group of photographs as expression of the
modern gaze on the lived reality of Latin America.
The Avant-Garde and Latin-American Photography: The Poetics and
Discourse of the Modern Gaze activates through its images a vision of
modernity that presents and celebrates an ethno racial reality that resists
positivist models of classification. These images construct a discourse on
modernity that reflects on the profound hybridism of Latin American
culture, from the Caribbean to Tierra del Fuego, that points as much to the
region’s natural wealth as to its material and spiritual history. Graven in
these images are its colonial past as well as its postcolonial history, as a
gaze that interrogates and reveals the variety and complexity of the
differing advances achieved in the construction of Latin American
modernity.
Opening on Saturday, November 15th, from 7 pm to 9 pm.
Embassy of Spain – Cultural Office | 2375 Pennsylvania Avenue NW | Washington, D.C. 20037 | Tel: (202) 728-2334
View this event online: http://www.spainculture.us/city/miami/the-avant-garde-and-latin-american-photography/
PDF created on 05/26/2015 | Page 2 of 2
ArtNexus - News
5/26/15 11:38 AM
Exhibition
The Avant-Gard and Latin-American
Photography: The Poetics and Discourse
of the Modern Gaze
Centro Cultural Español
25/November/2014
Find here all the information on
ArtNexus news.
Exact Search
Manuel Álvarez-Bravo. Retrato de lo Eterno
(Portrait of the Ethernal), 1935
From November 15 to December of 2014, the CCE-Miami
presents the exhibition entitled "The Avant-Gard and LatinAmerican Photography: The Poetics and Discourse of the
Modern Gaze." The exhibition of works by 23 photographers
brings together many of the most important authors of
photographic art in Latin America. These are: Ruven Afanador,
Manuel Álvarez-Bravo, Hugo Brehme, Martín Chambi, Valdir
Cruz, Alberto Díaz-Gutiérrez (Korda), Héctor García, Flor
Garduño, Luis González-Palma, Pepe Hanze, Graciela Iturbide,
Guillermo Kahlo, Luis Mallo, Tina Modotti, Nickolas Muray,
Antonio Reynoso, Sebastião Salgado, Javier Silva, Bernard
Silverstein, Pablo Soria, Edward Weston, and Mariana
Yampolsky. They represent the countries of Argentina, Brazil,
Colombia, Cuba, Ecuador, Guatemala, Mexico and Perú, as
well as Germany, Italy, Hungary and the US. The works
belong to the Colección Edmundo Kronfle. The exhibition
presents three itineraries: "Bodies and Faces," "Landscapes:
From the Rural to the Urban, and "Passages". We find in them
connections between creators with diverse poetics and
discourses that confront and connect their works. These are
series that showcase the richness, expressiveness, the
imaginary and the uniqueness of this magnificent group of
photographers as an expression of the modern gaze
surrounding the Latin American reality.
Type
--
Artist
Author
Curated by the art critic and independent curator Dennys
Matos, the exhibition proposes an approach—from different
formal sensibilities and contents—to the Latin American
themes associated with the construction of its project of
modernity. It does not only include authors that led the avantgarde movements in Latin America, such as Álvarez Bravo,
Tina Modotti and Martin Chambi, but also creators that have
continued the renovation of the Latin American photographic
language of our time like: Luis Mallo, Ruven Afanador, Valdir
Cruz and Pepe Hanze. Together they articulate a suggestive
kaleidoscope through which it is possible to contemplate
through unpublished poetic and discursive nexus, a review of
a large and representative part of the history of Latin
American photography of the last eighty years. At the same
time, the exhibition offers a thoughtful look at the complexity
of Latin American culture and its original hybridity involved in
profound and contradictory social, cultural and historical
changes.
The Centro Cultural Español is located at 1490 Biscayne Bldv.
Miami, Fl 33132. More information is available at:
www.ccemiami.org
http://www.artnexus.com/Notice_View.aspx?DocumentID=28191
Page 1 of 2
Muestra fotográfica lleva a EE.UU. una mirada moderna de Latinoamérica
5/26/15 11:45 AM
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Muestra fotográfica lleva a EE.UU. una mirada moderna de
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La vanguardia fotográfica de Latinoamérica tiene una cita a partir del próximo 15 de noviembre en el Centro Cultural
Español -CCE- de Miami, donde una muestra de 23 fotógrafos plasmará una mirada moderna en torno a la realidad que ha
vivido esa región.
Fotografía de Mario Algazede 1997 titulada “Jesse this one for you”. Foto: EFE
La exposición, titulada “Vanguardia y Fotografía Latinoamericana: Poética y discurso de la mirada moderna”, reúne a una
buena parte de los autores más importantes de la vanguardia fotográfica en Hispanoamérica, entre otros Ruven Afanador,
Manuel Álvarez Bravo, Hugo Brehme, Martín Chambi, Emilio Josñé Chamont, Valdir Cruz o Alberto Díaz Gutiérrez
(Korda).
Se trata de una selección de la Colección Edmundo Kronfle, en la que se resalta la “riqueza y la expresividad, el imaginario
http://www.minuto30.com/muestra-fotografica-lleva-a-ee-uu-una-mirada-moderna-de-latinoamerica/282242/
Page 1 of 5
Muestra fotográfica lleva a EE.UU. una mirada moderna de Latinoamérica
Llamadas a Cuba
Oferta: ¡Incluye 15min gratis! 35 minutos a Cuba por $10
5/26/15 11:45 AM
y la singularidad de este magnífico grupo de fotógrafos”
entre los que surgen “sorprendentes vínculos en sus
poéticas”, indicó el CCE.
Comisariada por el crítico de arte Dennys Matos, la exposición propone un acercamiento, desde “distintas sensibilidades
formales y contenidos” a las problemáticas latinoamericanas en la construcción del proyecto de modernidad.
La muestra no solo incorpora a los autores más visibles de las corrientes vanguardistas de Latinoamérica, sino también a
aquellos que “han continuado su estela de renovación del lenguaje fotográfico latinoamericano de nuestro tiempo”, como,
por ejemplo, Luis Mallo, Ruven Afanador, Valdir Cruz o Pepe Hanze.
Los “Nexos poéticos y discursivos” de esta suerte de retrospectiva sirven para repasar una parte importante y
representativa de la historia de la fotografía latinoamericana de los últimos 80 años.
La complejidad de la cultura latinoamericana cristaliza en la “mirada reflexiva” de este grupo de fotógrafos que explora su
“original hibridez y los profundos y contradictorios cambios sociales, culturales e históricos” que han sacudido el
continente.
Los visitantes podrán contemplar trabajos tan alejados en el tiempo como “Retrato de lo eterno” (1935), de Manuel Álvarez
Bravo; “La siembra del cebollín” (2005), de Mario Algaze, o “Paricuting” (1925), de Hugho Brehme. EFE
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Exposición “Vanguardia y Fotografía Latinoamericana: Poética y discur…e la colección Edmundo Kronfle - Agenda - Cartelera - Cuba Encuentro
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cubaencuentro » cartelera » agenda » exposición “vanguardia y fotografía latinoamericana: poética y discurso de la mirada moderna” de la colección edmundo kronfle
Exposición “Vanguardia y Fotografía
Latinoamericana: Poética y discurso de la mirada
moderna” de la colección Edmundo Kronfle
El CCEMiami presenta la exposición “Vanguardia y Fotografía Latinoamericana:
Poética y discurso de la mirada moderna” de la colección Edmundo Kronfle. Es una
muestra colectiva de 23 fotógrafos que reúne a gran parte de los autores más
importantes de la vanguardia fotográfica en Latinoamérica.
Miami | 15/11/2014 - 19/12/2014
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Inauguración
Día: Sábado, 15 de noviembre de 2014
Hora: 7:00 pm - 9:00 pm
Lugar: Centro Cultural Español de Miami, 1490 Biscayne
Boulevard, Miami, FL 33132
En exposición hasta el 19 de diciembre de 2014.
Concepto y curador de fotografía: Dennys Matos.
Estos son los fotógrafos: Ruven Afanador, Manuel Álvarez Bravo,
Hugo Brehme, Martín Chambi, Emilio José Chamont, Valdir Cruz,
Alberto Díaz Gutiérrez (Korda), Hector Garcia, Flor Garduño, Luis
González Palma, Pepe Hanze, Graciela Iturbide, Guillermo Kahlo,
Luis Mallo, Tina Modotti, Nickolas Muray, Antonio Reynoso,
Sebastião Salgado, Javier Silva, Bernard Silverstein, Pablo Soria,
Edward Weston, and Mariana Yampolsky. Cuyos países de origen
son, Argentina, Brasil, Colombia, Cuba, Ecuador, Guatemala,
México, Perú, Alemania, Italia, y Estados Unidos.
FOTO
Ficha
Ciudad: Miami
Fechas: 15/11/2014 - 19/12/2014
Es una selección de la Colección Edmundo Kronfle. En ella se
presenta una variedad de series que encuentran sorprendentes vínculos entre creadores con poéticas y discursos diversos,
confrontando y conectando sus obras. Series que muestran la riqueza, la expresividad, el imaginario y la singularidad de este
magnífico grupo de fotógrafos como expresión de la mirada moderna en torno a la realidad que ha vivido Latinoamérica.
© cubaencuentro.com
http://www.cubaencuentro.com/cartelera/agenda/exposicion-vanguardi…scurso-de-la-mirada-moderna-de-la-coleccion-edmundo-kronfle-320903
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