cymbals 2004 - Meinl Cymbals

Transcription

CYMBALS
2004
Introduction
2 · MEINL CYMBALS · INTRODUCTION
ideology
Drummers continually tell us how they become inspired by playing MEINL
cymbals. They are inspired by the new sounds that they hear and feel, which
at the same time hones and shapes their personal drum style. This is the
biggest compliment for us, as well as the driving force behind all our
activities! It encourages us to develop new sounds and to push our
creativity farther forward.
team
From drummers for drummers! Experienced and motivated
individuals, who are all drummers themselves, form our executive
and creative team. This team plans all of our activities, manages
our promotional campaigns and creates inspiring cymbal sounds.
Some of our top artists take part in this process also. We are
proud to say that we are drummers first!
material
Only MEINL uses 5 different alloys for crafting cymbals, which
is more than any other cymbal maker is using today. Because of
that, we are able to offer the widest selection of basic cymbal sound
characteristics available. Striving for the realization of any possible
sound idea makes it necessary to have this diversity, the background
in and knowledge of all those different materials.
know how
Constantly trained and highly qualified employees master all
challenges within our production team. Most of them are drummers
themselves! And if someone is not and starts working for us, we pay for
the drum lessons. They know why they are doing what they do, and don’t
consider it just another 9 to 5 job. It’s that dedication which makes the
difference you can hear!
MEINL CYMBALS INSPIRE – LET THEM INSPIRE YOU TOO!
MEINL cymbals
Am Bahnhof 2
91468 Gutenstetten
Germany
MEINL USA L.C.
3354 Ambrose Avenue
Nashville, TN 37207
USA
meinlcymbals.com · 3
Crafting cymbals in Germany
Before the casting process
begins, the mixture is
laboratory tested in order to
analyze the exact chemical
composition of the alloy
(picture 1). Once the correct
mixture of compounds is
verified, the casting process
can begin (large picture).
After the ingots have cooled,
they are reheated in a furnace
and immediately transferred
to a trestle to begin the
rolling process (picture 2).
After several successive
rolling procedures, perfectly
compressed bronze sheets
are extruded. These cooled
sheets are then rolled again
into plates of different
thicknesses. Round blanks
with various diameters are
then cut out of these plates
(picture 3) and delivered to
the MEINL cymbal smithy for
further treatment.
In their modern production
facility in Germany, MEINL
processes the cymbal alloys
B12, B8, FX9, and MS63. All
of these alloys are cast
according to their special
requirements by worldwide
renowned foundries. The
main ingredients of all these
alloys are premium copper
and varying proportions of
pure tin, zinc, manganese, or
aluminum, depending on the
cymbal series.
Birth of founder
Roland Meinl
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1
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2
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5
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Birth of
Reinhold Meinl
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6
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7
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Start of
serial cymbal
Production
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1952
1952
1959
1964
Companies still existing Headquarters in Neustadt/Aisch was
build
Nickel-plated „Streamer“ Series
was established
Top-selling „Meteor“ Series
was established
„Laser“ Pro
Series was
established
Introduction
of the legendary „Dragon“
Pro Series
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Introduction of
top-seller
„Headliner“
cymbals
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1982
4 · MEINL CYMBALS · CRAFTING CYMBALS
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1983
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1983
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12
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First MEINL
employee was
hired
1951
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11
After a thorough quality
inspection of all cymbals,
they are stored in order for
the metal to relax. When this
storage period has been
completed and they have
been tested a final time, the
instruments are ready for
delivery worldwide.
1929
1980
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A modern lacquering
machine developed by MEINL
sprays a super thin layer of
lacquer on the cymbal in
order to seal and protect its
surface (picture 12). The
MEINL logo and series
description is pad printed
(picture 13) and last but not
least, the serial number is
engraved utilizing modern
laser technique (picture 14).
Start of MEINL
Cymbal
production
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9
Next, the cymbals are lathed
either by hand or machine in
order to produce their surface
and precise fine-tuning
(picture 11). Unique to MEINL
cymbals are the different
surface finishes available
which are created through a
special sandblasting
procedure, high-polishing, or
extensive lathing.
The final shape and
distinctive tonality of the
MEINL professional cymbals
are determined by the
hammering process. MEINL
uses hydraulic high-tech
hammering robots which
were developed specifically
to meet the hammering
process’ requirements
(picture 9). Depending on the
Founding of
Company by
Roland Meinl
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4
Having arrived at the MEINL
cymbal smithy, the blanks are
quality checked and stored at
the raw material storage
(picture 4). A hole is punched
through the center of the
round blanks. Depending on
the series and type, the
cymbal bell is then pressed
into the blank by either a cold
or a hot shaping process
(picture 5 + 6). A true MEINL
specialty is the forging of the
heat treated bell by extensive
hammering (picture 7). Next,
the blanks of the MEINL
Student Range, for example,
are pressed into their final
shape by a special process
which establishes the
fundamental pitch of the
instrument (picture 8).
State of the art technology
size and series, this
hammering process lasts up
to 15 minutes for each
cymbal. An imprint is taken of
a prototype cymbal which
later on becomes a cataloged
model. Each hammering hit is
recorded into the computer
through a laser sensor which
measures the exact position,
depth, and angle of impact as
well as the sequence of all
hammering marks (picture
10). Using this data, MEINL’s
computerized hammering
unit is able to exactly
reproduce the sound and
quality of the original model
over and over again. This is a
very important aspect
considering the requirements
in today’s studio world where
consistency in sound is
crucial!
3
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1984
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1984
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First Hammering Robot
Machine was purchased
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1984
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Crafting cymbals in Turkey
the liquid bronze alloy is cast
into individual moulds (large
picture + picture 3).
After the ingots have cooled
(picture 4), they are cleaned
of the cinder. In various
successive production steps,
the castings are heated until
they glow red and fed
through rolling mills to be
flattened until the correct
thickness has been achieved
(picture 5 + 6). To ensure a
consistent compression of the
bronze, it is crucial that the
casts are rolled into different
directions every time they are
fed through the rolling mills.
Now the flattened sheets are
stored away for recreation of
the material.
1
In MEINL’s own production
facility in Turkey, B20 bronze
alloy cymbals are handcrafted.
The manufacturing of B20
bronze in Turkey has a long
tradition. Every cymbal is
individually cast. This means
that the bronze alloy of every
cymbal is separately poured
into individual moulds. In a
furnace with temperatures
exceeding 1000 degrees
Celsius, pure copper and tin
(picture 1) of the highest
quality are merged (picture
2). Once the correct mixture
of compounds is verified,
MEINL becomes the first
company to use Cymbal
Poly Bags
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5
7
2
3
Construction of new building for
Cymbal Production and
Wholesale
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Reinhold Meinl joins the
company and becomes the president to this day
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9
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12
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The art of traditional cymbal
making in Turkey fuses
together in a perfect
combination of traditional
experience and also the
know-how of a leading
modern cymbal manufacturer.
company to use screen logos
for cymbals
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11
After a final quality
inspection, they are stored in
order for the metal to relax.
When this storage period has
been completed, the
instruments are ready for
delivery worldwide.
8
Now the work of the cymbal
smiths begins. Every cymbal
is extensively hand
hammered into a shape
which will define its unique
and individual sound (picture
11 + 12). This complex art of
hand hammering cymbals not
only requires years of
experience, but also
concentration and a lot of
flair. Every hand hammered
cymbal is a true piece of art
and is unique in its own
sound which can never again
be duplicated.
10
The cymbals are then
delivered to the MEINL
Cymbal Smithy in Germany.
There, every cymbal is hand
tested for look and sound by
MEINL’s specialists. If a
cymbal does not conform to
their standards, it is recycled.
Cymbals which pass this test
are then grinded, and
depending on the model, high
polished, sandblasted, or they
remain in their regular finish.
Next an application of super
thin layer of lacquer (except
brilliant finish cymbals) is
applied in order to seal and
protect its surface.The MEINL
logo and series description is
pad printed and last but not
least the serial number is
engraved utilizing modern
laser technique.
6
At first, a hole is punched
through the sheet and then
cut round into the correct
diameter (picture 7 + 8). After
being reheated once more,
the bell of the cymbal is
pressed in (picture 9) and
dipped into a quenching bath
to increase the hardness
grade of the bronze.
Immediately after, they are
rubbed with a tincture in
order to prevent the bronze
sheets from breakage (picture
10). The formula of this
special tincture has been a
well treasured secret for
many generations!
Traditional handcraft
Next, the edges of the hand
hammered cymbals are deburred (picture 13) and the
lathing begins (picture 14).
Requiring years of experience
to achieve, lathing is an
extremely important step in
the production process. It
allows each cymbal to be
specifically fine-tuned.
4
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First steps into Bronze
Cymbal
Production
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company to
offer cymbal
pre-pack sets
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First Pro Series „King Beat“
with Crystal-Finish
is established
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1965
1969
1972
1972
1974
1974
1976
First company to use multicolour screen-printed logos
Introduction
of „Profile“
Pro Series
Introduction
of „Raker“
Pro Series
Introduction of Special Edition
Coloured
Headliner
Cymbals
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Introduction of „Laser Time“ Pro
Series with
Sound Wave
Hihats
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Soundcheck
Program was
inroduced
Top Pro „Reference Class“
Series was
introduced
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1984
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1984
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1985
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1986
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1987
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1989
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1989
All about MEINL cymbal alloys
B20
Alloy
Of all the bronze alloys used for cymbal making,
B20 bronze has the highest contingent of tin which
makes it very soft and flexible. MEINL’s B20 bronze is exclusively cast in Turkey, where the art of
cymbal making originates from.
Cymbals made from B20 bronze sound very dark
and musical. They blend in perfectly with the music
and have a smooth feel when hit. Of all the cymbal
alloys, B20 has the most sound potential and is
generally considered the finest material for making
cymbals.
80% 20%
Copper
Tin
MEINL is the only cymbal manufacturer who uses
5 different alloys for crafting cymbals. After years
of research and development finding the right
mixture for every single alloy, MEINL is now in the position
to offer the widest selection of cymbal sounds and finishes possible.
Striving for the realization of any possible cymbal idea makes it necessary
to have the background in and knowledge of all the different materials.
MEINL is setting the standard in the diversity of materials
cymbals are made from today.
First MEINL
Signature-Line
„TRI TO NAL“
was introduced
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Introduction of
„Lightning“
Crash and
Splash Concept
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„Custom
Cymbal Shop“
Concept was
created
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10th
Anniversary
of „Raker“
Pro Series
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1990
1994
1995
1995
MEINL Cymbals
celebrates 50th
Anniversary
Introduction of
MCS Cymbal
Set
„Alien Hats“ are added to the
„Generation X“
line
„Tom´s Becken“ are added to
the „Generation X“
line
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2002
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2002
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2002
6 · MEINL CYMBALS · ALL ABOUT MEINL CYMBAL ALLOYS
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2002
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Introduction
of Semi-Pro
series
„Classics“
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Expansion of
MEINL offices
in Neustadt/
Aisch
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Introduction
of „XL“
Cymbal
Concept
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1996
1996
MEINL USA´s Miami office
moves to Music City-Nashville,
Tennessee
Start of Construction for the new MEINL cymbal production
in Gutenstetten,
Germany
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2002
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2002
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1997
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B12
B8
Alloy
Alloy
Cymbals made from B12 bronze are the perfect
bridge between the sounds of B20 and B8 bronze
cymbals.
B8 bronze has the highest content of copper which
results in a more red-like finish. They are very firm
and easily resist hard playing.
B12 bronze cymbals have a warm and dark overall
tone that is standard of B20 bronze, yet they also
have the bright, lively, and powerful sounding
characteristics that B8 bronze cymbals are famous
for. The B12 bronze cymbals combine the best from
both worlds. They are very versatile sounding
cymbals and their tone blends in well with most of
the common music styles today.
The sound of cymbals made from B8 bronze is very
bright, powerful and has a lot of attack. It easily
cuts through loud volumes. The overall sound
spectrum shows a dominant share of higher
frequencies. Extremely lively cymbal sounds!
88% 12%
Copper
92% 8%
Tin
Copper
Tin
FX9
MS63
Alloy
Alloy
MS63 is a classic brass alloy which due to its positive sound characteristics is used in making mainly
student range cymbals.
The FX9 cymbal alloy is the most exceptional material used in crafting cymbals, because it combines
four components in one alloy with extraordinary
tonal characteristics.
Instead of tin, zinc is merged with copper which
then produces a warm and harmonic cymbal sound.
It offers the best possible sound qualities at an
affordable price.
Cymbals made from FX9 alloy offer new, fresh and
lively sounds with a unique and distinctive timbre.
69% 15%
Copper
Zinc
15% 1%
63% 37%
Manganese Aluminum
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„One of A Kind“
Cymbals
were
introduced
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Copper
Introduction of „Amun“ Pro
Series
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1997
1999
Start of Engineering prototypes
from a new B12 Alloy
M.I.P.A. award
for MEINL
„Generation X“
cymbals
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2002
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2003
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MEINL USA, L.C. first opens its
doors in
Miami,
Florida
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MEINL´s B20 cymbal
production was
built in Turkey
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2000
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„Generation X Days“ Tour takes
Europe by storm with Johnny
Rabb, Marco Minnemann and
Thomas Lang
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2003
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Zinc
Introduction of Turkish-made
„Byzance“
Pro Series
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2000
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2001
Grand Opening of new MEINL
cymbal production in
Gutenstetten, Germany
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2003
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„Generation X“
Cymbal Line
was
introduced
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MEINL adds laser-etched logos
and serial-numbers on all
cymbals
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2001
2001
„Soundcaster“ Pro Series
introduced with the new B12
Alloy
Founder, Mr.
Roland Meinl
celebrates his
75th birthday
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2004
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2004
PRO
For the drummer
with individuality!
Most tradition
& individuality
B20
Alloy
MEINL Byzance cymbals are completely hand hammered into shape and satisfy
the highest demands. Every Byzance cymbal is a piece of art and has its own
unique sound characteristics which can never be duplicated.
80% 20%
Copper
Tin
Hand hammered into shape
Most musicality
Extensive range
8 · MEINL CYMBALS · BYZANCE SERIES
Byzance cymbals are
traditionally made using the
single-cast procedure. This
means that every cymbal is
crafted from an individual
cast blank.
Every MEINL Byzance cymbal
is hand hammered into
shape. This extensive
manufacturing process is the
foundation of their
outstanding sound
characteristics.
HIHATS
HIHATS
What’s special about
Byzance hihats?
Medium:
Wide dynamic spectrum with a soft, warm
sound. Unobtrusive
but a voluminous open
hihat sound and a
crisp chick.
13“ B13MH
14“ B14MH
Heavy:
Heavier weight
increases a focused,
powerful sound with a
brash open hihat in a
wide range.
14“ B14HH
Medium Soundwave
Sizzling, loud open
hihat sound with a
defined cutting chick
and a warm, bright
sound.
13“ B13MSW
14“ B14MSW
Heavy Soundwave:
Powerful, sizzling and
loud open hihat sound
with a defined, fat
cutting chick in an
energetic feeling.
14“ B14HSW
Medium Brilliant:
Contains a brilliant,
bright sound, based on
the high-polished and
shiny finish in a wide
dynamic spectrum.
14“ B14MH-B
Heavy Brilliant:
Increased focus, thru
heavier weight with a
very clear and brilliant
sound and a bright,
powerful open hihat.
14“ B14HH-B
Dark:
Untreated finish.
Esoteric, dark sound
with a dirty, earthy
open hihat and a short
sustain and chick.
13“ B13DAH
14“ B14DAH
Dry:
Raw finish, fairly dry
with an extremely
short sustain. Earthy,
raw open hihat sound.
14“ B14DRH
The MEINL Byzance
series offers a wide
selection of different
hihat models.
Available are 13” and
14” models in medium
or heavy weight.
Soundwaved bottom
cymbals for a more
cutting and sharp
sound are available as
well. Four different
finishes with
distinctive sounds are
offered: Regular,
brilliant, dark, and dry.
All of these different
sound- and finish
options make it easy to
find the perfect pair of
hihats for everyone’s
individual playing
style.
CRASHES
Thin:
Lightweight, sounds
fairly washy and dark
in a narrow frequency
range. Voluminous
attack and a short
sustain.
14“ B14TC
15“ B15TC
16“ B16TC
17“ B17TC
18“ B18TC
Medium Thin:
Significant, washy and
fairly dark sound with
a full frequency
spectrum. Voluminous
attack with moderate
sustain.
16“ B16MTC
17“ B17MTC
18“ B18MTC
19“ B19MTC
Medium:
Traditional, warm
sound in an extreme
wide dynamic
spectrum. Energetic,
exploding attack and a
louder response.
16“ B16MC
18“ B18MC
20“ B20MC
Thin Brilliant:
High-polished finish
contains bright
overtones with a silky,
washy, dark sound.
Short sustain.
14“ B14TC-B
15“ B15TC-B
Medium Thin Brilliant:
Bright and brilliant
overtones with
moderate sustain in a
silky, clear sensation.
16“ B16MTC-B
17“ B17MTC-B
18“ B18MTC-B
19“ B19MTC-B
Medium Brilliant:
Medium weight, highpolished finish with a
clear, warm sound.
Lots of bright, brilliant
overtones with a
medium sustain.
16“ B16MC-B
18“ B18MC-B
20“ B20MC-B
Which crash cymbal weight corresponds
which music style?
Dark:
Dark in a low
frequency range, and
esoteric character
caused by the
untreated finish.
Earthy with a strong
attack and a short
sustain.
16“ B16DAC
18“ B18DAC
The MEINL Byzance
series crashes are
available in three
different weights thin,
medium thin, and
medium.
Thin crashes have a
fairly dark sound. They
respond very quickly
and have a short
sustain. They are ideal
for lighter and softer
playing styles like Jazz
and Fusion.
Medium thin crashes
show more richness
and volume in their
sound. They are ideal
for Jazz, Fusion, and
Pop while offering a
more cutting sound.
Medium crashes
unfold a very full, rich,
and voluminous sound
with the ability to cut
through a louder mix.
They can be used in
Jazz, Pop, and Rock
Music because of their
wide frequency
spectrum.
PRO
RIDES
Most tradition
& individuality
SPLASHES
B20
Alloy
80% 20%
Copper
Regular:
A crispy spreading
with a punchy, washy
attack in a warm and
traditional feeling.
6“
B6S
7“
B7S
8“
B8S
10“ B10S
12“ B12S
Tin
Hand hammered into shape
Most musicality
Extensive range
10 · MEINL CYMBALS · BYZANCE SERIES
Brilliant:
High-polished finish,
brilliant and bright
sound with fast
response.
8“
B8S-B
10“ B10S-B
Dark:
Dark, earthy sound
with a strong, punchy
attack. Short sustain in
a low frequency range
with esoteric character.
10“ B10DAS
Thin:
Dark and simmering in
the traditional style.
Clear bell definition
and a mellow,
voluminous stick
response with a washy
ping.
20“ B20TR
Medium:
Balanced, controllable
stick response with a
defined ping and a
blend of bright
overtones. Warm basic
sound with medium
sustain and bell.
20“ B20MR
21“ B21MR
Heavy:
Powerful and focused
sound with a defined,
bright bell. Solid, fullbodied stick response
with a clear ping.
20“ B20HR
22“ B22HR
Ping:
Heavy. Excellent stick
definition with a
bright, clear ping.
Glassy, high-pitched
sound with short
sustain for extreme
busy patterns.
20“ B20PR
Medium Brilliant:
High-polished finish
effects a clear, warm
sound with bright
overtones. Defined
ping with medium
sustain.
20“ B20MR-B
Heavy Brilliant:
High frequency range
caused by the highpolished finish.
Penetrating, defined,
bright bell and a
glassy, clear ping.
20“ B20HR-B
Flat:
Defined stick response
with a fairly dark and
dry sound. Sizzling
ping with a
shimmering, long
sustain.
20“ B20FR
Dark:
Low frequency range
with esoteric character
due to the untreated
finish. Dark, earthy,
with a short sustain
and a defined ping and
bell.
20“ B20DAR
21“ B21DAR
Dry:
The raw, silky finish
creates a dry, earthy,
warm sound with a
short sustain. Fairly
dark ping and defined
bell.
20“ B20DRR
What are the characteristics of a flat- and a ping ride?
Contrary to regular
rides, flat rides don’t
have a cymbal bell.
This results in a dark,
warm, and smooth
sound with a great
stick response, long
sustain and an overall
sweet tone. They are
mainly used for
playing fast ride
patterns in Swing- and
Jazz bands.
Ping rides are heavy
cymbals with a clearly
defined and cutting
ping sound. They have
a shorter sustain with
little wash and are
therefore perfect for
playing complex and
dominant ride patterns
in a louder band
setting.
CHINAS
Regular:
Aggressive, brash
attack with a complex
frequency. Trashy
sound and an
explosive response
with long sustain.
16“ B16CH
18“ B18CH
20“ B20CH
What are the sound differences between the four Byzance cymbal finishes?
Brilliant:
Brilliant, bright overtones with a sizzling,
trashy, brash sound.
18“ B18CH-B
6“
7“
Regular ffinish
inish
cymbals result in a
warm, smooth, yet rich
sound. A harmonic
frequency spectrum
with slightly dominant
mids. Specially lathed
matte surface.
8“
10“
12“
13 “
Brilliant ffinish
inish
cymbals have a highpolished surface. They
sound very bright and
rich, yet have dark
characteristics.
14“
15“
16“
Dark ffinish
inish cymbals
have an untreated
surface, an earthy and
dark sound with a
short sustain.
Dominant lows with
an esoteric character.
17“
18“
19“
Dry ffinish
inish cymbals
have a matte,
sandblasted surface.
Their sound is
extremely dry and
earthy with a very
short sustain, yet great
stick definition. Lower
frequency spectrum.
20“
21“
22“
Hihat, Medium
Hihat, Medium Soundwave
Hihat, Medium Brilliant
Hihat, Heavy
Hihat, Heavy Soundwave
Hihat, Heavy Brilliant
Hihat, Dark
Hihat, Dry
Crash, Thin
Crash, Thin Brilliant
Crash, Medium Thin
Crash, Medium Thin Brilliant
Crash, Medium
Crash, Medium Brilliant
Crash, Dark
Ride, Thin
Ride, Medium
Ride, Medium Brilliant
Ride, Heavy
Ride, Heavy Brilliant
Ride, Ping
Ride, Flat
Ride, Dark
Ride, Dry
Splash, Regular
Splash, Brilliant
Splash, Dark
China, Regular
China, Brilliant
PRO
For the expressive
drummer!
Versatility in expression
& dynamics
B12
Alloy
The range of MEINL Soundcaster cymbals is the result of extensive r&d efforts in
finding new and exciting sounds. Cymbals made from B12 bronze alloy, which have a
higher content of tin (12%), for a smooth, rich sound with great dynamics and
expression. Ideal for the creative and expressive drummer.
88% 12%
Copper
Tin
High-tech computerized
hammering
Outstanding sound potentials
Precise response
12 · MEINL CYMBALS · SOUNDCASTER SERIES
Soundcaster cymbals are
uniformly hammered which
results in a controlled, even
decay with a harmonic
overtone spectrum.
Soundcaster cymbals are very
delicately lathed, which
involves a thinning of the
cymbal surface towards the
edge. A precise stick
definition and a wide range
of dynamics are the result of
this crucial process.
HIHATS
Why use different
weight top- and
bottom cymbals?
Medium:
Smooth and
voluminous open hihat
sound with a defined
chick. Wide dynamic
spectrum with an
outstanding warm
character.
14“ S14MH
Powerful:
Very energetic,
powerful with a fullbodied open hihat
sound. Strong chick
caused by heavier
weight.
14“ S14PH
Medium Soundwave:
Waved bottom
increases response,
crispness and volume.
Strong cutting chick
and lively feel.
14“ S14MSW
Powerful Soundwave:
Combination of
heavier weight and
waved bottom
produces distinctive
energetic and
penetrating sounds.
14“ S14PSW
The top cymbal of a
hihat is mainly
responsible for the
response and the
sound development of
the instrument. Best
results are achieved
with medium weight
cymbals.
The bottom cymbal is
responsible for the
definition when the
hihat is played by foot
pedal and also by the
stick. The heavier the
bottom, the faster its
stick response and the
more defined its chick
sound.
In order to achieve
best possible results, a
combination of
medium weight top
and heavy to extra
heavy bottom cymbals
are used.
CRASHES
Medium:
Full frequency spread
with medium sustain.
Combination of an
outstanding warm
character with a clear
transparent sound.
14“ S14MC
15“ S15MC
16“ S16MC
17“ S17MC
18“ S18MC
Soundcaster crash
cymbal variety
Powerful:
Heavy with a strong,
penetrating attack and
cutting power.
Energetic defined
spread with medium
sustain.
16“ S16PC
17“ S17PC
18“ S18PC
19“ S19PC
20“ S20PC
The MEINL
Soundcaster crashes
are available in
various sizes and
weights. 16”, 17”, and
18” size crashes are
mainly considered as
the “standard” sizes.
MEINL offers these
crashes in two
weights, medium and
powerful. Besides that,
Soundcaster crashes
are available in 14”
and 15” medium for
fast, splash like crash
accents. Additionally,
19” and 20” powerful
crash models are also
offered in the
Soundcaster range for
rich, bright and cutting
crash sounds.
Why soundwaves?
The waved edge of the
bottom hihat prevents
a congestion of air
between the two
cymbals. When
stepping on the pedal,
the air can escape
immediately resulting
in a fat cutting “chick”
sound. When played
with a stick,
soundwaved hihats
respond very directly,
sounding sharp and
precise.
PRO
RIDES
Medium:
Medium weight
increases volume for
solid attack.
Voluminous, warm and
particularly lively,
fresh response.
20“ S20MR
Versatility in expression
& dynamics
B12
Alloy
88% 12%
Copper
Tin
hammering
Outstanding sound potentials
Precise response
14 · MEINL CYMBALS · SOUNDCASTER SERIES
What is special about
Soundcaster rides?
Powerful:
Energetic, powerful
sound with a warm
character and a solid
stick response. Clear,
penetrating ping and
bell.
20“ S20PR
22“ S22PR
All Soundcaster
cymbals are made
from a B12 bronze
alloy. This means its
content of tin is higher
than in B8 bronze,
giving them a warmer
and slightly darker
tone. The Soundcaster
ride cymbals benefit
from that fact and offer
excellent dynamics
along with a strong
stick definition.
SPLASHES
Extra thin with open,
glassy sound.
Extremely fast, attack
and a sharply, focused,
penetrating cut.
6“
S6S
8“
S8S
10“ S10S
12“ S12S
CHINAS
Splash guide
For a larger selection
of effect sounds,
Soundcaster splash
cymbals are offered in
sizes 6”, 8”, 10”, and
12”. Splashes are very
thin and fast
responding cymbals
which are used in all
common music styles
in order to add tasteful
rhythmic accents to the
music. For harder
hitting players and
louder music, 10” or
12” splashes are
recommended because
they hold up better
and cut through more
easily. For lighter
playing, 6”, 8” and 10”
splashes are preferred
due to their quicker
response and attack.
6“
What is unique about Soundcaster chinas?
The MEINL
Soundcaster china
cymbals are
extensively hammered
and have a widespread
round edge which
makes them feel very
smooth when hit,
Extremely loud and
warm spread with a
trashy attack and
explosive response.
Effective for ride
playing, crashing and
effects.
16“ S16CH
18“ S18CH
20“ S20CH
8“
10“
12“
14“
15“
16“
17“
unfolding a rich and
explosive tone. They
sound refreshingly
different and can be
used in various music
styles for dominant
accents. Ideal for ride
playing as well.
18“
19“
20“
22“
Hihat, Medium
Hihat, Powerful
Hihat, Powerful Soundwave
Crash, Medium
Crash, Powerful
Ride, Medium
Ride, Powerful
Splash
China
(RAMMSTEIN)
SCHNEIDER
A: 14“ Amun Dry Hihat
B: 18“ Raker Heavy Crash
C: 17“ Amun Thin Crash
D: 20“ Byzance Dark Ride
h
E: 18“ Byzance Medium Thin Cras
Christoph is the drummer in one of
Germany’s most original
and
internationally
successful
bands,
RAMMSTEIN. His powerful
in your face’ grooves and
beats are the driving force
behind RAMMSTEIN’S
industrial
sounds.
RAMMSTEIN have sold
millions of albums
worldwide and have toured
globally always maintaining
their prolific pace as
pioneers of today’s modern
art music.
There are no words to describe a
RAMMSTEIN live show. Their
energetic and aggressive stage show,
pyrotechnic, explosions, and
industrial sounds combined with the
band’s controversial German lyrics
make their concerts a true ‘once in
a lifetime’ experience.
RAMMSTEIN have had a live
appearance featuring their single
“FEUER FREI” in the 2002 Columbia
Tristar Movie “Triple X” featuring
Vin Diesel, and have just released
their first DVD “Lichtspielhaus”.
Martin
Scotland
Christoph
GERMANY
A: 14“ Amun Powerful Hihat
C: 18“ Amun Thin Crash
D: 20“ Raker Heavy Crash
SCOTT
MEINL Cymbal Artists
Martin Scott of
Scottish band
“Aereogramm
second album
e” have just re
, “Sleep and Re
leased their
lease”, which
the band and
will surprise
will delight an
those new to
d confound th
band’s intens
ose who are fa
e music. The ba
miliar with th
nd is currently
through Euro
e
on a headlinin
pe.
g tour
Barry
USA
Kerch
(Shinedown)
Germany
Alex
Vesper
Cologne’s ac
claimed
drummer Ale
x Vesper
mans the drum
s behind
D a n ce
Switzerland’s
most popular
of 2003
Act, “Dj Bobo”
. Alex spent al
l
on the road to
with DJ Bobo’
uring Europe
s hit album, “C
hihuahua”. W
touring schedu
hen his busy
le allows, Ale
x is also an in
drummer with
demand sess
credits like Frè
ion
dèric Francoi
Dankner, Chr
se, Tanja
is Lindner an
d he also play
band, “Drei vo
s with his long
m Rhein”.
time
A: 14“ Byzance Medium Hihat
ALEXVESPER.DE
B: 18“ Amun China
C: 13“ Byzance Dark Hihat
h
D: 17“ Byzance Medium Thin Cras
E: 10“ Amun Splash
F: 16“ Byzance Medium Thin Crash
G: 20“ Byzance Ping Ride
H: 18“ Byzance Thin Crash
Barry is the drummer
in Jacksonville, FL
based band Shinedown,
who have just released
their first album “Leave a
Whisper” on Atlantic Records.
Formed in early
2001, it hasn’t taken long for Shinedown to begin making
their mark. Shinedown has fully absorbed influences ranging
from the classic sounds of Skynyrd and Led Zeppelin to the
soulful stirring of Otis Redding to the likes of Staind and Tool
– and have filtered them all through their unique musical
perspectives. The resulting brew is a true feast for the senses,
blending bold, strident guitar power, blues-driven vocal fury,
and cutting-edge metallic mayhem into a swirling cauldron of
bubbling rock reactants. Shinedown delivers their musical
goods with passion, power and perception.
A: 14“ Classics Powerful
Soundwave Hihat
C: 18“ Amun Powerful Crash
D: 22“ Amun Powerful Big Bell
Ride
E: 20“ Raker Heavy Crash
F: 18“ Raker Heavy Crash
Antignani Paul, USA (Sworn Enemy) · Arate Seabrin, USA (Splyt) · Arechiga Bobby, England (Strongheart) · Avila Daniel, Argentina
Badrena Manolo, USA (Zawinul Syndicate) · Baker Bucket, USA (Macy Gray) · Beck Tom, Switzerland · Birming Robert, Sweden (Eskobar)
Bittner Jason, USA (Shadows Fall) · Blackmore Jonathan, England (Mostly Autumn) · Block Oliver, Germany (Sven Schumacher)
Blundell Craig, England · Boecklin John, USA (Devil Driver) · Bonink Norman, Netherlands (Blof) · Brogla Guy, France · Calvo Javier, Spain
Capsuto Keith, USA · Carlos Carli, Spain · Catala Jesus, Spain · Celada Angel, Spain · Chenault Barry, USA · Chi Woo Choi, Korea
Cook Pablo, England (Moby) · Costanza Franck, France · Crespo Angel, Spain · Crosby Paul, USA (Saliva) · Cunningham Kyle, USA (Spin 66)
16 · MEINL CYMBALS · ARTISTS
Formed in 1996 in
the birthplace of
rock
and roll, Memphi
s, Tennessee, Sa
liva has
taken the US by
storm. They have
achieved
multi-platinum
success with tw
o albums
under their belt
and they show no
signs of
stopping. The fo
undation of it al
l is Paul
Crosby. His powe
r-house drumming
provides
the rhythmic groo
ve that keeps it
all together. Wi
their debut, “Eve
th
ry Six Seconds,”
and its two hit
singles released
in 2001 and the
fo
llow-up, “Back
Into Your System
” released in 20
02, Paul and Sali
have consistently
va
put out great Am
erican rock and
roll. Having just
completed a cove
ted opening slot
on the hugely su
ccessful Kiss an
d Aerosmith tour
2003, Saliva is
of
set to begin reco
rding their thir
major label offe
d
ring in the spri
ng of 2004 with mu
more success sure
ch
to follow.
Paul
Crosby
A:
B:
C:
D:
E:
F:
G:
H:
JungleEngland
(Lo
14“
16“
18“
10“
19“
20“
17“
20“
One
One
One
One
One
One
One
One
of
of
of
of
of
of
of
of
a
a
a
a
a
a
a
a
Kind
Kind
Kind
Kind
Kind
Kind
Kind
Kind
USA
SALIVA.COM
Heavy Hihat
Medium Crash
Heavy Crash
Splash
Heavy Crash
Heavy Ride
Heavy Crash
China
ndon Electricity)
Chris Polglase is the
“jungledrummer” in Lon
don
Elektricity: A group
of five artists
who are dedicated to
drum’ n bass
played LIVE with rea
l instruments.
If you are into cutting
edge drum’ n
bass, jungle, hip hop
played by
REAL musicians on REA
L
instruments, don’t look
any
further. London Elek
tricity has it
all. Jungle, a pioneer
of jungle and
drum’ n bass beats play
ed on live
drums, is constantly
performing in
London’s underground
clubs.
USA
Jean Paul Gaster
(Clutch)
Based out of West Virginia / Maryland,
Jean Paul Gaster and Clutch have been intriguing
and winning over audiences since the early 90’s.
The band and its unique blend of Zeppelin-by-way-of
punk swagger combined with the poetry of Public
Enemy’s Chuck D., have released five studio albums
and have toured the world. Currently, JP and Clutch
are set to release their sixth studio offering, 2004’s
“Blast Tyrant”, due out on DRT Records. Clutch then
plans to do what they do best, tour non-stop and
make believers out of all who witness their pure rock
fury live. PRO-ROCK.COM
Hihat
A: 15“ Byzance Medium
Ride
B: 20“ Byzance Thin
Ride
C: 22“ Byzance Heavy
Ride
D: 20“ Byzance Medium
A: 16“ Generation
X
Synthetik Crash
B: 14“ Byzance
Medium Hihat
C: 18“ Generation
X
Kinetik Crash
D: 20“ Byzance
Thin
E: 18“ Generation Ride
X
Signal Crash/Kl
ub Ride
mel GaYnor
England
(Simple Minds)
A:
B:
C:
D:
E:
F:
G:
14“ Byzance Heavy
Hihat
20“ Amun China
18“ Byzance Heavy
Crash
12“ Byzance Splash
20“ Byzance Thin
Ride
22“ Byzance Heavy
Ride
20“ Byzance China
Mel is a band member with Simple Minds and the
drummer for Light of the World. At the moment he’s
touring with Simple Minds and is also involved in
many different projects and events, which include
Mel’s own solo work. With a schedule this busy, it’s hard
to pin this man down.
MELGAYNOR.COM
D’Virgilio Nick, USA (Spock’s Beard) · Da Silva Ebenezer, USA (Shakira) · Dailor Brann, USA (Mastodon) · Dauner Flo, Germany (Fanta 4, Sarah Brightman)
Debreczeni Zicki, Hungary (Omega) · Deinen Hansz, Netherlands (Beef) · Douglas Jenny, USA (Enrique Iglesias) · Druzella Martin, Germany (Ben)
Dürl Armin, Germany (Stone the Crow) · Edwards Andy, England · Efthimiadis Chris, Germany (Sub 7even) · Eisenhauer Gerwin, Germany (Ringsgwandl,
DJ Ötzi) · Eitner Hannes, Germany (Power Percussion) · Erchinger Dirk, Germany (Jazzkantine) · Escovedo Pete, USA · Escovedo Peter Michael, USA
Eshuis Mark, Netherlands · Fattorusso Osvaldo, Uruguay · Figueroa Julio, USA · Fischer Rodrian Jens, Germany (Konstantin Wecker)
Franklin Eric, Spain · Franzon Johan, Sweden · Fratermann Evert, Germany · Frometa Guy, USA (Luis Guerra & 440) · Frontera Angela, Germany
PRO
For the working
drummer!
Upmost in energy
& clarity
B8
Amun series cymbals reflect MEINL’s competence and know-how in manufacturing
Alloy
B8 cymbal bronze. They offer premium sounds for working drummers and ambitious
professionals, who demand the maximum of energy and projection from their cymbals.
92% 8%
Copper
Tin
hammering
Wide range of dynamics
Outstanding projection
18 · MEINL CYMBALS · AMUN SERIES
Through extensive hammering applying different
hammer heads, an optimal
compression of the material
and a distinguished sound
potential is achieved.
Precise fine-tuning:
Amun cymbals are lathed at a
slower pace with a specially
designed cutter. In doing so,
an exact calculated amount of
bronze is removed from the
cymbal.
HIHATS
What is the
difference between
medium and
powerful hihats?
Medium:
Extremely wide
dynamic spectrum
with a clear, warm
sound. Brilliant open
hihat with a crisp
chick.
13“ A13MH
14“ A14MH
Powerful:
Heavier weight
increases energetic,
powerful highs.
Penetrating open hihat
sound and a defined
chick.
14“ A14PH
Medium Soundwave:
Sizzling, loud open
hihat sound. Strong,
fat cutting chick with a
penetrating, bright and
clear sound.
13“ A13MSW
14“ A14MSW
Powerful Soundwave:
Combination of
heavier weight and
waved bottom sounds
aggressive, powerful
and loud.
14“ A14PSW
The most popular of all
hihat models is the 14”
medium – a perfect alla-round instrument.
14” powerful hihats
however are widely
used in louder and
more aggressive music
because of their
dominant higher
frequencies and their
ability to cut through
the mix more easily.
Both medium and
powerful versions
feature a wide sound
spectrum and are
perfect for extensive
live use.
CRASHES
Thin:
Shimmering, fairly
dark tones. Strong,
voluminous attack
with a fast response.
Full frequency range.
16“ A16TC
18“ A18TC
Medium:
Versatile and
extremely wide
frequency range. Lots
of bright overtones,
fast attack. Medium
sustain.
14“ A14MC
15“ A15MC
16“ A16MC
17“ A17MC
18“ A18MC
Powerful:
High-definition
response with an
aggressive, energetic
sound. Fast attack with
powerful feel.
14“ A14PC
16“ A16PC
17“ A17PC
18“ A18PC
19“ A19PC
20“ A20PC
Wide variety of sounds especially for live playing!
MEINL Amun series
cymbals offer a large
variety of different
sounds which have
been developed
especially for live
applications.
For example, Amun
crashes all have a
powerful and cutting
sound which is
essential for live use
on big stages. They are
available in 14” to 20”
sizes and come in thin,
medium, and powerful
weights.
Dry:
offers dark frequencies
and dry, earthy sounds
with controlled sustain
and chick.
14“ A14DRH
PRO
RIDES
Thin:
Fairly dark, warm
sound with a defined
bell. Mellow stick
response for lower
volume settings.
20“ A20TR
Medium:
The ultimate balance
between crystalline,
bright and smooth.
Warm basic sound in
an extremely wide
frequency spectrum.
Medium sustain.
20“ A20MR
21“ A21MR
Powerful:
Very powerful and
energetic.
Outstanding warm
character and a clear
ping with bright bell.
20“ A20PR
22“ A22PR
Which ride is used for
which playing style?
Upmost in energy
& clarity
B8
Alloy
92% 8%
Copper
Tin
hammering
Wide range of dynamics
Outstanding projection
20 · MEINL CYMBALS · AMUN SERIES
Dry:
offers a dry, earthy
sound with short
sustain. Fairly dark
ping with a balanced
bell-sound in a narrow
range.
20“ A20DRR
Big Bell Medium:
The large bell
produces a glassy,
penetrating response.
Lots of cut during high
volume settings.
20“ A20BBMR
Thin rides have a
warm and dark sound
which are excellent for
a light and soft playing
approach. They build
up more easily and
create the classical
washy sound.
Medium rides are
known for their
versatility and are the
perfect all-a-round
ride. They have a
distinct stick response
and ping sound.
Powerful rides are
mainly used for
stronger and more
energetic playing.
They produce more
volume and project a
bright, clear, and
cutting ping sound.
SPLASHES
What is the difference between a regular bell
and a big bell ride?
Regular bell
CHINAS
Big bell
Clear, brilliant splash
with character. Fast
attack and short
sustain.
8“
A8S
10“ A10S
12“ A12S
The regular bell with a
traditional medium
height has a gently
inclining transition
between the cymbal
surface and the bell.
This construction
offers a warm, defined
and quieter bell sound
which harmonically
blends in with the rest
of the music.
Big bell rides feature
slightly higher and
wider dimensions. The
transition between the
cymbal surface and the
bell is pronounced,
giving a loud and
cutting bell sound
suitable for Funk,
Rock, or Heavy Metal.
8“
10“
12“
13 “
14“
15“
16“
17“
Aggressive,
penetrating attack
with a clearly, trashy
sound and cutting
bright overtones.
Applicable for rideplaying, crashing and
effects.
16“ A16CH
18“ A18CH
20“ A20CH
18“
19“
20“
21“
22“
Hihat, Medium
Hihat, Powerful
Hihat, Dry
Crash, Thin
Crash, Medium
Crash, Powerful
Ride, Thin
Ride, Medium
Ride, Big Bell Medium
Ride, Powerful
Ride, Dry
Splash
China
PRO
For the rocking
drummer!
Extreme power
& projection
B8
MEINL Raker series cymbals feature cutting, voluminous and explosive sounds. They’re
Alloy
the perfect cymbals for drummers who dominantly express themselves in loud and
powerful music. They unfold at high energy levels with enormous power, projection
and bright, sharp sounds.
92% 8%
Copper
Tin
hammering
Forged ride cymbal bells
Cutting volume
22 · MEINL CYMBALS · RAKER SERIES
Raker cymbals are uniformly
hammered which results in a
well balanced vibration
behavior. Penetrating sounds
for high energy playing.
All Raker cymbals have a heat
treated bell. Moreover, all
Raker ride cymbals feature a
forged bell and are famous
for their clear and cutting
ping sound.
HIHATS
Why 15“ hihats?
Medium:
Wide dynamic
spectrum with
powerful feel. Strong
open hihat sound with
a defined crisp chick.
14“ R14MH
Heavy:
Heavier weight
increases volume.
sound with a crisp
chick.
14“ R14HH
15“ R15HH
15” hihats have more
mass than smaller
hihat models and
therefore need more
power in order to
unfold their sound
potential. Because of
that, they have more
cut and volume and
are therefore used in
louder band settings
where energetic and
powerful drumming is
required.
Medium Soundwave:
Sizzling, penetrating,
loud open hihat sound
with a fat, brash,
defined cutting chick.
Powered by waved
bottom.
14“ R14MSW
Heavy Soundwave:
Waved bottom
produce energetic,
sizzling, loud open
hihat sound with a
strong, cutting chick.
14“ R14HSW
15“ R15HSW
RIDES
Medium:
A classic rock ride
sound with a medium
sustain. Outstanding
balanced feel with a
sizzling ping.
20“ R20MR
21“ R21MR
Heavy:
Strong sound with a
penetrating bell and
solid, full-bodied stick
response. Clear,
defined ping.
20“ R20HR
22“ R22HR
Raker ride exclusive – heat treated and
hammered bell!
A true MEINL specialty
is the forging of the
heat treated bell by
extensive hammering
which leads to
exceptional sound
characteristics.
XL RIDE
XL Medium:
Half inch bigger size
offers larger sound
spectrum with more
volume and power.
20½“ R20XLMR
These specially treated
Raker ride bells
produce a clear,
penetrating ping
sound which is
especially appreciated
by drummers who
have to compete in
energetic and loud
band settings. This
special feature has
made Raker rides
especially popular
over the last decade.
What does XL mean?
The Raker XL medium
ride has a ½” bigger
diameter than a 20”
model and therefore
more mass – at no
additional cost. Its
sound is powerful and
bright and fills the gap
between a 20” and a
21” model.
PRO
Extreme power
& projection
CRASHES
LIGHTNING
CRASHES
Lightning crashes?
B8
Alloy
92% 8%
Copper
Tin
Lightning crashes:
Waved edge produces
extremely fast attack.
Medium weight with a
short sustain and a
flashy, high-pitched
sound.
14“ R14LC
15“ R15LC
16“ R16LC
18“ R18LC
All Lightning crashes
have a special waved
edge which causes an
extremely short decay
and a fast attack. These
cymbals produce a
sharp and high-cutting
crash sound which is
essential on big
stages.
Medium:
Combination of clear,
warm sound with fast
attack. Medium sustain
makes this cymbal the
standard rock crash.
14“ R14MC
15“ R15MC
16“ R16MC
17“ R17MC
18“ R18MC
Heavy:
Aggressive, energetic
sound with silvery
highs and heavy
responsive feel.
Powerful attack with
medium sustain.
16“ R16HC
17“ R17HC
18“ R18HC
19“ R19HC
20“ R20HC
XL CRASHES
What does XL mean?
XL Medium:
Half inch bigger size
offers more sound
spectrum, more
volume and power.
14½“ R14XLMC
15½“ R15XLMC
16½“ R16XLMC
17½“ R17XLMC
Raker XL crashes have
a ½” bigger diameter
and therefore more
mass than the
standard sized models
– at no additional cost.
More mass means
extra sound and
volume compared to
the standard sized
version.
Regular crash:
Lightning crash:
Frequency characteristic
of a regular crash shows
usual long decay
Frequency characteristic
of a Lightning crash shows
hammering
Forged ride cymbal bells
Cutting volume
24 · MEINL CYMBALS · RAKER SERIES
SPLASHES
Clear, full-bodied
sound with character.
Fast, explosive attack
and bright highs.
8“
R8S
10“ R10S
12“ R12S
LIGHTNING
SPLASHES
Lightning splashes?
Extremely short
sustain and
accelerated attack with
bright overtones.
Increases cutting
power with a glassy,
penetrating sound.
10“ R10LS
12“ R12LS
8“
10“
12“
All Lightning splashes
have a special waved
edge which causes an
and a fast attack which
is essential for splash
cymbals in general. A
quick and lively sound
for fast splash accents,
ideal in today’s studio
world.
14“
14½“ 15“
15½“
CHINAS
Flashy, explosive
attack and a powerful,
trashy sound with
cutting bright
overtones. The
standard rock china.
16“ R16CH
18“ R18CH
20“ R20CH
16“
16½“
17“
17½“
18“
19“
20“
20½“
21“
22“
Hihat, Medium
Hihat, Heavy
Hihat, Heavy Soundwave
Crash, Medium
Crash, Heavy
Crash, XL Medium
Crash, Lightning
Ride, Medium
Ride, Heavy
Ride, XL Medium
Splash
Splash, Lightning
China
’Virgilio
NicikcDk
N
(Spock’s Beard)
NDVMUSIC.COM
There aren’t many drumm
busy as Nick D’Virgilio. Witers out there that are as
any situation, Nick is con h his ability to adapt to
has already seen the rele stantly in demand. 2004
with Nick’s project, NDV, ase of a DVD/CD combo
accompanied by guitaristwhich was an acoustic tour
in 2003. Soon to be rele Rick Musallam, recorded
ased is the latest offering
from the Mike Keneally ban
drums, due out in spring d, “Dog,” with Nick on
gearing up for an upcom of 2004. Nick is also
Fears. 2003 found Nick ing tour with Tears for
playing drums on Spock’s
Beard‘s release of “Feel Eup
also, “A Fair Forgery”, a horia (Inside Out) and
Pin
Nick can also be heard on k Floyd Tribute album.
done for Genesis, Tears for sessions that he has
Manhattan Transfer. Nick Fears, Sheryl Crow and
for movies and television has also done sessions
Marshals,” and “Mad Abosuch as, “Clueless,” “US
Nick has worked with Fatut You.” Touring-wise,
Fears, Spock’s Beard ande’s Warning, Tears for
others. When it comes to Eric Bourdon among
drumming, Nick
never stops working!
A: 14“ Byzance Dark Hihat
B: 14“ Generation X Filter China,
12“ Byzance Splash on top
C: 17“ Byzance Thin Crash
D: 10“ Byzance Splash,
8“ Byzance Splash on top
E: 20“ Byzance Dark Ride
F: 18“ Byzance Thin Crash
G: 18“ Byzance China
PIETRO
Germany
Ramaglia
(Sarah Connor)
Pietro has
been continuously touring
with pop singer
Sarah Connor and
is currently running
his own drum school in Germany.
A: 13“ Byzance Dark Hiha
t
B: 12“ Byzance Splash
C: 16“ Byzance Thin Cras
h
D: 6“ Byzance Splash
E: 8“ Byzance Splash
F: 21“ Byzance Dark Ride
G:
H:
I:
18“ Byzance Thin Crash
12“ Generation X Alien Hihat
16“ Byzance China
JET
N
O
JAPAN
SHADOWSFALL.COM
J
A
S
A: 14“ Amun Medium Hihat
B: 18“ Amun Powerful Crash
C: 21“ Byzance Dark Ride
D: 18“ Amun Powerful Crash
A: 14“ Amun Powerful Soundwave Hihat
B: 7“ Byzance Splash
C: 18“ One of a Kind Heavy Crash
D: 18“ Amun China
E: 10“ Raker Splash
F: 17“ Classics Powerful Crash
G: 8“ Raker Splash
H: 18“ Classics Powerful Crash
I: 20“ Amun Powerful Big Bell Ride
J: 17“ Amun Powerful Crash
K: 18“ Classics China
L: 13“ Amun Medium Soundwave
Hihat
M: 16“ Byzance China
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Germany (Reamonn)
BITTNER
KAWANISHI
Gomezz
Gomezz is the drumm
er of the German bas
ed band,
“Reamonn” and the
ir music can be des
cribed as the
consequent musical
continuation of Radioh
ead, Live, or
Skunk Anansie. The ban
d had their internation
al break
through in 2000 with
their hit single “Super
girl”. Their
debut album ‘Tuesday’
approached platinum
status and
proved jus t how big
the pot ent ial of Rea
mo nn is.
Gomezz’s solid playin
g displays an amazin
g amount of
energy and intensity.
His groove and feel
complement
Reamonn’s music per
fectly.
Fullard Martin, USA · Gaalaas Shane, USA (B’z, Cosmosquad) · Garcia Luis, Spain · Garcia Paco, Spain · Garrido Alfonso, Germany (TV Total)
Gaster JP, USA (Clutch) · Gattringer Oliver, Austria · Gaudreau Bob, Canada · Gaynor Mel, England (Simple Minds)
Gomezz, Germany (Reamonn) · Gonzales Adel, Cuba (Irakere) · Greaves Tim, England (Cousin Joey) · Guers Lionel, France · Guichoux Franiois, France
Hacket Sheryl, Germany (BAP) · Hartmann Haan, Germany · Hartmann Herbert, Germany (Rough Silk) · Hesselbach Martin, Germany (Starlight Express)
Hobus Igor, Netherlands (Heideroosjes) · Hötzinger Alexander, Germany (MARY) · Hutto Sean, USA (IRATE) · Iacobellis Jorge, USA · Jenkinson Ryan,
England (thisGIRL) · Jimenez Lucas, Spain · Johansson Anders, Sweden (Hammerfall) · Johansson Henka, Sweden (Clawfinger)
JAPAN
A:
B:
C:
D:
A: 20“ Raker Heavy Crash
B: 18“ Amun China
C: 10“ Byzance Splash
D: 18“ Byzance Medium Crash
E: 14“ Byzance Dark Hihat
F: 8“ Byzance Splash
t
14“ Byzance Medium Hiha
h
16“ Byzance Medium Cras
Ride
20“ Byzance Medium
h
18“ Byzance Medium Cras
Shane
USA
(Cosmosquad, B´z)
SATO
S H I N I C H I R O
Gaalaas
Shane is the epitome of a multi-faceted and multitalented musician. Born and raised in Alberta, Canada,
Shane began playing music early in life and eventually
received his formal education at Grant MacEwan Music
College in Edmonton, Alberta and later at the acclaimed
Percussion Institute of Technology in Los Angeles, where
to this day Shane teaches courses when his busy
schedule permits. Shane has toured and recorded with
artists such as Glen Hughes, Billy Sheehan, Yngwie
Malmsteen, Uli Jon Roth, and Vinnie Moore. Currently
Shane can be heard in a variety of projects. He is a part
of the Japanese musical icon, B´z, who this May will
commence a five month stadium tour playing to over
600,000 crowd-goers. Shane is also part of the fusion
outfit Cosmosquad, and can be heard on their latest
albums, „Squadrophenia“ and „Live at the Baked
Potato“. Shane can also be heard with the rock outfit
Diesel Machine on their latest, „Torture Test“. Finally,
Shane has released his own album, „Primer“, which
showcases Shane´s abilities in playing all of the
instrumentation and also handling all of the vocals.
SHANEGAALAAS.COM
G: 17“ Byzance Thin Crash
H: 12“ Byzance Splash
I: 21“ Byzance Dark Ride
J: 20“ Byzance Medium Crash
K: 18“ Byzance China
L: 18“ Amun Powerful Crash
Flo
Dauner Hobus
Igor
(Fanta 4)
Germany
FLODAUNER.COM
Flo is one of
Europe’s leading hip
hop drummers. After
graduating from the prestigious Berklee College of
Music in Boston, MA, USA in 1992, Flo joined the most
successful German hip hop band, “Die Fantastischen
Vier”, followed by extensive touring activities all over
Europe. In 2000 the band recorded a top-selling “MTV
unplugged” album followed by a live video and DVD.
Besides laying it down for “Die Fantastischen Vier”, Flo
has toured and recorded with following artists:
Badesalz, Thomas D., Elektrostar, Albert Mangelsdorff,
Orbit Experience, Jaki Liebezeit, and many more. All
throughout 2003 and 2004, Flo will be on a world tour
with Sarah Brightman.
A: 17“ Byzanc
e Thin Crash
B: 14“ Byzanc
e Medium Hiha
t
C: 10“ Generat
ion X Alien Hi
hat
D: 8“ Classics
Powerful Bell
E: 20“ Byzanc
e Medium Ride
F: 18“ Byzanc
e Thin Crash
osjes)
(Heidero
The Heideroosjes
released nine re have
including their cords
CD SINema. Withlatest
more
than 1000 live
shows
under
their
belt
Heideroosjes
all due respect are – with
successful punk – the most
hail from the band ever to
They have manageNetherlands.
the Dutch album d to stay in
over half a year charts for
radio hits in the and have had
and Belgium. HeiderNetherlands
toured with Penn oosjes have
Religion and Th ywise, Bad
e Offspring.
Concerts
at
Lo wl an ds , Dy na mo P i n k p o p ,
Festival, Rock We , Bi za rr e
rchter and
Pukkelpop have
to increase the only served
this hard working profile of
punk band.
A:14“ Amun Powerful Hihat
B: 18“ Amun Powerful Crash
D:10“ Amun Splash
E: 18“ Amun Medium Crash
F: 20“ Amun Powerful Ride
G:16“ Amun Powerful Crash
H:18“ Amun China
Johansson Ola, Sweden (Fame Factory) · Jooß Frank, Germany (Fiddlers Green) · Jungle, England (London Electricity) · Junji Ikehata, Japan · Kaisler
Sascha, Germany (The Acoustical South) · Katic Elvis, USA (Simon Stinger) · Kawanishi Jet, Japan (Jet-Ki) · Keisuke Komori, Japan · Keitel Fabian, Germany
(Freistil) · Kellner Wolfram, Germany (JBO) · Kerch Barry, USA (Shinedown) · Kerswill Derek, USA (Seemless) · Kim Sun Joong, Korea · King Adam, England
(Jason Mraz) · Kirkvaag Kristian, Norway (WE) · Kohhei, Japan (Jelly) · Krone Femke, Netherlands · Kumpf Peter, Germany (Anyone’s Daughter) · Kusch Uli,
Germany (Masterplan) · Laaf Andy, Germany (Mad Sin) · Lackner Mario, Austria (Zabine) · Lang Thomas, Austria · Leathers Chris,
USA (Supafuzz, Devil May Care) · Leber Alex, Germany (Megakerls) · Ledezma Julio, USA · Levine Brian, USA (Radio Free America)
PRO
For the new generation
drummer!
Total innovation
and character
FX9
Alloy
MEINL’s innovative and award-winning Generation X series cymbals pave the way to
a completely new world of revolutionary cymbals. Sounds, which are consciously different and aimed towards advanced, experimental and unconventional drummers who
are motivated to explore new sound territories. MEINL’s Generation X series cymbals
69% 15%
Copper
Zinc
15% 1%
Manganese Aluminum
offer contemporary and modern sounds which were designed in cooperation with
three of today’s most remarkable drummers.
Different sounds
Innovative concepts
MS63
manufacturing
Alloy
63% 37%
Copper
Zinc
28 · MEINL CYMBALS · GENERATION X SERIES
Winner of the
2003 M.I.P.A.
„Musikmesse
International
Press Award“
Generation X is different!
For example, experimental
sounds can be achieved by
stacking cymbals made from
different alloys on top of each
other.
THE RABB PACK CYMBAL SET
A complete pre-packed pitch-matched cymbal setup. It’s a perfect add-on for the existing set-up and
includes a FREE 8” Drumbal and a FREE cymbal
bag.
GX-12/16/18
12“ Safari hihat, 16“ Safari crash, 18“ Safari ride,
FREE 8“ Drumbal and a FREE cymbal bag.
SAFARI HIHAT
SAFARI CRASH
SAFARI RIDE
Breakbeat ride with a
trashy, white noise
sound. Extremely short
sustain due to the
combination of two
cymbals in one
instrument.
18“ GX-18SR
Especially designed to
meet the requirements
of today’s Drum’n Bass
and Jungle scene. It
provides a multitude of
new sounds. The
bottom hihat contains
jingles which enhance
the spectrum.
12“ GX-12SH
The quick decay
achieved by the two
cymbal combination is
perfect for adding
white noise for
simulating loops or
effects for whatever
style you are playing.
16“ GX-16SC
DRUMBALS
How is the Drumbal used?
Placed on any drum,
they are perfect for
imitating white noise,
hand claps, and other
electronic effects.
Drumbals transform
your acoustic drumset
into an acoustic drum
machine.
8“
GX-8DB
10“ GX-10DB
By placing the
Drumbal on the snare
drum, you can:
a) Hit the Drumbal
with the stick, creating
a clap similar to a
drum machine.
b) Hit the snare drum
head creating an
electronic snare
sound.
c) Use the snare head
What is the tension
tuning system?
for ghost notes and the
drumbal for accents.
By holding the handle
of the Drumbal you
can:
a) Lift the Drumbal off
the snare/tom tom and
slam it down creating
trashy accents.
b) (with snares off) Lift
the Drumbal off and
place it on the head
Using the wing nut of
the cymbal stand, you
can tune the Safari
ride and crash to
sound anywhere from
trashy to virtually no
decay. The Safari hihat
can be tuned to control
the amount of
trashiness by
increasing or
decreasing tension of
the hihat clutch.
while hitting the
snare/tom tom with
the stick to change the
pitch similar to a
talking drum.
Johnny Rabb USA
Johnny Rabb, whose outrageous style of playing has continuously turned heads worldwide, is the blueprint for creativity. Johnny’s blend of drumming encompasses hip-hop,
house, techno, and jungle drum n’ bass styles, lending an almost futuristic notion to the
music. Johnny has been an educator for many years, selflessly giving to others the
passion that he holds for music. His innovative concepts and ideas can be seen in his
comprehensive instructional book, “Jungle/Drum n’ Bass for the acoustic drum set”,
released by Warner Brothers in 2001. This publication was the recipient of the
acclaimed, Modern Drummer Readers Poll “Best Educational Book” award in 2003.
Johnny’s gift for teaching others has also extended to
his having made appearances in clinics world-wide.
Johnny can also be seen and heard with his
popular Nashville, Tennessee band,
Superactionheroes.
JOHNNYRABB.COM
A:
B:
C:
D:
E:
F:
G:
H:
I:
J:
12“ Generation X Safari Hihat
14“ Generation X Filter China
16“ Generation X Safari Crash
8“ MEINL Realplayer Steelbell
4½“ MEINL Realplayer Steelbell
18“ Generation X Safari Ride
16“ Classics China
MEINL Drumset Tambourine
10“ Generation X Alien Hihat
TOM´S BECKEN CYMBAL SETS
A complete pre-packed pitch-matched cymbal setup. It’s a perfect add-on for the existing set-up and
includes a FREE 14” Filter china.
GX-TB14/16/18
16“ Synthetik crash, 18“ Signal crash/Klub ride,
FREE 14“ Filter china
GX-TB14/17/18
17“ Kompressor crash, 18“ Kinetik crash,
FREE 14“ Filter china
A:
B:
C:
D:
E:
F:
13“ Byzance Dark Hihat
12“ Generation X Alien Hiha
t
16“ Generation X Synthetik
Crash
14“ Generation X Filter Chin
a
10“ Generation X Alien Hiha
t
17“ Generation X Kompres
sor Crash
G: 10“ Byzance Splash
tik Crash
H: 18“ Generation X Kine
r China
I: 14“ Generation X Filte
al Crash/Klub Ride
J: 18“ Generation X Sign
K: 20“ Byzance Ping Ride
t
L: 14“ Byzance Dark Hiha
Hihat
M: 8“ Generation X Alien
SYNTHETIK
CRASH
KOMPRESSOR
CRASH
KINETIK
CRASH
SIGNAL CRASH/
KLUB RIDE
A extremely fast crash
with a contemporary
“white noise” quality
to its rapid release.
Short sustain due to
the waved edge. Ideal
for fast accents.
16“ GX-16SYC
Fast response with
short decay and short
sustain. It produces
few tonal
characteristics in its
release and has a
trashy sound.
17“ GX-17KC
A full trash-crash with
medium sustain.
Played with lighter
sticks, it turns into a
synthetic sounding
ride.
18“ GX-18KC
Explosive attack, ideal
for bigger accents due
to a great response.
When played with
lighter sticks, it turns
into a sweet and jazzy
sounding ride cymbal
with little wash.
18“ GX-18SC
FILTER CHINA
What are Tom’s Becken all about?
A fast, sharp and
almost sinister sound.
Quieter than most
chinas, it has a short
sustain due to the
waved edge.
14“ GX-14FCH
The Generation X
Tom’s Becken are a
pitch-matched range
of contemporary crash
cymbals that provide
acoustic and electronic
drummers with
modern sounds that
resemble artificially
engineered cymbal
samples. A perfect
range for electronic
drummers since they
are quieter than most
crash cymbals. Tom’s
Becken are “db
THOMAS
Austria
compressed” and ideal
for rehearsal rooms as
well as controlled
recording
environments (close
miking recommended).
Their feels is flexible
and soft.
STICKTRIX.COM
LANG
Austrian drummer Thomas Lang has been wowing
audiences world-wide for some time now. His amazing
physical prowess on the drums is unparalleled in
today’s drumming world. Thomas has been
teaching, touring, and recording for many years,
lending his expertise to every one of his
endeavors. Thomas has held clinics that have
given many drummers some lofty heights to
aspire to, showing them the level of musicality
and finesse that he has developed over the
years. Thomas has toured and recorded with
such artists as Geri Halliwell, Robbie Williams,
B*Witched, Bonnie Tyler, Falco, The Vienna Art
Orchestra, Asia, Mick Jones, Suicidal Tendencies
and many more. Most recently, Thomas can be
seen and heard on his latest instructional video
release, “Creative Control,” a two disc DVD set
produced by Hudson Music. On this DVD, Thomas
shares his knowledge of drumming and displays the
awesome abilities that have made him into one of
modern day drumming’s true giants.
SEMI PRO
For the versatile
drummer!
High quality and a wide
selection of models
B8
MEINL Classics series cymbals prove their worth with matched sounds and outstanding
Alloy
quality. But moreover, Classics cymbals are unparalleled in the semi-professional range
with regard to their extremely extensive selection of different models.
92% 8%
Copper
Tin
Excellent craftmanship
Extensive selection
of different models
Outstanding sound characteristics
34 · MEINL CYMBALS · CLASSICS SERIES
Classics cymbals are specially
lathed which leads to a
visually bright look and a
perfectly balanced sound
spectrum.
The MEINL Classics series
includes special effects
cymbals such as bells or
china splashes, which offer
outstanding options and
value in this price range.
MINI HIHAT
Medium:
Bright overtones with
lots of warmth.
sound with a fat,
cutting, chick sound.
10“ C10MH
a 10" hihat?
The Classics 10" mini
hihat is applicable as
an auxiliary hihat or as
a main hihat for lower
volume settings. With
a bright and cutting
sound, these hihats
are perfect for quick
accents and fast
patterns played by
stick or foot.
HIHATS
Medium:
Extremely wide
dynamic spectrum
with a lively, warm
sound. Brilliant open
hihat and crisp chick.
13“ C13MH
14“ C14MH
Powerful:
Cutting, high-pitched
sound with a brilliant
open shimmer and a
defined chick.
14“ C14PH
Medium Soundwave:
Waved bottom
increases sizzling,
loud open hihat sound.
Strong, warm
character and a fat
cutting chick.
13“ C13MSW
14“ C14MSW
Powerful Soundwave:
Strong, fat cutting
chick with a sizzling
loud open hihat sound.
Waved bottom offers
energetic, powerful
feel.
14“ C14PSW
CRASHES
Thin:
Sharp frequency
spectrum with washy
attack and medium
sustain. Medium bright
frequency.
16“ C16TC
18“ C18TC
Medium:
Wide frequency
spectrum with a warm
and voluminous
sound. Strong,
immediate attack and a
medium sustain.
14“ C14MC
15“ C15MC
16“ C16MC
17“ C17MC
18“ C18MC
Powerful:
Combination of power
and clear, bright tones
in a wide dynamic
spectrum. Explosive,
cutting attack and solid
volume.
16“ C16PC
17“ C17PC
18“ C18PC
Extensive selection of different crash cymbals in the
semi professional range!
Classics series crashes
offers a wide selection
of different sound
options in the semiprofessional range.
Thin, medium, and
powerful weights plus
diameters ranging
from 14" to 18" enable
a perfectly matched
cymbal set-up or the
expansion of an
existing set-up with
cymbals from the same
line and same sound
characteristics.
Classics crashes have a
wide sound spectrum
along with a great
versatility and can be
applied in various
music styles. They are
the perfect all-a-round
cymbals.
SEMI PRO
RIDES
SPLASHES
High quality and a wide
selection of models
B8
BELLS
Alloy
92% 8%
Copper
Tin
Available in three
different pitches – low,
medium, powerful
with a very long
sustain and a dry,
pingy, brilliant stick
response.
8“ Low
C8BL
8“ Medium
C8BM
8“ Powerful C8BP
Excellent craftmanship
Extensive selection
of different models
Outstanding sound characteristics
36 · MEINL CYMBALS · CLASSICS SERIES
Very fast attack and
sharply, penetrating
cut. Very bright, clear
sound.
8“
C8S
10“ C10S
12“ C12S
Medium:
Extremely balanced
feel with a full, warm
sound. Clear ping over
even shimmering
wash, with medium
bell and sustain.
20“ C20MR
21“ C21MR
Powerful:
Energetic sound with a
solid stick response.
Bright, clear ping, loud
bell and long sustain.
20“ C20PR
CHINA
SPLASHES
What are china
splashes?
Defined trashy sound
with bright overtones.
Fast attack with short
sustain.
8“
C8CS
10“ C10CS
What are bells for?
Classics bells are
unique effect cymbals
that have a distinctive
high-pitched ping
sound with a long
sustain. They are the
perfect addition for
any drum- or
percussion set-up.
CHINAS
Aggressive,
penetrating attack
with a clear, trashy
sound. Cutting bright
overtones. Explosive
response with medium
sustain.
12“ C12CH
14“ C14CH
16“ C16CH
18“ C18CH
Classics china splashes
are available in 8" and
10" diameters. Their
up-ended design not
only gives them a
unique look, but also
causes their
unmistakable sound:
Trashy splash
characteristics, an ultra
fast attack with almost
not sustain, combined
with a china like tone.
Perfect for quick
accents and tasty fills.
Extensive selection
of different china
cymbals!
Classics china cymbals
are popular for their
diversity and
versatility. Available in
12", 14", 16", and 18"
diameters. The 12" and
14" sized models are
perfect for short and
quick china accents,
whereas the larger
sized models project
more volume and are
ideal for ride patterns.
CYMBAL SET
EFFECT SET
What’s an effect-set
for?
The Classics effect-set
is a pitch-matched set
containing a 10"
splash and a 18" china
cymbal.
It complements any
existing cymbal set-up
and provides a greater
tonal variety.
Specially harmonically matched medium weight
cymbal set-up to start playing right out of the box.
C-14/16/20M
14“ hihat, 16“ crash, 20“ ride (Medium)
Ready matched effect-set, to add to your existing
cymbal set-up for exceptional accents and fill-ins.
C-10/18
10“ splash, 18“ china
8“
10“
12“
13 “
14“
15“
16“
17“
18“
20“
21“
Hihat, Mini
Hihat, Medium
Hihat, Powerful
Crash, Thin
Crash, Medium
Crash, Powerful
Ride, Medium
Ride, Powerful
Splash
China Splash
China
Bell, Low
Bell, Medium
Bell, Powerful
Cymbal Set, Medium
Effect Set
Hihat
Splash
Crash
Ride
China
Five Foo
(USA)
McQuain
A: 13“ Amun Medium Hihat
B: 18“ Amun Medium Crash
D: 22“ Amun Big Bell Ride
E: 20“ Amun Medium Ride
F: 18“ Amun China
L
O
R
U
I
C
S
IKEHATA
(Japan)
(thisGIRL)
FRANCK
A
JUNJI
Jenkinson
France
M
shington in 1997,
Formed in Spokane, Wa
laying down a mix
n
Five Foot Thick has bee
hip-hop ever since.
and
tal
me
’s
80
of classic
vy groove for
hea
id,
sol
Silas provides the
tal has earned
me
of
the band, whose style
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de.
-wi
ion
them fans nat
ut, “Circles,”
deb
gth
released their full len
ned a deal
sig
y
the
03
20
of
y
and in Ma
their second
ng
asi
rele
s,
ord
with Eclipse Rec
fall of
the
in
”
dle
full length, “Blood Pud
par t of
a
n
bee
has
d
ban
2003. The
kages such as the
prestigious national pac
Jagermeister
the
and
r
Tou
d
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Vans Wa
s can also be
boy
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and
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Music Tour. Sila
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Five Foot
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for 2004.
FIVEFOOTTHICK.COM
O
SANTIA
GO JR.
ANTIAGO
R Y A N
Silas
t Thick
USA
A: 10“ Byzance Splash
B: 14“ Amun Powerful Hihat
C: 16“ Amun China
D: 17“ Amun Powerful Crash
E: 20“ Amun Big Bell Ride
F: 18“ Amun Powerful Crash
G: 18“ Amun China
England
The band that became
thisGIRL was formed in
November 1999. Playing
across South Yorkshire,
England, they quickly
established a reputation for
stunning live shows that
overwhelmed the audience
with virtuoso musicianship
and sheer sonic intensity.
Several releases later, the
band played the Pukkelpop
Festival in Belgium and found
themselves with a Kerrang! Awards
nomination for Best British Newcomer
2003. More recently, thisGIRL was invited
to be one of the five bands to play
alongside Limp Bizkit at Finsbury Park.
Their latest release “Demo’s for the
Family” was released in September 2003
and a U.S. tour is planned for March 2004.
The band has also been invited to tour
Hong Kong and Southeast Asia in 2004.
Lincoln Gary, Germany (Alternative Allstars) · Löble Daniel, Germany (Rawhead Rex) · Lopez Alvaro, Mexico · Lowe Jen, USA (Acres) · Luty Robert, Poland
(Edyta Gorniak) · Maass Stephan, Austria (Reinhard Fendrich) · Marino Carlo, USA · Markiewicz Robert, Poland (Sascha Korn, Anna Dabrowska)
Marszalkowski Adam, Poland (Normalsi) · Masanori „Cherry“ Koyanagi, Japan · Masayuki Kobayashi, Japan (Potshot) · Mateos Toni, Spain · Maturano Phil,
USA · Mayland Jens Olaf, Germany (Alyson Hell) · McConaghy Stuart, USA · McQuain Silas, USA (FiveFootThick) · Melian Juan Carlos, Spain · Mesa Xavier,
France · Messer Stuart, England (Candyheads) · Michael Jörg, Germany (Stratovarius) · Miller Jim, USA · Minnemann Marco, Germany · Miranda Freddie,
Puerto Rico · Morris Joe, USA (Esteban) · Moszczynski Lukasz, Poland (Blue Café) · Nelson Sobral, Portugal · Norri, Germany (Corvus Corax)
Jörg
(Stratovarius)
Michael
2004
Mike
TERRANA.COM
A:
B:
C:
D:
E:
F:
G:
H:
I:
J:
14“ Raker Heavy Soundwave Hihat
17“ Amun Powerful Crash
6“ Byzance Splash
20“ Amun Powerful Big Bell Ride
18“ Amun China
14“ Raker Medium Soundwave Hihat
C H R I S T O P H E
TERRANA
at
erful Soundwave Hih
A: 14“ Amun Pow na Splash
B: 10“ Classics Chi
C: 18“ Amun China,X Filter China on top
14“ Generation Crash
n
D: 16“ Byzance Thina Splash
F: 17“ Byzance Thin Crash
E: 8“ Classics Chi n Crash
G: 20“ Amun Powerful Big Bell Ride
Thi
e
anc
F: 17“ Byz
H: 18“ Amun China,
14“ Generation X Filter China on top
I: 18“ Byzance Thin Crash
J: 17“ Byzance Thin Crash
In 1998 Mike Terrana relocated from
Los Angeles to Germany. He
immediately received offers to join
and to record with top Germany heavy
metal bands. Ever since then, Mike has
been one of the busiest heavy-rock
drummers in Europe. Terrana is
currently enjoying a successful career
with long time German metal band
“Rage”, with which he has recorded
three albums. Mike can be heard on a
new fusion project, Taboo Voodoo, and
he’s formed a three-piece melodic rock
band called Zillion, based out of
Hamburg, Germany.
S I M O N
(France)
N
E
L
S
O
N
SOBRAL
PORTUGAL
MEINL CYMBALS
proudly sponsors the
Since 1984 Jörg has been one of the
leading heavy metal drummer in
Germany and throughout Europe. His
energetic and ambitious attitude on the
drums has been acknowledged and
appreciated on countless albums and
tours around the world.
In 1996 Jörg joined the Finish band
“Stratovarius”, who has sold millions of
albums all over the world and still continues to
be one of the leading bands in melodic heavy metal.
Over the years, Jörg has played with a respectable amount
of artists either live or in the studio. These artists
include: Avenger, Metal Sword, Der Riss, The Raymen,
100 Names, Rage, Mekong Delta, Schwarzarbeit,
Laos, Axel Rudi Pell, Headhunter, Glennmore,
House of Spirits, Grave Digger, Running Wild,
Sak Sok, Tom Angelripper, Unleashed Power,
Stratovarius, and many others.
Nuzzoli Gabriel, Italy · Olsen Tony, Denmark (Pangea) · Padron Nelson, USA · Pedarnig Moritz, Austria (Rob Davis) · Peil Roland, Germany (Fanta 4,
Sascha) · Pelc Martin, Czech. Republic (Skwor) · Penalver Juan Raul, Mexico · Pereira Jose Antonio, Spain · Perlozzi Darla, USA · Pierce Corey, USA (God
Forbid) · Piribauer David, USA (Revis) · Prieversek Mondo, Austria (Alpenrebellen) · Rabb Johhny, USA · Ramaglia Pietro, Germany (Sarah Connor)
Ray Bill, USA · Rein Florian, Germany (Bananafishbones) · Rey Ramon Angel, Spain · Rieser Ulrich, France · Rodriguez Eduardo, USA (Gloria Estefan)
Romano Ruben, USA (Nebula) · Romero JD jr., USA (Spitalfield) · Rosenplänter Christoph, Germany (Cle, S’coolmaster)
Rubow Oli, Germany (Turntablerockers) · Salesvuo Tomi, Finland (XL, Bitter Sweet) · Sanchez Pepe, Spain · Santiago Louis jr., USA · Savage Scott, USA
SEMI PRO
For the ambitious
drummer!
Absolute value
and quality
B8
The MEINL MCS cymbal set-up and individual cymbals are the standard for today’s
Alloy
ambitious drummer. These harmonically matched cymbals provide the best sound at
an unbeatable price. Ready to rock right out of the box.
92% 8%
Copper
Tin
Harmonically matched
Outstanding sound
Unbeatable value
40 · MEINL CYMBALS · MCS SERIES
Setting the standard in this
price range with MEINL’s
MCS cymbals: Precise
hammering patterns and a
lathed cymbal surface for best
sounds.
A high-tech laser engraves
the logo and the serial
number in every MEINL
cymbal.
CYMBAL SET
HIHAT
CRASHES
RIDE
Medium weight
cymbal in a wide
dynamic spectrum
with a clean stick
response. Warm,
brilliant open hihat
sound and a clear
chick.
14“ MCS14MH
Fast response with a
bright, full-bodied
sound. Clear and
penetrating with
medium sustain in a
wide range. Versatile
in any set-up.
14“ MCS14C
16“ MCS16C
18“ MCS18C
Fairly balanced feeling
with a bright, clear
ping and medium
sustain. Solid bell cuts
through during highvolume settings.
20“ MCS20R
SPLASH
CHINA
Very bright, clear and
penetrating sound.
Fast attack and short
sustain.
10“ MCS10S
Trashy sound with
cutting bright
overtones and a brash
attack. Explosive
response with medium
sustain.
16“ MCS16CH
The MCS cymbal set-up contains a pair of 14" hihats, a 16" crash and a 20" ride,
all specially harmonically matched in medium weight for the most musical
sound. Ready to rock right out of the box.
MCS
14“ hihat, 16“ crash, 20“ ride (Medium)
10“
14“
16“
18“
20“
Hihat
Crash
Ride
Splash
China
Cymbal Set
Hihat
Crash
Ride
STUDENT
8“
10“
12“
14“
16“
18“
20“
Hihat
Crash
Crash/Ride
Ride
Most economy
& style
Splash
China
Cymbal Set, 2pcs.
Hihat
Crash
Cymbal Set, 3pcs.
Hihat
Crash
CYMBAL SETS
Ride
HIHAT
CRASHES
CRASH/RIDE
Medium weight.
Defined, clear sound
with a penetrating
open hihat and a crisp
chick for a universal
range of applications.
14“ HTKS-14MH
Bright, clear sound
with a complex spread.
Explosive attack and a
medium sustain.
14“ HTKS-14C
16“ HTKS-16C
Defined, clear stick
response with a bright
ping. Complex spread
and medium sustain,
along with an
explosive sound when
played as a crash.
18“ HTKS-18CR
RIDE
SPLASHES
CHINA
Balanced, clear sound
with a defined, bright
ping. Medium sustain
with a tonally matched
bell.
20“ HTKS-20R
Bright, cutting and
penetrating sound
with fast attack and
short sustain.
8“
HTKS-08SP
10“ HTKS-10SP
12“ HTKS-12SP
Brash, trashy sound
with cutting bright
overtones. Explosive
attack with medium
sustain.
18“ HTKS-18CH
FX9
Alloy
69% 15%
Copper
Zinc
15% 1%
Manganese Aluminum
Specially matched new player cymbal set in
medium weight. 2pcs. set includes 14” hihat, 16”
crash. Standard 3pcs. cymbal set includes a 14”
hihat, 16” crash, 20” ride.
14“ hihat, 16“ crash
HTKS-1416
14“ hihat, 16“ crash, 20“ ride
HTKS-141620
42 · MEINL CYMBALS · HEADLINER SERIES
STUDENT
8“
10“
12“
13“
14“
16“
18“
20“
Hihat
Crash
Crash/Ride
Ride
Most economy
& style
Splash
China
Cymbal Set, 2pcs.
Hihat
Crash
Cymbal Set, 3pcs.
Hihat
Crash
CYMBAL SETS
Ride
HIHATS
CRASHES
CRASH/RIDE
A versatile hihat in
medium weight.
Warm, clean sound
and an articulate open
hihat.
13“ HNPS-13MH
14“ HNPS-14MH
Smooth attack with a
medium sustain.
Complex spread with
warm and voluminous
feel.
14“ HNPS-14C
16“ HNPS-16C
Clean stick response.
Full-bodied and warm
with a washy ping and
a complex spread.
Explosive sound when
played as a crash.
18“ HNPS-18CR
RIDE
SPLASHES
CHINA
Clean, warm sound,
with a defined ping
and bell for a universal
range of applications.
20“ HNPS-20R
Immediate, cutting
bright response.
Perfect for fast accents.
8“
HNPS-08SP
10“ HNPS-10SP
12“ HNPS-12SP
Explosive, brash and
bright attack with
deep, dark and trashy
undertones.
18“ HNPS-18CH
MS63
Alloy
63% 37%
Copper
Zinc
Specially matched new player cymbal set in
medium weight. 2pcs. set includes 14” hihat, 16”
crash. Standard 3pcs. cymbal set includes a 14”
hihat, 16” crash, 20” ride.
14“ hihat, 16“ crash
HNPS-1416
14“ hihat, 16“ crash, 20“ ride
HNPS-141620
Cymbal guide
Every beginning drummer faces the
same question: What is the best way
to position the first basic cymbal setup around the drum kit?
The knowledge and experience that
will help to guarantee a relaxed
playing position on the drum kit is not
something that the beginning
drummer has. An important issue in
ensuring comfortable playing is the
correct positioning of the cymbals.
Following are some valuable guidelines for the ambitious beginner.
The drum throne is the center of every
drum kit and is also the most
ergonomically crucial spot. Starting from
here, it is essential that everything is
comfortably accessible and easy to reach
without having to twist or bend. All
cymbals should lean and face towards the
throne. This ensures long lasting and
comfortable playing without physical
problems.
As we gain experience as players, our
demands for a larger cymbal set-up
with various new sounds grows too.
Again, the throne is the “sweet spot” of
the drum kit and any additional cymbal
has to be easy accessible without having
to twist or bend in an uncomfortable
manner. All cymbals should lean and face
towards the chair.
How to set up your first cymbals?
The basic cymbal set-up
14“ hihat, 16“ crash, 20“ ride (from left to right)
Note: Positioning of cymbals is listed under the assumption of the drummer being right-handed.
If the drummer is left-handed, please reverse the set-up.
How to include additional cymbals
into your drum kit?
The advanced cymbal set-up
An additional splash cymbal is usually positioned near
the main hihat or between the two rack-toms. This results
from the fact that splash cymbals are often used for fast
accents and played in combination with fast hihat
patterns or tom-tom rolls.
For a greater tonal variety, crash- or china cymbals are
added to the cymbal set-up. These are mainly positioned
on the right side of the drum kit near the ride cymbal,
because crash- or china accents are often used to come
out on the “1” after tom-tom fills.
Marco Minnemann´s
massive set-up
14“ hihat, 16“ crash, 10“ splash, 18“ crash, 20“ ride,
16“ china (from left to right)
Note: Positioning of cymbals is listed under the assumption of the drummer being right-handed.
If the drummer is left-handed, please reverse the set-up.
44 · MEINL CYMBALS · CYMBAL GUIDE
The MEINL’s MCS cymbal
set-up is the perfect starter
package for the ambitious
drummer.
The MEINL’s Classics effect
set is the ideal add-on
package to expand your
cymbal set-up.
Cymbal assembly
What’s important?
Generally there are two issues which need special
attention:
ect metal ttoo metal ccontact
ontact
1. In order to avoid dir
direct
ontact,
make sure the cymbal and hihat stand are complete
and fully functional. Direct metal to metal contact can
result in unwanted rattling and disturb the sound of
the cymbals. Furthermore, it can cause damage around
the center hole of the cymbal.
2. KKeep
eep it loo
looss e! Over-tightening the wing nut of the
cymbal stand can prevent the cymbal from vibrating
freely and therefore doesn’t let it unfold its full sound
potential. It may sound choked and dead and will
eventually cause cracks in the cymbal.
Cymbal stand assembly for crash,
ride, splash and china
Check if your cymbal stand is complete and fully
functional. Missing parts may cause damage to your
cymbal or lack in sound.
A
B
C
D
wing nut
felt washer
plastic sleeve
cymbal
E felt washer
F threaded shaft
G cymbal support
plate
Getting the best
sound out of the
cymbals!
In order to achieve the best possible sound
out of your cymbals, pay attention to a few
simple things:
1. Don’t over-tighten the wing nut above the
cymbal. Make sure the cymbal can vibrate
freely.
2. Set up your cymbal slightly angled towards
you.
3. Always hit the cymbal from the top (picture
A). Avoid striking your cymbal directly on its
edge (picture B). This can easily lead to
breakage of your cymbal.
4. Try to hit the cymbal a little bit off center
with a slight twist of your wrist. This will
help its sound to “open up”.
5. Choose the right stick weight and size
which best matches your playing. Lighter
sticks are beneficial for a more accented style
of playing and also in assuring the durability
of your valuable cymbals.
6. Always transport your cymbals in a proper
cymbal bag or a case.
Hihat clutch assembly
Check if your hihat clutch is complete and fully
functional. Missing parts may cause damage to your
cymbals or cause them to sound inadequate. Keep the
clutch at a medium tension to ensure a freely vibrating
top cymbal.
A hihat rod
B hihat clutch with
wing nut
C felt washer
D top cymbal
E felt washer
F knurled screw with
lock nut
The shape of the cymbal bow has a tremendous
impact on the sound.
The shaping of the bow of a cymbal is an essential process in forming its basic sound
characteristic.
A flat bow has relatively less tension in the
material (picture A). The basic sound of a
cymbal like this is warm and dark with a fast
response.
A medium-steep bow builds up tension in the
material (picture B). Its basic sound is full
and rich with a more mid-range emphasis
and a direct response.
G bottom cymbals
H felt washer
I bottom cymbal
support plate
A steep bow has a strong tension in the
material (picture C). Its basic sound is very
powerful with strong high frequencies and a
clear, focused attack.
LINEAR JUNGLE GROOVES
DOUBLE KICK DOUBLES
by Johnny Rabb
by Thomas Lang
In these exercises we will focus on linear jungle grooves. No two
instruments are played at the exact same time. All of the notes are on
separate planes. If you have studied linear funk patterns, then you will be
very familiar with these exercises. It is important to practice the fragments
first to become comfortable playing them by them selves before moving
on. Once you’re comfortable, begin practicing the exercises slowly and
gradually speed up the tempo. Think of each exercise as a linear funk
groove when practicing at a slow or medium tempo.
Double stroke rolls don’t necessarily have to be played with your hands all
the time. Playing doubles with your feet for example will strengthen your
muscles and help you to built up your foot control.
Practice Tips:
Combine any four linear fragments to create your own original linear
jungle grooves. Always use a drum machine or metronome to keep your
time and groove solid!
When I play doubles on the bass drums, I accent the 2nd stroke just like
with the hands. It makes them more even and tighter. To be able to use
doubles in a musical way, I also started to incorporate accents and
dynamics into these patterns because without them, they sound boring
and flat.
When you’re practicing these exercises, always use a drum machine or
metronome to keep your time and groove solid. Start at a slow tempo and
built up your speed over the time.
Exercise 1: Double strokes played on a double kick pedal
When you’re practicing these exercises, try to do it one measure at a time.
Exercise 2: Double strokes played on a double kick pedal with various
Then when you’re comfortable, add the second measure and create the
hand patterns
two-bar loop.
Exercise 3: Double strokes played as 16th note triplets
Key:
Exercise 1:
Exercise 1:
Exercise 2:
Exercise 2:
Exercise 3:
Exercise 4:
Exercise 5:
Exercise 3:
Exercise 6:
“Double Kick Doubles” are taken from Thomas’s instructional DVD “Creative Control” by
Hudson Music (used with permission).
Exercise 7:
“Linear Jungle Grooves” are taken from Johnny’s book “Jungle/Drum’n’Bass for the acoustic
drum set” by Warner Bros. Publications (used with permission).
ACCESSORIES
PEDAL MOUNT
The MEINL Pedal Mount fits on all common bass drum pedals and firmly holds
cowbells, blocks, or tambourines. It is height adjustable and includes 2
differently sized L-rods.
PM-1
CYMBAL STACKER
COWBELL BASS DRUM HOLDER
DRUMSTICK HOLDER
The MEINL Cymbal Stackers enable a space saving
set up of various cymbals on top of each other.
MC-CYS
Ø 6 mm
MC-CYS8
Ø 8 mm
The MEINL Cowbell Holder attaches firmly to the
bass drum hoop. Rubber pads prevent scratches on
the hoop.
MC-BD
The MEINL Drumstick Holder attaches to any
common stand and stores a number of drumsticks,
mallets, brushes and other accessories.
MC-DSH
48 · MEINL CYMBALS · ACCESSORIES
PROFESSIONAL CYMBAL BAG
PROFESSIONAL STICK BAG
External compartment
Padded nylon material
Padded dividing pads
External pocket
Padded shoulder strap
Shoulder strap
Carrying grip
Extension straps
The MEINL Cymbal Bag holds cymbals up to 22” diameter. An external
compartment, which holds cymbals up to 14”, allows a comfortable weight
balance when packed.
MCB22
Black
The MEINL Stick Bag offers 4 spacious sections for drumsticks and a separate
compartment for drum keys, small tools and other valuables.
MSB-1
Black
CYMBAL CLEANER
DRUMMER GLOVES
The Meinl Cymbal Cleaner is a premium,
concentrated liquid cleaner. Fingerprints, stick
marks, and other oxidation will disappear from the
surface restoring the original lustre of the cymbal.
It is 100% non-toxic and is free of phosphates.
MCC-6
Box of 6 bottles
MEINL drummer gloves protect your hands from blisters and prevent the sticks from slipping, yet provide a
natural playing feel.
DG5
half fingers
Sizes: M, L, XL
DG10 full fingers
Sizes: M, L, XL
PERCUSSION
For the
percussionist!
Creative and
exotic sounds
B20
Alloy
MEINL Candela cymbals have been specially developed to meet all of the requirements
for today’s modern percussionists. The Candela series features light, extra-thin splash
and crash cymbals, which reveal their full sound potential when played by hand.
80% 20%
Copper
Tin
Extra thin cymbals for
percussionists
B8
Alloy
Fast response
Exotic characteristics
92% 8%
Copper
Tin
50 · MEINL CYMBALS · CANDELA SERIES
Candela cymbals are
extremely thin and respond
quickly when played by hand;
an invaluable benefit for
percussion players.
PERCUSSION
SPLASH
Extra thin, very fast
response with a soft,
exotic sound. Perfect
for fast percussive
accents. Designed to
be played by hand.
10“ CA10S
PERCUSSION
CRASHES
High-polished, extra
thin percussion crash.
Fairly dark and soft
sounding. Fast
response and attack
along with a quick
decay.
14“ CA14C
16“ CA16C
TIMBALE
CRASH/RIDE
Fairly dark and exotic
sound with fundamental tone. Soft, washy
response with a
medium sustain. Loud
and penetrating bell
along with a full, warm
sound when played as
a crash.
18“ CA18CR
What’s a percussion
splash?
Candela percussion
splashes, being
extremely thin
cymbals, are hand
hammered from B20
bronze alloy and are
high-polished. Their
response is ultra fast
and they can be played
by hand or by a
percussion stick. They
can be used for quick
percussive accents and
have been specially
developed for the
requirements of
today’s percussion
world.
What’s a percussion
crash?
Candela percussion
crashes, being
extremely thin
cymbals, are hand
hammered from B20
bronze alloy and are
high-polished. Their
response is ultra fast
and they can be played
by hand or by a
percussion stick. They
can be used for fast
crash accents and/or
for full and cutting
sounds.
JINGLE
BELL
Raw and silky finish
offers a sizzling, dry
sound. Six pairs of
jingles attached to the
cymbal produce a
rattling effect.
14“ CA14PJB
What’s a timbale
crash/ride?
The Candela timbale
crash/ride is hand
hammered from B20
bronze alloy and highpolished. It has a very
direct response and a
bright and harmonic
crash sound, which is
perfect for quick
accents. The bell of the
Candela timbale crash/
ride has a cutting yet
warm ping sound.
Perfect for complex
ride patterns.
What’s a jingle
bell?
Candela jingle bells
are hammered
cymbals made from B8
bronze alloy. Their
surface is sandblasted
and they have a very
wide spread bell
combined with a
smaller sized edge.
The six jingle pairs
attached to the cymbal
result in a rattling
sound. It’s a unique
effect cymbal
distinctively different
in sound and look.
10“
14“
16“
18“
Percussion Splash
Percussion Crash
Timbale Crash/Ride
Jingle Bell
MARCHING
Extremely
functional
B8
MS63
Alloy
Alloy
92% 8%
Copper
The MEINL marching range includes a complete selection of cymbal
Tin
pairs for professional use, educational systems, and music therapy.
63% 37%
Copper
Zinc
FX9
Alloy
All MEINL marching
cymbal pairs are
perfectly tonally
matched.
69% 15%
Copper
Zinc
12“
Trooper
Classics
Cadet
15% 1%
Manganese Aluminum
Streamer
Meteor
Gong
52 · MEINL CYMBALS · MARCHING/ORCHESTRA
14“
15“
16“
20“
22“
TROOPER
CLASSICS
Trooper marching
cymbals are computer
hammered from B8
bronze. They are
tonally matched and
have a warm, full sonic
character.
Powerful with a strong
high-end. A perfect
blend of overtones,
harmonics, balance
and immediate
response with brilliant
sustain.
14“ MBCL14C
16“ MBCL16C
Full spectrum of bright
and warm sonic
character with a
voluminous and clear
attack. Rich in
harmonic structure.
14“ MBT14C
16“ MBT16C
STREAMER
Features unique sound
characteristic.
FX9 alloy offers
distinctive, individual
and penetrating
sound.
14“ MBS14C
CADET
Classics marching
cymbals are a division
of our popular Classics
series. They are made
from B8 bronze alloy
and are pressed into
shape using special
computer controlled
devices. They are
tonally matched and
produce a bright, clear
sound.
METEOR
Streamer marching
cymbals are made
from FX9 alloy and are
pressed into shape
using special computer
controlled devices.
They produce a clear
and cutting sound.
An optimum of
sonority with their
perfectly matched
cymbal pairs and
clean, warm, fairly
penetrating range.
12“ MBM12C
14“ MBM14C
15“ MBM15C
STRAP
BAG
The padded deluxe
model BR5 is made
from finest leather and
is the optimum in
comfort. Provides a
soft surface and
excellent protection for
the hands. The
economy model BR3 is
also made from fine
leather and available
in black color.
BR5 deluxe
BR3 economy
Professional Marching
Cymbal Bag for
cymbals up to 16".
Extremely resistant
material with heavy
padding. The bag
includes one fixed
dividing pad, durable
hand grips, adjustable
shoulder strap and an
external compartment.
MCB16
Meteor marching
cymbals are made
from MS63 brass and
are pressed into shape
using special computer
controlled devices.
They have a warm and
clear sound.
ORCHESTRA
GONGS
Wide dynamic
spectrum with a bright
cutting sound, yet a
warm character. Fast
and clean response,
controlled feel and
playability.
12“ MBC12C
14“ MBC14C
16“ MBC16C
Cadet marching
cymbals are made
from B8 bronze alloy
and are pressed into
shape using special
computer controlled
devices. They are
tonally matched and
produce an expressive
sound.
GONG STAND
B20
Alloy
80% 20%
Copper
Tin
MEINL Percussion Gongs have an untreated
surface and are handcrafted from B20 bronze.
They create a voluminous dark sound with an
extremely long sustain.
20“ G20
22“ G22
The MEINL Gong Stand holds all common gongs up
to 22” diameter.
GST22
for 20“- 22“
Adam King
Dirk
Erchinger
Germany (Jazzkantine)
England (Jason Mraz)
Adam i
relentlsescurrently on a
s U.S. to
with t
ur
Americahne best-selling
songwrite singer/
r Jason M
raz.
14“ Byzance Heavy Hihat
21“ Byzance Dark Ride
In 1994 Dirk became
a
member of the very
popular German hip
-hop
/ jazz-band “Jazzkan
tine“.
They produced eight
albums, hit the Germ
an
charts several times
and
were awarded with
the
“Echo” and the “Jazz
Echo” awards. Jazzka
ntine
has worked with
gueststars such as Fre
d
Wesley, Pee Wee Ell
is,
REVISMUSIC.COM
PIRIBAUER
David
USA
A:
B:
C:
D:
E:
F:
d band REVIS. The young group
David is the drummer in L.A. base
“Places for Breathing” (Epic
m
has just released its debut albu
ction of songs with crunchy guitars,
Records) featuring a diverse colle
s. The most important thing to
killer melodies and crashing drum
es you feel, and with this album
REVIS however is how a song mak
good song can take you
REVIS wanted to celebrate how a
away from everything.
ULI KUSCH
germany
ULIKUSCH.DE
ugh
REVIS have been touring all thro
and
Jam
rl
Pea
ing
port
sup
3
200
is
Evanescence. Right now the band
reco rdin g thei r seco nd albu m,
follo wed by exte nsiv e tour ing
activities in 2004.
A:
B:
C:
D:
E: 21“ Byzance Dark Ride
h
14“ Byzance Dark Hihat
F: 17“ Byzance Medium Thin Cras
Ride
Thin
16“ Generation X Safari Crash G: 20“ Byzance
14“ Generation X Filter China H: 10“ Classics Mini Hihat
16“ Byzance Medium Thin Crash
A:
B:
C:
D:
ri Hihat
A: 12“ Generation X Safa
Crash
B: 16“Generation X Safari
Ride
C: 20“ Byzance Medium
Randy Brecker, Barbara
Dennerlein & many others.
Dirk’s no-nonsense style of
drumming and his innate
ability to lay down exactly
what is called for has
enabled Dirk to tour all over
Europe, Africa, and the USA.
Uli’s latest project
“Masterplan” was
formed with ex
Helloween guitar
player Roland
Grapow. The band’s
first album is now out
on AFM Records and
they have been touring
since its release.
14“ Raker Heavy Soundwave Hihat
18“ Amun China
E: 18“ Raker Heavy Crash
17“ Amun Medium Crash
F: 20“ Raker Heavy Ride
17“ Raker Heavy Crash
G: 16“ Amun Medium Crash
H: 20“ Raker China
Schlummberger Christoph, Germany · Schmitt Simon Michael, Germany (Phyxe) · Schneider Christoph, Germany (Rammstein)
Schuster Richard, Germany (Wolfgang Petry) · Schwab Frank, Germany (MCF) · Scott Martin, Scottland (Aereogramme)
Scrimali Matteo, Germany (Joy Denalane) · Seybold Frank, Germany (Hopf) · Shauney Baby, USA (Hilary Duff) · Shinichiro Sato, Japan (The Pillow)
Simon Christophe, France · Simon Wolf, Germany (T.M. Stevens) · Srnec Ludo, Slovakia · Starks John „Jabo“, USA (James Brown)
Strik Chris, Netherlands · Stubblefield Clyde, USA (James Brown) · Summers Bill, USA (Headhunters) · Swica Pawel, Poland (Lombard)
Szabados Tibor, Slovakia (Hex) · Tambini Mark, USA (Zeromind) · Tarakdian Maruo, Brazil · Terrana Mike, Germany (Rage)
Shauney
Pierce
CCorey
orey(God
P
ie
rce
Forbid)
Born in Washington D.C., Shauney
has been surrounded by music her
entire life. She trained as a
vocalist at the Duke Ellington
School of Arts where she studied
music theory, sight reading,
orchestral arrangement, and
rudimental drum studies. While
there, drumming took over and
Baby
(Hilary Duff)
USA
USA
GODFORBID.COM
A: 10“ Byzance Splash
B: 14“ Amun Powerful Hiha
t
C: 17“ Raker Medium Cras
h
D: 18“ Byzance Medium Crash
E: 20“ Byzance Heavy Ride
F: 18“ Amun Medium Cras
h
G: 20“ Byzance China
SHAUNEYBABY.COM
Shauney immersed herself in
the stylistic nuances of jazz, big
band, gospel and r&b. Later, Shau
ney accepted a
scholarship to the University of
the District of
Columbia where she majored in perc
ussive
studies. Since then, Shauney has
toured with
acts such as Salt-N-Pepa, Cree
Summers and
Paulino Rubio. She has also been
the house
drummer for the Keenan Ivory Waya
ns Show and
the BET network’s Lyric Café. Curr
ently, Shauney
can be seen live touring with mult
i-platinum
popstar, Hilary Duff.
God Forbid is New Jersey’s most
recent metal sensation. With
Corey Pierce calling the shots
from behind the drums, the
band is an aural assault to
the senses that leaves the
listener feeling happily
exhausted and cleansed.
Having existed in its
current incarnation for
nearly four years, God
Forbid has released one full
length album and one e.p. on
Century Media records and has
followed up those efforts with
relentless touring. After having made fans
world-wide, God Forbid has just released their
latest full length album on Century Media, entitled „Gone Forever,“ which is
sure to garner the band that
many more fans due to
the non-stop touring
schedule that is currently
underway. Highlights are
appearances on the
Spring 2004 Jagermeister
Music Tour and the Summer 2004 Ozzfest Tour.
NEBULAMUSIC.COM
Ruben Romano
(Nebula)
USA
A: 16“ Raker China
B: 14“ Raker Medium
Soundwave Hihat
Crash
C: 16“ Raker Medium
Crash
D: 18“ Amun Medium
Brann Dailor
E: 10“ Amun Splash
F: 18“ Byzance Medium
Thin Crash
G: 21“ Raker Medium Ride
H: 15“ Raker Medium Cras
h
I: 20“ Raker China
USA
(Mastodon)
Ruben Romano and Nebula
have been dishing out their
blend of heavy mind-altering
psychedelic rock and roll for
the last six years and the
exciting three piece from Los
Angeles show no signs of
stopping. Throughout their
tenure, Nebula has released
three full length albums, two
e.p.’s, and one split-disc. Their
third album, „Atomic Ritual“,
released in September 2003,
A:
B:
C:
D:
Hihat
Crash
22“ Byzance Heavy
Ride
Ride
took their message of cosmic
rock to a new level and they
have been touring in support
of it ever since. Currently,
Ruben and Nebula can be
seen on a stage near you.
A:
B:
C:
D:
14“ Byzance Heavy Hihat
17“ Byzance Medium Crash
20“ Raker Medium Ride
21“ Byzance Dark Ride
an
ms for Mastodon,
Brann mans the dru
g from
lin
hai
ce
for
explosive unbridled
anny
Possessing an unc
Atlanta, Georgia.
tion,
ova
inn
ss
rle
fea
songwriting sense,
d a
nical ability an
unparalleled tech
nt an d
le
ta
w
ra
of
bo tt om le ss po ol
of
on is inarguably one
creativity, Mastod
form in
to
ds
ban
new
the most exciting
band
rs. Brann and his
the last ten yea
Europe
,
USA
the
red
tou
have tirelessly
0,
ir inception in 200
and Japan since the
metal to
sh
eri
fev
of
nd
bringing their bra
tly,
everywhere. Curren
stunned audiences
their
ing
ord
rec
are
on
Brann and Mastod
ng th
20 02 ’s fu ll le
fo ll ow -u p to
album,“Remission“.
www.mastodonrocks.com
Thogersen Frank, Denmark (Bamse) ·Thomas Eric, France · Tornado Kiki, Spain · Vadon Titus, Germany (Das Balaton Combo)
Valdès Amadito, Cuba (Buena Vista Social Club) · Van de Mars Lina, Germany (Payback) · Van Stratum Ron, Netherlands · Vazquez Toni, Spain
Vesper Alex, Germany (DJ Bobo) · Vieten Sabine, Germany (Die Happy) · Vom Dorp Bernd, Germany (Wonderwall)
Waschinger Tomas, Czech. Republic (Petr Muk Band) · Wildfeuer Stefan, Germany (Power Percussion) · Wildoer Peter, Sweden (Darkane)
Wilson Andy, England (Alien Sex Friend) · Winters Nate, USA (Jeff Deyo) · Woo Soung Bo, Korea · Wörner Tobi, Germany (Beatbetrieb)
Zieme Alexander, Germany (Die Prinzen) · Zink Jürgen, Germany (Megaherz) · Zummo Frank, USA (The Zoo)
All features are subject to change without notice. Not responsible for typographic errors. No part of this catalog may be reprinted, reproduced or included in any online-services in any form in whole or in part, without the prior written permission of MEINL cymbals. Printed in Germany · 25.0304.S
meister...grafik
meinlcymbals.com

cymbals 2004 - Meinl Cymbals

Transcription

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