2013–2014 Annual Report - Advisory Council

10TH Anniversary
2014-2015
Transformative encounters with
truth and beauty
Annual Report
2014
FROM THE EXECUTIVE DIRECTOR
As a home for pioneering statements made by today’s artists and a hub of active audience engagement, the DeBartolo
Performing Arts Center is honored to continue contributing to the dialogue about innovative art and ideas in our
contemporary society. As we start the 10th anniversary year season in 2014–15, I am pleased to report that in reviewing
the fiscal year ending June 30, 2014, there is already cause to celebrate. Our diverse programs, the combined contributions of hundreds of dedicated artists and filmmakers, and the generosity of an increasing number of benefactors are
acknowledged within these pages. I am proud to share with you, our supporters and champions, the most recent
successes of the center’s strategic plan initiatives. A particularly dedicated and talented staff, operating within the
highly supportive University of Notre Dame community, achieved each essential step forward.
I extend my sincere thanks and appreciation to the Office of the President, Office of the Provost, University Relations,
the Performing Arts Advisory Council, our many collaborators and my staff. It is truly a shared effort to fulfill the
center’s mission through remarkable artistic and educational programming. Be assured that the DeBartolo Performing
Arts Center is meeting our mission to teach, engage and build community through the performing and cinematic arts.
Our stewardship of this irreplaceable campus and community asset is unwavering—we are a beacon for contemporary
art and culture in the region.
Anna M. Thompson
Executive Director,
DeBartolo Performing Arts Center
MISSION
The DeBartolo Performing Arts Center facilitates learning reflective of Notre Dame’s distinctive
liberal arts tradition through the informed exploration of universal truths and beauty. We serve
to encourage and celebrate the human spirit through the performing and cinematic arts, which
connect, stimulate and enrich our communities.
In response to life’s great questions, we strive to be a premier university presenter advancing
the depth of discourse and wealth of cultural expression in which lies the transformative power
of the arts.
ORGANIZATIONAL OVERVIEW
The DeBartolo Performing Arts Center serves three primary roles:
the University’s leading presenter of world-class artistic programming, an
exemplary catalyst of arts education and the center’s main steward.
Audra McDonald
Third Coast Percussion with Sacred Music at Notre Dame’s Vocale,
Carmen-Helena Téllez, conductor
Timothy Andres, composer
Turtle Island Quartet with guest Nellie McKay
Project Fusion
2013–14 STRATEGIC PRIORITIES
PROGRAMMING WITH A PURPOSE
Ambitious, Diverse Programming in Chamber Music
> Over 12 weeks of teaching residency were offered to campus and community.
> Performances by Kronos, Jerusalem, Pavel Haas, Modigliani and Enso quartets, and
ensembleND included select master class or pre-performance talk opportunities.
> Third Coast Percussion, January 26, 2014 world premiere, Timothy Andres’
Austerity Measures.
> Third Coast Percussion completed six weeks of multidisciplinary arts education and
community engagement in their first year as ensemble-in-residence.
> Additional chamber music performances included Audra McDonald, Kenny Barron Trio,
Turtle Island Quartet with guest Nellie McKay, Project Fusion and Burning River Brass.
Third Coast Percussion, ndWAVES.
Having Third Coast Percussion as the center’s ensemble-
humanities received academic credit for participating in
in-residence adds a new dynamic to our performing arts
this immersive pilot project that combines STEM (science,
programming. Boundary-breaking in their exploration
technology, engineering and math) with the arts.
of the sonic possibilities of percussion music and live
performance, the Chicago-based quartet is particularly
STEAM, the acronym for this rapidly emerging educa-
interested in collaborative cross-disciplinary projects.
tion framework, gave Notre Dame students direct access
That interest was demonstrated in this year’s work, which
to Third Coast Percussion, the College of Engineering’s
brought to Notre Dame a new look at classical music by
state-of-the-art design deck in Stinson-Remick Hall and
nationally recognized living composers. Projects
more than 300 fifth-graders from area schools. Hands-on
furthered our priority goal for the five-year residency
engagement with South Bend-area youth meant exploring
term: to develop, present and record innovative contempo-
the various instrument designs, the scientific properties of
rary chamber music.
the sound capabilities of the distinct instrument selected
by the child, and assembling the instrument for the
This year, the first of a series of bold residency programs
project’s capstone: a performance in the Leighton
centers around Third Coast Percussion’s scheduled
Concert Hall.
October 2014 world premiere of a commission by
Jay Brockman, associate professor and associate dean of community engagement and experiential learning in Notre Dame’s College of Engineering.
composer Glenn Kotche(bottom left image). Kotche,
Scheduled for completion during Third Coast
drummer for the Grammy-winning band Wilco, is well
Percussion’s January residency, this winter’s severe
known for his interest in new musical instrument design
weather delayed realization until May. The unwavering
and engineering to realize aspects of his musical composi-
commitment of each collaborator resulted in a transforma-
tions. Using new instruments and the science of sound
tional day, making tangible the similarities in creativity and
as the starting point, with the help of 3-D printing and
synthesis required by both art and science. Third Coast
laser-cutting equipment, Third Coast Percussion designed
Percussion returns July 2014 to begin their second
and constructed penny whistles, log drums and chimes in
summer residency to culminate in concert with Kotche’s
a year-long collaboration with Jay Brockman, associate
Wild Sound commissioned by the University of Notre
professor and associate dean of community engagement
Dame’s DeBartolo Performing Arts Center with additional
and experiential learning in Notre Dame’s College of
support from the St. Paul Chamber Orchestra’s Liquid
Engineering.
Music Series.
Dubbed ndWAVES (wonder, arts, vibration, energy,
science), more than 50 Notre Dame undergraduate
students from the College of Engineering and the
Notre Dame students also figured prominently this year
The center initiated the creation of the first annual
on the Presenting Series. The Notre Dame Glee Club
TEDxUND, which was held in the Patricia George Decio
performed in a combined choir with Saint Mary’s College
Mainstage Theater on January 21, 2014. Centered around
Women’s Choir during Kronos Quartet’s presentation of
the theme “Creating Knowledge Together,” the day-long
Terry Riley’s Sun Rings.
event featured 19 speakers, who inspired hundreds of
live and virtual attendees with a wide range of 12-minute
The center hosted many events at the cinema this year,
talks containing “ideas worth spreading.” The speakers
which positively reflect the mission of the University.
included faculty, students, alumni and the South Bend
In partnership with the Cushwa Center for the Study of
community. As one of the presenters, Third Coast
American Catholicism, we hosted filmmaker Joe Tropea
Percussion integrated a performance into their engaging
who discussed his film, Hit and Stay, a documentary
talk about collaborating and comprising.
about the Catholic Left. The Harper Cancer Research
Institute supported the visit of Julie Mallozzi who
Modeled on the wildly popular TED Talks (cumulatively
presented her powerful film, Indelible Lalita, a memorable
viewed over 400 million times online), TEDxUND created
portrait of a woman struggling with cancer. Internation-
a unique springboard for new connections and innovative
ally renowned director Diane Kurys also visited to present
projects. The 19 recorded talks have been viewed more
her autobiographical drama, For A Woman, which reflects
than 100,000 times in six months. The event was
on the life of a Jewish family in France in the aftermath
organized with new partnerships across campus, which
of the Second World War. These filmmaker visits have not
included Hesburgh Libraries, Office of the Provost,
only helped raise the center’s international profile but
University Communications, Student Government and
also provided opportunities to examine important social
the center.
Marie Bourgeois delivers her talk, “Finding Your Visual Voice: How to Become an Empowered Consumer,” during the TEDxUND 2014 event at Notre Dame’s DeBartolo Performing Arts Center.
issues.
In addition to these events, the center hosted screenings of the documentary, Bully, for intermediate school
students in the South Bend Community School Corporation. These screenings have inspired the faculty and
administrators to incorporate work related to the problem
of bullying into the school curriculum. The center also
participated in the campus-wide Africana World initiative
with several screenings at the cinema including the
documentary, King: A Filmed Record, presented in
October 2013 to commemorate the 50th anniversary of
Dr. King’s visit to the Notre Dame campus.
Co-Director, Skizz Cyzyk left, and Director, Joe Tropea, from the documentary “Hit & Stay”.
The Notre Dame Glee Club performed in a combined choir with Saint Mary’s College
Women’s Choir during Kronos Quartet’s presentation of Terry Riley’s Sun Rings.
Fluid Infinities co-commissioned by the University of Notre Dame’s DeBartolo Performing Arts Center
LEAVING A LEGACY FOR THE ARTS AT NOTRE DAME
Diavolo Dance Theater premiered the final work in a
trilogy commissioned by the University of Notre Dame,
Fluid Infinities. The three works, Fearful Symmetries,
Foreign Bodies and Fluid Infinities have been premiered in
three presentations over the past six seasons. Diavolo’s
one-week residency prior to February’s performances gave
Notre Dame engineering students the opportunity to pitch
Co-chair Susan Saint James Ebersol
artistic director Jacques Heim original future set piece
in the performing and cinematic arts. Diavolo Dance
ideas complete with miniature 3-D printed models.
Theater provided a breathtaking performance of
Trajectoire, their signature work. The ART+SOUL of Notre
We also completed videography of Heim and the company
Dame screened during the gala offers the deeply affecting
in rehearsal for the Midwest premiere of Fluid Infinities.
sights and sounds of the center’s arts education programs
Already touring the trilogy program nationally and
in action, as well as the vision for the future state of the
internationally, Diavolo returns April 2016 with L’Espace
arts at Notre Dame.
du Temps for a significant evening of dance theater. Our
contemporary dance audience, having grown in number
The Gala Committee, helmed by co-chairs Susan Saint
and enthusiasm over the span of the trilogy’s creation, are
James Ebersol and Dick Ebersol, and Lauran and
avid followers conversant in Diavolo’s unique aesthetic. As
Justin Tuck, with the support of vice chairs Meg and
such, our ownership of L’Espace du Temps, already a signa-
John P. Brogan, set the goal to raise $1 million to benefit
ture set of works for the renowned company known for its
a new Education Endowment for Excellence in the
“architecture in motion,” only grows more momentous
Performing and Cinematic Arts. The goal was exceeded
over time.
reaching $1.2 million. Not only did the ART+SOUL of Notre
Dame inaugural gala attain the financial goal, it also
SUSTAINABILITY
FISCAL CERTAINTY
ART+SOUL of Notre Dame Inaugural Gala
The ART+SOUL of Notre Dame is education. http://delivr.com/2xdsw
completely energized an already amazing Performing Arts
Advisory Council. All but two Gala Committee
The DeBartolo Performing Art Center’s inaugural
members were also council members. The Performing Arts
ART+SOUL of Notre Dame gala was a tremendous success.
Advisory Council raised 34 percent of the total funds;
The gala kicked off the center’s celebratory 10th anniver-
Notre Dame family, friends and the new friends created
sary year season and went on to ultimately raise
through the council’s spheres of influence, contributed
$1.2 million to fund a new endowment for education
the remaining 66 percent.
This special event also brought new attention to the
ADDITIONAL FUNDING OPPORTUNITIES
vibrancy of the Arts at Notre Dame. The ART+SOUL of
Foreign Film and filmmaker engagement activities funded
Notre Dame gala at Cipriani 42 held Monday, April 7,
through Endowments for Excellence, which can be created
attracted 330 celebrants.
at the Distinguished ($500,000) level.
The Met: Live in HD Broadcasts opera programming may
Last year we announced the center’s inclusion in the
be enhanced through Endowments for Excellence, funded
University’s upcoming campaign. Increasing the center’s
at the Distinguished ($500,000) level.
endowments is a top priority. The ART+SOUL of Notre
National Theatre Live Broadcasts gives our students and
Dame Inaugural Gala contributed to this main goal. Now,
faculty unprecedented access to the world’s finest actors,
having successfully established the Endowment for
funded through Endowments for Excellence at the Prize
Excellence in Education for the Performing and Cinematic
($250,000) level.
Arts, we look forward to adding a total of $10 million
Family Programming initiatives can be supported through
before the campaign’s conclusion comprised of:
Endowments for Excellence at the Prize ($250,000) level.
ENSEMBLE-IN-RESIDENCE
$1.5 million
This year we also submitted grant proposals to the Mellon
COMMISSIONING IN THE ARTS
$2 million (starting at $500,000)
Foundation and the National Science Foundation totaling
$3.7 million for award years covering 2015 to 2018. These
SERVICE
[Education] $1 million (starting at $100,000)
are particularly prestigious proposals as submission is by
ECUMENICAL PROGRAMMING
$1 million (starting at $250,000)
invitation only. Arts Midwest and the National Endowment
for the Arts awarded total funding of $18,800 for
CLASSICAL PROGRAMMING
$3 million (starting at $1M)
programs this year and for the coming year.
COMPONENTS OF THE CENTER’S ENDOWMENTS
$20,000,000
$18,000,000
$16,000,000
$14,000,000
GALA CO-CHAIRS
Susan Saint James Ebersol
and Dick Ebersol
Lauran and Justin Tuck
GALA VICE CHAIRS
Meg and John Brogan
HONORARY COMMITTEE
Arthur J. Decio
Phil Donahue
Governor Joe Kernan
Rev. Edward A. Malloy, C.S.C.
Regis Philbin
Martin Short
Hannah Storm
Anne E. Thompson
GALA COMMITTEE
Jeannelle and Brian Brady
Shari and Tom Crotty
Sharon Devine
Ann Divine
Charlie Ebersol
Michelle Renaldo Ferguson
Barbara and John Glynn
Peg McFeeley Golden
and Rick Golden
Jeanne and Tom Hagerty
D. Brooke Harlow
and Kevin S. Lynyak
Leslie and Tom Maheras
Maureen McMeel
Lisa and Ken Schanzer
PERFORMING ARTS ADVISORY COUNCIL
Mike Mountford
Jeannelle Brady
John Murphy
Meg Brogan, Chair
Carmel Naughton
Robert Conway
Jerry O’Grady
Shari Crotty
Jim O’Neill
Sharon Devine
John Schaefer
Ann Divine
Martin Short
Susan Saint James Ebersol
Jack B. Smith Jr.
Micelle Ferguson
Tim Strader
Gayle Francis
Lauran Tuck
Barbara Glynn
Peg McFeeley Golden
Tom Hagerty
John Klein
Michelle Lee
Leslie Maheras
Maureen McMeel
Growth in Total Endowments
from 2011-2014 43.2%
$12,000,000
$10,000,000
Endowments Not Yet Active
$8,000,000
Unrestricted Budget Endowment
Support for Student Tickets
$6,000,000
Unrestricted Budget Endowment
$4,000,000
Endowment to Support Salaries
Endowments for Program Support
$2,000,000
Additional Donations to Programming
$MV 3/31/11
MV 3/31/12
MV 3/31/13
MV 3/31/14
MV 3/31/15 EST
CONTINUE GROWING PARTNERSHIPS AND
ACADEMIC ENGAGEMENT
We partnered on the Presenting Series with the Nanovic
Institute for European Studies (France’s Modigliani String
Quartet), the Jewish Federation of St. Joseph Valley
(Israel’s Jerusalem String Quartet), Center for Arts and
Culture (Hot 8 Brass Band), the Keough-Naughton
Institute for Irish Studies (Danú), College of Engineering
and South Bend Community School Corporation (Third
Coast Percussion), Saint Mary’s Women’s Choir and Notre
Dame Glee Club (Kronos Quartet), Sacred Music at Notre
Dame, Department of Music (ensembleND), and the
Department of Film, Television, and Theatre (Flamenco
Vivo Carlota Santana). Each of these academic
partnerships included financial support for the center’s
presentation of live performance and student and
faculty interaction.
Connecting to the University’s strategic goals of stewardship and engagement in external collaborations means
providing a vast amount of support to academicsponsored events and programs, as well as sustaining
strong relationships with our community arts partners.
Over the past year, the DeBartolo Performing Arts Center
has hosted numerous special events including the College
of Arts and Letters’ launch of seven public radio program
recordings featuring a variety of topic discussions
with University faculty experts. We worked closely with
Shakespeare at Notre Dame in presenting a two-day
Shakespeare in Prisons conference—one of the world’s first
major gatherings of prison arts practitioners. We
continue to support our community arts partners with
annual programming such as Southold Dance Theater’s
presentation of Sleeping Beauty, and hosting the Fischoff
National Chamber Music Competition, which has grown to
ensembleND performs “Rothko Chapel” with Notre Dame Vocale and Carmen-Helena Tellez, conductor.
be the nation’s largest chamber music competition and is
Cinema programming also continues to be a rich source
for academic and community partnerships. This year
one of the most prestigious classical music prizes
attainable today.
yielded working relationship developments among following established, renewed and new with these departments
and institutes: Department of History, Nanovic Institute
for European Studies, Center for Social Concerns, Harper
Cancer Research Institute, Kelly Cares Foundation, River
Bend Cancer Services, Shakespeare at Notre Dame, Snite
Museum of Art, Kroc Institute for International Peace
Studies, Liu Institute for Asia and Asian Studies,
Department of East Asian Languages and Cultures,
Cushwa Center for the Study of American Catholicism,
Department of English, South Bend Community School
Corporation, Keough-Naughton Institute for Irish
Studies, Department of Africana Studies, Department of
Film, Television, and Theatre, Higgins Labor Studies
Program and the Jewish Federation of St. Joseph Valley.
Third Coast Percussion, ndWAVES.
The Fischoff National Chamber Music Competition.
Southold Dance Theater’s presentation of Sleeping Beauty.
MAXIMIZING NEW TECHNOLOGIES
The evidence of progress on all strategic fronts this year
presenters, we are fortunate to have strengthened the
The implementation of DCP technology in the cinema
documents a glorious finale to 2013–14. Time and again when
financial foundation of Notre Dame’s home for the arts.
has greatly enhanced the film and media experience for
faced with new challenges and expanded opportunities, we
As we approach the center’s next decade, I believe this
our patrons. While this system provides a notable
rose to the occasion. We embraced new artistic approaches
year will continue to guide us as we advance our commit-
technical upgrade over past cinema presentations, it has
and refined educational events with visiting artists, and
ment to creative experimentation and the engagement of
also helped expand the scope of cinema programming.
academic and community partners. Even as economic
audiences and supporters.
During the 2014 spring semester, the center worked with
Cary Grant in Alfred Hitchcocks’ North by Northwest.
volatility continues to affect independent and University
the Department of Film, Television, and Theatre to
present a 15-week retrospective of films directed by Alfred
in upgrading our existing Ticket Office point-of-sale
Hitchcock. Because of the center’s unique ability to
machines to a new, more secure operating system, with the
present both DCP and 35mm film, the retrospective
added benefit of improved performance with hardware up-
incorporated an impressive selection of Hitchcock’s films
grades. Moreover, we added functionality to our website that
from his early silent work recently restored by the British
improves the accessibility of online ticket sales to patrons
Film Institute to digital formats to his more well-known
with special needs.
late-career works (Rear Window, Vertigo, North by
Northwest, Psycho) which included a mix of film and
Along those lines, an extensive barrier-removal project
digital formats.
focused the safety and usability of the center by its many
constituencies neared completion. From the lobbies and
Additionally, progress has been made on the Green Belt
restrooms to venues and support spaces to dressing and
continuous improvement project including mapping
green rooms, modifications reduce risk and improve human
existing processes and implementing streamlined work
interaction within the center’s vast footprint.
flows to increase efficiency and improve internal
communications. Specific areas targeted this year were
Other equipment upgrades centered on projection equip-
the cinema booking process and the visiting artist
ment. Three performance venues were updated to provide
advance communication process.
HD projectors and 16:9 screens. Comprehensive technical
specifications for the Leighton Concert Hall and Patricia
There have been a fair amount of technological improve-
George Decio Mainstage Theatre detail these improvements
ments as it relates to ticketing at the center. We finished
and the maintenance of the “state of the arts” within these
the implementation of a new version of Tessitura, v12. This
two venues at the center and are available upon request.
upgrade, part of Tessitura’s ongoing “next generation”
project, adds functionality beyond any previous upgrade.
Safety upgrades have included the installation of a stage
This improvement allows staff to use the system more
edge marker light system in the Decio that is integrated with
effectively, efficiently and thus maintain our promise of
the lighting system and the orchestra pit lift as well as
excellence in patron service. We were also successful
replacing parts in the Leighton’s adjustable acoustics system.
Nanovic Fall 2013 Film Series: “Oh Boy” introduced by director Jan-Ole Gerster.
ART+SOUL OF NOTRE DAME
INAUGURAL GALA SPONSORS
PLATINUM TITLE SPONSORS
FRIENDS
Scott and Loretta Dahnke
Marie Denise DeBartolo York and Edward J. DeBartolo Jr.
Greg Aiello
Brian and Michelle Alexander
Mr. and Mrs. James Allen
Liz and Tom Borger
Steve and Carol Bornstein
Jack and April Callahan
Patrick Cogny | Genpact Ltd
James Connolly
Jim and Chris Corgel
Mr. and Mrs. Bob Costas
Courtland Cox
Niall Cullinane
Nikki and Mike Denvir
Karen McCartan DeSantis and Victor J. DeSantis
Sharon and Ed Devine
Mr. and Mrs. Thomas C. Diebold
Ann and Paul Divine
Phillip Donahue
Susan and Justin Driscoll
Michael, Mary Ellen and Katherine Dudas
Annabelle Duncan
Buell Duncan III
Buell Duncan IV
Tracy Duncan
Mr. Marc Carlson and Dr. Jacqueline DuPont
Drew Esocoff
Jay Ferriero
Daniel Flatley and Dr. Patricia White
Fred Gaudelli
Emily Golden
Margaret McFeeley Golden
Edward T. Hill, CFP
Meltzer and Hill Wealth Advisory, LLC
Stephen and Meg Katter
Howard and Janet Katz
Ed and Judy Keenan
Randy and Jory Fitzgerald Kelly
Kelly Cares Foundation
Tom Klamka
Lisa Klunder
Sarah and Steve Kraemer
Mark and Nicole Lawrence
Stuart Levi and Lauren Aguiar
Skadden, Arps, Slate, Meagher & Flom, LLP
Harold McGraw III
John P. McMahon Jr.
McNamara Purcell Foundation
MichaelAngelos The Event Company
Martin C. Murrer
Dr. and Mrs. John S. Passarelli
Heidi Smith Passarelli
Jeff Powers
Daniel F. Rahill
Dan Renaldo
Mr. and Mrs. Michael Renaldo
Paul and Elizabeth Rossetti
Tommy and Anne Roy
Anne Russell
Dr. and Mrs. Raju Sarwal
Lisa and Ken Schanzer
Mr. and Mrs. Robert P. Schweihs
Patrick Shields
Petra S. Slater, Aon Foundation
Frank E. Smurlo Jr.
GOLD SPONSOR
Meg and John Brogan
SILVER SPONSORS
Shari and Tom Crotty
Dick and Susan Saint James Ebersol
Hagerty Family Foundation
Pamela D. Zilly and John H. Schaefer
Jeanne and Tom Hagerty
BRONZE SPONSORS
Jeannelle and Brian Brady
Patrick Brogan
Robert M. and Ricki Conway
Arthur Decio
Mr. and Mrs. Matthew S. DeSalvo | CRT Capital Group, LLC
Philip J. Eagan
Michelle Renaldo Ferguson
Barbara and John Glynn
Peg McFeeley Golden and Rick Golden
Kirkland & Ellis
Leslie and Tom Maheras
Major League Baseball
Carmel and Martin Naughton
PGA Tour
Janet and Keith Sherin
BENEFACTORS
Clare and Dave Butler
Chad Chronister
Holly and Cris Collinsworth
David and Catherine DeVoe
James J. Dunne
John and Dorette Gerspach
Tom and Patty Guilfoile
Kay and Jerry O’Grady
Clare and Jerry Richer
Dianne and David Stern
Laura and Jack B. Smith Jr.
Timothy L. Strader and Susan M. Strader
Lauran and Justin Tuck
Suzy and Jack Welch
PATRONS
Dr. Bernadette Boyd
Gary and Healy Cosay
Bill and Anna Jean Cushwa
Bill and Patty Indelicato
Lisa DeCrane and Alvaro Saralegui
Fallen Angels Foundation
Guardian Life
Matthew T. Lauer
Mr. and Mrs. Kevin Lynyak
Dennis and Kathy Manning
McGraw Hill Financial
Mark and Brenda Michuda
Carmi and Chris Murphy
Mike and Pam Pasquale
Franklin D. Schurz Jr.
Steven R. Shoemate
John Edward York
Nicole Swartzentruber
Mr. and Mrs. William J. Sweetman
Stephen Thieke
Patrick Toole
Shishir Verma | Genpact Ltd
Fidelma and Bill Woodley
Jerry and Kathi Woods
CONTRIBUTIONS
Thomas Ayers
Kim Biagini
Ned Bolcar
Christine Brogan
Paul Browne
Stephen and Carol Ann Conti
Whitney and Drew DeWalt
Vera Downs
Valerie and Larry Doyle
Dennis Ever
Mr. and Mrs. Michael Farello
Terry Hanratty
Sarah and Steve Kraemer
Micki Kidder
Nicole Lawrence
Chris Losco
Patrick and Lois McCartan
John and Judy McNulty
The Meehan Consulting Group, Inc.
Chet and Rosemary Meisel
Lou Nanni
Dyan K. Rohol
James Ryan
Valerie Stryker
Elaine and Patrick Wackerly
Gerald T. Woods
Thomas York
“Transformative encounters with truth and beauty, as
communicated through the arts, are a treasure that the
DeBartolo Performing Arts Center makes available to
patrons from a remarkably diverse cross-section
of the local and campus community.”
Rev. John I. Jenkins, C.S.C.
President, University of Notre Dame
DEBARTOLO
PERFORMING ARTS CENTER
+